DOCSLIB.ORG

For the Creative Professional Working in Hot, Warm, and Cold Glass

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
For the Creative Professional Working in Hot, Warm, and Cold Glass For the Creative Professional January/February 2014 Working in Hot, Warm, and Cold Glass $7.00 U. S. $8.00 Canada Volume 29 Number 1www.GlassArtMagazine.com One Fire Mountain Way, DEPT C066 Grants Pass, OR 97526-2373 1-800-355-2137 America’s Favorite Beading and Jewelry Supply Company® Request your Free 448 page catalog online You supply the creativity, we supply everything else!® Showcasing the artwork of Jessie Stern, MD basicallybuttonsandbeads.com Fire Mountain Gems and Beads© 2014 Save time...save money... Invest in Quality Introducing the Mini Scarab Backed by Skutt We are not happy unless Balanced Stainless you are happy. Two full Steel Main Door time techs on staff, 5 days a Opens and closes to a week. tight seal with ease. Mini Scarab - $2535.00 Optional Outboard Point Rest $65 Smooth Hinge Powder Coated Re-engineered hinge is smooth and precise. Durable and Environmentally friendly. Balanced Wood The Ultimate Upgrade Door Handle New Secondary Point Rest Cool to the touch. smoothly moves up and down and in and out with ease. New scalloped profile. Easy-Glide Point Rest Front and Back Handles Optional 4” rests Four sturdy nickel plated available for more handles are positioned for loading flexibility. ergonomic lifting. Stays Cool Just Press Go! Vent holes keep electronics cool. Easy to use controller designed by Flame Working Artist Marcel Slide-out Chassis Braun specifically for Easy access to compo- Borosilicate Glass. nents. “You just press GO!”. MODEL PHASE VOLTS AMPS WATTS TEMP CU. FT. HEIGHT WIDTH DEPTH SHIP WT. WIRE BREAKER RECEPTACLE MINI SCARAB 1 240 16 3840 1700 1.4 16.25” 12” **12” *220 LBS 12 20 5-20 *WEIGHTS ARE ESTIMATES ONLY **ADD 2” TO INCLUDE STEP MEASUREMENT for more information on Skutt Kilns or to find a local distributor, visit us at :www.skutt.com or call us directly at 503.774.6000 Letter from the Editor The New Year Fosters New Opportunities 6 by Shawn Waggoner January/February 2014 Volume 29, Number 1 Hot Glass Studio Profile Renee Wiggins 8 Taking Ownership of a Business through Strategic Use of Social Networking by Colleen Bryan Working Greener Jackson County Green Energy Park 12 Transforming Waste to Fuel Glass by Colleen Bryan International Glass Just Glass 16 A Showcase of Contemporary Kiln Formed Glass by Michael Barrett Marketing Facebook Paid Advertising 18 by Mark Veit Independent Artist Outside of Time 20 The Engraved Works of Alison Kinnaird by Shawn Waggoner Pioneers in Glass Life, Death, and the Moments In Between 28 Ruth Brockmann’s Legacy by Shawn Waggoner Skills and Techniques Dichroic Starfish Design 34 An Introduction to Using Dichroic Extract in a Fusing Environment by Kate MacLeod Art Glass Studio Profile No Rules, No Limitations 40 The Etched and Stained Glass Art of Kathy Barnard by Shawn Waggoner 47 Readers’ Forum Architectural Glass Providing Glass for Frank Lloyd Wright’s Usonian House 48 by Shawn Waggoner What’s New Featuring the latest in books and products for the glass enthusiast 54 by Darlene Welch AGG News A Lesson from the Past 58 by Anthony Glander SAMA News Enthusiastic Response to SAMA’s Mosaic Demonstration at SOFA Chicago 60 by Gwyn Kaitis Advertisers’ Index 62 Above: Beads by Renee Wiggins On the cover: Crocodile Shaman by Ruth Brockmann 4 • Glass Art TM • January/February 2014 www.GlassArtMagazine.com At Ed Hoy’s, we work with your business, not against it. No retail sales No online competition Experience the difference www.edhoy.com Mark Abelgaard educate. lead. inspire. COATINGS BY SANDBERG, INC. www.GlassArtMagazine.com Glass Art TM • January/February 2014 • 5 Glass Art Letter from the Editor Volume 29, Number 1 Publisher ~ Maureen James The New Year Fosters New Opportunities Editor ~Shawn Waggoner This issue of Glass Art includes a special look into Copy Editor ~ Darlene Welch the lives and work of three artists who have made Accounting ~ Rhonda Sewell stunning contributions to the glass art world. Ruth Circulation Manager ~ Kathy Gentry Brockmann was one of the pioneers of kiln formed Advertising ~ Maureen James glass and the Bullseye fusing movement. A disciple of Boyce Lundstrom’s, Brockmann put fused glass on the Graphic Artists ~ Dave Burnett map with her groundbreaking masks and large public Mark Waterbury commissions. Copper wheel engraving artist, Alison Contributing Artists and Writers Kinnaird, combines thought-provoking content, modern imagery, and hi-tech lighting to Michael Barrett, Colleen Bryan tell her luminous stories about mankind and its struggles. Kathy Barnard creates deeply Tony Glander, Gwyn Kaitis carved and etched glass, stained glass pieces, and carved granite-and-tile murals for site- specific commissions. Kate MacLeod, Mark Veit All three were self taught, relying upon mentors and a shared pool of knowledge to Shawn Waggoner, Darlene Welch advance their art. All three achieved their aesthetic and technical goals through experi- Glass Art™ mentation and discovery, adding their own knowledge to the pool in the great circle of ISSN 1068-2147 is published bimonthly community sponsored learning. Barnard reflects: “I didn’t know the rules, but I also didn’t know the limitations.” by Glass Patterns Quarterly, Inc. The glass art industry is unique. Artists in this tight-knit community have been able to POSTMASTER: Send address advance and prosper due to the experimental nature of pioneers and visionaries who came changes to Glass Art, before. Their willingness to share information is the cornerstone of our success. In keeping 8300 Hidden Valley Road, with that tradition, Glass Art announces upcoming Glass Expert Webinars for 2014. These P.O. Box 69, Westport, KY 40077 live, two-hour interactive Web workshops with renowned glass artists require no traveling and provide the opportunity to expand your skills. Visit the Glass Expert Webinars™ link Telephone: 800-719-0769 under “What’s New” at www.glasspatterns.com for more details and local times. 502-222-5631 Glass Art magazine and its sister publications, Glass Patterns Quarterly and The Flow, Facsimile: 502-222-4527 are also proud to sponsor the Gallery of Excellence and the Demo Stage at the 2014 Glass Website: www.GlassArtMagazine.com Craft & Bead Expo, held March 26–30 at the South Point Hotel and Casino in Las Vegas, E-mail: [email protected] Nevada. Celebrating its 20th anniversary, the Expo offers 250 classes in hot, warm, and cold glass with nationally acclaimed instructors. The exhibit hall will be open to wholesale Subscriptions: United States, Canada, and retailer buyers and feature beautiful glass art and beads. We hope to see you there. and Mexico (U.S. Funds): one year $30; two years $48; three years $60. Foreign Wishing you a year of discovery, exploration, and ignoring limitations, (U.S. Funds): one year $56, one year airmail $70. Single copy price (U.S.) $7. Shawn Waggoner All subscriptions must be paid in Editor U.S. dollars, with an international money order or with a check drawn on a U.S. bank. Periodicals Postage Paid at Westport, KY 40077 and additional mailing offices. ©2013 Glass Patterns Quarterly, Inc. All items submitted to Glass Art become the sole property of Glass Art and cannot Detail of etched panel by Kathy Barnard. be reproduced without the written con- sent of the publisher. Advertisers and/or agencies assume all liabilities for printed advertisements in Glass Art. Opinions Deadlines for Advertising expressed in Glass Art may not necessar- March/April 2014 May/June 2014 ily reflect the opinion of the magazine, its Ad Closing January 20, 2014 Ad Closing March 20, 2014 management, or its advertisers. Ad Materials January 30, 2014 Ad Materials March 30, 2014 Issue Mails February 11, 2014 Issue Mails April 14, 2014 6 • Glass Art TM • January/February 2014 www.GlassArtMagazine.com www.GlassArtMagazine.com Glass Art TM • January/February 2014 • 7 Hot Glass Studio Profile Renee Wiggins Taking Ownership of a Business through Strategic Use of Social Networking by Colleen Bryan henever Renee Wiggins isn’t spending time at the torch or shipping product, she is working at the computer on the WInternet. Most glass artists realize that they have to turn to social networking and the Internet to help them market their work these days, but Wiggins, of Tucson, Arizona, uses the medium to strategi- cally advance her business goals with a savvy and sophistication that set her apart. Beyond simply throwing messages over the wall in hopes that they will keep her visible to prospective buyers, the lampworker leads us through a constellation of Internet tools and describes how each contributes to her overall business plan. Marketing As Wiggins comes up with new designs or product, she advertises Renee Wiggins Belize. them on her Facebook page for Renee Wiggins Design. Intermittent postings deal with what is new, sale items, upcoming shows, and The artist is especially excited at the prospect of Etsy Whole- other promotional concerns. Wiggins makes good use of images and sale, which is now in beta testing and has the potential to provide adjectives in her Facebook posts, which feature richly photographed online visibility to wholesale buyers. Her business plan calls for her beadwork and jewelry. to diversify away from strictly original one-of-a-kind pieces and Wiggins maintains two Etsy stores on that virtual marketplace. move toward making more sets and collections. She would like to She first established JetAge Studio in 2008 to sell a small line of mur- distribute those products through wholesalers rather than acting as rine, and it blossomed to include frit and changeable jewelry supplies her own retailer. As Wiggins’ business plan makes these shifts in for other beadmakers and glass artists. When she perceived that her the next few years, the emergence of Etsy Wholesale could provide art was taking a back seat to the supply lines, Wiggins opened Renee ready access to wholesalers who now are reachable only through Wiggins Design.
Load more

Recommended publications
  • December 2007
    December 2007 Issue 5 ISSN 1553-3069 Table of Contents Editorial A Time of Transition ................................................................ 1 Jonathan Reams Peer Reviewed Works The Evolution of Consciousness as a Planetary Imperative: An Integration of Integral Views ............................................................. 4 Jennifer Gidley Editorially Reviewed Works Towards an Integral Critical Theory of the Present Age ..................... 227 Martin Beck Matuštík Illuminating the Blind Spot: An Overview and Response to Theory U ............................................ 240 Jonathan Reams Sent to Play on the Other Team ........................................................... 260 Josef San Dou Art and the Future: An Interview with Suzi Gablik ............................. 263 Russ Volckmann cont'd next page ISSN 1553-3069 Reactivity to Climate Change .............................................................. 275 Jan Inglis Developing Integral Review: IR Editors Reflect on Meta-theory, the Concept of "Integral," Submission Acceptance Criteria, our Mission, and more............................................................................................... 278 IR Editors ISSN 1553-3069 Editorial A Time of Transition As we welcome you to the fifth semi-annual issue of Integral Review (IR), I would like to point to signs that mark a time of transition for this journal. Some are small, like shifting our table of contents headings to more clearly identify which works are peer reviewed, and changing the spacing between articles’ paragraphs. Others are more obvious, like the ability and willingness to publish even longer works than previously, in addition to the ongoing array of works published. Some transitions are in process and less visible. For example, we are working to evolve IR’s structure to reflect its degree of engagement from others, and making behind the scene shifts in our ability to better understand and realize the goals we set out to accomplish.
    [Show full text]
  • Bullseye Glass Catalog
    CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations.
    [Show full text]
  • XIX Century Murano Glass Tableware Kindle
    GLASS FOR THE TABLE : XIX CENTURY MURANO GLASS TABLEWARE PDF, EPUB, EBOOK Andrea Morucchio | 51 pages | 01 Jan 2000 | Arsenale | 9788877432131 | English, Italian | San Giovanni Lupatoto, United States Glass for the Table : XIX Century Murano Glass Tableware PDF Book Sort By:. Item Location see all. Fusing The process of founding or melting the batch. Heating pieces of glass in a kiln or furnace until they bond. The unofficial capital of glassmaking is perhaps known best for their dazzling chandeliers and opulent vases, which add a pop of color and sophistication to any room. Mentioned for accuracy Sign In Register. Cart 0. Originally established in in Pittsburgh , the first city to use coal for fuel in glassmaking, the company survived under several different firms until Much modern glass must be heated to about 2, degrees Farenheit, followed by a maturing period when the molten glass cools to a working temperature of about 2, degrees Farenheit. For a downloadable PDF, click here 27 pages. Since childhood he has shown great interest in art. Attributed to Salviati Dott. After annealing, the disk is cut into panes. In the master suite of a Long Island home, a motorized cabinet containing a Samsung television stands at the foot of the bed. Result is a polychrome design that is visible only when seen in cross section. So called because one surviving example is said to have belonged to Saint Hedwig of Silesia. Made by inflating a large gather, swinging it until it forms a cylinder, detaching it from the blowpipe, cutting it lengthwise, reheating it, and allowing it to slump to the form of a flat sheet.
    [Show full text]
  • Following the Trail of the Snake: a Life History of Cobra Mansa “Cobrinha” Mestre of Capoeira
    ABSTRACT Title of Document: FOLLOWING THE TRAIL OF THE SNAKE: A LIFE HISTORY OF COBRA MANSA “COBRINHA” MESTRE OF CAPOEIRA Isabel Angulo, Doctor of Philosophy, 2008 Directed By: Dr. Jonathan Dueck Division of Musicology and Ethnomusicology, School of Music, University of Maryland Professor John Caughey American Studies Department, University of Maryland This dissertation is a cultural biography of Mestre Cobra Mansa, a mestre of the Afro-Brazilian martial art of capoeira angola. The intention of this work is to track Mestre Cobrinha’s life history and accomplishments from his beginning as an impoverished child in Rio to becoming a mestre of the tradition—its movements, music, history, ritual and philosophy. A highly skilled performer and researcher, he has become a cultural ambassador of the tradition in Brazil and abroad. Following the Trail of the Snake is an interdisciplinary work that integrates the research methods of ethnomusicology (oral history, interview, participant observation, musical and performance analysis and transcription) with a revised life history methodology to uncover the multiple cultures that inform the life of a mestre of capoeira. A reflexive auto-ethnography of the author opens a dialog between the experiences and developmental steps of both research partners’ lives. Written in the intersection of ethnomusicology, studies of capoeira, social studies and music education, the academic dissertation format is performed as a roda of capoeira aiming to be respectful of the original context of performance. The result is a provocative ethnographic narrative that includes visual texts from the performative aspects of the tradition (music and movement), aural transcriptions of Mestre Cobra Mansa’s storytelling and a myriad of writing techniques to accompany the reader in a multi-dimensional journey of multicultural understanding.
    [Show full text]
  • Baltic Glass the Development of New Creative Models Based on Historical and Contemporary Contextualization
    Vesele, Anna (2010) Baltic Glass The development of new creative models based on historical and contemporary contextualization. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/3659/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Baltic Glass The development of new creative models based on historical and contemporary contextualization Anna Vesele A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy Faculty of Arts, Design and Media, University of Sunderland April 2010 1 Abstract The aim of this research was to demonstrate the creative potential of a particular type of coloured flat glass. This glass is produced in Russia and is known as Russian glass. The present researcher has refined methods used by Baltic glass artists to create three- dimensional artworks. The examination of the development of glass techniques in Estonia, Latvia and Lithuania was necessary in order to identify these methods and to contextualize the researcher’s personal practice. This study describes for the first time the development of glass art techniques in the Baltic States from the 1950s to the present day. A multi-method approach was used to address research issues from the perspective of the glass practitioner. The methods consisted of the development of sketches, models and glass artworks using existing and unique assembling methods. The artworks underlined the creative potential of flat material and gave rise to a reduction in costs. In conjunction with these methods, the case studies focused on the identification of similarities among Baltic glass practices and similarities of approach to using various glass techniques.
    [Show full text]
  • Master Plan BICYCLE-PEDESTRIAN FACILITIES and the GREEN LOOP
    Cultural District Historic Turf Area at PSU Children’s Foundation Planting Deciduous Trees and Canopy Native Plants at Farewell Turf Areas and Trees Along 1 3 5 7 9 11 Rose Beds 13 Planting Character- Playground at Shattuck Hall in Brick Tree Wells to Orpheus Fountain North-South Walkways Shemanski Fountain (c.1929) 2 University District Historic University District Historic Cultural District Historic Turf Area and Young Tree Planted Cultural District Deciduous Trees Planting Character- Shattuck Hall 4 6 Planting Character- 8 10 12 14 Planting Character- Deciduous Tree Canopy In Shade of Mature Elms Planting Character and Canopy Foundation Planting (1914) Farewell to Orpheus Fountain (1990) Lincoln Statue (1975) 2 1 12 7 10 13 5 8 9 11 4 14 6 3 Tree Assessment ° 0 50 100 200 FEET TREE ASSESSMENT AND LANDSCAPE CHARACTER SOUTH PARK BLOCKS // master plan Green Metal Fence at Bronze Clock on Concrete Theodore Roosevelt, Joseph Shemanski 1 3 Holon and Plaque 5 7 Junior League of Portland Plaque 9 11 Abraham Lincoln Statue 13 PSU Children’s Playground Pedestal at Mill Street Rough Rider Fountain (c.1929) Farewell to Vanport College Plaque Utility Box and South Park Block 2 Pole on Concrete Pedestal 4 6 8 Peace Chant 10 Great Plank Road Plaque 12 14 Benson Bubblers at Salmon Orpheus Fountain at Lincoln Hall Light Poles and Luminaires 10TH 10TH AVE Montgomery HALL Residence Hall Millar Library HARRISON Peter W Stott Center Temple Temple Temple Masonic & Viking Pavilion Masonic Masonic Portland PortlandPortland Art Museum ArtArt Museum Museum Park Plaza Apartments MONTGOMERY Vue Apartments MILL MARKET Manor Manor Manor Jeanne Jeanne Jeanne Building Building Building Hotel Hotel ChurchChurch Hotel Church Christ, Scientist Christ, Scientist Christ, Scientist Sixth Church of Sixth Church of Sixth Church of LutheranLutheran Lutheran Apartment Apartment Apartment Apartments COLLEGE Apartments Apartments St.
    [Show full text]
  • Reframing Romantic Nature: Towards a Social Ecocriticism
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 Reframing Romantic Nature: Towards a Social Ecocriticism Matthew Rowney Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1113 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Reframing Romantic Nature: Towards a Social Ecocriticism by Matthew Rowney A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy The City University of New York 2015 ii © 2015 Matthew Rowney All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in English to satisfy the dissertation requirement for the degree of Doctor of Philosophy. Alan Vardy ___________ __________________________________ Date Chair of Examining Committee Mario DiGangi ___________ __________________________________ Date Executive Officer Alexander Schlutz Joshua Wilner Nancy Yousef Supervisory Committee iv Abstract Reframing Romantic Nature: Towards a Social Ecocriticism by Matthew Rowney Adviser: Alan Vardy Reframing Romantic Nature: Towards a Social Ecocriticism is an attempt to offer a new way of thinking about ecological approaches to literature. Rather than separate ecology from the movement of history, or support an anthropocentric historicism, my approach aims to merge the interests of both environmental and historical criticism in order to provide a more interdisciplinary view of conceptions of the natural and the social.
    [Show full text]
  • South Park Blocks Master Plan
    0 South Park Blocks Master Plan Draft Preferred Design Community Comment Report November 2020 South Park Blocks Draft Preferred Design Community Comment Report 1 Contents Introduction Page 2 Survey Respondent Demographics Page 3 Major Themes from Focus Groups Page 5 Survey Results Page 6 Focus Group Summaries Page 40 Comments Submitted by Email Page 42 South Park Blocks Master Plan Project www.portlandoregon.gov/parks/spb Contact: Barbara Hart 503-823-5596 [email protected] South Park Blocks Draft Preferred Design Community Comment Report 2 Introduction Portland Parks & Recreation is working with the community to develop a plan for a South Park Blocks that is safe, accessible and welcoming for all Portlanders. The plan will address key challenges and opportunities, including maintaining a healthy tree canopy, making the park more accessible for all users, retaining park character while enhancing connections, and providing space for community events. Portland Parks & Recreation began the South Parks Block planning process by convening a community advisory committee to guide the project and launching a community visioning process in Summer 2019 to inform the development of three draft design concepts. The draft concepts were shared with the community in Fall 2019. The feedback on the design concepts guided the development of a draft preferred design. The community engagement approach for this stage of the project was designed to: • Enlist community participation in the design review process with a special focus on PSU students, the Native American Community Advisory Council and Parks Accessibility Advisory Committee; • Explain how community feedback and ideas heard during the draft concept phase influenced the development of Draft Preferred Design; • Gather and understand community feedback on the Draft Preferred Design to develop a preferred park design; and, • Strengthen community relationships and build support for the South Park Blocks and PP&R.
    [Show full text]
  • Asian Artists in Crystal: Steuben Glass at Sunnylands
    ASIAN ARTISTS IN CRYSTAL: STEUBEN GLASS AT SUNNYLANDS January 28, 2016, through January 22, 2017 Essays by Geoffrey Cowan, Frank Lopez, and William Warmus The Unicorn (page 48) Previous page Dawn (page 59) Text, design, and all contemporary images Contents © The Annenberg Foundation Trust at Sunnylands 2015 Black-and-white photographs of Steuben crystal (pages 24 through 59 inclusive) © Erich Hartmann/Magnum Photos Steuben historical images (pages 10 through 22 inclusive unless otherwise noted) © Steuben Glass/The Corning Museum of Glass Reproductions of original drawings for the Asian Artists in Crystal series from the permanent collection of The New York Public Library (pages 60 through 77 inclusive), Print Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library, Astor, Lenox and Tilden Foundations The Annenbergs and Cultural Diplomacy by Geoffrey Cowan page 6 Due to the different naming conventions used by The New York Public Library and Steuben Glass, the titles of works and artist names are based on Asian Artists in Crystal: Designs by An Historical Account of Asian Artists in Crystal by Frank Lopez pages 8 – 15 Contemporary Asian Artists Engraved on Steuben Crystal by Steuben Glass, 1956. Images have been provided in many cases by the owners or custodians of the work. Individual Reflections on Asian Artists in Crystal by William Warmus pages 16 – 22 works of art appearing herein may be protected by copyright in the United States of America or elsewhere, and may not be reproduced in any form without the permission of the rights holders. Asian Artists in Crystal Collection pages 24 – 59 In reproducing the images contained in this publication, The Annenberg Foundation Trust at Sunnylands obtained the permission of the rights holders whenever possible.
    [Show full text]
  • Adyslipper Music by Women Table of Contents
    .....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati­ available. LP = record, CS = cassette, CD = com­ schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc.
    [Show full text]
  • The Alchemy of Art: a Study in the Evolution of the Creative Mind of John Keats G
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: English, Department of Department of English 7-1967 The Alchemy of Art: A Study in the Evolution of the Creative Mind of John Keats G. Brian Sullivan University of Nebraska-Lincoln Follow this and additional works at: http://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Sullivan, G. Brian, "The Alchemy of Art: A Study in the Evolution of the Creative Mind of John Keats" (1967). Dissertations, Theses, and Student Research: Department of English. 105. http://digitalcommons.unl.edu/englishdiss/105 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 'IHE ALCHEMY OF ABT A SNDY III 7HE EVOLU7IOII OF 7HE CREATIV£ MIND OF JOB. KEA7S by G. Brian Sullivan A THESIS Presented to the Faculty of The Graduate College in the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy DepartD8nt of English Under the Supervision of Profes.or Bernice Slote Lincoln, Nebraslea .July 9, 1967 TITLE THE ATCHEMY OF ART; A STUDY IN THE EVOUJTION OF THE _______ CREATIVE MIND OF JOHN KEATS_________ BY ________ ft. Brian SuTHvan.__ Eh_JL________ APPROVED DATE Bernice Slote__________________ July 31. 1967 Lee T. Lemon___________________ July 3U-1967 Hugh Luke______________________ July 31. 1967 Robert L. Hough________________ July 31. 1Q67 Robert M.
    [Show full text]
  • GLASS CONE” - CONTENTS Numbers 1 to 111 and Glass Matters
    THE “GLASS CONE” - CONTENTS Numbers 1 to 111 and Glass Matters PURCHASING BACK COPIES OF OUR PUBLICATIONS. Back issues of most editions of the Glass Cone and The Glass Association Journal are available from this website via Paypal. Members get discounted rates please e mail for a quotation. There is a discount for three or more publications, please e mail [email protected] for a quotation & your individual Paypal invoice. You can also order by post & pay by UK cheque by contacting the membership secretary 150 Braemar Road Sutton Coldfield B73 6LZ or [email protected] Buy from The Glass Association stands at the Cambridge / Knebworth & Motor Cycle Museum Birmingham Glass Fairs and save on post & packing costs etc. Document revised 18 February 2018 Revised 18 February 2018 Page 1 of 51 THE “GLASS CONE” - CONTENTS Numbers 1 to 111 and Glass Matters No. I MARCH 1984 Glass Makers’ Union Certificate ..................................................................................................... Cover Glass on Tyne and Wear Simon Cottle .................................................................................. p3-5 Setting up a Glass Studio Richard Golding ................................................................................. p6 Glassworks Closed (Trent Valley Glassworks, Tutbury) .......................................................................................................... p7 Crystal Glass Billiard Table, 1884 ..........................................................................................................
    [Show full text]