Artmap Praha 7/8 2017

Total Page:16

File Type:pdf, Size:1020Kb

Artmap Praha 7/8 2017 UMA AudioGuide Kanady přestěhovala. Výstava nabízí nejen NADACE A CENTRUM attributed to the realm of handicraft: B5 v němž se postupně představují díla sou- place in the Great court of Rudolfinum, tion upon work conditions for others Pro fotografa Tomáše Hrůzu (1979) je Rodinné scény, dovolená, každodenní Publikum, Muzikanti, Zákulisí a Noc. k / c: kurátor / curator srovnání doby „pre-kanadské“ a kanad- PRO SOUČASNÉ UMĚNÍ ceramics. Unjustly so, as this material is časných autorů vytvořená jako umělecké on the gallery staircase and in the park and herself. Her installation confronts příznačné sebereflexivní hledání vlastní život. Fotografie, různými způsoby modifi- en Portrait of a Music Festival is a visual mimo mapu / out of map ské, ale i nové velkoformátové kresby Dukelských hrdinů 25a (B4) founded upon millennia of knowledge and TRAFO GALLERY reflexe Rembrandtovy malby. Obrazy jsou nearby. Artpark, Café Rudolfinum and patterns of objects associated with pozice v přírodě a civilizaci a obnovování kované, dostávají nový kontext. Weronika map of an event that took place in the s figurálními motivy. Vliv kanadského st – ne / Wen – Sun,12.00 – 18.00 h a history of art that was constantly recon- Holešovická tržnice, Hala 14 (B5) vystavovány v expozici ve Šternberském Kino Rudolfinum will be at your disposal. reproductive work together with abstrac- rovnováhy mezi profánním a duchovním se ve svém umění zaměřuje zejména na summer of 1976 at Pezinok in western Slo- Informace o termínech vernisáží najdete prostředí proniká do malířčiny tvorby přes www.galeriejeleni.cz textualised by contemporaries. st–ne / Wed–Sun, 15.00–19.00, paláci naproti Rembrandtovu dílu. On offer there are also workshops not tion of contemporary painting, which, on i smyslovým a mimosmyslovým. Kvůli fotografie, objekty ale i různé artefakty. vakia. The exhibition consists of thirty-two na stránkách artmap.cz a v našem nekonečný prostor, jiskřivě čisté světlo k / c: Peter Pakesch so / Sat 10.00–19.00 Rembrandt’s painting The Scholar in His only for children and special programme the contrary of reproduction, establishes výstavě „Nejistý vývoj“ dohledával v kra- Její projekty se dotýkají témat souvisejí- large-format photographs taken from Ja- newsletteru. en – GALERIE JELENÍ trafogallery.cz for international visitors to Prague. jině projevy živlů vody a větru, u kterých cích s pamětí a jejími mechanismy. Často a ostré barvy, inspiraci nachází i v inuit- Keiiči Tahara: Fotosyntéza 1978 – 1980 / Study is accompanied by the project After itself as work of author. roslav Prokop’s graduation portfolio from ských duších. Valentýna Janů: Expectations-Reality Mariusz Waras (M-City), Nawer, Bezt (Etam Rembrandt, which presents the works of text: Matěj Pavlík, Lucie Rosenfeldová lze prostřednictvím fotografie či videa pracuje s archivními materiály, obrázky Prague Film Academy (FAMU). It is divided Photosynthesis 1978 – 1980 GALERIE UM UMPRUM A1 en Veronika Holcová had created her Gap 17. 3. – 27. 8. Cru), Sainer (Team Cruz), Sepe, Czarnobyl, contemporary artists in turn created as an Adam Ulbert: Thalassa I. / vyzdvihnout hypnotickou a meditativní z internetu, fotobankami nebo policejními into four thematic cycles entitled Audien- 28. 6. – 30. 7. náměstí Jana Palacha 80 (C3) dimenzi jejího vnímání. archivy. Weronika Gęsická (1984) studova- GALERIE NTK paintings of wild Canadian nature before Národní galerie v Praze představuje Tone, Chazme, Kamil Kuzko, Zbiok, Finer, artistic reflection on Rembrandt’s painting. subliminal intruder ce, Musicians, Backstage, and Night. Přichází čas platforem, rozhraní a sítí. po–so / Mon–Sat 10.00–18.00 Tomáš Hrůza (*1979) ranks among so- la Akademii výtvarných umění a studium Národní technická knihovna she moved to Canada. The exhibition will v evropské premiéře výjimečný cyklus Monstfur The paintings are displayed in an exhibition 11. 8. – 10. 9. en Informační, ekonomické a afektivní plochy vsup.cz/galerie-um called “photographer-collectors“; they’re ukončila na Akademii Fotografie ve Var- – LEICA GALLERY CAFÉ Technická 6 (A1) present not only the comparison of her velkoformátových černobílých fotografií Polish Urban Art in the Sternberg Palace opposite Rem- Adam Ulbert vystudoval filmovou teorii, se mísí s těmi geografickými, společenský- Jaroslav Benda a sort of counterpart to the mythical šavě. Mimo jiné je vítězkou LensCulture po–pá / Mon–Fri 8.00–20.00, “pre-Canadian” and Canadian creative pe- uznávaného japonského fotografa Keiičiho 14. 7. – 13. 8. brandt’s work. kulturní antropologii a umění v Budapešti Marek Musil: Backstage at Prague mi i osobními. Mezi mě a můj horizont se 7. 6. – 15. 7. “photographer-hunters“. He collects Emerging Talent Awards (2016). so / Sat 10.00–16.00 riods but also new large-format drawings Tahary. Cyklus zkoumající vztah fyzikál- Přehlídka současného polského graffiti k / c: Andrea Steckerová a Amsterdamu. Je součastným reziden- Fashion Week vměstnává množství dalších rovin a vrstev. Výstava, uspořádána k doplnění mono- the material for his exhibitions at leisure; en The project is based on vintage techlib.cz with figural motifs. The Canadian environ- ního světla a lidského těla je výsledkem a streetartu. tem na Rijksakademii v Amsterdamu. 30. 3. – 11. 5. ment has influenced the painter’s work Vytvářet umění vlastně neznamená nic en Exhibition of contemporary Polish graffiti grafické publikace o Jaroslavu Bendovi from the “discoveries“ that he happens American archival photography from fotografických sezení legendárního C2 GHMP uspořádá výstavu Jaroslava Róny Jeho pokračující sérii Thalassa sleduje Vendula Mlejnská: Cities with its infinite space, brightly clean light jiného než hledat nové horizonty; nové, and street art culture. (1882–1970), je koncentrovaným průře- upon during his travels undertaken as the 1950-60s. Family scenes, holiday japonského herce a tanečníka Mina Tanaky v Domě U Kamenného zvonu. Nová psycho-evoluční logiku. Sestavené díla 12. 5. – 18. 6. A4 and sharp colours, and she finds her inspi- i když provizorní, spojnice a perspekti- k / c: Czezary Hunkiewicz NÁRODNÍ GALERIE V PRAZE – zem Bendovy celoživotní práce a zároveň a minority-oriented tourist, an aimless souvenirs, everyday life. The images, s Keiičim Taharou probíhajících v letech výstava, jež časově navazuje na díla z roku vytvoří platformu pro vzájemně plodný ration in the souls of the Inuits. vy. Vytvářet znamená balancovat mezi VALDŠTEJNSKÁ JÍZDÁRNA / THE poctou autorovi. pilgrim, a voluntary nomad or a profes- modified in various ways, are wrapped TOPIČŮV SALON A KLUB HOLEŠOVICKÁ ŠACHTA 1978 až 1980. 1997, zahrnuje sochařské a malířské práce dialog mezi zdánlivě odlišnými oblastmi. k / c: Petr Vaňous smyslem a nesmyslem, rýsovat hrany NATIONAL GALLERY IN PRAGUE – en This exhibition completes a mono- sional driver. His romanticism has always in new context. Photography as well as Národní 9, 1. patro (D3) Bubenská 14 (A4) en The National Gallery in Prague is proud C1 z posledních dvaceti let. Prostřednictvím Po specifické linii myšlenek se umělec a oddělení, které spojují. WALDSTEIN RIDING SCHOOL graph dedicated to Jaroslav Benda included a fondness for all things magical objects and artefacts are the central po, čt, pá / Mon, Thu, Fri 10.00–17.00, st–ne 15.00-19.00 to present for the first time in Europe an videoinstalací divákům přiblíží také au- snaží poukázat na formální a existenci- en Time of platforms, boundaries and GALERIE AMU Valdštejnská 3 (C2) (1882–1970). Offering a comprehensive and out-of-the-senses. focus of Weronika’s art. Her projects út, st / Tue, Wed 10.00–18.00 D ominik Adamec , Dana Bartoníčková, exquisite series of large format black-and- torovy realizace do veřejného prostoru, ální podobnosti mezi objekty, entitami KMENY 90 BRNO.qxp_Artmap 12.04.17 0 B3 networks is approaching. Informational, Galerie Akademie múzických appraisal of Benda’s life and work. address topics related to memory and its topicuvsalon.cz Ondřej Filípek , Marisa Grilo , Eva Hérová, white photographs from the series by the František Skála Jízdárna / Riding School z nichž některé poutají mimořádný zájem a myšlenkami. Milan Mikuláštík: Makapansgat Project ZAHORIAN & VAN ESPEN economical and affectional planes inter- umění v Praze, Hartigovský palác, k / c: Petra Dočekalová, Lucie Urbánková mechanisms. She often works with archi- Lukáš Hoffman , L enka Chánová , Hana acclaimed Japanese photographer, Keiichi 10. 3. – 3. 9. veřejnosti a dokážou vzbuzovat i vyhroce- en Adam Ulbert studied Film Theory, Cul- Excerpt: from the History of Photogra- CRASHTEST 7 Šmeralova 3, (2. patro / 2nd floor) (B3) fere with the geographical, social, as well Malostranské náměstí 12, vchod val materials, images found on internet, Chmelíková, Kateřina Konvalinová, Tahara. Exploring the relationship between Výstava představuje převážně práce vznik- né názorové polemiky a reakce. NÁRODNÍ GALERIE V PRAZE – tural Anthropology and Art in Budapest phy 13. 6. – 4. 7. k u r á t o r út – pá / Tue – Fri 14.00 – 18.00 as personal ones. A mass of other levels z průchodu do ul. Tržiště (C1) stock photos or police archives. Weronika Batmanlai Narankhuu, Josef Šmíd, Edita physical light and the human body, this lé od roku 2004 do současnosti. V autor- en The Prague City Gallery is getting back PALÁC KINSKÝCH / THE NATIONAL and Amsterdam. He is currently resident 9. 6. – 8. 7. Zátěžová zkouška studentů dějin umění. V l a d i m i r nebo po dohodě / or by appointment and layers is forcing itself between me út–ne / Tue-Sun 10.00–12.00, Gęsicka (1984) graduated from the Acad- 5 1 8 series is based upon multiple photo at Rijksakademie in Amsterdam. His Druhý ze série velkoformátových pla- en Crashtest students of art history. Štrajtová: Hlavy vzhůru / Heads Up and my horizon. ské architektonické a výstavní koncepci, to Jaroslav Róna´s oeuvre after twenty GALLERY IN PRAGUE – KINSKÝ PALACE emy of Fine Arts and completed her www.zahoriangallery.com 13.00–18.00 ongoing series Thalassa follows a certain kátů pro chodbu Školské 28 pojal Milan k / c: studentský tým / student team 28. 6. – 23. 7. Václav Janoščík sessions which Keiichi Tahara conducted vycházející z prostoru Valdštejnské jízdár- years.
Recommended publications
  • December 2007
    December 2007 Issue 5 ISSN 1553-3069 Table of Contents Editorial A Time of Transition ................................................................ 1 Jonathan Reams Peer Reviewed Works The Evolution of Consciousness as a Planetary Imperative: An Integration of Integral Views ............................................................. 4 Jennifer Gidley Editorially Reviewed Works Towards an Integral Critical Theory of the Present Age ..................... 227 Martin Beck Matuštík Illuminating the Blind Spot: An Overview and Response to Theory U ............................................ 240 Jonathan Reams Sent to Play on the Other Team ........................................................... 260 Josef San Dou Art and the Future: An Interview with Suzi Gablik ............................. 263 Russ Volckmann cont'd next page ISSN 1553-3069 Reactivity to Climate Change .............................................................. 275 Jan Inglis Developing Integral Review: IR Editors Reflect on Meta-theory, the Concept of "Integral," Submission Acceptance Criteria, our Mission, and more............................................................................................... 278 IR Editors ISSN 1553-3069 Editorial A Time of Transition As we welcome you to the fifth semi-annual issue of Integral Review (IR), I would like to point to signs that mark a time of transition for this journal. Some are small, like shifting our table of contents headings to more clearly identify which works are peer reviewed, and changing the spacing between articles’ paragraphs. Others are more obvious, like the ability and willingness to publish even longer works than previously, in addition to the ongoing array of works published. Some transitions are in process and less visible. For example, we are working to evolve IR’s structure to reflect its degree of engagement from others, and making behind the scene shifts in our ability to better understand and realize the goals we set out to accomplish.
    [Show full text]
  • Following the Trail of the Snake: a Life History of Cobra Mansa “Cobrinha” Mestre of Capoeira
    ABSTRACT Title of Document: FOLLOWING THE TRAIL OF THE SNAKE: A LIFE HISTORY OF COBRA MANSA “COBRINHA” MESTRE OF CAPOEIRA Isabel Angulo, Doctor of Philosophy, 2008 Directed By: Dr. Jonathan Dueck Division of Musicology and Ethnomusicology, School of Music, University of Maryland Professor John Caughey American Studies Department, University of Maryland This dissertation is a cultural biography of Mestre Cobra Mansa, a mestre of the Afro-Brazilian martial art of capoeira angola. The intention of this work is to track Mestre Cobrinha’s life history and accomplishments from his beginning as an impoverished child in Rio to becoming a mestre of the tradition—its movements, music, history, ritual and philosophy. A highly skilled performer and researcher, he has become a cultural ambassador of the tradition in Brazil and abroad. Following the Trail of the Snake is an interdisciplinary work that integrates the research methods of ethnomusicology (oral history, interview, participant observation, musical and performance analysis and transcription) with a revised life history methodology to uncover the multiple cultures that inform the life of a mestre of capoeira. A reflexive auto-ethnography of the author opens a dialog between the experiences and developmental steps of both research partners’ lives. Written in the intersection of ethnomusicology, studies of capoeira, social studies and music education, the academic dissertation format is performed as a roda of capoeira aiming to be respectful of the original context of performance. The result is a provocative ethnographic narrative that includes visual texts from the performative aspects of the tradition (music and movement), aural transcriptions of Mestre Cobra Mansa’s storytelling and a myriad of writing techniques to accompany the reader in a multi-dimensional journey of multicultural understanding.
    [Show full text]
  • Adyslipper Music by Women Table of Contents
    .....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati­ available. LP = record, CS = cassette, CD = com­ schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc.
    [Show full text]
  • The Alchemy of Art: a Study in the Evolution of the Creative Mind of John Keats G
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: English, Department of Department of English 7-1967 The Alchemy of Art: A Study in the Evolution of the Creative Mind of John Keats G. Brian Sullivan University of Nebraska-Lincoln Follow this and additional works at: http://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Sullivan, G. Brian, "The Alchemy of Art: A Study in the Evolution of the Creative Mind of John Keats" (1967). Dissertations, Theses, and Student Research: Department of English. 105. http://digitalcommons.unl.edu/englishdiss/105 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 'IHE ALCHEMY OF ABT A SNDY III 7HE EVOLU7IOII OF 7HE CREATIV£ MIND OF JOB. KEA7S by G. Brian Sullivan A THESIS Presented to the Faculty of The Graduate College in the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy DepartD8nt of English Under the Supervision of Profes.or Bernice Slote Lincoln, Nebraslea .July 9, 1967 TITLE THE ATCHEMY OF ART; A STUDY IN THE EVOUJTION OF THE _______ CREATIVE MIND OF JOHN KEATS_________ BY ________ ft. Brian SuTHvan.__ Eh_JL________ APPROVED DATE Bernice Slote__________________ July 31. 1967 Lee T. Lemon___________________ July 3U-1967 Hugh Luke______________________ July 31. 1967 Robert L. Hough________________ July 31. 1Q67 Robert M.
    [Show full text]
  • The Femme Fatale As Symbol of the Creative Imagination in Late Victorian Fiction
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1969 The eF mme Fatale as Symbol of the Creative Imagination in Late Victorian Fiction. Larry Thomas Biddison Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Biddison, Larry Thomas, "The eF mme Fatale as Symbol of the Creative Imagination in Late Victorian Fiction." (1969). LSU Historical Dissertations and Theses. 1637. https://digitalcommons.lsu.edu/gradschool_disstheses/1637 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 70-9037 BIDDISON, Larry Thomas, 1936- THE FEMME FATALE AS SYMBOL OF THE CREATIVE IMAGINATION IN LATE VICTORIAN FICTION. The Louisiana State University and Agricultural and Michanical College, Ph.D., 1969 Language and Literature, modem University Microfilms, Inc., Ann Arbor, Michigan THE FEMME FATALE AS SYMBOL OF THE CREATIVE IMAGINATION IN LATE VICTORIAN FICTION A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Larry Thomas Biddison B.A., Texas A & I University, 1958 M.A., Louisiana State University, 1963 August, 1969 ACKNOWLEDGMENTS I wish to express my deep appreciation to Dr. Thomas L. Watson for contributing much to my understanding of both the Victorian and the modern novel, as well as for making many important suggestions concerning this study.
    [Show full text]
  • What Size Is the Universe? the Cosmic Uroboros
    Chapter 6 What Size is the Universe? The Cosmic Uroboros The size of a human being is at the center of all the possible sizes in the universe. This amazing assertion challenges not only the centuries-old philosophical assumption that humans are insignificantly small compared to the vastness of the universe but also the logical assumption that there is no such thing as a central size. Both assumptions are false, but we have to reconsider the key words of the assertion – center, possible, size, and universe – to reveal the prejudices built into them that constrict and distort our picture of reality. In the modern universe there is a largest and a smallest size, and therefore a middle size. The size of a thing is not arbitrary but crucial to its nature, which is why scale models can never really work. Only by understanding size and its role in determining which laws of physics matter on different size scales can we can get an accurate perspective on anything outside the narrow realm of human experience. This chapter will develop a new symbolic picture of the universe that portrays us in our true place among everything else that exists. There are wildly different-sized objects in the universe. Betelgeuse is the bright star at the upper left corner of the familiar winter constellation Orion. It is a red giant so monstrously larger than our sun that it could fill the orbit of Mars. Earth is a mere pebble beside it. But compared to our home Galaxy, the Milky Way, Betelgeuse is just a spark in a raging forest fire.
    [Show full text]
  • The Art and Science of Somatic Praxis
    THE ART AND SCIENCE OF SOMATIC PRAXIS INCORPORATING US ASSOCIATION FOR BODY PSYCHOTHERAPY JOURNAL volume fourteen ● number two ● fall 2015 International Body Psychotherapy Journal USA; Mark Ludwig, USA; Bernhard Maul, Germany; Narelle The Art and Science of Somatic Praxis McKenzie, Australia; Linda Marks, USA; Elizabeth Marshall, Germany; Susan McConnell, USA; Mark Rackelman, Germany; (formerly US Association for Body Psychotherapy Journal) Marjorie Rand, PhD, USA; Professor Frank Röhricht, UK; volume fourteen · number two· fall 2015 Bernhard Schlage, Germany; Asaf Rolef Ben-Shahar, PhD, Israel/UK; Talia Shafir, USA; Homayoun Shahri, PhD, USA; The International Body Psychotherapy Journal (IBPJ) is Kathrin Stauffer, PhD, UK; Laura Steckler, PhD, UK; Sharon a peer-reviewed, online journal, published twice a year in Stopforth, Canada; Maurizio Stupiggia, Italy; Jennifer Tantia, spring and fall. It is a collaborative publication of the United USA; Nick Totton, UK; Courtenay Young, UK. States Association for Body Psychotherapy (USABP) and the European Association for Body Psychotherapy (EABP). It is Abstract Translators: Albanian, Enver Cesko & students; a continuation of the USABP Journal, the first ten volumes German, Elizabeth Marshall; Greek, Eleni Stavroulaki; Italian, of which can be ordered through the website http://www. Fabio Carbonari; Portuguese (Brazil) Ronaldo Destri de Moura; ibpj.org/subscribe.php. Russian, Evgeniya Soboleva; Serbian, Maja Lekic; Spanish, The Journal’s mission is to support, promote and stimulate David Trotzig. the exchange of ideas, scholarship and research within the field of body psychotherapy as well as to encourage an USABP Board of Directors interdisciplinary exchange with related fields of clinical President: Beth Haessig, Psy.D theory and practice through ongoing discussion.
    [Show full text]
  • Art and Aesthetics After Adorno
    The Townsend Pa P e r s i n T h e h u m a n i T i e s No. 3 Art and Aesthetics After Adorno Jay M. Bernstein Claudia Brodsky Anthony J. Cascardi Thierry de Duve Aleš Erjavec Robert Kaufman Fred Rush Art and Aesthetics After Adorno The Townsend Pa P e r s i n T h e h u m a n i T i e s No. 3 Art and Aesthetics After Adorno J. M. Bernstein Claudia Brodsky Anthony J. Cascardi Thierry de Duve Aleš Erjavec Robert Kaufman Fred Rush Published by The Townsend Center for the Humanities University of California | Berkeley Distributed by University of California Press Berkeley, Los Angeles, London | 2010 Copyright ©2010 The Regents of the University of California ISBN 978-0-9823294-2-9 Library of Congress Cataloging-in-Publication Data Art and aesthetics after Adorno / J. M. Bernstein...[et al]. p. cm. — (The Townsend papers in the humanities ; no. 3) ISBN 978-0-9823294-2-9 1. Aesthetics, Modern—20th century 2. Aesthetics, Modern—21st century 3. Adorno, Theodor W., 1903–1969. Ästhetische Theorie. I. Bernstein, J. M. BH201.A78 2010 111’.850904—dc22 2010018448 Inquiries concerning proposals for the Townsend Papers in the Humanities from Berkeley faculty and Townsend Center affiliates should be addressed to The Townsend Papers, 220 Stephens Hall, UC Berkeley, Berkeley, CA 94720- 2340, or by email to [email protected]. Design and typesetting: Kajun Graphics Manufactured in the United States of America Credits and acknowledgements for quoted material appear on page 180–81.
    [Show full text]
  • Landscapebody Dwelling
    LANDSCAPE BODY DWELLING Charles Simonds at Dumbarton Oaks LANDSCAPE BODY DWELLING Charles Simonds at Dumbarton Oaks John Beardsley, editor Dumbarton Oaks Contemporary Landscape Series dumbarton oaks research library and collection, washington, d.c. © 2011 Dumbarton Oaks Trustees for Harvard University, Washington, D.C. All rights reserved. Printed in China by Everbest Printing Company, Ltd. Library of Congress Cataloging-in-Publication Data Simonds, Charles, 1945– Landscape body dwelling : Charles Simonds at Dumbarton Oaks / John Beardsley, editor. p. cm. — ( Dumbarton Oaks contemporary landscape series ; 3 —formerly Dumbarton Oaks contemporary landscape design series) Includes bibliographical references. ISBN 978-0-88402-371-5 (pbk. : alk. paper) 1. Simonds, Charles —Exhibitions. I. Beardsley, John. II. Dumbarton Oaks. III. Title. IV. Title: Charles Simonds at Dumbarton Oaks. NB237.S565A4 2011 730.92–dc22 Book and cover design: Kathleen Sparkes Editor: Sara Taylor Cover photographs: Front: Head (from I, Thou), 1993, clay and plaster, collection of the artist. ©Dumbarton Oaks Research Library and Collection. Back: Uroboros, 1973, resin, collection of the artist. Photograph courtesy of Charles Simonds. Frontispiece: Mental Earth, 2003, metal, polyurethane, clay, and wood, collection of the artist. Photograph courtesy of Charles Simonds. www.doaks.org/publications Contents Charles Simonds The Dumbarton Oaks Project 1 John Beardsley portfolio introductory gallery 15 Site Report Charles Simonds In Situ in the Dumbarton Oaks Museum 23 Joanne
    [Show full text]
  • The Four Phases of Wilber's Theory of Human
    Ken Wilber’s Model of Human Development: An Overview v.5.0 Compiled by Paul M. Helfrich September 4, 2007 1 Foreword This compilation is a work in progress that outlines Ken Wilber’s integral theory to date. There have been four main phases, and an emergent Phase-5, in a body of work that covers almost thirty-five years, over twenty books, and numerous articles. As I researched them, it became clear that these phases are, in fact, a great way to introduce his overall system – a sort of Wilber 101. The main challenge was what concepts to leave out so that what remained adequately reflects the foundational core. The following excerpts, mostly in Wilber’s own words, help the theory unfold in its own developmental fashion. As always, it’s critical to study the books for all the gory details. Often times, subtle details, clarifications, and novel concepts are found in various endnotes, some reaching fifteen or more pages in length. There are also three websites that provide additional resources for further study. The Wilber site on Shambhala, his main publisher: http://wilber.shambhala.com/html/archive/archive.cfm The Wilber site on: http://www.kenwilber.com Frank Visser’s Integral World: Exploring Theories of Everything website: http://www.integralworld.net Kenneth Earl Wilber (b. 1949), the integral philosopher and psychologist, resides in Denver, Colorado. He is a founding principal of the Integral Institute in nearby Boulder. He traces his family lineage back to Meriwether Lewis (of the Lewis and Clark Expedition), was born an “Air Force brat” in Oklahoma City, OK, is around 6’5” tall, tips the scales around 185 pounds, has a penchant for dogs, Red Bull, and chocolate, and considers himself a pandit, or scholar/teacher; a concept derived from the Hindu tradition of jnana yoga.
    [Show full text]
  • For the Creative Professional Working in Hot, Warm, and Cold Glass
    For the Creative Professional January/February 2014 Working in Hot, Warm, and Cold Glass $7.00 U. S. $8.00 Canada Volume 29 Number 1www.GlassArtMagazine.com One Fire Mountain Way, DEPT C066 Grants Pass, OR 97526-2373 1-800-355-2137 America’s Favorite Beading and Jewelry Supply Company® Request your Free 448 page catalog online You supply the creativity, we supply everything else!® Showcasing the artwork of Jessie Stern, MD basicallybuttonsandbeads.com Fire Mountain Gems and Beads© 2014 Save time...save money... Invest in Quality Introducing the Mini Scarab Backed by Skutt We are not happy unless Balanced Stainless you are happy. Two full Steel Main Door time techs on staff, 5 days a Opens and closes to a week. tight seal with ease. Mini Scarab - $2535.00 Optional Outboard Point Rest $65 Smooth Hinge Powder Coated Re-engineered hinge is smooth and precise. Durable and Environmentally friendly. Balanced Wood The Ultimate Upgrade Door Handle New Secondary Point Rest Cool to the touch. smoothly moves up and down and in and out with ease. New scalloped profile. Easy-Glide Point Rest Front and Back Handles Optional 4” rests Four sturdy nickel plated available for more handles are positioned for loading flexibility. ergonomic lifting. Stays Cool Just Press Go! Vent holes keep electronics cool. Easy to use controller designed by Flame Working Artist Marcel Slide-out Chassis Braun specifically for Easy access to compo- Borosilicate Glass. nents. “You just press GO!”. MODEL PHASE VOLTS AMPS WATTS TEMP CU. FT. HEIGHT WIDTH DEPTH SHIP WT. WIRE BREAKER
    [Show full text]
  • Artist's Nude Self- Representation and Poetics of Revolt in the Age of Technological Proliferation
    THE ART OF BODILY SENSATIONS: ARTIST'S NUDE SELF- REPRESENTATION AND POETICS OF REVOLT IN THE AGE OF TECHNOLOGICAL PROLIFERATION IZABELLA PRUSKA-OLDENHOF A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY JOINT GRADUATE PROGRAMME IN COMMUNICATION & CULTURE (A PARTNERSHIP OF RYERSON UNIVERSITY& YORK UNIVERSITY) YORK UNIVERSITY, TORONTO, ONTARIO NOVEMBER 2008 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-90119-9 Our file Notre reference ISBN: 978-0-494-90119-9 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]