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PUBLIC SCULPTURE LOCATIONS Introduction to the PHOTOGRAPHY: 17 Daniel Portnoy PUBLIC Public Sculpture Collection Sid Hoeltzell SCULPTURE 18
1 2 3 4 5 6 7 VIRGINIO FERRARI RAFAEL CONSUEGRA UNKNOWN ARTIST DALE CHIHULY THERMAN STATOM WILLIAM DICKEY KING JEAN CLAUDE RIGAUD b. 1937, Verona, Italy b. 1941, Havana, Cuba Bust of José Martí, not dated b. 1941, Tacoma, Washington b. 1953, United States b. 1925, Jacksonville, Florida b. 1945, Haiti Lives and works in Chicago, Illinois Lives and works in Miami, Florida bronze Persian and Horn Chandelier, 2005 Creation Ladder, 1992 Lives and works in East Hampton, New York Lives and works in Miami, Florida Unity, not dated Quito, not dated Collection of the University of Miami glass glass on metal base Up There, ca. 1971 Composition in Circumference, ca. 1981 bronze steel and paint Location: Casa Bacardi Collection of the University of Miami Gift of Carol and Richard S. Fine aluminum steel and paint Collection of the University of Miami Collection of the University of Miami Gift of Mr. and Mrs. Alfred Camner Location: Gumenick Lobby, Newman Alumni Center Collection of the Lowe Art Museum, Collection of the Lowe Art Museum, Location: Casa Bacardi Location: Casa Bacardi Location: Gumenick Lobby, Newman Alumni Center University of Miami University of Miami Gift of Mr. and Mrs. Blake King, 2004.20 Gift of Dr. Maurice Rich, 2003.14 Location: Wellness Center Location: Pentland Tower 8 9 10 11 12 13 14 JANE WASHBURN LEONARDO NIERMAN RALPH HURST LEONARDO NIERMAN LEOPOLDO RICHTER LINDA HOWARD JOEL PERLMAN b. United States b. 1932, Mexico City, Mexico b. 1918, Decatur, Indiana b. 1932, Mexico City, Mexico b. 1896, Großauheim, Germany b. 1934, Evanston, Illinois b. -
An Artists' Resume
DANTE MARIONI Selected Museum Collections The White House Collection of American Crafts, Washington, DC Tacoma Art Museum, Tacoma, WA Seattle Art Museum, Seattle, WA Corning Museum of Glass, Corning, NY Los Angeles County Museum of Art, Los Angeles, CA The Museum of Art and Design, New York, NY Smithsonian American Art Museum Renwick Gallery, Washington, DC Carnegie Museum of Art, Pittsburgh, PA Birmingham Museum of Art, Birmingham, AL Chrysler Museum of Art, Norfolk, VA Cincinnati Art Museum, Cincinnati, OH Columbia Museum of Art, Columbia, SC The Museum of Fine Arts, Houston, TX Hunter Museum of American Art, Chattanooga, TN Racine Art Museum, Racine, WI Vero Beach Museum of Art, Vero Beach, FL Huntsville Museum of Art, Huntsville, AL Mint Museum of Craft and Design, Charlotte, NC Mobile Museum of Art, Mobile, AL Suffolk Center for Cultural Arts, Suffolk VA New Orleans Museum of Art, New Orleans, LA Philadelphia Museum of Art, Philadelphia, PA Whatcom Museum, Bellingham, WA Washington State University’s Museum of Art, Pullman, WA University of Miami’s Lowe Art Museum, Miami, FL Western Washington University, Bellingham, WA University of Missouri’s Museum of Art and Archaeology, Columbia, MO Stanford University’s Iris & Gerald Cantor Center for Visual Arts, Stanford, CA Arizona State University’s Art Museum, Tempe, AZ Montreal Museum of Fine Arts, Quebec, Canada Victoria and Albert Museum, London, England Scottish National Gallery, Edinburgh, Scotland Ebeltoft Glass Museum, Ebeltoft, Denmark National Museum if Fine Arts, Stockholm, Sweden -
Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
30 June 2018 Cinecittà Studios “Who Is on Next?”, the Fashion Scouting
30 June 2018 Cinecittà Studios “Who Is On Next?”, the fashion scouting project for young talents, conceived and organized by Altaroma in collaboration with Vogue Italia, is for industry experts a laboratory of made-in-Italy creations which, thanks to the support of ICE – the Agency for the internationalization and promotion of Italian businesses abroad (with its offices in Rome and abroad), appeals to international markets. Considered as one of the most influential creative platforms in the world, “Who Is On Next?” consolidates the role of Rome as the launch pad and incubator of new talents. It is the ideal setting for an experimental, fresh and innovative creativity which has never lost sight of its history and artisanal traditions. The organizers of “Who Is On Next? 2018” received a lot of interesting applications, which were evaluated by the specific Committee formed by Simonetta Gianfelici, Fashion Expert and Talent Scout, and by Sara Sozzani Maino, Deputy Editor-in-Chief of Vogue Italia (Special Projects) and Head of Vogue Talents. Nine projects have been selected as the finalists of this edition: five in the clothing category and four in the accessories’ category. The finalists will present their creations in Rome, before a prestigious jury formed by professionals from the fashion industry (Italian and foreign manufacturers, distributors and retailers) and by Italian and international journalists. Prêt-à-porter: AltaRoma Scpa sede legale via dell’Umiltà, 48 – tel. +3906678 3 3 !.a. – "a# +39 0669$00303 %!i&'(ale di Roma (. 89634) – c.". e p.i. 0)) 89 00$ – capitale sociale * .7) .$80,00 i.v. -
Le Aziende Del Fashion Sui Listini Mondiali Rallentano Nel 2014
EDITORIALE MERCATI DI IERI PUBBLICO DI DOMANI di David Pambianco stato un inizio d’anno con spunti di ottimismo. L’andamento delle prime fiere del settore ha riservato, questa volta, sorprese positive. Le manifestazioni Èdell’uomo di Firenze e Milano hanno registrato crescite importanti dei visita- tori e soprattutto dei buyer. Lo stesso clima positivo si è registrato negli appuntamenti della casa e del bambino. Questa inaspettata ‘ripartenza’ è il risultato di molteplici fat- tori. Ci sono aspetti contingenti, come un calendario con cadenze più gestibili rispetto a quello dell’anno precedente e (soprattutto per Pitti Uomo) la chiusura, all’ultimo momento, della fiera tedesca Bread & Butter. Ma ci sono anche fattori macro-econo- mici. Da una parte del mondo, la locomotiva americana ha ripreso a marciare; dall’al- tra parte, la fiducia ha risvegliato gli acquisti in Giappone. Questi due poli sono da sempre la terra di conquista del made in Italy. Rappresentano le fondamenta dell’ex- port nazionale del settore, senza le quali il rischio è di rimanere sempre in bilico. Ma attenzione. Tutto ciò che sta in mezzo, dalla Russia alla Cina, non va sottovalu- tato. La Russia rappresenta un mercato che, per anni, ha sostenuto i conti del lusso italiano, sia delle grandi sia delle piccole imprese: oggi, paga la crisi nazionale ed è di fronte a una ristrutturazione-riposizionamento che sarà utile studiare con attenzione, perché potrebbe riservare soddisfazioni a marchi italiani capaci di proporre una qua- lità più accessibile, dunque un più ampio ventaglio di marchi made in Italy. Mentre la domanda cinese, che ha stupito per la rapida escalation, non deve oggi stupire per l’attuale fase di assestamento. -
Note to the Secretary-General Tonight You and Mrs. Annan Have
Note to the Secretary-General Tonight you and Mrs. Annan have agreed to drop by (from 6:35-6:45 p.m.) the reception in the West Terrace hosted by Yoko Ono wherein she will present grants to an Israeli and a Palestinian artist in her own Middle East humanitarian arts initiative. When Mrs. Annan and you arrive David Finn, Philippa Polskin and Holly Peppe of Ruder-Finn, will greet you. You will then be accompanied into the center of the room where two easels will display the work of the two artist recipients of the LennonOno Grants, Khalil Rabah and Zvi Goldstein. The following people will greet you and stand with you for a brief photo-op: > Yoko Ono > Zvi Goldstein, Israeli artist, grant recipient > Khalil Rabah, Palestinian artist, grant recipient > Jack Persekian, Founder & Director, Anadiel Gallery, Jerusalem > Suzanne Landau, Chief Curator, The Israel Museum, Jerusalem > Shlomit Shaked, Independent Curator, Israel. At 6:45 p.m. you will proceed to the Macalester Reception and dinner, in Private Dining Room #8. Kevin S.: 9 October 2002 Copy to: Ms. S. Burnheim ROUTING SLIP FICHE DE TRANSMISSION TO: A A: OJ *Mt* FROM: / /" DE: /64< ^*^/^^~^ Room No. — No de bureau Extension — Poste Date / G&W aiLbfo^ FOR ACTION POUR SUITE A DONNER FOR APPROVAL POUR APPROBATION FOR SIGNATURE POUR SIGNATURE FOR COMMENTS POUR OBSERVATIONS MAY WE DISCUSS? POURRIONS-NOUS EN PARLER ? YOUR ATTENTION VOTRE ATTENTION AS DISCUSSED COMME CONVENU AS REQUESTED SUITE A VOTRE DEMANDS NOTE AND RETURN NOTER ET RETOURNER FOR INFORMATION POUR INFORMATION COM.6 12-78) ZVI GOLDSTEIN Artist Recipient of the LennonOno Grant for Peace Born in Transylvania, Romania in 1947, artist Zvi Goldstein immigrated to Israel in 1958. -
Chryssa B. 1933, Athens D. 2013, Athens New York Times 1975–78
Chryssa b. 1933, Athens d. 2013, Athens New York Times 1975–78 Oil and graphite on canvas Solomon R. Guggenheim Museum, New York, Gift, Michael Bennett 80.2717 Chryssa began making stamped paintings based on the New York Times in 1958 and continued to do so into the 1970s. To create these works, she had rubber stamps produced based on portions of the newspaper before, as she described it, covering “the entire area [of a canvas] with a fragment repeated precisely.” Over time Chryssa’s treatment of the motif became increasingly abstract, as she more strictly adhered to a gridded composition and selected sections of newsprint with type too small to be legibly rendered in rubber. By deemphasizing the content and format of the newspaper, she redirected focus to the tension between mechanized reproduction and her careful process of stamping by hand. Jacob El Hanani b. 1947, Casablanca Untitled #171 1976–77 Ink and acrylic on canvas Solomon R. Guggenheim Museum, New York, Gift, Mr. and Mrs. George M. Jaffin 77.2291 With its dense profusion of finely drawn lines, Jacob El Hanani’s Untitled #171 is a feat of physical endurance, patience, and precision. As the artist said, “It is a personal challenge to bring drawing to the extreme and see how far my eyes and fingers can go.” Rather than approach this effort as an end unto itself, El Hanani has often related it to Jewish traditions of handwriting religious texts—a parallel suggesting a desire to transcend the self through a devotional level of discipline. This aspiration is given form in the way the short, variously weighted lines lose their discreteness from afar and blend into a vaporous whole. -
Glass Pavilion Floorplan
MyGuide A Monroe Street Lobbey Dale Chihuly, Chandelier: Campiello del Remer #2, 1996/2006 Dale Chihuly’s “chandelier” greets visitors at the Monroe Street entrance. Chihuly’s team installed the 1300-pound hanging sculpture so that its 243 components complement the arcs of the curved walls and the Crystal Corridor that bisects the Glass Pavilion floorplan. B Gallery 5 Roman, Jar with Basket Handle, late 4th–5th century Glass The most elaborate jar of its type known from the late Eastern Roman world, this is one of thousands “As physical borders blur and of glass objects given by glass industrialist and TMA founder/benefactor Edward Drummond Libbey blend, so do notions such as Pavilion (1854–1925) of the Libbey Glass Company. He wanted the Museum to display a comprehensive program and context. This fits Since opening in August 2006, the history of glass art for the education and enjoyment the dynamic environment at the Toledo Museum of Art Glass Pavilion of the community. The Museum continues to build on has attracted a lot of attention from his vision today. Toledo Museum of Art, where around the world. This guide sheds a a wide range of collections little light on this architectural marvel are allowed to interact in new and the stellar collection it houses. C The Glass Study Gallery The Glass Study Gallery provides open storage of constellations, where workshop works not on display in the exhibition galleries. interacts with collection…and Divided into cases featuring ancient, European, American, and contemporary glass, the Study Gallery where the Museum campus allows visitors to compare many examples of similar objects, to contrast different techniques, and to enjoy interacts with neighborhood and the full range of the Museum’s varied collection. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
Newsletter/Spring 2016 the DAS DAS DAS News the Decorative Arts Society, Inc
newsletter/spring 2016 Volume 24, Number 1 Decorative Arts Society The DAS DAS DAS news The Decorative Arts Society, Inc. in 1990 for the encouragement of interest in, the appreciation of, and the exchange of DAS sees changes on board, information about the decorative arts. To, is pursuea not-for-profit its purposes, New theYork DAS corporation sponsors foundedmeetings, Newsletter programs, seminars, tours and a newsletter on the decorative arts. Its supporters include museum curators, academics, collectors and dealers. is at peak of service and vitality Please send change-of-address information by e-mail to [email protected]. or the past 10 years, I have had to the chairs of the Robert C. Smith for the fall Board of Directors Gerald W. R. Ward Editor the honor and pleasure to serve and Charles F. Montgomery Award of 2016: to President Senior Consulting Curator Gerald W. R. Ward as president of the Decorative committees, and to Gerry Ward and New Haven, Senior Consulting Curator & F Susan P. Schoelwer Katharine Lane Weems Senior Curator of Arts Society (DAS). Believing strongly Ruth Thaler-Carter for their dedica- CT, to see Katharine Lane Weems Senior Curator Robert H. Smith Senior Curator American Decorative Arts and - tion in bringing out each new issue of the exhibi- Sculpture Emeritus of American Decorative Arts and George Washington’s Mount Vernon cial to every organization (not to men- the newsletter. tion Art and Museum of Fine Arts, Boston Sculpture Emeritus Mount Vernon, VA that changes in leadership are benefi Boston, MA Museum of Fine Arts, Boston I owe special thanks to Nicholas Industry Boston, MA decided to step down. -
How Sweet Is the Future
CHOCOLATE VERSUS SUGAR We observe that the importance of chocolate products in relation to sugar products as a whole is highest in Germany, Austria and Norway. How Sweet is the Future However, the chocolate products’ market in these countries is not uni- Internationalization/expansion fied and appears to be diversified within the product classes. For instance, Germans are the biggest consumers of pralines, which accounts for nearly 40 percent of Renate Sander the total consumption of chocolate A.C. Nielsen GmbH products, with tablets representing 31 percent. In Austria it is exactly the opposite. However, Scandina- vians, Irish and Dutch pay more for chocolate bars. In Spain, which comes last in Europe as far as chocolate products are concerned, we note that bars are or producers, internationaliza- In preparation for this report we far below the average at only 7 per- Ftion and expansion towards had access to data from 32 countries cent. This is no surprise if we take into other countries is mostly no longer where we have regular reporting on consideration that, for most large an option, but a question of survival. confectionery. These countries rep- international suppliers of bars, the The battle against the rise of raw resent nearly half (46%) of the Spanish market represents a weak material prices and the multiplica- world population, i.e., about 2.6 bil- spot in their European activities. tion of difficulties in achieving high- lion inhabitants. Among Asian countries, the Chi- er prices at trade level, and thus, the In an attempt to be clearer we nese market is a dark blot on the pressure linked to profit, force pro- divided the confectionery market chocolate products horizon. -
A Student's Guide to Cold Fusion
A Student’s Guide to Cold Fusion Edmund Storms KivaLabs, Santa Fe, NM (updated, April 2012) Abstract Evidence supporting cold fusion (LENR) is summarized and requirements an explanation must take into account are justified. A plausible nuclear-active-environment is identified by ruling out various possibilities and by identifying an environment that is common to all methods used to produce LENR. When this environment is combined with a plausible mechanism, many testable predictions result. These insights and proposals are offered to help clarify understanding of LENR and to suggest future studies. FOREWORD My interest in cold fusion began shortly after Pons and Fleischmann announced their claims in 1989, while I was a conventional research scientist working at Los Alamos National Laboratory (LANL) on methods to produce nuclear energy for applications in space. A Ph.D. in radiochemistry from Washington University in St. Louis gave me knowledge about both material behavior and nuclear interaction. I mention this only because “believers” in cold fusion are sometimes identified in critical writings as being ignorant and/or gullible. The only difference between my approach and that of skeptics was my willingness to explore the idea. Since retiring from LANL 22 years ago, I have continued to investigate the subject using laboratory research and to write papers including several scientific reviews and a book. The large collection of references, now nearly 4000 acquired in this effort, was used to create the original LIBRARY on www.LENR-CANR.org. Jed Rothwell keeps this collection of literature up to date and the website functional. Literature on the subject of cold fusion has grown beyond a point where casual reading can lead to useful scientific understanding.