\ Review 20

The Corning Museum of Glass w NewGlass Review 20

The Corning Museum of Glass Corning, New York 1999 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1998 calendar year. halb des Kalenderjahres 1998 entworfen und gefertigt wurden.

For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Reviewkonnen angefordert werden bei:

The Corning Museum of Glass Buying Office Corning Glass Center Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 974-8470 E-mail: [email protected]

All rights reserved, 1999 Alle Rechte vorbehalten, 1999 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253

Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland

Standard Book Number 0-J 1-145-9 ISSN: 0275-469X

Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/I nhalt

Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 12 Some Reflections on the Competition/ Einige Betrachtungen uber den Wettbewerb 32 Bibliography/Bibliografie 40 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 91 Jury Statements

he selection process was very different this year. There were two of er Prozef3 der Auswahl war in diesem Jahr ganz anders. Es gab Tus instead of the usual four. The Corning Museum's new curator of Dzwei von uns, anstatt wie gewohnlich vier. Die neue Kuratorin des contemporary glass has not yet been appointed, and poor Dana Zamec- Corning Museums fur zeitgenossisches Glas war noch nicht ernannt ni'kova spent the January blizzard in various U.S. airports, Corning not worden und die arme Dana Zamecnikova verbrachte die Januar- among them. The 100 slides selected by Lois Moran and me were sent Schneesturme auf verschiedenen amerikanischen Flughafen, Corning on to Dana, and it was only from these that she was able to make her war nicht darunter. Die 100 Dias, die von Lois Moran und mir ausge- selection. As a consequence, and in consultation with our partners at wahlt wurden, wurden an Dana weitergeschickt, und es waren nur Neues Glas, the jurying of work created in 1999 will take place in Decem­ diese, aus denen sie ihre Wahl treffen konnte. Als Konsequenz, und in ber 1999 (the deadline for submitting slides will be October 15), and the Beratung mit unseren Partnern bei Neues Glas, wird die Jurierung der selections will be published in the May 2000 issue of that periodical. Arbeiten, die 1999 entstanden sind, im Dezember 1999 stattfinden (Ein- Next year's New Glass Review will also be different in another re­ sendeschluB fur die Dias ist der 15. Oktober) und die Auswahl in der spect. David Whitehouse, the Museum's director, has announced a plan Mai-Ausgabe des Jahres 2000 der Zeitschrift veroffentlicht werden. to include current work by well-established glass artists in addition to Die New Glass Review dies nachsten Jahres wird auch in noch einer the present system. Although the New Glass Review has been relative­ Hinsicht anders sein. David Whitehouse, der Direktor des Museums, ly successful in providing a venue for new talent, it is limited to those hat einen Plan angekundigt, um aktuelle Arbeiten von bereits etablier- who choose to submit to the selection system. However, some of the ten Kunstlern in das jetzige System mit einzuschliefBen. Auch wenn die most significant figures in the field do not send us slides of their current New Glass flew'ei/vziemlich erfolgreich einen Platz fur neue Talente zur work on an annual basis. Under the new plan, they will be invited to Verfugung gestellt hat, war sie immer auf die angewiesen, die sich have work of their own choosing reproduced in a separate section of entschieden, Arbeiten zur Auswahl einzureichen. Aber manche der the Review. The artists selected by each year's jurors will be contacted, bedeutendsten Szenepersonlichkeiten schicken uns nicht jedes Jahr and the slides they send us in response will be published. The present Dias ihrer jungsten Arbeit. Der neue Plan sieht vor, daf3 sie eingeladen system of open submission by anyone wishing to send slides will con­ werden, selbst Arbeiten zu wahlen, die dann in einem separaten Teil tinue, with the full 100 choices of the jury reproduced as before. der Review reproduziert werden. Die Kunstler, die von den Juroren jedes Jahres ausgewahlt werden, werden kontaktiert und die Dias, die • • • sie als Antwort schicken, werden publiziert. Das gegenwartige System I started buying glass for The Corning Museum of Glass in December des offenen Wettbewerbs, bei dem jeder, der will, Dias schicken kann, 1950, and I have been a juror for the New Glass Review since it began. wird weiter fortbestehen, und samtliche 100 von der Jury gewahlten That's a long time, encompassing thousands upon thousands of Arbeiten werden abgebildet wie zuvor. choices and an endless stream of theories about what was happening * * * and predictions about what might happen. (Some of those predictions, such as my expectation that the Studio Glass Movement would rescue Ich fing im Dezember 1950 an, fur das Corning Museum of Glass the endangered handmade glass industry, were wrong.) Glas zu kaufen und war als Juror fur die New Glass Review se\\ ihrem No sweeping perspectives this year. Instead, I am going to list 10 ob­ Anfang tatig. Das ist eine lange Zeit, angefullt mit tausenden und aber- jects that I'd like to buy for myself if my wife would let me - which she tausenden von Werken zur Auswahl und einem endlosen Strom an won't because we already have too much stuff and are at that time in Theorien uber das was passierte und Vorhersagen uber das was pas- life when we should be cleaning out. I have never seen any of these sieren konnte. (Einige dieser Vorhersagen, wie zum Beispiel meine objects, just the slides. Erwartung, daft die Studio-Glasbewegung die gefahrdete von Hand 1. Chuck Boux (11). I am partial to lobsters, and I always admire arbeitende Glasindustrie retten wurde, waren falsch.) people who can successfully use glass in both a representational and a Keine durchgreifenden Perspektiven in diesem Jahr. Statt dessen decorative fashion. The alarming feelers on these orange beasts cross werde ich 10 Objekte auflisten, die ich gerne fur mich kaufen wurde, to make a border of X's in crazy juxtaposition with the reality of that wenn meine Frau mich Iief3e - was sie nicht tun wird, weil wir bereits pleasant dank green bowl. zuviel Kram haben und in einer Zeit im Leben sind, wo wir ausmisten 2. Dan Dailey (19). Dan gives me much that I value: function, style, sollten. Ich habe nie eines dieser Objekte gesehen, sondern nur die imaginative design, inventive detail, wit (those are Apache dancers!), Dias. good glass, good color, great craftsmanship - all put together with 1. Chuck Boux (11). Ich habe eine Vorliebe fur Hummer, und ich be- elegant and original taste. This is a work of art for which any ceiling wundere immer Leute, die Glas sowohl auf eine representative als auch should be happily raised. auf eine dekorative Weise erfolgreich benutzen. Die beunruhigenden 3. Anja Isphording (34). Some things feel good even when they are Fuhler dieser orangefarbenen Bestien bilden eine Bordure aus Xen in held just by the eye. I want to cup my hands around this piece and einer verruckten Nebeneinanderstellung auf dieser in Wirklichkeit sense the irregularity of all those bumps. What mystery it suggests! angenehm dunkelgrunen Schale. Why does the color stop short of the neck? What are those purple 2. Dan Dailey (19). Dan gibt mir vieles was ich schatze: Funktion, Stil, pebbles? Where leads that tapered cylinder? phantasiereicher Entwurf, einfallsreiches Detail, Witz (es sind Apachen- 4. Mie Ito (35). This box should melt. It looks so precious, so tran­ tanzer!), gutes Glas, gute Farbe, groRartiges Handwerk - alles zusam- sient. Are these snow flowers? The petals are separate, unattached, mengebracht mit elegantem und originellem Geschmack. Dies ist eine making limp daisies solely by their arrangement. A formal structure, two kunstlerische Arbeit fur die man jeden Hochstpreis freudig erheben identical slabs of frosted ice, is the pedestal for a casual and most sollte. decorative collapse. 3. Anja Isphording (34). Einige Dinge fiihlen sich gut an auch wenn 5. Yuko Kikuzato (37). Who is supporting what? Do the bears with sie nur vom Auge gehalten werden. Ich mochte dieses Stuck mit mei- their big feet hold up the vase, or the vase the bears? And is the vase nen Handen umschlieRen und die UnregelmafBigkeiten all dieser Beulen bellying out, or are those the bears' bellies? And is that pink and green fuhlen. Welche Geheimnisse es suggeriert! Warum hort die Farbe kurz cage an Asian diatreta? What an irresistible enigma! vor dem Hals auf? Was sind diese purpurfarbenen Kiesel? Wo fuhrt 6. Joel Philip Myers (49). Here's an old master I have long admired, dieser spitz zulaufende Zylinder hin? with a fresh take on bottles, the commonest, most ancient of vessels. 4. Mie Ito (35). Diese Kiste sollte schmelzen. Sie sieht so kostbar, so With simple things such as twisting, opalescence, and relative transpar­ verganglich aus. Sind das Schneeblumen? Die Blumenblatter sind ency - combined with a handsome arrangement - he makes stunning einzeln, nicht befestigt, und wirken allein durch ihr Arrangement wie stuff. Take a close look at the seams, the sags, and the variety of sur­ schlappe Ganseblumchen. Eine formale Struktur, zwei identische faces. Platten aus mattiertem Eis, ist der Socket fur einen lockeren und 7. Barbara Nanning (50). Most interesting objects are about the rela­ auBerst dekorativen Zusammenbruch. tionship of the parts, about some original change in a well-known con­ 5. Yuko Kikuzato (37). Wer tragt was? Halten die Baren mit ihren figuration. Here it's that age-old hemisphere on the cylinder, but the par­ groBen FuBen die Vase hoch, oder die Vase die Baren? Und baucht die ticular segment of the sphere (its extraordinary thickness, texture, and Vase aus oder sind das die Bauche der Baren? Und ist das pink- und color), and the fatness of the base combine to intrigue. grunfarbene Netz ein asiatisches Diatret? Was fur ein unwiderstehliches 8. Darren Petersen (61). How these Venetian delights continue to Ratsel! reinvent themselves! Technique may be cheap (usually to those who 6. Joel Philip Myers (49). Hier ist ein alter Meister, den ich lange be- don't have it), but only a master could have put together this precious wundert habe, mit einem frischen Blick auf Flaschen, den alltaglichsten canoe of colored canes and cotton twists. I like frivolous elegance. und alleraltesten GefaBen. Mit einfachen Dingen wie Verdrehungen, 9. Youko Sano (72). The sagging bowl (from the sagging basket?) Schillern und relativer Transparenz - kombiniert mit einem geschickten has been around for a long time, but here it's from the hands of an artist Arrangement - macht er erstaunliche Sachen. Sehen Sie sich die with another kind of sensitivity. The matrix of the horizontal strands of Nahte genau an, die Senkungen und die Vielseitigkeit der Oberflachen. color is cut through by ribs of grooves - under and over, irregular, com­ 7. Barbara Nanning (50). Die interessantesten Objekte handeln vom ing together to notch the glassy rim. It's sedate but a little barbaric. Bezug der Teile untereinander, von irgendeiner originellen Veranderung 10. Harumi Yukutake (98). I think this is made of glass rings of vari­ in einer gut bekannten Konfiguration. Hier ist es die uralte Hemisphare ous diameters, held together with twists of copper wire, the ends of uber dem Zylinder, aber es ist die Kombination von dem speziellen Seg­ which stick up and out. It looks fuzzy, but it isn't. It must be prickly, like ment des Kreises (seiner auBerordentlichen Starke, Textur und Farbe) the protective surface of a sea urchin. But it's empty: you can see und des fetten Unterteils, die beeindruckt. through it, and there's nothing to protect. Harumi's work suggests the 8. Darren Petersen (61). Wie diese venezianischen Entzuckungen containment of something alive. sich immer wieder neu erfinden! Technik mag billig sein (gewohnlich fur These are the 10 I like in a most personal way. I will try to do a Big die, die sie nicht beherrschen), aber nur ein Meister kann dieses kost- View next year. bare Kanu aus farbigen Rohren und Baumwolltwist zusammengesetzt haben. Ich mag frivole Eleganz. Thomas S. Buechner (TSB) 9. Youko Sano (72). Die durchhangende Schale (von dem durchhan- Founding Director genden Korb?) gibt es schon lange, aber hier stammt sie aus den The Corning Museum of Glass Handen eines Kunstlers mit einer anderen Art von Sensibilitat. Die Matrix der horizontalen Farbschnure wird durch Rippen von Riefeln durchschnitten - drunter und druber, unregelmaBig, laufen sie zusam- men, um den glasernen Rand einzukerben. Es ist ruhig, aber ein biBchen barbarisch. 10. Harumi Yukutake (98). Ich denke, dies ist aus Glasringen mit unterschiedlichem Durchmesser gemacht, die von verschlungenem Kupferdraht zusammengehalten werden, dessen Enden ab- und hoch- stehen. Es sieht kraus aus, ist es aber nicht. Es muB stachelig sein wie die schutzende Haut eines Seeigels. Aber es ist leer: man kann hin- durch sehen und da gibt es nichts zu schutzen. Harumis Arbeit spielt auf das In-Schach-Halten von etwas Lebendigem an. Dies sind die 10, die ich auf sehr personliche Weise mag. Ich werde versuchen, im nachsten Jahr einen GroBen Uberblick zu geben.

Thomas S. Buechner (TSB) Grundungsdirektor The Corning Museum of Glass

urors obviously control exhibitions by their selections, but artists uroren uben durch ihre Selektion ganz offensichtlich eine Kontrolle Jthemselves have a sub rosa effect simply by sending to the competi­ Jauf Ausstellungen aus, aber die Kunstler selbst erzielen ebenfalls ei­ tion or electing not to. The juror chooses from the buffet offered, and in nen gewissen Effekt, indem sie sich an der Ausschreibung beteiligen this Review there were many excellent submissions as well as those oder beschlieBen es nicht zu tun. Der Juror wahlt aus dem was sich typical of open competitions - pieces overwrought or underdeveloped, darbietet aus, und bei dieser Review gab es viele exzellente Einrei- photographs impossible to read or suspiciously glamorized, etc. chungen aber auch solche, die fur offene Wettbewerbe typisch sind - What constitutes the "new" (and to whom) is a difficult point, especi­ Stucke, die uberladen sind oder unterentwickelt, Abbildungen, die man ally when the arena is international. New? Novel? Original? Fresh? unmoglich entziffern kann oder die verdachtig uberhohen, etc. Distinct? Recent? Unfamiliar? One cannot always be certain in the rush Die Frage was das „Neue" ausmacht (und fur wen) ist schwierig, of images. In the end, it is a matter of perceptions rather than definitive besonders wenn der Schauplatz international ist. Neu? Ungewohnlich? conclusions about the art of glass at this particular time and place. Originell? Frisch? Anders? Modern? Ungewohnt? Man kann sich in der During the slide viewing, I found myself responding quickly and posi­ Flut der Bilder nicht immer sicher sein. Am Ende ist es eher eine Sache tively to elegant and serene works such as those of Veronika Beckh, der Wahrnehmung als definitive SchluBfolgerungen uber Glaskunst zu Lena Bergstrom, Barbara Nanning, Etsuko Nishi, and Asa Sandlund. I genau dieser Zeit und an diesem Ort. welcomed the pieces by Stephen Procter, Georg Riedel, and Koichiro Es ist mir aufgefallen, daB ich wahrend der Diadurchsicht schnell und Yamamoto, among others, because, in addressing function, they shift positiv auf elegante und ruhige Arbeiten reagierte, wie die von Veronika aside the scrim of "art" that has dimmed our attention to things of use. Beckh, Lena Bergstrom, Barbara Nanning, Etsuko Nishi, und Asa Sand­ The riot of color often seen in the medium appears reined in here, to lund. Mir gefielen die Stucke von Stephen Procter, Georg Riedel, und judge from the number of works in a single color or in no color at all. Koichiro Yamamoto, unter anderem deshalb so gut, weil sie mit Blick Exuberance is missing, but there is still delight and play, as in Rikie auf die Funktion sich von der Illusion der „Kunst" wegbewegen, die Shojiguchi's fishes slithering across the floor, Robert A. Mickelsen's unsere Aufmerksamkeit fur Gebrauchsgegenstande getrubt hat. sassy blossom, and the vivacious piece by Janusz Pozniak. Surprising­ Die Orgie der Farben, die man in diesem Medium oft sieht, erscheint ly, large-scale works were few, making those by Kait Rhoads and Zora hier gezugelt, wenn man die Zahl der Arbeiten in Betracht zieht mit nur Palova/Stepan Pala even more distinctive. Aseem Pereira's textile-like einer Farbe oder ganz ohne. Uberschwang fehlt, dafur gibt es aber hanging was particularly intriguing, inviting closer examination. Another Heiterkeit und Spiel wie bei Rikie Shojiguchi's Fischen, die uber den I would like to see firsthand is the environment by Schotterwerkstatt. Boden glitschen, Robert A. Mickelsen's frechen Bluten, und dem lebhaf- Judith Schaechter's well-rendered scene commands attention; so, too, ten Stuck von Janusz Pozniak. Uberraschenderweise gab es nur wenig does the echoing portrait by Dinah Hulet. groBformatige Arbeiten, wodurch die von Kait Rhoads und Zora Palova/ There is much to praise in this New Glass Review- and in the record Stepan Pala noch deutlicher hervorstachen. Aseem Pereira's textilahnli- created since the inception of the competition in 1976. How enjoyable cher Wandbehang war besonders faszinierend und lud zu einer ge- and informative it is to page through the published editions of the Re­ naueren Betrachtung ein. Eine weitere Arbeit, die ich gern direkt sehen view, letting them take you forward and back with the field of glass. wurde, ist die Installation von Schotterwerkstatt. Judith Schaechter's Whatever the debate concerning the "new" in glass, there is lasting subtil interpretierte Szene erheischt Aufmerksamkeit; das gilt ebenfalls merit in the Corning Museum's search to find it. fur das Anklang findende Portrat von Dinah Hulet. Es gibt an dieser New Glass Review - und dem Archiv, das seit der Lois Moran (LM) Grundung des Wettbewerbs 1976 entstanden ist- viel zu loben. Wie Editor and Publisher erfreulich und informativ ist es, die bisher veroffentlichten Ausgaben der American Craft Review zu durchblattern und sich vorwarts und ruckwarts durch das Gebiet der Glaskunst fuhren zu lassen. Ungeachtet die Debatte um das „Neue" im Glas, bleibt es das Verdienst des Corning Museums, sich darum zu bemuhen es zu finden.

Lois Moran (LM) Redakteurin und Herausgeberin American Craft

wave of happiness flooded me when I got the invitation from The ine Welle von Gluck durchstromte mich, als ich die Einladung vom ACorning Museum of Glass. To serve as a member of this year's EComing-Museum of Glass bekam. Als Mitglied der diesjahrigen Jury New Glass Review jury - and to join the distinguished company of fur die New Glass Review zu amtieren - und sich dem ausgewahlten those who have been jurors in the past - that means something! But I Kreis derer zuzugesellen, die in der Vergangenheit Juror waren - das also have a number of personal reasons for excitement. bedeutet etwas. AuBerdem habe ich auch ein paar personliche Grunde When, years ago, Thomas S. Buechner, then the director of the Cor­ zur Freude. ning Museum, was preparing the "Czechoslovakian Diary: 1980" exhibi­ Als, vor Jahren, Thomas S. Buechner, damals Direktor des Corning tion, he actually started off my "career" as with a magic wand. Today, Museums, die Ausstellung „Czechoslovakian Diary: 1980" vorbereitete, what is probably my largest and most complicated work, one that re­ setzte er meine „Karriere" wie mit einem Zauberstab in Gang. Heute quired more than a year to complete, is in the headquarters of Corning befindet sich meine wahrscheinlich groBte und komplizierteste Arbeit, Incorporated. Finally, the Corning Museum collection offers contempo­ eine, die mehr als ein Jahr erforderte um sie zu beenden, im Hauptfir- rary artists a sobering reminder that almost all of the techniques they mensitz von Corning. SchlieBlich bietet die Sammlung des Corning employ were already in use in antiquity - and much of what was pro­ Museums zeitgenossischen Kunstlern eine nuchterne Gedachnisstutze, duced then seems to be better and more contemporary than what is die daran erinnert, daB fast alle Techniken mit denen sie arbeiten, being created today. Take, for example, the cover in the form of a fish bereits in der Antike verwendet wurden - und vieles von dem was (see, e.g., Donald B. Harden and others, Glass of the Caesars, Milan: damals hergestellt wurde, scheint besser und zeitgenossischer zu sein, Olivetti, 1987, p. 49). Unbelievable! And that piece was made in the als das was heute geschaffen wird. Nehmen Sie, zum Beispiel, den first century! Deckel in Form eines Fischs (bei, z. B, Donald B. Harden and others, I therefore looked forward to visiting Corning - and was horrified at Glass of the Caesars, Mailand: Olivetti, 1987, S. 49). Unglaublich! Und the same time. Here is just a sample of the things that were going dieses Stuck wurde im ersten Jahrhundert gemacht! through my mind: Ich freute mich deshalb auf den Besuch in Corning - und war gleich- How will I choose anything? Can you actually tell what a piece looks zeitig entsetzt. Hier ein Auszug der Dinge, die mir durch den Kopf like, based solely on a slide? I know well enough how tricky photos can gingen: be - how you can photograph a small, unexciting piece and make it Wie werde ich irgendetwas wahlen? Kannst du eigentlich, aufgrund look monumental, or how you can ruin a decent piece with a really bad eines einziges Dias sagen, wie ein Stuck aussieht? Ich weiB gut genug picture. When it comes to artists I don't know, how am I going to under­ wie trickreich Fotos sein konnen - wie man ein kleines, langweiliges stand what their work really means? An object may not always be self- Stuck fotografiert und es monumental aussehen laBt, oder wie man ein explanatory; indeed, it can be about something that is indecipherable if anstandiges Stuck durch ein wirklich schlechtes Bild ruinieren kann. one cannot think in wider terms. And what about the artists I do know Werde ich, wenn es um die Kunstler geht, die ich nicht kenne, verste- and recognize by their works? How can I judge their work objectively hen, was ihre Arbeit wirklich bedeutet? Ein Gegenstand kann sich nicht when I am a friend of theirs? immer selbst erklaren; selbstverstandlich kann es sich um etwas han- On top of all that, I know how popular New Glass Review is and how deln, das nicht zu entziffern ist, wenn man nicht in groBeren Kategorien much effort Thomas S. Buechner, Susanne K. Frantz, and others have denken kann. Und was ist mit den Kunstlern, die mir bekannt sind und invested to make it important for glass and for artists, especially the die ich durch ihre Arbeiten wiedererkenne. Wie kann ich ihre Arbeit young ones. objektiv beurteilen, wahrend ich mit ihnen befreundet bin? And, of course, I was mortified when I found out I would have to write An erster Stelle weiB ich aber wie popular die New Glass Review ist a jury statement! I had only the slightest idea about how to write one, und wieviel Anstrengungen Thomas S. Buechner, Susanne K. Frantz, and I have enough problems explaining things to myself at times. So und andere investiert haben, um sie so bedeutend fur das Glas und fur how could I hope to explain to others why I chose certain works and not die Kunstler, besonders die jungen, zu machen. others? On the other hand, I know that you can talk about such things Und, naturlich, war ich entsetzt, als ich herausfand, daB ich ein and still not say anything significant. Jurystatement schreiben sollte! Ich hatte nur eine vage Idee, wie man But, as it happened, things did not turn out remotely as I had antici­ eines schreibt, und ich habe genug Probleme, mir selbst manchmal pated. Dinge zu erklaren. Wie also konnte ich hoffen, anderen zu erklaren, From Prague, I traveled to Boston and then, by some mysterious warum ich gewisse Arbeiten auswahlte und andere nicht? Andererseits maneuver, to Philadelphia. Thanks to a snowstorm, I now know both of weiB ich, daB man uber solche Dinge reden und dennoch nichts von those airports perfectly, having been stuck there for two days. I never Bedeutung sagen kann. managed to reach Corning! I am probably the first member and non- Aber, wie es sich so traf, stellten sich die Dinge nicht entfernt so dar, member of the New Glass Review jury. And so, unfortunately (or maybe wie ich es erwartet hatte. Cover in the form of a fish, cast, ground, wheel-cut, pol­ ished. Probably Italy, probably 1st century A.D. L. 33.7 cm. The Corning Museum of Glass (67.1.1). Deckel in Form eines Fisches, gegossen, geschliffen, gra- viert poliert. Wahrscheinlich Italien, wahr- scheinlich 1. Jh. n. Chr. L. 33.7 cm. The Corning Mu­ seum of Glass (67.1.1).

fortunately), I didn't get a chance to see all of the submitted works, but Von Prag reiste ich nach Boston und dann, durch irgendein geheim- only the 100 chosen by the other two jurors. nisvolles Manover, nach Philadelphia. Dank eines Schneesturms kenne Even that was enough of a dilemma! You see, I give preference to ich jetzt diese beiden Flughafen perfekt, da ich dort zwei Tage hangen broad-minded and grand projects. I try to see everything in as wide a geblieben bin. Es ist mir uberhaupt nicht gelungen, Corning zu errei- context as possible. To me, everything is connected to everything else. chen. Ich bin wahrscheinlich das erste Mitglied und Nichtmitglied der Literature, film, theater, multimedia presentations, architecture (which I New Glass Review Jury. Und so erhielt ich unglucklicherweise (oder studied, and in which glass is today and will be in the future one of the vielleicht glucklicherweise), nicht die Gelegenheit alle eingereichten most important materials) - all of these are related to contemporary art. Arbeiten zu sehen, sondern nur die 100, die von den anderen beiden Of course, I see all sorts of things, even things that have nothing in Juroren ausgewahlt worden waren. common with glass. But if I should give some examples of those in the Sogar das war ein hinreichendes Dilemma! Sehen Sie, ich gebe fine arts who use glass to express their ideas, I would have to include toleranten und groBartigen Projekten den Vorzug. Ich versuche alles in Marcel Duchamp, Christopher Wilmarth, Mario Merz, Robert Rauschen- einem Kontext zu sehen, der so groB wie moglich ist. Fur mich ist alles berg (Plexiglas), Kiki Smith, and Gaetano Pesce (whose beautiful mit allem verbunden. Literatur, Film, Theater, Multimediaprasentationen, chandeliers appeared in last year's New Glass Review). Wonderful Architektur (die ich studied habe und in der Glas heute eines der wich- glass works that are the result of collaboration with an architect (and not tigsten Materialien ist und in Zukunft sein wird) - sie alle sind mit der just freestanding objects) have also been produced by James Carpen­ zeitgenossischen Kunst verbunden. Naturlich sehe ich alle Arten von ter, Libensky and Brychtova, Vaclav Cigler, and Marian Karel. At the Dingen, sogar Dinge, die mit Glas nichts gemeinsam haben. Aber wenn Prague Academy of Applied Arts, where Marian teaches "glass in ich einige Beispiele in der bildenden Kunst erwahnen darf, die Glas architecture," students thus try to perceive glass in all its breadth, from benutzen, um ihre Ideen auszudrucken, muBte ich Marcel Duchamp, small designs to projects in architecture or landscape. Christopher Wilmarth, Mario Merz, Robert Rauschenberg (Plexiglas), To me, it is important that craftsmen, glassmakers, artists, and archi­ Kiki Smith und Gaetano Pesce nennen (dessen schone Kronleuchter im tects should learn to work with glass as a material in its full expressive letzten Jahr in der New Glass Review erschienen). Wunderbare Glasar- range, and not limit themselves to just a few of its possibilities. Because beiten, die in Zusammenarbeit mit einem Architekten entstanden sind glass is not only one of the oldest materials (as shown in the Corning (und nicht nur Freiplastiken) stammen von James Carpenter, Libensky Museum's collection) but also a material of the future, it has not yet und Brychtova, Vaclav Cigler, und Marian Karel. An der Prager Akade- been completely defined. Its almost unreal technical properties are al­ mie fur Angewandte Kunst, an der Marian „Glas in der Architektur" ways being pushed forward. Today, there are practically no limits, rules, unterrichtet, versuchen Studenten deshalb, Glas in seiner ganzen or laws that exist in work with glass. It can be combined with any other Bandbreite wahrzunehmen, von kleinen Entwurfen bis zu Projekten in material and technology. der Architektur oder der Landschaft. Among this year's New Glass Review selections, only a few pieces Fur mich es ist wichtig, daB Handwerker, Glasmacher, Kunstler und captured my interest right from the beginning. Paul Marioni's Tattoo'd Architekten lernen sollten, mit Glas als einem Material in seiner ganzen Man was probably the most effective work in this regard, but then again, ausdrucksvollen Bandbreite zu arbeiten, und sich nicht einfach nur auf he always holds my interest. I admire the range of his work - from ein paar seiner Moglichkeiten zu beschranken. Weil Glas nicht nur beautiful little cups to works in architecture - and that work is always eines der altesten Materialien (wie die Sammlung des Corning Mu­ beautifully done, with each object demonstrating a different idea in a seums zeigt) sondern auch ein Material der Zukunft ist, ist es bis heute completely artistic manner. noch nicht vollig definiert. Seine fast unwirklichen technischen Eigen- I know very well how complicated and tricky a material glass can be. schaften werden standig vorangetrieben. Heute gibt es praktisch keine Glassmaking techniques require a lot of manual and craft skills that are Grenzen, Regeln oder Gesetze fur die Arbeit mit Glas. Es kann mit not always connected with as much artistic invention. Glass thus very jedem anderen Material und jeder anderen Technologie kombiniert often remains in the craft sphere. There is always the danger that we werden. will let ourselves become so bound by the technique and technology of Unter der diesjahrigen Auswahl fur die New Glass Review zogen nur glass that our ideas get lost along the way. wenige Stucke von Anfang an mein Interesse auf sich. Pauls Marionis I thus chose a few works according to my best judgment, with the be­ Tattoo'd Man war wahrscheinlich in dieser Hinsicht das wirksamste, lief that they were made with passion and as the result of a creative aber andererseits gehort ihm mein Interesse schon immer. Ich bewun- struggle. Works produced on the basis of experience are very often dere das Spektrum seiner Arbeit - von wunderschonen kleinen Tassen decorative and not so exciting. Even an egg, under its geometrical bis zu Arbeiten in der Architektur - und diese Arbeit ist immer wunder- shape, hides a life. In the same way, a vessel cannot have only geo­ bar ausgefuhrt, wobei jedes Objekt eine andere Idee auf eine absolut metry; it must have its own warm and living mystery. kunstlerische Weise darstellt. There is only one art. There is no such thing as one big art and an­ Ich weiB sehr gut wie kompliziert und knifflig ein Material wie Glas other art that is somehow smaller, decorative, and applied. It is incon­ sein kann. Die Techniken des Glasmachens erfordern viel manuelle und ceivable that applied art should straggle behind fine art in the depths of handwerkliche Geschicklichkeit, die aber nicht immer mit genausoviel conception. They are both the very serious expression of a moment in kunstlerischer Erfindungsgabe verbunden sind. Glas bleibt damit sehr time. Otherwise, they would be just a game, unworthy of a lifelong oft in der Handwerksphare. Es besteht immer die Gefahr, daB wir uns effort. von der Technik und der Technologie des Glases so fesseln lassen, daB The longer I ponder the objects I chose, the closer they are to me. unsere Ideen unterwegs verloren gehen. The most interesting works, I believe, were submitted by Jane Bruce, Ich wahlte dementsprechend einige wenige Arbeiten nach bestem Ervin Cerny, Yuji Obata, Laura de Santillana, Claudio Tiozzo, Willem Wissen, mit dem Glauben, daB sie mit Leidenschaft gemacht wurden Volkersz, and Jack Wax. (I couldn't help noticing that some of the trends und das Resultat einer kreativen Auseinandersetzung sind. Arbeiten, in these works seem to come straight out of Prof. Josef Kaplicky's text die auf der Basis von Erfahrung entstehen, sind sehr oft dekorativ und and recordings, made between 1928 and 1950. They are relevant to nicht so aufregend. Sogar ein Ei verbirgt unter seiner geometrischen this day.) Form ein Leben. Im selben Sinn kann ein GefaB nicht nur aus Geome- We should not forget that, in art, there is no small or big work. There trie bestehen; es muf3 sein eigenes, warmes und lebendiges Mysterium is only good or bad work. haben. Es gibt nur eine Kunst. Es gibt nicht irgendetwas wie eine groBe Dana Zamecnikova (DZ) Kunst und eine andere Kunst die irgendwie kleiner, dekorativ und Artist angewandt ist. Es ist unbegreiflich, daB angewandte Kunst in den Prague, Czech Republic Tiefen der Konzeption hinter den bildenden Kunsten herzockeln soil. Sie sind beide der gleiche ernstzunehmende Ausdruck eines Augen- blicks. Andernfalls waren sie nur ein Spiel, einer lebenslangen Anstren- gung unwurdig. Je langer ich uber die Objekte nachdenke, die ich ausgewahlt habe, desto naher sind sie mir. Die interessantesten Arbeiten, glaube ich, wurden von Jane Bruce, Ervin Cerny, Yuji Obata, Laura de Santillana, Claudio Tiozzo, Willem Volkersz und Jack Wax eingereicht. (Mir ist auf- gefallen, daB einige der Trends in diesen Werken direkt aus Prof. Josef Kaplickys Text und Aufzeichnungen, die er zwischen 1928 und 1950 gemacht hat, zu stammen scheinen. Sie sind noch heute relevant.) Wir sollten nicht vergessen, daB es in der Kunst keine kleine oder groBe Arbeit gibt. Es gibt nur gute oder schlechte Arbeit.

Dana Zamecnikova (DZ) Kunstlerin Prag, Tschechische Republik

Note SchluBbemerkung

n 1998, more than 6,000 copies of the New Glass Review 20 prospec­ 1998 sind mehr als 6000 Einladungen fur die New Glass Review 20 Itus were mailed. Each entrant could submit a maximum of three slides. versandt worden. Jeder Teilnehmer konnte bis zu drei Dias einreichen. A total of 924 individuals and companies representing 44 countries sub­ Insgesamt schickten 924 Einzelpersonen und Firmen aus 44 Landern mitted 2,504 slides. The 100 objects illustrated in this Review were se­ 2504 Dias. Die 100 Arbeiten, die in dieser flewewabgebildet sind, lected by three jurors, whose initials follow the descriptions of the objects wurden von drei Juroren ausgewahlt, deren Initialen den ausgesuchten they chose. Objekten beigefiigt sind. All slides submitted to New Glass Review are retained in the Rakow Alle fur die New Glass ftew'eweingereichten Dias werden in der Library of The Corning Museum of Glass, where they may be viewed by Rakow-Bibliothek des Corning Museums of Glass gesammelt, wo sie the public. Copies of slides published in any of the past Reviews may der Offentlichkeit zur Ansicht zuganglich sind. Kopien von Dias, die in be purchased by special order from the Museum's Sales Department. den vergangenen Reviews erschienen sind, konnen durch Sonder- Copies of New Glass Review 3 (1982), 73(1992), 77(1996), 78(1997), bestellung bei der Verkaufsabteilung des Museums erworben werden. and 79(1998) are still available from the Sales Department, which can Ausgaben der New Glass Review 3 (1982), 73(1992), 77(1996), also supply all back issues of the Review\n black-and-white microfiche. 78(1997) und 79(1998) sind noch lieferbar. Alle alten Ausgaben der The Corning Museum of Glass would like to thank all of the artists Review konnen auch auf SchwarzweiB-Mikrofiche geliefert werden. and designers who submitted their slides to New Glass Review tor con­ Das Corning Museum of Glass mochte sich bei alien Kunstlern und sideration. Special thanks are due to those who made this publication Designern bedanken, die ihre Dias zum Wettbewerb eingereicht haben. possible: Young Oak Bond, Louise Bush, Brandy Harold, Charlene Besonderer Dank gilt jenen, die diese Ausgabe ermoglicht haben. Holland, Richard Price, Amber Pruden, Joan Romano, Jacolyn Saun­ Young Oak Bond, Louise Bush, Brandy Harold, Charlene Holland, ders, and Violet Wilson. Richard Price, Amber Pruden, Joan Romano, Jacolyn Saunders und Violet Wilson. Jurors for the New Glass Review Competitions*

Representatives of The Corning Museum of Glass who have served 1988: Wayne Higby, artist, professor of ceramics, Alfred University, as jurors for the New Glass Re view competitions are Thomas S. Buech- Alfred, New York; Jean-Luc Olivie, curator, Centre du Verre, Musee ner (1980-1999), William Warmus (1980-1984) and Susanne K. Frantz des Arts Decoratifs, Paris, France. (1986-1998). Visiting jurors are: 1989: Richard Marquis, artist, Freeland, Washington; Timo Sarpa- neva, artist, littala Glassworks, Nuutajarvi, Finland.

1990: Ginny Ruffner, artist, Seattle, Washington; Michael W. Monroe, curator in charge, Renwick Gallery of the National Museum of American 1977: Paul Smith, director, Museum of Contemporary Crafts of the Art, Smithsonian Institution, Washington, D.C. American Crafts Council, New York, New York. 1991: Bruce Chao, artist, head of the Glass Department, Rhode Island 1978: Paul Smith, director, Museum of Contemporary Crafts of the School of Design, Providence, Rhode Island; Janet Kardon, director, American Crafts Council, New York, New York. American Craft Museum, New York, New York.

1979: James Carpenter, artist, New York, New York; Paul Smith, 1992: Douglas Heller, director, Heller Gallery, New York, New York; director, Museum of Contemporary Crafts of the American Crafts Coun­ Elmerina and Paul Parkman, collectors, craft historians, Kensington, cil, New York, New York. Maryland.

1980: Dan Dailey, artist, head of the Glass Department, Massachusetts 1993: Erwin and Gretel Eisch, artists, Frauenau, Germany; Paul J. College of Art, Boston, Massachusetts; J. Stewart Johnson, curator, Smith, director emeritus, American Craft Museum, New York, New York. Department of Architecture and Design, The Museum of Modern Art, New York, New York. 1994: Judith Schaechter, artist, Philadelphia, Pennsylvania; Yoriko Mizuta, associate curator, Hokkaido Museum of Modern Art, Sapporo, 1981: Andrew Magdanz, artist, assistant professor, Rochester Institute Japan. of Technology, Rochester, New York; William S. Lieberman, chairman, Department of Twentieth-Century Art, The Metropolitan Museum of Art, 1995: Donald Kuspit, critic, professor of art history and philosophy, New York, New York. State University of New York, Stony Brook, New York.

1982: Dale Chihuly, artist in residence, Rhode Island School of Design, 1996: Arthur C. Danto, art critic and Johnsonian Professor Emeritus of Providence, Rhode Island; Henry Geldzahler, curator, commissioner of Philosophy at Columbia University, New York, New York; Toots Zynsky, cultural affairs of the city of New York, New York. artist, Amsterdam, the Netherlands.

1983: Robert Kehlmann, artist, critic, and editor of The Glass Art 1997: Kiki Smith, artist, New York, New York; Geoffrey Edwards, cu­ Society Journal, Berkeley, California; Clement Greenberg, critic, New rator of international sculpture and glass, National Gallery of Victoria York, New York. Melbourne, Australia.

1984: Susan Stinsmuehlen, artist, Austin, Texas; Ronald D. Abram- 1998: Lino Tagliapietra, artist and glassblower, Murano, Italy; David son, collector, Washington, D.C. McFadden, chief curator, American Craft Museum, New York, New 1985: Thomas Patti, artist, Plainfield, Massachusetts; David Revere York. McFadden, curator, Cooper-Hewitt Museum, New York, New York; 1999: Lois Moran, editor and publisher, American Craft, New York, Helmut Ricke, curator, Kunstmuseum Dusseldorf, Germany. New York; Dana Zamecnfkova, artist, Prague, Czech Republic. 1986: Bertil Vallien, artist, Kosta Boda Glassworks, Afors, Sweden; Abram Lerner, founding director, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. * Jurors are listed according to the years in which the competitions were held and the results of those competitions were published. In each case, the glass 1987: Stanislav Libensky, artist, former professor, Academy of Applied selected by the jurors was made one year earlier. Arts, Prague, Czechoslovakia; Lloyd E. Herman, independent curator, * Die Juroren sind nach den Jahren aufgefuhrt, in denen der Wettbewerb statt- founding director of the Renwick Gallery of the National Museum of fand und die Ergebnisse veroffentlicht wurden. In jedem Fall wurde das von den American Art, Smithsonian Institution, Washington, D.C. Juroren ausgewahlte Glas im Laufe des vorherigen Jahres gefertigt. Countries Represented/Vertretene Lander

Australia Japan Sweden Belfrage, Clare Ando, Hikari Backstrom, Monica Bruce, Jane Fujii, Yasuko' Bergstrom, Lena Dougall, Keith Hashimoto, Kazuyo Hydman-Vallien, Ulrica Gavan, Jane Ichikawa, Atsushi Rooth, Jonas George, Mel Inoue, Tsuyoshi Wahlstrom, Ann Horn, Timothy Ito, Mie Pereira, Aseem Kikuzato, Yuko United States Procter, Stephen Matsuura, Akane Aldridge, Peter Mizuyoshi, Yuko Bianchin, Cristiano

Austria Nishikawa, Makoto Blomdahl, Sonja Riedel, Georg Obata, Yuji Boux, Chuck Oguchi, Yumi Clark, Bryan M. Pepik & Brian Clayman, Daniel Brazil Sano, Takeshi Cordes, Robert Prado, Elizabeth G. Silva Sano, Youko Dailey, Dan Shimazaki, Mikako Hatz, Doni Canada Shimonaka, Makiko Hulet, Dinah Copping, Brad Shojiguchi, Rikie Jory, James Petersen, Darren Yonehara, Shinji Krasnican, Susie Shinkai, Miyuki Yukutake, Harumi Lillie, Jacqueline I. Webster, Kim A. Lipofsky, Marvin Zaryski, Tanya Latvia MacNeil, Linda Qibiete, Marta Marioni, Paul Czech Republic Marshall, Brent J. Cerny, Ervin Martin, Patrick The Netherlands Mickelsen, Robert A. Biesheuvel, Edwin Germany Myers, Joel Philip Carlgren, Anna Beckh, Veronika Paust, Karen Nanning, Barbara Huth, Ursula Pozniak, Janusz van den Berg, Fleur Isphording, Anja Rhoads, Kait Orlowski, Steffen Sandlund, Asa New Zealand Ribka, Gerhard Santini, Emilio Walter, Layla Schotterwerkstatt Schaechter, Judith A. Selvin, Nancy Poland Sterling, Lisabeth Great Britain Stankiewicz-Szczerbik, Beata Sugiki, Boyd Adrakta-Thomas, Chryssa Takada, Mariko Nishi, Etsuko Pennell, Ronald Saudi Arabia Tanaka, Kana Teich, Julio Phillips, Ingrid Maggi, Giuse Volkersz, Willem Yamamoto, Koichiro Slovak Republic (Slovakia) Wax, Jack Zika, Frank Italy Palova, Zora and Stepan Pala (56) Di Fiore, Miriam Santillana, Laura de South Africa Tiozzo, Claudio van der Merwe, Elmarie

10 1. Chryssa Adrakta-Thomas Simotakai, Nagano 389-2303, Artists and Objects* 38 Dorchester Way Japan Coventry CV2 2JA, England Ishikoro Stala (Pendent Lamps, low Pate de verre voltage/Pendelleuchte, Nieder- H. 52 cm, W. 27 cm, D. 27 cm Kunstler und Objekte volt) TSB Cut lead crystal; aluminum, * Descriptive information has been provided by the entrants. steel 4. Monica Backstrom * Die Objektbeschreibungen sind von den Teilnehmerinnen und Geschliffenes Bleikristall; Boda Glasbruk, Smalands, Teilnehmern geliefert worden. Aluminium, Stahl Sweden Tallest/hochste: H. 58 cm, Jewellery Diam. 6.5 cm Layered, frosted, and cut glass LM Mattiertes und geschliffenes Verbundglas 2. Peter Aldridge H. 5 cm, Diam. 2 cm 42 Spencer Hill Road LM Corning, New York 14830 A Moment in Time (detail) 5. Veronika Beckh Starphire glass, cut, polished, PoigerstraBe 18 dichroic coatings, assembled D-91301 Forchheim, Bavaria, Starphire Glas, geschliffen, Germany poliert, Dichroicbeschichtung, Contemplation (detail) montiert 21 blown glass segments, cut, H. 300 cm polished, sandblasted TSB, LM 21 geblasene Glassegmente, geschliffen, poliert, sandge- 3. Hikari Ando strahlt Koshiyasan Kamikijima Kijima- H. 14 cm, Diam. 35 cm daira TSB, LM, DZ

4 12 6. Clare Belfrage Blown glass, cold-worked with 40 Regent Street battuto technique; hemp Kensington, Adelaide 5068, Geblasenes Glas, kalt bearbei- Australia tet in Bafftyfo-Technik; Hanf W. 38 cm, Diam. 11 cm Group of Forms II from "Line LM Drawings" Series Blown, cane-drawn, and acid- g. Edwin Biesheuvel etched glass Linnaeuslaan 30 Geblasenes, gezogenes und 1431 JV Aalsmeer, The sauregeatztes Glas Netherlands Tallest/hochste: H. 34 cm TSB, LM Core Blown crystal 7. Lena Bergstrom Geblasenes Kristall Orrefors Kosta Boda AB H. 40 cm Box 8 LM S-380 40 Orrefors, Sweden ^ ^ Sonja Blomdahl Vase William Traver Gallery Blown and cut glass 110 Union Street Geblasenes und geschliffenes Seattle, Washington 98101 Glas H. 54 cm, W. 11.5 cm Turquoise/Violet TSB, LM Blown glass, incalmo tech­ nique 8. Cristiano Bianchin Geblasenes Glas, Incalmo- Barry Friedman Ltd. Technik 32 East 67th Street H. 40 cm, W. 25 cm, D. 25 cm New York, New York 10021 LM, DZ Nest Pod

1 11. Chuck Boux Geblasenes Glas, mit 23 2318 16th Avenue North 75karatigen Goldblattern ver- St. Petersburg, Florida 33713 goldet H. 24 cm Under the Coral Head TSB, DZ Double overlay glass, Graal technique 14. Ervin Cerny Doppeluberfangglas, Graal- Novy Bor, Czech Republic technik H. 26 cm, W. 33 cm, D. 33 cm The Motorbike I TSB, DZ Blown glass, enameled; plati­ num, sandblasted, asphalt 12. Jane Bruce Geblasenes Glas, emailliert; Canberra School of Art Platin, sandgestrahlt, Asphalt G.P.O. 804, Childers Street H. 30 cm, W. 72 cm, D. 30 cm ACT 2601 Canberra, Australia TSB, DZ Clear Lidded Vessel 15. Bryan M. Clark Blown and wheel-cut glass Providence, Rhode Island Geblasenes und radgraviertes Glas Lidded Vessel H. 21 cm, W. 22 cm, D. 22 cm Flameworked borosilicate LM, DZ glass Lampengearbeitetes Borosili- 13. Anna Carlgren katglas Bellamystrasse 91-93 H. 27 cm, W. 8.5 cm, 1053 BJ Amsterdam, D. 8.5 cm The Netherlands TSB Carafe for a King Blown crystal, gilded with 23.75-karat-gold leaf

14 15 Daniel Clayman Largest/grofBter: H. 40 cm, 9 Newman Avenue W. 9 cm, D. 9 cm Rumford, Rhode Island 02916 TSB, LM Cipe 19. Dan Dailey Fuse-cast glass, cast bronze Leo Kaplan Modern Verschmolzenes, gegossenes 41 East 57th Street, 7th Floor Glas, gegossene Bronze New York, New York 10022 H. 25.4 cm, W. 36.8 cm, D. 44.5 cm Turning Nudes TSB, LM Three blown gold shades with amethyst rim; fabricated, pati- Brad Copping nated, and gold-plated bronze Jack Lake Road Drei geblasene goldene Lam- Apsley, Ontario KOL 1A0, penschirme mit Amethystrand; Canada bearbeitete, patinierte und ver- goldete Bronze Diverge and Return H. 74 cm, W. 37.5 cm, Cast and carved glass; wood, D. 37.5 cm paint TSB, LM Gegossenes und geschliffenes Glas; Holz, Farbe 20. Miriam Di Fiore cm, W. 109 cm, D. 28 cm H. 35.5 Via Marco D'Oggiono No. 7 LM, DZ 20123 Milan, Italy Robert Cordes Andar per legna (To Gather Jacksonville, Florida Firewood) Fused glass Bones Verschmolzenes Glas Blown glass H. 30 cm, W. 20 cm, D. 2 cm Geblasenes Glas TSB 21. Keith Dougall Opake Glasperlen, gewebt; Westwood Farm, Kambah Draht Pool Road H. 25.5 cm, W. 18 cm, ACT 2902 Kambah, Canberra, D. 18 cm Australia TSB, LM Glass Weaving #9 (detail) 24. Mel George Hand-pulled glass cane, Canberra School of Art slumped, woven with thread G.P.O. 804 Handgezogene Glasstabe, ab- ACT 2601 Canberra, Australia gesenkt, mit Draht verflochten Unrolled/auseinandergerollt: T424344 H. 160 cm, W. 43 cm, D. 0.7cm Cast and slumped glass TSB, LM Gegossenes und abgesenktes Glas 22. Yasuko Fujii H. 7.5 cm, W. 13 cm, D. 13 cm Toyama, Japan TSB, LM Untitled 25. Marta Qibiete Cast glass Rigas 3-2 Gegossenes Glas LV-3401 Liepata, Latvia H. 62 cm, W. 24 cm, D. 12 cm TSB, LM Two Sisters Melted glass; copper wire 23. Jane Gavan Geschmolzenes Glas; Kupfer- 18 Formosa Street draht NSW 2047 Drummoyne, H. 60 cm, W. 45 cm, D. 30 cm Australia LM, DZ Black Urn Opaque glass beads, woven; wire

m • m mmm 26. Kazuyo Hashimoto H. 80 cm, W. 65 cm, D. 10 cm 1-6-12 Tenjin TSB, DZ 1 Ikeda Osaka 563-0031, Japan 29. Dinah Hulet P.O. Box 2012 Woven Glass I McKinleyville, California 95519 Flameworked glass Lampengearbeitetes Glas Into my life there came a man H. 45 cm, W. 40 cm, D. 45 cm called George (detail) TSB, LM, DZ Flameworked glass (mosaic glass /murrine technique) 27. Doni Hatz Lampengearbeitetes Glas Loveland, Ohio (Mosaikglas/Mi/rr/'ne-Technik H. 30.5 cm, W. 17.8 cm, Blue Claw Crab D. 0.6 cm Blown and flameworked boro- TSB, LM silicate glass Geblasenes und lampengear­ 30. Ursula Huth beitetes Borosilikatglas Marktplatz 5a H. 5 cm, W. 25 cm, D. 12.5 cm D-71093 Weil im Schonbuch, TSB Germany 28. Timothy Horn Sengang (variations with piece Canberra, Australia possible/Moglichkeit verschie- dener Variationen) Pussy's Bow (passive aggres­ Pate de verre, brass sion) Pate de verre, Messing Cast lead glass; bronze, H. 28 cm, W. 40 cm, D. 11 cm nickel-plated TSB Gegossenes Bleiglas; Bronze, vernickelt

26 31. Ulrica Hydman-Vallien Cast, cut, and assembled Orrefors Kosta-Boda glass Broms Vag 8 Gegossenes, geschliffenes 36194 Eriksmala, Sweden und montiertes Glas H. 32 cm, W. 18 cm, D. 18 cm Snake Flowers LM, DZ Blown glass Geblasenes Glas 34. Anja Isphording Tallest/hochste: H. 60 cm, Am Weiher 19 W. 20 cm D-34431 Marsberg, Germany TSB, DZ Vessel 32. Atsushi Ichikawa Kiln-cast glass, lost wax tech­ 267 Nibugata-Machi nique, ground, polished Hachioji-shi, Tokyo 193-0822, Ofengegossenes Glas, Japan Wachsausschmelztechnik, ge- schliffen, poliert Power of Love H. 22 cm, Diam. 18 cm Cast glass; copper wire, feath­ TSB, LM er, paint Gegossenes Glas; Kupfer- 35. Mielto draht, Federn, Farbe 1-7-8 Saigawa Chofu H. 45 cm, W. 66 cm, D. 15 cm Shimonoseki-shi, Yamaguchi- TSB ken 752-0928, Japan 33. Tsuyoshi Inoue Untitled 4-12-16 Sinkiba Cast and fused glass Koto-ku, Tokyo 136-0082, Gegossenes und verschmol- Japan zenes Glas H. 10 cm, W. 15 cm, D. 15 cm 0<1<0 TSB, LM 36. James Jory H. 88 cm, W. 56 cm, D. 1.27 cm 12824 Lillian Northeast LM, DZ Albuquerque, New Mexico 87112-2121 39. Jacqueline I. Lillie Rosanne Raab Associates Diatreta Figural Vase 35 East 75th Street Lost wax casting New York, New York 10021 WachsausschmelzguR H. 16 cm, W. 12 cm, D. 12 cm Neckpiece TSB Glass beads knotted sepa­ rately; silver-mounted, stain­ 37. Yuko Kikuzato less steel 3-34-11 Nodake Glasperlen einzeln verknotet; Ginowan-shi, Okinawa-ken auf Silber montiert, Edelstahl 901-2203, Japan Rod: H. 15 cm, W. 1 cm TSB, LM Animal Vessel Pate de verre, blown and 40. Marvin Lipofsky enameled glass 1012 Pardee Street Pate de verre, geblasenes und Berkeley, California 94710- emailliertes Glas 2628 H. 29 cm, W. 18 cm, D. 18 cm TSB Series IGS VI 1998 #2 Mold-blown, cut, ground, sand­ 38. Susie Krasnican blasted, and acid-polished 2000 Hermitage Avenue glass Silver Spring, Maryland 20902 Formgeblasenes, geschnitte- nes, geschliffenes, sandge­ Rain or Shine strahltes und saurepoliertes Sandblasted and enameled Glas glass H. 28 cm, W. 58.5 cm, Sandgestrahltes und emaillier­ D. 41.5 cm tes Glas TSB, DZ 41. Linda MacNeil Tattoo'd Man 2 North Road Enameled glass Kensington, New Hampshire Emailliertes Glas 03833-5605 H. 64 cm, W. 64 cm, D. 2 cm TSB, DZ Mesh Necklace Pate de verre, 24-karat gold- 44. Brent J. Marshall plated brass 2943 Edgehill Road Pate de verre, Messing 24 Ka­ Cleveland Heights, Ohio 44118 rat vergoldet H. 5 cm, W. 2.5 cm The Crossing II TSB Cast glass; stone Gegossenes Glas; Stein 42. Giuse Maggi H. 30 cm, W. 71 cm, D. 30 cm P.O. Box 248 TSB Dhahran Airport 31 Al Khobar, Saudi Arabia 45. Patrick Martin 4018 Prytania Street Creation, Globe IV New Orleans, Louisiana 70115 Pate de verre, kiln-formed Pate de verre, ofengeformt Untitled Diam. 42 cm Blown glass; paint, metal TSB, LM Geblasenes Glas; Farbe, Me- tall 43. Paul Marioni H. 132.5 cm, W. 75 cm, 4136 Meridian Avenue North D. 67.5 cm Seattle, Washington 98103 TSB, LM

41 46. Akane Matsuura Fish Lamp (Black Arowana) • v.: . . • 5076-4 Minamihotaka Toyo- Glass powder, fused, slumped shina-machi Glaspuder, verschmolzen, ab- Minamiazumi-gun, Nagano gesenkt Pref. 399-8201, Japan H. 16 cm, W. 41 cm, D. 12 cm TSB Breath Blown and hot-worked glass 49. Joel Philip Myers Geblasenes und heif3 bearbei- R.R. 2, Box 372 tetes Glas Bloomington, Illinois 61704 H. 6.5 cm, W. 32 cm, D. 32 cm — TSB, LM, DZ The Ghosts of War (detail) Blown, lustered, and enameled 47. Robert A. Mickelsen WlSm SS-sf-: I _ -rv/ I (, J , u , 700 Atlantis Road, #304 Geblasenes, verlustertes und Melbourne, Florida 32904 emailliertes Glas H. 150 cm, W. 150 cm, Organism Series - Sirius D. 80 cm Flameworked, blown, sculpted, TSB, LM, DZ •v and sandblasted glass; paint Lampengearbeitetes, geblase­ 50. Barbara Nanning nes, geformtes und sandge- Amsterdam, The Netherlands strahltes Glas; Farbe H. 81 cm, W. 30.5 cm, Vessel Form D. 25.5 cm Blown and sandblasted glass TSB Geblasenes und sandgestrahl- tes Glas 48. Yuko Mizuyoshi H. 11 cm, W. 24 cm, D. 24 cm 2-10-23 Kajyama Tsurumi-ku TSB, LM Yokohama, Kanagawa 230- 0072, Japan 51. Etsuko Nishi Blown glass; wood, paint, 12 Stanhope Mews West, #4 Celluloid toys London SW7 5RB, England Geblasenes Glas; Holz, Farbe, Zelluloidspielzeug Lace Boat H. 46 cm, W. 35 cm, D. 35 cm Pate de verre TSB, DZ H. 15 cm, W. 35 cm, D. 19 cm TSB, LM, DZ 54. Yumi Oguchi 52. Makoto Nishikawa 16-1 WO Utatsu-machi Kanazawa-shi, Ishikawa 920- 2796-1 Yoshizukuri 0832, Japan Toyama, Toyama 930-0142, Japan Oou Pate de verre The Age of the Moon H. 12 cm, W. 38 cm, D. 56 cm Kiln-cast and cut glass; metal- LM work Ofengegossenes und geschlif- 55. Steffen Orlowski fenes Glas; Metall Schotterwerk 1 H. 175 cm, W. 70 cm, D. 75 cm D-98724 LauschayThuringen TSB, LM Germany 53. Yuji Obata To Come Up into Being 1 -72 Aoki-cho Blown glass Toyota-shi, Aich-ken 470-0335, Geblasenes Glas Japan H. 80 cm, W. 80 cm TSB, LM Nest

52 56. Zora Palova and Cast, cut, polished, and in­ Stepan Pala cised glass; bronze, paint Bratislava, Slovak Republic Gegossenes, geschliffenes, (Slovakia) poliertes und graviertes Glas; Bronze, Farbe Light Transformer (detail) H. 24 cm, W. 34 cm, D. 20 cm Cast glass; metal TSB, DZ Gegossenes Glas; Metall H. 5 m, W. 2.3 m, D. 40 cm 59. Pepik & Brian LM, DZ 80 Nishikanaya 57. Karen Paust Toyama 930-0143, Japan 948 East Market Street Vase No. 1 York, Pennsylvania 17403 Blown, cut, and polished glass Geblasenes, geschliffenes und Trying to Root poliertes Glas Glass beads; rocks, bones, H. 22 cm, W. 8 cm, D. 8 cm thread, copper wire TSB, LM, DZ Glasperlen; Steine, Knochen, Schnur, Kupferdraht 60. Aseem Pereira H. 66 cm, W. 46 cm, D. 8 cm Bondi Beach, Australia TSB Untitled 58. Ronald Pennell Cut, drilled, and woven dis­ School of Art and Design carded bottles University of Wolverhampton Geschnittene, gebohrte und Wolverhampton, England verwebte Altglasflaschen H. 180 cm, W. 78 cm Diverse Elements I TSB, LM 61. Darren Petersen Blown glass 5331 44 Avenue Geblasenes Glas Red Deer, Alberta T4N 3J1, H. 68.5 cm, W. 48.25 cm, Canada D. 33 cm TSB, LM Gondola Fused and off-hand sculpted 64. Elizabeth G. Silva Prado zanfirico canes; gold leaf S. De Parnaiba, Brazil Verschmolzenes und freihan- dig geformte Zanfirico-Stabe; Vase II Blattgold Fused and slumped glass; H. 12 cm, W. 42 cm, D. 11.5 cm glue TSB Verschmolzenes und abge- senktes Glas; Kleber 62. Ingrid Phillips H. 35 cm, W. 40 cm, D. 10 cm 8 Leslie Place, 2F2 TSB, LM, DZ Edinburgh EH4 1NH, Scotland 65. Stephen Procter Conceptacle Wall (detail) Canberra School of Art Cast glass blocks with blown G.P.O. Box 804 inclusions ACT 2601 Canberra, Australia Gegossene Glasblocke mit ge- blasenen Einschlussen Opposite and Equal 2 ("Lati­ H. 40 cm, W. 40 cm, D. 6 cm tudes" Series 1998) TSB Fused, blown, cut, and en­ graved Bullseye glass 63. Janusz Pozniak Verschmolzenes, geblasenes, 4136 Meridian Avenue North geschliffenes und graviertes Seattle, Washington 98103 Bullseye-Glas H. 9.5 cm, Diam. 29.5 cm Jester TSB, LM, DZ 66. Kait Rhoads Vinum Tasting Glass William Traver Gallery Blown glass 110 Union Street, Suite 200 Geblasenes Glas Seattle, Washington 98101 H. 17.5 cm TSB, LM Pas de deux Fired enamels and slumped 69. Jonas Rooth glass tubing; waxed linen, Toredalsvagen 65 steel 144 63 Ronninge, Sweden Eingebrannte Emailfarben und abgesenkte Glasrohren, ge- Pattern Object #7 wachstes Leinen, Stahl Blown glass H. 24 m, W. 30 m, D. 18 m Geblasenes Glas LM H. 200 cm, W. 400 cm, D. 30 cm 67. Gerhard Ribka TSB Rugener StraBe 4 D-63075 Offenbach am Main, 70. Asa Sandlund Germany 2841 Northwest 60th Seattle, Washington 98107 Untitled Fused and enameled glass Dimensions (detail) Verschmolzenes und emaillier- Blown, cut, and faceted glass tes Glas Geblasenes, geschliffenes und H. 30 cm, W. 10 cm, D. 0.7 cm facettiertes Glas TSB H. 45 cm, W. 12 cm LM 68. Georg Riedel Kufstein, Tyrol, Austria 71. Takeshi Sano W. 40 cm, D. 20 cm 237-3 Furusawa TSB, LM, DZ Toyama, Toyama 930-0151, Japan 74. Emilio Santini 216 Carter's Neck Road Soft Forms Williamsburg, Virginia 23188- Blown, cut, and polished glass 2234 Geblasenes, geschliffenes und poliertes Glas Uros Tallest/hochstes: H. 35 cm, Flameworked glass; drawings W. 11 cm, D. 11 cm with crayon TSB Lampengearbeitetes Glas; Pastellzeichnungen 72. Youko Sano H. 36 cm, W. 15 cm, D. 15 cm 237-3 Furusawa TSB Toyama, Toyama 930-0151, Japan 75. Judith A. Schaechter Snyderman Gallery Warm Time, Warm Space 303 Cherry Street Blown, cut, and polished glass Philadelphia, Pennsylvania Geblasenes, geschliffenes und 19106 poliertes Glas H. 12 cm, W. 20 cm, D. 20 cm Girl Dying Hair TSB, DZ Stained, sandblasted, en­ graved, and enameled glass; 73. Laura de Santillana copper foil Venice, Italy Farbiges Glas, sandgestrahlt, graviert und emailliert, Kupfer- Shadow folie Blown glass H. 48 cm, W. 68 cm Geblasenes Glas TSB, LM, DZ Tallest/hochste: H. 35 cm, 76. Schotterwerkstatt Sky Babies Schotterwerk 1 Pate de verre D-98724 Lauscha, Germany H. 21 cm, W. 13 cm, D. 7.5 cm TSB What's Your Title? (detail) Flameworked and blown glass; 79. Makiko Shimonaka earth, grass seed 1-16-2 Ichihashi Lampengearbeitetes und ge- Gifu 500-8381, Japan blasenes Glas; Erde, Gras- samen Whisper Light H. 73 cm, W. 135 cm, D. 85 cm Blown and cast glass LM Geblasenes und gegossenes Glas 77. Nancy Selvin H. 30 cm, W. 10 cm, D. 7 cm Sybaris Gallery TSB 202 East Third Street Royal Oak, Michigan 48067 80. Miyuki Shinkai 1224 East Georgia Street Set of Goblets/Martini Glasses Vancouver, British Columbia Flameworked glass V6A 2B1, Canada Lampengearbeitetes Glas H. 22.9 cm, W. 10.2 cm Underground - A Part of the TSB Rain Cloud Installation Cast glass; copper wire, wood, 78. Mikako Shimazaki paint Tomooka 4-7-12 Gegossenes Glas; Kupfer- Fukuoka, Jonanku 814-0112, draht, Holz, Farbe Japan H. 70 cm, W. 120 cm, D. 7 cm TSB 81. Rikie Shojiguchi Blown and engraved glass with 253-1 Shinsono-machi color overlay Toyama, Toyama-ken 930- Geblasenes und graviertes 0993, Japan Glas mit Farbuberfang H. 31 cm, W. 18.5 cm, Sake D. 18.5 cm Blown and cast glass TSB Geblasenes und gegossenes Glas 84. Boyd Sugiki H. 12 cm, W. 200 cm, 3501 58th Avenue Southwest D. 350 cm Seattle, Washington 98116 TSB, LM, DZ Life-line 82. Beata Stankiewicz- Blown and etched glass Szczerbik Geblasenes und geatztes Glas Puszczykowska 14/1 H. 42.5 cm, W. 90 cm, D. 30 cm 50-559 Wroclaw, Poland LM I Don't Know 85. Mariko Takada Pate de verre 783 East Jackson Street, H. 40 cm, W. 40 cm, D. 3 cm Apt. A TSB San Jose, California 95112 83. Lisabeth Sterling Still Life - Orange Riley Hawk Gallery Blown glass 2026 Murray Hill Road Geblasenes Glas Cleveland, Ohio 44106 H. 10 cm, W. 23 cm, D. 10 cm TSB, LM Taking Steps Kana Tanaka Superfici nascoste no. 5 157 Ives Street, #3 Fused and beveled glass Providence, Rhode Island Verschmolzenes und abge- 02906 schragtes Glas H. 40 cm, Diam. 10 cm Daydreaming Bubble TSB, LM, DZ Blown glass Geblasenes Glas 89. Fleur van den Berg H. 38 cm, W. 33 cm, D. 33 cm Kruisstraat 16a TSB 2312 BH Leiden, The Nether­ Julio Teich with the lands assistance of Steven Silent Monument Cornett Mold-melted, cut, and polished 4600 Waverly Avenue glass Richmond, Virginia 23231- Formgeschmolzenes, geschlif­ 1404 fenes und poliertes Glas H. 16 cm, W. 25 cm, D. 53 cm Vessel #1 TSB, DZ Cast, cut, ground, polished, and bonded glass 90. Elmarie van der Merwe Gegossenes, geschliffenes, Amatori 39, Harold Street graviertes, poliertes und ge- 7600 Stellenbosch, Republic klebtes Glas of South Africa H. 88.5 cm, W. 39.5 cm, D. 39.5 cm Horn Series, I TSB Blown glass; metal, synthetic hair Claudio Tiozzo Geblasenes Glas; Metall, Riva Longa, 23 kunstliche Haare 30141 Murano (Venice), Italy H. 60 cm, W. 22 cm, D. 16 cm TSB 91. Willem Volkersz H. 12 cm, W. 35 cm, D. 35 cm 12299 Portnell Road TSB, DZ Bozeman, Montana 59718 94. Jack Wax But You Can't Elliott Brown Gallery Flameworked glass; neon, 619 North 35th Street, #101 paint Seattle, Washington 96103 Lampengearbeitetes Glas; Neon, Farbe Tane H. 221 cm, W. 231 cm, Blown, cut, and fabricated D. 18 cm glass TSB, LM, DZ Geblasenes, geschliffenes und weiterbearbeitetes Glas 92. Ann Wahlstrom H. 48 cm, W. 43 cm, D. 28 cm Kosta Boda TSB, LM, DZ S-36052 Kosta, Sweden 95. Kim A. Webster Cyklon Galerie Elena Lee Blown glass; applied color 1428, rue Sherbrooke Quest Geblasenes Glas; aufgetra- Montreal, Quebec H3G 1K4, gene Farbe Canada H. 42 cm, W. 28 cm, D. 17 cm TSB, LM Three Years Apart Blown glass; silkscreened 93. Layla Walter enamel transfers, fired on 3 Richbourne Street Geblasenes Glas; Emailsieb- Kingsland, Auckland, New druck, eingebrannt Zealand H. 35 cm, Diam. 32 cm TSB, LM Woven Rimmed Bowl #1 Cast glass Gegossenes Glas 96. Koichiro Yamamoto Geschliffenes und abgesenk- 58 Heme Hill tes Glas; Kupferdraht London SE24 9QP, England H. 44 cm, W. 34 cm, D. 34 cm TSB, LM, DZ 6 Mugs Cast and polished glass 99. Tanya Zaryski Gegossenes und poliertes 13-1174 Kelsey Court Glas Oakville, Ontario L6H 5E3, H. 10 cm, W. 50.5 cm, D. 8 cm Canada LM The Turquoise Vase 97. Shinji Yonehara Blown glass; paint 53 Nopporo-Yoyogi Geblasenes Glas; Farbe Ebetsu, Hokkaido 069-0817, H. 24.1 cm, W. 15.2 cm, Japan D. 9.5 cm TSB Ancient Sounds Blown and sandblasted glass 100. Frank Zika Geblasenes und sandgestrahl- 141 Cuesta Drive tes Glas San Luis Obispo, California H. 32 cm, W. 34 cm, D. 34 cm 93405 LM Mask Fish and Fowl 98. Harumi Yukutake Kiln-formed and enameled 6796 Kureha, #ll-202 glass, then tempered 6 mm Toyama, Toyama 930-0138, P.P.G. Gray lite Japan Ofengeformtes und emaillier- tes Glas, auf 6 mm P.P.G. Polyp Graylite abgekuhlt Cut and slumped glass; copper H. 170 cm, W. 70 cm, D. 4 cm wire TSB

, .. 97 Laura de Santillana, Italy Yellow Stone, Red Stone Blown glass Geblasenes Glas H. (taller/hochster) 53 cm

Some Reflections on the Competition Einige Betrachtungen uber den Wettbewerb

s a student of the fine and decorative arts and the newest member Is Studentin der bildenden und angewandten Kunst und neuestes Aof the curatorial team at The Corning Museum of Glass, I found the AMitglied im Kuratorenteam des Corning Museums of Glass empfand experience of observing the New Glass Review competition to be both ich die Erfahrung, den New Glass Review Wettbewerb zu beobachten, rewarding and enlightening. From this comprehensive overview of inter­ sowohl lohnend als auch aufschluftreich. Aus dieser umfassenden national glass, a variety of compelling themes emerged. The issue of Ubersicht uber internationales Glas, tauchte eine Vielzahl verlockender "newness" prevailed. Change, from the subtle to the very dramatic, was Themen auf. Das Thema der „Neuheit" herrschte vor. Veranderung, omnipresent. In this article, I will highlight some of the trends and the vom subtilen zum dramatischen, war allgegenwartig. In diesem Artikel esthetic, stylistic, and technical achievements that characterize the new werde ich einige von den Trends und den astethischen, stilistischen und glass of 1998. technischen Leistungen hervorheben, die das neue Glas 1998 charak- The fascination with natural forms is as alive today as it was in 1937 terisieren. with the appearance of Alvar Aalto's Savoy vase and the advent of Die Faszination durch naturliche Formen ist heute genauso lebendig Biomorphism as seen in the works of Jean Arp and Henry Moore. Dur­ wie 1937, als Alvar Aaltos Vase Savoy auftauchte und den Beginn des ing that year, Moore wrote an es­ Biomorphismus, wie man ihn von say titled "The Sculptor Speaks," den Arbeiten Jean Arps und Henry in which he said, "There are Moores kennt, markierte. Wahrend universal shapes to which every­ dieses Jahres schrieb Moore einen body is subconsciously condi­ Essay mit dem Titel „The Sculptor tioned and to which they can re­ Speaks (Der Bildhauer spricht)", in spond if their conscious control dem er sagt: „Es gibt universelle does not shut them off." In much Formen, von denen jeder unbe- the same way that "pebbles show wufBt abhangig ist und auf die er nature's way of working with reagieren kann, wenn die bewuBte stone," the sculptural stones of Kontrolle keine Sperre dafiir Laura de Santillana and those bildet." Auf die gleiche Weise wie of Chuck Lopez show an artist's „Kieselsteine den Weg der Natur way of working with glass. One zeigen, mit Stein zu arbeiten", sighs with delight at the sublime zeigen die bildhauerisch bearbeite- beauty achieved by Akane ten Steine von Laura de Santil­ Matsuura in Breath (46) and the lana und von Chuck Lopez die Art organic nature that embodies des Kunstlers bei der Bearbeitung such sculptural vessels as Ebony von Glas. Man seufzt vor Freude Grouping by Benjamin Edols bei der sublimen Schonheit, die and Kathy Elliott, Soft Forms by Akane Matsuura in Breath (46) Takeshi Sano (71), and Emer­ erreicht und der organischen gence by Mark Thiele. In Moody Natur, die skulpturale GefaGe wie Garden, Cristiano Bianchin Benjamin Edols and Kathy Elliott, Australia Ebony Grouping von Benjamin sheathes his bottles in hemp and Ebony Grouping Edols und Kathy Elliott, Soft sets them in sand, creating an Blown glass, wheel-cut Forms yon Takeshi Sano (71) und intriguing assemblage of organic Geblasenes Glas, radgraviert Emergence von Mark Thiele vessels that are at once familiar H. (tallest/hochster) 52 cm verkorpern. In Moody Garden Mark Thiele, Australia Emergence Blown glass, lathe-worked Geblasenes Glas, ge- drechselt H. 19 cm

Cristiano Bianchin, Italy Moody Garden Blown, cut, and ground glass; hemp; set in Sand Geblasenes, geschnittenes und geschliffenes Glas; Hanf; auf Sand arrangiert W. 99 cm, D. 99 cm

and foreign. Perhaps this affinity for organic forms is due in part to the umhullt Cristiano Bianchin seine Flaschen mit Hanf und legt sie auf revived interest in modernism in the decorative arts. Sand und kreiert so eine Assemblage aus organischen GefaBen, die Organicism and growth characterize the lampworked compositions of gleichzeitig vertraut und fremd sind. Vielleicht verdankt sich seine the Japanese artist Masami Koda. Although Muku, Orbit, and Kot Kot Affinitat fur organische Formen zu einem Teil dem wiedererwachten are linked in their use of pods, each work entails a distinctly different Interesse der modernen Einstellung gegenuber der angewandten Kunst. approach: adaptations of a theme that exemplifies both the consistency Organismus und Wachstum charakterisieren die lampengearbeiteten and the versatility of this artist. Kompositionen des japanischen Kunstlers Another result of this fascination with Masami Koda. Obwohl Muku, Orbit, und Kot organicism derives naturally from the use of Kot durch ihre Verwendung von Schoten blown glass. In 1952, Kaj Franck Captured miteinander verbunden sind, bringt jede both the breath of the artist and the tran­ Arbeit eine eindeutig unterschiedliche sience of a fleeting moment in the simplicity Annaherung mit sich: Adaptionen eines of Saippuakulpa (Soap bubbles), which he Themas, das beides veranschaulicht, die designed for the Nuutajarvi Glassworks in Bestandigkeit und die Vielseitigkeit des Finland. Among the artists who have pro­ Kunstlers. duced elegant variations on this theme since Ein weiteres Ergebnis dieser Faszination then are Stephen Procter and Franz Holler. durch Organik ergibt sich naturlicherweise One of the most recent interpretations ap­ durch den Einsatz von geblasenem Glas. Im pears in Steffen Orlowski's ethereal outdoor Jahr1952 fing Kaj Franck sowohl den Atem installation To Come Up into Being (55). In des Kunstlers als auch die Verganglichkeit this work, a multitude of bubbles appears to des fluchtigen Augenblicks in der Einfachheit float upward from a grassy field cloaked in an von Saippuakulpa (Seifenblasen) ein, die er early morning mist. A more whimsical version fur die Nuutajarvi Glashutten in Finnland of the glass bubble appears in Kana Tanaka's entwarf. Zu den Kunstlern, die seither ele­ Daydreaming Bubble (86). One even detects gante Variationen zu diesem Thema entwor- a faint bubble enclosing the woman's head in fen haben, gehoren Stephen Procter und Beata Stankiewicz-Szczerbik's pate de verre Franz Holler. Eine der jungsten Interpretatio- portrait I Don't Know (82). Such interpreta­ nen taucht in Steffen Orlowski's atherischen tions of the organic form exploit the plastic AuBeninstallation To Come Up into Being qualities of glass and appeal to our senses (55) auf. Bei dieser Arbeit scheint eine Viel- naturally, in much the same way that anthro­ zahl von Blasen iiber einer Wiese zu schwe- pomorphic vessels do. ben, die in Morgennebel getaucht ist. Eine It was particularly intriguing to note the eher wunderliche Variante einer glasernen number of entries that focus on anthropomor­ Blase taucht in Kana Tanaka's Daydreaming phic themes. In fact, bodily organs and parts Bubble (86) auf. Man entdeckt sogar eine of all types - torsos, skulls, and hearts, in Masami Koda, United States schwache Blase, die in Beata Stankiewicz- particular - were recurrent themes in this Orbit Szczerbik's pate de verre Portrait I Don't year's competition. Some of the most poi­ Lampworked glass; copper, paper Know (82) den Kopf einer Frau umhullt. gnant renderings of the heart appear in the Lampengearbeitetes Glas; Kupfer, Papier Solche Interpretationen der organischen works of Annette Clarke. The profound H. 52 cm Form schlachten die plastischen Qualitaten Annette Clarke, Australia Untitled Blown and lampworked glass; copper Geblasenes und lampengearbeitetes Glas; Kupfer H. 19 cm

Stephen Jon Clements, peacefulness embodied in Silence is broken with Untitled. From the first United States of these works, a gathering of abstract ivory heart forms, one was Emerald Demure plucked and punctured with a myriad of pins in the second work, caus­ Cast glass; mesquite ing us to gasp with pain at the sight of it. Stephen Jon Clements wood illuminates the sensuous qualities of the human figure and the seduc­ Gegossenes Glas; tive qualities of glass and wood, mounting an abstract, elliptical tur­ Mesquite-Holz quoise mask on a wooden body in Emerald Demure. Yet another varia­ H. 202 cm tion on this theme-the use of wire as a skin enclosing the glass vessel - is seen in Carole Freve's Second Skin, Caitlin Johnson's Spirit Enca­ sed, Bonyun Yoan's Untitled, and Marta Qibiete's Two Sisters (25). Wire was also paired with glass in a variety of large-scale weavings von Glas aus und appellieren an unsere naturlichen Sinne auf ungefahr by two Australian artists, Keith Dougall and Aseem Pereira. In these die gleiche Weise wie antropomorphe GefaRe. works, glass is imbued with a textilelike quality in the form of two dis­ Es war besonders spannend, die Zahl der Beitrage zu registrieren, tinctly different "woven" curtains. Composed of hand-pulled and slumped die anthropomorphe Themen in den Mittelpunkt stellen. In der Tat, glass cane, Dougall's Glass Weaving #9 (21) appears like a glorified rag Organe und Teile aller Art des Korpers, insbesondere - Torsi, Schadel rug, its undulating pastel panels unfurled to the floor, where they are und Herzen - waren immer wieder auftauchende Themen beim dies- rolled neatly. Pereira's Untitled (60) is an extremely complex composi- jahrigen Wettbewerb. Einige der ergreifendsten Interpretationen des Herzens tauchen in den Arbeiten von Annette Clarke auf. Die tiefe Friedfertigkeit die durch Silence verkorpert wird, wird in Untitled aufge- brochen. Aus der einer der ersten dieser Arbeiten, einer Ansammlung von abstrakten Herzformen aus Elfenbein, wurde eine herausgerissen und in einer zweiten Arbeit von tausenden Nadeln durchstochen, die ein tiefes Luftholen verursachen wenn man sie zum ersten Mai sieht. Stephen Jon Clements illuminiert die sinnlichen Qualitaten der menschlichen Figur und die verfuhrerischen Eigenschaften von Glas und Holz, indem er bei Emerald Demure eine elliptisch turkise Maske auf einen holzernen Korper montiert. Es gibt sogar noch andere Varia- tionen uber das Thema - die Verwendung von Draht als Haut, die das glaserne Gefaf3 umhullt - wie bei Carole Freve's Second Skin, Caitlin Johnson's Spirit Encased, Bonyun Yoan's Untitled, und Marta Gibiete's Two Sisters (25). Draht war auch in einer Vielzahl von groBformatigen Webereien der beiden australischen Kunstler Keith Dougall und Aseem Pereira mit

Carole Freve, Canada Second Skin Blown and molded glass; knitted steel and copper Geblasenes und geschmolzenes Glas; gestrickter Stahl und Kupfer H. 25 cm Glas gepaart. In diesen Arbeiten ist Glas in Form von zwei unterschied- liche „gewobenen" Vorhangen von einer textilahnlichen Qualitat durch- drungen. Bestehend aus handgezogenen und abgesenkten Glasstaben erscheint Dougall's Glass Weaving #9 (21) wie ein aufgedonnerter Lappenteppich, dessen wogende Pastellpanelen unaufgerollt auf den Boden flieBen, wo sie sauber zusammengerollt sind. Pereira's Untitled (60) ist eine extrem komplexe Komposition aus Altglasflaschen, die geschliffen, gebohrt und verwoben sind. In seiner Pracht der Farben und der Textur erinnert es ebenso wie in seinem architektonischen Reiz an eine der bedeutendsten Textilien von Jack Lenor Larsen, Remou­ lade. Interessante Interpretationen dieses Textilthemas wurden auch auf das GefaB ubertragen. Sicherlich eine der erstaunlichsten Gegenuber- stellungen von Glas und Draht ist Jane Gavan's Black Urn (23). Andere Beispiele sind Layla Walters Woven Rimmed Bowl #1 (93) aus gegos- senem Glas und Bleikristall, das durch das Webmuster Raranga Wha­ kairo o Aotearoa aus Neuseeland, und durch Youko Sano's Warm Time, Warm Space (72) inspiriert wurde. Eine Vielzahl der Einreichungen konzentriert sich naturlich auf das Aseem Pereira, Australia GefaB. Obwohl es viele originelle Interpretationen der GefaBform gab, Untitled (detail) erlaubt die Beschrankung des Platzes hier nur die Diskussion einer Cut, drilled, and woven discarded glass bottles handvoll. Bemerkenswert ist die taktile Wirkung von Veronika Beckh's Aufgeschnittene, gebohrte und verwebte Altglasflaschen kinetischer Komposition Contemplation (5), bei der die Klarheit von 21 H. 1.8 m, W. 78 cm frei geblasenen Segmenten scheinbar durch menschliche Beruhrung gestort wird. Bei Group of Forms II aus der „Line Drawings" Serie (6) gelingt es Clare Belfrage, ihre imponierenden schwarzen Formen radioaktiv tion of discarded glass bottles that are cut, drilled, and woven. In its herauszustellen, indem sie sie durch verschiedene Schattierungen von richness of color and texture, as well as its architectural appeal, it is blau, grun und rot konturiert. Edwin Biesheuvel's Core (9) illustriert sehr reminiscent of one of Jack Lenor Larsen's most important textiles, schon das Gestaltprinzip der SchlieBung durch seine Fahigkeit, unsere Remoulade. Wahrnehmung zu verandern und das „unvollendete" GefaB als ganzes Interesting interpretations of this textile theme were translated into herauszustellen. Koichiro Yamamoto's 6 Mugs (96) fordert das Auge vessels as well. Certainly one of the most stunning juxtapositions of heraus und entzuckt es; indem er seine sechs zylindrischen Formen glass and wire is Jane Gavan's Black Urn (23). Other examples are nebeneinander stellt, werden die halbrunden Formen im Inneren zu Layla Walter's cast glass and lead crystal Woven Rimmed Bowl #7 (93), Henkeln, die sich zu uberlappen scheinen. Die Reinheit der Form wohnt which was inspired by the Raranga Whakairo o Aotearoa weaving auch Shinji Yoneharas GefaBserie mit dem Titel Ancient Sounds (97) pattern of New Zealand, and Youko Sano's Warm Time, Warm Space inne. Hier wird die Zartheit der transluziden Eiformen durch eine ge- (72). heimnisvolle gesprenkelte Haut ausbalanciert, die die Formen mit Naturally, a large number of entries focused on the vessel. Although einem Urgeist durchdringt. there were many original interpretations of the vessel form, space limi­ Veranderungen im skandinavischen Design spiegeln sich in den tations permit the discussion of but a handful. Noteworthy is the tactile Arbeiten wider, die von Designern von Orrefors Kosta Boda eingereicht appeal of Veronika Beckh's kinetic composition Contemplation (5), in wurden. Eine der dramatischsten astethischen Veranderungen kommt which the serenity of 21 free-blown segments is seemingly disrupted by von Ulrica Hydman-Vallien, deren geblasene Snake Flowers (31) sofort human touch. In Group of Forms //from the "Line Drawings" series (6), an die persischen RosenwassersprenggefaBe des 18.-19. Jahrhun- Clare Belfrage manages to render her imposing black forms radioactive, using light to outline them in various shades of blue, green, and red. Edwin Biesheuvel's Core (9) beautifully illustrates the gestalt principle of closure in its ability to alter our perceptions and render the "incomplete" vessel whole. Koichiro Yamamoto's 6 Mugs (96) challenges and de­ lights the eye; by placing his six cylindrical forms side by side, the semi­ circular shapes within them become handles that appear to overlap. This purity of form also resides in Shinji Yonehara's series of vessels titled Ancient Sounds (97). Here the delicacy of the translucent ovoid vessels is balanced by a mysterious mottled skin, imbuing the forms with a primordial spirit. Changes in Scandinavian design are reflected in the works submitted by the designers at Orrefors Kosta Boda. One of the most dramatic esthetic changes came from Ulrica Hydman-Vallien, whose blown Snake Flowers (31) at once recalls the 18th-19th-century Persian rose water sprinklers and implies growing forms - a distinct departure from her painted glass vessels. The colorful opaque vessels of Ann Wahl- strom gave way to translucent bodies wrapped in red-orange ribbons, as seen in Cyklon (92). Lena Bergstrom also continues to refine her de­ signs; she submitted a series of elegant minimalistic vases. Subtle changes also appear in the purity of the drinking glasses designed by Georg Riedel. Developed for wine tasting, the Vinum Tast­ ing Glass (68) measures a precise amount of wine in its stem, accounts for the appropriate aeration space in its volume, and facilitates a 360- Etsuko Nishi, England degree swirl, which allows for an even interior coating. One cannot help Lace Vessel but marvel at the technical mastery that goes into these machine-blown Pate de verre glasses. H. 34 cm, W. 35 cm \ m

'I'. IIII

Jane Morrisey, Australia Riot of Colour Pate de verre W. 50 cm Bennett Battaile, United States m Third Wave Nowhere is the appeal of minimalism more alluring than in Dimen­ Lampworked glass sions (70) by Asa Sandlund, a tall, ellipsoidal opaque glass form punc­ Lampengearbeitetes tuated by a window of transparent glass in the center. Glas Such subtlety of form also appears in the remarkably delicate vessels H. 90 cm created by pate de verre artists. Among them are the exquisite works of Etsuko Nishi (51), which convey a sense of delicacy and mystery. Seemingly weightless, Lace Vessel appears to float across invisible waters, with its subtle, undulating rhythm echoing the wind and the derts erinnern und wachsende Formen miteinbeziehen - ein eindeutiger waves. Maintaining this delicacy, yet exploding with color, is Jane Abschied von ihren bemalten GefaBen. Die farbigen opaken GefaBe Morrisey's Riot of Colour, the purity of its form enlivened by a cacoph­ von Ann Wahlstrom haben den Weg bereitet zu transluziden Korpern, ony of glorious color. Another most unusual and intriguing work is Hikari die in rot-orangene Bander gewickelt sind wie bei Cyklon (92). Auch Ando's coiled, claylike Ishikoro (3). Outstanding among the many works Lena Bergstrom fahrt damit fort, ihre Entwurfe zu verfeinern; sie reichte in pate de verre in which artists exploited the quiescent qualities of eine Serie von eleganten minimalistischen GefaBen ein. glass is Mie Ito's Untitled (35). Nakao Yuko created a dynamic variation Subtile Veranderungen lassen sich auch in der Reinheit der Trinkgla- in her blown, fused, slumped, and fire-lustered Sphere. ser ausmachen, die von Georg Riedel designt wurden. Fur Weinproben The small grouping of works submitted by flameworkers was equally entworfen, bemiBt das Vinum Tasting Glass (68) eine genaue Menge impressive, delicate, and refined. One truly extraordinary example was Wein in seinem Stil, der fur den Beluftungsbedarf des Inhaltes berech- Bennett Battaile's Third Wave, which in the complexity of its folded net ist, und erlaubt einen 360-Grad-Schwenk, der ein gleichmaBiges forms is reminiscent of Naum Gabo's linear constructions. Another was inneres Benetzen erlaubt. Man kann nicht anders als diese technische Meisterschaft zu bewundern, die in diese maschinengeblasenen Glaser eingeflossen ist. Nirgendwo ist der Appeal des Minimalismus anziehender als bei Dimensions (70) von Asa Sandlund, einer hohen, elliptischen opaken Glasform, die in der Mitte durch ein Fenster aus transparentem Glas betont ist. Solche subtilen Formen tauchen auch in den bemerkenswert feinen GefaBen auf, die von pate de verre Kunstlern stammen. Unter ihnen sind die exquisiten Arbeiten von Etsuko Nishi (51), die ein Gefuhl von Zartheit und Geheimnis vermitteln. Lace Vesse/scheint schwerelos uber einer unsichtbaren Wasserflache mit einem subtilen wogenden Rhythmus zu treiben, der wie ein Echo auf den Wind und die Wellen ist. Diese Zartheit fuhrt, obwohl sie vor Farbe explodiert, Jane Morrisey's Riot of Colour fort; die Reinheit ihrer Form wird durch die Kakophonie der prachtigen Farben belebt. Eine weitere ungewohnliche und beein- druckende Arbeit ist Hikari Andos ineinandergewundenes, tonahnliches Ishikoro (3). Aus den vielen pate de verre Arbeiten, bei denen Kunstler die stillen Qualitaten von Glas erforschen, ragt Mie Itos Untitled (35) heraus. Nakao Yuko kreiert eine dynamischen Variation in ihrem gebla- senem, verschmolzenem, abgesenktem und feuergelusterten Sphere. Die kleine Gruppe von Arbeiten, die von Lampenarbeitern eingereicht wurde, war ebenfalls beeindruckend, zart und raffiniert. Ein wirklich Susan O'Brien, United States beeindruckendes Beispiel war Bennett Battaile's Third Wave, das At Rest durch die Komplexitat seiner gefalteten Form an Naum Gabo's lineare Reverse-painted glass Konstruktionen erinnert. Ein anderes war Kazuyo Hashimoto's Woven Hinterglasmalerei Glass I (26), ein Haus aus farblosen lampengearbeiteten Faden, die H. 46 cm, W. 60 cm einen Wurfel aus polychromem lampengearbeitetem Draht um- Leah Wingfield, schlieBen. Robert A. Mickelsens Organism Series - Sirius (47), eine United States komplexe stilisierte plastische Blume, ist das Ergebnis verschiedener Romance del diablo Techniken. Emilio Santini gliedert seine auBergewohnlichen wilden Cast crystal; paint Statuetten in das architektonisch beeindruckende Uros (74) ein, eine Gegossenes Kristall; Tour de Force der Lampenarbeit. Farbe Im Lauf der Geschichte sind Tiere eine konstante Quelle der Inspira­ H. 61 cm tion fur Kiinstler gewesen. Dieses Jahr bildete keine Ausnahme. Einige der originellsten Interpretationen begegnen uns bei Elmarie van der Merwes Horn Series, I (90), einem skulpturalen Kelch; Rikie Shojiguchis Sake (81), einer Installation, die einen Schwarm von Fischen darstellt; und Frank Zikas Mask, Fish, and Fowl, das in seinem Minimalismus, der Modulation der Linie und seinem illusionistischen Reichtum den Betrachter in Bann zieht. Susan O'Brien verleiht der Kunst der Hinterglasmalerei eine unge- wohnliche Sensitivitat. In At Rest kreiert sie ein ausdrucksvolles Portrat sich ausruhender Menschen. Die weichen, feinen Pinselstriche schaffen ein dynamisches Helldunkel, das das Spiel von Licht und Schatten auf den gelassenen Gesichtern mit all der Eleganz einer Kohlezeichnung einfangt. Solch eine Feinfuhligkeit fur Licht, Schatten und Linie wird meister- haft dreidimensional in Leah Wingfield's Romance del diablo ubersetzt. Ihre stilisierten gegossenen kristallenen und bemalten Figurinen, die dem Art Deco Anerkennung zollen, erforschen sehr schon die Eigen- schaften von Glas. Die Silhouette der mannlichen Figurine wird durch den durchscheinenden Putz der weiblichen sichtbar, wodurch die anmutige Drehung ihrer Korper akzentuiert wird. Die gleiche kraftvolle schwarz-weiB-Astethik hat Stephen Procters verschmolzene, geblasene und geschliffene skulpturalen GefaBe Walking In and Walking Out and Opposite und Equal 2 (65) inspiriert. Technisch, von der Materie her gesehen, und stilistisch kennzeichnen diese neuen Arbeiten eine be- deutende kunstlerische Abwendung von seinen fruheren leichten For- men. Kazuyo Hashimoto's Woven Glass I (26), a house of colorless lamp- Ein vollkommen anderer Zugang zum Verschmelzen taucht in der worked filaments enclosing a cube of polychrome lampworked threads. Arbeit von Miriam Di Fiore auf. Ihre impressionistisch verschmolzenen Robert A. Mickelsen's Organism Series - Sirius (47), a complex stylized sculptural flower, is the result of multiple techniques. Emilio Santini incorporates his unique feral figurines in the architectonically impressive Uros (74), a tour de force of lampworking. Throughout history, animals have been a constant source of inspira­ tion for artists. This year was no exception. Some of the most original interpretations appeared in Elmarie van der Merwe's Horn Series, I (90), a sculptural goblet; Rikie Shojiguchi's Sake (81), an installation depict­ ing a school of fish; and Frank Zika's Mask, Fish, and Fowl, which, in its minimalism, modulation of line, and illusionistic properties, captivates the viewer. Susan O'Brien lends an uncommon sensitivity to the art of reverse painting on glass. In At Rest, she creates a powerful portrait of resting people. The soft, subtle strokes of the paintbrush create a dynamic chiaroscuro, capturing the play of light and shadows on the serene faces with all the elegance of a charcoal drawing. Such a sensuousness of light, shadow, and line is masterfully trans­ lated into three dimensions in Leah Wingfield's Romance del diablo. Her stylized cast crystal and painted figurines, which pay homage to Art Deco, beautifully exploit the properties of glass. The male figurine's silhouette is revealed through the female's translucent finery, accentuat­ ing the graceful torsion of their bodies. This same powerful black-and- white esthetic inspired Stephen Procter's fused, blown, and cut sculp­ tural vessels Walking In and Walking Out and Opposite and Equal 2 (65). Technically, materially, and stylistically, these new works indicate a significant artistic departure from his earlier light forms. An entirely different approach to fusing appears in the work of Miriam Di Fiore. Her impressionistic fused glass compositions are both painter­ ly and powerful. Homeless and Andar per legna (To Gather Firewood) (20) are masterpieces of trompe I'oeil, luring the eye beyond their wooden window frames into their lush landscapes. Such impressionistic images were rare in the New Glass Review competition, but realism appeared frequently. The works of Mariko Michael Krumrine, United States Takada and Michael Krumrine are esthetically antithetical but strong Paralyzation Chair (Version 3) and original examples of realism. In Takada's Still Life - Orange (85), Kiln-cast glass; rough oak, cast iron the unraveled fruit appears, awaiting our discovery. Krumrine's Paraly- Ofengegossenes Glas; unbehandelte Eiche, gegossenes Eisen zation Chair (Version 3) is equally convincing. Here a rough oak chair H. 132 cm Patrick Martin, United States Untitled Solid sculpted glass; paint, leather, metal Bearbeitetes Massivglas; Farbe, Leder, Metall H. 180 cm

Kait Rhoads, United States Symbiotic Blown glass; cloth, steel Geblasenes Glas; Stoff, Stahl H. 825 cm, W. 650 cm

frame is upholstered with an opaque manganese cast glass in a stark Glaskompositionen sind sowohl malerisch als auch ausdrucksstark. and imposing rendering of an electric chair. No less haunting is Patrick Homeless und Andar per legna (To Gather Firewood) (20) sind Meister- Martin's Untitled, a mobile of night sticks composed of solid sculpted werke des trompe I'oeil, die das Auge hinter ihre holzernen Fensterrah- glass, paint, leather, and metal. Each of these works illustrates the men in ihre uppigen Landschaften locken. importance color can play in creating rhythm. Solche impressionistischen Bilder sind beim New Glass Review Two distinctly different yet masterful approaches to rhythm and color Wettbewerb selten, wahrend Realismus oft auftaucht. Die Arbeiten von are seen in the works of Marvin Lipofsky and Peter Aldridge. Lipofsky's Mariko Takada und Michael Krumrine sind asthetisch gegensatzlich Series IGS VI 1998 #2 (40) is a veritable symphony. The harmony of his dabei aber starke und originelle Beispiele fur Realismus. In Takada's muted jewel tones fills his signature undulating forms with lyricism. Still Life - Orange (85) taucht die geschalte Frucht auf, die unserer Whereas Lipofsky's forms are organic and opaque, Aldridge's are geo­ Entdeckung harrt. Krumrines Paralyzation Chair (Version 3) ist ebenso metric and transparent. His A Moment in Time (2) sculpture at the Victo­ uberzeugend. Hier ist ein unbehandeltes Stuhlgestell aus Eiche mit ria and Albert Museum is another of his dichroic explorations of color einem opaken manganfarbenem gegossenem Glas bezogen, das sehr and light that manifest themselves within the strict geometry of optical stark und beeindruckend an einen elektrischen Stuhl erinnert. Nicht glass sculptures. We appreciate Lipofsky's and Aldridge's works year weniger eindringlich ist Patrick Martin's Untitled, ein Mobile aus after year, marveling at the seeming effortlessness that masterfully dis­ Schlagstocken, die aus massivem skulptural bearbeitetem Glas, Farbe, guises the complexity of their techniques. Leder und Metall bestehen. Jede dieser Arbeiten verdeutlicht welche Another interesting trend to follow is the metamorphosis in the work Bedeutung Farbe bei der Kreation von Rhythmus spielen kann. of a few mixed-media artists. Daniel dayman's New Glass Review en­ Zwei vollkommen unterschiedliche wenn auch meisterhafte Ansatze tries were powerful works in bronze and glass. Throughout his career, in Rhythmus und Farbe kann man in den Arbeiten von Marvin Lipofsky Clayman has explored the relationship between glass and various met­ und Peter Aldridge beobachten Lipofskys Series IGS VI 1998 #2 (40) ist als. Over the past few years, however, he has turned from found ob­ eine wahrhafte Symphonie. Die Harmonie seiner verstummten Edel- jects, which he favored in his early work, to a new naturalism. As exem­ steinklange fullt die wogenden Formen seiner Handschrift mit Lyrik. plified in Cipe (16), he uses casting to encase his opaque organic glass Wahrend die Formen von Lipofsky organisch und opak sind, sind forms in a bronze shell. Aldridge's geometrisch und transparent. Seine Skulptur A Moment in Two young artists who continue to submit compelling varieties of Time (2) im Victoria und Albert Museum ist eine weitere seiner dichro- work are Kait Rhoads and Harumi Yukutake. While Rhoads has an iden Erforschungen von Farbe und Licht, die sich selbst in der strikten astonishing repertoire of assemblages incorporating glass, Yukutake Geometrie der optischen Glasskulpturen manifestieren. Wir schatzen creates a multiplicity of sculptures using glass as her primary material. Lipofskys und Aldriges Arbeiten Jahr fur Jahr, verwundert uber die In Pas de deux (66), Rhoads employs glass, steel, and waxed linen to scheinbare Muhelosigkeit, die meisterhaft die Komplexitat ihrer Techni- create an ethereal and inviting shelter. The delicacy of this esthetic ken verbirgt. stands in contrast to her other submissions, Symbiotic and Selkie's Ein anderer interessanter Trend, dem man nachgehen sollte, ist die Skin, each of which recalls her previous works. Yukutake used glass Metamorphose in der Arbeit einiger weniger Mixed-Media-Kunstler. tubes in her ongoing exploration of organic forms, creating an unsettling Daniel Claymans Einreichungen fur die New Glass Review waren spiny protuberance in Polyp (98) and building a fractured wall of glass kraftvolle Arbeiten in Bronze und Glas. Wahrend seiner ganzen Karriere in Structure. hat Clayman die Beziehung zwischen Glas und verschiedenen Metallen Another explorer of organic forms is Jack Wax. Although Tane (94) erforscht. Im Lauf der letzten Jahre hat er sich jedoch von Fundstucken, and Pleat represent a significant departure from his anthropomorphic die er in seinen fruhen Arbeiten favorisierte, einem neuen Naturalismus Harumi Yukutake, Japan Jack Wax, United States Structure Pleat Blown glass tube; fishing line Blown glass; pigment Geblasenes Glasrohr; Angelschnur Geblasenes Glas; Pigmente H. 360 cm, W. 410 cm H. 19 cm, W. 65 cm

forms of 1997, he continues to create variations in color and surface zugewendet. Wie in Cipe (16) deutlich wird, benutzt er das GiefBen, um texture, thereby producing dramatically different effects. seine opaken organischen Glasformen mit einer bronzenen Haut zu Finally, I must mention Toan Klein's Art and Craft, which boldly ummanteln. addresses the lingering issue of art and craft, injecting it with welcome Zwei junge Kunstler, die weiterhin eine beeindruckende Vielfalt von humor. Arbeiten einreichen, sind Kait Rhoads und Harumi Yukutake. Wah- New glass may be colored or colorless, whimsical or sublime; it may rend Rhoads iiber ein erstaunliches Repertoire von Assemblagen, die exploit the optical properties of glass, shroud those properties in an Glas mit einbauen, kreiert Yukutake eine Vielzahl von Skulpturen, in opaque skin, or transform the material into the likeness of another. denen sie Glas als Hauptmaterial einsetzt. In Pas de deux (66), verar- Whatever form it takes, however, it is rarely about technical newness. beitet Rhoads Glas, Stahl und gewachstes Leinen, um einen atheri- Instead, it is primarily concerned with new artistic themes and new schen und verlockenden Schutz zu kreieren. Die Feinheit dieser Asthe- methods of implementing techniques. The submissions to this year's tik steht im Kontrast zu ihren anderen Einreichungen wie Symbiotic und New Glass Review competition are as inspired as they are impressive. Selkie's Skin, die beide an ihre fruheren Arbeiten anknupfen. Yukutake Thank you all for sharing your artistry and your vision with the world. benutzt Glasrohre in ihrer voranschreitenden Erforschung von organi­ schen Formen, kreiert beunruhigende, stachlige Auswuchse in Polyp Melissa G. Post (98) und baut eine fragmentierte Glaswand in Structure. Research Assistant, 20th-century Glass Ein weiterer Erforscher der organischen Form ist Jack Wax. Obwohl The Corning Museum of Glass Jane (94) und Pleat eine signifikante Abkehr von seinen anthropomor- phen Formen von 1977 darstellen, fahrt er fort, Variationen iiber Farbe und Oberflachentextur zu kreieren, wobei er dramatisch unterschiedli- che Effekte produziert. SchlieBlich muf3 ich Toan Kleins Art and Craft erwahnen, das sich frech an das fortwahrende Thema Kunst und Kunsthandwerk richtet und ihm einen willkommenen Humor injiziert. Neues Glas kann farbig sein oder farblos, absonderlich oder sublim; es mag die optischen Eigenschaften von Glas erforschen, diese Eigen- schaften unter einer opaken Haut verschleiern oder das Material in die Ahnlichkeit mit einem anderen transformieren. Egal welche Form es an- nimmt hat es selten mit technischen Neuheiten zu tun. Stattdessen geht es in erster Linie um neue kunstlerische Themen und neue Methoden Techniken zu erganzen. Die Einreichungen fur den diesjahrigen New Glass Review Wettbewerb sind so anregend wie sie beeindruckend sind. Dank an alle, die ihre Kunstfertigkeit und ihre Vision mit der Welt CRAFT I AKJT teilen. *350" 1 *3SOO°° Melissa G. Post Forschungsassistentin fur Glas des 20. Jahrhunderts Corning Museum of Glass

Toan Klein, Canada Art and Craft Blown glass; paper, ink Geblasenes Glas; Papier, Tinte H. 25 cm, W. 33 cm Bibliography OF RECENTLY PUBLISHED ARTICLES AND BOOKS ON GLASS Bibliographie KURZLICH VEROFFENTLICHTER ARTIKEL UND BUCHER UBER GLAS

This list includes publications added to the Rakow Library of The Cor­ Diese Liste enthalt Veroffentlichungen, die seit der Bibliographie in der ning Museum of Glass since the bibliography for New Glass Review 19. New Glass Review 19 der Rakow-Bibliothek des Corning Museums of Glass hinzugefugt worden sind. Contemporary Glass (after 1945) Flat Glass (after 1945), including Architectural, Mosaic, Painted, Zeitgenossisches Glas (nach 1945) and Stained Glass Flachglas (nach 1945), einschlieBlich architekturbezogenes Glas, Technology (after 1945) Glasmosaik, Glasmalerei und Farbglas Films and Videotapes Technologie (nach 1945) Filme und Videobander Only substantive book reviews are listed; they may be found under the author of the work reviewed. Nur bedeutende Buchkritiken sind aufgefuhrt. Sie sind unter dem Autor des rezensierten Werkes zu finden. The following periodicals are recommended for comprehensive cover­ age of contemporary glassmaking: Die folgenden Zeitschriften werden fur einen umfassenden Uberblick uber die zeitgenossische Glasgestaltung empfohlen: Glass (UrbanGlass, Brooklyn, New York) Glass Art Magazine Glass (Urban Glass, Brooklyn, New York) Glass Art Society Journal Glass Art Magazine Neues Glas/New Glass (Germany) Glass Art Society Journal La Revue de la Ceramique et du Verre (France) Neues Glas/New Glass (Bundesrepublik Deutschland) Stained Glass Quarterly La Revue de la Ceramique et du Verre (Frankreich) Stained Glass Quarterly Before 1982, this bibliography appeared annually in the Journal of Glass Studies, also published by The Corning Museum of Glass. Vor 1982 erschien diese Bibliographie jahrlich im Journal of Glass Studies, das ebenfalls vom Corning Museum of Glass herausgegeben wurde. Entries beginning with a cardinal or ordinal number, expressed either as a numeral or spelled out, will be found after the alphabetical entries, ar­ Titel, die mit einer Kardinal- oder Ordinalzahl anfangen und die als Zahl ranged numerically. oder als Wort ausgedruckt sind, werden nach den alphabetischen Ein- tragen zahlenmafBig geordnet. Exhibition catalogs, formerly listed under the name of the city in which each exhibition was held, are now listed in the following manner: Ausstellungskataloge, die fruher unter dem Namen der Stadt, in der die Ausstellung stattgefunden hat, gefuhrt wurden, finden sich jetzt nach 1. Under the name of the author (person or organization). folgendem Schema geordnet: 2. Under the name of the city in which the exhibition was held (when the author's name is not provided). 1. Unter dem Namen des Autors (der Person oder Organisation) 3. Under the title (when neither the author's name nor the city 2. Unter dem Namen der Stadt, in der die Ausstellung stattgefun­ name is provided). den hat (sofern der Name des Autors nicht zur Verfugung steht) 3. Unter dem Titel (sofern der Name des Autors oder der Stadt nicht zur Verfugung steht).

CONTEMPORARY GLASS (after 1945)/ZEITGEN0SSISCHES GLAS (nach 1945)

1 Anonymous. Dec. 1997, p. 4, ill. 11 "Alison Kinnaird at the Scottish Gallery." "A chaque verre son vin: Comment associer le Exhibit of Yan Zoritchak sculpture at Nancy. Scottish Glass Society Newsletter, no. 60, contenu au contenant?" Spring 1998, pp. [8—9], ill. Offrir, Revue des Industries d'Art, no. 310, 6 "Actualite: Verre ceuvre, desceuvre." Exhibition review. Feb. 1994, p. 76, ill. Le Courrier des Metiers d'Art, no. 167, Wineglasses by Riedel. Dec. 1997, p. 4, ill. 12 "All Change at Rationalised, Revitalised Exhibition at La Verrerie d'Art, Claret, of work GB Glass." 2 "A Paris: Les Routes du verre." by Jean-Pierre Umbdenstock, Veronique Lut- Tableware International, v. 26, no. 2, March Verre & Creation, no. 6, Dec. 1996/Jan. 1997, gen, and Yamo. 1996, pp. 17-18, ill. p. 3. English summary, p. 8. British company changes name to Demaglass; "Les Routes Internationales de la Creation" 7 "Aktuellt: Svenskt glas pa 'Met'." new products. exhibition at a Paris fair. Skona Hem, no. 5, May 1994, p. 123, ill. Glass by Bertil Vallien at The Metropolitan 13 "Alliance Fall Workshops." 3 "A Vianne, Usine et Galerie: Meme com­ Museum of Art. James Renwick Alliance Quarterly, Fall 1998, bat." pp. 6-7, ill. Offrir, Revue des Industries d'Art, no. 331, 8 "Albi, le verre et sa centenaire." Craft Workshop Series includes 'Josh Simp­ March 1996, p. 28, ill. Offrir International, no. 339, Jan. 1997, p. 47, ill. son: Techniques of Working with Glass' (p. 6). Includes glass by Nicolas Morin and Kacha Albi glasshouse begins its second century. Legrand. 14 "Along Architectural Lines." 9 Ales Vasicek. The Home (The New York Times Magazine), 4 "Acquisitions/Expose: Glass." Sars-Poteries, France: Musee-Atelier du Verre section 6, part 2, Sept. 29, 1963, pp. 24-25+, ill. Art Bulletin of Nationalmuseum Stockholm, de Sars-Poteries, 1998, 19 pp., ill. In French "The Small Lamp," p. 30; includes glass. v. 3, 1996, p. 21, ill. and English. Glass service with etched decoration by Inge- Colorless glass sculptures by the Czech artist. 15 "Alvar Aalto firas i arbetets tecken." gerd Raman for the Swedish Parliament. Glas och Porslin, v. 67, no. 4, 1998, p. 18, ill. 10 "Ales Vasicek: L'Optique d'un geant." 5 "Actualite: Galaxies et jardins celestes." Verre & Creation, no. 9, Oct. 1997, p. 4, ill. 16 "L'Ame de la Finlande." Le Courrier des Metiers d'Art, no. 167, Portrait of the artist. Table & Cadeau, no. 351, May 1994, p. 8, ill. English summary, p. 63. 31 "Art Strasbourg 96,1'Europe du verre." 46 "De Begrippenlijst." Glass candle holders by Brita Flander. Verre & Creation, no. 3, Jan. 1996, p. 2, ill. Glashelder, no. 9, Feb. 1997, p. 19, ill. English summary, p. 8. Glossary of lampworking terms. 17 "American Craft Council Awards 1998." Strasbourg contemporary art fair includes American Craft, v. 58, no. 5, Oct./Nov. 1998, glass sculptures; work by Serge Mansau, 47 "The Big Wiener!" pp. 62-71, ill. Gerard Fournier, and Edmee Delsol illustrated. B. C. Glass Arts Association Newsletter, v. 10, Includes Dan Dailey, p. 66. no. 1, March 1998, p. 2, ill. 32 "Arte e tecnica." Glass artist Louise Duthie awarded scholar­ 18 "De andere kant van glas." Alte Vitrie, v. 9, no. 3, 1997, p. 28, ill. ship to Pilchuck School. Glasbulletin, Vereniging van Vrienden van Mo­ Albertville Olympic medal by Lalique. dern Glas, v. 12, no. 2, 1998, pp. 30-32, ill. 48 "Bland sjogurkor och frohus." Glass by Cees van Olst. 33 "Artisan Profile: Sean O'Donnell." Glas och Porslin, v. 63, no. 3, 1993, p. 24, ill. Waterford Reflections, v. 4, no. 2, Winter 1998, Vases by Gunnel Sahlin. 19 "Andevarlden har inspirerat Kjell Engman pp. 10-11, ill. till Rio." Master cutter at Waterford. 49 "Blown, Cast Figures Shown at Queen E." Glas och Porslin, v. 64, no.1,1995, pp. 16-17, ill. Glass (British Columbia Glass Arts Associa­ Kosta Boda designs by Kjell Engman, Bertil 34 "Artist Profile: Marc Grunseit." tion), v. 9, no. 1, March 1997, p. 9, ill. Vallien, Ann Wahlstrom, and Ulrica Hydman- Through the Looking Glass (Belvetro Glass Blown and cast glass figurative forms by artist Vallien. Gallery, Miami Beach, FL), Winter 1998, p. 4, ill. Robert Studer. Kiln-fired glass sculptures by Australian artist. 20 "Andreas Gehr." 50 "BodaNova utokar sitt glassortiment med ArtViews, Spring/Summer 1988, pp. 42-43, ill. 35 "Artist Profile: Robert N. Oddy." Select." Column, installation by the artist. The Score (Spectrum Glass Company, Wood- Glas och Porslin, v. 66, no. 3, 1996, p. 9, ill. inville, WA), no. 60, Sept. 15, 1997, pp. 1-2, ill. Glass by Liselotte Henriksen. 21 Ann Robinson: Casting Light. A Survey of Glass Castings, 1981-1997. 36 "Artist Profile: Ronald Labelle." 51 "Bold Colours and Eye-Catching Designs." Aotearoa, New Zealand: Dowse Art Museum, Glass Gazette, Spring 1998, pp. 3-6, ill. Glass, Monthly Journal of the European Glass 1998, [56] pp., ill. In French and English. Industry, v. 74, no. 10, Oct. 1997, p. 389, ill. Profile of co-founder of Espace Verre, Mon­ English glass artist Belle Walker. 22 Anna Skibska. treal. [Poland: s.n., n.d., 1996-1997?], 53, [3] pp., 52 Bortom bruken: Svenskt studioglas 30 ar. ill. In Polish and English. 37 "Asiatisk resa med Monica Backstrom." Vaxjo: Kulturspridaren Forlag, 1998, 35 pp., ill. Glas och Porslin, v. 68, no. 1, 1998, pp. 38-39, In Swedish, English summary. 30 years of Swedish studio glass; nine artists 23 "Anna Skibska - New Work." ill. Common Ground: Glass (Newsletter of the In­ New works by the glass designer. featured. ternational Guild of Glass Artists Inc.), Fall 1997, p. 1. 53 "Branderwerk, richtlijnen voor veiligheid 38 "Atelierbezoek aan Antoon van Wijk." Seattle exhibition. en gezondheid." Glasbulletin, Vereniging van Vrienden van Mo­ Glashelder, no. 9, Feb. 1997, pp. 10-11, ill. dern Glas, v. 11, no. 4, 1997, p. 30+, ill. 24 "Annual Glass Extravaganza by Hudson Frederick Birkhill. Valley Artists." Antiques and The Arts Weekly, v. 25, no. 48, 39 "'Auf der Suche nach dem Licht der Welt."' 54 "Broadfield House Glass Museum." Nov. 28, 1997, p. 58, ill. GFF, Zeitschrift fur Glas, Fenster, Fassade, The Guild of Glass Engravers Newsletter, no. 2, Pinkwater Glass and six other studios show­ Jan. 1998, p. 84, ill. Spring 1998, p. 2. case work in Mt. Kisco, New York. 65 examples of glass art reflecting the Christ­ Resident glass artists Susan Nixon and mas theme, made in the last two years. Allister Malcolm win commissions. 25 "Antonio Cagianelli: L'Objet reve." Table & Cadeau, no. 390, March 1998, pp. 48- 40 "Ausstellung 'Digitales Glas' Kombina- 55 Bruce Nauman: Image/Texte, 49, ill. English summary. tion von High-Tech und Handwerk." 1966-1996, Centre Georges-Pompidou, Boxes, bowls, vases by the architect/designer. GFF, Zeitschrift fur Glas, Fenster, Fassade, 172 pp., ill. no. 3, Feb. 1, 1998, pp. 123-124, ill. Reviewed by Sandra Cattini in L'Oeil, no. 490, Milan architect and designer Alessandro Nov. 1997, p. 111, ill. 26 "Apres le Musee de Sevres, le Chateau Guerriero creates doors of sandblasted pan­ Pichon-Longueville Comtesse de Lalande ex­ els with digital designs. pose: Jean-Paul van Lith." 56 "Brussels lof: Vlaamse kunstkritiek met Offrir, Revue des Industries d'Art, no. 303, een milde smaak." June 1993, pp. 50-52, ill. 41 "Averill Shepps: Generating New Work." Glas en Keramiek, nos. 5/6,1996, pp. 30-35, ill. Exhibition of van Lith's glass at a chateau Glass on Metal, v. 15, no. 4, Oct. 1996, Critics assess the state of Belgian art, includ­ near Pauillac, France. pp. 80-82, ill. ing glass.

27 "Arets Embryo '97." 42 "Azumiya Glassworks Exhibition." 57 "Bullseye Glass Co." Form, v. 93, no. 4 (712), 1997, pp. 34-55, ill. Faber, no. 85, Feb. 1997, p. 1, ill. In Japanese. Glashelder, no. 1, Jan. 1995, pp. 20-21, ill. Design students' work includes glass by Glass works by Akane Matsuura, Kaoru Mori- Susanne Allberg, p. 46. saki, and others from the Azumiya Glass Stu­ 58 "Bust with Locator." dio. The Corning Museum of Glass Newsletter, 28 "Arman, Paccumulateur. . . Summer 1996, p. 5, ill. Table & Cadeau, no. 390, March 1998, p. 6, ill. 43 "Babilonia '98: Antiquariato e collezio- Sculpture by Hank Murta Adams is a recent Retrospective of works by founder of Nouveau nismi vecchi e nuovi." acquisition by the museum. Realisme movement; glass saxophones illus­ Antiquariato, no. 200, Dec. 1997, p. 151, ill. trated. Forll fair for antiques and collectibles will in­ 59 "A Busy Summer Ahead for Fellows." clude Murano glass of 1950s-1960s. The Journal, a Newsletter for Friends of 29 "Art Preview: Chappell Gallery. The Wheaton Village, v. 21, no. 3, Summer 1998, Fluid Canvas,' Contemporary Painted Glass." 44 "Baccarat: La Feerie des 'Ferrieres'." p. 5. Art New England, v. 19, no. 6, Oct./Nov. 1998, Offrir, Revue des Industries d'Art, no. 309, Alison Chism, Itzell Tazzyman, Mark McHugh, p. 50, ill. Jan. 1994, p. 94, ill. and Tom Moore. Artists in Boston exhibition "continue a tradi­ New editions of glass furniture by the com­ tion of glass and pictorial imagery, as seen in pany. 60 "Capricci & Esercizi: I nuovi vetri di Ettore mosaics and stained glass." Sottsass." 45 "Baselegant." CeramicAntica, v. 8, no. 6 (83), June 1998, 30 "Art Shop News: Yuri Nakane." Skona Hem, no. 1, Jan. 1997, p. 15, ill. pp. 56-58, ill. Faber, no. 77, June 1996, p. 7, ill. In Japanese. Vase by Orrefors designer Lena Bergstrom. New glass designed by Sottsass. 61 Carlo Moretti: Cristalli di Murano, 76 "Commissions: Robert Dane; Sally 89 "Dartington Champions Design." 1958-1997. Rogers." Tableware International, v. 24, no. 1, Feb. 1994, [Milano]: Editoriale Giorgio Mondadori, 1997, American Craft, v. 58, no. 2, April/May 1998, pp. 164-165, ill. 149 pp., ill. In Italian and English. pp. 76-77, ill. Company features "all-female design team" - Cast glass brick mural for school by Robert Jane Beebe, Sue MacGillivray, Rachael Wood­ 62 "Carlo Moretti: Des pieces d'exception." Dane; pate de verre, cast glass, and steel man, Hilary Greene, and Jackie Sneade. Table & Cadeau, no. 386, Dec. 1997/Jan. 1998, sculpture by Sally Rogers. p. 93, ill. 90 "Dartington Crystal: Retaining a Leader­ 77 "Contemporary Showcase: The Latest ship in Design." 63 "'Carnival Cascade' - The Colin Terris Creations from Today's Paperweight Artists." Tableware International, v. 26, no. 8, Sept. 1996, Designer Collection." Annual Bulletin of the Paperweight Collectors p. 43, ill. Reflections (Caithness paperweights), no. 13, Association, 1998, pp. 72-76, ill. New collection of tableware. Nov. 1997, pp. 10-11, ill. Work by 20 artists. 91 "Daum prend ses quartiers a Saint-Ger- 64 "Carte Blanche a Bernard Dejonghe." 78 "Contrasten in glas." main-des-Pres." Verre & Creation, no. 1, July 1995, p. 2, ill. Glas en Keramiek, no. 1, 1997, p. 7, ill. OffrirInternational, no. 346, Sept. 1997, p. 65, ill. English summary, p. 8. Exhibition at Gorcums Museum. Daum opens new shop in Paris. Paris exhibition of Dejonghe's glass. 79 "Corning Museum Receives Grant." 92 "Dave New-Small Credited with Contri­ 65 "Celebrating Those Who Celebrate Craft." Antiques and The Arts Weekly, v. 26, no. 16, bution to Craft." American Style, v. 4, no. 2, Winter 1997, p. 11, ill. April 17, 1998, p. 93. Glass (British Columbia Glass Arts Associa­ Libensky and Brychtova honored by the Ameri­ Annual grant for purchasing contemporary tion), v. 9, no. 2, Nov. 1997, p. 8, ill. can Craft Museum. glass. Artist nominated for Bronfman award. 66 "Chateau har fatt en syster i Boheme: 80 "Cover: Hand-Blown Glass Pieces by 93 "De David Roell Prijs 1987." Bertil Vallien nytolkar Sveriges mest salda Bulletin van de Vereniging van Vrienden van glasservis." Dominick Labino." The American Ceramic Society Bulletin, v. 77, Modern Glas, v. 2, no. 1, Jan. 1988, pp. 8-10. Glas och Porslin, v. 67, no. 1, 1997, pp. 12-13, Andries D. Copier receives major glass prize. ill. no. 9, Sept. 1998, cover and p. 4, ill. Glass by Vallien, Kjell Engman, Anna Ehrner, and Gunnel Sahlin. 81 "Cristallerie de Saint-Louis - Strategie: 94 "De la musique avant toute chose." Demande en mariage." Trouvailles, no. 82, June/July 1990, p. 17, ill. 67 Christopher Wilmarth, 1943-1987: Lay­ Table & Cadeau, no. 388, Feb. 1998, pp. 20- Decorative glass musical instruments (30— ers, Clearings, Breath, Sculpture, Drawings, 22, ill. English summary, p. 22. 44 cm) made by Bayel, France, glassworks. Selected Writings. Saint-Louis launches new products and new Boston: Nielsen Gallery, 1998, [24] pp., ill. distribution plan. 95 "Deborah Hopkins verlaat de Rietveld met sign-language." 68 "CirkusPrinsessan smyckades av Mo­ 82 "Curators' Views: Glass Today at MFA." Glasbulletin, Vereniging van Vrienden van nica Backstrom." RISD Views (Rhode Island School of Design), Modern Glas, v. 9, no. 2, 1995, p. 24, ill. Glas och Porslin, v. 68, no. 3, 1998, p. 10, ill. v. 83, no. 3, Fall 1997, p. 42, ill. Ornament by Backstrom. One-third of artists in Boston glass exhibition 96 "Decorated Efforts: Glass Decorators are graduates of the Rhode Island School of Bestow Awards." 69 "Claire Falkenstein." Design. American Glass Review, v. 118, no. 4, Antiques and The Arts Weekly, v. 25, no. 46, Jan./Feb. 1998, p. 11, ill. Nov. 14, 1997, p. 67. 83 "Czech Chandelier Company Collabo­ Members of Society of Glass and Ceramic Obituary of artist who used glass and stained rates with Dale Chihuly." Decorators honored for outstanding designs. glass. Home Lighting & Accessories, v. 81, no. 7, July 1998, p. 28, ill. 97 "Dejonghe: L'Annee chaude." 70 Cold Fusion. Glass sculpture stands 13 feet tall. Verre & Creation, no. 6, Dec. 1996/Jan. 1997, Seto, Japan: Prefectural Aichi Museum of p. 2, ill. English summary, p. 8. Ceramics, 1998, [26] pp., ill. 84 "Dale Chihuly in Rotterdam." Three major museums showing works by Exhibition of glass works by 19 artists, most Bulletin van de Vereniging van Vrienden van glass artist. using adhesives. Modern Glas, v. 2, no. 4, Dec. 1988, pp. 4-5, ill. 98 "Design: Alena Holisova." 71 "Cold Fusion & Praatjes." 85 "Dale Chihuly - Why in Northern Bohe­ Pro Vas Stul, v. 5, no. 1, 1997, insert p. 3, ill. Glasbulletin, Vereniging van Vrienden van Crystalex designer. Modern Glas, v. 12, no. 1, 1998, p. 2, ill. mia and Why at the Preciosa-Lustry Com­ Richard Meitner. pany?" New Glass Review (Czech), v. 52, no. 10, 99 "Design: Marta Macelova." 1997, p. 29, ill. In English and German. Pro Vas Stul, v. 5, no. 2, 1997, insert p. 3, ill. 72 "Colle Crystal: Contemporary Art Glass Chihuly creates project at Kamenicky Senov Crystalex designer. Design." company. Tableware International, v. 24, no. 7, Aug. 1994, p. 72, ill. 100 "Designer Bob Mackie Does It Again!" Recent designs by the Italian firm. 86 "Dall'oggetto d'arte al mobile." Today's Collector (Warman's), v. 5, no. 12, ShowCase, v. 9, no. 24, Oct. 1997, pp. 74-77, Dec. 1997, p. 44, ill. Swarovski "jewels" used in fashion dolls. 73 "Colonial Candlesticks." ill. In Italian and English. Glass Messenger (Fenton Art Glass), no. 3, Dan Dailey, Libensky/Brychtova, and James Sept. 1998, p. 6, ill. Watkins pieces seen at SOFA exposition in 101 "Design-Led Glassmaker Demonstrates Lead crystal hurricane-style candlesticks. Chicago. Versatility." Glass, Monthly Journal of the European Glass 74 "Coloured Kiln = Cast Crystal." 87 "Dancing with Empty Vessels." Industry, v. 74, no. 10, Oct. 1997, p. 391, ill. Glass, Monthly Journal of the European Glass Glass (British Columbia Glass Arts Associa­ Belinda Hornsey, English glass designer. Industry, v. 74, no. 10, Oct. 1997, p. 389, ill. tion), v. 9, no. 2, Nov. 1997, p. 9, ill. Kiln-cast mirrors, bowls, and pendants by "A unique and memorable marriage between 102 "Drijvende visnetbollen van Dale Chihuly." Rebecca Callis. dance and a sculptural installation." Glas en Keramiek, nos. 5/6, 1996, p. 10, ill. "Niijima Floats" by Chihuly. 75 "Commissions." 88 "Danemark revelations japonaises." American Craft, v. 58, no. 4, Aug./Sept. 1998, Verre & Creation, no. 10, Feb. 1998, p. 2, ill. 103 "Du verre a boire, au verre a voir." pp. 44-45, ill. English summary. Table & Cadeau, no. 385, Nov. 1997, p. 59, ill. Includes works by Steven Maslach and Paul Exhibition of Japanese studio glass at Ebeltoft Paris exhibition with utilitarian glassware de­ A. Dufour/Samuel J. Corso. glass museum. signs combining glass with other materials. 104 "Dusseldorf: L'lndustrie provoque la Nan Bacon, Joe Cariati, Rob Lutz, and Jill 132 "Frans Molenaar." creation." Viggiani complete fellowships. Glasbulletin, Vereniging van Vrienden van Verre & Creation, no. 6, Dec. 1996/Jan. 1997, Modern Glas, v. 11, no. 4, 1997, p. 3, ill. p. 2, ill. English summary, p. 8. 118 "Fiam Italia." Exhibition of vessels at Focke & Meltzer. Trade show includes works by Renato Santa- Ottagono, v. 33, no. 125, Dec. 1997/Feb. rossa, tour of Bruno Taut's 1914 house of glass. 1998, p. 158, ill. In Italian and English. 133 "From Corporation Cullet to Collection Tango, glass coffee table designed by Fabio di Centrepiece." 105 "Ecotopografia: Scandinavia; Gran Bre- Bartolomei. Glass, Monthly Journal of the European Glass tagna." Industry, v. 74, no. 10, Oct. 1997, p. 390, ill. Ottagono, v. 32, no. 124, Sept./Nov. 1997, 119 "Fiam Italia entra nel contract." Kiln-formed glass and stained glass by Ram­ pp. 76 and 78-79, ill. In Italian and English. Ottagono, v. 33, no. 125, Dec. 1997/Feb. 1998, say Studio Glass. Recycled glass vessels by Swedish designer pp. 134-137, ill. In Italian and English. Tomas Torstensson, lamp of recycled glass by Fiam Italia glass furniture. 134 "Galerie Spannungsreich." Deborah Thomas, and lamp made of milk Gold + Silber, Uhren + Schmuck, no. 3, March bottles by Tejo Remy of England. 120 "Figuration et geometrie." 1995, pp. 20-21, ill. Table & Cadeau, no. 363, Aug./Sept. 1995, Glass by Marianne Schliwinski. 106 "Emberi zarvanyok." p. 123, ill. Uj Muveszet, v. 8, no. 1, Jan./Feb. 1997, p. 3, ill. Exhibition of glass by Makoto Ito and Yoko Work by Maria Lugossy at Budapest gallery. 135 "Galerie-atelier? Une Formule. . .." Kuramoto at Sars-Poteries. Le Courrier des Metiers d'Art, no. 168, Jan./Feb. 1998, p. 7, ill. 107 "Emilie Swoboda aus Thalwil in der Glass sculpture by Alain Lerolle. Schweiz." 121 "Fire on the Mountain: The 25th Glass Schmuck Magazin, no. 2, 1998, pp. 100-101, ill. Art Society Anniversary Conference." Glass mosaic and enameled jewelry by Swiss Asheville Traveler, v. 1, no. 2, April 1995, 136 "Gallery." artist. cover and p. 4, ill. American Craft, v. 58, no. 2, April/May 1998, Conference held in Asheville and Penland, pp. 82-87, ill. North Carolina. 108 "En souvenir d'Etta." Work in recent exhibitions by Shane Fero, Table & Cadeau, no. 348, Feb. 1994, p. 59, ill. Jose Chardiet, Rick Beck, and Peter Kreider. Work by Lino Tagliapietra in Paris exhibition. 122 "Flat Glass Design." Glass, Monthly Journal of the European Glass 137 "G.A.S. Makes the News in Japan." 109 "English Crystal Maker Banks on Industry, v. 74, no. 10, Oct. 1997, p. 389, ill. GAS News (Glass Art Society), Fall 1997, Tradition." Kiln-formed decorative glass pieces by pp. 1-2, ill. Glass Industry, v. 79, no. 4, April 1998, pp. 32- Richard Snatt. Publicity in Japanese newspaper about the 33, ill. 1998 Glass Art Society conference. West Midlands firm, Royal Brierley. 123 "Flitiga formgivare fascinerar." Glas och Porslin, v. 67, no. 3, 1997, p. 26, ill. 138 "Geef eens een dokter kado!" 110 "The Envelope, Please. . . ." Designs by Erika Lagerbielke, Helen Krantz, Glashelder, no. 1, Jan. 1995, p. 9, ill. American Style, v. 4, no. 2, Winter 1997, p. 11, ill. and Gunnel Sahlin. Renwick Gallery acquisitions: Hank Murta 139 "Glas i miljovanlig redesign." Adams, Daniel Clayman, Susan Stinsmuehlen- 124 "For damer med langa naglar: Anne Glas och Porslin, v. 64, no. 5, 1994, p. 20, ill. Amend, Eric Hilton, Toots Zynsky, Richard Nilsson overraskar med Zephyr." Carafes by Jonas Torstensson. Jolley, and Ann Gardner. Glas och Porslin, v. 65, no. 4,1996, pp. 14-15, ill. New work for Orrefors by Nilsson, Helen 140 "Glas im Schlof3." 111 "Equilibre et fragilite." Krantz, and others. Art (Das Kunstmagazin), no. 8, Aug. 1997, Table & Cadeau, no. 373, Sept. 1996, p. 118, ill. Glass by Izzika Gaon in Paris exhibit. p. 7, ill. 125 "For fargglada fester." Daniel Clement. Skona Hem, no. 4, 1995, p. 122, ill. 112 "Escales autour du Monde: Le Pari Pokals by Jan-Erik Ritzman. audacieux de Penelope-Lalique au Carrousel 141 "Glas & Keramik." Form, v. 94, no. 4, 1998, pp. 40-43, ill. du Louvre. . . ." 126 "For the First Time Fifteen Years Ago " Offrir, Revue des Industries d'Art, no. 309, Glass works by Asa Eriksson, Sylvia Neiglick, New Glass Review (Czech), v. 52, no. 10,1997, and Karin Widell. Jan. 1994, pp. 71-73, ill. p. 28, ill. In English and German. Lalique glassware and furnishings in "Ports of The sixth International Glass Symposium, Call" exhibit. Novy Bor. 142 "Glas med Atmosphere." Glas och Porslin, v. 64, no. 1, 1994, p. 19, ill. 113 "European Training Initiative." Glass by Berit Johansson. 127 "Le forme della natura vivono in vetro." Glass, Monthly Journal of the European Glass ShowCase, v. 9, no. 24, Oct. 1997, pp. 96-97, Industry, v. 74, no. 12, Dec. 1997, p. 478, ill. ill. In Italian and English. 143 "'Glas und Malerei' - Sonderausstel- Glassmaking course at CERFAV center in "Nidi" collection by Cristiano Bianchin in lung im Glasmuseum Frauenau." Vannes-le-Chatel, France. Venice exhibition. GFF, Zeitschrift fur Glas, Fenster, Fassade, no. 13, July 1, 1998, p. 694, ill. 114 "Fabienne Picaud." Exhibition features glass by Tina Grunert and 128 "Forsta formprovet fran Beckmans." CERFAV Infos (Lettre de la Plate-forme Ver- Jack Ink. riere de Vannes-le-Chatel), no. 20, March Glas och Porslin, v. 66, no. 5, 1997, p. 11, ill. Graal glass by Angelica Gustafssons. 1998, p. 4, ill. 144 "Glaserne TrinkgefaBe auf der I.H.M." Profile of the artist. 129 "Four Acts in Glass: Chihuly, Morris, Glas + Rahmen, v. 49, no. 2, Feb. 1998, Powers, Bertil [Vallien] at American Craft p. 38, ill. 115 "Fantasi og skaperglede." Glass shown at Munich fair. Glass & Porselen, v. 48, no. 4, Aug. 1994, Museum." pp. 4-7, ill. Antiques and The Arts Weekly, v. 25, no. 52, Kjell Engman. Dec. 26, 1997, p. 56, ill. 145 "Glasgekglasgek. . . ." Glashelder, no. 8, Nov. 1996, p. 13, ill. Elly Huibers. 116 "Featured Artist: Robert A. Mickelsen." 130 "Four Acts in Glass: Installations by Common Ground: Glass (Newsletter of the Chihuly, Morris, Powers and Vallien." International Guild of Glass Artists Inc.), Glass Art, v. 13, no. 2, Jan./Feb. 1998, pp. 14- 146 "Glaskunstenaar Koen Vanderstukken." Winter 1997, cover and pp. 50-61, ill. 15+, ill. Glashelder, no. 1, Jan. 1995, pp. 4-7, ill. Flameworking artist Mickelsen. American Craft Museum exhibition. 147 "Glasprijs voor jong talent." 117 "Fellows Return to Their Hometowns." 131 "Fran bildror till konstglas." Bulletin van de Vereniging van Vrienden van The Journal, a Newsletter for Friends of Glas och Porslin, v. 64, no. 5, 1995, p. 25, ill. Modern Glas, v. 2, no. 1, Jan. 1998, pp. 5-6. Wheaton Village, v. 21, no. 2, Spring 1998, p. 5. Designer Jonas Torstensson. Prize for young glass artists. 148 "Glass America/Four Acts in Glass." 162 Glass Works 1998: Tokyo Glass Art In­ 176 "Hav och luft inspirerar Goran Warff." Canadian Society of Decorative Arts Bulletin, stitute Graduation Exhibition. Glas och Porslin, v. 68, no.1,1998, pp. 14-15, ill. v. 16, nos. 1/2, Winter/Spring 1998, pp. 10-11, ill. Tokyo: the institute, 1998, 78 pp., ill. Designs by Warff and Ulrica Hydman-Vallien. Two New York exhibitions. In Japanese and English. 177 "Heard It through the Grapevine: Czech 149 "Glass and Colors." 163 "Glassmakers' Rural Idyll." Glass Artists Revolting against Their Nation's Casa Vogue, no. 249, March 1993, pp. 62-67, ill. Tableware International, v. 27, no. 11, Dec. 1997/ Industry." Works by various artists. Jan. 1998, pp. 44-45, ill. Antique Bottle & Glass Collector, v. 14, no. 5, Gillies Jones studio in North Yorkshire, Eng­ Sept. 1997, p. 4. 150 "Glass Artists Win Niche Awards." land. 178 "Helen Krantz forenar vaxtrike och glas- American Glass Review, v. 118, no. 6, rike med Salsa." May/June 1998, p. 9, ill. 164 "Goran Warff ar glaspoeten som tillater Glas och Porslin, v. 64, no. 1,1995, pp. 20-21, ill. Mariusz Rynkiewicz, Mark Bokesch-Parsons, ljuset spela fritt." Orrefors designer. Joan Irving, Lynn Latimer, and Robert Mickel- Glas och Porslin, v. 65, no. 4, 1996, p. 9, ill. sen honored. New work by Goran Warff, Gunnel Sahlin, and 179 "Hett intresse i sommar." Ulrica Hydman-Vallien. Glas och Porslin, v. 64, no. 4, 1994, p. 22, ill. 151 "Glass Commissions in the National Exhibit of work by Lars Hellsten and Goran Glass Centre." 165 "Grabstein aus Glas." Warff at the Smalands Museum. Glass Network (Newsletter of the Contempo­ GFF, Zeitschrift fur Glas, Fenster, Fassade, rary Glass Society, U.K.), no.4, April 1998, p. 7. no. 3, Feb. 1, 1998, p. 124, ill. 180 "Historiska glas i nyproduktion." Laura Johnston, Bridget Jones, and Zora Pa- Glass tombstone made in Czech Republic for Glas och Porslin, v. 64, no. 1, 1994, p. 44, ill. lova/Stepan Pala receive commissions for a London cemetery. Scanglas issues replicas of old glass, made large-scale art works. by Petr Novotny at Novy Bor. 166 "Graduate Portfolio: Dan Dailey." 152 "Glass Germinates in Germany." RISD Views (Rhode Island School of Design), 181 Hubert Crevoisier. RISD Views (Rhode Island School of Design), v. 83, no. 3, Fall 1997, p. 40, ill. Sars-Poteries, France: Musee-Atelier du Verre v. 7, no. 1, Fall 1994, p. 47. Recent works by the glass artist. de Sars-Poteries, 1998, 22 pp., ill. In French Glass artist Ursula Huth awarded 1994 Rakow and English. Commission. 167 "Grant to Support Acquisition of Con­ Glass "cocoons" by the Swiss artist. temporary Glass." 153 "Glass in China." Journal of Glass Studies, v. 40, 1998, p. 195. 182 "Hubert Crevoisier: Rite de passage." British Society of Scientific Glassblowers The Corning Museum of Glass will receive an Verre & Creation, no. 11, May 1998, p. 4, ill. Journal, v. 36, no. 4, Oct. 1998, p. 187. annual grant for the acquisition of contempo­ English summary, p. 8. Wafanfdian Glassware Co. in Dalian, north­ rary art. Exhibition at Sars-Poteries. eastern China. 183 "En hyllning till studioglaset." 168 "Gros plan." Glas och Porslin, v. 68, no. 3, 1998, p. 7, ill. 154 "The Glass Makers: Craftsmen at Work." Offrir International, no. 346, Sept. 1997, Exhibition of 30 years of Swedish studio glass Reflections (Caithness paperweights), no. 13, pp. 136-141, ill. at Smalands museum; work by Ulla Forsell, Nov. 1997, pp. 12-13, ill. Profiles of Ercuis-Raynaud, Lalique, Baccarat, Asa Brandt, and Gunilla Kihlgren illustrated. and Sevres. 155 "Glass Now '92: The Magic Messenger 184 "I ALD 1997 Award Winners: Fiber Wave." of the End of the Century Has Come." 169 "Le Groupe Borgosesia dynamise ses International Lighting Review, no. 3, 1997, Honoho Geijutsu, no. 34, Summer 1992, activites." p. 86, ill. pp. 124-127, ill. In Japanese. Offrir International, no. 346, Sept. 1997, Light structures near Tokyo waterfront by Exhibition with glass by Bohumil Elias, Javier p. 131, ill. Watanabe. Gomez, Concetta Mason, and others. Merger of French glass and porcelain compa­ nies, including Cristalleries Royales de Cham­ 185 "IGS - International Glass Symposium." 156 "Glass Sculpture Commission for pagne. Pro VasStfil, v. 5, no. 2, 1997, insert p. 5. Broadfield House Glass Museum." 6th symposium at Novy Bor. Glass Circle News, no. 75, June 1998, p. 2, ill. 170 "Gunillas gigantiska glas." Large glass piece by Max Jacquard. Skona Hem, no. 12, Dec. 1996, p. 17, ill. 186 "In gesprek met. . . Pfann." Glass by Gunilla Allard. Glashelder, no. 1, Jan. 1995, pp. 17-19, ill. 157 The Glass Skin. [Corning, N.Y.: The Corning Museum of 171 "Guy Marcoux." 187 "In Memoriam . . . Freda Diamond." Glass], 1998, 149 pp., ill. Glashelder, no. 9, Feb. 1997, p. 18, ill. SGCD Newsletter (Society of Glass and Ceram­ Works by 20 artists from nine countries "ad­ Belgian lampworker. ic Decorators), v. 36, no. 2, Feb. 1998, p. 8, ill. dress and interpret the topic of the glass skin." Design consultant to Libbey, 1942-1987. 172 "Guy Untrauer: La Memoire du vitrail." 158 "The Glass Skin': An Exhibition of New Table & Cadeau, no. 343, Aug./Sept. 1993, 188 "In Memoriam: Herman Blondeel." International Sculpture." p. 114, ill. Glashelder, no. 10, May 1997, p. 21, ill. Antique Showcase, v. 33, no. 7, April 1998, Glass sculptures by the French artist. pp. 40-41, ill. 189 "Incarnation of Crystal: Swarovski and Exhibition at The Corning Museum of Glass. Mendini." 173 "Halide, Sodium, Fluorescent Lamps: Glass & Art (Tokyo), no. 10, Aug. 1995, Three Projects." pp. 90-91, ill. In Japanese. 159 "The Glass Skin' Opens on May 16 at Illuminatecnica, nos. 449/450, May/June 1998, The Corning Museum of Glass." pp. 122-125, ill. In English and Italian. 190 "Individual Design for the Mass Market." Antiques and The Arts Weekly, v. 26, no. 19, Lighting projects in Bristol, England, and Tableware International, v. 28, no. 3, April 1998, May 8, 1998, p. 19. Moscow. pp. 43-44, ill. London-based glassmaker Devi Khakhria. 160 "Glass Vessels and Japanese Vessels." 174 "Hand Work: Elizabeth Swinburne." Honoho Geijutsu, no. 20,1988, pp. 128-129, ill. House & Garden (British edition), v. 53, no. 3, 191 "Individuality and Innovation Are the Key." In Japanese. March 1998, p. 99, ill. Glass, Monthly Journal of the European Glass Interview with Stanislav Zampach and Miyawaki. Brief notice of exhibit at Broadfield House Industry, v. 75, no. 7, July 1998, p. 209, ill. Glass Museum. U.K. company Glass by David employs wide 161 "Glass Weekend '97 a Huge Success." range of decorating techniques. The Journal, a Newsletter for Friends of 175 "Hand Work: Sculptural Glass by Eliza­ Wheaton Village, v. 20, no. 3, Summer 1997, beth Swinburne." 192 "Informer et former." p. 4, ill. Glass Circle News, no. 74, Feb. 1998, p. 10. Table & Cadeau, no. 351, May 1994, p. 47, ill. Creative Glass Center of America's 7th event. Exhibit at Broadfield House Glass Museum. L'lnstitut du Verre in Versailles. 193 "Inside Okra - The Glasshouse." 207 "IVV, Le Verre italien par excellence." 222 "Kort nieuws: Van Tetterode Glas ver- The Chair, the Glass Guild Magazine for Okra Table & Cadeau, no. 384, Oct. 1997, pp. 48- huisd." Collectors (Okra Studios, Brierley Hill, Eng­ 52, ill. English summary. Glas en Keramiek, no. 1, 1997, p. 6, ill. land), Dec. 1997, pp. 4-8, ill. Italian company produces hand-blown glass Brief article about Van Tetterode Glas studio. designed by Alamani and Massi. 194 "International Artist Inspires Range." 223 "Kosta Boda fascinerar med konstnarlig Glass, Monthly Journal of the European Glass 208 Jacqueline I. Lillie: Works, Arbeiten, vanskap." Industry, v. 74, no. 12, Dec. 1997, p. 459, ill. Oeuvres, 1990-97. Glas och Porslin, v. 64, no. 3, 1995, pp. 8-9, ill. Josef Marcolin creates new collection for [S.I.: s.n., 1998], [52] pp., ill. "Eight Visitors - Sixteen Friends," exhibition of Dartington Crystal. In English, German, and French. work by Kosta Boda artists. Beaded jewelry by the Austrian artist. 195 "International Glass Sculpture in Corning, 224 "Kram och skal fran Lena Bergstrom." NY." 209 "Jacques Siegers en de monumentale Glas och Porslin, v. 67, no. 1,1997, pp. 30-31, ill. Art & Antiques Northeast, v. 4, no. 11, May 1998, kunsten." Orrefors designer. p. 44, ill. Glashelder, no. 8, Nov. 1996, pp. 9-10, ill. "The Glass Skin" exhibition. Fountains, mosaics, etc. 225 "Ein kreatives Feuerwerk: Das VI. Inter­ nationale Glassymposium in Novy Bor." 196 "International Women's Glass Network." 210 "James Houston - 'One Thought Fills Die Schaulade, no. 12, Dec. 1997, pp. 46-47, ill. Glass & Art (Tokyo), no. 10, Aug. 1995, Immensity.'" October 1997 symposium at Novy Bor. pp. 66-67, ill. In Japanese. The World & I, v. 13, no. 1, Jan. 1998, cover Works by Doreen Balabanoff and Amber Hiscott. and pp. 106-111, ill. 226 "Eine kristalline Vision: Salvador Dali - Designer of glass for Steuben. Ausstellung in den Swarovski-Kristallwelten." 197 International Young Artists in Glass: Die Schaulade, no. 10, Oct. 1997, p. 28, ill. Australia. 211 "Jan Lindblads djurmotiv i focus nar Exhibition of small sculptures based on Dali's Portland, OR: Bullseye Glass Co., 1998, Maleras expanderar." designs at Swarovski's Wattens. 32 pp., ill. Glas och Porslin, v. 64, no. 1, 1994, pp. 8-9, ill. Artists include Claudia Borella, Giles Bettison, Maleras firm's designs are inspired by nature 227 "Laddad utstallning med Bertil Vallien." Jessica Loughlin, and Mel George working photographs of Jan Lindblads. Glas och Porslin, v. 64, no. 2,1995, pp. 12-13, ill. with Jane Bruce. Exhibition at a gallery in Goteborg. 212 "Jelly Bellies." 198 "Inview: Dr. Panicos E. Michaelides." Schmuck Magazin, no. 2, 1998, pp. 102-103, ill. 228 "Lalique recompense le vainqueur du Glass on Metal, v. 11, no. 4, Aug. 1992, Costume jewelry includes glass. Tour de France." pp. 72-74, ill. Offrir, Revue des Industries d'Art, no. 336, Profile of the artist. Sept. 1996, p. 122, ill. 213 "Les Jeunes Createurs a Maisons Glass trophy. d'Automne." 199 "Inview: Ellen Goldman." Offrir International, no. 339, Jan. 1997, pp. 42- Glass on Metal, v. 16, no. 3, Aug. 1997, 43, ill. 229 "Lalique s'expose au Pavilion de la pp. 52-55, ill. Works by young designers, including glass. France a Lisbonne." Profile of the artist. Offrir International, no. 356, Sept. 1998, p. 120, ill. 214 "Les Jeux de la sculpture." 200 "Inview: Francisco & Inga Porras." Lalique prepares exhibit for final world's fair of Verre & Creation, no. 9, Oct. 1997, p. 3, ill. the 20th century. Glass on Metal, v. 11, no. 6, Dec. 1992, Exhibition of works by William Velasquez in pp. 124-125, ill. Paris. 230 "Leo Copers, een geslepen kristal." 201 "Inview: Larissa Rosenstock." Glas en Keramiek, nos. 5/6,1996, pp. 11-15, ill. 215 Jon Kuhn: Retrospective. Survey of the artist's work in glass. Glass on Metal, v. 10, no. 5, Oct. 1991, Topeka, Mulvane Art Museum, 1998, 47 pp., ill. pp. 244-245, ill. His early organic colored sculptures as well as 231 "Leonardo, le beau accessible." Profile of the artist. his later transparent cubes. Offrir International, no. 344, June 1997, p. 33, ill. 202 "Inview: Synn/ove Korssj/oen." Glass collection by Italian/German design firm. 216 "Kjell Engman inspireras av buddis- Glass on Metal, v. 14, no. 2, April 1995, men." p. 28+, ill. 232 "Let It Bead." Glas och Porslin, v. 64, no. 4, 1995, p. 9, ill. Profile of, and works by, Norwegian enamel People Weekly, v. 50, no. 1, July 20, 1998, Engman's Buddhist-inspired installation, designer. pp. 92-93, ill. Chakra. Liza Lou's beaded kitchen. 203 "L'isola Murano." 217 "Kjell Engman - Joyful Glass Communi­ Verona: Abitare il tempo, supplement to Casa 233 "Let There Be Light." cation." Vogue, no. 255, Oct. 1993, p. 57, ill. Interior Design, v. 69, no. 7, May 1998, p. 112, ill. Honoho Geijutsu, no. 18, 1987, pp. 146-149, ill. English summary, p. 77. Site-specific works in glass by Denise Amses New company's multifunctional products com­ In Japanese. for New York synagogue. Exhibition of glass works. bine traditionally worked Murano glass with metal and wood. 234 "The Light of Crystal." 218 "Der Klassiker kommt aus Jena." House & Garden (British edition), v. 52, no. 12, 204 "Italian Glass Exhibition Extended." Die Schaulade, no. 6, June 1998, pp. 48-50, ill. Dec. 1997, pp. 64-65, ill. Antiques & Auction News, v. 28, no. 39, Designs by Jena glassworks. Old and new products from Baccarat. Sept. 26, 1997, pp. 1-2+, ill. Exhibition of masterpieces from Murano and 219 "Koen Vanderstukken: L'Empreinte de 235 "Light Opera." Milan at The Corning Museum of Glass. I'ombre." Interior Design, v. 69, no. 7, May 1998, p.154, ill. Verre & Creation, no. 10, Feb. 1998, p. 3, ill. Candlelight-inspired illumination. 205 "An Italian Glass Master Works at Steu­ English summary. ben." 236 "Lighting." American Glass Review, v. 119, no. 1, 220 "Kort nieuws: Helly Oestreicher in de Interior Design, Spring, May 31,1998, July/Aug. 1998, p. 24, ill. Bergkerk te Deventer." pp. 184-196, ill. Lino Tagliapietra. Glas en Keramiek, no. 1, 1997, p. 7, ill. New lamps and lighting designs by U.S. firms. Exhibit of Oestreicher's glass at Deventer. 206 "Italienskt konstglas fran Murano." 237 "Lighting Systems for the 21st Century." Glas och Porslin, v. 64, no. 4, 1995, 221 "Kort nieuws: Replica in Annagroen." Illuminatecnica, nos. 449/450, May/June pp. 12-13, ill. Glas en Keramiek, no. 4, 1997, p. 6, ill. 1998, pp. 148-149, ill. In English and Italian. Glass designed by Dario Fagiolo and Luigi Exhibit of replicas of earlier Leerdam designs Report on "innovative light management St raff i. by Copier, Lebeau, and Meydam. systems," including light guides. 238 "Magiska Gunnel Sahlin." 254 "Mostre: Isole di vento e di fuoco." 267 "News: Egizia - Un nuovo progetto." Glas och Porslin, v. 66, no. 1, 1996, p. 10, ill. Ottagono, v. 32, no. 124, Sept./Nov. 1997, Abitare, no. 345, Nov. 1995, p. 93, ill. Glass artist. pp. 19-20, ill. In Italian and English. In Italian and English. Milan exhibit with glass by Japanese artist Oki New designs by Sottsass from Egizia firm. 239 "Les Maitres a Venise." Izumi. Verre & Creation, no. 10, Feb. 1998, p. 3, ill. 268 "News from Abroad: What Is the Danish Various exhibitions in Venice: Carlo Scarpa, 255 "Murano." 'Glasnet'?" Christian Bianchin, Tagliapietra, Chihuly, and Pro VasStuI, v. 5, no. 2, 1997, p. 16, ill. Glass Network (Newsletter of the Contempo­ Vallien. Venetian glass included in display of contem­ rary Glass Society, U.K.), no. 3, Nov. 1997, porary design at Museo Vetrario di Murano. pp. 16-17, ill. 240 "En mangfald av glasskulpturer: Specia- Informal organization for Danish glassmakers, lutstallning av Anna Ehrner pa Glasmuseet." artists, students, and educators. 256 "Les Musees se mettent au verre." Glas och Porslin, v. 67, no. 1, 1997, p. 17, ill. Verre & Creation, no. 2, Oct. 1995, pp. 2-3, ill. Kosta Boda designer Anna Ehrner. English summary, p. 8. 269 "News International: Marcolin Comes to Glass exhibitions at Sevres and Le Havre, Dartington." 241 Mary Shaffer. and work by Isabelle Monod at Nice museum. Tableware International, v. 27, no. 11, Dec. 1997/ Farmington Hills, Ml: Habatat Galleries, 1994, Jan. 1998, p. 8, ill. [15] pp., ill. Josef Marcolin creating range of glass sculp­ 257 "Het museum van de kunstenaar." tures for Dartington Crystal. 242 Mary Shaffer. Glashelder, no. 3, July 1995, pp. 3-5, ill. [S.I.]: Shaffer Studios, 1998, [12] pp., ill. Ebeltoft Glasmuseum. 270 "News: Kaj Franck." Sculptures unite glass and found-object tools. Abitare, no. 367, Nov. 1997, pp. 50-52, ill. 258 "Mustiga Muscat och heta Marrakech." In Italian and English. 243 Masterworks of Contemporary Glass: Glas och Porslin, v. 64, no. 5,1995, pp. 22-23, ill. Exhibition of works by Finnish designer. An Auction of Works from the 1970s to the Glass by Kosta Boda designers Kjell Engman 1990s, Thursday, April 2, 1998. and Gunnel Sahlin. 271 "News: Light Construction." Pontiac, Ml: Habatat Galleries, 1998, 32 pp., ill. Abitare, no. 345, Nov. 1995, p. 90, ill. 259 '"My Favorite Artists' by Questionnaire: In Italian and English. 244 "Matieres a parfums." 104 Promising Ceramic and Glass Artists." Exhibit at the Museum of Modern Art, New Table & Cadeau, no. 341, May/June 1993, Honoho Geijutsu, no. 12, 1985, pp. 68-81, ill. York, featured "architecture with light" projects. pp. 26-27, ill. In Japanese. Includes pate de verre items for scents by Works by Makoto Ito, Jyunshiro Sato, Yoshiko 272 "News: Portogallo in mostra." Daum. Takikawa, and others. Abitare, no. 367, Nov. 1997, p. 47, ill. In Italian and English. 245 "Med begransat formsprak for obegran- 260 "Myternas Kjell Engman." Exhibition of works by Portuguese designers sad fuktion." includes glass. Glas och Porslin, v. 63, no. 3, 1993, p. 22, ill. Glas och Porslin, v. 68, no. 1,1998, pp. 31-33, ill. Unusual glass sculptures by the designer. Glass designer Ingegerd Raman. 273 "News: TAD look." Abitare, no. 371, March 1998, p. 54, ill. 261 "Navigando tra i cristalli di Fiam Italia." 246 "Med doft av Medelhavet." In Italian and English. Ottagono, v. 32, no. 124, Sept./Nov. 1997, Skona Hem, no. 7, July 1998, pp. 96-97, ill. New store in Milan features glassware by pp. 134-137, ill. In Italian and English. Mosaic glass. Marina Coffa. Fiam Italia's catalog of glass furniture now on line. 247 "La Mediterranea: Verre ecologique 274 "News: This Side Up." 'tendance'." Form Function Finland, no. 68 (4), April 1997, Table & Cadeau, no. 386, Dec.1997/Jan. 1998, 262 "New Fellows Represent U.S. and Aus­ p. 64, ill. pp. 78-80, ill. tralia." littala exhibit of work by students in glass design. Glass firm in Valencia, Spain. The Journal, a Newsletter for Friends of Wheaton Village, v. 21, no. 2, Spring 1998, 275 "News: Tributo al museo." 248 "Melkeveien." pp. 4-5, ill. Abitare, no. 367, Nov. 1997, p. 54+, ill. Glass & Porselen, v. 48, no. 1, Jan. 1994, Alison Chism, Mark McHugh, Tom Moore, and In Italian and English. pp. 40-41, ill. Itzell Tassyman. Includes shade of ceiling lamp by Enrico Ritzenhoff's project of artist-designed milk Baleri and table object with satin glass fan by glasses. 263 "New Group of Talented Fellows Arrive Borek Sipek. in September." 249 "Michael Scheiner Receives Commis­ The Journal, a Newsletter for Friends of sion to Create Sculpture for Corning Museum." 276 "News: Una vetrina milanese." Wheaton Village, v. 21, no. 3, Summer 1998, Lighting Design & Tecnoshow, v. 11, no. 48, Journal of Glass Studies, v. 40,1998, p. 196, ill. p. 4, ill. 1998 Rakow Commission, The Corning Mu­ Jan./Feb. 1998, p. 11, ill. Miho Aoki, Mark Kobasz, John Miller, and New lighting showroom in Milan. seum of Glass. Ferdinand Thieriot.

250 Mieke Groot. 277 "News: Vanity Case." Sars-Poteries, France: Musee-Atelier du Verre 264 "New Lights for Berlin." Abitare, no. 369, Jan. 1998, p. 26, ill. Illuminatecnica, nos. 449/450, May/June 1998, de Sars-Poteries, 1997, 19 pp., ill. In Italian and English. pp. 154-157, ill. In English and Italian. In French and English. Philippe Starck exhibit in Trento, Italy. Lighting "a futuristic shopping centre." Glass vessels with layers of enamel by the Dutch artist. 278 "Northern California Enamel Guild: 265 "The 'New' Permanent Collection on Second Annual Juried Enamel Exhibition." 251 "Mit Kunst einrichten." Display." Glass on Metal, v. 16, no. 3, Aug. 1997, Glas + Rahmen, v. 49, no. 5, May 1998, p. 25, ill. James Renwick Alliance Quarterly, Fall 1998, pp. 68-70, ill. Work of Ursula Merker. p.1. 13 objects in new display of Renwick Gallery's 279 "Notizie." 252 "Modeschmuck: Pioniere aus Pforzheim." permanent collection are gifts or partial gifts of Casastile Trade, no. 219, May/June 1994, Schmuck Magazin, no. 6, Dec. 1997/Jan. 1998, the Alliance. p. 16, ill. pp. 92-93, ill. Daum glass exhibited in Milan. Glass jewelry by firm of Henkel & Grosse. 266 "New Traditions in Glass from Venice." Antiques and the Arts Weekly, v. 26, no. 43, 280 "Notizie/News: Achille Castiglioni: 253 "Moser." Oct. 23, 1998, p. 70-D. Design!" Tableware International, v. 24, no. 3, April 1994, Exhibition of works by three glass artists work­ Domus, no. 798, Nov. 1997, u.p., ill. p. 66, ill. ing in Venice: Cristiano Bianchin, Yoichi Ohira, In Italian and English. Brief history of the firm, and current production. and Laura de Santillana. Exhibition of artist's work includes glass objects. 281 "Notizie/News: Arman incontra Daum." 294 "OB'ART 95, une belle timidite." 310 "Orrefors: Kosta Boda 1998." Domus, no. 799, Dec. 1997, u.p., ill. Verre & Creation, no. 3, Jan. 1996, p. 3, ill. British Society of Scientific Glassblowers In Italian and English. Paris fair includes glass. Journal, v. 36, no. 4, Oct. 1998, pp. 166-167. Venus de Milo in pate de verre. 295 "Obituaries: Claire Falkenstein." 311 "Our Times in a Bottle." 282 "Notizie/News: 'Gli Eroi' di cristallo." Artweek, v. 29, no. 1, Jan. 1998, p. 3. Figurines & Collectibles, v. 3, no. 6, Jan./Feb. Domus, no. 804, May 1998, u.p., ill. Modernist sculptor (1908-1997). 1998, pp. 46-47, ill. In Italian and English. Coca-Cola Contour Bottle Collection, with art- Arnolfo di Cambio glassworks in Colle Val 296 "Oceneni." ist-designed bottles from 54 countries. d'Elsa. Atelier, no. 4, Feb. 18, 1993, p. 4, ill. Exhibition of works by Dana Zamecnikova in 312 "Le Pape visite la CALP." 283 "Notizie/News: Le trasparenze della Kanazawa, Japan. Table & Cadeau, no. 370, April 1996, laguna." pp. 34-35, ill. Pope John Paul II visits Cristalleria Artistica Domus, no. 801, Feb. 1998, u.p., ill. In Italian 297 "Oggetti del desiderio." de la Piana near Siena. and English. ShowCase, v. 9, no. 24, Oct. 1997, pp. 58-63, "Water Adventures" vases result of collabora­ ill. In Italian and English. tion between Venetian artist Giorgio Vigna and Rocking chair of mirrored glass tiles and other 313 "People." Venini. furniture with mosaics. American Glass Review, v. 119, no. 1, July/Aug. 1998, p. 26, ill. Dale Chihuly named Phoenix Award winner 284 "Notizie/News: Mostre di arte e design." 298 "Okra Glass." for 1998. Domus, no. 786, Oct. 1996, u.p., ill. Collect It!, no. 15, Sept. 1998, pp. 48-50, ill. In Italian and English. British studio established in 1979 by glass- 314 "Peter Breemers." Milan exhibition included glass. maker Richard Golding. Glashelder, no. 6, May 1996, p. 22, ill.

285 "Notizie/News: 'Nidi' di vetro, una 299 "Omtolkat arv." mostra a Venezia. 315 Philip Baldwin, Monica Guggisberg. Antik & Auktion, no. 3, March 1998, p. 87, ill. Paris: Galerie I'Eclat du Verre, 1997, [12] pp., Domus, no. 798, Nov. 1997, u.p., ill. Bertil Vallien sculpture. In Italian and English. ill. In French and English. Exhibition of work by Cristiano Bianchin. The artists "innovated a marriage of the Scan­ 300 "On the Cover." dinavian tradition with that of Murano when American Glass Review, v. 118, no. 5, they discovered the 'Battuto' and 'Inciso' tech­ 286 "Notizie/News: Novita Barovier & Toso March/April 1998, p. 3 , ill. niques of cold cutting." al Macef." Sculpture by Ann Wolff made as a result of Domus, no. 804, May 1998, u.p., ill. the 1997 Rakow Commission. 316 "Phoenix Award Winner Named." In Italian and English. Glass International, v. 21, no. 4 [3], July 1998, Three collections of vases introduced. 301 "On the Cover." p. 12, ill. American Glass Review, v. 119, no. 1, Dale Chihuly. 287 "Notizie/News: Nuove proposte Arte- July/Aug. 1998, cover and p. 3, ill. mide." "Clearly Lino Tagliapietra: Masterworks in 317 "Piu luce in citta." Domus, no. 801, Feb. 1998, u.p., ill. Steuben Crystal" exhibition. Illuminatecnica, nos. 449/450, May/June 1998, In Italian and English. pp. 128-129, ill. Andrea Anastasio's "Galatea," one of seven 302 "On the Cover." Milan lighting project. new lighting units, features opaline glass in two shapes. American Glass Review, v. 118, no. 4, Jan./Feb. 1998, cover and p. 3, ill. 318 "Plique-a-jour Enamels by Valeri Timo- Cascade by David Dowler, part of series com­ feev." 288 "Notizie/News: Oggetti da toilette in memorating Dowler's 25-year collaboration Glass on Metal, v. 16, no. 2, June 1997, p. 38, ill. cristallo." with Steuben. Exhibition. Domus, no. 804, May 1998, u.p., ill. In Italian and English. 319 "Poggenpohl Exhibit of The Art Glass Baccarat makes toilet articles in cut glass. 303 "Online in die Welt des Glases: Jenaer Glas im Internet." Association of Southern California." Die Schaulade, no.12, Dec. 1997, pp. 32-33, ill. Glass Craftsman, no. 145, Dec. 1997/Jan. 1998, 289 "Notizie/News: Royal Copenhagen e Jenaer Glas Web page. pp. 58-59, ill. Venini." San Diego exhibition. Domus, no. 805, June 1998, u.p., ill. 304 "De Opdracht: Cruiseschip 'MS Rotter­ In Italian and English. 320 "Poland's Red-Hot Tableware." Royal Copenhagen Danish group directs Ve­ dam VI.'" Glas en Keramiek, no. 1, 1998, pp. 28-29, ill. Tableware International, v. 27, no. 10, Nov. nini glassworks; new products include vase 1997, pp. 24-25 and 31-36, ill. collection. In Dutch and English. Glass objects created for cruise liner. Includes Krosno, Irena, and Rozalia glass fac­ tories. 290 "Notizie/News: Vetri Bormioli." 305 "Openings." Domus, no. 804, May 1998, u.p., ill. 321 "Portfolio: Kait Rhoads, David Baird." Art & Antiques, Summer 1998, p. 34, ill. In Italian and English. American Craft, v. 58, no. 4, Aug./Sept. 1998, Donald Lipski exhibit in Birmingham, Michigan. New colors and forms for company's goblets pp. 78-79, ill. and glasses. Recent work by the artists. 306 "Orrefors - 100 ar." 291 "Nybro Glasbruk - Modern Designs Skona Hem, no. 4, April 1998, p. 21, ill. 322 "Portfolio: Mitchell Gaudet." Using Traditional Methods." New works made to mark Orrefors centenary. American Craft, v. 57, no. 6, Dec. 1997/ Tableware International, v. 23, no. 4, May 1993, Jan. 1998, p. 54, ill. p. 44, ill. 307 "Orrefors: 100 Years of Innovation." "The only remaining glass works in Sweden British Society of Scientific Glassblowers 323 "Portfolio: Paul Kosberg." where glass is produced according to the old Journal, v. 36, no. 4, Oct. 1998, pp. 161-165, ill. American Craft, v. 58, no. 2, April/May 1998, glass moulding traditions." p. 69, ill. 308 "Orrefors fete 100 ans d'innovation." Cast glass piece by Kosberg. 292 "Nyinvigning av Smalands Museum: En Table & Cadeau, no. 394, May 1998, p. 38, ill. angelagenhet for alia svenska glasvanner." Includes glass by Erika Lagerbielke, Martti 324 "Portfolio: Scott Benefield." Glas och Porslin, v. 66, no. 1, 1996, p. 8, ill. Rytkonen. American Craft, v. 58, no. 1, Feb./March 1998, New galleries for museum. p. 76, ill. 309 "Orrefors Glass." 293 "Nytt glassverk pa Gjovik." Kovels on Antiques and Collectibles, v. 25, 325 "Portfolio: Vitreographs from the Littleton Glass & Porselen, v. 48, no. 1, Jan. 1994, no. 2, Oct. 1998, pp. 18-19, ill. Studios." p. 35, ill. Includes techniques, designers, and selected Glass (UrbanGlass), no. 72, Fall 1998, New glass studio in Gjovik, Norway. works. pp. 42-49, ill. 326 "Portrait: Didier Tisseyre." 341 "Renato Niemis. Counting the Cost: Tableware International, v. 26, no. 8, Sept. 1996, Verre & Creation, no. 7, April 1997, p. 4, ill. A Memorial Sculpture for the American Air p. 35, ill. Museum." Latest designs by the firm. 327 "Portret van een liefhebber." [N.d.], 4 pp., ill. Glas en Keramiek, nos. 3/4, Sept./Oct. 1995, "Sculpture comprises 52 glass panels en­ 356 "Royal Copenhagen, Orrefors Kosta pp. 28-29, ill. graved with the outlines of aircraft, one for Boda Unite." Work by Borek Sipek at Amsterdam gallery. each plane missing in action in operations Gifts & Decorative Accessories, v. 98, no. 12, flown by American air forces from Britain Dec. 1997, p. 8. 328 "Portret van een liefhebber." during the Second World War." New art and design group, Royal Scandinavia. Glas en Keramiek, nos. 3/4, Sept./Oct. 1995, pp. 48-49, ill. 342 "Rencontre de deux univers." 357 "Royal Scandinavia: Ein neuer Name Rob van den Doel gallery in Amsterdam; piece Table & Cadeau, no. 392, April 1998, steht fur nordisches Design." by Jin Suhajek. pp. 44-45, ill. Die Schaulade, v. 73, no. 2, Feb. 1998, Works designed by Jean Boggio for Baccarat. pp. 80-82, ill. 329 "The 'Power' of Glass." A new joint marketing group, which includes Glass (British Columbia Glass Arts Associa­ 343 "Rendez-vous: Fusions a Dunkerque." Orrefors & Kosta-Boda. tion), v. 9, no. 2, Nov. 1997, p. 4, ill. Verre & Creation, no. 7, April 1997, p. 3, ill. Exhibition of glass works by Vancouver artist English summary, p. 8. 358 "The Saint-Louis Crystal Works at the Miyuki Shinkai. Exhibition of glass by Bernard Dejonghe. Forefront of Glassmaking Art." Offrir Life, no. 75, Feb. 1993, pp. 19-24, ill. 330 "Praktburkar och Grace pa Kosta Gallery." 344 "Rendez-vous: Le Verre a ses tetes." Verre & Creation, no. 7, April 1997, pp. 2-3, ill. Glas och Porslin, v. 63, no. 1, 1993, p. 15, ill. 359 "Saint-Louis: Une Valeur sure. . . ." Includes glass by Ann Wahlstrom and Monica Offrir International, no. 350, Feb. 1998, p. 88, ill. Backstrom. 345 "Rendez-vous: Les Portes de la route du cristal." Verre & Creation, no. 7, April 1997, p. 2, ill. 360 "Les Salons cote verre." 331 "Prestigefylld order for Johansfors glas- Verre & Creation, no. 2, Oct. 1995, p. 3, ill. Outdoor glass sculpture by Janine Jacquot- bruk: Levererar glasservis till Boris Jeltsin." "Maison & Objet" fair; glass by Martine Du- Perrin. Glas och Porslin, v. 64, no. 4, 1995, p. 9. rand-Gasselin. Johansfors glassworks creates glass sen/ice for Boris Yeltsin. 346 "Renowned Glass Artist to Win Phoenix Award." 361 "Sandra de Clerck." Glass Industry, v. 79, no. 7, July 10, 1998, Glashelder, no. 3, July 1995, p. 22, ill. 332 "Prima visione: Cascata." Profile of the artist. Lighting Design & Technology, v. 11, no. 49, pp. 12 and 15, ill. March/April 1998, pp. 82-86, ill. Dale Chihuly. New shade design of colored glass strips 362 "Sandra Gering Gallery; Linda Kirkland made in Murano. 347 "Republique Tcheque: Les Rencontres Gallery." du verre." New York Contemporary Art Report (Bern, Switzerland), v. 1, no. 2, June 1998, 333 "Quand le 'High-Tech' epaule le grand Offrir International, no. 349, Jan. 1998, p. 106, ill. pp. 32-33, ill. Art: Visite a I'usine Lalique de Wingen." 6th International Glass Symposium in Novy Bor. Installations with glass by Dove Bradshaw. Offrir International, no. 344, June 1997, pp. 38-39, ill. 348 "Review: David Gulland." Visit to the Lalique factory at Wingen. Scottish Glass Society Newsletter, no. 60, 363 "Sars-Poteries: Deja I'ete." Spring 1998, p. [13], ill. Verre & Creation, no. 3, Jan. 1996, pp. 4-5, ill. 334 "QVC Visits Fenton Art Glass." Exhibit with Gulland's glass engraving in Edin­ English summary, p. 8. The American Flint, no. 2, Feb. 1998, pp. 6-7. burgh gallery. Glass Museum Workshop's 1996 program. Shopping network plans live broadcast at Fenton plant. 349 Richard Meitner. 364 "Sars-Poteries: Le Verre en marche." Sars-Poteries, France: Musee-Atelier du Verre Verre & Creation, no. 6, Dec. 1996/Jan. 1997, 335 "Radical Glass." de Sars-Poteries, 1997, 19 pp., ill. In French pp. 4-5, ill. American Way, v. 31, no. 17, Sept. 1, 1998, and English. Activities and acquisitions at Musee-Atelier du pp. 66-72, ill. Gold and enameled glass rabbits and ducks, Verre, Sars-Poteries; work by William Velas­ Glass by Richard Marquis and Toots Zynsky. carrots, fruits, etc. quez and Antoine Leperlier illustrated.

336 "Random Samples: Nature through 350 "Rimes et deferlantes." 365 "Sars-Poteries: Le Verre integral." Glass." Table & Cadeau, no. 373, Sept.1996, p. 117, ill. Verre & Creation, no. 1, July 1995, pp. 4-5, ill. Science (American Association for the Ad­ Glass by Gilles Chabrier. English summary, p. 8. vancement of Science), v. 279, no. 5356, International glass artists in residence at Sars- March 1998, p. 1459, ill. 351 "The Rise and Rise of Polish Tableware." Poteries. Cliche verre photographs on display at the Tableware International, v. 24, no. 4, May 1994, National Academy of Sciences. pp. 27-29, ill. 366 "Sars-Poteries: L'Energie du verre." Polish glass and porcelain industries adapt "to Verre & Creation, no. 9, Oct. 1997, pp. 4-5, ill. 337 "Recent Acquisitions: The Chrysler Mu­ meet the dawning of a new economic era." English summary, p. 8. seum of Art." Includes exhibition of works by Mieke Groot Newsletter of the Decorative Arts Society, v. 6, 352 "Robert Smithson." and Richard Meitner. no. 2, Summer 1998, p. 15, ill. Atelier, no. 11, May 27, 1993, pp. 8-9+, ill. Enameled vessel designed by Cappy Thomp­ English summary, p. 15. 367 "Sars-Poteries, un train d'acquisitions." son and executed by Benjamin Moore. Excerpts from a book of interviews and es­ Verre & Creation, no. 10, Feb. 1998, pp. 4-5, ill. says by Smithson (1938-1973). Acquisitions, and plans for constructing new 338 "Reflections and the Current State of buildings, at the Musee-Atelier de Sars-Poteries. Glass in Japan." 353 "Rolig-vackra vaser." Glass & Art (Tokyo), no. 10, Aug. 1995, Skona Hem, no. 4, 1995, p. 14, ill. 368 "Scalo in luce." pp. 6-7, ill. In Japanese and English. Colored vases by Anna Liven. Flare (Architectural Lighting Magazine), nos. 17/18, Jan.-June 1998, pp. 98-107, ill. 339 "Reijmyre bjuder pa fargstark Aquavit." 354 "De rotsbloem." In Italian and English. Glas och Porslin, v. 63, no. 5, 1993, p. 9, ill. Glasbulletin, Vereniging van Vrienden van Innovative lighting design for Frankfurt airport. Glass by Margareta Hennix. Modern Glas, v. 9, no. 4, 1995, pp. 26-27, ill. Susan Hammond. 369 "Schonbek." 340 "Reijmyre mixar gronsaker och rotfrukter." Illuminatecnica, nos. 407/408, Nov./Dec. 1994, Glas och Porslin, v. 65, no. 2, 1996, p. 10, ill. 355 "Royal Brierley: Manufacturing Develop­ p. 505, ill. In English and Italian. Drinking sets by Reijmyre glassworks. ments Are Improving the Products." Chandeliers. 370 Das Schdne, das Nutzliche und die Glass & Porselen, v. 49, no. 3, Aug. 1995, 398 "Style, Imagination and Emotion - Kunst: Danner-Preis'96 = Beauty, Function p. 27, ill. Tableware Design, the Italian Way." and Art: Danner Award'96. Erika Lagerbielke. Tableware International, v. 26, no. 7, Aug. 1996, Stuttgart: Arnoldsche, 1996, 152 pp., ill. pp. 18-20, ill. In German and English. 386 "'Souvenirs de Venise.'" Includes glassware designers Pierino Guarda Exhibition of works including glass or mixed Verre & Creation, no. 6, Dec. 1996/Jan. 1997, and Emilio Bergamin. media. p. 3, ill. English summary, p. 8. "Venezia aperto vetro" exhibition. 399 "Suksess pa Magnor." 371 "Sculptor Michael Scheiner Receives Glass & Porselen, v. 49, no. 5, Nov. 1995, p. 20, ill. 1998 Commission." 387 "Spaces of Light and Color: Glass Art­ Visit to Magnor glassworks, Norway. The Corning Museum of Glass Newsletter, ists of Czecho." Summer 1998, p. 3, ill. SD Review (Space Design Review, Monthly Rakow Commission. Journal of Art and Architecture, Tokyo), 400 "A Summer Day near Selkirk." no. 399, Dec. 1997, pp. 57-80, ill. In Japanese. Scottish Glass Society Newsletter, no. 60, 372 "Seguso Viro fete ses six siecles." Glass by Yoriko Mizuta, Marian Karel, Spring 1998, pp. [6-8]. Offrir International, no. 346, Sept. 1997, p. 49, ill. Takahide Suzuki, Vaclav Cigler, Stanislav Visit to studio of Annica Sandstrom and David Profile of the firm. Libensky/Jaroslava Brychtova, Jaromir Rybak, Kaplan. Gizela Sabokova, and Dana Zamecnikova. 373 "Selling Graves." 401 "Susan Hammond." Glasbulletin, Vereniging van Vrienden van Architecture, v. 86, no. 11, Nov. 1997, 388 "Special Flamework Demonstration by Modern Glas, v. 10, no. 2, 1996, p. 27, ill. pp. 63-67, ill. Milon Townsend in September." Designer Michael Graves. The Journal, a Newsletter for Friends of Wheaton Village, v. 21, no. 3, Summer 1998, 402 "Susanne Allberg debuterar med span- 374 "Shortform." p. 7, ill. nande fantasivaser." Crafts (U.K.), no. 150, Jan./Feb. 1998, p. 15. At Wheaton Glass Factory. Glas och Porslin, v. 68, no. 2, 1998, p. 23, ill. Glassmakers Use Autogena and Emma Wof- Works by Kosta Boda designer. fenden awarded Art's Foundation Fellowships. 389 "Spring Fellows Leave CGCA to Travel, 403 "Svensk varldsstjarna." Travel, Travel." 375 "Signs of the Sonoran Desert." Form, no. 3, 1998, p. 115, ill. The Journal, a Newsletter for Friends of Bertil Vallien in New York's SOFA expo. Signs of the Times, v. 220, no. 8, July 1998, Wheaton Village, v. 20, no. 3, Summer 1997, pp. 24-27, ill. p. 5, ill. 404 "Swarovski Japanese Style." Photographs of old roadway motel signs from Scott Fitzel, Kathleen Grennan, Hitoshi Kaki- The Gift Buyer International, v. 34, no. 2, picture book, Vacant Eden. zaki, and Kait Rhoads. Oct. 1997, p. 17, ill. 376 Silvia Levenson: Le Cannibalisme des Bowl designed by Kazumasa Nagai. 390 "Starck massa for Alessi." sentiments." Glas och Porslin, v. 65, no. 2,1996, pp. 24-26, ill. Verre & Creation, no. 6, Dec. 1996/Jan. 1997, 405 "Swarovski Kristallwelten: Glanzender Philippe Starck designs for Alessi. p. 4, ill. English summary, p. 8. Umsatz mit schillerndem Glas." Exhibition of works by Argentinian artist at Glaswelt, v. 50, no. 9, Sept. 1997, pp. 44-45, ill. Sars-Poteries. 391 "Eine starke Frau erlebt ihren 'American History of Swarovski and the firm's glass cen­ Dream."' ter, Kristallwelten, in Wattens, Austria. 377 "Site-Specific 'Glass Houses' by Three Schmuck Magazin, no. 3, July 1998, pp. 80- Artists at Neuberger." 81, ill. 406 "Swedish Contemporary Crafts Exhibi­ Antiques and The Arts Weekly, v. 26, no. 25, Jewelry design by Hattie Carnegie. tion." June 19, 1998, p. 28, ill. Faber, no. 82, Nov. 1996, pp. 1-4, ill. Bing Hu, Maura Sheehan, and Therman Statom. 392 "St'art a Strasbourg." In Japanese. Verre & Creation, no. 10, Feb. 1998, p. 2, ill. Works by Bertil Vallien and Ann Wolff. 378 "Skal for hundra ar av nyskapande." English summary. Glas och Porslin, v. 68, no. 1,1998, pp. 36-37, ill. Galleries showing glass at Strasbourg's con­ 407 "Szene: Feinkost." Works by Orrefors designers mark firm's cen­ temporary art fair. Art {Das Kunstmagazin), no. 1, Jan. 1998, tenary. p. 7, ill. 393 Stephen Antonakos: Neons. Glass pavilion used in performance in "Art Co­ logne" by Markus Kreiss. 379 "Skala med Bacchus och Margareta." Oshkosh, Wl: Allen Priebe Art Gallery, Glas och Porslin, v. 64, no. 5,1995, pp. 14-15, ill. Wisconsin State University, 1971, [22] pp., ill. Glass by Margareta Hennix. Exhibition of neon sculptures at gallery opening. 408 "Tableware Exports Continue to Grow in Eastern Europe." Tableware International, v. 25, no. 8, Sep. 1995, 380 "Sklo Jiriho Suhajka nese znacku B.A.G." 394 "Strasbourg demarre." pp. 33-57, ill. Pro VasStuI, v. 5, no. 1, 1997, p. 10, ill. Verre & Creation, no. 6, Dec. 1996/Jan. 1997, Survey of glass manufacturers includes Czech designer Jiff Suhajek. p. 2, ill. English summary, p. 8. Rozalia (p. 35), Zawiercie (p. 39), Glassexport ST'ART 97 includes glass works. (p. 44), Crystalex (pp. 45-46), Egermann- 381 "Skruf och Bergdala gar ihop." Exbor (p. 49), Sklarny Bohemia-Podebrady Glas och Porslin, v. 68, no. 1, 1998, p. 9, ill. 395 "Studio Additions." (p. 50), Caesar Crystal (p. 53), Jihlavske The Corning Museum of Glass Newsletter, Glassworks (p. 54), LR Crystal (p. 56), and 382 SOFA: Sculpture Objects Functional Winter 1997, p. 5. Chribska (p. 57). Art. Chicago Exposition 1997. Colored glass canes and frit for hot-glass Chicago: Expressions of Culture Inc., 1997, shop and a Merker lathe for the cold-working 409 "Tagliapietra Commissioned to Create 287 pp., ill. shop. Work in Glass for Corning Collection." The Corning Museum of Glass Newsletter, 383 SOFA: Sculpture Objects Functional 396 "Studio Glass Exhibition: Communicate Summer 1996, p. 3, ill. Art. Miami Exposition 1995. Studio Glass 'Now.'" 1996 Rakow Commission. Miami: Expressions of Culture Inc., 1995, Honoho Geijutsu, no. 24, 1989, pp. 136-139, ill. 123 pp., ill. In Japanese. 410 "Tessa Clegg: Histoire de creer." Michael Glancy, Dan Dailey, Bohumil Elias, Verre & Creation, no. 3, Jan. 1996, p. 4, ill. 384 SOFA: Sculpture Objects Functional and Mary Ann "Toots" Zynsky. English summary, p. 8. Art. Miami Exposition 1997. Artist's works featured in Paris exhibition. Miami: Expressions of Culture Inc., 1997, 397 "Studio Movement: LA Studios; 119 pp., ill. Ourglass." 411 "Thierry Baudry: La Cle des signes." Glass, Monthly Journal of the European Glass Verre & Creation, no. 11, May 1998, p. 3, ill. 385 "Solo - fem skulpturelle vaser fra Orre­ Industry, v. 74, no. 10, Oct. 1997, p. 404, ill. English summary, p. 8. fors." Two small glass studios in London and Torquay. Sculptures on display in Niort museum. 412 "To Life!" 427 "Venetianskt glas pa vandringsutstall- 442 "Wittmann a dalsf." American Craft, v. 58, no. 2, April/May 1998, ning." Umenf a Remesla, no. 4, 1997, pp. 45-49, ill. pp. 44-45, ill. Glas och Porslin, v. 67, no. 1,1997, pp. 46-47, ill. English summary. San Francisco exhibit of Kiddush cups creat­ "Venini 1921-1996" exhibition at Stockholm Includes replicas of Josef Hoffmann designs ed by artists and architects includes glass gallery. by J. & L. Lobmeyr. examples. 428 "Verre, Arts contemporains, Evian La 443 "Wolff Awarded Rakow Commission." 413 "Tom Hedqvist lotsar atta formgivare." Grange au Lac." Antiques and The Arts Weekly, v. 26, no. 2, Glas och Porslin, special issue, 1998, pp. 8- Offrir, Revue des Industries d'Art, no. 327, Jan. 9, 1998, p. 84. 13, ill. Sept. 1995, pp. 66-67, ill. Ann Wolff. Designers at Orrefors: Sundberg, Bergstrom, Yan Zoritchak. Lagerbielke, Hellsten, Nilsson, and others. 444 "Working at 1400 Degrees C (2520° F)." 429 "Le Verre epoustouflant." Common Ground: Glass (Newsletter of the In­ Table & Cadeau, no. 348, Feb. 1994, pp. 20- ternational Guild of Glass Artists Inc.), Spring 414 "Toots Zynsky Glass Sculpture ... in 21, ill. 1998, pp. 8-10, ill. New York City." Allain Guillot and Giampaolo Amoruso at HiGlass, Australian manufacturers of specialty Antiques and The Arts Weekly, v. 26, no. 37, Cristalleries et Verreries de Vianne. art and fusing glass. Sept. 11, 1998, p. 11. 430 "Verrerie Cristallerie d'Arques celebre 445 "Yan Zoritchak: Art, Verre, Aventure." 415 Toots Zynsky: "Tierra del Fuego Series." I'anniversaire de ses marques, 1948-1998." Verre & Creation, no. 1, July 1995, p. 2, ill. Amsterdam: Stedelijk Museum, [1989], 19 pp., ill. Verre (Institut du Verre, Versailles), v. 4, no. 1, English summary, p. 8. Feb. 1998, pp. 39-40, ill. Exhibition in Troyes museum. 416 "Top 100 Treasures: Big Investment." 50th anniversary of the firm. Art & Antiques, v. 21, no. 3, March 1998, p. 88, ill. 446 "Yasushi Umakoshi." Libensky/Brychtova sculpture Vestment I 431 "Verrerie Cristallerie d'Arques, une Glass & Art (Tokyo), no. 10, Aug. 1995, given to the Mint Museum in North Carolina. grande dame. . . ." pp. 100-101, ill. In Japanese. Offrir, Revue des Industries d'Art, no. 303, Works by the glass artist. June 1993, pp. 19-23, ill. 417 "A Tribute to Italian Design." Visit to the glassworks. Home Lighting & Accessories, v. 81, no. 6, 447 "3 x Tinback." June 1998, p. 182+, ill. Form, v. 91, no. 3 (699), 1995, p. 16, ill. Exhibit traces history of Italian lamp design 432 "Verriales d'ete." Bowls by Klas-Goran Tinback. from 1940s to present day. Verre & Creation, no. 8, July 1997, p. 2, ill. Summer exhibit of "Verriales" at Biot. 448 "The 6th International Glass Sympo­ sium." 418 "Two Projects for Floodlighting Monu­ 433 "Verriales en duo." The Gift Buyer International, v. 34, no. 6, ments." Verre & Creation, no. 11, May 1998, p. 2, ill. Feb. 1998, pp. 12-13, ill. Illuminatecnica, nos. 449/450, May/June 1998, English summary, p. 8. Novy Bor symposium, October 1997. pp. 150-153, ill. In English and Italian. 32 artists represented in Biot exhibition. Lighting the "Vittoriano" monument in Rome, 449 The 26th Annual International Glass and the Gniezno Cathedral in Poland. 434 "Les Verriers de Venise." Invitational. Offrir International, no. 352, April 1998, p. 90, ill. Pontiac, Ml: Habatat Galleries, 1998, 80 pp., ill. 419 "Tydligt skandinaviskt formsprak fran Christofle. BodaNova." 450 "982: Mille anni di arte del vetro a Vene- Glas och Porslin, v. 68, no. 2, 1998, p. 5, ill. 435 "Vetri d'arte." zia." Nordic series by Swedish firm. Alte Vitrie, v. 11, no. 1, 1998, p. 23, ill. Casa Vogue, no. 261, April 1994, p. 194, ill. Exhibition notes. Exhibition tracing history of Venetian glass 420 "Undergraduate Portfolio: Michael features works by contemporary artists. Scheiner." 436 "Vi lyfter pa hatten for Lindshammar: RISD Views (Rhode Island School of Design), Glasbruket med farg firar 90 ar." 451 "The 1997 Discovery Award Winners." v. 83, no. 3, Fall 1997, p. 35, ill. Glas och Porslin, v. 64, no. 3, 1995, p. 25, ill. The Society of Glass and Ceramic Decorators Recent exhibitions of works by the artist. 90-year anniversary of Lindshammar glass­ Newsletter, v. 35, no. 11, Dec. 1997, 4-p. insert. works. Awards for food, beverage, cosmetic con­ tainers; lighting ware, architectural glass; and 421 "Unika glas och kera mikkarl pa Lerverk." 437 "'Visionary Landscapes: The Glasswork other categories. Glas och Porslin, v. 67, no. 1, 1997, pp. 48-49, of Josh Simpson' at The Bruce Museum." ill. Antiques and The Arts Weekly, v. 26, no. 28, 452 "1997 Glass Art Society Student Awards." Lena Nilsson and Anita Hagman. July 10, 1998, p. 82. The Glass Art Society Journal, 1997, pp. 17-18, ill. 422 "Unikt glas." 438 "La Voie du verre, de Sevres a Dun- Student awards made at the Tucson confer­ Form, v. 93, no. 6 (714), 1997, p. 135, ill. kerque." ence. Glass from Goteborg studios. Verre & Creation, no. 3, Jan. 1996, p. 3, ill. English summary, p. 8. 453 "1998 Glass at the Gardens." 423 "Val Saint Lambert sur le marche Sevres Museum exhibition "Couleurs et trans­ Glass Art, v. 14, no. 1, Nov./Dec. 1998, frangais." parence." Work by Bert Frijns and Gisela Sa- pp. 18-19, ill. Offrir, Revue des Industries d'Art, no. 334, bokova illustrated. Juried exhibition in Denver, Colorado. June 1996, pp. 40-41, ill. Profile of the glassworks. 439 "Volutes partent embaumees: Lampes 454 "1998 Niche Award Finalists for Glass Berger." Announced." 424 "Van Glas verzamelen . . . naar Glas- Table & Cadeau, no. 341, May/June 1993, Glass Art, v. 13, no. 3, March/April 1998, kunst verkopen." p. 24, ill. pp. 38-39, ill. Glashelder, no. 1, Jan. 1995, pp. 13-15, ill. Company makes fragrance diffusers. Awards to Robert Mickelsen, Mariusz Rynkie- wicz, Lynn Latimer, and Mark Bokesch-Parsons. 440 "Voor de gezondheid van de ander en 425 "Van Lith, des sculptures tel un jeu die van jezelf." 455 Abrink, Pernilla. d'enfant." Glashelder, no. 3, July 1995, pp. 8-9. "Befriad massa." Offrir International, no. 346, Sept. 1997, Form, v. 93, no. 4 (712), 1997, p. 4, ill. p. 130, ill. 441 Wendy Rams haw: Jewel Drawings and Stockholm exhibit with glass by Annika Jean-Paul Van Lith. Projects = Dibuixos de joies i projectes. Oskarsson and Anna Liven. Barcelona: Hipotesa = Renart Edicions, 1998, 426 "'Varspritter' i Klassbol." 175 pp., ill. In English and Catalan. 456 "Fran fargsprakande kurbitsdekor." Skona Hem, no. 5, May 1996, p. 122, ill. Jewelry, sculpture, and architectural works by Form, v. 91, no. 3 (699), 1995, p. 9, ill. Glass by Kerstin Munter. the British artist include glass. Chandelier by Jonas Rooths. 457 "Sakral neon." 470 "Expositie Glashelder, frustrerend voor Modern Glas, v. 10, no. 2, 1996, pp. 30-31, ill. Form, v. 93, no. 4 (712), 1997, p. 9, ill. helder zicht op glas." Review of exhibitions, including work of Klara Work by Helena Gibson and Ulf Carlsson in Glasbulletin, Vereniging van Vrienden van Leibovitz and Joost Bicker Caarten. Stockholm exhibit. Modern Glas, v. 9, no. 4, 1995, pp. 13-16, ill. Included work by Atelier I'Anverre, with pre­ 483 "Willem Jacob Rozendaal uit de verge- 458 Adeane, Olinda. cedents by Leo Copers, Picasso, and Keith telheid gehaald." "Glassconscious." Haring. Glasbulletin, Vereniging van Vrienden van House & Garden (British edition), v. 53, no. 4 Modern Glas, v. 12, no. 2, 1998, pp. 10-13, ill. (561), April 1998, pp. 140-145, ill. 471 "Glas als beeldend materiaal: Natuur Glass by Rozendaal (1899^-1971) in exhibition Apartment of 15th-century Palazzo Brandolini centraal in werk Carola Popma." at Nationaal Glasmuseum. in Venice provides setting for glass made by Glasbulletin, Vereniging van Vrienden van Marie Brandolini's Murano atelier. Modern Glas, v. 11, no. 2, 1997, pp. 4-7, ill. 484 Augustijn, Piet and others. Mixed-media sculpture. "10 jaar Glasvrienden." 459 Adlerova, Alena. Glasbulletin, Vereniging van Vrienden van "Skleneny Cesky les Borka Sipka." 472 "Glas van de Rietveld: De ontwikkeling Modern Glas, v. 10, no. 3, 1996, pp. 5-34, ill. Atelier, no. 3, Feb. 5, 1998, p. 4, ill. van het studioglas in Nederland." Anniversary of Friends of Modern Glass of the English summary. Glasbulletin, Vereniging van Vrienden van Netherlands; includes profiles of glass- Two Prague exhibitions of work by Borek Sipek. Modern Glas, v. 10, no. 4, 1996, pp. 9-12, ill. connected people (dealer, artist, conservator, Leerdam exhibition of glass from the Rietveld reviewer, designer, collector, etc.). 460 Alfano, Elysabeth. Academy (1972-1996) includes work by "Collectors Panel." Frans Willebrands, Richard Price, and many 485 Avon, Annalisa. The Glass Art Society Journal, 1997, pp. 87- others. "Oskar Kogoj: Nature design." 88, ill. Domus, no. 804, May 1998, pp. 34-39, ill. Panel at the Tucson conference. 473 "Glasgekglasgek. . . In Italian and English. Glashelder, no. 9, Feb. 1997, p. 23, ill. Artist designs "glasses whose foundations lie 461 Amy, Michael. Exhibition "Contrasten in Glas" at Gorcums in Slovenian culture." "Review: Frangois Morellet." Museum included Bert Frijns. Art in America, v. 86, no. 5, May 1998, 486 Bach, Uta; Joppien, Rudiger; and pp. 122-123, ill. 474 "Internationale glasmanifestatie het Quadejacob, Lars. New York exhibition with neon. drinkglas in Leerdam." "Kunsthandwerk nach 1945." Glasbulletin, Vereniging van Vrienden van Jahrbuch des Museums fur Kunst und Ge- 462 Andersson, Cathrine. Modern Glas, v. 11, no. 2, 1997, pp. 26-27, ill. werbe Hamburg, v. 13, 1994, pp. 191-214, ill. "Glasbruksgatan ny attraktion pa Formex: Current exhibitions of drinking glasses. Acquisitions of glass by Jan Adam, Chihuly, Fem glasbruk samarbetar om kvalitetsmark- J. Fisar, B. Frijns, J. Gomez, D. Martens, ning." 475 "'Het is leuk om te zien wat anderen C. Reid, Tagliapietra, and Toikka. Glas och Porslin, v. 65, no. 4,1996, pp.19-22, ill. hoogtepunten in je werk vinden.'" Glasbulletin, Vereniging van Vrienden van 487 Backer, Noelle. 463 "Julen star for dorren pa Formex." Modern Glas, v. 11, no. 4, 1997, pp. 4-7, ill. "Genny Zbach: Perspective Is Everything." Glas och Porslin, v. 67, no. 4,1998, pp. 39-41, ill. Floris Meydam. The Crafts Report, v. 24, no. 271, Nov. 1998, pp. 24-25+, ill. 464 Andreani, Carole. 476 "Kristal 3: Ontwerpen voor serica en ge- Profile of the artist. "Edmee Delsol: Alliances et paradoxes." bruiksglas worden steeds opnieuw in de tijd La Revue de la Ceramique et du Verre, gezet." 488 "Till Death Do Us Craft." no. 100, May/June 1998, pp. 29-33, ill. Glashelder, no. 10, May 1997, pp. 10-12, ill. The Crafts Report, v. 24, no. 263, March 1998, Ceramic and glass sculptures by Delsol. Leerdam. pp. 24-27, ill. Includes glass artists Drew and Kirsi Smith. 465 Angus, Mark. 477 "Ontwerper: Gerard Thomassen." "News from Abroad: My Experience at Bild- Glasbulletin, Vereniging van Vrienden van 489 Badiali, Enrico. Werk Frauenau." Modern Glas, v. 12, no. 2, 1998, pp. 6-9, ill. "Nar form moter teknik." Glass Network (Newsletter of the Contempo­ Retrospective of the designer's work. Form, v. 94, no. 5, 1998, pp. 46-51, ill. rary Glass Society, U.K.), no. 3, Nov. 1997, p. 18. English summary, pp. 66-67. 478 "Peter Bremers brengt onderwater- "Form meets technology" at Euroluce 1998, 466 Antonelli, Paola. wereld tot leven in glas." Milan's lighting fair. "The I.D. Forty, Europe. Light Fantastic: Ingo Glasbulletin, Vereniging van Vrienden van Maurer." Modern Glas, v. 12, no. 1, 1998, pp. 4-7, ill. 490 "News: Cent'anni di Orrefors." I. D. (International Design Magazine), v. 45, Works by Dutch artist influenced by under­ Abitare, no. 371, March 1998, p. 44, ill. no. 1, Jan./Feb. 1998, p. 66, ill. water world. In Italian and English. Munich designer of lamps and lighting. Events marking the centenary of Orrefors. 479 "Sara Bowler geinspireerd door boot- 467 Askaner, Magnus. vormen en archeologische vondsten." 491 Baeriswyl-Descloux, Michele. "Mastaren och hans elever: Ingwald Westholm Glasbulletin, Vereniging van Vrienden van "L'Atelier de Juriens." fostrar den nya generation." Modern Glas, v. 11, no. 4, 1997, pp. 16-19, ill. La Revue de la Ceramique et du Verre, Glas och Porslin, v. 66, no. 1,1996, pp. 33-36, ill. Exhibition of artist's work at Glas Galerie Leer­ no. 100, May/June 1998, p. 48, ill. Orrefors glass school. dam. Includes glass and ceramic sculpture by Renee Due. 468 Aubock, Carl. 480 "Stil overleg." "B.A.N.G.: Bau Asthetischer Nutz-Gegen- Glasbulletin, Vereniging van Vrienden van 492 Bailey, Adam. stande." Modern Glas, v. 12, no. 1, 1998, pp. 19-21, ill. "The Maker: The Hot Glass Assistant." Illuminatecnica, nos. 409/410, Jan./Feb. 1995, Works by Carolien Prisse and Rob van der Ven. Cameo (The Friends of Broadfield House), pp. 398-400, ill. no. 18, Summer 1998, pp. [4-5], ill. Household furnishings made from implements 481 "Vierde triennale voor de europese Glassmakers' assistants: "Their role has of World War II. glassculptuur in Luik: Gemengde gevoelens diversified and capabilities improved." bij zoveel glas." 469 Augustijn, Piet. Glasbulletin, Vereniging van Vrienden van 493 Baldacci, Chiara. "Contrasten in glas: 40 kunstenaars/ontwer- Modern Glas, v. 10, no. 1, 1996, pp. 10-13, ill. "La storia di un antico palazzo continua." pers en het gebruik van glas." Fourth triennial sculpture exhibition. Flare (Architectural Lighting Magazine), Glasbulletin, Vereniging van Vrienden van nos. 17/18, Jan.-June 1998, pp. 44-48, ill. Modern Glas, v. 11, no. 1, 1997, pp. 16-18, ill. 482 "Het voorjaarslicht in glas, zilver, en In Italian and English. 1997 exhibition at Gorkums Museum, Gorin- brons bij Galerie Mariska Dirkx." New lighting for a historical building in the Re­ chem. Glasbulletin, Vereniging van Vrienden van public of San Marino. 494 Baron, Sylvia. 507 "The lorios: From Cut Glass to Hot Glass." La Revue de la Ceramique et du Verre, no. 99, "Dossier cristal a la main: Interviews." Annual Bulletin of the Paperweight Collectors March/April 1998, pp. 34-39, ill. Verre (Institut du Verre, Versailles), v. 3, no. 5, Association, 1998, pp. 48-52, ill. Sculptural work by Czech artist Vasicek ex­ Sept./Oct. 1997, pp. 2-19, ill. South Jersey family of lampworkers; paper­ hibited in France. Interviews with chairman of French federation weights and paperweight buttons by William of handmade glass and crystal industries, and lorio (1914-1986). 521 "Monica Guggisberg et Philip Baldwin: others. A la decouverte de Venise." 508 "Thure Ericson - Another Master of La Revue de la Ceramique et du Verre, no. 97, 495 Barovier, Marino, ed. Diminutive Glass Blossoms." Nov./Dec. 1997, pp. 42-45, ill. Ettore Sottsass: Glass Works. Glass Collector's Digest, v. 11, no. 5, Feb./ Dublin: Vitrum; Links for Publishing, 1998, March 1998, pp. 67-73, ill. 522 Berndt, Louisa C. 155 pp., ill. Paperweight buttons by Ericson, Charles L'Arte dei Rosin: Sculture in vetro = The Ro­ Includes Vistosi, Memphis, Venini, and other Kaziun's neighbor and student. sins' Art: Glass Sculpture. series. Murano, Italy: Studio Rosin, 1998, 67 pp., ill. 509 Beadle, The Venerable [Stanfield, Kirk]. In Italian and English. 496 Tagliapietra: A Venetian Glass Maestro. "The Bead Column: Beads of the Future?" Hand-formed solid glass sculptures. Dublin: Vitrum, Links for Publishing, 1998, Glass Line, v. 11, no. 6, April/May 1998, 107 pp., ill. pp. 8-9, ill. 523 Bernier, Robert. Producing three-dimensional images within a "Verre demain/Glass at Large." 497 Baschet, Bernard. block of glass. Glass Gazette, Winter 1998, pp. 10-11, ill. "Des structures sonores baschet." In French and English. Percussions (Chailly-en-Biere, France), v. 56, 510 Beckman, Mikael. Montreal glass gallery founded by Elena Lee. March/April 1998, pp. 7-17, ill. "Farg, Form, Funkis." Musical instruments, including glass. Skona Hem, no. 5, May 1994, pp. 72-75, ill. 524 Bertsch, Georg-Christof. Glass by Gunnel Sahlin, pp. 74-75. "Luigi Colani: Per avere successo bisogna 498 Bateman, Nita. stupire." "Profile: Paul Butler." 511 Beckman, Ulf. Domus, no. 798, Nov. 1997, pp. 90-97, ill. Collectors' Showcase, v. 18, no. 5, Sept./ "Glashojd." In Italian and English. Oct. 1998, pp. 44-45, ill. Form, v. 93, no. 4 (712), 1997, p. 18, ill. Designer's work includes glass objects. Innovative works in glass pay tribute to the Oversized vases by Filippa Reutersward. legacy of Walt Disney. 525 Betz, Tina. 512 "Konsthantverk: Ingen omvag." "Artist Residencies." Form, v. 93, no. 5 (713), 1997, p. 8, ill. 499 Battistello, Sandra. The Glass Art Society Journal, 1997, Gunnel Sahlin's "Aqua botanica" series. "Forme di ieri e di oggi." pp. 82-83, ill. Casa Vogue, no. 266, Oct. 1994, p. 24, ill. Colored goblets by Parise Vetro. 513 "Portratt av ting." 526 Biggar, Ed. Form, v. 91, no. 2 (698), 1995, pp. 16-25, ill. "Women in Neon and the Illuminated GAS English summary. Shows." 500 "Nuovi mosaici." Includes glass by Ann Wahlstrom, Ingegerd Sign Builder Illustrated, no. 48, Nov./Dec. 1997, Casa Vogue, no. 268, Dec. 1994, pp. 136- Raman, Ulla Christiansson, Erika Lagerbielke, pp. 60-64, ill. 137, ill. and Margareta Hennix. Neon displays at Glass Art Society conferences. Includes glass. 514 "Vilt vaxande." 527 Billings, Johanna S. 501 "Orientalismi." Form, v. 94, no. 3, 1998, pp. 39-43, ill. "Beware of Italian Reproductions." Casa Vogue, no. 268, Dec. 1994, pp. 144- English summary, p. 80. Antique Trader Weekly, v. 42, no. 35, Sept. 2, 149, ill. New glass works by Ulrica Hydman:Vallien. 1998, pp. 82-83, ill. Includes glass. "For the past 30+ years, Italian art glass re­ 515 Bell, Robert. productions have been masquerading as 502 "Trame, riflessioni, trasparenze." "Japan, Finland and Australia: 'Nature as more than 100-year-old originals." Casa Vogue, no. 270, Feb. 1995, pp. 12-13, ill. Object.'" Includes new drinking glasses. Craft Arts International, no. 44, 1998, pp. 20- 528 "Murano Glass Is Gaining in Popularity 24, ill. and Being Reproduced." 503 Battistello, Sandra and Silenzi, Simona. Art Gallery of Western Australia's 3rd Austra­ Antique Week (Eastern edition), v. 30, no. 44, "Art and Craft." lian International Crafts Triennial exhibition, Jan. 26, 1998, p. 6. Casa Vogue, no. 273, May 1995, pp. 104-109, ill. held in Perth, 1998. 1950s Murano glass and new imitations made Lamps, including glass pagoda design by in Taiwan. Gianfranco Coltella. 516 Bendelow, Paul. "Made in Germany: Pleasure Domes." 529 Bischoff, Dan. 504 Baveystock, Zelda. Inter Nationes (German-American Cultural "Signs of the Times." "Everglassting - Recent Commissions." Review), no. 2, Winter 1997/1998, pp. 46-47, ill. Metropolis, v. 17, no. 6, Feb./March 1998, Cameo (The Friends of Broadfield House), Snowdomes made by Koziol firm, Hesse. pp. 39-42+, ill. no. 17, Summer 1998, p. 1. Times Square neon. The museum's resident glass artists, Susan 517 Benesh, Carolyn L. E. Nixon and Allister Malcolm, receive individual "Kristina Logan: A Luminous Aesthetic." 530 Bisschop, Andre. commissions. Ornament, v. 21, no. 4, Summer 1998, pp. 42- "Edward Leibowitz: 'De mensen willen weer 45, ill. naar verhalen luisteren.'" 505 Bazzel, Joan. Jewelry of glass beads and pate de verre. Glas en Keramiek, no. 4, Autumn 1996, '"Gus and Maggie': This Is Not Goodbye." pp. 15-19, ill. Glass on Metal, v. 11, no. 4, Aug. 1992, 518 Berkum, Ans van. Profile of the artist. pp. 75-78, ill. "Bert van Loo: Koel en bevlogen." Gus and Maggie Masters, who have been Glas en Keramiek, no. 4, 1994, pp. 18-21, ill. 531 "Floris Meydam." enameling for 40 years, retire as resident Interview with the artist. Glas en Keramiek, no. 4, 1997, pp. 12-17, ill. enamelists at the John C. Campbell Folk In Dutch and English. School in Brasstown, North Carolina. 519 "Het iriserende glaswerk van Isgard Interview with Meydam, head of the design Moje-Wohlgemuth." department at Leerdam from 1949 to 1984. 506 Beadell, Tony. Glas en Keramiek, no. 1, 1997, pp. 27-29, ill. "The lorios." In Dutch and English. 532 "Markku Salo: Laat hem maar lekker The National Button Bulletin, v. 57, no. 3, Moje-Wohlgemuth's iridescent glass. spelen." July 1998, pp. 185-188, ill. Glas en Keramiek, no. 1, March/April 1995, South Jersey family of lampworkers; William 520 Bernard, Elodie. pp. 26-29, ill. lorio's paperweights and paperweight buttons. "Ales Vasicek: Espace et volume." Recent work by Salo. 533 "Zie je het niet, dan is het er niet: 546 Botti Monti, Adriana. pp. 16-17, ill. Willem Heesen pur sang." "Lampade dell'anno: Mille luci per la festa." Events connected with Glass Art Society's Glas en Keramiek, no. 2, June 1996, Casa Vogue, no. 247, Dec. 1992/Jan. 1993, 25th conference, Asheville, North Carolina. pp. 11-15, ill. pp. 152-159, ill. New work by Willem Heesen. "Lamps of the year." 559 Brown, Glen. "Reviews: Four in Glass." 534 Blaich, Hiltrud. 547 Bouquin, Laurence. New Art Examiner, v. 25, no. 6, March 1998, "Inview: Marianne Duntze, Enamelerfrom "The Japanese Springtime of Glass." pp. 62-63, ill. Bavaria." Glass & Art (Tokyo), no. 10, Aug. 1995, p. 82, ill. Exhibit in Lubbock, Texas, with work by Pres­ Glass on Metal, v. 11, no. 5, Oct. 1992, In Japanese. ton Singletary, Asa Sandlund, Masami Koda, pp. 90-91, ill. Glass works by Keiko Mukaide. and Carl Hasse.

535 Blomqvist, Joo. 548 "Sars-Poteries: Une saison hollandaise." 560 Brown, Marion. "Utmarkt svenskt glas." Verre & Creation, no. 7, April 1997, pp. 4-5, ill. "Cloisonne Enamel Pinwheel." Glas och Porslin, v. 66, no. 5,1996, pp. 12-13, ill. English summary, p. 8. Glass on Metal, v. 11, no. 5, Oct. 1992, p. 94, ill. Work by Lena Bergstrom. Mieke Groot and Richard Meitner to be in resi­ dence at Glass Museum-Workshop. 561 Brutin, Hugo. 536 Bolton, Andrew. "Joke Demeyere." "China Syndrome." 549 Bowen, Nancy. Glashelder, no. 1, Jan. 1995, p. 16, ill. Crafts (U.K.), no. 151, March/April 1998, "Artist Presentations." Brief profile of the artist. pp. 30-33, ill. The Glass Art Society Journal, 1997, pp. 52- Loretta Yang's work and studio in Taiwan. 53, ill. 562 Burschel, Carlo. Author's talk at Tucson conference. "ZeitgemaB und zeitbestandig." 537 Boman, Monica. Sammler Journal, v. 26, Oct. 1997, pp. 38-43, ill. "Karolinas bla man." 550 Bowers, Bryan and others. Wilhelm Wagenfeld exhibition in Osnabruck. Form, v. 94, no. 2 (716), 1998, pp. 36-37, ill. "In the Studio." English summary, p. 71. The Glass Art Society Journal, 1997, pp. 94- 563 Bussel, Abby. Bertil Vallien's sculptures of human head in­ 104, ill. "Glow in the Dark." spired by "a puzzling case of disease which Talks at the Tucson conference covering Interior Design, v. 69, no. 5, April 1998, occurred over 100 years ago." studio health and safety, legal tips for glass pp. 94-96, ill. artists, and glass and the Internet. Designer uses light boxes and fiber optics to illuminate Costume National in SoHo. 538 Bon, Juko. "A Simple Longing for the Brilliance of Glass." 551 Boylen, Michael. Honoho Geijutsu, no. 12, 1985, pp. 210-211, ill. "Reviews: Vladimira Klumpar." 564 Byrd, Joan Falconer. In Japanese. Glass (UrbanGlass), no. 70, Spring 1998, "Littreography." Lampworking by Hideko Sakai and Mika Fuji- p. 55, ill. Glass (UrbanGlass), no. 72, Fall 1998, pp. 36- wara. Vermont exhibit. 41, ill. Harvey Littleton's contribution to vitreography 552 Boysen, Bill. (printing from glass plates). 539 Bonansinga, Kate. "Demonstrations: Aunt Gladys." "Reviews: Richard Marquis at the Builseye The Glass Art Society Journal, 1997, pp. 68- Connection and the Seattle Art Museum." 565 "Shane Fero: Myth, Magic and Spirit." 69, ill. Artweek, v. 29, no. 7, July/Aug. 1998, pp. 33- Glass (UrbanGlass), no. 69, Winter 1997, Mobile glassblowing studio, "Aunt Gladys," 34, ill. pp. 23-27, ill. performs at Tucson conference. 566 Caesar, James. 540 Boogaard, Joan. 553 Brabcova, Jana A. "Report from Pilchuck: Life in the Glass Lane." "Ledenobject 1996." "Umelecka beseda 1992." Glass (British Columbia Glass Arts Associa­ Glasbulletin, Vereniging van Vrienden van Atelier, no. 2, Jan. 21, 1993, p. 4, ill. tion), v. 9, no. 2, Nov. 1997, p. 1+, ill. Modern Glas, v. 10, no. 4, 1996, pp. 24-25, ill. English summary. Report by Pilchuck scholarship recipient. Piece by Koen Vanderstukken. Czech artists' association exhibit includes work by Miluse Roubickova and Rene 567 Camhi, Leslie. 541 Boot, Marjan and Eliens, Titus M. Roubicek. "Kiki Smith's Glass Body." "Verbannen Mulier-collectie opnieuw in Glass (UrbanGlass), no. 70, Spring 1998, Haagse vitrines." 554 Brecher, Elinor J. pp. 42-49, ill. Glasbulletin, Vereniging van Vrienden van "The Traveling Collector: Synergy City." Modern Glas, v. 9, no. 2, 1995, pp. 11-13, ill. Art & Antiques, v. 20, no. 11, Dec. 1997, Glass at the Haag Gemeentemuseum. 568 Canning, Susan M. p. 37+, ill. "Reviews: Tom Butter." Finding old and new glass in Naples, Florida. Sculpture, v. 17, no. 5, May/June 1998, p.77, ill. 542 Borgward, Monica. New York exhibition with Fiberglas®. "Dorothea Kranz: Filigreed Cobwebs." 555 Brinkmann, Jens-Uwe. Schmuck Magazin, no. 1, March 1998, insert "The Heinz & Ute Kirchhoff Studio Glass Col­ 569 Capella, Juli. p. 11. lection at the Stadtisches Gottingen Museum." "Ingo Maurer: 'La luce migliore nasce dal Artist's jewelry objects include tiny glass beads. Neues Glas, no. 4, 1997, pp. 44-45, ill. cuore.'" In German and English. Domus, no. 805, June 1998, pp. 48-57, ill. 543 "Glas: Michael Kramer setzt sich durch." In Italian and English. Kunsthandwerk & Design, no. 2, March/April 556 Brodie, Anne. Artist "launched a remarkable revolution in the 1998, pp. 4-9, ill. "Hot Glass at Red Deer College." lighting trade." Swiss glass artist. Glass Gazette, Fall 1998, p. 14, ill. Report on the studio. 570 Carlson, Bob. 544 "Ingrid Arts: Auf Entdeckungsreise." "Smash a Chihuly." Schmuck Magazin, no. 6, Dec. 1997/Jan. 1998, 557 Broich, Engelbert. GAS News (Glass Art Society), Fall 1997, p. 82, ill. English text, supplement, p. 11. "Venetian Glass: Tradition & Inspiration." p. 8, ill. Recent works by the glass designer. Neues Glas, no. 4, 1997, pp. 46-47, ill. Seattle group urges broader representation of In German and English artists in museums. 545 Bosch, Gloria. Exhibition "Venetian Glass-The Secret of Mu- "Spotlight: Dan Graham." rano" at the Museum Het Palais, The Hague. 571 Carpenter, Woodrow W. Flash Art, v. 31, no. 198, Jan./Feb. 1998, p. 113, ill. "Enamels in Our Museum." Glass pyramid by Graham for terrace at Cen- 558 Brood, Hortense. Glass on Metal, v. 15, no. 1, Feb. 1996, tro Galego de Arte Contemporanea, Santiago "A World-Glass Act." pp. 17-18, ill. de Compostela. Mountain Xpress, v. 1, no. 39, May 10, 1995, Enameled cross by Harold and Helen Martin. 572 Casadio, Mariuccia. 586 "Reviews: Ray Beldner." The Crafts Report, v. 24, no. 262, Feb. 1998, "Louise Bourgeois." Artweek, June 1998, pp. 21-22, ill. pp. 12-15+, ill. Casa Vogue, no. 251, May 1993, pp. 156-161, ill. Assemblages by Beldner include glass trophy Includes glass collectors. Includes English text. bottles. American artist, 82, makes her international 600 Cooper, Emmanuel. debut at Venice Biennale. 587 Chervenka, Mark. "Reviews/Exhibitions: First Choice." "Faux Pause. Czech Glass: New Occupation­ Crafts (U.K.), no. 151, March/April 1998, 573 Casciani, Stefano. al Figures from Czech." pp. 51-52, ill. "Ingo Maurer: The Moon Is a Big Reflector." Antique Trader's Collector Magazine & Price Exhibit in Devon included work by Peter Layton. Abitare, no. 372, April 1998, pp. 206-207, ill. Guide, v. 5, no. 1, Jan. 1998, pp. 21-22, ill. Zelezny Brod figurines of the 1930s are being In Italian and English. 601 Copeland, Beverly M. identically made today. Lighting designed for 1997 exhibition in Prague. "Interview: Richard Jolley." Glass Focus, v. 12, Feb./March 1998, p. 1+. 574 "Living Art." 588 Chilvers, Sarah. Swarovski, Oct. 1997, pp. 12-14, ill. "SFU Shows Glass Is Hot." Glass (British Columbia Glass Arts Associa­ 602 Copeland, Beverly M. Alessandro Mendini, Italian designer, discuss­ "Interview: William Carlson." es his work in glass. tion), v. 10, no. 2, June 1998, p. 3, ill. Review of association's 1998 biennial exhibi­ Glass Focus, v. 12, June/July 1998, p. 1+. tion. 575 Cash, Stephanie. 603 Costa, Oswaldo. "Obituaries - Claire Falkenstein." 589 Chism, Alison and Christopherson, Elin. "A Visit to Toni Zuccheri - San Vito al Taglia- Art in America, v. 86, no. 1, Jan. 1998, p. 118. "Demonstrations: Large-Scale Glassblowing mento." Artist used fused metal and glass. and Sculpting." Vetri: Italian Glass News, v. 3, no. 4, Oct. 1997, The Glass Art Society Journal, 1997, pp. 69- pp. 6-7+, ill. 576 Castro, Jan Garden. 70, ill. "Poetry Out of Chaos: A Conversation with Authors create Tesla Tower sculpture at the 604 Coughlin, Kirsten. Judy Pfaff." Tucson conference. "Corning Glass Museum Honors International Sculpture, v. 17, no. 2, Feb. 1998, pp. 22-27, ill. Glass Artist." Includes glass in Pfaff's installations. 590 Chiu, Melissa. The Crafts Report, v. 24, no. 263, March 1998, "Disembodied Aesthetic: Suzann Victor's Cor­ p. 7, ill. 577 Cerritelli, Claudio. poreal Spaces." 1997 Rakow Commission to Ann Wolff. "Trasparenze." Art AsiaPacific, no. 17, 1998, pp. 52-57, ill. Sculpture and installations using glass. Alte Vitrie, v. 11, no. 1, 1998, pp. 4-14, ill. 605 Cox, Jeremy R. C. English summary, p. 4. "Flight of Fancy." 591 Clark, Elisabeth. Review of exhibition of contemporary glass in LD+A (Lighting Design + Application), v. 28, "Layered Vision: The Glass Art of Carol Cohen." Genoa and Savona. no. 7, July 1998, pp. 38-41, ill. Arts around Boston, v. 1, no. 3, Summer 1998, Aircraft lighted with fiber optics. 578 Chambers, Karen S. pp. 28-29, ill. "Artful Dining - A Peak Experience." 592 Cleves, Charles. 606 Craig, Brock. American Style, v. 4, no. 2, Winter 1997, "Bronfman Nomination for Mary Filer." pp. 74-75, ill. "Inview: Valeri Timofeev." Glass on Metal, v. 10, no. 5, Oct. 1991, Glass (British Columbia Glass Arts Associa­ World Trade Center restaurant features tion), v. 9, no. 2, Nov. 1997, p. 3+, ill. Dan Dailey sculptures and James Harmon pp. 232-233+, ill. Profile of the artist. Canadian glass artist nominated for national slumped glass panels. award. 593 Cockaerts, Anne. 579 "Pike Power's Freak Show." "Een glasprijs voor Vlaanderen." 607 "Wasp Drawings." Neues Glas, no. 4, 1997, pp. 26-33, ill. Glashelder, no. 8, Nov. 1996, pp. 15-16, ill. Glass (British Columbia Glass Arts Associa­ In German and English. Includes work by Lisa Gherardi. tion), v. 9, no. 1, March 1997, pp. 5-7, ill. Drawings by Vancouver glassblower Morna 580 "World News from America." 594 "Val Saint Lambert - Spelen op zeker." Tudor. Glass & Art (Tokyo), no. 10, Aug. 1995, p. 71, ill. Glashelder, no. 10, May 1997, pp. 16-17, ill. In Japanese. 608 Cummings, Louise. 595 Coleman, Katharine. "Med en enkel tulipan." 581 Chang Yi. "Glass without Frontiers." Skona Hem, no. 2, 1998, p. 87, ill. "World News from Taiwan." The Guild of Glass Engravers Newsletter, New tulip vases by Swedish designers. Glass & Art (Tokyo), no. 10, Aug. 1995, p. 72, ill. Autumn 1997, pp. 3-5. In Japanese. First Contemporary Glass Society (U.K.) sym­ 609 Cutshaw, Jeanne. posium at University of Wolverhampton. "'Birth of a Savior' Christmas Series." 582 Chasin, Boris. Glass Messenger {Fenton Art Glass), no. 3, "More Hot Glass on the Horizons 1997." 596 Colin, Christine. Sept. 1998, p. 4, ill. Glass Art, v. 13, no. 3, March/April 1998, "Le Fonctionnalisme joyeux d'Achille Castig- Bell and plate designed by Frances Burton. pp. 42-43, ill. lioni." Hot Glass Horizons conference in Corning, L'Oeil, no. 490, Nov. 1997, pp. 60-65, ill. Exhibition at Museum of Modern Art, New York. 610 Cuvelier, Pascaline. New York. "Letter from Paris: City of Slights." 597 Colpitt, Frances. Artforum, v. 36, no. 3, Nov. 1997, pp. 45-47+, ill. 583 Chaslin, Frangois. "Between Two Worlds." Includes a glass sculpture by Jean-Michel "Philippe Starck." Art in America, v. 86, no. 4, April 1998, pp. 86- Othoniel. Domus, no. 800, Jan. 1998, pp. 84-88, ill. 93, ill. In Italian and English. Geometric sculptures with fiberglass by John 611 Dal Canto, Chiara. Interview with the artist. McCracken. "Amico Starck." Casa Vogue, no. 258, Jan. 1994, pp. 50-51+, 584 Chattopadhyay, Collette. 598 Conte, Aude de la. ill. English text, pp. 149-150. "Reviews: Larry Bell." "A Crystal Wedding." Interview with the designer Philippe Starck. Sculpture, v. 17, no. 4, April 1998, pp. 66-67, ill. Maison & Jardin, no. 411, March 1995, pp. 23- Glass wall installations in Los Angeles exhibit. 24, ill. 612 "Omaggio a Gio Ponti." Baccarat museum in Paris. Casa Vogue, no. 259, Feb. 1994, pp. 60-61, 585 "Reviews: Los Angeles - Kcho." ill. English text, pp. 138-139. Sculpture, v. 17, no. 2, Feb. 1998, pp. 61-62, ill. 599 Cooke, Betty Lou. Four Milan galleries present simultaneous ex­ Sculptural piece with beer bottles by Cuban "For Collectors, It All Comes Down to a Single hibitions on various themes in the architect's artist Kcho. Choice." work. 613 "Parigi celebra Sottsass." 626 de Santillana, Anna Venini. 638 "Lampworking in the 90's and Beyond." Casa Vogue, no. 261, April 1994, pp. 144- "Memories of Tapio." GAS News (The Glass Art Society), Spring 145, ill. English text, p. 231. Vetri: Italian Glass News, v. 4, no. 1, Jan. 1998, 1998, p. 3, ill. Ettore Sottsass: Paris retrospective features p. 10, ill. Artist reviews his 30 years as an American 400 pieces, including glassware. Tapio Wirkkala's work at Venini, 1966. lampworker.

614 D'Arcy, David. 627 de Whitby, Gersende. 639 "Where's the Pyrex?" "Up from Downsizing." "Tra I'arte e I'impresa due centri di ricerca." Glass Line, v. 11, no. 4, Dec. 1997/Jan. 1998, Art & Auction, v. 20, no. 4, Dec. 1997, pp. 84- Casastile, v. 24, no. 244, Aug. 1997, pp. 140- p. 1+. 87, ill. 141, ill. Lampworkers experiencing difficulty obtaining Corporate collections include neon by Bruce Work made at CIRVA: designs by Garouste & quality rods. Nauman and a Donald Lipski installation. Bonetti and J. Bartolani/C. Caillol. 640 Dollar, June. 615 Davies, lestyn. 628 Decker, Hilde de. "Big D." "Blowzone." "Almeida en Vandenhoucke: IKA-studenten." LD+A (Lighting Design + Application), v. 28, Glass Network (Newsletter of the Contemporary Glas en Keramiek, nos. 5/6,1996, pp. 40-41, ill. no. 7, July 1998, pp. 28-29, ill. Glass Society, U.K.), no. 4, April 1998, p. 13. Isabel Almeida and Sylvie Vandenhoucke. Dallas Area Rapid Transit system stop fea­ Profile of one of five glass companies in or near tures neon lighting. the "Crystal Mile" of Stourbridge, England. 629 Derome, Marie. "Pierre Gagnaire: Emotions esthetiques par le 641 Donefer, Laura. 616 Davis, Judie. menu." "North of the Border: Canadian Contemporary "Dust Bunnies Delight." Table & Cadeau, no. 337, Jan. 1993, pp. 110- Glass." The Bead Society Newsletter (Los Angeles, 113, ill. English summary, p. 125. The Glass Art Society Journal, 1997, pp. 36- CA), v. 24, no. 3, Aug./Sept./Oct. 1998, p. 12. Design for new restaurant includes glass by Stu­ 37, ill. Liza Lou's beaded environments. dio Nago and blown glass by Scott Slagerman. 642 Doran, James. 617 Davis, Paul R. 630 Desaulniers, Gilles. "'Artists Who Choose Enamel.'" "On the Border: A Technical Guide to Neon "Review: Glass in Trois-Rivieres." Glass on Metal, v. 14, no. 6, Dec. 1995, Border Tubing Installation and Maintenance." Glass Gazette, Fall 1997, pp. 6-7, ill. pp. 129-133, ill. Illustrated, no. 48, Nov./Dec. 1997, Sign Builder In English and French. Keynote address to the Enamelist Society pp. 66-74+, ill. Work by Jean-Paul Martel and Jean-Marie Conference, 1995. Giguere. 618 De Alessi, Ross. 643 "This Is Not Contrived Reality." "Quando la luce racconta la storia." Glass on Metal, v. 13, no. 1, Feb. 1994, pp. 4- Flare (Architectural Lighting Magazine), 631 "Tribute to Louis Meriaux, Pioneer of Studio Glass in France." 6, ill. nos. 17/18, Jan.-June 1998, pp. 80-97, ill. Glass Gazette, Fall 1997, pp. 12-13. Enameled objects by the author. In Italian and English. In English and French. "Highly spectacular lighting" for eight bridges in Cleveland. 644 Dorigato, Attilia, ed. 632 Di Nardo, Carlo. Vetri Veneziani: Ohira. Collezione Pasta Vitrea. 619 de Beaumont, Thierry. "Dal Mondo: Dal gas al neon, tutte le luci di Venezia: Arsenale, 1998, 79 pp., ill. "La Marque verte." Parigi." Predominantly opaque works with a focus on Verre & Creation, no. 9, Oct. 1997, pp. 2-3, ill. Neon Light & Sign, no. 73, July/Aug. 1997, colors and textures. English summary, p. 8. pp. 44-46, ill. Paris exhibition of works by Marco de Gueltzl. Neon and other lighting in Paris. 645 Dougherty, Linda Johnson. "Reviews: Maya Lin." 620 de la Gardie, Christina. 633 Di Pietrantonio, Giacinto. Sculpture, v. 17, no. 5, May/June 1998, "Skona sproda glas." "Images, Things and Participation." pp. 83-84, ill. Antik & Auktion, no. 1, Jan. 1997, pp. 62-66, ill. Parkett (Parkett Series with Contemporary Artist uses glass in "Topologies" exhibition at Artists), nos. 50/51, 1997, pp. 31-35, ill. Winston-Salem, North Carolina, art center. In English and German. 621 de la Torre, Einar and de la Torre, Jamex. John Armleder uses neon in installations. "Artist Presentations." 646 Drew, Karin. The Glass Art Society Journal, 1997, pp. 53- "Shows Not to Miss." 54, ill. 634 Diem, Rose Marie. Art & Antiques, v. 21, no. 1, Jan. 1998, p. 22, ill. Authors' talk at Tucson conference. "Inview: Gim Fong." Brief note about an exhibition of glass works Glass on Metal, v. 13, no. 1, Feb. 1994, by Toshichi and Hisatoshi Iwata. 622 De Lucchi, Michele. pp. 16-18, ill. "II design meno si vede meglio e'." Plique-a-jour by the artist. 647 Druin, Marilyn and Slepian, Marian. Flare (Architectural Lighting Magazine), "The Russians Were Here, the Russians Were nos. 17/18, Jan.-June 1998, pp. 4-16, ill. 635 Diest, Caroline van. Here!" In Italian and English. "Ales Vasisek [sic]: Toont nieuw werk." Glass on Metal, v. 11, no. 1, Feb. 1992, Interview with Franco Raggi. Glas en Keramiek, nos. 3/4, Sept./Oct. 1995, pp. 19-20, ill. p. 9, ill. Interview with four enamelists from Russia 623 de Neeve, Bernardine. Glass by Czech artist Vasicek. who were guests at the Third Biennial Con­ "Boymans van Beuningen." vention of The Enamelist Society. Bulletin van de Vereniging van Vrienden van 636 Dingman, Elizabeth. Modern Glas, v. 1, no. 1, 1987, pp. 7-10. "Why Glass? Why Clay? A Personal View of 648 Drury, John. Profile of the museum, including the glass Contemporary British Glass and Ceramics." "Artists Forum: Baltimore Glassman." collection. Fusion Magazine (The Ontario Clay & Glass Glass (UrbanGlass), no. 70, Spring 1998, Association), v. 22, no. 3, Fall 1998, pp. 16-17. pp. 30-33, ill. 624 "Copier: Voor het volk en voor epicuri- Abbreviated and edited versions of lectures by Self-taught artist Paul Darmafall, known as sten." Oliver Watson, chief curator of the ceramics "Glassman," uses glass shards in his artwork. Bulletin van de Vereniging van Vrienden van and glass collection at the Victoria and Albert Modern Glas, v. 1, no. 4, 1987, pp. 6-9, ill. Museum, London. 649 Ducote, Barbara, Andries D. Copier. "14 paesi, 14 designer della moda e tantissimi 637 Dodson, Ricky Charles. prodotti per il 1998." 625 "Vriendenprijs 1987." "Demonstrations: Fun, Exciting, Sculptural Abitare, no. 369, Jan. 1998, pp. 120-156, ill. Bulletin van de Vereniging van Vrienden van Lampworking and Storytelling." In Italian and English. Modern Glas, v. 1, no. 3, 1987, pp. 5-9. The Glass Art Society Journal, 1997, p. 73, ill. Product designs from 14 countries for 1998; Sybren Valkema wins major glass prize. Author at the Tucson conference. includes lamps/lighting, glassware. 650 Dufkova, L'udmila. Selection of works by various firms: Kosta 677 "Le Verre finlandais au Musee Deche- "Jaroslav Svoboda." Boda, Baccarat, Boda Nova, Lalique, Villeroy lette." Bulletin Moravske Galerie v Brne, no. 53, & Boch, etc. Table & Cadeau, nos. 356/357, Dec. 1994/ 1997, pp. 172-173, ill. English summary. Jan. 1995, p. 88, ill. 663 "Cristal ou verre: Transparence et Finnish glass exhibition at Roanne museum. 651 "Moderni autorske sklo ve sbi'rce couleur." Moravske Galerie." Table & Cadeau, no. 371, May 1996, pp. 17- 678 "Le Verre ludique." Bulletin Moravske Galerie v Brne, no. 53, 36, ill. English summary, p. 93. Table & Cadeau, no. 345, Nov. 1993, p. 50, ill. 1997, pp. 90-92, ill. English summary. History of Daum, pp. 18-25, and highlights of English summary, pp. 68-69. Moravian Gallery's collection of 1970-1995 other firms: Cristallerie d'Arques, Ritzenhoff, Paris exhibition "Playful Glass of the Arctic" glass. Saint-Louis, Swarovski, etc. commemorates 200th anniversary of Finnish design in glass. 652 Duits, Thimo te. 664 "Cristal/verre: Un Art de vivre." Table & Cadeau, no. 341, May/June 1993, "Aanwinsten: National Glasmuseum Leerdam." 679 Duncan, Katherine. Glas en Keramiek, nos. 3/4, Sept./Oct. 1995, pp. 37-40, ill. English summary, pp. 59-60. A visit to Baccarat. Generations: Harvey Littleton, John Littleton, pp. 59-62, ill. Kate Vogel. Recent acquisitions by the museum include 665 "Cristina Leiria: Sculpter la vie." Asheville, NC: Southern Highland Craft Guild, 1908 wineglasses by Hans Christiansen, 1920 Folk Art Center, [1995], [13] pp., ill. mosaic by Anna Plasschaert-Peeman, 1927 Table & Cadeau, no. 371, May 1996, lamp by Frits Lensvelt; and contemporary pp. 40-41, ill. English summary, p. 94. glass by Mieke Groot, Willem Noyons, Richard Porcelain and glass by the artist. 680 Dundas, Bill. Meitner, and Anish Kapoor. "Fiber Optics in the Sign Industry." 666 "Design scandinave, le grand retour." Signs of the Times, v. 220, no. 4, March 1998, Table & Cadeau, no. 370, April 1996, pp. 45- pp. 102-103, ill. 653 "Bert Frijns glas beeld." 49, ill. Neon's success creates new opportunities for Bulletin van de Vereniging van Vrienden van Profiles of various glass artists and companies. fiber optics. Modern Glas, v. 1, no. 2, 1987, pp. 17-18. Exhibition in Rotterdam. 667 "Dossier autour du vin." 681 "Neon Gallery." Table & Cadeau, no. 361, May/June 1995, Signs of the Times, v. 220, no. 4, March 1998, 654 "Tentoonstellingsbespreking decoratie- pp. 22-41, ill. English summary, p. 67. technieken." pp. 100-101, ill. A selection of glassmakers' latest products for Neon as commercial art. Bulletin van de Vereniging van Vrienden van wine. Modern Glas, v. 1, no. 3, 1987, pp. 9-10. Leerdam glass exhibition. 668 "Forum du mariage aux Galeries 682 "Nuts and Bolts: Neon Forever." Lafayette." Signs of the Times, v. 220, no. 4, March 1998, 655 "Tentoonstellingsbespreking Holland in Table & Cadeau, no. 359, March 1995, p. 9, ill. p. 30+, ill. vorm." English summary, p. 63. "After 100 years, neon remains at the forefront Bulletin van de Vereniging van Vrienden van Baccarat chandelier. of the sign industry." Modern Glas, v. 1, no. 3, 1987, pp. 14-15. Five Dutch museums hold concurrent glass 669 "Les Frangais a Londres: Avec 683 "Towering Illuminations." exhibitions. Fondexpa." Signs of the Times, v. 220, no. 1, Jan. 1998, Table & Cadeau, no. 372, June/July 1996, pp. 142-149, ill. 656 "Diabolo, een nieuw Nederlands drink- pp. 69-73, ill. Neon signs on towers in Blackpool, England; servies." Includes glass by Martine Durand-Gasselin. Johannesburg, South Africa; and Charlotte, Bulletin van de Vereniging van Vrienden van North Carolina. Modern Glas, v. 2, no. 2, June 1988, pp. 5-9, ill. 670 "Musee d'Art contemporain de Dun- Drinking set by Toine Caris, designed for kerque: Couleurs et transparences." 684 Dunham, Bandhu Scott. Leerdam. Table & Cadeau, no. 371, May 1996, p. 37, ill. "Demonstrations: Lampworked Goblets." English summary, p. 94. The Glass Art Society Journal, 1997, p. 74, ill. 657 "Recent Nederlands glas." Exhibition includes works by 39 international Author at the Tucson conference. Bulletin van de Vereniging van Vrienden van artists; Ronald Penned and Toots Zynsky Modern Glas, v. 2, no. 3, Sept. 1988, pp. 9-12. glass illustrated. Glass in Rotterdam, Velp, and 's-Gravenhage. 685 Dunstan, Melanie. 671 "Nelly Rodi: Courants et paradoxes." "Passion for Beauty." Common Ground: Glass (Newsletter of the In­ 658 "Tussen wal en schip." Table & Cadeau, no. 361, May/June 1995, pp. 50-52, ill. English summary, p. 63. ternational Guild of Glass Artists Inc.), Spring Bulletin van de Vereniging van Vrienden van 1998, pp. 3-5, ill. Modern Glas, v. 2, no. 4, Dec. 1988, pp. 6-7. Includes a work designed by Jean Cocteau in the 1940s, reissued by Daum. Bandhu Scott Dunham. 659 Dumoulin, Sophie. 672 "Ob'Art: Le Salon de la piece unique." 686 Duppel, Hilmar. "Baccarat, un reve nomme cristal." Table & Cadeau, no. 364, Oct. 1995, p. 54, ill. "Stolzle-Oberglas AB in Barnbach: Ein Herz Table & Cadeau, no. 351, May 1994, pp. 20- English summary, p. 60. fur Kreative." 22, ill. English summary, p. 63. Includes glass by Antoine Leperlier. Glaswelt, v. 50, no. 9, Sept. 1997, pp. 40-42, ill. Interview with Anne-Claire Taittinger-Bonne- Designers and glass artists meet at 5th inter­ maison, general manager of Baccarat. 673 "Objet du mois." national Stolzle-Oberglas symposium. Table & Cadeau, no. 354, Oct. 1994, p. 15, ill. 660 "Creation d'abord." Glass bust of a woman by Saint-Louis. Table & Cadeau, no. 360, April 1995, pp. 46- 687 Dyett, Linda. "Eric Hilton: Threshold of Illusion." 47, ill. 674 "Objet du mois: Ferrari 456 GT - New designs from Orrefors/Kosta Boda. American Craft, v. 58, no. 1, Feb./March 1998, Claude Nicolas/CFC Daum." pp. 66-69+, ill. Table & Cadeau, no. 363, Aug./Sept. 1995, 661 "La Creation scandinave." p. 42, ill. Table & Cadeau, nos. 356/357, Dec. 1994/ Glass model of the car, designed by Claude 688 East, Di. Jan. 1995, pp. 86-87, ill. Nicolas. "Member Profile: Kate Drew-Wilkinson." Brief overview of Scandinavian glass since Bead Society of Great Britain Newsletter, the 1920s, and contemporary glass by Anna 675 "Objet du mois: Lily - Stefano Poletti." no. 44, June 1998, p. 6, ill. Ehrner, Bertil Vallien, and Anne Nilsson. Table & Cadeau, no. 371, May 1996, p. 12, ill. Glass bead jewelry. Glass jewelry by Poletti. 662 "Cristal et verre decoratifs: Vases, 689 Ebony, David. chandeliers, bestiaire. . . ." 676 "L'Oeuf et I'oiseau." "Review: Isabel De Obaldia." Table & Cadeau, no. 371, May 1996, pp. 42- Table & Cadeau, no. 360, April 1995, p. 43, ill. Art in America, v. 86, no. 5, May 1998, p. 128, ill. 47, ill. English summary, p. 94. Oiva Toikka. New York exhibition. 690 "Review of Exhibitions: Tristano di 705 "En Ulrica for mycket?" cover and pp. 14-19, ill. Robilant." Glas och Porslin, v. 64, no. 5, 1995, p. 3, ill. 1962 Toledo workshop and the ongoing "revo­ Art in America, v. 86, no. 1, Jan. 1998, p. 94, ill. Ulrica Hydman-Vallien. lution" in studio glass. Glass temple sculptures in New York exhibit. 706 "Willy ar branschens basta saljare." 719 Figee, Thea. 691 Eckes, Jeff. Glas och Porslin, v. 63, no. 2,1993, pp. 16-19, ill. "Workshops heet en koud glas bieden kunste- "6th Annual Gathering of The Society of Glass Maleras glassworks, Sweden. naars en vormgevers een unieke combinatie Beadmakers." know-how en inhoudelijke discussie." Glass Craftsman, no. 148, June/July 1998, 707 Eklund, Mary Anna. Bulletin van de Vereniging van Vrienden van pp. 58-59+, ill. "A Conversation with Colette." Modern Glas, v. 2, no. 2, June 1988, pp. 9-11. Review of the gathering in Corning, New York. Glass on Metal, v. 11, no. 6, Dec. 1992, Workshops at the studio of Willem Heesen. pp. 108-110, ill. 692 "Making a Dichroic Marble." 720 Figliola, William. Glass Craftsman, no. 145, Dec. 1997/Jan. 1998, 708 Elder, Robert A. "Fragili e supremamente inutili." pp. 12-17, ill. "Hugh and Carolyn Smith: A Paperweight- Alte Vitrie, v. 9, no. 3, 1997, pp. 18-21, ill. Making Retrospect Adding to the Southern English summary. 693 Edwards, Debbie Sheezel. New Jersey Tradition." Overview of 20th-century glassmaking in Mu- "Daintree." Annual Bulletin of the Paperweight Collectors rano. Glass on Metal, v. 15, no. 2, April 1996, Association, 1998, pp. 69-71, ill. pp. 45-46, ill. South Jersey couple made paperweights from 721 Finnerty, Bernadette. Mural of the Daintree Rainforest for Inter­ 1970 to 1984. national Airport at Brisbane, Australia. "A Long and Winding Road. . . The Crafts Report, v. 24, no. 265, May 1998, 709 Ellis, Tom. pp. 24-25+, ill. 694 Ehrmann, Siegried. "Inview: Alex & Mona Szabados." Martha Giberson's jewelry made with flame- "The Inner World of Kazumi Ikemoto." Glass on Metal, v. 16, no. 1, April 1997, worked glass beads. Glass & Art (Tokyo), no.10, Aug. 1995, p. 82, ill. pp. 19-20+, ill. In Japanese. Profile of the artists. Exhibition held in San Francisco. 722 "One-Man Studio. . . ." The Crafts Report, v. 24, no. 265, May 1998, 710 "Inview: Deborah Sheezel." 695 Eijnde, Jeroen van den. pp. 22-23, ill. Glass on Metal, v. 13, no. 3, June 1994, James Clarke. "Licht, lucht en leven." pp. 52-54, ill. Glas en Keramiek, no. 3, Summer 1996, Profile of the self-taught Australian enamelist. pp. 9-12, ill. 723 "Starting from Scratch. . . Work from Royal Leerdam Kristal, including The Crafts Report, v. 24, no. 265, May 1998, Siem van der Marel and Olaf Stevens. 711 "Inview: Jenny Gore." pp. 20-21+, ill. Glass on Metal, v. 16, no. 2, June 1997, Ohio glass artists Jean and Kevin Rogers. pp. 28-29+, ill. 696 Einarson, Anna Lena. Profile of the artist. "Stralande glas: Helena Gibson, glasform- 724 Fitoussi, Brigitte. givare." "Arik Levy: Un Univers technopoetique. Skona Hem, no. 2, Feb. 1994, p. 16, ill. 712 Engel, Dick. Lampes/Light." Swedish glass designer. "Cultuur en natuur." L'Architecture d'Aujourd'hui, no. 316, April Bulletin van de Vereniging van Vrienden van 1998, pp. 94-97, ill. In French and English. 697 Ekelund, Jan-Olof. Modern Glas, v. 1, no. 3, 1987, pp. 11-12. Israeli-born designer creates lamp of Pyrex® "Full fart hos Jan Stievens glasbruk." Willem Heesen. container and glass beads. Glas och Porslin, v. 65, no. 4,1996, pp. 36-37, ill. 713 Enqland, Eileen M., and Enqland, 725 Flinchpaugh, Jennifer. Boyd A. 698 "Knasglas fran Strombergshyttan: "Enterprising Neon." "The Mysterious Duo Whose Paperweights Humor varvas med varme." Signs of the Times, v. 220, no. 5, April 1998, So Many Seek and So Few Acquire." Glas och Porslin, v. 65, no. 2, 1996, p. 5, ill. p. 57, ill. Annual Bulletin of the Paperweight Collectors Anna Ornberg. Neon at Las Vegas ("Star Trek: The Experi­ Association, 1998, pp. 77-82, ill. ence") hotel. 699 "Konsthantverk i den hogre skolan." Paperweights by Jim and Nontas Kontes. Glas och Porslin, v. 63, no.1,1993, pp. 32-33, ill. 714 Enriquez, Mary Schneider. 726 Ford, Michelle. Glass by Ann-Christine Eklund and Eva Linde- "A Child's Fantasy Becomes Reality." low. "Reviews: Isabel De Obaldia." ARTnews, v. 97, no. 1, Jan. 1998, p. 132, ill. Collectors' Bulletin, Feb./March 1998, pp. 120-121, ill. 700 "Krutroken har skingrats kring Orrefors Cast glass by Panamanian artist in New York exhibit. Interview with Christopher Radko, designer of Kosta Boda." Christmas ornaments. Glas och Porslin, v. 67, no.1,1997, pp. 20-22, ill. Interview with Goran Bernhoff of Royal Scan­ 715 Ericsson, Christian. 727 Fouser, Robert J. dinavia design group, which includes Orrefors "Orrefors dukade upp pa Rohsska." "Life without Zero: An Interview with Miyajima and Kosta Boda. Glas och Porslin, v. 67, no. 4,1998, pp. 12-13, ill. Orrefors jubilee celebration. Tatsuo." Art AsiaPacific, no. 17, 1998, pp. 46-51, ill. 701 "Kultur roligare an roda prislappar." Light sculptures and installations by Tatsuo. Glas och Porslin, v. 64, no. 4,1994, pp. 10-11, ill. 716 Ernstell, Micael. Monica Backstrom. "Design from the 1980s and 1990s - Markers of Change." 728 Fowler, Suellen. 702 "Kvinnliga former fran Orrefors: Och en Art Bulletin of Nationalmuseum Stockholm, "Demonstrations: Flameworked Perfume smakfull 'cigarr' av Lena Bergstrom." v. 3, 1996, p. 50, ill. Bottles." Glas och Porslin, v. 65, no. 2,1996, pp. 14-15, ill. Exhibition included pate de verre bowl by The Glass Art Society Journal, 1997, Designs by Bergstrom and others for Orrefors. Paivi Kekalainen. pp. 74-75, ill. Author at the Tucson conference. 703 "Nu har Sverige fatt ett riktigt glasmu- 717 Eynde, Jeroen N. M. van den. seum." "L'art pour I'art ou Part de boire?" 729 Fox, Henry. Glas och Porslin, v. 65, no. 4,1996, pp.16-17, ill. Glas en Keramiek, no. 4, 1997, pp. 23-27, ill. "Glass at the Globe." Dedication of the glass museum in Vaxjo. In Dutch and English. Glass Circle News, no. 73, Nov. 1997, p. 14. Comments on the new glasses by internation­ Review of exhibit of engraved glass by mem­ 704 "Royal Copenhagen tar over Orrefors al designers on show at Fort Asperen. bers of the Guild of Glass Engravers. Kosta Boda." Glas och Porslin, v. 66, no. 5, 1997, pp. 8-9, ill. 718 Fasca, Chad M. 730 Frankham, Noel. Royal Copenhagen and Orrefors Kosta Boda "Visions in Glass." "1997 Ausglass Conference." now affiliated. Montage, v. 4, no. 22, Winter 1995/1996, Ausglass Magazine, no. 12, 1998, pp. 6-7. 731 Frantz, Susanne K. Honoho Geijutsu, no. 11, 1985, pp. 169-173, ill. 757 "Pierre de Lune: La Couleur artisanale." "Famous People in the Vicinity of Glass (Much In Japanese. Table & Cadeau, no. 372, June/July 1996, of It Large)." Autobiographical article. pp. 32-34, ill. The Glass Art Society Journal, 1997, pp. 48- Small French glass firm. 50, ill. 745 Fusselman, Amy. Movie stars, sports figures, royalty, etc., pho­ "Ettore Sottsass: Valentine Man." 758 "Renaissance du verre." tographed with glass. Artnews, v. 97, no. 7, Summer 1998, p. 98+, ill. Table & Cadeau, no. 365, Nov. 1995, p. 37, ill. Glass by Stephen Gilles and Kate Jones. 732 "The Glass Skin': Sculptures in Exhibi­ 746 Gabrielova, Bronislava. tion Combine Brains, Beauty." "Od moderny k postmoderne." 759 "Tessa Clegg: Love Affair." The Corning Museum of Glass Newsletter, Atelier, no. 17/18, Sept. 2[9?], 1993, p. 6, ill. Table & Cadeau, no. 371, May 1996, Spring 1998, pp. 1-2, ill. English summary, p. 15. pp. 38-39, ill. In French. Exhibition at the Moravian Gallery in Brno of Profile of the artist. 733 "Harumi Yukutake." glass from 1981 to 1992; includes work by Neues Glas, no. 1, 1998, pp. 16-23, ill. Harcuba, Cigler, Libensky/Brychtova, and 760 Giesbers, Gerard. In German and English. Tichy. "No Parking, No Business." Sculptural work by Tokyo artist. Illuminatecnica, nos. 449/450, May/June 1998, 747 Gartmann, Bert. pp. 144-147, ill. In English and Italian. 734 "Installers Tackle Weighty Issue of Pre­ "Queensland Glass Artists' Winter School." Recommended lighting for multi-story car-parks. paring 'Glass Skin' Show." Craft Arts International, no. 41, 1997/1998, The Corning Museum of Glass Newsletter, p. 100, ill. 761 Gilbert, Rick. Summer 1998, p. 2, ill. Workshops by Kirstie Rea, Jane Cowie, Gerry "Reviews: 'VisAlchemical' at UC San Diego." Cummins, and Tony Hanning. Artweek, v. 29, no. 3, March 1998, pp. 30-31, ill. 735 "Reverse Painting Presents Imaginary Indoor/outdoor exhibition presents glass works View of Corning Glass Works' 50th Anniver­ 748 Gavan, Jane. as fine art. sary." "Maureen Cahill." The Corning Museum of Glass Newsletter, Craft Arts International, no. 41, 1997/1998, 762 Gilson, Nancy. Winter 1997, pp. 1-2, ill. pp. 26-30, ill. "Angela Franklin: Stories in Enamel." Milton Bond, self-taught Connecticut artist, cre­ Exhibition of kiln-formed glass by Australian Glass on Metal, v. 14, no. 1, Feb. 1995, ates reverse painting on glass for the museum. artist. pp. 17-19, ill. Reprinted from the Columbus Dispatch, 736 "The Silent,' a Sculpture by Ann Wolff, 749 Gebert, Linda. Jan. 10, 1995; includes artist's statement. Is Unveiled as 1997 Rakow Commission." '"Enamels: A Proud Heritage' at the Wichita The Corning Museum of Glass Newsletter, Center for the Arts." 763 Girard, Sylvie. Winter 1997, p. 4, ill. Glass on Metal, v. 15, no. 2, April 1996, "Exposition: Richard Meitner et Mieke Groot - pp. 32-33, ill. en residence a Sars-Poteries." 737 "Some of the Best in Recent Glass." Exhibition. La Revue de la Ceramique et du Verre, no. 98, New Glass Review (Czech), no. 19, 1998, Jan./Feb. 1998, pp. 36-37, ill. pp. 32-39, ill. In English and German. 750 Gee, Elwyn. "High Rollers." 764 "Expositions: Richard Price et Bernice 738 "Sources of Inspiration." LD+A (Lighting Design + Application), v. 28, Schutte." Crafts (U.K.), no. 153, July/Aug. 1998, no. 5, May 1998, p. 30+, ill. La Revue de la Ceramique et du Verre, no. 97, pp. 48-51, ill. New fiber optic lighting in Las Vegas, includ­ Nov./Dec. 1997, p. 59, ill. Erwin Eisch discusses his life and work. ing lighting inside a molded glass wall. Glass by Price in Amsterdam exhibit.

739 Fraser, Linda. 751 Geissler, Marie. 765 Gjessing, Tove M. "Points of Review." "Corporate and Public Art Visionary." "Erika blaser liv i Sandvik." Ausglass Magazine, no. 12, 1998, p. 13. Craft Arts International, no. 41, 1997/1998, Glas och Porslin, v. 63, no. 2,1993, pp. 20-23, ill. Review of the 1997 RFC Glass Prize finalists' pp. 39-45, ill. Glass designer Erika Lagerbielke. exhibit in Sydney. Australian designer David Humphries makes terrazzo mosaics using marble and glass. 766 "Fargade glaset framat klara kristallen 740 Fredell, Tinni. backar." "En forsmak av varen." 752 "Environmental Installations in Remote Glas och Porslin, v. 63, no. 1, 1993, p. 13, ill. Skona Hem, no. 3, March 1997, pp. 70-75, ill. Source Lighting." Glass by Anne Nilsson. Table settings by Annika Warberg, Anika Reu- Craft Arts International, no. 44, 1998, pp. 43- tersward, and Ingegerd Raman. 45, ill. 767 "Medeltida glas, Hummelmalare och Warren Langley. glittrande thehuvor." 741 Frolcova, Milada. Glas och Porslin, v. 63, no. 1,1993, pp. 34-35, ill. "Sklenena plastika v Uherskem Hradisti." 753 "A Milestone in Community Arts." Glass from Formex. Atelier, no. 12, June 10, 1993, p. 5, ill. Craft Arts International, no. 44, 1998, Exhibition of glass sculpture included Stanis- pp. 102-103, ill. 768 Gleizes, Serge. lav Libenskyand Jaroslava Brychtova. Dawn Elrington's latest work uses optic fiber "Mathias: Symbole, reve et nature." cabling in outdoor contemporary sculpture. Table & Cadeau, no. 348, Feb. 1994, pp. 64- 742 Frost, James A. 65, ill. English summary, p. 105. "Dudley Show Demonstrates Glass Design 754 Gibory, Eric. Furnishings and tableware by the designer. Talent." "Antonio Cagianelli: Double 'Je'." Glass, Monthly Journal of the European Glass Table & Cadeau, no. 362, June/July 1995, 769 "Neotu imaginaire, rigueur et selection." Industry, v. 74, no. 11, Nov. 1997, pp. 451-452, ill. pp. 53-54, ill. English summary, p. 63. Table & Cadeau, no. 339, March 1993, pp. 54- Himley Hall exhibit of year-end work by stu­ Artist/architect creates works for Postal Mu­ 55, ill. English summary, p. 62. dents from British universities and colleges. seum and Cristal de Boheme in France. Borek Sipek piece.

743 Fruscella, Fabiana. 755 "Korzilius: L'Entreprise a reaction." 770 "Pierre Casenove: La Creation au quoti- "Personaggi: Unicum, creazioni d'artista." Table & Cadeau, no. 373, Sept. 1996, pp. 32- dien." Gioielli, June 1998, pp. 48-59, ill. 35, ill. English summary, p. 179. Table & Cadeau, nos. 356/357, Dec. 1994/ Includes glass necklace by scenery and Tableware by the firm. Jan. 1995, pp. 108-109, ill. costume designer Giorgio Vigna. Interview with the designer; includes glass. 756 "Paranoiaque ou 'metanoiac'?" 744 Fujita, Kyohei. Table & Cadeau, no. 365, Nov. 1995, p. 45, ill. 771 Glowen, Ron. "On Glass, Pictures, Sculpture, Parents, and Covered glass jar by the designer Alberto "Mary Van Cline: Time Pieces." Conductor." Alessi. American Craft, v. 58, no. 5, Oct./Nov. 1998, pp. 44-47, ill. 787 Greenbaum, Toni. April 1998, pp. 52-53, ill. Seattle artist's "singular blend of glass and pho­ "Constructivism and American Studio Jewelry, Bruce Nauman and his exhibition at the tography brings memory and time into focus." 1940 to the Present." Centre Pompidou in Paris. Decorative Arts, v. 6, no. 1, Fall/Winter 1998- 772 "Reviews: Jack Wax at Elliott Brown 1999, pp. 68-94, ill. 800 "II punto: L'arte del neon." Gallery." Neon Light & Sign (Milan), no. 73, July/Aug. Artweek, v. 29, no. 7, July/Aug. 1998, p. 34, ill. 788 Greene, Freda. 1997, pp. 48-49, ill. "Annieglass Expands into New Factory." 773 Glowen, Ron and Marquis, Richard. Tableware International, v. 27, no. 9, Oct. 801 Gubelova, Julie. "1997 Lifetime Achievement Award: Lino Ta- 1997, p. 19, ill. "Dve reky, dva brehy." gliapietra." Atelier, no. 7, April 2, 1998, p. 5, ill. The Glass Art Society Journal, 1997, pp. 8- 789 Gregorietti, Gabriella. English summary. 14, ill. "Mostre: Sirene, donne acefale e arlecchini Exhibition of German and Czech art in Prague nell'antologica che celebra i vetri di Fulvio and Halle includes glass by Jens Gussek. 774 Glowen, Ron and Stuhr, Joanne. Bianconi." "1997 Honorary Lifetime Member: Susanne K. Casa Vogue, no. 250, April 1993, p. 18, ill. 802 Gunter, Candice. Frantz." Milan exhibition consists of more than 100 "New Works of John Paul Robinson: Glass The Glass Art Society Journal, 1997, pp. 15- works by Fulvio Bianconi. Blowing or Obstacle Course Run?" 16, ill. Glass Gazette, Fall 1998, p. 6, ill. 790 Grenier, Michel-Pierre. 775 Gomez, Javier and others. "Vent Nouveau: New Trends in Canadian Art 803 Gura, Judith B. "New Glass Museum Panel." Glass Paperweights." "Finnish Modern Design: Utopian Ideals and The Glass Art Society Journal, 1997, pp. 89- Annual Bulletin of the Paperweight Collectors Everyday Realities, 1930-1997." 92, ill. Association, 1998, pp. 66-68, ill. Antiques and The Arts Weekly, v. 26, no. 25, New museums of glass are described: Paperweights by Michel Leclerc, Martha June 19, 1998, p. 1+, ill. Alcoron, Spain; Tacoma, Washington; Scotts- Henry, Sue Rankin, Mark Lewis, Susan Ed- Exhibition at Bard Graduate Center includes dale, Arizona; and Monterrey, Mexico. gerley, and others. glass.

776 Goodman, Ben. 791 Grenon, Ariane. 804 Gustafson, Paula. "Glass Art Communities in Canada - A Profile." "Claude Baillon: Verrier de feuille en fleur." "Talking about Glass with Seattle's Dante Glass Gazette, Spring 1998, pp. 16-19. Le Courrier des Metiers d'Art, no. 171, Marioni." Artists' associations. May 1998, pp. 14-15, ill. Glass (British Columbia Glass Arts Associa­ Exhibition at Saint-Girons. tion), v. 10, no. 2, June 1998, pp. 10-11, ill. 777 Gordan, Dan. Part 1 of an interview with the glass artist. "Glasklart." 792 "De verre et d'integrite sculptures de Skona Hem, no. 3, March 1996, pp. 19-20, ill. Saulnier." 805 Haase, Gisela. Glass designer Carina Seth-Andersson. Le Courrier des Metiers d'Art, no. 172, "Kunstgewerbemuseum 1993." June 1998, pp. 14-15, ill. Jahrbuch der Staatlichen Kunstsammlungen 778 "Glasmastarna." Emmanuel Saulnier exhibits. Dresden, v. 24, Beitrage, Berichte 1993, Skona Hem, no. 8, Aug. 1996, pp. 18-22, ill. pp. 113-121, ill. Work by 11 Swedish glass artists. Acquisitions illustrated: 1940 covered vessel 793 "Jean-Baptiste Sibertin-Blanc, Designer." by Irmgard Kotte-Weidauer, 1981 sculpture by Le Courrier des Metiers d'Art, no. 169, 779 "Krukmakar-gods." Jutta Cuny-Franz, 1989 Livio Seguso glass March 1998, pp. 8-11, ill. Skona Hem, no. 3, March 1996, pp. 28-32, ill. and marble sculpture. Designer uses glass. Glass mosaic lighting fixtures by Marten Medbo, p. 31. 806 Hagelstange, Edith. 794 "Le Vin, le verre et le vivant." "Glas en licht, een workshop en een sympo­ Le Courrier des Metiers d'Art, no. 172, 780 "Ett lysande alfabet." sium." Skona Hem, no. 4, April 1996, p. 25, ill. June 1998, pp. 12-13, ill. Bulletin van de Vereniging van Vrienden van Glass lighting device by Marianne Gille. Two exhibitions: "Matiere a poesie," Art Nou­ Modern Glas, v. 2, no. 2, June 1988, pp. 11-12. veau and Art Deco glass (Bordeaux), and "Le Workshop in Utrecht. Verre dans tous ses etats," contemporary 781 "Soliga lyckomonster." glass (Bordelais). Skona Hem, no. 10, Oct. 1995, pp. 33-34, ill. 807 Hagiwara, Kaoru. Perfume flask by Pia Artling. "Modern Glass and the Ryusei School of 795 Grevey, Ellen and others. Ikebana - The Third Life." 782 "Vackra oemotstandliga klumpar." "Young Artists Panel." Glass & Art (Tokyo), no. 10, Aug. 1995, p. 81, ill. Skona Hem, no. 11, Nov. 1996, p. 19, ill. The Glass Art Society Journal, 1997, pp. 64- In Japanese. Glass by Per B. Sundberg. 66, ill. Flower arrangement using glass vessels. Panel at the 1997 conference, moderated by 783 "Varde ljus!" Johnathon Schmuck. 808 Hahn, Cheryl H. Skona Hem, no. 11, Nov. 1996, pp. 31-32, ill. "Reviews: Debra Goldman." New lamps and lighting in the Dada tradition. 796 Griffith, James. Art Papers, v. 22, no. 1, Jan./Feb. 1998, p. 66, ill. "The Reverse Painting on Glass Tradition of Installations with glass in Seattle exhibit. 784 Grande, John. Magdalena, Mexico." "Catherine Widgery: Lost Sense." The Glass Art Society Journal, 1997, pp. 46- 809 Haid, Uschi. Sculpture, v. 17, no. 6, July/Aug. 1998, pp. 42- 47, ill. "Funf Jahre: Nachtmann Leuchten Design." 47, ill. Nachtmann Glashuttenpost, no. 28, May 1998, Artist's sculpture, which includes glass, "ad­ 797 Grillo, Augusto. p. 4, ill. dresses the devastation of the environment "Una festa di luci." Five years of lighting design at Nachtmann. and the dichotomy of nature and culture." Ottagono, v. 32, no. 124, Sept./Nov. 1997, pp. 126-129, ill. In Italian and English. 810 Hajdamach, Charles R. 785 Gray, Katherine. Light festival in Wakayama City, Japan, used "The Maestro of Venice." "Reviews: Katja Fritzche." traditional Italian decorative street lighting. Crafts (U.K.), no. 153, July/Aug. 1998, Glass (UrbanGlass), no. 70, Spring 1998, pp. 24-27, ill. p. 56, ill. 798 Griotti, Giulia. Lino Tagliapietra. Seattle exhibit. "Dal mondo: Raggi artistici." Neon Light & Sign (Milan), no. 76, Jan./ 811 Hall, Dinah. 786 Gray, Lori. Feb. 1998, pp. 42-43, ill. "Glassy Looks: Danny Lane, Leader of the "Table Talk." Work in neon by French artist Philippe Puech. Stack." Harper's Bazaar, March 1996, p. 258, ill. House & Garden (British edition), v. 53, no. 5 Glass mosaic tables by Neille Olson and 799 "Una mostra da non perdere." (562), May 1998, pp. 126-131, ill. Kevin Kelly. Neon Light & Sign (Milan), no. 77, March/ Glass furniture and sculpture by the artist. 812 Halper, Vicki. 825 "Northern European Glass: Sweden." 839 Hiramatsu, Yasuki. "Ann Gardner." Honoho Geijutsu, no. 13, 1986, pp. 186-189, ill. "The Expression of Explicit Youth: Yumiko American Craft, v. 58, no. 2, April/May 1998, In Japanese. Yoshimoto." pp. 46-50, ill. Works by Bertil Vallien, Ann Warff, Gunner Honoho Geijutsu, no. 11, 1985, pp. 144-145, ill. Gardner's glass and ceramic work. Wennerberg, and others. In Japanese.

813 Hamada, Yoshio. 826 "Netherlands Glass - Val St. Lambert & 840 Hlaves, Milan. "Studio Glass Created by Automatic Control of Leerdam." "Vystava skla." Computer in the Artist's Own Studio." Honoho Geijutsu, no. 16, 1987, pp. 190-193, ill. Atelier, no. 18, Sept. 10, 1998, p. 7, ill. Honoho Geijutsu, no. 10, 1985, pp. 172-175, ill. In Japanese. English summary, p. 15. In Japanese. Review of exhibition of work by students from 827 Hatakeyama, Kozo. the Secondary School of Glass Applied Arts, Zelezny Brod. 814 Hand, Robyn and Delaney, Pauline. "Exhibition Review: Michiko Miyake - Translu­ "Tribute to Annie." cent Shadows." 841 Ho, Cathy Lang. Ausglass, no. 11, 1997, pp. 2-3, ill. Faber, no.77, June 1996, p. 3, ill. In Japanese. "Silence + Light." Anne Hand, Australian glass artist; includes Architecture, June 1998, pp. 134-137, ill. editorial by Graham Stone. 828 Hauk, Roman and Michalowska, Helena. Mausoleum outside San Francisco includes Struktura szk-i-a: Henryka Albina Tomaszew- glass to produce "an uplifting counterpoint to a skiego. Opatowku, Poland: Muzeum Historii 815 Handler, Ruth. somber function." "Im glasernen Turm begegnen sich Kunst und Przemyslu, 1995, [6] pp., ill. Glass sculpture by Henryka Tomaszewskiego. Architektur." 842 Hoffmann, Ute. Art (Das Kunstmagazin), no. 8, Aug. 1997, "Accents in Space." p. 114, ill. 829 Heartney, Eleanor. Schott Information, no. 82, Sept. 1997, pp. 20- Neon installation of James Turrell at The "Distillations of Landscape." 21, ill. Kunsthaus in Bregenz. Art in America, v. 86, no. 9, Sept. 1998, Use of borosilicate glass by Klaus Bormann pp. 86-89+, ill. and Alexandra Bormann-Arndt for sculptures. 816 Hapgood, Susan. Maya Lin's recent sculptures focus of traveling "Review of Exhibitions: Dennis Adams." exhibition. 843 Hoffmeister, Barbara and Claudia Nord- Art in America, v. 86, no. 4, April 1998, hoff. pp. 117-118, ill. 830 Hedqvist, Hedvig. "Erwerbungen fur die moderne Abteilung im New York exhibit with mirrors and glass in the "Design: Det klassiskt tidlosa har blivit senaste Jahre 1985." constructions. nytt och het design." Jahrbuch des Museums fur Kunst und Ge- Skona Hem, no. 2, Feb. 1995, p. 15, ill. werbe Hamburg, v. 5, 1986, pp. 139, 146, and Includes glass by Kaj Franck. 817 Harfen, Heiner. 149-150, ill. "Borek Sipek: Glaser mit Stacheln und Dornen." Wagenfeld decanters (1935), bowl by Martin Transparent (Vegla Vereinigte Glaswerke), 831 Heesen-ter Haar, Aly and Heesen, Willem. Hunt for Rosenthal (1983), light sculpture by no. 2, 1992, pp. 54-61, ill. English summary, "Andries." Bill Parker (1985), and kinetic light object by p. 61. Bulletin van de Vereniging van Vrienden van Helen Gilbert (1985). Glass designs by the artist, who is "becoming Modern Glas, v. 1, no. 4, 1987, pp. 14-15. increasingly involved in major architectural Andries D. Copier. 844 Hofmann, Wolfgang. projects." "Glashutte Limburg feierte Jubilaum: Gefragt 832 Heimsoeth, Bettina. in aller Welt." Glaswelt, v. 50, no. 9, Sept. 1997, p. 20, ill. 818 Hargreaves, Harry. "Design - mehr Erfolg mit guter Form." Glas + Rahmen, v. 48, no. 12, Dec. 1997, Glashutte Limburg holds celebration day; "Collectors Corner." workshop by Willi Pistor and Josef Welzel. The Chair (Okra Glass Guild, Brierley Hill, pp. 16-23, ill. Series of articles on contemporary glass design. England), no. 2, June 1998, pp. 11-15, ill. 845 Hoggard, Liz. 833 "Wem Scherben wirklich Gluck bringen." "New Glass Horizon." 819 Harris, Josephine. Glas + Rahmen, v. 48, no. 12, Dec. 1997, p. 28, ill. Crafts (U.K.), no. 153, July/Aug. 1998, pp. 20- "GLASS Matters, Glass MATTERS." Profile of glass restorer Baldur Schonberg. 21, ill. The Guild of Glass Engravers Newsletter, Sunderland's National Glass Centre opens. Winter, 1997/1998, pp. 7-10, ill. Report of a lecture by the author, an artist. 834 Hellgren, Ingrid. 846 Holkers, Marta. "Nystart som tog skruf." "Boda: Glasbruk med fargstark profil." Glas och Porslin, v. 67, no. 3,1997, pp. 16-19, ill. Antik & Auktion, no. 6, June 1997, pp. 46-51, ill. 820 Harris, Miriam. Skrufs glasshouse marks centennial. "Reviews: New Zealand - 'Long White Dream Boda glassware designed by Erik Hoglund, Cloud.'" Monica Backstrom, Kjell Engman, and others. Art AsiaPacific, no. 17, 1998, pp. 98-99, ill. 835 "Praktfull produktion fyller 20 ar." Installation with neon by Marcus Williams and Glas och Porslin, v. 67, no. 3,1997, pp. 24-25, ill. 847 "Danska modeller i herr Hansens smak." Eugene Hansen. 20 years of glassmaking at Studio Ahus. Antik & Auktion, no. 3, March 1997, pp. 28-32, ill. Danish glass from Holmegaards: Per Lutgen, 836 Henry, Gerrit. 821 Harris, Susan. Jacob Bang, Anja Kjaer/Darryle Hinz. "Review: Sherry Markovitz." "Review of Exhibitions: Suzanne Harris." Art in America, v. 86, no. 5, May 1998, p. 129, ill. Art in America, v. 86, no. 4, April 1998, p. 113, ill. 848 "Glas som skimrar av fest." New York exhibition. Plate glass sculptures in New York exhibit. Antik & Auktion, no. 4, April 1995, pp. 34-35, ill. Ulla Forsell. 837 Herrmann, Nancy. 822 Hasegawa, Kimiyuki. "The I.D. Forty, Europe. Czech Mates: Olgoj 849 "Konstnarerna som satte form pa "Benny Motzfeldt - The Delicacy That Em­ Chorchoj." nastan allt." braces Glass." I.D. (International Design Magazine), v. 45, Antik & Auktion, no. 9, Sept. 1998, pp. 4-11, ill. Honoho Geijutsu, no. 18, 1987, pp. 128-133, ill. no. 1, Jan./Feb. 1998, p. 75, ill. Glass designed by Arthur Percy, Edward Hald, In Japanese. Products of a Prague design firm include Simon Gate, Ewald Dahlskog, and Edvin Oi­ glass vases and centerpieces. lers. 823 "Bohemian Glass - The Beauty of Im­ mortality." 838 Hicks, Shannon. 850 "Nyttokonst ar det varsta jag vet!" Honoho Geijutsu, no. 11, 1985, pp. 184-187, ill. "Milton Bond's Magnificent Art Work: 'Refined Antik & Auktion, no. 2, Feb. 1997, pp. 34-40, ill. In Japanese. Folk Art.'" Glass and ceramics by Tyra Lundgren. Antiques and The Arts Weekly, v. 26, no. 13, 824 "Northern European Glass: Finland." March 27, 1998, pp. 86-87, ill. 851 "'Oh, vilken harlig kvinna!"' Honoho Geijutsu, no. 12, 1985, pp. 188-191, ill. Reverse paintings on glass in Connecticut ex­ Antik & Auktion, no. 2, Feb.1996, pp. 46-51, ill. In Japanese. hibition. Works by glass designer Mona Morales-Schildt. 852 "Studioglas i narbild." tot stand komt." 879 Isaacs, J. Susan. Antik& Auktion, nos. 7/8, July/Aug. 1997, Glasbulletin, Vereniging van Vrienden van "Expressions in Glass on Metal." p. 106, ill. Modern Glas, v. 10, no. 4, 1996, pp. 4-8, ill. Glass on Metal, v. 16, no. 3, Aug. 1997, Exhibition of studio glass at Askersund. Glass studio of Mieke Groot and Richard Meit- pp. 56-57, ill. ner is 20 years old. Review of juried exhibition. 853 "Svenskt glas blev finskt." Antik & Auktion, no.11, Nov. 1993, pp. 22-27, ill. 867 "In Memoriam: Vriend en leraar: Een le- 880 "Reviews: Expressions in Glass on Metal." "Swedish glass became Finnish." ven lang door glas in Valkema versmolten." Metalsmith, v. 18, no. 2, Spring 1998, pp. 48- Glasbulletin, Vereniging van Vrienden van 49, ill. 854 Holte, Eva A. Modern Glas, v. 10, no. 2, 1996, pp. 20-21, ill. 1997 National Enamelist Guild exhibition in "Finlands eldste glassverk jubilerer." Sybren Valkema. Baltimore. Glass & Porselen, v. 47, nos. 5/6, Nov. 1993, p. 28, ill. 868 "Urnen van kristal en gevleugelde gla- 881 Ishiguro, Kohjiro. 200th anniversary of the Nuutajarvi Glasbruk. zen voor de doden." "Roman Glass as the Origin of Contemporary Glasbulletin, Vereniging van Vrienden van Mo­ Glass." 855 "Der kunstverk blir til." dern Glas, v. 9, no. 2, 1995, pp. 16-18+, ill. Honoho Geijutsu, no. 13, 1986, pp. 176-183, ill. Glass & Porselen, v. 48, no. 4, Aug. 1994, Includes work of Fenestra Ateliers, Winnie In Japanese. p. 17, ill. Teschmacher, Peter Bremens, and Sien van Meurs. Glass by Abel Sawe of Fredrikstad, Norway. 882 Ishii, Koji. "Finding Nature's Motifs in Colored Glass." 856 Horova, Andela. 869 Hula, Jin. Honoho Geijutsu, no. 22, 1988, pp. 160-163, ill. "Jaroslav Rona - sochy a obrazy." "Absolutni ne-umeni." In Japanese. Atelier, no. 26, Dec. 18, 1997, p. 16, ill. Atelier, no. 7, April 2, 1998, p. 3. English summary. English summary. 883 Isoda, Hisao. Sculptures and paintings by Rona in Prague Absolut Vodka collection of art works inspired "Shizuho Funaki's Glass Vessels." exhibit. by the bottle. Honoho Geijutsu, no. 15, 1986, pp. 159-161, ill. In Japanese. 857 Houten, Rineke van. 870 "Dan Graham." "Glas, glas en nog eens glas." Atelier, no. 12, June 11, 1998, p. 7, ill. Glas en Keramiek, no. 2, June 1996, English summary, p. 15. 884 Isogai, Akihiro. pp. 16-18, ill. New York artist in Prague exhibition designs "The First International Glass Conference at Part 2 of a series on Czech glass, focusing pavilions from mirrors and plexiglass. Tsumago." on Prague's Museum for Applied Arts. Honoho Geijutsu, no. 11, 1985, pp. 197-199, ill. In Japanese. 871 Humair, Sylviane. 858 "Lieve Van Stappen: 'Mijn werk schrijnt.'" "Venise: La Verrerie de Venini." Glas en Keramiek, nos. 5/6,1996, pp. 47-50, ill. Maison & Jardin, no. 402, April 1994, pp. 37- 885 Israel, Nico. Glass by the artist. 38, ill. "Reviews: Josiah McElheny." Venini glass of 1940s-1960s in recent sales. Artforum, v. 36, no. 7, March 1998, pp. 100-101, ill. 859 Houtzager, Mireille. New York exhibit. "Harry Boom, 1945-1995: Zo helder als glas." 872 Hume, Christopher. Glasbulletin, Vereniging van Vrienden van "Art: Gehr-ing Up." Modern Glas, v. 10, no. 1, 1996, pp. 28-31, ill. Toronto Star, Nov. 28, 1986, p. D19. 886 Iwata, Itoko. Profile of the Rotterdam artist and his multi­ Swiss sculptor Andreas Gehr working in "Concept - Glass's Charm and Personality." media work. Canada. Honoho Geijutsu, no. 22, 1988, pp. 124-131, ill. In Japanese. 860 "Spiegeltje, spiegeltje aan de wand: 873 Hylander, Bo. Exhibition of glass works by Ruri Iwata, Yoshi- Wat is het mooiste materiaal van het kunsten- "Eskilstuna har sin egen oas: Tingsgarden nori Masuda, Makoto Ito, and others. land?" lockar turister med glashantverk." Glasbulletin, Vereniging van Vrienden van Glas och Porslin, v. 66, no. 3,1996, pp.18-22, ill. 887 Jack, Sue. Modern Glas, v. 11, no. 1, 1997, pp. 4-11, ill. Glass tourist center at Eskilstuna, Sweden. '"An Tahran dhe Or' (The ghost of the unbap- Use of flat glass in contemporary sculptures. tised child)." 874 "Reijmyre Glasbruk ater pa toppen." Glass Network (Newsletter of the Contempo­ 861 Howard, Virginia. Glas och Porslin, v. 64, no. 3,1995, pp. 16-19, ill. rary Glass Society, U.K.), no. 4, April 1998, "Review - Laura Donefer: Bruja-Sorciere-You- New designs by Margareta Hennix for Reijmyre pp. 8-9, ill. Me - A Retrospective." glass. Review of the Northlands Creative Glass Glass Gazette, Spring 1998, pp. 12, ill. Workshop in Scotland. Review of exhibition at SAW Gallery, Ottawa. 875 Ide, Reed. "Shining Examples." 888 Jacob, Wendy. 862 Huisman, Geertje. Collector Editions, v. 26, no. 3, May/June 1998, "Reviews: Laura Donefer." "Het commissielid ledenobject: Lillya Zeligman." pp. 56-58, ill. Glass (UrbanGlass), no. 69, Winter 1997, Glasbulletin, Vereniging van Vrienden van Cut glass figurines by Crystal World, a New p. 54, ill. Modern Glas, v. 11, no. 2, 1997, p. 15, ill. Jersey firm. Exhibition in Ottawa.

863 "Is teveel ghesien schadelijck?: Glas 876 "Splendor in the Glass." 889 James, Rosemary. van het Instituut Collectie Nederland." Collector Editions, v. 26, no. 5, Sept./Oct. 1998, "Glass Act." Glasbulletin, Vereniging van Vrienden van pp. 111-113, ill. Southern Accents, Nov./Dec. 1996, p. 86+, ill. Modern Glas, v. 12, no. 1, 1998, pp. 8-11, ill. New Kosta Boda and Orrefors glass. New Orleans School of GlassWorks. Glass by Dutch artists in a national collection. 877 "Worth the Weight." 890 Jankowski, Wanda. 864 "Mens achter het glas: Anja Muller." Collector Editions, v. 26, no. 2, March/April "Night Lights." Glasbulletin, Vereniging van Vrienden van 1998, pp. 85-87, ill. Architectural Lighting, v. 11, no. 5, Oct./ Modern Glas, v. 11, no. 1, 1997, p. 24, ill. Caithness paperweights. Nov. 1997, pp. 34-39, ill. Outdoor lighting of natural landscapes in 865 "Nieuw glasmuseum in Coesfeld-Lette." 878 lorio, William J. Japan, as well as neon and other illumination Glasbulletin, Vereniging van Vrienden van "Paperweight Buttons." at Japanese entertainment centers, etc. Modern Glas, v. 11, no. 1, 1997, pp. 19-20, ill. The National Button Bulletin, v. 35, no. 5, Glasmuseum Ernsting Stiftung in Germany. Sept./Oct. 1976, pp. 242-252. 891 Jansen-Schulz, Renee. Transcript of a speech given by the author on "Atelierbezoek aan Barbara Nanning." 866 Huisman, Geertje and Woudenberg, Bert. his lampworked buttons to the New Jersey Glasbulletin, Vereniging van Vrienden van "Alleen de kunst telt, niet de manier waarop die chapter of the National Button Society in 1972. Modern Glas, v. 11, no. 4, 1997, pp. 32-33. 892 Jirackova, Blanka. 906 "Japanskt glas." 917 "Reviews: Isabel De Obaldia." "Umelci Sarajevu." Form, v. 93, no. 6 (714), 1997, p. 9, ill. Glass (UrbanGlass), no. 70, Spring 1998, Atelier, no. 20, Sept. 25, 1997, p. 3, ill. Exhibition of Japanese glass at the Smalands p. 57, ill. English summary. museum in Vaxjo. New York exhibit. "Artists for Sarajevo" collection being formed; donations include sculptural piece by Remo 907 "Simply Simplicity." 918 "Reviews: Masami Koda." Salvadori. Form, v. 93, no. 6 (714), 1997, pp. 38-44, ill. Glass (UrbanGlass), no. 69, Winter 1997, In Swedish and English. p. 52, ill. 893 Joensuu, Elina. Glass designed by Carina Seth Andersson Seattle exhibit. "Kaj Franck Design Prize: Kerttu Nurminen among objects in "survival kit" for visitors to 1996." Stockholm. 919 Karasova, Daniela. Form Function Finland, no. 68 (4), April 1997, "Borek Sipek a jeho design poprve v Praze." p. 14, ill. 908 Joppien, Rudiger. Atelier, no. 7, April 1, 1993, p. 5, ill. "Ein Besuch auf der Jahresmesse 1997, im English summary. 894 "Kaj Franck Design Prize: Oiva Toikka Hamburger Museum fur Kunst und Gewerbe." Prague exhibition of Sipek's work. 1992." Kunsthandwerk & Design, no. 6, Nov./ Form Function Finland, no. 68 (4), April 1997, Dec. 1997, pp.18-25, ill. 920 "Memphis v Galerii Genia Loci." p. 10, ill. Plate by Michael Kramer; pate de verre vase Atelier, no. 10, May 6, 1993, p. 8, ill. by Hartmann Greb. English summary. 895 Johanson, Mona. Prague exhibit of designs by Ettore Sottsass "Bruket som vagrar do: Antligen har Bergdala 909 "Erwerbungen fur die moderne Abtei- and others. Glasbruk rejal medvind!" lung im Jahre 1986." Glas och Porslin, v. 65, no. 2,1996, pp. 16-19, ill. Jahrbuch des Museums fur Kunst und Gewer­ 921 Karlin, Scott Marc. Designs from Sweden's Bergdala glassworks. be Hamburg, vv. 6/7, 1988, pp. 247-249, ill. "Beauty and the Beasts: The Magical Glass of Acquisitions of glass by Tessa Clegg, Annette Gordon Smith." 896 "En stjarna!: Omsattningen har okat Meech, Diana Hobson, and Mieke Groot. Annual Bulletin of the Paperweight Collectors med tio miljoner pa tre ar!" Association, 1998, pp. 87-90, ill. Glas och Porslin, v. 66, no. 1,1996, pp. 26-30, ill. 910 "Kunsthandwerk nach 1945." Nybro Glassworks. Jahrbuch des Museums fur Kunst und Ge­ 922 Kawakami, Kyoichiro. werbe Hamburg, vv. 9/10, 1990-1991, "The Beauty of Transformation - The Charm 897 Johnson, Regina R. pp. 373-378, ill. of Takato Glass." "One Man's Vision: Guardian's World Head­ Acquisitions include glass by Horst Stauber, Honoho Geijutsu, no. 14, 1986, pp. 188-191, ill. quarters." Libensky/Brychtova, Ingrid Donhauser, Czes- In Japanese. U.S. Glass, v. 33, no. 3, March 1998, pp. 58- law Zuber, Jack Ink, Colin Reid, Yan Zorit- 59, ill. chak, Jin Ryba, and llja Bilek. 923 Keaffaber, Janice. New Michigan building features Chihuly's "Ellamarie and Jackson Woolley: Enameling Macchia in atrium. 911 Joppien, Rudiger; Bach, Uta; and Pioneers." Wiederspohn, Anja. Glass on Metal, v. 11, no. 2, April 1992, 898 Jones, Gwyn. "Erwerbungen fur die Sammlungen von Ju- pp. 36-38, ill. "Swarovski: Crystal Clear Collectables." gendstil und Moderne im Jahre 1995." Collect It!, no. 9, March 1998, pp. 36-39, ill. Jahrbuch des Museums fur Kunst und Ge­ 924 Keene, Susan Warner. werbe Hamburg, v. 14, 1995, pp. 151-186, ill. "The Practice of Craft in Canada Today." 899 Jonson, Lotta; Wickman, Kerstin; and Includes acquisitions of glass by Dino Martens, Canadian Society of Decorative Arts Bulletin, Beckman, Ulf. Bertil Vallien, Archimede Seguso, Jan Adam, v. 16, nos.1/2, Winter/Spring 1998, pp. 12-13, ill. "Bubblor, block, droppar. . . and others. Includes vases by Jeff Goodman. Form, v. 93, no. 4 (712), 1997, pp. 12-13, ill. Glass by Martti Rytkonen, Helen Krantz, Gun­ 912 Joppien, Rudiger and Livings, Frances. 925 Kenna, Beverley. nel Sahlin, Gunilla Kihlgren, Monica Back- "Kunsthandwerk nach 1945." "Glass - Memories and First Impressions." strom, and Marten Medbo. Jahrbuch des Museums fur Kunst und Ge­ Craft Arts International, no. 44, 1998, pp. 32- werbe Hamburg, vv. 11/12, 1992-1993, 37, ill. 900 Jonson, Lotta. pp. 247-250, ill. Profile of artist Emma Varga. "Danskt glas." Acquisitions of glass by Milan Handl, Klaus Form, v. 91, no. 2 (698), 1995, p. 7, ill. Moje, Isgard Moje-Wohlgemuth, Richard 926 Kerslake, Kenneth A. Wineglasses by Lena Ljungar and Jesper Morrell, Freia Schulze, and Toots Zynsky. "Vitreography: The Art and Technique of Glass Sodring. Print." 913 Kalha, Harri. Glass Art, v. 13, no. 3, March/April 1998, 901 "Definitiv framgang." "The Golden Age of Finnish Industrial Arts: pp. 44-47. Form, v. 91, no. 2 (698), 1995, pp. 50-54, ill. Images, Marketing, Discourses." The process and techniques are discussed. English summary, p. 72. Form Function Finland, no. 68 (4), April 1997, Artists' advertisements for Absolut Vodka; pp. 36-39, ill. 927 Kime, Giles and Alderighi, Tiziano. includes Bertil Vallien. 1940s-1950s industrial design; includes glass "Invenzioni a tinte forti." by Tapio Wirkkala. Casa Vogue, no. 249, March 1993, pp. 78-85, ill. 902 "Forst kansla Sen funktion." Glass works, and furniture incorporating glass. Form, v. 94, no. 1 (715), 1998, pp. 24-33 and 914 Kaneko, Kenji. 92, ill. English summary. "Exploring the History of Japanese Glass - 928 King, Gerry. Glass designed by Gunilla Allard for a The Postwar Era to the Present." "A Fortuitous Vocation." Swedish film. Glass & Art (Tokyo), no. 10, Aug. 1995, Craft Arts International, no. 44, 1998, pp. 51- pp. 40-51, ill. In Japanese. 56, ill. 903 "Glas pa tva satt." 30 Years of the Studio Glass Movement. Nick Mount "a leader in Australian contempo­ Form, v. 91, no. 2 (698), 1995, p. 8, ill. rary studio glassblowing." Glass by Gunilla Kihlgren. 915 Kangas, Matthew. "Dreisbach's Encyclopedia of Glass." 929 "Standing in the Shadows." 904 "Glas-ljus." Glass (UrbanGlass), no. 69, Winter 1997, Craft Arts International, no. 43, 1998, pp. 39- Form, v. 94, no. 2 (716), 1998, p. 12, ill. pp. 46-51, ill. 42, ill. Lamps by Gunnel Sahlin, Kjell Engman, and Fritz Dreisbach. Works by John Elsegood. Monica Backstrom. 916 "Reviews: 'Four Acts in Glass.'" 930 Kinoshita, Lisa. 905 "Gront blatt mote." Sculpture, v. 17, no. 3, March 1998, pp. 65-66, ill. "Observations: Jenny Pohlman & Sabrina Form, v. 91, no. 3 (699), 1995, pp. 62-65, ill. Installations by Dale Chihuly, William Morris, Knowles." English summary. Pike Powers, and Bertil Vallien at American Metalsmith, v. 18, no. 1, Winter 1998, pp. 34- Glass by Bertil Vallien and Peter Hahne. Craft Museum. 35, ill. Glass beads combined with metalwork by In German and English. 957 Krumrine, Michael. Pohlman and Knowles. Exhibition of new Japanese glass at the glass "Reviews: Henry Halem." museum in Ebeltoft, Denmark. Glass (UrbanGlass), no. 70, Spring 1998, 931 Klass, Tim. pp. 54-55, ill. "Seattle Artist." 944 "Glass Symposium with Glass Queen." Philadelphia exhibit. The Fenton Flyer, v. 4, no. 5, Nov./Dec. 1993, Neues Glas, no. 4, 1997, pp. 42-43, ill. p. 3. In German and English. 958 "Reviews: Street." Dale Chihuly. Reprinted from Parkersburg 5th international glass symposium at Lauscha. Glass (UrbanGlass), no. 71, Summer 1998, News, Oct. 10, 1993. p. 52, ill. Glass by Evan Snyderman at Rosenfeld Gal­ 945 "IGS Novy Bor '97." 932 Klein, Dan. Neues Glas, no. 1, 1998, pp. 44-47, ill. lery, Philadelphia. "Under a Different Sky." In German and English. Neues Glas, no. 4, 1997, pp. 10-17, ill. 6th International Glass Symposium held in 959 Kuboshima, Seiichiro. In German and English. Novy Bor, Czech Republic. "Akira Ichiya's Work and Person." British artist Clare Henshaw's glass and her Honoho Geijutsu, no. 17, 1987, pp. 126-131, ill. work with an aboriginal community in Australia. In Japanese. 946 "World News from Germany." Glass & Art (Tokyo), no.10, Aug. 1995, p. 70, ill. 933 Klein, Jennie. In Japanese. 960 Kuyken-Schneider, Dorris U. "Reviews: American Gothic." "Glas in het Museum Boymans-van Beuningen New Art Examiner, v. 25, no. 6, March 1998, te Rotterdam." 947 Kohler, Lucartha. pp. 59-60, ill. Bulletin van de Vereniging van Vrienden van "Glass in Kenya." Pennsylvania exhibit with painted bottles by Modern Glas, v. 2, no. 1, Jan. 1988, pp. 21-22. The Glass Art Society Journal, 1997, p. 40, ill. Barbara Kassel. 1988 exhibition of glass by Lino Tagliapietra. Author teaches at the Kitingowa glass studio, run by Nani Croze. 934 Klein, Mason. 961 Kuyken-Schneider, Dorris U.; Ricke, "Reviews: Tony Smith/Christopher Wilmarth." Helmut; and Valkema, Sybren. Artforum, v. 36, no. 8, April 1998, pp. 117-118, ill. 948 Kolarz, Nicholas. "Andries D. Copier en het Museum Boymans- New York exhibit; work by Wilmarth includes "Soviet Survivor." van Beuningen." glass. Tableware International, v. 25, no. 8, Sept. 1995, Bulletin van de Vereniging van Vrienden van p. 31, ill. Modern Glas, v. 1, no. 4, 1987, pp. 10-13, ill. Baltic glassworks rebuilds its business. 935 Klein, Michael. "Reviews: Rita McBride." 962 La Pietra, Ugo. Sculpture, v. 17, no. 3, March 1998, pp. 64-65, ill. 949 Komrad, Audrey. "Le risorse della tradizione locale: Territori del New York exhibition includes "two important "Cloisonne Collage." vetro." objects fabricated in glass." Glass on Metal, v. 13, no. 3, June 1994, Stileindustria, v. 3, no. 10, June 1997, pp. 10- pp. 69-70, ill. 12, ill. In Italian and English. Enamel combined with mixed media. Design culture and glass manufacturing in Italy. 936 "Reviews: Robert Grosvenor." Sculpture, v. 17, no. 6, July/Aug. 1998, pp. 65- 66, ill. 950 Koplos, Janet. 963 Langhamer, Antonin. New York exhibition includes sculpture with "Hafner's Synchromist Sculpture." "6. mezinarodni sklarske sympozium (IGS '97)." glass. Glass (UrbanGlass), no. 70, Spring 1998, Atelier, no. 2, Jan. 22, 1998, p. 12, ill. pp. 36-41, ill. English summary. Dorothy Hafner. 6th international glass symposium at Novy Bor. 937 "Reviews: Suzanne Harris." Sculpture, v. 17, no. 4, April 1998, pp. 75-76, ill. 964 "Glass and Light in Kamenicky Senov." Plate glass sculpture. 951 Korach, Alice. "Marching to His Own Drum." New Glass Fieview (Czech), v. 52, nos. 11/12, 1997, pp. 10-12, ill. In German and English. 938 Kline, Vivian. Bead& Button, no. 24, April 1998, pp. 54-57, ill. Bead artist Larry Scott. Exhibition of work by teachers and students of "Maurice Heaton, an Innovating Craftsman." the Secondary Glass Applied Art School. Glass on Metal, v. 14, no. 5, Oct. 1995, pp. 107-109, ill. 952 Korink, W. M. "Bernardine de Neeve." 965 Lang-Wenk, Bernhard. Bulletin van de Vereniging van Vrienden van "Un Orfevre a Londres." 939 "Pioneers of Enamel in the U.S.A." Form Forum (CCS Craft Council, Switzer­ Glass on Metal, v. 16, no. 3, Aug. 1997, Modern Glas, v. 2, no. 4, Dec. 1988, pp. 3-4. Profile of the glass artist. land), v. 13, no. 1, 1998, pp. 12-13, ill. pp. 60-61+, ill. Author reports on Crafts Council London ex­ Edward and Thelma Winter, Jean and Arthur hibit of items made from recycled materials: Ames, Oppi and Saara Untracht, and Paul 953 "Van een verzamelaar die probeert met chandelier by Deborah Thomas, milk bottle Hultburg. vijf ogen te kijken." lamp by Tejo Remy. Bulletin van de Vereniging van Vrienden van 940 Klok, Cees. Modern Glas, v. 1, no. 4, 1987, p. 21. 966 Lapinne, Christian. "Dat wat je niet in woorden weet te vangen: Andries D. Copier. "Patriske." Een interview met Helly Oestreicher." Kwintessens (VIZO), v. 7, no. 2, Glas en Keramiek, no. 1, 1998, pp. 23-27, ill. 954 Koski, Janne. April/May/June 1998, pp. 19-20, ill. In Dutch and English. "Aurinko - Sun: Solar Art at the Rauma Art Lighting by Belgian designer Patriske. Ceramist incorporates glass in her works. Museum, Finland." Leonardo (Journal of the International Society 967 Larsson, Ingemar. 941 "Het Museum voor Sierkunst in Gent." for the Arts, Sciences and Technology), v. 31, "De kittlade sinnena pa varldspremiar i Umea" Glas en Keramiek, nos. 3/4, Sept./Oct. 1995, no. 2, 1998, pp. 81-85, ill. Form, v. 6, no. 1, 1997, pp. 94-95, ill. pp. 67-69, ill. Exhibition includes glass. New carafe by Ingegerd Raman. Glass and ceramics in the Ghent museum. 955 Kosmidou, Zoe. 968 Laughlin, Kara. 942 Klotz, Uta. "The Architecture of Light and Space." "Apprentices and Their Mentors - Make the "Second International Exhibition: Glass Sculp­ Sculpture, v. 17, no. 1, Jan. 1998, pp. 26-31, ill. Most of This Time-Honored Relationship." ture and Garden in Munster, Luneburg Heath." An interview with neon artist Stephen Antona- The Crafts Report, v. 23, no. 260, Dec. 1997, Neues Glas, no. 3, 1998, pp. 18-25, ill. kos. p. 10+, ill. In German and English. Matthew Buechner and Thames Glass. Interview with exhibition's organizer and ar­ 956 "Costas Varotsos's La Morgia." tistic director. Sculpture, v. 17, no. 5, May/June 1998, 969 Lawrence, Lee. pp. 22-23, ill. "Artists Unbound." 943 "Glasmuseum: The Spirit of Japan." Greek artist uses glass in colossal cliff sculp­ American Style, v. 4, no. 2, Winter 1997, Neues Glas, no. 1, 1998, pp. 10-15, ill. ture. pp. 46-51, ill. Work of Eastern European emigres in the 983 "Radko: An Ornament for All Seasons." Home Lighting & Accessories, v. 81, no. 6, U.S.; includes Lukas Novotny/Baker O'Brien, Collectors' Bulletin, June/July 1998, p. 135, ill. June 1998, pp. 150 and 152, ill. Martin Rosol, Otto Franek, Vladimira Klumpar, Glass ornaments. Atlanta gallery features "daringly different and Michael Pavlik. lighting sculptures." 984 Linn, Charles. 970 Layton, Peter. "Diffracted Sunshine Creates Spectacular Dis­ 998 Losch, Rainer and Wallraf-Losch, Ursula. "Novy Bor: Interglas Symposium 1997." play in Puente Hills Mall." "Finnisches Glas." Glass Network (Newsletter of the Contempo­ Architectural Record, v. 186, no. 2, 1998, Sammler Journal, v. 27, no. 3,1998, pp. 44-47, ill. rary Glass Society, U.K.), no. 4, April 1998, pp. 201-203, ill. Finnish glass by Wirkkala, Sarpaneva, Franck, p. 14. California mall installation with prisms and and Nyman. Review of the symposium. mirrors. 999 Lovell, Lorna. 971 Lecerf, Jean Rene. 985 Littman, Brett. "Studio Focus: Michael Dupille." "Louis Meriaux nous a quittes." "Christopher Wilmarth's Glass Poems." Uroboros Glass Studios (Portland, OR), Verre & Creation, no. 8, July 1997, p. 2, ill. Glass (UrbanGlass), no. 71, Summer 1998, no. 15, Spring 1998, p. 7, ill. English summary, p. 8. pp. 44-47, ill. Obituary of founder of Musee-Atelier du Verre Seven blown and etched glass sculptures part 1000 Loyer, Beatrice. of Sars-Poteries. of artist's Mallarme commission. "Le Verre: Entre techniques et creations." Techniques et Architecture, v. 424, Feb./ 972 Levi, Peta, ed. 986 "Reviews: Josiah McElheny." March 1996, pp. 106-110, ill. New British Design 1998. Glass (UrbanGlass), no. 70, Spring 1998, Contemporary glass in architecture, glass fur­ London: Mitchell Beazley, 1998, 272 pp., ill. p. 53, ill. niture, and objects by European artists. Includes sections on glass and lighting. New York exhibit.

973 Lewis, Jennifer P. 1001 Lucie-Smith, Edward. 987 "Reviews: Lino Tagliapietra." "A Talent to Disturb." "The Growth of Glassblowing in America: Glass (UrbanGlass), no. 69, Winter 1997, Negation and Assimilation of Technique." Crafts (U.K.), no. 153, July/Aug. 1998, pp. 40- p. 53, ill. 43, ill. Glass (UrbanGlass), no. 71, Summer 1998, New York exhibit. pp. 34-37, ill. Glass sculptor Emma Woffenden. The emergence of Venetian techniques. 988 "Reviews: Scattered Petals, Fallen 1002 Lugossy, Maria and Bohus, Zoltan. Leaves, Shards of Glass: The Work of Bing Hu." "Glass in Hungary/Hungarians in Glass." 974 Ley, Janet. Glass (UrbanGlass), no. 71, Summer 1998, "Saint-Louis Creates Paperweights for Sharon The Glass Art Society Journal, 1997, pp. 38- p. 50, ill. 39, ill. Stone and Martin Scorsese." Installation at Brooklyn Museum of Art. Annual Bulletin of the Paperweight Collectors Association, 1998, p. 83, ill. 1003 Lundstrom, Brita. 989 Liu, Robert K. "Rune Strand, glasgravyrens mastare." "Gillian Chvat." Kulturspridaren (Smalands Museum, Vaxjo), 975 Liebmann, Lisa. Ornament, v. 21, no. 4, Summer 1998, pp. 60- v. 38, no. 4, 1997, pp. 16-18, ill. "Top Ten x 12: The Year in Review." 61, ill. Rune Strand, Swedish glass engraver. Artforum, v. 36, no. 4, Dec. 1997, pp. 82-83, ill. "Beadwork bridges both jewelry and clothing." Chandeliers by Gaetano Pesce in newly reno­ vated Musee des Beaux-Arts, Lille. 990 Lloyd, Ann Wilson. 1004 Lynggard, Finn. "Reviews: Boston - Magdalena Campos-Pons." "Yan Zoritchak." 976 Liedel, Karl Heinz. Sculpture, v. 17, no. 2, Feb. 1998, pp. 63-64, ill. Glashelder, no. 3, July 1995, p. 5, ill. "Der Kunst verpflichtet: Albin Schaedel - Ein Work includes cast glass. Meister der Glasmontagetechnik." 1005 Lyons, Tanya. Glaswelt, v. 50, no. 11, Nov. 1997, pp. 54-55, ill. "Stepping Away." Glass by Albin Schaedel. 991 Lockwood, Howard J. "An Exhibition of the Glass of Carlo Scarpa - Glass Gazette, Winter 1998, p. 13, ill. A Review." Author attends Toyama City Institute of Glass 977 Lijn, Liliane. Vetri: Italian Glass News, v. 4, no. 1, Jan. 1998, Art in Japan. "Body and Soul: Interactions between the p. 12. Material and the Immaterial in Sculpture." Exhibit in Brescia, Italy. 1006 MacCash, Doug. Leonardo (Journal of the International Society "Reviews: A History of Desire; Souvenirs of for the Arts, Sciences and Technology), v. 31, 992 "A Piece on Glass: 20th Century Glass Tennessee Williams." no. 1, 1998, pp. 5-12, ill. Glass (UrbanGlass), no. 71, Summer 1998, Author's work includes glass. Designers. Tapio Wirkkala." Echoes, v. 6, no. 3, Winter 1997, pp. 30-31, ill. pp. 52-53, ill. Glass by Stephen Paul Day in New Orleans 978 Lindquist, Pernilla. exhibition. "Kent Carlssons virvlande servis." 993 "A Piece on Glass: 20th-century Glass Glas och Porslin, v. 68, no. 3, 1998, pp. 24-25, Designers. Ettore Sottsass." ill. Echoes, v. 7, no. 2, Fall 1998, p. 44+, ill. 1007 Macintosh, Alastair. Glass sen/ice by the Swedish designer. Profile of "one of the most important and influ­ "The 2nd International Master Class - North ential designers of the 20th century." Lands Creative Glass, Lybster Caithness." Scottish Glass Society Newsletter, no. 59, 979 "Kjell Engmans konstglas fangslade besokarna." 994 "The Sixties of Tapio Wirkkala." Oct. 1997, pp. 2-9, ill. Glas och Porslin, v. 65, no. 4,1996, pp. 40-41, ill. Vetri: Italian Glass News, v. 4, no. 1, Jan. 1998, Classes by Joel Philip Myers and Paul Stan- kard at Caithness. Stenungsund exhibit of Engman's glass. p. 4+, ill.

980 Link, Melody. 995 Lombino, Mary-Kay. 1008 Madsen, Charlotte Sahl. "Old World Christmas." "Reviews: Larry Bell at Kiyo Higashi." "The Danish 'Glass Net' Conference." Collectors' Bulletin, June/July 1998, p. 132, ill. Artweek, v. 29, no. 1, Jan. 1998, p. 19, ill. Glass Network (Newsletter of the Contempo­ Christmas ornaments. Gallery installation, Standing Walls. rary Glass Society, U.K.), no. 4, April 1998, p. 14. 981 "The Polonaise Collection." 996 Long, Andrew. Review of the conference. Collectors' Bulletin, June/July 1998, p. 134, ill. "Openings." Glass ornaments. Art & Antiques, v. 21, no. 5, May 1998, p. 32, ill. 1009 Maggi, Laura. Seattle exhibit of cast glass bas-reliefs by "Colori off limits." 982 "The Polonaise Collection; Radko - An Nicolas Africano. Casa Vogue, no. 266, Oct. 1994, p. 22, ill. Ornament for All Seasons." Toots Zynsky bowl. Collectors' Bulletin, April/May 1998, pp. 114 997 Longo, Linda. and 116, ill. "Artists Michael Cain and Richard Rozinski 1010 "Una grande mostra per il centenario di Christmas ornaments. Light Up Atlanta's Premier Lighting Gallery." Miro." Casa Vogue, no. 249, March 1993, pp. 68-77, ill. Includes glass and mixed media by Hermione 1035 Merker, Gemot H., ed. Includes English text. Wiltshire, Damien Hirst, Vong Phaophanit, Ursula Merker: Artist, Glass maker. Includes works in glass. and Julian Opie. Mainburg: Pinsker-Verlag, 1998, 79 pp., ill. In German and English. 1011 "Mirabilia e collezioni in mostra." 1024 Martin, W. Eric and Formichelli, Linda. Sculptures, vessels, outdoor installations, etc., Casa Vogue, no. 263, June 1994, pp. 34-35, ill. "What Goes Around Comes Around!" by Merker. 18th-century perfume bottles and flacons, in­ Collectors' Bulletin, June/July 1998, p. 53, ill. cluding glass. Marble collecting, including contemporary 1036 Merritt, Richard A. marbles by Jody Fine and Geoffrey Beetem. "Figural Sculptures of C. R. Woltz." 1012 "Murrine preziose di nuovo segno." Glass Collector's Digest, v. 11, no. 5, Casa Vogue, no. 271, March 1995, p. 32, ill. 1025 Martineau, Janet I. Feb./March 1998, pp. 21-24, ill. Laura de Santillana. "Cosmic Creations." Lampworked pieces. The Saginaw News, March 1, 1997, p. B1+, ill. 1013 "Ricami di luce." Glass planets, portals, megaworlds, and tek- 1037 Mickelsen, Robert. Casa Vogue, no. 273, May 1995, pp. 110-111, ill. tites by Josh Simpson in exhibition. "Demonstrations: Montage Flameworking." Chandelier installation and performance by The Glass Art Society Journal, 1997, pp. 75- Mary Brogger in Milan. 1026 Martinez Garcia, Maria Luisa. 76, ill. "El Museo de arte en vidrio de Alcorcon." Demonstration at the Tucson conference. 1014 Makarewicz, Zbigniew. Revista de Museologfa, v. 4, no. 13, Feb. 1998, "Sculpture Gardener." pp. 122-125, ill. 1038 "At the Lamp: In the Beginning." Neues Glas, no. 3, 1998, pp. 12-17, ill. Alcorcon City Museum of Glass Art. Glass Line, v. 11, no. 6, April/May 1998, p. 1+, ill. In German and English. Report on first "Flamefest" of 1988, and on Sculptures by Alojzy Gryt. 1027 Mason, Phyllis. "Flamefest '98," a Miami Beach exhibition and "Exploring Dark Matter: Mysteries from the live flameworking demonstrations. 1015 Malenda, Ruth. Heart of the Universe." "Tradition and Transformation." Glass (British Columbia Glass Arts Associa­ 1039 Milella, Annalisa. Glass on Metal, v. 16, no. 1, April 1997, tion), v. 9, no. 2, Nov. 1997, p. 4+. "Gusto nomade." pp. 4-12, ill. 28 glass sculptures by Gary Bolt. Casa Vogue, no. 250, April 1993, pp. 96-99, ill. Artists of Enamelist Society's 1997 conference. Includes glass plates with gold, made by Vetre- 1028 Massey, John. rie di Empoli. 1016 Malfatti, Patrizia. "Bowled Over." "Luce - Light Muse." Craft Arts International, no. 41, 1997/1998, 1040 "Minimal Design." Abitare, no. 370, Feb. 1998, pp. 182-183, ill. pp. 96-98, ill. Casa Vogue, no. 250, April 1993, pp. 174-177, ill. In Italian and English. Brisbane ceramic exhibit included glass by Includes glass bottles/decanters with sinuous Special lighting effects created for the 125th Deborah Cocks, Lorry Wedding-Marchioro, forms, designed by Angelo Mangiarotti. anniversary of Chicago's Tribune Tower. and Warburton Glass. 1041 Miro, Marsha. 1017 Manzini, Ezio. 1029 Massow, Edmund. "Reviews: Herb Babcock." "Erzeugen und Beseitigen." "Carolyn Delzoppo's Exhibition at the Hock- Glass (UrbanGlass), no. 69, Winter 1997, Illuminatecnica, nos. 393/394, Sept./Oct. 1993, Grasslin Gallery." pp. 54-55, ill. pp. 65-70, ill. Glass on Metal, v. 16, no. 4, Dec. 1997, Michigan exhibit. Lighting devices made from found objects, in­ pp. 86-87. cluding glass. Wall pieces and jewelry in display. 1042 "Reviews: In Material." Glass (UrbanGlass), no. 71, Summer 1998, 1018 "Hacer y deshacer." 1030 Matyasova, Eva. p. 53, ill. Illuminatecnica, nos. 393/394, Sept./Oct. 1993, "Olgoj Chorchoj." Group show of mixed-media work. pp. 92-96, ill. Atelier, no. 8, April 15, 1993, p. 5, ill. Lighting devices. English summary. Exhibition of work by three artists studying 1043 Mizuta, Yoriko. "The Dawn of Present-Day Japanese Glass." 1019 Marbrier, Yves. under Borek Sipek; includes glass vase, "Philip Johnson nella sua celebre Glass House: lighting. Glass & Art (Tokyo), no. 10, Aug. 1995, Diario di un architetto eccentrico." pp. 52-62, ill. In Japanese. Interview with Kyohei Fujita. Casa Vogue, no. 261, April 1994, pp. 116-123, ill. 1031 McMurtrie, James. English text, pp. 229-230. "Greenhills Glass." Architect's "bachelor tent" of glass and steel. Smarts, no. 12, Dec. 1997, p. 30, ill. 1044 Montgomery, Eric Allen. Author's glass business in Australia. "The Enjoyable Challenge." 1020 Margetts, Martina. Glass (British Columbia Glass Arts Associa­ tion), v. 9, no. 1, March 1997, p. 4, ill. "Reviews/Exhibitions: New Finnish Glass." 1032 Medkova, Jirina. James Caesar receives 1997 Pilchuck Glass Crafts (U.K.), no. 151, March/April 1998, "Uzite (??) umeni." pp. 52-53. Bulletin Moravske Galerie v Brne, School scholarship. Exhibition at the Victoria and Albert Museum, no. 53, 1997, pp. 102-103, ill. London. "Useful (??) art"; includes globe piece by 1045 "Shaken Not Stirred: Art of the Martini." Libensky/Brychtova and an engraved panel Glass (British Columbia Glass Arts Associa­ 1021 Marioni, Paul and Troutner, Ann. by Harcuba. tion), v. 9, no. 1, March 1997, p. 9. "Artist Presentations." Invitational show features stylish, humorous The Glass Art Society Journal, 1997, pp. 56- 1033 Meincke, Kirsten. drinking glasses. 57, ill. "The Canadian Glass Show: Distinct in De­ Authors' talk at Tucson conference. sign, Canadian Glass Art Makes Its Mark on 1046 Morgan, Ann. the West Coast." "World News from England." 1022 Marquis, Richard. Glass Gazette, Fall 1997, pp. 20-21, ill. Glass & Art (Tokyo), no. 10, Aug. 1995, p. 68, ill. "Maestro Lino." Exhibit in Victoria, British Columbia. In Japanese. American Craft, v. 57, no. 6, Dec. 1997/ Jan. 1998, pp. 40-45, ill. 1034 Melegati, Luca. 1047 Moritz, Yves and Warnia, Pierre. Lino Tagliapietra. "Otto e Novecento in attesa della ripresa au- "Le Phenomene Lalique: Une Reussite sans tunnale." faille." 1023 Marshall, Catherine, ed. CeramicAntica, v. 8, no. 6 (83), June 1998, Offrir, Revue des Industries d'Art, no. 332, Breaking the Mould: British Art of the 1980s pp. 67-71, ill. April 1996, pp. 34-35, ill. English translation, and 1990s: The Weltkunst Collection. Recent glass sales: two Orrefors vases by pp. 81-82. London: Lund Humphries; Dublin: Irish Mu­ Ohrstrom (1939 and 1947) and Zecchin vase Interview with Gerard Tavenas, president of seum of Modern Art, 1997, 128 pp., ill. for Artisti Barovier (1920). the Lalique Group. 1048 Moritz, Yves and Warnia, Pierre. Apparently random fractures in artist's glass 1075 O'Connor, D. Thomas. "Venise pour les amateurs d'ceuvres d'art en objects "turn out to be carefully orchestrated "Burning River Glassworks." verre, c'est avant tout Murano!" so as to create an optical spectacle." Glass Collector's Digest, v. 11, no. 5, Offrir International, no. 356, Sept. 1998, Feb./March 1998, pp. 10-13, ill. pp. 77-88, ill. 1061 "'Sculpture Is My Thing': Michael Ruhs Copley, Ohio, studio. Profiles of Salviati, Seguso Viro, Venini, Bar- gedroomde beelden." bini, Nason, Carlo Moretti, and Barovier. Glas en Keramiek, nos. 5/6,1996, pp. 42-44, ill. 1076 "Reflections by the Editor: Six Glass Young Flemish glass artist. Artists at the Smithsonian Craft Show." 1049 Morozzi, Cristina. Glass Collector's Digest, v. 11, no. 6, April/ "Driade News: Design from the East." 1062 "Tessa Clegg." May 1998, pp. 39-46, ill. Driade Edizioni, no. 5, Jan. 1998, p. 82, ill. Glas en Keramiek, no. 4, 1997, pp. 35-37, ill. Stephan J. Cox, Kurt Swanson and Lisa Frankfurt exhibition of furniture and glass by In Dutch and English. Schwartz, Peter Houk, Robin Mix, Charles Borek Sipek. Life and work of the British glass artist. Savoie, and Kenny Walton. 1077 Odoni, Giovanni. 1050 Morris, William. 1063 "Venetia Aperto Vetro: International "L'ecologia della forma." "Artist Presentations." New Glass." Casa Vogue, no. 250, April 1993, pp. 182- The Glass Art Society Journal, 1997, pp. 58- Glas en Keramiek, no. 4, Autumn 1996, 189, ill. Includes English text. 59, ill. pp. 11-14, ill. Author's talk at Tucson conference. New designs by young Swedish designers, in­ cluding glass artists Matz Borgstrom and Ann 1064 Mzykova, Alice. Wahlstrom. 1051 Morrison, Rosalyn J. "Symfonie barev." "Dreams, Passion, and Commitment: Espace Atelier, no. 10, May 6, 1993, p. 5, ill. 1078 Ohno, Bryan K. Verre." English summary. "Dale Chihuly." Glass Gazette, Fall 1998, pp. 8-9, ill. Exhibition of work by Pavel Trnka in Arnbruck. Bryan Ohno Gallery, 1998, pp. 2 and 5-6, ill. In English and French. Brief report on the "Pilchuck of the North." 1065 Nadelman, Cynthia. 1079 Ohrlen, Peter. "Dan Flavin: The Line Electric." "Glasfarg att Drunkna I." 1052 Mual, Makiri. ARTnews, v. 97, no. 4, April 1998, p. 98, ill. Skona Hem, no. 9, Sept. 1996, p. 105, ill. "10 jaar glaskunst aan het IKA Mechelen: Het Posthumously printed portfolio of etchings Exhibition of glass by Caroline Sodergren. studio-glas voorbij." reiterates the importance of line in artist's Glas en Keramiek, no. 3, Summer 1996, fluorescent sculptures. 1080 "Utstallningar: Designens Vandpunkt...." pp. 17-21, ill. Skona Hem, no. 7, July 1996, p. 97, ill. Glass from the Instituut voor Kunstambach- 1066 Naito, Masamitsu. Glass by Nils Landberg and Edvin Ohrstrom. ten, Mechelen: Sandra De Clerck, Koen Van- "Challenge Toward the Possibility of Crystal derstukken, Isabel Almeida, and others. Glass: Nobuyasu Sato." 1081 Okuno, Ken-ichi. Honoho Geijutsu, no. 10, 1985, pp. 164-167, ill. "The State of the Art - Contemporary Glass 1053 "Bernard Dejonghe: Glas 'traveling In Japanese. and Crafts." through minerals.'" Glass & Art (Tokyo), no. 10, Aug. 1995, Glas en Keramiek, nos. 3/4, Sept./Oct. 1995, 1067 Nakamura, Shinichiro. pp. 64-65, ill. In Japanese and English. pp. 14-17, ill. "New Glass Collection of Yukiaki Ezoe: Takato Glass sculptures by the French artist in Paris Glass." 1082 Oilman, Leah. exhibit. Honoho Geijutsu, no. 14, 1986, pp. 182-187, ill. "Liza Lou's American Dream." In Japanese. Art in America, v. 86, no. 6, June 1998, 1054 "Bevroren visioenen: Glasobjecten van Description of making iridescent glass in pp. 98-101+, ill. Bertil Vallien." Takato studio glass center. Beaded environments. Glas en Keramiek, no. 2, June 1996, pp. 24- 27, ill. 1068 Nicholls, Sharon. 1083 Olsen, Eric P. Glass works by Vallien. "Woven Glass Vessels." "Warm Friend of a Cold Land." Craft Arts International, no. 44, 1998, pp. 78- The World & I, v. 13, no. 1, Jan. 1998, 1055 "Eerst het probleem oplossen, dan de 81, ill. pp. 118-125, ill. vormgeving." Jane Gavan combines traditional textile tech­ James Houston, designer of glass for Steuben. Glas en Keramiek, no. 3, 1994, pp. 15-17, ill. niques with glass beads and wire. Glass designs by Arnout Visser. 1084 Olsson, Lillemor. 1069 Nilsson, Christina. "Festligt glas for fargstark vardag." 1056 "Glasacademies in het Museo del Ve- "Syskonsjalar i glas." Antik & Auktion, no. 6, June 1998, pp. 56-62, ill. tro, Murano." Skona Hem, no. 2, Feb. 1995, p. 17, ill. Decorative glassware by Hovmantorp firm. Glas en Keramiek, no. 4, Autumn 1996, Ann Wahlstrom and Mats Gustafson. pp. 20-21, ill. 1085 "'Jag tror att varje manniska har en International work by students from many uni­ 1070 Nordenfelt, Eva. fargskala inom sig.'" versities. "Stengods och glaskronor." Antik & Auktion, no. 2, Feb. 1995, pp. 6-13, ill. Skona Hem, no. 5, May 1995, p. 116, ill. Signe Persson-Melin. Glass, pp. 10-11. 1057 "Glaskunstbeurs 1994." Chandelier by Marten Medbo. Glas en Keramiek, no. 4, 1994, pp. 38-39, ill. 1086 Omata, Izumi. "Glass Space of Toshio Sugasawa." Glass auctions and sales during 1994. 1071 "Tre glaskonstnarer." Honoho Geijutsu, no. 16, 1987, pp. 116-118, ill. Skona Hem, no. 5, May 1995, p. 116, ill. In Japanese. 1058 "Kunstenaarsglas: L'art de toucher." Glass installation by Kristina Rimfors. Glas en Keramiek, no. 4, 1997, pp. 38-39, ill. 1087 Ondovcsik, Maryann. In Dutch and English. 1072 Nordin, Anna. "Four Acts in Glass." Painters and sculptors invited to work in glass "Pa gott humor." The Crafts Report, v. 24, no. 262, Feb. 1998, at Adriano Berengo Fine Arts. Form, v. 93, no. 6 (714), 1997, p. 10, ill. pp. 24-26, ill. Glass designer Berit Johansson. Exhibition at the American Craft Museum with 1059 "Order in Chaos: Toots Zynski & Co." work by Chihuly, Vallien, Powers, and Morris. Glas en Keramiek, nos. 3/4, Sept./Oct. 1995, 1073 "Ungtglas." pp. 38-42, ill. In Dutch. Form, v. 93, no. 4 (712), 1997, p. 6, ill. 1088 O'Neil, Ted. Mary Ann "Toots" Zynsky. Vases by Ann-Christine Kjellberg. "Arts Midland Features Glass, American Art." Midland Daily News (Midland, Ml), 1060 "Peter Hengst: Transparantie en de 1074 Norvasuo, Markku. "Outlook/Lifestyle" section, Jan. 26, 1997, schoonheid van de breuk." "Alvar Aalto as a Designer of Light Fittings." p. 17, ill. Glas en Keramiek, no. 5, 1997, pp. 40-43, ill. Form Function Finland, no. 68 (4), April 1997, Works in glass by artists Josh Simpson, Jason In Dutch and English. pp. 26-33, ill. Ruff, April Wagner, and Wendy MacGaw. 1089 Oosterlinck, Christian. 1103 "An Interview with Paul Stankard." 1117 Petrova, Sylva. "Portfolio: Jan-Willem van Zijst." British Society of Scientific Glassblowers "Humanni utopie Vaclava Ciglera opet v Kwintessens (VIZO), v. 3, no. 4, Journal, v. 36, no. 1, Jan. 1998, pp. 41-44, ill. Praze." Oct./Nov./Dec. 1994, p. 19, ill. Atelier, no. 17/18, Sept. 2 [9?], 1993, p. 16, ill. 1104 "An Interview with Robert Mickelson." English summary, p. 15. 1090 Opie, Jennifer. British Society of Scientific Glassblowers Prague exhibition of work by glass artist "Six of the Best." Journal, v. 36, no. 2, April 1998, pp. 69-72. Vaclav Cigler. Crafts (U.K.), no. 153, July/Aug. 1998, Artistic lampworker and author. pp. 28-31, ill. 1118 "Nekolik poznamek k tvorbe Frantiska Curator explains selection criteria for the 1105 Pecjnkova, Pavla. Viznera." exhibition "A Celebration of Glass." "Sklo na VSUP: Dva ateliery." Bulletin Moravske Galerie v Brne, no. 53, Umeni a Remesla, no. 4, 1997, cover and 1997, pp. 161-163, ill. English summary. 1091 O'Ryan, Lin. pp. 27-33, ill. English summary. Work by Frantisek Vizner, 1960s-1980s. "The Feminine Touch." Work by students in studios directed by Vladi­ The Chair (Okra Glass Guild, Brierley Hill, mir Kopecky and Marian Karel at the Academy 1119 "Posvatnost, ritus a vesmir." England), no. 2, June 1998, pp. 2-5, ill. of Arts, Architecture, and Design in Prague. Atelier, no. 12, June 11, 1998, p. 5, ill. Interview with glassworker Sarah Cowan. English summary, p. 15. 1106 Periainen, Tapio. Jitka Petrova in Prague exhibition "Sacred- 1092 "Okra, the Early Years." "The Universal Kaj Franck." ness, Rite, and the Space"; includes glass. The Chair, (Okra Glass Guild, Brierley Hill, Form Function Finland, no. 68 (4), April 1997, England), Dec. 1997, pp. 14-18, ill. pp. 16-21, ill. 1120 "Sklenene objekty Jaroslava Matouse." Glass studios founded in 1979. Atelier, no. 3, Feb. 5, 1998, p. 5, ill. 1107 Perkins, Flo. English summary. Prague exhibit of objects by Jaroslav Matous. 1093 Oshima, Seiji. "Artist Presentations." "From the Starting Point of Glass Production: The Glass Art Society Journal, 1997, p. 60. Osamu Noda and Yumiko Noda." Author's talk at Tucson conference. 1121 Philabaum, Thomas and Wingfield, Leah. Honoho Geijutsu, no. 11, 1985, pp. 146-147, ill. "Viva Vidrio: Some Comments on Global Glass In Japanese. 1108 Perreault, John. in Tucson." "Catalogue: Robert Hickman." The Glass Art Society Journal, 1997, pp. 20- 21, ill. 1094 Ostlund, Helena. Glass (UrbanGlass), no. 70, Spring 1998, The 1997 conference in Tucson. "Drom for glaskonstnarer." pp. 50-51, ill. Form, v. 94, no. 2 (716), 1998, pp. 78-79, ill. Colorless glass mosaic sculptures by Hickman. Pilchuck Glass School. 1122 Phillips, Patricia C. 1109 "Don't Tread on Me: The Meanings of "Points of Departure: Public Art's Intentions, Rauschenberg's Glass Tires." Indignities, and Interventions." 1095 Page, Judith. Glass (UrbanGlass), no. 70, Spring 1998, Sculpture, v. 17, no. 3, March 1998, pp. 18-25, ill. "Mary Ann linger: Beneath the Skin." pp. 20-25, ill. Includes installations with glass by Mierle Sculpture, v. 17, no. 4, April 1998, pp. 20-21, ill. Robert Rauschenberg's tires made at Urban- Laderman Ukeles. Sculptor uses Hydrocal and glass. Glass in his New York retrospective. 1123 Pickett, Tina. 1096 Panza di Biumo, Giuseppe. 1110 "Lampworking Takes Off! A Portfolio." "Feature: Jeff Goodman Studio - Expectation "La luce, realta iniziale del mondo reale." Glass (UrbanGlass), no. 69, Winter 1997, vs. Reality." Domus, no. 802, March 1998, pp. 74-77, ill. pp. 34-37, ill. Glass Gazette, Fall 1997, pp. 3-5, ill. In Italian and English. Dan Flavin. 1111 "Marioni Magic." 1124 Piguet, Philippe. Glass (UrbanGlass), no. 71, Summer 1998, "Jan Fabre, derviche dessinateur." 1097 Patton, Phil. pp. 22-29, ill. L'Oeil, no. 497, June 1998, p. 18, ill. "Today's Crafts Join Our Nation's Past at the Work of Dante Marioni. Multimedia art includes glass. White House." Smithsonian, v. 26, no. 3, June 1995, pp. 52- 1125 Pina, Leslie. 57, ill. 1112 "A Portfolio: Glass Outside of Glass." "Murano Glass at Mid-Century: Part 1." Includes glass by Dale Chihuly, David Levi, Glass (UrbanGlass), no. 70, Spring 1998, Glass Collector's Digest, v. 12, no. 1, June/ Kate Vogel/John Littleton, and others. pp. 26-29, ill. Artists who use glass: Dennis Oppenheim, Betty July 1998, pp. 39-46, ill. Woodman, Lynda Benglis, Matthew Barney. Italian glass of the 1950s: Aureliano Toso, 1098 Pavesi, Miloska. Arte Vetreria Muranese, Barbini, Barovier & "Illuminare." 1113 "Reviews: Leopard and Tiger Return to Toso, and Cenedese. Casa Vogue, no. 264, July/Aug. 1994, the Mountain." pp. 119-125, ill. Glass (UrbanGlass), no. 71, Summer 1998, 1126 "Murano Glass at Mid-Century: Part 2." New lighting combines blown glass and color. p. 51, ill. Glass Collector's Digest, v. 12, no. 2, Aug./ Includes work by John Brekke. Sept. 1998, pp. 51-58, ill. 1099 "Lights." Casa Vogue, no. 272, April 1995, pp. 166-171, ill. 1114 Perry, Rick. 1127 Pincus-Witten, Robert. New lamps combine simplicity and advanced "Specifying Art Glass: Why, When, How?" "Rosenquist and Samaras: The Obsessive technology. GGW Vignettes (Gong Glass Works, Roch­ Image and Post-Minimalism." ester, NY), v. 7, no. 1, Summer 1998, p. 1+. Artforum, v. 11, no. 1, Sept. 1972, pp. 63-69, ill. 1100 "Lights, Magic, Lights." Architectural use of art glass. Includes neon by Bruce Nauman and Richard Casa Vogue, no. 268, Dec. 1994, pp. 94-97, ill. Serra, pp. 66-68. Includes glass by Borek Sipek. 1115 Perszyk, Peter. "Weird Neon Things." 1128 Piper, Adrian. 1101 "Produzione: A tavola." Sign Builder Illustrated, no. 50, March/April "Ian Burn's Conceptualism." Casa Vogue, no. 250, April 1993, pp. 191-197, ill. 1998, pp. 94-98, ill. Art in America, v. 85, no. 12, Dec. 1997, Tableware, including glass, by various de­ '"Space age' objects that once adorned the pp. 72-79+, ill. signers. tops of many commercial signs are still alive Australian conceptual artist used glass in his and blinking." sculptures. 1102 Pearson, Ian. "Creative Glassworking in Scotland." 1116 Peshehonova, Larisa. 1129 Plaatsman, Roelien. Glass Line, v. 11, no. 6, April/May 1998, "Inview: Galina Selezneva - A New Direction." "Jens Pfeifer: Een terughoudend onderzoeker." pp. 11-13+, ill. Glass on Metal, v. 15, no. 1, Feb. 1996, Glas en Keramiek, no. 1, March/April 1995, Report on master class directed by Paul Stan- pp. 20-22, ill. pp. 10-12, ill. kard. Enameled works by the artist. Interview with the glass artist. 1130 "Martine Knoppert: De grenzen van 1143 Preijde-Meijer, Mieke. 1156 Reimer, Julia. een techniek." "Tussen Bhoeddha's en Beesten: Interview "Glass Symposium in Hungary." Glas en Keramiek, no. 3, Summer 1996, met Antoon van Wijk." Glass Gazette, Winter 1998, p. 12. pp. 28-30, ill. Glas en Keramiek, no. 1, 1998, pp. 18-22, ill. Interview with Knoppert, and work by the artist. In Dutch and English. 1157 Rhabyt, Gwyan. Molded glass animal figures. "Reviews: Clifford Rainey." 1131 Pokorny, Petr. Glass (UrbanGlass), no. 70, Spring 1998, "Vladimir Klein - The Chief Designer at 1144 Proferansova, Maria and Sissoev, Boris. pp. 56-57, ill. Crystalex a.s." "Inview: Maria Proferansova & Boris Sissoev." San Francisco exhibit. New Glass Review (Czech), v. 52, no. 10, Glass on Metal, v. 10, no. 5, Oct. 1991, 1997, pp. 26-27, ill. In English and German. pp. 236-237, ill. 1158 R'hila, Karin. Profile of the artists. "Messe: Passagen - In Koln vereint." 1132 Polackova, Dagmar and Schrammova, Kunsthandwerk & Design, no. 2, March/ Agnes. 1145 Racekova, Jarmila. April 1998, pp. 10-15, ill. "Stala expozicia uzitkoveho umenia, designu "Mystery of Discovered Space: Contemporary Cologne design fair included work by Ingo a architektury 1900-1995: Slovenska Narodna Slovak Glass." Maurer. Galeria Bratislava." Neues Glas, no. 3, 1998, pp. 32-39, ill. Bulletin Moravske Galerie v Brne, no. 53, In German and English. 1159 Richardson, David E. 1997, pp. 46-54, ill. English summary. Exhibition touring Great Britain. "Touched by an Angel." Permanent displays of applied arts, design, Glass Collector's Digest, v. 11, no. 5, Feb./ and architecture in Slovak National Gallery, March 1998, pp. 41-47, ill. 1146 Radeschi, Loretta. Bratislava; includes glass by Stepan Pala, West Virginia engraver Catherine Miller. Juraj Steinhiibel. "Rick Ayotte." Glass Craftsman, no. 149, Aug./Sept. 1998, pp. 6-11, ill. 1160 Rinaldi, Paolo. 1133 Polonsky, Gill. Paperweights by the artist. "Le stanze degli specchi." "Contemporary Glass Society." Casa Vogue, no. 259, Feb. 1994, pp. 68-71, ill. Neues Glas, no. 3, 1998, pp. 26-31, ill. Palace in Samode, Rajasthan, includes a hall In German and English. 1147 "Virginia Gabaldo." whose walls and ceiling are covered with mir­ Newly founded British organization. Glass Craftsman, no. 148, June/July 1998, rors. pp. 18-22, ill. 1134 Porcelli, Joe. Portrait of the artist and her fused and painted 1161 Robb, Deanna. "Rick Melby's Glass Books." work. "June Schwarcz." Glass Craftsman, no. 147, April/May 1998, Glass on Metal, v. 16, no. 1, April 1997, pp. 6-11, ill. 1148 Raemaekers, Desiree. pp. 21-22, ill. Books made of glass. "Gemeentemuseum Den Haag." Profile of the artist. Glas en Keramiek, no. 3, 1994, pp. 21-23, ill. 1135 "The Illusion of Reality: The Glass Recent acquisitions include glass by Han 1162 "'Images of Kent.'" Paperweights of Paul Stankard." Schuil and Bert Frijns. Glass on Metal, v. 15, no. 2, April 1996, The Antique Trader Weekly, v. 31, no. 3, pp. 34-35, ill. Jan. 21, 1987, pp. 64-66, ill. 1149 Raimanova, Ivona. Enameled steel mural for the city of Kent, Ohio. "Absolut Art." 1136 Porges, Maria. Atelier, no. 4, Feb. 19, 1998, p. 3, ill. 1163 Robinson, Anne. "Reviews: Clifford Rainey." Prague exhibition of designs for Absolut vodka. "Masters of Contemporary Glass: Selections Sculpture, v. 17, no. 3, March 1998, pp. 59-60, ill. from the Glick Collection." Exhibition at San Francisco gallery. 1150 "Reviews: 'Angel, Angel - Legends of Previews (Indianapolis Museum of Art), the Present.'" no. 36, Fall 1997, pp. 2-5, ill. 1137 Poulizac, Stephanie. Sculpture, v. 17, no. 4, April 1998, pp. 77-78, ill. "Anne Savelli: 'L'Aventure fastastique de la Exhibit includes Kiki Smith sculpture with 1164 Rogelin, Thierry. creation.'" glass beads. "Biot, des annees de souffle pour 40 bougies." Offrir, Revue des Industries d'Art, no. 310, Offrir, Revue des Industries d'Art, no. 334, Feb. 1994, pp. 87-89, ill. June 1996, p. 1151 Ramljak, Suzanne. 26, ill. Designer for Saint-Hilaire. "Louise Bourgeois: Fear's Mistress." Profile of the glassworks. Glass (UrbanGlass), no. 69, Winter 1997, 1138 "Arts de la table et musees: Patri- pp. 38-45, ill. 1165 "Nouveau procede de Swarovski." moines en peril?" Offrir, Revue des Industries d'Art, no. 334, Offrir, Revue des Industries d'Art, no. 319, June 1996, p. 49, ill. Dec. 1994, pp. 27-29, ill. 1152 Rankin, Susan. Glass recycling technique. Includes new edition of glass chair and mirror "Review: Reciprocity - Artists Choose Artists." Glass Gazette, Fall 1997, pp. 10-11, ill. by Baccarat, p. 28. 1166 "Pour ou contre I'ecole d'art: Une Peterborough, Ontario, exhibit with work by Crichton, Cornish, Copping, Lockau, Good­ Histoire d'ego." 1139 "Le Pari de Christophe Bridel." man, and Forbes. Offrir, Revue des Industries d'Art, no. 328, Offrir, Revue des Industries d'Art, no. 314, Nov. 1995, pp. 43-44, ill. June 1994, pp. 22-24, ill. Includes glass by Christel and Christian De- Profile of director of Cristallerie de Haute Bre- 1153 Ransova, Eva. schamp, and Nad Vallee. tagne. "Craft and Art in Glass II." New Glass Review (Czech), v. 52, no. 10, 1167 "Le Verre nouveau est expose." 1140 "La Rochere: Une Grande Cristallerie." 1997, pp. 8-10, ill. In English and German. Offrir, Revue des Industries d'Art, no. 328, Offrir, Revue des Industries d'Art, no. 310, Results of second competition among large Nov. 1995, p. 23, ill. Feb. 1994, pp. 94-96, ill. Czech glass industries, private studios, and Exhibition of contemporary glass at Sevres. students. 1141 Powell, Stephen Rolfe. 1168 "Yan Zoritchak: La Science et la poesie "Demonstrations: Large-Scale Glassblowing." 1154 Raut, Nathalie. du verre." The Glass Art Society Journal, 1997, pp. 70- "Une Boutique au charme cosy." Offrir, Revue des Industries d'Art, no. 327, 71, ill. Offrir International, no. 356, Sept. 1998, Sept. 1995, p. 67, ill. Author demonstrates at the Tucson conference. p. 121, ill. Profile of the artist. Lalique opens London shop. 1142 Prandi, Lidia. 1169 Rogers, Michael. "Progettare per lo sviluppo umano." 1155 Reid, Colin. "1998 Glass Art Society Conference Preview: Stileindustria, v. 3, no. 10, June 1997, pp. 90- "News from Abroad: Glass in Venezuela." Seto City, Japan." 94, ill. Glass Network (Newsletter of the Contempo­ The Glass Art Society Journal, 1997, pp. 31- "Design under 35" exhibition. rary Glass Society, U.K.), no. 3, Nov. 1997, p. 17. 32, ill. 1170 Rose-Shapiro, Annette. April 1996, pp. 54-57, ill. English translation, Excerpted from author's article in La Revue "Diary: Barcelona." p. 83. de la Ceramique et du Verre, no. 96, Sept./ Glass (UrbanGlass), no. 69, Winter 1997, Household accessories in glass. Oct. 1997. p. 64, ill. Author visits the Fundacio Centre del Vidre. 1183 "Murmures d'eau." 1197 "Le Second Souffle de Sars-Poteries." Offrir Club, supplement to Offrir, Revue des Verre & Creation, no. 1, July 1995, p. 3, ill. 1171 "Diary: London Calling." Industries d'Art, no. 333, May/June 1996, English summary, p. 8. Glass (UrbanGlass), no. 71, Summer 1998, pp. 45-47, ill. The past and present organization of the p. 60, ill. Glass for the bathroom. Musee-Atelier du Verre de Sars-Poteries. A visit to the Glasshouse; work by Annette Meech, David Taylor, Fleur Tookey, and 1184 "Voyage cristallien dans I'universe de 1198 "Le Verre est I'ami du vin." Christopher Williams. Steuben." Verre & Creation, no. 11, May 1998, pp. 2-3, ill. Offrir, Revue des Industries d'Art, no. 331, English summary, p. 8. 1172 "Reviews: Michele Blondel." March 1996, pp. 40-41, ill. Vintage works by 50 artists displayed in six Glass (UrbanGlass), no. 70, Spring 1998, Portrait of Steuben. chateaus in the Bordeaux region. p. 54, ill. 1185 "Yoshinori Masuda, vertige de verre." New York exhibit. 1199 Save, Colette and de Beaumont, Thierry. Offrir Club, supplement to Offrir, Revue des "Biot, capitale mondiale du verre." Industries d'Art, no. 333, May/June 1996, 1173 Rosin, Dino and Rosin, Diego. Verre (Institut du Verre, Versailles), v. 3, no. 4, p. 56, ill. "Demonstrations: Massiccio Glass Sculpting." July/Aug. 1997, pp. 42-46, ill. Japanese glass sculptor. The Glass Art Society Journal, 1997, pp. 71- Glass center and contemporary glass gallery 72, ill. founded in 1960; exhibition "Les Verriales 97," 1186 San Bernardino, Joaquim. Authors demonstrate at the Tucson conference. with work by many international artists. "Jean-Claude Novaro: A Modern Master of Glass." 1174 Ross, Linda and Houk, Peter. The Glass Cone, no. 43, Autumn 1997, p. 6, ill. 1200 "Janine Jacquot-Perrin: L'Ascension du "In Memory of Page Hazlegrove." verre plat." GAS News (G\ass Art Society), Fall 1997, p. 3, ill. 1187 Sanders, John. Verre (Institut du Verre, Versailles), v. 3, no. 5, "Blowzone Glass Studio." Sept./Oct. 1997, pp. 29-30, ill. 1175 Rous, Jan. Cameo (The Friends of Broadfield House), Contemporary flat glass artist. "Klauzury VSUP jako pokus o prostor." no. 17, Summer 1998, p. 2. Atelier, no. 13, June 24, 1993, p. 16, ill. lestyn Davies's studio relocated to the Crystal 1201 "La Revanche du chalumeau." English summary. Glass Centre, Amblecote. Verre (Institut du Verre, Versailles), v. 4, no. 3, Student exhibition of the Prague College of June 1998, pp. 49-51, ill. Applied Arts included work from Kopecky's 1188 Saroldi, Vinicio. Lampworking. studio. "I 'Vetri ventilatori.'" Alte Vitrie, v. 9, no. 3, 1997, pp. 4-9, ill. 1202 "St'art 98: L'Euroverre nait a Strasbourg." 1176 Rowan, Victoria C. English summary. Verre (Institut du Verre, Versailles), v. 4, no. 1, "Exhibitions." 19th- and 20th-century glass louvered windows. Feb. 1998, pp. 46-47, ill. Architectural Record, v. 186, no. 5, May 1998, Contemporary art fair with European glass pp. 43-44, ill. 1189 Save, Colette. galleries represented. Shiro Kuramata retrospective includes glass "Eisch: Sensualite du verre." chair. Verre & Creation, no. 9, Oct. 1997, p. 2, ill. 1203 Saxe, Dorothy. English summary, p. 8. "I Can't Hug a Painting. . . ." 1177 Rowlands, Penelope. Retrospective at Museum of Charleroi, Belgium. The Crafts Report, v. 24, no. 262, Feb. 1998, "Returning to the Source: Ettore Sottsass." pp. 20-23, ill. Metropolis, Dec. 1997/Jan. 1998, pp. 52-59+, ill. 1190 "'L'Art en train de se faire.'" Glass (and other crafts) collectors George and Verre & Creation, no. 2, Oct. 1995, pp. 4-5, ill. Dorothy Saxe. 1178 Ruas, Charles. English summary, p. 8. "Reviews: Kiki Smith." Interview with Laurence Bouquin, director of 1204 Scheiffele, Walter. ARTnews, v. 97, no. 1, Jan. 1998, p. 130, ill. Sars-Poteries Museum Workshop. "A Classic Relaunched." New York exhibit with glass. Schott Information, no. 83, Dec. 1997, pp. 7- 1191 "Les Lustres de Lille." 10, ill. Verre & Creation, no. 8, July 1997, p. 3, ill. Designs by Wilhelm Wagenfeld are reintroduced. 1179 Rudberg, Maria. English summary, p. 8. "Ur den bla elden vaxer glaset fram." Renovated building in Lille includes monumen­ Glas och Porslin, v. 63, no. 1,1993, pp. 22-25, ill. tal colored chandeliers by Gaetano Pesce. 1205 Scherer, Alice and Hector, Valerie. Hertha Bengtson. "Doubling Up: South African Double-Faced Stitches." 1192 "Mieke Groot, Richard Meitner: Com­ Beadwork, v. 1, no. 3, Summer 1998, pp. 22- 1180 Rudge, Geraldine; Pavey, Ruth; plices en art." 26, ill. and Hoggard, Liz. Verre & Creation, no. 8, July 1997, p. 4, ill. "Lookout: Helen Maurer, Ros Conway, English summary, p. 8. Alice Docherty." Portrait of the glass artists. 1206 Schmitt, Peter. Crafts (U.K.), no. 153, July/Aug. 1998, "Czeslaw Zuber: Deze hoofden snijden door pp. 32-35, ill. 1193 "Pascale Riberolles: Le Verre a I'envers." de ziel." Report on "promising newcomers to the crafts Verre & Creation, no. 2, Oct. 1995, p. 4, ill. Glas en Keramiek, no. 5, 1997, pp. 18-21, ill. scene" focuses on three artists who work with Portrait of the artist. In Dutch and English. glass. Polish artist's glass heads combine bright co­ 1194 "Retours d'ltalie." lors and aggressive shapes. 1181 Ryan, John. Verre & Creation, no. 9, Oct. 1997, p. 3, ill. "An Allegory for Silicon Valley." Exhibition of glass by Erik Dietman and Jean- 1207 Schnetzer, Jenny. Glass on Metal, v. 13, no. 4, Aug. 1994, Michel Othoniel in Paris. "It's Hip to Be (Times) Square." pp. 81-82, ill. Signs of the Times, v. 220, no. 6, May 1998, "A mosaic mural in vitreous enamel on cop­ 1195 "Sars-Poteries a I'heure hollandaise." pp. 84-89, ill. per" uses vocabulary of classical Greek Verre & Creation, no. 8, July 1997, pp. 4-5, ill. The "Great White Way" has become "a sign- mythology to salute development of the semi­ English summary, p. 8. maker's dream." conductor and transistor. A Dutch season at the Musee-Atelier; exhibi­ tion of works by 18 Dutch artists. 1208 "Signs of Your Times: Women in Neon." 1182 Samani, Sylvie. Signs of the Times, v. 220, no. 4, March 1998, "Lampe Berger, une marque qui se sent bien 1196 "Sars-Poteries: Louis Meriaux." pp. 24-25, ill. partout. . . ." Neues Glas, no. 4, 1997, pp. 38-41, ill. Juried exhibition features 18 works by 15 Offrir, Revue des Industries d'Art, no. 332, In German and English. women artists, San Diego. 1209 Schriemer, Renske. In German and English. 1997, u.p., ill. "De Glasblazer: Emil Pfeiffer." Glass designer Clarke and photographer Includes brief article about Frances and Glasbulletin, Vereniging van Vrienden van McCartney collaborate in exhibition in Michael Higgins. Modern Glas, v. 12, no. 2, 1998, p. 15, ill. Romont, Switzerland. Portrait of the glassblower. 1235 Skytte, Lillemor Olsson. 1223 Seince, Frangoise. "50-talets klassiker." 1210 Schrijvers, Dirk. "Verre au feminin." Antik & Auktion, no. 12, Dec. 1996, pp. 38-44, ill. "Glas voelen." Le Courrier des Metiers d'Art, no. 171, May 50 years of classic designs, including Swedish Glasbulletin, Vereniging van Vrienden van 1998, p. 15, ill. glass. Modern Glas, v. 12, no. 2, 1998, pp. 4-5, ill. Group exhibition of glass work by 12 young Modern glass exhibition for the blind, in Brus­ women, Paris. 1236 "Prisvarda fynd for paskens bord." sels. Antik & Auktion, no. 4, April 1997, pp. 39-44, ill. 1224 Seiz, Robert. Includes glassware for Easter celebrations. 1211 "Klara Leibovitz bereikt het evenwicht "'Spielerisches mit Glas.'" nooit." GFF, Zeitschrift fur Glas, Fenster, Fassade, 1237 Slepian, Marian. Glasbulletin, Vereniging van Vrienden van no. 16, Aug. 1998, pp. 874-876, ill. "What Is a Camel?" Modern Glas, v. 8, no. 4, 1994, pp. 4-5, ill. Exhibition of new work from the Glasfach- Glass on Metal, v. 14, no. 1, Feb. 1995, Work by the artist. schule Zweisel of playful expressions of glass- pp. 20-22, ill. making (musical instruments, glass floral ar­ Author's work focuses on large cloisonne 1212 "Schoonheid in vorm." rangements, costumes and apparel, etc.). enamels. Glasbulletin, Vereniging van Vrienden van Modern Glas, v. 11, no. 1, 1997, pp. 12-15, ill. 1225 Sekora, Ondrej J. 1238 Slot, Bernard. Vessels by Sylvie Vandenhoucke. "Slovo k panum galeristum 21. stoleti." "Het bloedrode lijden: Stanislav Borowski's Bulletin Moravske Galerie v Brne, no. 53, objecten." 1213 "Tien jaar glasopleiding in Mechelen." 1997, pp. 104-106, ill. Glas en Keramiek, no. 4, Autumn 1996, Glasbulletin, Vereniging van Vrienden van Includes illustrations of sculpture by Janak, Li- pp. 23-25, ill. Modern Glas, v. 9, no. 2, 1995, p. 15, ill. bensky/Brychtova, and Kopecky. Glass works by the artist. Work of Myriam Somers. 1226 Setlik, Jiff. 1239 Smith, Leah A. "Dvakrat z New Yorku." 1214 "Vogels en walvissen." "A Crystal Clear Win." Atelier, no. 10, May 6, 1993, p. 8, ill. Glasbulletin, Vereniging van Vrienden van A & E, The Magazine for Awards & Engraving English summary. Modern Glas, v. 10, no. 2, 1996, pp. 17-19, ill. Professionals, v. 11, no. 2, April 1998, pp. 40- Libensky/Brychtova sculptures of 1991-1993 Veerle Vandeput, Myriam Somers. 41, ill. in New York exhibit. Waterford Crystal creates Super Bowl trophy. 1215 "Vormgeving in Vlaanderen: Prachtig 1227 Shearing, Graham. werk rommelig gepresenteerd." 1240 "The Cutting Edge." "Pittsburgh." Glasbulletin, Vereniging van Vrienden van A & E, The Magazine for Awards & Engraving, Neues Glas, no. 4, 1997, pp. 34-37, ill. Modern Glas, v. 10, no. 1, 1996, pp. 14-17, ill. v. 10, no. 10, Dec. 1997, pp. 26-28+, ill. In German and English. Belgian artists. Cut-glass artist Pepi Herrmann created tro­ Glass exhibition at the Society for Contempo­ phies, awards, and presentation pieces. rary Crafts; prize winner Sibylle Peretti. 1216 Schroy, Ellen. "Why Is Orrefors Swedish Glass Suddenly So 1228 Siegmann, Renaud. 1241 Smith, Mark. Hot?" "La Flamme interieure." "Egg-Shaped Paperweights - Part III." Today's Collector (Warman's), v. 6, no. 11, Table & Cadeau, no. 344, Oct. 1993, pp. 34- Annual Bulletin of the Paperweight Collectors Nov. 1998, pp. 80-84, ill. 36, ill. English summary, p. 61. Association, 1998, pp. 91-94, ill. Profile of Vianne, European manufacturer of 1217 Schwabsky, Barry. lighting using hand-blown glass. 1242 Snell, Michael and Tonda, Michael. "The Glass Skin." "Patricia Breen Designs." American Craft, v. 58, no. 4, Aug./Sept. 1998, 1229 Silander, Liisa. Collectors' Bulletin, June/July 1998, p. 133, ill. pp. 48-53, ill. "Light and the 'Female Principle.'" Glass ornaments. Exhibition at The Corning Museum of Glass. RISD Views (Rhode Island School of Design), Fall 1994, p. 30, ill. 1243 Soleau, Antje. 1218 Schwartz, Amy. Glass, metal, and stone sculptures by Mary "Die Manu Factum '97: Elitar aber wenig po­ "Studio Starts Residency Programs." Shaffer. pular?" The Corning Museum of Glass Newsletter, Kunsthandwerk & Design, no. 6, Nov./ Spring 1998, p. 4, ill. 1230 Silenzi, Simona. Dec. 1997, pp. 32-37, ill. Flameworkers Alex Hamilton and Laurentiu "Trasparenze." Craft fair in Westfalen; award to Georg Linden Anghelache participate in residencies. Casa Vogue, no. 262, May 1994, pp. 100-105, ill. for glass and stone sculpture. Includes Muranese glass. 1219 Scurfield, David. 1244 "Das Spielerische im Glas." "Guild Second Spring Lecture." 1231 Simpson, Richard V. Glas + Rahmen, v. 49, no. 1, Jan. 1998, The Guild of Glass Engravers Newsletter, "Kontes Brothers' Paperweights: South Jersey pp. 40-41, ill. Spring 1998, pp. 4-5. Masterpieces." Glass sculpture by Katja Schetting. Relationship between artist and patron. Antiques & Collecting Magazine, v. 102, no. 11, Jan. 1998, pp. 35-37+, ill. 1245 Solis-Cohen, Lita. 1220 Searle, Karen. James and Nontas Kontes paperweights. "New York City: SOFA." "Margaret Gordon: Serendipitous Encounters." Maine Antique Digest, v. 26, no. 7, July 1998, Ornament, v. 21, no. 3, Spring 1998, pp. 36- 1232 "A New Generation: American Paper­ pp. 18E-19E, ill. 39, ill. weight Artist Ken Rosenfeld." Review of the exposition and glass sales. Bead necklaces. Antiques & Collecting Magazine, v. 103, no. 9, Nov. 1998, pp. 28-31+, ill. 1246 Sono, Takako. 1221 Seeler, Margarete. "Glass Now '88 - 10th Year Exhibition." "Unisono: Commentary on a Gold and Cloi­ 1233 Skimao, Christian. Honoho Geijutsu, no. 20, 1988, pp. 132-135, ill. sonne Panel." "Frangois Vigorie ou le lancier de I'immateriel." In Japanese. Glass on Metal, v. 11, no. 2, April 1992, La Revue de la Ceramique et du Verre, no. 99, Exhibition of works by Mieke Groot, Dan Dailey, pp. 28-29, ill. March/April 1998, pp. 14-15, ill. Dana Zamecnikova, and others.

1222 Sehringer-Sulanke, Christine. 1234 Skolnik, Lisa. 1247 Sour, Annemarie. "Brian Clarke & Linda McCartney." "Chicago Style: Heirlooms for Tomorrow." "Afstuderenden aan de Rietveld Academie Neues Glas, no. 1, 1998, pp. 40-43, ill. Chicago Tribune, "Home" section, June 8, over hun leven en werk." Glasbulletin, Vereniging van Vrienden van 1261 "Between Tradition and the Future: 1276 Suzuki, Edward. Modern Glas, v. 10, no. 2, 1996, pp. 12-16, ill. Finnish Design in the 90s." "Shinpei Sato Glass Work: The Eternal Cul­ Robert van der Ven, Laura Heyworth, Tijs Form Function Finland, no. 68 (4), April 1997, ture of the Broken Moment." Beelen. pp. 40-45, ill. Honoho Geijutsu, no. 16, 1987, pp. 87-91, ill. In Japanese. 1248 "Barbara Nanning: De natuur is mijn 1262 "A Work of Art." belangrijkste inspiratiebron." Form Function Finland, no. 68 (4), April 1997, 1277 Swann, Philippa. Glasbulletin, Vereniging van Vrienden van pp. 4-5, ill. "Commissions: Edinburgh Dental Institute." Modern Glas, v. 10, no. 4, 1996, pp. 17-19, ill. Sculptural piece by Kaj Franck in the Museum Crafts (U.K.), no. 151, March/April 1998, Work by Nanning. of Modern Art, New York. pp. 18-21, ill. Stephen Skrynka's glass walls and Jane 1249 "Braggiotti Gallery: Op zoek naar de 1263 Stern, Suzanne. Watt's fiber optic ceiling sculpture. emotie." "Combined Visions: Glass Bead Artists and Metalsmiths." Glasbulletin, Vereniging van Vrienden van 1278 Sykes, Rosaline. Ornament, v. 21, no. 3, Spring 1998, pp. 32- Modern Glas, v. 11, no. 2, 1997, pp. 24-25, ill. "A Natural Star." 35, ill. Swarovski, no. 8, July 1998, pp. 8-9, ill. 1250 "Breekpunt de verleiding tot aanraken Adi Stocker, Swarovski designer. en aaien." 1264 Stolarski-Assael, Raquel. Glasbulletin, Vereniging van Vrienden van "G.A.S. International Expo 1." 1279 Symens, Kathrin. Modern Glas, v. 9, no. 4, 1995, pp. 10-12, ill. The Glass Art Society Journal, 1997, pp. 22- "Licht: Zwischen Kitsch und Kunst." Artists selected for International Glass Art 23, ill. Kunsthandwerk & Design, no. 2, March/ Project 1995, including Armin Homolka, Keith April 1998, pp. 16-21, ill. Brocklehurst, Giampolo Amoruso, and Isabel 1265 "International Window: Glass Art in the Lamps and lighting by Dietlind Preiss. Marquez de Almeida. Guinness Book of World Records." GAS News (Glass Art Society), Fall 1997, 1251 "Glas in tochtige pakhuizen, op oude p. 4, ill. 1280 Tagliapietra, Lino. zolders en onttakelde fabrieken." Mexican architect and designer creates 18-ft. "Andries Copier heb ik in 1981 leren kennen." Glasbulletin, Vereniging van Vrienden van Christmas tree of blue bottles. Bulletin van de Vereniging van Vrienden van Modern Glas, v. 8, no. 4, 1994, pp. 12-13, ill. Modern Glas, v. 1, no. 4, 1987, pp. 16-17, ill. Glass by Winnie Teschmacher. 1266 Stone, Lage. "Bas-Glas." 1281 Takagi, Akiraka. 1252 "'Het heeft met gevoel in de handen te Skona Hem, no. 6, June 1993, pp. 58-59, ill. "Elegant and Concise Cosmos of Nobuyasu maken.'" Drinking glasses. Sato." Glasbulletin, Vereniging van Vrienden van Honoho Geijutsu, no. 10, 1985, pp. 168-171, ill. Modern Glas, v. 10, no. 1, 1996, pp. 6-9, ill. 1267 "Lattsam 'Smapratsmat' i glashyttan." In Japanese. Lampworked glass of Miranda van der Waal. Skona Hem, no. 12, Dec. 1995, pp. 92-95, ill. Glass by Paula Bartron. 1282 Takahashi, Mutsuo. 1253 "Maria Roosen betovert, verleidt en "Essence of Glass: Mariko Sato's Vessels." shockeert de wereld." 1268 "Parfym tar form." Honoho Geijutsu, no. 14, 1986, pp. 102-105, ill. Glasbulletin, Vereniging van Vrienden van Skona Hem, no. 12, Dec. 1995, pp. 103-104, ill. In Japanese. Modern Glas, v. 9, no. 2, 1995, pp. 6-9, ill. Perfume bottles. 1269 "Studio." 1283 Takahashi, Yoshihiko. 1254 Sparr, April. Skona Hem, no. 7, July 1996, p. 11, ill. "A Glass Artist Speaks Out on Contemporary "Prestige Glass: The Success Story of Rob Glass and ceramic sculptural forms by Paula Glass." Jackson." Bartron. Glass & Art{Tokyo), no. 10, Aug. 1995, pp. 8- Sandcarving Quarterly, v. 2, no. 3, Spring 25, ill. In Japanese. 1998, pp. 3-4, ill. Includes a general history of Japanese con­ 1270 Straus, Cees. Distributor of glass blanks in Canada. temporary glass art movement. "Bezoek uit glasstad Wroclaw: Pools glas van meesters en leerlingen." 1255 Spencer, Ruth. Glas en Keramiek, no. 4, 1994, pp. 26-29, ill. 1284 "Promising Glass Artists in Europe." "Kristina Logan, Glass Bead Artist." Exhibition of Polish glass in Schalkwijk. Honoho Geijutsu, no. 12, 1985, pp. 185-187, ill. Beadwork, v. 1, no. 3, Summer 1998, pp. 17- In Japanese. 19, ill. 1271 "Dorothe van Driel: De plasticiteit van Profile of the artist. staal en glas." 1285 Takeda, Atsushi. Glas en Keramiek, no. 4, Autumn 1996, "Glass Now '85 in Europe: Contemporary 1256 Stassijns, Koen. pp. 30-33, ill. European Glass Craft - Challenge to Fresh "Wouter Bolangier." Steel and glass sculpture by the artist. Modeling Crafts." Glashelder, no. 8, Nov. 1996, p. 18, ill. Honoho Geijutsu, no. 12, 1985, pp. 178-184, ill. Profile of the artist. 1272 Strom, Karin. In Japanese. "Aktuellt: Glasig rumskonst." Works by Isgard Moje-Wohlgemuth, Colin 1257 Statom, Therman. Form, v. 94, no. 1 (715), 1998, p. 84, ill. Reid, Pavel Molnar, and others. "Artist Presentations." "Glass, Light & Space" exhibition at Crafts The Glass Art Society Journal, 1997, Council, London. 1286 "Jun Fujita's Glass Concept." pp. 61-62, ill. Honoho Geijutsu, no. 19, 1988, pp. 124-127, ill. Author's talk at Tucson conference. 1273 Stuhr, Joanne, ed. In Japanese. Calido: Contemporary Warm Glass 1258 Stavis, Amy. Tucson, AZ: Tucson Museum of Art, 1997, 1287 "The Newest Glass Arts of Kyohei "By Design: John and Kathleen Burchetta." 116 pp., ill. Fujita." Tableware Today, v. 3, no. 1, Feb./March 1998, Works by 75 artists. pp. 38-39+, ill. Honoho Geijutsu, no. 11, 1985, pp. 164-168, ill. In Japanese. 1274 Sudjic, Deyan. 1259 "Meet Me at Saint Louis!" "Design en identiteit: Aspecten van europees Tableware Today, v. 2, no. 6, Dec. 1997/ design." 1288 "The State of Glass Art Today." Jan. 1998, pp. 56-59, ill. Glashelder, no. 10, May 1997, pp. 13-15, ill. Neues Glas, no. 3, 1998, pp. 40-45, ill. Saint-Louis stemware. Exhibition at the Museum van Sierkunst en In German and English. Vormgeving. International glass exhibition in Kanazawa. 1260 Stenros, Anne. "Aesthetics of Everyday." 1275 Sutton, Katherine Day. 1289 Takeuchi, Denji. Form Function Finland, no. 67, March 1997, "Products: Introduction." "Colin Reid." pp. 4-5, ill. Interiors, v. 157, no. 7, July 1998, pp. 30-31, ill. Honoho Geijutsu, no. 18, 1987, pp. 134-137, ill. Wirkkala's "Chanterelle" vase. Wall sconces include glass. In Japanese. 1290 "The International Exhibition of Glass Honoho Geijutsu, no. 21, 1988, pp. 132-135, ill. 1318 Uuden, Roland van. Craft '88 in Kanazawa." In Japanese. "Glasmuseum Ebeltoft X jaar." Honoho Geijutsu, no. 20, 1988, pp. 138-141, ill. Works by Jay Musler, Ginny Ruffner, Diana Glas en Keramiek, no. 4, Autumn 1996, p. 8. In Japanese. Hobson, and others. Overview of 10 years of exhibitions at the Michael Taylor, Pavel Hlava, and others. Danish museum. 1305 Tonchi, Stefano. 1291 "Mark Peiser's Glass Modeling." "KJL." 1319 Valoch, Jiff. Honoho Geijutsu, no. 21, 1988, pp. 148-151, ill. Casa Vogue, no. 271, March 1995, pp. 68-75, ill. "Ambruz v nekolika mediich." In Japanese. Kenneth Jay Lane, American designer of Atelier, no. 22, Oct. 23, 1997, p. 6, ill. costume jewelry. English summary. 1292 "Monument of Nature and Human: Three exhibitions in Moravia with sheet glass Michael Glancy." 1306 Towne, Douglas C. installations by Jan Ambruz. Honoho Geijutsu, no. 24, 1989, pp. 128-131, ill. "Motel Signs of the Southwest: As Subtle as In Japanese. Neon." 1320 Vamos-Lovay, Zsuzsanna. Sign Builder Illustrated, no. 51, May/June 1998, "Magyarorszag: Occasioni per il design 1293 "Yan Zoritchak: Denji Takeuchi's pp. 78-90, ill. ungherese." Roundtrip Letter." Signs "considered commercial folk art." Domus, no. 804, May 1998, pp. 58-63, ill. Honoho Geijutsu, no. 16, 1987, pp. 185-187, ill. In Italian and English. In Japanese. 1307 Trabert, Heidi P. Includes glass by Peter Borkovics, pp. 62-63. Correspondence between Czech and Japa­ "Ein Goldfisch im Wohnzimmertisch." nese glass artists. Glas + Rahmen, v. 49, no. 5, May 1998, p. 24, ill. 1321 van den Doel, Rob. Glass furniture by Erich Wintersteller. "Neil Wilkin: Stabiele factor in scheppings- 1294 "Pavel Hlava." proces." Honoho Geijutsu, no. 19, 1988, pp. 154-157, ill. 1308 Trageser, Josie. Glasbulletin, Vereniging van Vrienden van In Japanese. "Inview: Galina Selezneva." Modern Glas, v. 9, no. 4, 1995, pp. 18-21, ill. Glass on Metal, v. 10, no. 5, Oct. 1991, 1295 "William Carlson - Denji Takeuchi's pp. 248-251, ill. 1322 van den Doel, Rob; Liefkes, Reino; Roundtrip Letter." Profile of the artist. and van der Pol, Hannah. Honoho Geijutsu, no. 17, 1987, pp. 142-145, ill. "Andries Dirk Copier in Tsjechoslowakije." In Japanese. 1309 "Recent Works by Josy Trageser: Bulletin van de Vereniging van Vrienden van Sculptural Tubes and Letters." Modern Glas, v. 1, no. 4, 1987, pp. 18-20. 1296 Tanaka, Toshiko. Glass on Metal, v. 13, no. 4, Aug. 1994, "Inview: Toshiko Tanaka." pp. 84-87, ill. 1323 van der Burght, Angela. Glass on Metal, v. 13, no. 2, April 1994, "Auteursrecht of beeldrecht." pp. 28-30, ill. 1310 Trepp, Judith. Glasbulletin, Vereniging van Vrienden van Profile of the cloisonne enameling artist. "Reviews: Dan Graham." Modern Glas, v. 12, no. 1, 1998, pp. 15-18, ill. ARTnews, v. 97, no. 3, March 1998, p. 183, ill. Artists' copyright issues. 1297 Tanikawa, Koichi. Two steel and glass pavilions in Zurich. "Solid Crystal World: Toshio Sugasawa's Desk 1324 "Beeldrecht of Beeldkrom?" Toy." 1311 Tromble, Meredith. Glashelder, no. 12, Nov. 1997, pp. 3-5, ill. Honoho Geijutsu, no. 16, 1987, pp. 110-115, ill. Sculptural pieces by Sunny van Zijst. In Japanese. "News: Collaboration in Glass." Artweek, v. 28, no. 12, Dec. 1997, p. 27, ill. Lino Tagliapietra executes ideas by two alumni 1325 "Glas in het derde millennium." 1298 Tarsitano, Debbie. of San Jose State University. Glashelder, no. 12, Nov. 1997, pp. 11-14, ill. "The Seven Salamanders of Delmo Tarsitano." Highlights from symposium held in Roermond, Annual Bulletin of the Paperweight Collectors "Glass in the Third Millennium." Association, 1998, pp. 84-86, ill. 1312 Tschida, Fred. Salamander weights made from 1987 to 1990. "Artist Presentations." The Glass Art Society Journal, 1997, p. 63, ill. 1326 "Glas kritisch bekeken: Wat is er aan de hand met de glaskunst?" 1299 Taylor, Bridget. Author's talk at Tucson conference. Glasbulletin, Vereniging van Vrienden van "A Visit to the Ebeltoft Museum of Glass." Modern Glas, v. 11, no. 2, 1997, pp. 9-11. The Glass Society of Ireland Newsletter, 1313 Tudor, Jean. no. 17, April 1998, pp. 5-7. "Inview: Yael Kahanov." Glass on Metal, v. 11, no. 3, June 1992, 1327 "Is glas heet, warm of koud?" 1300 Teague, Elizabeth. pp. 48-49, ill. Glashelder, no. 12, Nov. 1997, pp. 16-18, ill. "Practically Art: An American View of Swedish Profile of the artist. Implications of the terms "hot," "warm," and Glass." "cold" in connection with glass. The Glass Art Society Journal, 1997, pp. 41- 1314 Turner, Grady T. 42, ill. "Reviews: Sherry Markovitz." 1328 "Het glasmuseum en de glasgalerie." Author teaches and visits studios in Sweden. ARTnews, v. 97, no. 6, June 1998, pp. 125- Glasbulletin, Vereniging van Vrienden van 126, ill. Modern Glas, v. 12, no. 1, 1998, pp. 22-25, ill. 1301 Terakato. Sculptures of mixed media and glass beads in Relationship between Dutch glass galleries "Glass Maniacs." New York exhibit. and glass museums. Faber, no. 76, May 1996, p. 3, ill. Activities at a glass studio in Tokyo. 1315 Ullrich, Polly. 1329 "Ik zie ik zie wat jij niet ziet." "Reviews: Lino Tagliopietra." Glasbulletin, Vereniging van Vrienden van 1302 Thebaud, Sylvie. New Art Examiner, v. 25, no. 3, Nov. 1997, Modern Glas, v. 11, no. 4, 1997, pp. 20-21. "30 idees cadeaux." pp. 53-54, ill. Maison & Jardin, no. 409, Dec. 1994/Jan. 1995, Chicago exhibition. 1330 "The Murano Connection: Berengo pp. 88-91, ill. Fine Arts Gallery, Arnhem." Holiday gift ideas, including glass by Lalique, 1316 Unger, Marjan. Glasbulletin, Vereniging van Vrienden van Baccarat, Saint-Louis. "Glas in produktie." Modern Glas, v. 10, no. 4, 1996, pp. 13-15, ill. Glas en Keramiek, no. 3, 1994, p. 25, ill. 1303 Tichy, Jin. Borek Sipek, Willem Noyons, Teake Bulstra, 1331 "Stof tot nadenken." "Sem Gizely Sabokove." Arnout Visser, Ton Haas, Winnie Teschma- Glasbulletin, Vereniging van Vrienden van Atelier, no. 1, Jan. 7, 1993, p. 4, ill. cher, Jan van der Vaart. Modern Glas, v. 12, no. 2, 1998, pp. 24-29, ill. English summary. Giuseppe Penone, Julian Fabro, Mario Merz, Prague exhibition of work by Gizela Sabokova. 1317 Urfer, Mrs. Beat. Jannis Kounellis. "Inview: Beat Urfer." 1304 Tomona, Makoto. Glass on Metal, v. 11, no. 1, Feb. 1992, 1332 "What Is in a Name?" "Glass Modeling Renewal Exhibition - The 3rd pp. 8-9, ill. Glashelder, no. 9, Feb. 1997, pp. 15-17, ill. International Contemporary Glass Exhibition. Profile of the artist. Lampworked glass. 1333 "3 X Galerie." pp. 46-51, ill. 1359 Warnia, Pierre. Glasbulletin, Vereniging van Vrienden van Studios and companies that produce glass "Cristallerie et verrerie, symboles prestigieux Modern Glas, v. 11, no. 4, 1997, pp. 12-14, ill. corporate gifts: Thames Glass, Harrie Art du savoir-faire, Part 2. L'Art du verre a boire a Three Leerdam galleries: Glas Galerie Leerdam, Glass, Kurt McVay, Solstice, Pyromania, travers I'histoire . . . de la table." Galerie Verboog, and Galerie "De Vlietskant." Vitrix, Lundberg, and Eickholt. Offrir International, no. 344, June 1997, pp. 18-31, ill. English summary, pp. 61-64. 1334 "3 X Galerie." 1346 "Boats, Maps and Heads: The Glass Art of the drinking glass, with examples from Glasbulletin, Vereniging van Vrienden van Legends of Bertil Vallien." Saint-Louis, Sevres, Daum, Lalique, etc. Modern Glas, v. 12, no. 1, 1998, pp. 12-14, ill. Glass Art, v. 13, no. 2, Jan./Feb. 1998, Glass in three Maastricht galleries. pp. 4-8+, ill. 1360 "Les Cristalleries Royales de Cham­ pagne ont le vent en poupe." 1335 van Ommen, Kasper. 1347 "Debbie Tarsitano: Redefining the Pa­ Offrir International, no. 356, Sept. 1998, "Uniek glas in Drents Museum." perweight Tradition." pp. 108-113, ill. English summary, p. 139. Glasbulletin, Vereniging van Vrienden van Glass Art, v. 13, no. 1, Nov./Dec. 1997, France's oldest crystal manufacturer preparing Modern Glas, v. 12, no. 2, 1998, pp. 19-20, ill. pp. 4-7+, ill. to expand to U.S., Latin America, and Asia. Glass in the Drents Museum, Assen. 1348 "Farewell to Glass: The Final Sale of 1361 "Fenetre ouverte sur I'ltalie d'aujourd' 1336 Van Slyke, Michele G. Stan Floate's Artwork." hui." "Inview: Michele G. Van Slyke." Glass Art, v. 13, no. 1, Nov./Dec. 1997, Offrir, Revue des Industries d'Art, no. 330, Glass on Metal, v. 16, no. 2, June 1997, pp. 14-15+, ill. Feb. 1996, pp. 41-50, ill. pp. 40-42, ill. Fused glass artist, 1951-1997. Survey of glassmaking in Italy; includes pro­ Profile of the artist. files of Barbini, Venini, Seguso, and Bisazza. 1349 "The Game in Glass: Michael Dupille's 1337 van Zijst, Femke. Baseball Art." 1362 "Fenetre ouverte sur Venise. . . ." "Een galerie is niemandsland." Glass Art, v. 13, no. 2, Jan./Feb. 1998, Offrir International, no. 346, Sept. 1997, Glashelder, no. 3, July 1995, pp. 23-24, ill. pp. 31-32+, ill. pp. 67-82, ill. Interview with Lillya Zeligman of Art Glass Fused crushed glass panels by Dupille. Series of articles on glassmaking in Venice, Centre International in Schalkwijk. including a general survey and profiles of 1350 "The Impossible Made Possible: Loren Carlo Moretti and Salviati. Stump's Lampworked Sculpture." 1338 van Zijst van der Burght, Angela and Glass Art, v. 13, no. 4, May/June 1998, van Zijst, Jan-Willem. 1363 "Histoire millenaire du verre de Murano." pp. 38-42, ill. "Vlak-glas: Meer aandacht." Offrir International, no. 340, Feb. 1997, Bulletin van de Vereniging van Vrienden van pp. 49-57, ill. English translation, pp. 86-88. Modern Glas, v. 2, no. 2, June 1988, 1351 "Richard Marquis: The Unlikely Icon of Salviati. pp. 13-15. Contemporary Studio Glass." Observations on flat glass. Glass Art, v. 13, no. 5, July/Aug. 1998, 1364 "Lalique, trois generations de cristal- pp. 4-7, ill. liers." Interview with the artist. 1339 Vanlatum, Anne. Offrir, Revue des Industries d'Art, no. 332, "A Sars-Poteries un lieu vivant pour le verre." April 1996, pp. 50-53, ill. 1352 "Vitreography: The Vitreographer." La Revue de la Ceramique et du Verre, Retrospective in Strasbourg features works by Glass Art, v. 13, no. 3, March/April 1998, no. 100, May/June 1998, pp. 42-43, ill. Rene, Marc, and Marie-Claude Lalique. pp. 48-51, ill. History of the glassworks and Le Musee du Work by Judith O'Rourke, Kenneth Kerslake, Verre at Sars-Poteries; work by many interna­ 1365 "Lalique: Trois generations de cristal- Bennett Bean, Karen Kunc, and Warrington tional artists. Colescott. liers." Offrir, Revue des Industries d'Art, no. 336, 1340 Varax, Anne-Sophie de. Sept. 1996, pp. 107-108, ill. English transla­ 1353 Wagner, Sandra. tion, pp. 130-131. "Unio, la perle rare." "Negotiating Boundaries: Artists Explore the OffrirInternational, no. 346, Sept. 1997, p. 64, ill. Lalique's rich history includes three genera­ Tijuana-San Diego Border." tions of artists of international fame. Shop features glass by French artists. Sculpture, v. 17, no. 2, Feb. 1998, pp. 32-37, ill. Includes artists Einar and Jamex de la Torre. 1341 Viesnik, Peter. 1366 "La Nouvelle Configuration du marche americain des arts de la table." "Flameworking." 1354 Waite, Alicia. Offrir International, no. 346, Sept. 1997, NZSAG (New Zealand Society of Artists in "Men in Black, Craft in Color." pp. 83-93, ill. Glass), April 1998, p. 15, ill. The World & I, v. 13, no. 7, July 1998, Articles on the marketing of glass in America "Some information ... on the current state of pp. 102-109, ill. by European firms. flameworking." Exhibition in Lancaster, Pennsylvania, reveals artistic nature of Amish; includes glass, 1342 Vine, Richard. pp. 104 and 107. 1367 "Les Splendeurs du verre de Murano." "Review of Exhibitions: Michele Blondel." Offrir Club, supplement to Offrir, Revue des Art in America, v. 86, no. 3, March 1998, 1355 Wallerius, Inga. Industries d'Art, no. 330, Feb./March 1996, p. 110, ill. "Frihet att tolka; Guldglas." pp. 40-46, ill. Houston exhibit. Form, v. 91, no. 3 (699), 1995, pp. 8-9, ill. Survey of Muranese glass. Glass by Eva Ullberg and Anders Wingard. 1343 Volfova, Jana and Novotna, Jana. 1368 "Le Verre a un pays, la Republique "O designu pro vsedni den." 1356 "Konsthantverk: Stiligt obrukbart." Tcheque." Bulletin Moravske Galerie v Brne, no. 53, Form, v. 93, no. 5 (713), 1997, p. 9, ill. Offrir, Revue des Industries d'Art, no. 327, 1997, pp. 98-101, ill. English summary. Exhibition at Varbergs museum of some glass Sept. 1995, pp. 97-128, ill. "Everyday Design" includes drinking glasses from "Venetia Aperto Vetro": Tagliapietra, An overview of many Bohemian glass firms by Jiri Suhajek and Mojmir Cermak. Myers, van Meurs, Hobson, and Salo. and studios: Caesar Crystal, Beranek, Jaroslav Svoboda, Atelier Moravie, Zahn, and others. 1344 Volk, Gregory. 1357 "Livsfilosofi." "Review of Exhibitions: Josiah McElheny at Form, v. 91, no. 2 (698), 1995, p. 9, ill. 1369 "Les Verriers d'Alsace: Leur aventure... AC Project Room." Glass by Bertil Vallien in Goteborg exhibit. Offrir, Revue des Industries d'Art, no. 336, Art in America, v. 86, no. 3, March 1998, Sept. 1996, pp. 103-107, ill. p.107, ill. 1358 Warmus, William. Tour of Alsatian glasshouses. New York exhibit. "Harvey Littleton: Glass Master." Glass (UrbanGlass), no. 72, Fall 1998, 1370 "Le Visage de Swarovski en 1996." 1345 Waggoner, Shawn. pp.26- 35, ill. Offrir, Revue des Industries d'Art, no. 331, "Award-Winning Glass." "An overview of the contributions of the found­ March 1996, pp. 33-36, ill. Glass Art, v. 13, no. 1, Nov./Dec. 1997, er of the Studio Glass Movement." Profile of the company. 1371 Wasserstein, Henry P. 1384 "Kay Whitcomb: Art Career for 1398 "North River Glass Studio and Gallery." "Minutes of the Meeting of MCGG, November Enameling: Part I." The "Marble Connection" Newsletter, v. 6, 16, 1997." Glass on Metal, v. 15, no. 4, Oct. 1996, no. 3, July 1997, pp. 1-2, ill. MCGG Minutes (Metropolitan Contemporary pp. 91-93, ill. Massachusetts studio makes marbles and Glass Group), Nov. 1997, pp. 4-5. other items. UrbanGlass fellows Evan Snyderman and Ra­ 1385 White, Edmund. ven Wilson. "Jean-Michel Othoniel: The Interpretation of 1399 Wood, James. Desires." "Making a Splash with Coloured Glass." 1372 "Report on MCGG Philadelphia Trip." Parkett (Parkett Series with Contemporary Tableware International, v. 27, no. 9, Oct. 1997, MCGG Minutes (Metropolitan Contemporary Artists), no. 52, 1998, pp. 6-19, ill. In English pp. 21-23, ill. Glass Group), Dec. 1997, pp. 1-20. and German. Scandinavian and British glass tableware com­ Includes visit with glass artists Judith Schaech- Artist uses glass and glass beads in his sculp­ panies are using color in imaginative ways. ter, Jon Clark, Patti Dougherty, Adam Kamens, tures. Lucartha Kohler, Ray King, and Steve Stormer. 1400 "Warming to Colour." 1386 Whiteley, Peter O. Tableware International, v. 25, no. 5, June 1373 Watson, Dan. "Singular Ornaments." 1995, pp. 41-42+, ill. "Demonstrations: Practical Annealing." Sunset, v. 195, Dec. 1995, p. 68, ill. Colored glass made in the U.K. and on the The Glass Art Society Journal, 1997, Glass ornaments from Western studios: Roger continent by firms such as Dema, Durand, pp. 77-80, ill. Vines, Stuart Abelman, Craig Zweifel, Glass Schott Zwiesel. Measurement-based techniques of annealing Eye Studio. used at the Steward Observatory Mirror Labo­ 1401 Woudenberg, Bert. ratory are discussed at the Tucson conference. 1387 Whiteman, Larry. "Bernardine de Neeve-prijs is onverwachte "Swarovski Silver Crystal." aanjager voor Lisa Gherardi." 1374 Watts, David. Collectors' Bulletin, April/May 1998, p. 24, ill. Glasbulletin, Vereniging van Vrienden van "New Designers '97." Modern Glas, v. 9, no. 4, 1995, pp. 6-9, ill. Glass Network (Newsletter of the Contempo­ rary Glass Society, U.K.), no. 3, Nov. 1997, 1388 Whiting, David. pp. 12-13, ill. "International Exhibitions: Bernard Dejonghe - 1402 "Frank van den Ham laat bezoekers in Review of an exhibition of student work from Fusions." zijn keuken kijken." 11 U.K. schools. Crafts, (U.K.), no. 150, Jan./Feb. 1998, p. 50, ill. Glasbulletin, Vereniging van Vrienden van Exhibition in Dunkerque, France. Modern Glas, v. 9, no. 2, 1995, pp. 28-29, ill. 1375 "Review of the Guild Exhibition at Shakespeare's Globe." 1389 Wichert, Geoffrey. 1403 "Leerdam wil ambitieuze manifestatie The Guild of Glass Engravers Newsletter, "Life in the Vortex: Putting Glass in Its Place." met European Glass '96." Autumn 1997, pp. 6-12, ill. Neues Glas, no. 1, 1998, pp. 24-31, ill. Glasbulletin, Vereniging van Vrienden van Mo­ In German and English. dern Glas, v. 9, no. 2, 1995, p. 23. 1376 Webster, Kim. Richard Marquis. "School's Out and Sheridan Grads Proudly 1404 "Nieuwe venetiaanse glaskunst in Present 1500 Degrees of Glass." 1390 "Tango en Cristal: The Art of Silvia Arnhem." Glass Gazette, Fall 1997, pp. 18-19, ill. Levenson." Glasbulletin, Vereniging van Vrienden van Neues Glas, no. 4, 1997, pp. 18-25, ill. Modern Glas, v. 9, no. 2, 1995, p. 25, ill. 1377 Webster, Mary Hull. In German and English. Includes work by Kiki Kogelnik. "Reviews: Maria Porges." Artweek, Feb. 1998, p. 18, ill. 1391 Wickman, Kerstin. 1405 Wright, D. Henry. Installations include glass in San Francisco "Hogst vanligt." "Artist Profile: Kapran on Flameworking." exhibit. Form, v. 91, no. 2 (698), 1995, p. 8, ill. Glass Gazette, Winter 1998, pp. 3-6, ill. Stockholm exhibit with glass by Anna Liven, Toronto glass artist Alexandre Kapran. 1378 Wechsler, Max. Eino Makela, Pia Rousku-Hellgren, and Martti "Reviews: Andreas Gehr." Rytkonen. 1406 Wurth, Andrea. Artforum, May 1988, p. 158, ill. "Glaskunst: Renato Santarossa - Sculpturen Artist's work on display in St. Gallen. 1392 "Konsthantverk: Friska gester." aus Glas." Form, v. 94, no. 1 (715), 1998, p. 6, ill. Glaswelt, v. 50, no. 10, Oct. 1997, p. 68, ill. 1379 Weingartner, Harald. Glass by Reino Bjork. "Swarovski Kristallwelten." 1407 Yablonsky, Linda. International Lighting Review, no. 3, 1997, 1393 Widman, Dag. "Powering Up." pp. 118-121, ill. "En silverterrin och en glasskal." Art in America, v. 86, no. 3, March 1998, Lighting design at the Wattens, Austria, glass Nationalmuseum Bulletin (Stockholm), v. 4, pp. 88-95, ill. center. no. 2, 1980, pp. 51-53, ill. Neon sculptures by Keith Sonnier. Glass bowl by Ann Warff and Wilke Adolfsson. 1380 Weissinger, Sabine. "Glaskunst und Architektur - ein peripheres 1408 Yagi, Hiromasa. Thema?" 1394 Wigleven, Kitty. "Glass Review: Toyama Modern Glass Sculp­ Glasforum, v. 48, no. 1, 1998, p. 2. "Bert Frijns wint World Glass Now '88." ture Exhibition." Editorial on use of glass in architecture. Bulletin van de Vereniging van Vrienden van Glass & Art (Tokyo), no. 10, Aug. 1995, p. 80, Modern Glas, v. 2, no. 3, Sept. 1988, pp. 5-7, ill. ill. In Japanese. 1381 Werstiuk, Jeff. "Artist Profile: Brad Copping - Carving a Rep­ 1395 "Vormen in glas." 1409 Yajima, Miyuki. utation." Bulletin van de Vereniging van Vrienden van "World News from Italy." Glass Gazette, Fall 1998, pp. 3-5, ill. Modern Glas, v. 2, no. 4, Dec. 1988, pp. 7-9, ill. Glass & Art (Tokyo), no. 10, Aug. 1995, p. 69, Exhibition of works by Dutch glass artists. ill. In Japanese. 1382 Westerink, Geraart. "Techno Buddha ontmoet Astro Boy: De wijde 1396 Wilbur, Bob and Wilbur, Terry. 1410 Yood, James. wereld van Hans van Bentem." "Geoffrey Beetem Glass Design Studio." "Bill Boysen: From the Beginning." Glas en Keramiek, no. 1, 1998, pp. 12-17, ill. The "Marble Connection" Newsletter, v. 6, Glass (UrbanGlass), no. 72, Fall 1998, pp. 50- In Dutch and English. no. 2, July 1997, pp. 1-3, ill. 55, ill. Artist's sculptures incorporate glass. Ohio marble maker. An assessment of the artist's progress.

1383 Whitcomb, Kay. 1397 "Interplanetary Travel Along the 1411 "Review: Stephen Powell." "Jackson and Ellamarie Woolley." Mohawk Trail - Josh Simpson." Glass (UrbanGlass), no. 70, Spring 1998, Glass on Metal, v. 11, no. 2, April 1992, The "Marble Connection" Newsletter, v. 5, p. 52, ill. pp. 38-39, ill. no. 1, Jan. 1996, pp. 1-3, ill. Chicago exhibition. 1412 "Thinking about Stankard." Art Papers, v. 22, no. 5, Sept./Oct. 1998, p. 36, ill. The Glass Art Society Journal, 1997, pp. 72- Glass (UrbanGlass), no. 69, Winter 1997, Beaded environments. 73, ill. pp. 28-33, ill. Authors' work at the Tucson conference. Paul Stankard. 1416 Ziegler, Roserita. "Thames Street Glass House." The Fenton Flyer, v. 2, no. 5, Nov./Dec. 1991, 1419 Zoritchak, Thomas. 1413 Yuri, Seisuke. "Lubomir Ferko: 'Ce que racontaient les Pro- pp. 5-6. "Twenty Years of Making Facets: Restoration phetes.'" of Satsuma Cut Glass." Matthew Buechner. Reprinted from Dec. 1987/ Jan. 1988 issue of Glass Collector's Digest. La Revue de la Ceramique et du Verre, no. 97, Honoho Geijutsu, no. 10, 1985, pp. 180-183, ill. Nov./Dec. 1997, pp. 38-41, ill. In Japanese. Exhibition of Ferko's sculptures at Cathedrale 1417 Zimmer, Jenny. de Maguelone in Villeneuve. "Patterns of Existence." 1414 Zapata, Janet. Craft Arts International, no. 43, 1998, pp. 27- "Cloisonne Enamels of Marian Slepian." 31, ill. 1420 "Michel Delcey - Peintre et graveur de Glass on Metal, v. 16, no. 4, Dec. 1997, Works by Gerry King. son metier." pp. 93-94, ill. La Revue de la Ceramique et du Verre, no. 99, 1418 Zirnsack, Arthur and Dreutler-Zirnsack, March/April 1998, pp. 21-23, ill. 1415 Zellen, Jody. Hanne. Painted and engraved glass sculptures by "Reviews. Liza Lou: Back Yard and Kitchen." "Demonstrations: Swedish Graal Technique." Michel Delcey.

FLAT GLASS (after 1945) including Architectural, Mosaic, Painted, and Stained Glass FLACHGLAS (nach 1945) einschlieBlich architekturbezogenes Glas, Mosaikglas, Glasmalerei und Bundglas

1421 Anonymous. Work of Munich sculptor included stained 1438 "Commissioning Glass Art." "Albast en marmer, opnieuw ondekt. . . glass and mosaics. Architectural Record, v. 186, no. 4, April 1998, Glashelder, no. 6, May 1996, pp. 3-5+, ill. p. 165, ill. Contemporary stained glass windows. 1430 "Benedictus Awards 1997: Innovative Ellen Mandelbaum wins award for religious art Anwendungen von Verbundglas." and architecture. 1422 "Alberola a Nevers." GFF, Zeitschrift fur Glas, Fenster, Fassade, Chroniques d'Art Sacre, v. 46, Summer 1996, no. 18, Sept. 1997, pp. 971-972, ill. 1439 "Danske glaskunstnere vil praege byg- pp. 26-27, ill. Benedictus Awards for architectural use of geriet i udlandet." Work by Frangois Rouan. glass. GlasMagasinet, v. 4, no. 4, Nov. 1995, p.12, ill. Large glass work for Danish museum. 1423 "Arbeiten aus den Werkstatten W. Derix." 1431 "Ein Bibelzitat in Glas gefaBt." Das Munster, v. 22, no. 1, Jan./Feb. 1969, Glas + Rahmen, v. 48, no. 8, Aug. 1997, 1440 "Des Vitraux signes Garouste pour pp. 39-44, ill. English summary. p. 25, ill. I'eglise bourguignonne de Talant." Stained glass works by various artists. Lucia Jakobs. L'Estampille/L'Objet d'Art, no. 320, Jan. 1998, p. 4, ill. 1424 "Arbeiten aus der Mayer'schen Hof- 1432 "Bild-Dokumentation." Gerard Garouste designs set of windows for kunstanstalt, Munchen." Das Munster, v. 20, no. 2, March/April 1967, small church in Cote-d'Or. Das Munster, v. 24, nos. 2/3, March-June 1971, pp. 101-143, ill. English summary. p. 141, ill. English, French summaries. Stained glass windows of recent years and 1441 "Detail of Stained Glass Mural." New stained glass works by the firm. from projects planned for 1966/1967. RISD Views (Rhode Island School of Design), Fall 1994, p. 28, ill. 1425 "Arret image sur les realisations 1433 "Bild-Dokumentation." Mural by Helen Webber for cruise ship. primees au Benedictus 98." Das Munster, v. 20, no. 6, Nov./Dec. 1967, Verre Actualites, no. 157, June/July 1998, pp. 429-485, ill. English summary. 1442 "Du Reglit pour Jussieu." pp. 23-26, ill. Stained glass windows in German churches. Verre (Institut du Verre, Versailles), v. 4, no. 3, Four glass-in-architectural projects win the June 1998, pp. 56-58, ill. Benedictus Award. 1434 "Brian Baxter Lauded for Architectural Use of architectural glass at Jussieu campus, Glass Work." University of Paris. 1426 "Art Glass Reinforces Clean and Sim­ Glass (British Columbia Glass Arts Associa­ ple Architecture." tion), v. 9, no. 2, Nov. 1997, p. 8, ill. 1443 "Durham's Millennium Window." GGW Vignettes (Gong Glass Works, Roches­ Artist nominated for award. Glass Age, v. 40, no. 12, Dec. 1997, p. 23, ill. ter, NY), v. 5, no. 2, Fall 1997/Winter 1998, in­ 20-ft. window by Joseph Nuttgens for Durham sert, ill. 1435 "Centre International du Vitrail: Les Cathedral. Stained glass windows designed by Nancy Grands Chantiers de vitraux contemporains Gong for Rochester home. Reprinted from In­ en France." 1444 "Farbiges Glas heute." teriors & Sources, Sept. 1997. Verre (Institut du Verre, Versailles), v. 3, no. 6, GFF, Zeitschrift fur Glas, Fenster, Fassade, Nov./Dec. 1997, pp. 21-22, ill. no. 11, June 1998, pp. 607-608, ill. 1427 "An Artist's Statement: A Solo Exhibi­ Exhibit "Lumteres en patrimoine" at the Char- Brief history and products of the German col­ tion." tres center: work by Claude Viallat, Frangois ored glass firm Creative Glass; work by Linda Stained Glass, v. 93, no. 2, Summer 1998, Rouan, Udo Zembok, Gilles Rousvoal, Marc Ethier, Narcissus Quagliata, Rudi Gritsch. pp. 122-125, ill. Couturier. Ellen Mandelbaum. 1445 "Fenster und Mosaiken aus der Franz 1436 "Chronik: Glaskunst." Mayer'schen Hofkunstanstalt, Munchen." 1428 "Atelier Flos BV: Ambachtelijk atelier Art (Das Kunstmagazin), no. 1, Jan. 1998, Das Munster, v. 19, nos. 3/4, March/April met moderne kunst." p. 107, ill. 1966, pp. 113-128, ill. English summary. Glashelder, no. 8, Nov. 1996, pp. 11-12, ill. New stained glass museum in Linnich, Germany. Stained glass windows by the German firm. Stained glass and mosaics. 1437 "Classico sempre attuale." 1446 "The Fish Man." 1429 "Aus dem Lebenswerk von Karl ShowCase, v. 9, no. 24, Oct. 1997, pp. 64-73, The Score (Spectrum Glass Company, Wood- Knappe. Beitrage, Briefe, Bilddokumentation." ill. In Italian and English. inville, WA), March 15, 1998, pp. 1-2, ill. Das Munster, v. 23, no. 4, July/Aug. 1970, Includes glass and marble mosaic designed Dan Rose designs and builds stained glass pp. 244-262, ill. English, French summaries. by Luca Scacchetti. panels based on fish theme. 1447 "Fusing-Glasfenster verbinden im Rat- 1461 "Innovation in Outdoor Illumination with 1475 "Malerei auf Glas - Trennwand als haus der Stadt Selm Altes mit Neuem." Fibre Optic Lighting." Kunstobjekt." GFF, Zeitschrift fur Glas, Fenster, Fassade, Lighting Art & Science for International De­ GFF, Zeitschrift fur Glas, Fenster, Fassade, no. 2, Jan. 1998, p. 75, ill. signers, v. 18, no. 3, May 1998, pp. 26-28, ill. no. 17, Sept. 1998, pp. 923-924, ill. Window designed by Leo Janischowsky. Overview followed by case study in Australia. Tobias Kammerer and Derix Glass Studios create a painted glass wall. 1448 "Een gat in de muur, de geschiedenis 1462 "Innovations & Renovations." van het raam." Glass Magazine, v. 48, no. 7, July 1998, 1476 "Milieureglementering en het glazenier- Glashelder, no. 7, Aug. 1996, p. 19+, ill. pp. 68-70, ill. sambacht." Brief history of architectural glass. Winners of 1998 DuPont Benedictus Awards Glashelder, no. 3, July 1995, pp. 6-8, ill. display creative uses for laminated glass. 1449 Gemmail. 1477 "Mosaics . . . for the Birds!" Tokyo: Tobu Museum of Art, 1998, 171 pp., ill. 1463 "Joan Irving's San Diego Airport Instal­ The Score (Spectrum Glass Company, Wood- In Japanese and French. lation." inville, WA), Sept. 15, 1998, pp. 1-2, ill. Gemmail panels (a post-World War II technique Glass Craftsman, no. 148, June/July 1998, Covering a clay birdbath with glass mosaic tiles. of shards of colored glass built up in layers) by pp. 66-67, ill. Roger Malherbe-Navarre and Jean-Paul Sala- Three major works of architectural glass by 1478 "Musee Suisse de Vitrail/Romont." Malherbe; images are copies of paintings by the artist. Glasforum, v. 48, no. 1, 1998, p. 44, ill. many artists, including Picasso, Braque, Roualt Exhibition features work of Brian Clarke. Van Gogh, Modigliani, and others. 1464 "Joep Nicolas." Glasbulletin, Vereniging van Vrienden van 1479 "Museum fur Hamburgische Ge- 1450 "Gerd Jahnke 50 Jahre." Modern Glas, v. 11, no. 4, 1997, p. 3, ill. schichte: Leicht wie ein Zelt, transparent wie Das Munster, v. 24, nos. 2/3, March-June Exhibition at Stedelijk Museum Roermond. ein Gewachshaus." 1971, pp. 150-151, ill. English, French sum­ Transparent (Vegla Vereinigte Glaswerke), no. 2, 1992, pp. 20-27, ill. English summary, maries. 1465 "Kathleen Akers: Akers Architectural Church windows by Jahnke. p. 27. Glass." Courtyard of Hamburg museum is to be fitted Glass Craftsman, no. 147, April/May 1998, with a "virtually invisible" glass roof. 1451 "Glas in de architectuur." pp. 50-51, ill. Glashelder, no. 7, Aug. 1996, pp. 17-18, ill. F. van Tetterode Glasatelier B.V., architectural 1480 "Nouvelle aerogare de Roissy: Le Ma­ 1466 "Katholische Kirche Maria Himmelfahrt glass firm. nage de I'acier et du verre." Mossingen." Verre (Institut du Verre, Versailles), v. 4, no. 1, Glasforum, v. 48, no. 1, 1998, pp. 25-29, ill. Feb. 1998, pp. 33-36, ill. 1452 "Glas som funktion og symbol." English summary, p. 54. GlasMagasinet, v. 5, no. 4, Nov. 1996, Extensive use of glass in new addition to Pointed glass lantern covers church ceiling; Charles de Gaulle airport, Paris. pp. 14-15, ill. artist Bernhard Huber produces large glass Architectural glass. panels using ceramic colors applied to glass 1481 "Nar glas og kunst modes." surface. GlasMagasinet, v. 3, no. 4, Nov. 1994, p. 15, ill. 1453 "Glas Zauber." Work of Per Hebsgaard. Transparent (Vegla Vereinigte Glaswerke), 1467 "Katholische Pfarrkirche 'Herz Jesu' no. 3, [n.d.], pp. 8-11, ill. Munchen." European architects and designers answer 1482 "Neue christliche Kunst in Deutschland." Glasforum, v. 48, no. 1, 1998, pp. 9-12, ill. Das Munster, v. 20, no. 4, July/Aug. 1967, the question, "What does glass mean to you?" English summary, p. 53. pp. 270-288, ill. English summary. Church project in Munich includes translucent Includes stained glass window by Toni Tunner- 1454 "Glasbewerkingsbedrijf Brabant niet glass wall and huge glass doors. hoff and window using thick glass by Wilhelm vies van ambacht." Buschulte. Glashelder, no. 6, May 1996, pp. 26-27, ill. 1468 "Keiichi Yamamoto: Artist of the Month." Atelier Brabant and Frank Coalen. The Daily Grind (Association of Stained Glass 1483 "News: Benedictus Award." Lamp Artists), no. 46, May 1997, p. 5. Abitare, no. 369, Jan. 1998, p. 30, ill. 1455 "Glass, Light and Space." Tiffany-style stained glass lamps. In Italian and English. Glass Network (Contemporary Glass Society, 1997 awards for laminated glass in architecture. U.K.), no. 3, Nov. 1997, p. 7. 1469 "Klaus Hilsbecher." Review of the Crafts Council exhibition on 1484 "Notizie/News: Progettare con il vetro glass in architecture, with 11 exhibitors. Glashelder, no. 12, Nov. 1997, p. 10, ill. Brief profile of the glass artist. stratificato." Domus, no. 801, Feb. 1998, u.p. 1456 "Harmoniously Integrated." In Italian and English. Schott Information, no. 81, Jan. 1997, p. 21, ill. 1470 "Kort nieuws: Zilver in de stroom; Liefde." Glas en Keramiek, no. 3, Summer 1996, p. 6, ill. Benedictus Awards focus on innovative use of Windows for Munich church designed by Jorg glass in design of courthouse. Zimmerman. Panels by Peter Vormer of The Hague for the Netherlands embassy in Washington, D.C., and piece by Bernard Heesen. 1485 "Okologisk teatervaerksted af glas." 1457 "Horizontal, Vertical or Bent?" GlasMagasinet, no. 3, Aug. 1998, pp. 6-7, ill. GGW Vignettes (Gong Glass Works, Roches­ Use of glass in construction of Swedish theater. ter, NY), v. 2, no. 3, Summer/Fall 1993, p. 5. 1471 "Leap Retrospective at American Glass." Antiques and The Arts Weekly, v. 26, no. 3, Reinforcement bars in leaded glass designs. 1486 "Omnibusbahnhof in Endersbach: Jan. 16, 1998, p. 18, ill. Charmanter Regenschutz aus Stahl und Glas." J. Kenneth Leap exhibit at the Museum of 1458 "Hundertwasser v Barnbachu." Transparent (Vegla Vereinigte Glaswerke), American Glass, Millville, New Jersey. Umeni a Remesla, no. 4, 1997, pp. 42-44, ill. no. 2, 1992, pp. 42-45, ill. English summary, English summary. p. 45. Reconstructed church in Barnbach includes a 1472 "Leute von heute: Tobias Eberle." Bus station consists of three glass roofs: two stained glass window and mosaic panel by Glas + Rahmen, v. 49, no. 1, Jan. 1998, p. 74, ill. outer glass pavilions have arched roofs, and Friedensreich Hundertwasser. the central pavilion has a cylindrical one. 1473 "Lois Gregg Auclair's Freestanding 1459 "Idlewild Art." Stained Glass Sculpture." 1487 "'Ontwerpen is dromen met je hart, The New Yorker, v. 36, no. 20, July 2, 1960, Stained Glass, v. 93, no. 3, Fall 1998, denken met je hoofd envisualiseren met je pp. 18-20. pp. 207-208, ill. handen.'" Stained glass facade for American Airlines Unusual fabrication techniques. Glashelder, no. 7, Aug. 1996, pp. 10-13, ill. terminal by Robert Sowers. Interview with architect Mick Eekhout. 1474 "Lumieres en patrimoine." 1460 "In mostra a Quarit." Le Courrier des Metiers d'Art, no. 168, Jan./ 1488 "Parade: Venus Rising." Casa Vogue, no. 267, Nov. 1994, p. 148, ill. Feb. 1998, p. 5, ill. Ontario Craft, v. 23, no. 1, Summer 1998, Italian exhibition "Vetrate e tessuti" (stained Stained glass by Gerard Garouste in the p. 21, ill. glass and textiles) held in Milan. Notre Dame church in Talant, France. Dance of Venus by Stuart McKinlay Reid. 1489 "Pfizer World Headquarters Lobby 1503 "Vitraje v Loukove." 1515 Bate, Ulrich. Renovation, New York." Umeni a Remesla, no. 3, 1998, pp. 42-43, ill. "Schlosser in Glas." Glasforum, v. 48, no. 1, 1998, pp. 19-24, ill. English summary, p. 79. Glas + Rahmen, v. 49, no. 2, Feb. 1998, p. 20, ill. English summary, p. 54. Glass artist Jan Exnar creates "colour win- Glass panels in a Duderstadt bank with motifs Design by Brian Clarke. dow-panes" for a small Gothic church in of castles and towers, created by several artists. Loukov, southeastern Bohemia. 1490 "Photographing Glass for Texture." 1516 Bates, C. The Score (Spectrum Glass Company, Wood- 1504 "Washington, D.C., Private Residence." "'Glass, Light & Space': The Conference." inville, WA), June 15, 1998, pp. [2-3], ill. Interiors, v. 157, no. 5, May 1998, pp. 226- Glass Network (Contemporary Glass Society, Photographing stained glass. 229, ill. U.K.), no. 4, April 1998, p. 5. Stained glass and etched glass panels. Review of the London conference on architec­ tural glass. 1491 "Poppy Window Honours War Dead." Glass Age, v. 40, no. 12, Dec. 1997, p. 24, ill. 1505 "Werkstatten Reiner Keller, Hohr- 1517 Bates, Kenneth F. Hyde church windows by Vanessa Howard. Grenzhausen, Glasmalerei und Betonglas." Das Munster, v. 22, no. 3, May/June 1969, "Enamel in Our Museum." pp. 169-176, ill. English summary. Glass on Metal, v. 15, no. 4, Oct. 1996, 1492 "Scanglas pa 'Den Frie' med kunstma- Glass painting and concrete-and-glass prod­ pp. 83-85+, ill. ler Soren Hansen." ucts of the workshops. How author created prize-winning plique-a- GlasMagasinet, v. 4, no. 1, Feb. 1995, p. 8, ill. jour enamel piece. Panels decorated by the serigraphy technique. 1506 "150 Jahre Franz Mayer'sche Hof- kunstanstalt Munchen." 1518 Battistello, Sandra. 1493 "Shortform: Surinder Hayer Warboys." GFF, Zeitschrift fur Glas, Fenster, Fassade, "Dalle pitture parietali alle vetrate artistiche." Crafts (U.K.), no. 151, March/April 1998, no. 2, Jan. 1998, pp. 76-77, ill. Casa Vogue, no. 262, May 1994, p. 156, ill. p. 14, ill. Brief history of the firm and examples of pri­ Work by Perotti Vetrate Artistiche. British stained glass artist. marily contemporary work. 1519 Bauland, Dorothee. 1494 "Showcase." 1507 "20th C. Flourish from Peter Sutton." "Glasbauspiele: Wer im Glashaus sitzt, wird Glass Art, v. 13, no. 5, July/Aug. 1998, p. 60, ill. Glass Age, v. 40, no. 12, Dec. 1997, p. 23, ill. selbst zum Objekt." Matthew McMillan makes stained glass de­ Two stained glass windows by Sutton for the Glaswelt, v. 51, no. 2, Feb. 1998, pp. 58-59, ill. signs of cars. Fishmongers Hall, London. Leipzig exhibit of sculptures using flat glass.

1495 Stained Glass Projects for the Home. 1508 Abbott, Linda. 1520 Beeh-Lustenberger, Suzanne. London: Greenwich Editions/New Orchard, "Headlines: 'Stained Glass Design Affordably "Centre International du Vitrail/Chartres." 1996, 80 pp., ill. Enters the Computer Age.'" Glasforum, v. 48, no. 1, 1998, pp. 36-40, ill. Glass Craftsman, no. 148, June/July 1998, Includes curatorial statement in English. pp. 51-53, ill. Exhibition "Six Voices - Vitrail et architecture 1496 "Stazioni di vetro." Computer program assists stained glass de­ contemporaine au Canada." Abitare, no. 373, May 1998, p. 78+, ill. signers. In Italian and English. 1521 Beeh-Lustenberger, Suzanne; Cal- Underground station for German State Rail­ 1509 Abrink, Pernilla. leen, Justinus Maria; and Heyden, Thomas. ways features roofing and cladding made of "Arets kulturspik!" "Deutsches Glasmalerei-Museum Linnich." glass brick. Form, v. 94, no. 3, 1998, p. 5, ill. Glasforum, v. 48, no. 1, 1998, pp. 41-43, ill. Sirkka Lehtonen and Birgitta Ahlen. German museum of glass paintings in Linnich. 1497 "Stockley Park in London: Mekka der Ingenieure." 1510 Albrecht, Donald. 1522 Beel, Reinhold. Transparent (Vegla Vereinigte Glaswerke), "Remembering Women." "Hundert Jahre Glasmalerei Wilhelm Derix, no. 2, 1992, pp. 30-32, ill. English summary, Architecture, v. 87, no. 2, Feb. 1998, Dusseldorf." p. 37. pp. 90-97, ill. Das Munster, v. 19, nos. 3/4, March/April 1966, Building in industrial park features innovative New memorial at Arlington National Cemetery pp. 77-96, ill. English summary. glass facade. "honors females in America's armed forces"; Stained glass windows by German firm. includes glass tablets and stairs. 1498 "Ten Years of Glass." 1523 Beluriee-Gimenez, Dominique and Fai- Illuminatecnica, nos. 391/392, July/Aug. 1993, 1511 Andreani, Carole. vre, Raymond. pp. 472-473, ill. In English and Italian. "L'Atelier Simon: L'Avenement des grands "Formation: Un Bel Exemple." Vetreria Resanese, producer of components peintres." Le Courrier des Metiers d'Art, no. 168, for light fittings and plate glass. La Revue de la Ceramique et du Verre, no. 98, Jan./Feb. 1998, pp. 22-23, ill. Jan./Feb. 1998, pp. 31-35, ill. Stained glass panel by Jerome Poussier. 1499 "Themes on a Reflection: The Archi­ Windows designed by Chagall, Braque, Villon, tectural Glass of Elizabeth Devereaux." and others; executed by I'Atelier Simon. 1524 Bird-Jones, Chris. Stained Glass, v. 93, no. 3, Fall 1998, "Women's 5th International Stained Glass pp. 194-198, ill. 1512 Angus, Mark. Workshop, Ireland." "The contrast between day and night and the "Traces of Travel." Crefft/Craft, no. 85, Dec. 1997, p. 11, ill. reflective properties of glass play an important Glass Network (Contemporary Glass Society, In Welsh and English. role" in artist's work. U.K.), no. 4, April 1998, p. 6, ill. Report on the workshop and exhibition. Review of the Women's 5th International Stained Glass Workshop. 1525 Bobker, Hilary A. 1500 "Tony Shafrazi Gallery: Brian Clarke." "Techniques: The Right Size." New York Contemporary Art Report (Bern, 1513 Arbec, Jules. Common Ground: Glass (Newsletter of the Switzerland), v. 1, no. 2, June 1998, "A voir: D'eau et de lumiere." International Guild of Glass Artists Inc.), pp. 76-77, ill. Vie des Arts, v. 41, no. 168, Autumn 1997, Fall 1997, pp. 9-13, ill. "The Glass Wall" installation by Clarke. pp. 64-65, ill. Scaling stained glass patterns up or down. Group exhibit of stained glass on the theme of 1501 "Tiransparenz als zeitgemaBe Offenheit." water held at the Biosphere of L'lle Sainte- 1526 Bode, Peter M. GFF, Zeitschrift fur Glas, Fenster, Fassade, Helene. "Das Lofthaus glanzt mit einem kuhnen no. 1, Jan. 1998, p. 31, ill. Schiffsbug." Glass building for urban center, Ludwigsburg. 1514 Augustijn, Piet. Art (Das Kunstmagazin), no. 6, June 1998, "Gefixeerde dromen in vlakglas markeren het p. 143, ill. 1502 "Das vergessene Glas." begin van herwaardering." Innovative use of architectural glass in "Loft­ Transparent (Vegla Vereinigte Glaswerke), Glasbulletin, Vereniging van Vrienden van haus" in Hamburg. no. 2, 1992, pp. 70-79, ill. Modern Glas, v. 8, no. 4, 1994, pp. 7-9+, ill. Patterned flat glass "sculptures" posed in Flat glass sculptures made at a class taught 1527 Boydell, Mary. landscape. by Joep Nicolas. "The Womens' [sic] 5th International Glass Network Conference & Workshop." L'Art Sacre (Paris), nos. 11/12, July/Aug. 1951, 1552 Force, Silkie. Glass Network (Contemporary Glass Society, pp. 1-23, ill. "Recollections: A Review of Wind's Eye, an U.K.), no. 3, Nov. 1997, p. 17. Matisse's stained glass windows and murals Exhibition of Stained Glass Works by Sarah Event held at Cork, Ireland. for church in Vence. Hall." Glass Gazette, Fall 1997, pp. 15-17, ill. 1528 Brandli, Lisa. 1540 Cumpston, Charles B. "Artist Jan Mitchell's Designs Take On New "Annual Glass Week Held in Bermuda." 1553 Force, Silkie and Hall, Sarah. Life with Waterjet Technology." Glass Digest, v. 77, no. 5, May 15, 1998, "A Thousand Colors: In Damascus and in Glass Art, v. 13, no. 4, May/June 1998, pp. 61-64, ill. Jerusalem." pp. 34-37, ill. Review of talk by architectural glass designer Glass Art, v. 13, no. 1, Nov./Dec. 1997, James Carpenter. pp. 34—36+, ill. 1529 Brown, Robert. Architectural glass in the Middle East. "The Artwork of Neil Hanscoumb." 1541 Desaulniers, Gilles. AISG Flat Glass Journal (Artists in Stained "From Brains to the Breaking of Ice." 1554 Freeman-Jurney, Roberta. Glass, Toronto), Winter 1998, pp. 5-6, ill. Glass Gazette, Spring 1998, pp. 13-14. "Dalle de Verre." In French and English. Glass Craftsman, no. 149, Aug./Sept. 1998, 1530 Buitlear, Roisin de. Exhibition of works by five students from the pp. 12-16, ill. "The Herbarium Window, Botanic Gardens, University of Quebec at Trois-Rivieres. Process of creating stained glass windows Glasnevin, Dublin." using dalle de verre. The Glass Society of Ireland Newsletter, 1542 Duplessis, A. no. 17, April 1998, pp. 7-8. "Vitrail: Les Premiers Vitraux virtuels." 1555 Fujimori, Terunobu. The author's commission is described. Verre (Institut du Verre, Versailles), v. 3, no. 5, "Visiting Stained Glass Construction." Sept./Oct. 1997, pp. 32-33, ill. Glass & Art(Tokyo), no. 10, Aug. 1995, "Virtual" stained glass. 1531 Bullivant, Lucy. pp. 94-95, ill. In Japanese. "The Present's Orange." Stained glass installation at Manpei Hotel. House & Garden (British edition), v. 53, no. 6 1543 Durant, Cliff. (563), June 1998, pp. 122-125, ill. "Slaked Lime Putty in Stained Glass Installa­ 1556 Gachot, Ted. Designer's home features glass block walls. tion." "Light-Sensitive." Stained Glass (British Society of Master Glass Metropolis, May 1998, pp. 51-57, ill. Painters), no. 2, 1997, pp. 7-8. 1532 Burrick, Pia. Tensile structure employs glass panels incor­ "Pia Burrick." porating thin-film photovoltaic technologies. Glashelder, no. 7, Aug. 1996, p. 16, ill. 1544 Eder, Lisa. "Glaser polieren ihr Image auf." Flat glass collages by the Bruges artist. 1557 Gaensslen, Hans. Glas + Rahmen, v. 49, no. 1, Jan. 1998, p. 72, ill. "Horst J. Beck als Glasbildner." Glass guild association at Munich trade show. 1533 Bussel, Abby. Das Munster, v. 24, nos. 2/3, March-June 1971, "Chat Room." pp. 121-124, ill. English, French summaries. 1545 Egemar, Morten. Interior Design, v. 69, no. 7, May 1998, "A form-dedicated glass-painter." "Glasmaleri som nutidskunst." pp. 244-249, ill. GlasMagasinet, v. 3, no. 4, Nov. 1994, Glass-influenced design for America Online pp. 8-9, ill. 1558 Glyn, Susan. offices "encourages interactivity of the face-to- Work of Merete Barker. "The Return of the Artist." face kind." Faith & Form, v. 7, Spring 1974, pp. 8-11, ill. Overview of stained glass in France's church­ 1546 Engelmann, Viviane. es, 1960S-1974. 1534 Butterwege, Hubert. "Glasmalerei-Museum in Linnich." "50 Jahre Meisterwerkstatten fur Glasmalerei Neues Glas, no. 1, 1998, pp. 32-39, ill. Otto Peters in Paderborn und Bottrop/Westfa- In German and English. 1559 Goldman, Stu. len." New German museum for stained glass. "Bending the Boundaries of the Basic Bevel Das Munster, v. 15, nos. 11/12, Nov./Dec. 1962, Cluster." pp. 425-432, ill. 1547 Engels, Mathias T. Glass Craftsman, no. 146, Feb./March 1998, Survey of one of Germany's stained glass "100 Jahre Werkstatten fur Glasmalerei und pp. 22-27, ill. workshops. Mosaik Hein Derix, Kevelaer." Rearranging commercially provided bevels Das Munster, v. 19, nos. 11/12, Nov./Dec. 1966, into more interesting designs. 1535 Carlsen, Peter. pp. 429-440, ill. English summary. "A Sleek Urbanity: Emphasizing the Modern History and output of stained glass workshop. 1560 Good, Gary. Thrust of Manhattan." "Off the Block: New Trends in Glass Block- Architectural Digest, v. 37, no.1, Jan./Feb. 1980, 1548 Fawkes, Sally. Installation." pp. 102-107, ill. "Profile - Max Jaquard." U.S. Glass, v. 33, no. 7, July 1998, pp. 52-53, ill. Etched glass doors, opalescent sculpture. Glass Network (Contemporary Glass Society, U.K.), no. 3, Nov. 1997, p. 9, ill. 1561 Gossel, Hans Bernd. 1536 Chaslin, Frangois. Kiln-formed architectural glass projects by "Glasmalerei Hans Bernd Gossel in Frankfurt "Jean Nouvel." Jaquard's studio. am Main: Zur Situation der Glasmalerei von Domus, no. 800, Jan. 1998, pp. 16-19, ill. heute." In Italian and English. 1549 Feigel, Judith. Das Munster, v. 15, nos. 11/12, Nov./Dec. 1962, Architectural use of glass. "Werken met lood: De 'onzichtbare' gevaren." pp. 445-448, ill. Glashelder, no. 3, July 1995, pp. 10-11, ill. Survey of one of Germany's stained glass 1537 Coffman, Peter. workshops. "Making Space Sacred: A Stunning Set of 1550 Feldenkirchen, Toni. Windows by Sarah Hall." "Neue Arbeiten aus der Glasmalerei Wilhelm 1562 Grever, Josephine and Meyhofer, Dirk. Glass Art, v. 14, no. 1, Nov./Dec. 1998, Derix, Dusseldorf-Kaiserswerth." "Design: Uber die Kunst, mit Glas zu gestalten." pp. 4-7+, ill. Das Munster, v. 22, no. 6, Nov./Dec. 1969, Transparent (Vegla Vereinigte Glaswerke), Windows for church in Columbus, Ohio. pp. 377-388, ill. English summary. no. 3, [n.d.], pp. 62-77, ill. English summary, Includes windows entitled St. Francis ofAssi- p. 76. 1538 Couturier, M. A. si's Hymn to the Sun, made for new church in Glass by Ludwig Schaffrath, Brian Clarke, and "Assy." Olpe, Germany. Marijke de Goey. L'Art Sacre (Paris), nos. 1/2, Sept./Oct. 1950, pp. 3-20, ill. 1551 Fischer, Jurgen L. I. T.; Brdenk, Peter; 1563 Gruda, Larry. Includes stained glass after Roualt executed and Weissinger, Sabine. "An Urban Art Experience." by Paul Bony in church at Assy. "Pumpwerk Gelsenkirchen-Horst." Stained Glass, v. 92, no. 4, Winter 1997, Glasforum, v. 48, no. 1, 1998, pp. 30-32, ill. pp. 253-255, ill. 1539 Couturier, M. A. and Rayssiguier, L. B. English summary, p. 54. Author's fused glass panels on Hollywood "Vence." Pumping station has facade of structural glass. Boulevard, Los Angeles. 1564 Grunseit, Marc. 1577 Heimsoeth, Bettina. Das Munster, v. 19, nos. 3/4, March/April 1966, "Once upon a Time in the West." "Glasmaler zwischen Tradition und Moderne." pp. 133-136, ill. English summary. Craft Arts International, no. 44, 1998, Glas + Rahmen, v. 48, no. 8, Aug. 1997, Stained glass windows by the artist. pp. 91-93, ill. pp. 14-16, ill. Author designs 15 windows for new chapel. Stained glass production and restoration firm 1589 Hury, David. headed by Reinhard Meissner. "Alexis Vinum, entre ici et ailleurs." 1565 Haber, Ronald J. La Revue de la Ceramique et du Verre, no. 99, "Structural Glass Evolves." 1578 "Wo sich Kunst und Handwerk die March/April 1998, p. 59, ill. Glass Magazine, v. 48, no. 9, Sept. 1998, Hande reichen." Lebanese designer of architectural glass. pp. 38-41, ill. Glas + Rahmen, v. 48, no. 8, Aug. 1997, Glass bridges, roofs, and other architectural pp. 20-23, ill. 1590 Ibram, Corinne. projects. New and restored stained glass and mosaics. "Thierry Boissel: Une Signature frangaise dans le vitrail allemand." 1566 Halbey, Hans A. 1579 Henkin, Stephen. La Revue de la Ceramique et du Verre, "Friedhofshalle in Dietzenbach/Hessen." "A Glass Act: Master Fuser Blends Art and no. 100, May/June 1998, pp. 24-28, ill. Das Munster, v. 23, no. 2, March/April 1970, Craft." Painted and stained glass, and architectural pp. 122-123, ill. English, French summaries. The World and I, v. 13, no. 4, April 1998, flat glass, by Boissel. New cemetery building at Dietzenbach, pp. 110-115, ill. Hesse, includes glass. Architectural glass studio of Philip Materio, 1591 Imano, Mariko. Lake Worth, Florida. "Stained Glass Technique Now - Breathing New Life." 1567 Halkovova, Ludmila. 1580 Henze, Anton. Honoho Geijutsu, no. 20,1988, pp. 172-173, ill. "Glaskunst im Bau." "Herbert Bessel als Glasmaler." In Japanese. New Glass Re view (Czech), v. 52, no. 10, Das Munster, v. 24, nos. 2/3, March-June 1971, Restoration of stained glass. 1997, pp. 2-5, ill. In English and German. pp. 97-100, ill. English, French summaries. Czech architectural glass (mosaics, cut glass 1960s church windows by Bessel. 1592 loannou, Noris. mirrors, etched panels, stained glass) being "Collaboration in Glass." used in Berlin construction projects. 1581 "Sankt Willehad auf Wangerooge: Eine Craft Arts International, no. 41, 1997/1998, neue Kirche der Wandernden." pp. 55-58, ill. 1568 Hall, Sarah. Das Munster, v. 18, nos. 1/2, Jan./Feb. 1965, Adelaide-based stained glass designers Jan "Claude Bettinger - An Appreciation." pp. 28-32, ill. English summary. Aspinall and Berin Behn. Glass Gazette, Spring 1998, pp. 10-11, ill. Stained glass windows in new church on In French and English. North Sea coast. 1593 Ivy, Robert. "Oceans Pavilion, Lisbon, Portugal." 1569 "Wind's Eye Gallery." 1582 Hill, Rosemary. Architectural Record, v. 186, no. 8, Aug. 1998, Glass Art, v. 13, no. 1, Nov./Dec. 1997, "Angelic Intervention." pp. 106-111, ill. pp. 42-43, ill. Crafts (U.K.),no. 152, May/June 1998, pp. 38- Aquarium features glass roof. Montreal stained glass artist Claude Bettinger. 41 ill. Patrick Reyntiens designs window for 15th- 1594 Jacob, Wendy. 1570 "Wind's Eye Gallery: Featuring the century Southwell Minster in Nottinghamshire. "Road Show." Work of David Wilson." Ontario Craft, v. 22, no. 4, Winter 1997, Glass Art, v. 13, no. 6, Sept./Oct. 1998, 1583 Hoff, August. pp. 8-9, ill. pp. 82-83, ill. "Glasfenster von Franz Pauli." Organizing the exhibit "Six Voices, Contem­ Das Munster, v. 20, no. 5, Sept./Oct. 1967, porary Canadian Architectural Glass" for a 1571 "Wind's Eye Gallery: Featuring Works pp. 349-352, ill. English summary. stained glass center in Chartres, France. by Ginger Smith and David Wilde." Artist's stained glass windows are "progress­ Glass Art, v. 13, no. 3, March/April 1998, ing towards clear abstraction, without thereby 1595 Jansen-Schulz, Renee. pp. 10-11, ill. relinquishing the object- and picture-tuned "Glazenier Luuc Ottens is veelzijdig artiest." world of faith." Glasbulletin, Vereniging van Vrienden van 1572 "Wind's Eye Gallery: Featuring Works Modern Glas, v. 9, no. 2, 1995, p. 35, ill. by Hubert Distler." 1584 "Vielseitiges Schaffen von Hermann Glass Art, v. 13, no. 4, May/June 1998, pp. Josef Baum." 1596 Jette, Rosemary. 18-19, ill. Das Munster, v. 22, no. 6, Nov./Dec. 1969, "Debora Coombs' Serra/Duchesne Window pp. 374-375, ill. English summary. for St. Mary's Cathedral." Abstract stained glass windows and other Glass Art, v. 13, no. 6, Sept./Oct. 1998, 1573 Hall, Sarah and Kraegel, Jeffrey. works by artist from the Lower Rhine. pp. 4-8+, ill. "Art at Work: Creating Corporate Commis­ One of 20 stained glass windows designed for sions." 1585 "Werkstatten fur Glasmalerei und cathedral in Portland, Oregon. Glass Art, v. 13, no. 6, Sept./Oct. 1998, Mosaik Hein Derix in Kevelaer/Rheinland." pp. 78-81, ill. Das Munster, v. 15, nos.11/12, Nov./Dec. 1962, 1597 Johanson, Mona. Businesses commissioning original art for pp. 433-444, ill. "Ett pussel av fargat glas - renassans for buildings; architectural glass by David Wilson. Survey of one of Germany's stained glass Tiffanytekniken." workshops; work by Prikker, Wendling, Klos, Glas och Porslin, v. 68, no. 3, 1998, 1574 "The Big Picture." and others. pp. 14-15, ill. Glass Art, v. 13, no. 2, Jan./Feb. 1998, Stained glass by Mats Thuresson. pp. 46-49, ill. 1586 Hoffmann, Klaus. Windows for a church in Woodbridge, Ontario, "Johannes Schreiter als Glasbildner." 1598 Kajiwara, Kuni. by Sarah Hall. Das Munster, v. 21, no. 3, May/June 1968, pp. "Glass '96 in Japan." 173-180, ill. French and Spanish summaries. Stained Glass (British Society of Master Glass 1575 "Glassy Bones. Part 1." Examples of glass painting by the German artist. Painters), no. 2, 1997, p. 5. Glass Art, v. 13, no. 4, May/June 1998, Tokyo exhibition. pp. 14-16, ill. 1587 Hoffmann, Ute. How today's stained glass connects with the "Protecting Sacred Art." 1599 Kasabov, George. medieval tradition. Schott Information, no. 82, Sept. 1997, "Out of Invisibility: Glass Art and Modern pp. 18-19, ill. Architecture." 1576 "Special Effects." Desag glass installed in Mainz cathedral and Stained Glass (British Society of Master Glass Glass Art, v. 13, no. 3, March/April 1998, cloister. Painters), no. 2, 1997, pp. 8-9, ill. pp. 4-7, ill. Review of London stained glass exhibition. Achieving special effects in stained glass win­ 1588 Hugot, Dorothee. dows, with examples by Jochem Poensgen, "Maria Katzgrau: Neue Glasfenster aus der 1600 Keeble, K. Corey. Ludwig Schaffrath, Stephen Brathwaite, Nada Glasmalerei-Werkstatt Dr. H. Oidtmann, "Wind's Eye." Healy, and others. Linnich." Ontario Craft, v. 22, no. 4, Winter 1997, p. 28, ill. Stained glass by Sarah Hall in Toronto exhibi­ 1612 Kyle, Carolyn. pp. 17-19, ill. tion. "Design It Your Way: Tips for Getting Exactly Franz Mayer'sche Hofkunstanstalt fur Glas­ the Pattern You Want." malerei und Mosaik. 1601 Klopsch, Bill. Stained Glass News, no. 41, Sept. 1998, "Working Large: Tips for Tackling Bigger Win­ p. 10, ill. 1625 Lutzeler, Heinrich. dows." Incorporating characteristics of Victorian style "Neue Glasgemalde in Bonn: Hubert Berke in Stained Glass News, no. 38, Nov. 1997, p. 12, ill. in contemporary work. der Stiftskirche." Das Munster, v. 25, no. 4, July/Aug. 1972, 1602 "Working Large: Tips for Tackling Big­ 1613 Lasser, Michael. pp. 223-228, ill. English, French summaries. ger Windows." "Exemplars." New stained glass window by the artist. Stained Glass News, no. 41, Sept. 1998, p. 14. GGW Vignettes (Gong Glass Works, Roche­ "Addressing some reinforcing questions." ster, NY), v. 5, no. 2, Fall 1997/Winter 1998, insert, ill. 1626 Major, Michael J. "A Calligraphy of Glass: The Art of Nancy 1603 Knight, Nancy. Profile of glass artist Nancy Gong. Gong." "A Glass Ceiling for Glass?" GGW Vignettes (Gong Glass Works, Roche­ Glass Magazine, v. 48, no. 7, July 1998, 1614 Le, Yen. ster, NY), v. 3, no. 1, Spring 1994, insert. pp. 56-58+, ill. "Redeemed and Restored Farnsworth House Reprinted from Professional Stained Glass, "Are there hidden barriers limiting structural Opens to the Public." Feb./March 1994. and decorative applications of glass in Ameri­ FFI (Fine Furniture International), v. 2, no. 6, can commercial and residential construction?" Nov./Dec. 1997, pp. 33-34, ill. Mies van der Rohe's glass house in Piano, 1627 Mangan, Markus; Kissling, Hermann; 1604 Kraft, Herbert Karl. Illinois, 1951. and Coulon-Rigaud, Marcel. "Christliche Bildverkundigung im Wandel. "Neue Arbeiten aus den Werkstatten Derix, Albert Burkart und die religiose Malerei des 1615 Lefranc, Celine. Rottweil und Wiesbaden." 20. Jahrhunderts." "Alberola." Das Munster, v. 24, nos. 2/3, March-June 1971, Das Munster, v. 21, no. 5, Sept./Oct. 1968, Connaissance des Arts, no. 550, May 1998, pp. 125-140, ill. English, French summaries. pp. 345-352, ill. English summary. pp. 60-67, ill. New stained glass works by the firm; designs Appreciation of the work of Burkart, a Munich Stained glass by Jean-Michel Alberola. by Schaffrath, Kirchner, Schreiter, and others. artist, who recently celebrated his 70th birthday. 1616 Leger, Jean Pierre. 1628 Manko, Howard H. 1605 "Hundert Jahre Glasmalerei W. Derix "Quebec's Recent Years." Solders and Soldering: Materials, Design, Pro­ Rottweil und Wiesbaden: Werkgemeinschaft AISG Flat Glass Journal (Artists in Stained duction, and Analysis for Reliable Bonding. in der Glasfensterkunst." Glass, Toronto), Winter 1998, p. 7, ill. New York: McGraw-Hill, 1979, 350 pp., ill. Das Munster, v. 19, nos. 9/10, Sept./Oct. 1966, Quebec glass artists. Applications to stained glass. pp. 365-372, ill. English summary. Centenary of stained glass workshop; inter­ 1617 Lichtman, Linda. 1629 Marquart, Christian. view with Ludwig Derix; illustrations of stained "Six Voix/Six Voices: Contemporary Canadian "Gluck durch Glas?: Transparenz und Archi- glass works by young artists. Architectural Glass." Stained Glass, v. 93, no. 3, Fall 1998, tektur." Transparent (Vegla Vereinigte Glaswerke), 1606 "Neue Glasmalerei aus Schwaben und pp. 203-206, ill. no. 2, 1992, pp. 6-9, ill. English summary, p. 8. vom Niederrhein aus der Glasmalerei Wilhelm Exhibition in Chartres, France. Essay on the risks of transparency in architec­ Derix, Rottweil/Wiesbaden." ture. Das Munster, v. 19, nos. 3/4, March/April 1966, 1618 "The Wide World of Flat Glass." pp. 97-112, ill. English summary. The Glass Art Society Journal, 1997, Stained glass windows by Wilhelm Geyer and pp. 43-45, ill. 1630 Mazzoni, Ira Diana. Jochem Poensgen. "Der Duft der weiten Welt." 1619 Lohss, Barbara. Art (Das Kunstmagazin), no. 7, July 1998, 1607 Kristiansen, Jens. "Glasfusing fur die Raumgestaltung." pp. 30-34+, ill. "Visionerne og virkeligheden - Byggeriets Hus Glas + Rahmen, v. 48, no. 8, Aug. 1997, Colored glass used in dome of Dresden to­ i Axel Mollers Have." p. 24, ill. bacco company, copied from mosque in Cairo. GlasMagasinet, v. 5, no. 4, Nov. 1996, Work of the Diering firm. pp. 12-13, ill. 1631 McDonald, Jane. Architectural glass. 1620 Lorentzen, Carl Axel. "Glass in Architecture." "Miljokontrollerende glas." Glass Network (Contemporary Glass Society, 1608 Kubahn-Scheel, Karin. GlasMagasinet, no. 3, Aug. 1998, pp. 18-19, ill. U.K.), no. 3, Nov. 1997, p. 1+, ill. "Seminarveranstaltung zur Denkmalpflege er- New generation of energy-efficient glass used Author's paper at 1997 Wolverhampton Uni­ folgreich durchgefuhrt!" in architectural projects. versity symposium, "Glass without Frontiers." Glas + Rahmen, v. 46, no. 6, March 1995, pp. 264-267, ill. 1621 Lossow, Hubertus. 1632 Medina, Patricia. Report on meeting about maintenance of mon­ "Vereinigte Werkstatten fur Mosaik und Glas­ "Raymond Calvert." uments, notably stained and painted glass. malerei August Wagner in Berlin-Neukolln." Archives of Modern Christian Art, v. 9, no. 1, Das Munster, v. 15, nos. 11/12, Nov./Dec. 1962, Summer/Fall 1997, pp. 4-7, ill. 1609 Kuffner, August. pp. 449-456, ill. Icons and stained glass by New Orleans artist. "Der Kirchenbau im Bistum Regensburg, Survey of one of Germany's stained glass work­ 1945-1972." shops. Das Munster, v. 25, no. 4, July/Aug. 1972, 1633 Meyhofer, Dirk. pp. 229-256, ill. English, French summaries. 1622 Lovell, Lorna. "Architekturszene Spanien: Ein Eldorado der Includes stained glass in Regensburg churches. "Studio Focus: Charles Barone, Charles Ba- neunziger Jahre." rone Studio." Transparent (Vegla Vereinigte Glaswerke), 1610 Kunstmann, J. Uroboros Glass Studios, no. 14, Fall 1997, no. 2, 1992, pp. 10-19, ill. English summary, "Das Altarfenster in der St.-Pius-Kirche p. 4, ill. p. 19. Haunstetten bei Augsburg von Franz Nagel, Barcelona "is well equipped to become the Munchen." 1623 Luebtow, John Gilbert; Carpenter, Ed; true European metropolis of architecture and Das Munster, v. 24, nos. 2/3, March-June 1971, and Knapp, Stephen. design." pp. 142-145, ill. English, French summaries. "Architectural Glass Panel." Apocalypse window in Haunstetten church. The Glass Art Society Journal, 1997, pp. 84- 1634 "Bundestag in Bonn: Leuchtender 86, ill. Kristall der Demokratie." 1611 "Fenster in Faulenbach bei Fussen von Panel at the Tucson conference. Transparent (Vegla Vereinigte Glaswerke), Georg Bernhard, Augsburg." no. 3, [n.d.], pp. 26-33, ill. English summary, Das Munster, v. 24, nos. 2/3, March-June 1971, 1624 Lutz, Christina. p. 33. pp. 146-149, ill. English, French summaries. "Sensibilitat und Konnen." "For the new Bundestag in Bonn, glass . . . Geometric windows in Augsburg. Glas + Rahmen, v. 48, no. 8, Aug. 1997, plays the crucial part." 1635 "Feuerwehrhaus in Weil am Rhein: Stained glass windows and other works by the Survey of one of Germany's stained glass FlieRende Raume, pfeilschnelle Dacher." artist. workshops. Transparent (Vegla Vereinigte Glaswerke), no. 3, [n.d.], pp. 46-53, ill. English summary, 1646 Nasatir, Judith. 1657 Pfaffinger, Jorg. p. 52. "Forum Exhibition: Glass Mates." "GlasKon 98." Glass plays innovative role in fire brigade Interior Design, v. 69, no. 3, March 1998, GFF, Zeitschrift fur Glas, Fenster, Fassade, building. p. 52, ill. no. 12, June 1998, pp. 634-637, ill. Exhibition of recent work by John Patsalides Conference focuses on innovations in the use 1636 "Imhoff Stollwerck Museum in Koln: Studio, English stained glass atelier. of glass in architecture. Glaserne Arche im Rhein." Transparent (Vegla Vereinigte Glaswerke), 1647 "The Secret Garden." 1658 Popiel, Joh. no. 3, [n.d.], pp. 40-45, ill. English summary, Interior Design, v. 69, no. 3, March 1998, "Neue christliche Kunst in Polen: Dritte Aus- p. 45. p. 98, ill. stellung moderner religioser Kunst in Polen." Chocolate museum fashioned largely of glass Powder room in show house features glass Das Munster, v. 18, nos. 7/8, July/Aug. 1965, and concrete. mosaic panels. pp. 257-263, ill. English summary. Third exhibition of modern religious art in Po­ 1637 "Kaleidoskop: Glasarchitektur in Eu- 1648 Nehmitz, Alfred. land. Includes stained glass windows. ropa." "100 Jahre Glasmalerei V. Saile, Stuttgart." Transparent (Vegla Vereinigte Glaswerke), Das Munster, v. 21, no. 2, March/April 1968, 1659 Powell, Jenkyn A. no. 3, [n.d.], pp. 54-61, ill. English summary, pp. 105-112, ill. English summary. "You Are Here." p. 61. Influence of Saile, who taught glass painting Stained Glass, v. 92, no. 4, Winter 1997, A tour of architectural glass innovations in at the Academy of Fine Arts in Stuttgart. pp. 279-283, ill. various German cities. Installation by Powell Brothers and Son for 1649 Osburn, Annie. Salt Lake Airport, Utah. 1638 Millard, Dick. "Light Source: Alberto Positano." "St. Mary's Cathedral of the Immaculate Con­ Art & Antiques, v. 20, no. 11, Dec. 1997, 1660 Powers, Alan. ception, Portland, Oregon: Debora Coombs' pp. 109-112, ill. "Reviews/Exhibitions: Glass, Light and Space Stained Glass Jewel for the Northwest." Stained glass artist in Siena, Italy. - New Proposals for the Use of Glass in Ar­ Glass Craftsman, no. 148, June/July 1998, chitecture." pp. 6-11, ill. 1650 Otomo, Fumiya. Crafts (U.K.), no. 151, March/April 1998, "Stained Glass Material - Colored Glass." pp. 50-51, ill. 1639 Morgenstem, Gail. Honoho Geijutsu, no. 16, 1987, pp. 94-95, ill. Crafts Council Gallery exhibit; work by "Lutz Haufschild: Master of Glass." In Japanese. Deborah Thomas illustrated. Contract Magazine (Concord, Ontario), v. 10, Techniques of making stained glass. no. 1, Feb./March 1991, pp. 30-31, ill. 1661 Price, Karla and Sherer, Dick. Stained glass and cast architectural glass by 1651 Pastier, John. "Beveling Basics: Transforming Residential the Toronto artist. "Coming Full Circle." Spaces with Beveled Mirror." Metropolis, May 1998, p. 30, ill. U.S. Glass, v. 33, no. 7, July 1998, pp. 57-58, ill. 1640 Mual, Makiri. Seattle cathedral features altar screen "Figuratie versus abstractie: 60 jaar Alex crowned by circular glass sculpture by 1662 Radeschi, Loretta. Luigjes glasatelier." Edward Carpenter. "Kaleidoscopes." Glas en Keramiek, no. 1, March/April 1995, Glass Craftsman, no. 145, Dec. 1997/ pp. 22-24, ill. 1652 Pearson, Clifford. Jan. 1998, pp. 6-10, ill. Exhibition of stained glass by Luigjes's studio "Projects: Corning Glass Center 2000." at Museum Flehite in Amersfoort. Architectural Record, v. 186, no. 9, Sept. 1998, 1663 Rathanova, Tereza. pp. 124-131, ill. "Glass Blocks in Architecture." 1641 Muller, Anja. Report on renovation project, which "will New Glass Review (Czech), v. 52, no. 10, "Sneeuwkristallen van Titia Ex in het provin- transform much of the existing complex and 1997, pp. 6-7, ill. In English and German. ciehuis van Utrecht." add a new front." New uses of glass blocks in the Czech Re­ Glasbulletin, Vereniging van Vrienden van public. Modern Glas, v. 10, no. 1, 1996, pp. 23-24, ill. 1653 Perlis, Leslie. Work of Titia Ex. "The First Twenty-Five Years: A Look at the 1664 Reay-Young, Helga. Work (So Far) of Leslie Perlis." "Women's 5th International Stained Glass 1642 Muller-Mehlis, Reinhard. Stained Glass, v. 93, no. 3, Fall 1998, pp. Workshop in Ireland." "Glasfenster von Richard Seewald in der 215-218, ill. Glashelder, no. 12, Nov. 1997, pp. 6-9, ill. Herz-Jesu-Kirche Munchen-Neuhausen." "Traces of Travel" exhibition at the Crawford Das Munster, v. 22, no. 1, Jan./Feb. 1969, 1654 Peterson, Chris. Municipal Art Gallery in Cork. pp. 25-28, ill. English summary. The Art of Stained Glass: Designs from 21 Stained glass windows and their role in artist's Top Glass Artists. 1665 Reynolds, Gil. work. Gloucester, MA: Quarry Books; Cincinnati, "Kiln Crafting: Hot Tips for Fusing and Slump­ OH: distributed by North Light Books, 1998, ing." 1643 Musick, Pat. 144 pp., ill. Stained Glass News, no. 41, Sept. 1998, p. 12. "Infinite Nature: Architectural Enameling with Stained, beveled, painted, and fused glass; Frits. Landscape Architecture." artists include Rick Melby, Lutz Haufschild, Glass on Metal, v. 17, no. 2, April 1998, Kenneth von Roenn, Virginia Hoffman, Linda 1666 Rinuy, Paul-Louis. pp. 43-46, ill. Lichtman, Debora Coombs, Richard LaLonde, "Frangois Rouan: Un Moderne au travail." Enameled copper mural for Colorado commis­ and Judy Gorsuch Collins. Chroniques d'Art Sacre, v. 46, Summer 1996, sion. pp. 2-4, ill. 1655 Petzet, Wolfgang. 1644 "Neue Arbeiten aus der Mayer'schen "Eine Glasmalerei- und Mosaik-Ausstellung in 1667 Robinson, Geoffrey. Hofkunstanstalt Munchen." den Werkstatten Franz Mayer'sche Hofkunst­ "Martin Travers Rides Again." Das Munster, v. 22, no. 3, May/June 1969, anstalt, Munchen." Stained Glass (British Society of Master Glass pp. 149-168, ill. English summary. Das Munster, v. 12, no. 10, Oct. 1959, Painters), no. 2, 1997, pp. 6-7, ill. Includes windows that "blend perfectly with the pp. 357-372, ill. English, French summaries. Church window showing Henry Purcell, based gothic architecture of Regensburg Cathedral." Exhibition of stained glass and mosaics at the on an original design by Travers. Franz Mayer firm in Munich. 1645 Nagel, Herbert. 1668 Robinson, Tom. "Glasmalerei und Fresken in Bayerischen 1656 "Neue Glasmalerei von Egbert Lam- "A Marriage of Metal and Glass." Kirchen von Gerd Jahnke." mers." Stained Glass, v. 93, no. 2, Summer 1998, Das Munster, v. 19, nos. 3/4, March/April 1966, Das Munster, v. 15, nos.11/12, Nov./Dec. 1962, pp. 110-114, ill. pp. 129-132, ill. English summary. pp. 422-424, ill. Metal sculpture combined with leaded glass. 1669 Rohr, Henry. Das Munster, v. 18, nos. 3/4, March/April 1965, 1693 Stephany, Erich. "Zur Situation des Kirchenbaues in Australien." pp. 106-111, ill. English summary. "Alteste Glasmalerei Deutschlands Dr. H. Das Munster, v. 18, nos. 3/4, March/April 1965, Exhibition of new stained glass windows by Oidtmann in Linnich/Rheinland." pp. 81-90, ill. English summary. German artists held in Bombay. Das Munster, v. 15, nos. 11/12, Nov./Dec. 1962, Overview of church architecture in Australia. pp. 409-421, ill. 1682 Schupp, Marlis. Survey of one of Germany's stained glass 1670 Rombold, Gunter. "Das Betonglasfenster." workshops; work by Schaffrath, Schreiter, and '"Sei gelobt durch Bruder Feuer."' Das Munster, v. 19, nos. 3/4, March/April 1966, others. Kunst und Kirche, no. 2, 1978, pp. 91-93, ill. pp. 137-140. English summary. Stained glass windows by Markus Prachensky Glass and concrete windows in France and 1694 "Gedanken zu Kunst und zu Kunst in in church in Enns. Germany: includes technical and esthetic con­ der Kirche bei einem Werkstatt-Besuch der siderations. Werkstatte Dr. H. Oidtmann, Linnich." 1671 Sabroe, Poul. Das Munster, v. 19, nos. 5/6, May/June 1966, "Rigtig anvendelse af glas = optimalt indeklima." 1683 Schwebel, Horst. pp. 205-228, ill. English summary. GlasMagasinet, v. 7, no. 2, May 1998, "Neue Techniken der Glasmalerei. Vorgestellt Visit to glass workshop of H. Oidtmann; glass pp. 10-13, ill. an Hand neuer Glasfenster von Jochem windows by Maria Katzgrau, Jochem Poens­ New Danish buildings. Poensgen." gen, and others. Das Munster, v. 24, nos. 2/3, March-June 1971, pp. 101-108, ill. English, French summaries. 1672 Sahler, Hildegard. 1695 "Neue Werke: Aus den Glaswerkstat- Review of Poensgen's new glass windows, and "Glasdach fur den Turm von SchloR Ardeck: ten Dr. H. Oidtmann-Linnich." comments on the artist's glass staining tech­ Ehrwurdige Mauern gelichtet." Das Munster, v. 22, no. 1, Jan./Feb. 1969, niques. Glaswelt, v. 51, no. 7, July 1998, pp. 46-47, ill. pp. 1-24, ill. English summary. Stained glass pyramidal roof for castle tower. Glass painting in modern church architecture. 1684 Schweicher, Curt. "Alfred Manessier: Eine Epoche neuer 1696 Stephens, Suzanne. 1673 Samick, Donald. Kirchenkunst." "Thinking with Pencil & Paper." "Modernism Reconstituted." Das Munster, v. 22, no. 5, Sept./Oct. 1969, Progressive Architecture, Feb. 1979, Stained Glass, v. 93, no. 3, Fall 1998, pp. 325-336, ill. English summary. pp. 210-214, ill. pp. 49-58, ill. Exhibition of artist's work. Includes illustrations Museum in Norwich, England, features glass J. & R. Lamb Studios' "Michaelic" design of stained glass windows. project. gable end-walls. 1685 Sehring, Gunther. 1697 "Technical Effects." 1674 Sander-Wietfeld, Kathe. "Im Licht Leben: Johannes Schreiters Progressive Architecture, Feb. 1979, "Neue Glasfenster aus den Werkstatten Otto Fensterzyklus in St. Peter und Paul, Siegen." pp. 59-64, ill. Peters, Paderborn und Bottrop." Das Munster, v. 51, no. 2, 1998, pp. 153-157, ill. Architectural firm's work demonstrates a Das Munster, v. 24, nos. 2/3, March-June 1971, Stained glass windows by the artist. "fascination with glass." pp. 81-96, ill. English, French summaries. New stained glass works by the firm. 1686 Shaver, Leslie. 1698 Stocker, Hans. "Detail Is Secret to Garofalo's Decorative "Werkbericht aus der Glaskunst-Werkstatte 1675 Save, Colette and Beaumont, Thierry de. Glass." Karl Isele, Freiburg - St. Georgen." "Aux portes de I'univers." U.S. Glass, v. 32, no. 12, Dec. 1997, p. 91, ill. Das Munster, v. 22, no. 1, Jan./Feb. 1969, Verre (Institut du Verre, Versailles), v. 4, no. 3, Sandblasted panels by John Garofalo. pp. 29-34, ill. English summary. June 1998, pp. 52-53, ill. Artist discusses commission for stained glass Stained glass by Joel Mone. 1687 Smith, Virginia. windows in Kyoto, Japan, cathedral. "My Latest Splash or Just a Filler." AISG Flat Glass Journal (Artists in Stained 1676 "Le King du verre." 1699 Stokes, Colin J. Verre (Institut du Verre, Versailles), v. 4, no. 4, Glass, Toronto), Fall 1997, pp. 14-15, ill. Works by the author in Kitchener exhibit. "A Cautionary Tale." July/Aug. 1998, pp. 66-68, ill. Stained Glass (British Society of Master Glass Jean-Claude Novaro. Painters), no. 2, 1997, pp. 4-5, ill. 1688 Soler, Francis and Weissinger, Sabine. Stained glass obelisk for 1997 Chelsea Flower "Rue Emile Durkheim, Paris: Suite sans fin." 1677 "Les Lumieres de Talant." Show. Verre (Institut du Verre, Versailles), v. 3, no. 6, Glasforum, v. 48, no. 1, 1998, pp. 3-8, ill. English summary, p. 53. Nov./Dec. 1997, pp. 24-28, ill. 1700 Swash, Caroline. Stained glass windows designed by Gerard Colored glass frescoes cover entire facade of Paris apartment building; images reproduced "Fragments of Time." Garouste and executed by Pierre-Alain Parot Crafts (U.K.), no. 153, July/Aug. 1998, for 13th-century church in Talant, Bourgogne. from 16th-century frescoes covering walls of a Mantua palace. pp. 44-47, ill. Stained glass photographs by Linda McCart­ 1678 "Nouveaux langages." 1689 Sotheran, Ann. ney and Brian Clarke. Verre (Institut du Verre, Versailles), v. 4, no. 2, "Acid Etching in the Studio." March/April 1998, pp. 30-32, ill. Stained Glass (British Society of Master Glass 1701 "Reviews: Traces of Travel." Stained glass by Florent Chaboissier and Painters), no. 2, 1997, pp. 10-11. Crafts (U.K.), no. 151, March/April 1998, Thierry Gilhodez. p. 58, ill. 1690 Spiegel, Christine. Members of the Women's International 1679 Schade, Herbert. "Cultural Heavyweight in Light Skin." Stained Glass Workshop exhibit at the Glass "Jakob Schwarzkopf 'Die Taten und Leiden Austria Kultur, v. 8, no. 5, Sept./Oct. 1998, Art Gallery, London. des Lichtes.'" pp. 8-9, ill. Das Munster, v. 22, no. 1, Jan./Feb. 1969, New art museum, Kunsthaus Bregenz, is sur­ 1702 Thompson, Sandy. pp. 35-38, ill. English summary. rounded by glass panels. "Gordon Huether and Architectural Glass Glass window by Schwarzkopf executed in Design." Trier workshop. 1691 Stein, Karen D. Stained Glass, v. 92, no. 4, Winter 1997, "California Science Center." pp. 272-277, ill. 1680 Schipper, K. Architectural Record, v. 186, no. 5, May 1998, Recent projects by the California firm. "Linda Leniton - Artistic Glass Expressions." pp. 177-187, ill. A & E, The Magazine for Awards & Engraving Los Angeles center features dichroic glass in 1703 Thorsen, Poul. Professionals, v. 10, no. 11, Jan. 1998, the oculus of the rotunda. "GlasGrossisterne giver kritisk og konstruktiv pp. 40-44, ill. radgivning." Flat glass designs. 1692 "Spencer Theater." GlasMagasinet, v. 7, no. 2, May 1998, p. 24, ill. Architectural Record, v. 186, no. 5, May 1998, 1681 Schnell, Hugo. pp. 152-159, ill. 1704 Toohey, Ellsworth. "Ausstellung neuer Glasfenster deutscher Performing arts center in Ruidoso, New Mex­ "Piano Nobile." Kunstler in Bombay." ico, includes glass. Interior Design, v. 69, no. 7, May 1998, p. 54+, ill. Renzo Piano of Italy is 1998 Laureate of Pritz- pp. 14-16+, ill. 1726 Whiteley, Peter O. ker Architecture Prize. San Diego-based glass artist awarded three "The Changing Glass Top." largest commissions for airport. Sunset (Southern Pacific Co., San Francisco, 1705 Vaassen, Elgin. CA), May 1996, p. 130+, ill. "Werkstatten Gustav van Treeck, Munchen. 1716 "Works by Gomolka Design Studio." Counter and tabletop treatments. Aus dem Schaffen der letzten Jahre." Glass Art, v. 14, no. 1, Nov./Dec. 1998, Das Munster, v. 24, nos. 2/3, March-June 1971, pp. 22-23+, ill. 1727 Wilde, David. pp. 109-120, ill. English, French summaries. Stained glass by Dutch-born artist. '"Focus on Design' at Harbourfront Centre." New stained glass works by the firm. AISG Flat Glass Journal (Artists in Stained 1717 Wardell, Randy. Glass, Toronto), Fall 1997, pp. 5-10. 1706 van der Burght, Angela. "A Musical Interlude." Conference talks and summaries of talks by "Afstuderen in Eindhoven, 1995-1996." Glass Craftsman, no. 148, June/July 1998, various artists. Glasbulletin, Vereniging van Vrienden van pp. 12-16, ill. Modern Glas, v. 10, no. 2, 1996, pp. 6-7+, ill. Stuart Goldman's art glass with a musical 1728 "Local Colour: Recent Works by Ted Work of Simone de Waart, Annemoon Geurts, theme. Goodden." and Mirjam van Hasselt. AISG Flat Glass Journal (Artists in Stained 1718 "Working with Stained Glass: Hints & Glass, Toronto), Fall 1997, pp. 2-3, ill. 1707 "Architectuur, de vormgegeven ruimte." Tips for Hobbyists." Exhibition review. Glashelder, no. 7, Aug. 1996, pp. 1-2, ill. Stained Glass News, no. 38, Nov. 1997, p. 14. Using glass to create architectural space; 1729 "The Passing of Claude Bettinger." work by Bruce Chao, Mario Merz, and Ursula 1719 "Working with Stained Glass: Hints & AISG Flat Glass Journal (Artists in Stained Huth illustrated. Tips for Hobbyists." Glass, Toronto), Winter 1998, p. 3. Stained Glass News, no. 41, Sept. 1998, p. 8. 1708 "Concept, of de kleren van de keizer?" Includes tips on soldering an inside seam. 1730 Willimon, Nancy M. Glashelder, no. 3, July 1995, pp. 15-21, ill. Mosaics Made Easy. Windows by Jan Dibbets, who won the Sik- 1720 Watts, D. C. [St. Louis]: Willimon Arts Inc., 1997, 24 pp., ill. kensprijs 1995. "'Glass, Light & Space': A Review of the Exhi­ bition at the Crafts Council, London." 1731 Wood, Christie A. 1709 "Gebrandschilderd glas in Groot-Brit- Glass Network (Contemporary Glass Society, "Robert Oddy: Stained Glass Plating Tech­ tannie: Eindelijk zichzelf!" U.K.), no. 4, April 1998, pp. 4-5. niques." Glashelder, no. 9, Feb. 1997, pp. 7-9, ill. Architectural art work. Common Ground: Glass (Newsletter of the Work by contemporary British artists. International Guild of Glass Artists Inc.), 1721 Webb, Michael. Fall 1997, pp. 20-22, ill. 1710 "Moderne Zwitserse Glasschilderkunst." "Spago Beverly Hills." Interiors, v. 157, no.7, July 1998, pp. 66-71, ill. 1732 Wrigley, Lynette and Gerstein, Marc Glashelder, no. 8, Nov. 1996, pp. 21-23, ill. Restaurant with skylit geometric glass panels, Saul. Swiss stained glass. glass tiles, and Italian blown glass sconces. The Complete Stained Glass Course: How to Master Every Major Glass Work Technique, 1711 "Nederland: De monumentale kunst 1722 Weiner, Kay Bain. with Thirteen Stunning Projects to Create. van het glas in de architectuur. . . Glass Enameling. Edison, NJ: Chartwell Books, 1996, 160 pp., ill. Glashelder, no. 6, May 1996, pp. 23-25, ill. Roselle, NJ: Eastman Publications, 1996, 64 pp., ill. 1733 Zimmer, Wendelin. 1712 "Vlakglas in het vlakke land van Vlaan- Necessary tools, molds and kilns, and dry and "75 Jahre G. Deppen und Sohne, Osnabruck." deren." wet enameling technique. Das Munster, v. 23, no. 4, July/Aug. 1970, Glashelder, no. 7, Aug. 1996, pp. 3-9, ill. pp. 273-280, ill. English, French summaries. Flemish flat glass by Michel Martens, Jan-Wil- 1723 Weis, Helene. Glassworks of G. Deppen and Sons, Osna­ lem van Zijst, Edward Leibovitz, Marie-Paule "Dreams of the Transparent Room." bruck, celebrates 75th anniversary. Grusenmeyer, Herman Blondeel, and Mieke Stained Glass, v. 92, no. 4, Winter 1997, Verwaetermeulen. pp. 266-271, ill. 1734 Zingg, p. Thaddaus. Interview with Meeli Koiva-Vallo, Estonian "Neue religiose Malerei in der Schweiz." 1713 Venkateswaran, Sagar N. stained glass artist. Das Munster, v. 21, no. 5, Sept./Oct. 1968, "Mirror Making." pp. 301-318, ill. English summary. U.S. Glass, v. 33, no. 7, July 1998, pp. 58-59, ill. 1724 Weissinger, Sabine. Includes church decorations by Ferdinand Gehr. "Glazen Toilet Groningen." 1714 Waggoner, Shawn. Glasforum, v. 48, no. 1, 1998, pp. 33-35, ill. 1735 Zoritchak, Thomas. "Sherick: Imagination Leading to Creativity, English summary, p. 54. "Leger, Matisse et Rouault." Creativity to Reality." Public toilet with translucent glass. La Revue de la Ceramique et du Verre, Glass Art, v. 13, no. 6, Sept./Oct. 1998, no. 98, Jan./Feb. 1998, pp. 40-43, ill. pp. 66-68, ill. 1725 Weissinger, Sabine and Muhleck, Georg. Stained glass by Rouault. Creation of suspended glass floor leads to "Verwaltungsgebaude Heilbronn: Live Space development of three new products. + Simulation." 1736 "Marc Chagall: A la lumiere des vitraux Glasforum, v. 48, no. 1, 1998, pp. 13-18, ill. d'Assy." 1715 "Stories of Sand, Sea and Surf by Joan English summary, p. 54. La Revue de la Ceramique et du Verre, no. 97, Irving: New Public Artworks for the San Diego Building features computer-generated images Nov./Dec. 1997, pp. 46-47, ill. International Airport." transferred by laser onto polyester foil lami­ Chagall's stained glass in church in parish of Glass Art, v. 13, no. 6, Sept./Oct. 1998, nated with acryl glass. Passy, Haute-Savoie. TECHNOLOGY (after 1945) TECHNOLOGIE (nach 1945)

1737 Anonymous. 1750 "Gotik und Glas: Knochenhauer - 1761 Optical Fiber Transmission II: A Digest "Aquatic Fibres." Amtshaus Hildesheim." of Technical Papers Presented at the Topical International Lighting Review, v. 48, no. 4, Transparent (Vegla Vereinigte Glaswerke), Meeting on Optical Fiber Transmission II, 1997, pp. 154-157, ill. no. 2, 1992, pp. 38-41, ill. English summary, February 22-24, 1977, Williamsburg, Virginia. Fiber optics and gas discharge lamps light p. 41. [Washington?]: Optical Society of America, full-sized fountains. "A masterpiece of medieval timber building" 1977, 1 v., ill. includes fire-protection glass. 1738 The Art and Technique of Pate de Verre. 1762 "Processing Duran." Kawasaki-shi, Kanagawa, Japan: Tokyo Glass 1751 "Graphic Fibres." Hot Gas (Scientific Glassblowers Association Art Institute, 1998, 181 pp., ill. International Lighting Review, v. 48, no. 4, of Australia), v. 5, no. 2, May 1998, pp. 11-13. Detailed instructions on basic and advanced 1997, pp. 158-163, ill. "Suitable annealing methods" for the boro- techniques for shaping, firing, and finishing Fiber optics. silicate glass. glass objects. 1752 "An Hamburgs Peripherie: Glaserne 1763 Progress in Ceramic Science. 1739 "Benedictus Awards 1997: Innovationen BegruBung." Oxford and New York: Pergamon Press, in Verbundglas." Transparent (Vegla Vereinigte Glaswerke), 1961-1966, 4 vv., ill. Glaswelt, v. 50, no. 10, Oct. 1997, pp. 74-75, ill. no. 2, 1992, pp. 28-29, ill. English summary, Includes chapters on glass strength, prop­ p. 29. erties, and structure. 1740 "Bits & Pieces." Hamburg building features "a new generation Glass on Metal, v. 11, no. 1, Feb. 1992, of high tech glasses." pp. 14-15+, ill. 1764 "Safety Topics: Inhalation of Fumes from Silica Working Could Generate Nitric Short articles on techniques and products; 1753 "Laminated Glass Comes to the Res­ advice. Acid in Lung Tissues." cue for Restoration Project." Hot Gas (Scientific Glassblowers Association American Glass Review, v. 118, no. 4, of Australia), v. 5, no. 3, Winter 1998, p. [19], ill. 1741 Conference Proceedings DOD Fiber Jan./Feb. 1998, p. 12, ill. Optics '94 (4th Department of Defense Fiber Duplicating panels for restoration of glass Optics and Photonics Conference, McLean, VA). ceiling in Manhattan building project. 1765 "Le Savoir-faire sur les vitrages du Fairfax, VA: The Armed Forces Communica­ lycee Auguste Loubatiere d'Agde." tions and Electronics Association, 1994,458 pp. 1754 "A Library for the 21 st Century." Verre Actualites, no. 156, May 1998, International Lighting Review, v. 48, no. 4, pp. 28-31, ill. 1742 "Few WA State Glass/Ceramic Makers 1997, pp. 148-151, ill. Serigraphed texts on mirrored panels in Follow Lead Laws." Lighting in newly opened Bibliotheque Natio- school in Agde, France. ACTS Facts (Arts, Crafts and Theater Safety), nale de France in Paris. v. 12, no. 6, June 1998, p. 3. 1766 "Shortform: Elements of Change." 1755 "A Look Back at the 1960s." Crafts (U.K.), no. 149, Nov./Dec. 1997, p. 13, ill. 1743 "Fibre Shop." Glass Magazine (National Glass Association, Exhibition at the Crafts Council Gallery, International Lighting Review, v. 48, no. 4, McLean, VA), v. 48, no. 2, Feb. 1998, "Glass, Light and Space: New Proposals for 1997, pp. 152-153, ill. pp. 19-26, ill. the Use of Glass in Architecture." Focus on Fiber, Europe's first fiber optics light­ Flat glass developments, including expanding ing showroom. float glass use, safety glasses, etc. 1767 "La Station experimentale du verre." Illuminatecnica, nos. 395/396, Nov./Dec. 1993, 1744 "Fibre-Optics Lighting." pp. 72-73, ill. International Lighting Review, v. 48, no. 4, 1756 "A Look Back at the 1970s." La Station Experimentale du Verre, a public 1997, pp. 164-168, ill. Glass Magazine (National Glass Association, organization that promotes technical progress Fiber optics for pavement, fountain, show­ McLean, VA), v. 48, no. 3, March 1998, in glass. case, and contour lighting. pp. 31-37, ill. Developments in architectural glass, auto 1745 "Un filo di vetro: Le fibre ottiche e la glass, etc. 1768 "Status Report: Lead/Cadmium Rules rivoluzione della comunicazione." for Ceramics and Glass." Stileindustria, v. 3, no. 10, June 1997, pp. 30- 1757 "A Look Back at the 1980s." ACTS Facts (Arts, Crafts and Theater Safety), 33, ill. In Italian and English. Glass Magazine (National Glass Association, v. 12, no. 4, April 1998, pp. 1-2. "Optical fibres and the revolution in communi­ McLean, VA), v. 48, no. 4, April 1998, cations." pp. 27-34, ill. 1769 "Survey of Electric Lamps." Architectural glass and lighting developments, Illuminatecnica, nos. 405/406, Sept./Oct. 1746 "Das glaserne Trio von La Defense: etc. 1994, pp. 81-90, ill. French text, pp. 262-272. Lernen von Paris." 1758 "A Look Back at the 1990s." Transparent (Vegla Vereinigte Glaswerke), 1770 "Under the Sun: An Outdoor Exhibition no. 2, 1992, pp. 46-53, ill. English summary, Glass Magazine (National Glass Association, of Light." p. 52. McLean, VA), v. 48, no. 6, June 1998, Cooper-Hewitt National Design Museum Paris commercial building, composed of glass pp. 23-29, ill. Magazine, Summer 1998, pp. 6-11, ill. structures, showcases 30 years of glass tech­ Developments in architectural glass, auto Exhibition "explores solar energy as a catalyst nology. glass, etc. for both practical and visionary design"; in­ cludes glass. 1747 "Glashaus fur junge Kreativitat." 1759 Metallic Glasses: Papers Presented at Architektur Transparent (Vegla Vereinigte a Seminar of the Materials Science Division of 1771 "What Is Important in the Glass Work­ Glaswerke), no. 2, Jan. 1994, pp. 1-6, ill. the American Society for Metals, September 18 and 19, 1976. ing Lathe?" Fusion (American Scientific Glassblowers So­ 1748 "Glass-Etch Is among Products to Be Metals Park, OH: American Society for Metals, ciety, Toledo, OH), v. 11, May 1964, pp. 21-23. Regulated." 1978, 348 pp., ill. ACTS Facts (Arts, Crafts and Theater Safety), Includes fabrication, structural models, strength, v. 11, no. 12, Dec. 1997, p. 1. and electronic and magnetic properties. 1772 "What Is Vitreous Enamel?" Toxicity of glass etching creams. Glass on Metal, v. 10, no. 4, Aug. 1991, p. 226. 1760 Optical Fiber Transmission: A Digest of Brief introduction to the subject. 1749 "Glassmakers Dictionary." Technical Papers Presented at the Topical The Chair, the Glass Guild Magazine for Okra Meeting on Optical Fiber Transmission I, 1773 "Your Kiln's 'Firing Personality.'" Collectors (Okra Studios, Brierley Hill, Eng­ January 7-9, 1975, Williamsburg, VA. The Firing Line (Orton Firing Institute, Wester- land), Dec. 1997, pp. 24-30, ill. [Washington?]: Optical Society of America, ville, OH), no. 98-1, Winter/Spring 1998, p. 16. Brief dictionary of terms. 1975, 1 v., ill. Hot spots, how long it takes to cool, etc. 1774 Abrams, Linda. 1787 Biggar, Ed. pp. 91-96. "Reproducing a Broken Reverse Painting on "Carolina Wholesale Neon." Energy use, cost, and safety issues of neon. Glass from a Federal Mirror." Sign Builder Illustrated, no. 52, July/Aug. 1998, The Gilder's Tip, Fall 1997, p. 5, ill. pp. 98-102, ill. 1802 Caminada, J. F. Modern, well-equipped neon shop in North "The Magic of Fibres." 1775 Ackermann, Ralf B. Carolina. International Lighting Review, v. 48, no. 4,1997, "Glasverklebung im Mobelbau." pp. 130-139, ill. Glas + Rahmen, v. 49, no. 5, May 1998, 1788 Black, I. Fiber optics. pp. 20-21, ill. "Laser Cutting Decorative Glass, Ceramic Tile." How to construct glass furniture. The American Ceramic Society Bulletin, v. 77, 1803 Carpenter, Woodrow. no. 9, Sept. 1998, pp. 53-57, ill. "Crackle Enamel: A Misnomer." 1776 Ainslie, Chris. Glass on Metal, v. 15, no. 1, Feb. 1996, "Sandblast 'Brush On' Resist for Curved 1789 Bloom, Murray. pp. 9-11, ill. Shapes." "New and Tested: The Carlisle High Capacity The Guild of Glass Engravers Newsletter, (Hand) Torch." 1804 "De-Enameling." Summer 1998, pp. 6-7. Glass Line, v. 11, no. 5, Feb./March 1998, p. 12. Glass on Metal, v. 16, no. 3, Aug. 1997, pp. 58-59, ill. 1777 Anderson, Harriette. 1790 Boissel, Thierry. De-enameling accomplished by mechanical or "Devitrification of Glass. Its Simple Prevention." "Technique: Fusing et verre structure a chaud." chemical means. The Firing Line (Orton Firing Institute, Wester- La Revue de la Ceramique etdu Verre, no. 100, ville, OH), no. 98-1, Winter/Spring 1998, p. 21. May/June 1998, pp. 50-51, ill. 1805 "Enamel Potpourri." Glass on Metal, continuing series, v. 11, no. 1, 1778 Anderson, Harriette. 1791 Bradford, Kathy. Feb. 1992 - v. 11, no. 6, Dec. 1992. Kiln-Fired Glass. "Siphon versus Pressure Pots." Advice column on enameling techniques. McLean, VA.: H. Anderson, 1997, 106 pp., ill. Sandcarving Quarterly, v. 2, no. 2, Winter Describes working with glass, equipment and 1998, pp. 3-4, ill. 1806 "Enamel Potpourri." techniques (including sgraffito, designing with Use of a siphon system in sandcarving glass. Glass on Metal, v. 13, no. 2, April 1994, bubbles, plate glass, silkscreen printing, and pp. 38-40, ill. stenciling). 1792 Bradford, Kathy and Fenton, Dan. Information concerning the use of transparent "Sandblasted Design, with a Focus on Shad­ reds. ing." 1779 Antonelli, Giorgio. Glass Craftsman, no. 149, Aug./Sept. 1998, "Reflections of Infinity." 1807 "Opalescent Enamel." pp. 36-43, ill. Illuminatecnica, nos. 403/404, July/Aug. 1994, Glass on Metal, v. 13, no. 6, Dec. 1994, pp. 78-80, ill. p. 127, ill. Swarovski. 1793 Braga, Joe. Use of new lead-free enamel. "Tech Tips: The Engraving Table." A & E, The Magazine for Awards & Engraving 1808 Chardiet, Jose. 1780 Argent, R. D. Professionals, v. 11, no. 7, Sept. 1998, "Speaker for the Day: Jose Chardiet." "A Flexible Solution for Handmade Colored pp. 81-83. MCGG (Metropolitan Contemporary Glass Glass." Group), April 21, 1998, u.p., ill. Glass Industry, v. 79, no. 6, June 10, 1998, 1794 Brandli, Lisa. Synopsis of a lecture by the artist. pp. 29-31, ill. "Abrasive Waterjets Bring Glass Animals to Method of providing the color capabilities of Life." pot melting to users of continuous furnaces. 1809 Claycomb, Cathy. Glass Craftsman, no. 149, Aug./Sept. 1998, "Hidden Images." p. 50, ill. Glass Craftsman, no. 149, Aug./Sept. 1998, 1781 Babieri, Cesare. pp. 18-22, ill. "Galileo Looks into Space." 1795 Butler, Robert, Jr. Overlay techniques, step by step. Schott Information, no. 82, Sept. 1997, "Avoiding Repetitive Stress Injuries." pp. 7-9, ill. Glass Line, v. 12, no. 2, Aug./Sept. 1998, p.7+. Canary Island telescope opened in 1996. 1810 Couture, Bob. Tips on body mechanics for glassworkers. "Made in Port Jervis." American Flint, v. 88, no. 4, April 1998, 1782 Bacchini, Roberto. 1796 Caba, Randall. pp. 6-7, ill. "Evolution of Glass Processing by CNC Ma­ "Big Neon Secrets Revealed!" Gillinder Brothers company manufactures chines." Sign Builder Illustrated, no. 51, May/June 1998, airport lighting, traffic light lenses, and other Glass, Monthly Journal of the European Glass pp. 30-36, ill. industrial and commercial glasses. Industry, v. 75, no. 4, April 1998, pp. 103-104. Tips for neon craftsmen. 1811 Daily, Marty. 1783 Bacon, Dennis and Reeser, Kenneth. 1797 "Five Neon Pet Peeves (And How I "Wow, What a Torch!" "Alteration of a Model HS Litton Lathe." Take Care of Them)." Common Ground: Glass (Newsletter of the In­ Fusion (American Scientific Glassblowers So­ Sign Builder Illustrated, no. 48, Nov./Dec. 1997, ternational Guild of Glass Artists Inc.), Spring ciety, Toledo, OH), v. 6, May 1959, pp. 18-19, ill. p. 80+, ill. 1998, pp. 105-106, ill. Evaluating a mini bench burner. 1784 Beadle, The Venerable [Stanfield, Kirk]. 1798 "Real-Life Troubles from the Neon "The Bead Column." Patrol." 1812 "Wow! What a Torch." Glass Line, v. 12, no. 2, Aug./Sept. 1998, p. 9. Sign Builder Illustrated, no. 52, July/Aug. 1998, Glass Line, v. 12, no. 1, June/July 1998, "Successful test of a ceramic oxygen genera­ p. 28+, ill. pp. 6-7, ill. tor.. . may herald the coming independence "Some real peeves from the front lines of the Evaluation of a new surface-mix bench torch. of studio lampworkers from delivered oxygen neon world." supplies." 1813 Davies, D. 1799 "Refine That Sign!: Mega How-to Neon "Glass Manipulation by Flames: Some Ques­ 1785 Bengtson, Joan. Tips." tions for Debate." "Glue Chipping to Pattern." Sign Builder Illustrated, no. 51, May/June 1998, British Society of Scientific Glassblowers The Daily Grind (Newsletter of the Association pp. 123-125+. Journal, v. 36, no. 4, Oct. 1998, pp. 172-176, ill. of Stained Glass Lamp Artists), no. 52, Flameworking. May/June 1998, pp. 3-4. 1800 "Second-Level Wholesale Neon." Hints for lamp designers. Sign Builder Illustrated, no. 49, Jan./Feb. 1998, 1814 Davis, Paul R. p. 32+, ill. "Classic Channel Letter Design." 1786 Benz-Zauner, Margareta. How to set up a neon crafts business. Sign Builder Illustrated, no. 50, March/ "Vorgeschichtliche Technik und Glastechnik." April 1998, pp. 80-84+, ill. Deutsches Museum, Jahresbericht 1997, p. 32. 1801 "Three Neon Myths Dispelled." "Making letters, signs and neon border that Note on activities of glass department. Sign Builder Illustrated, no. 53, Sept./Oct. 1998, will work trouble-free for thousands of hours." 1815 "Electrifying Issues: Caught in the Net." 1829 Ellner, Miriam. 1845 Gardner, Tony. Sign Builder Illustrated, no. 48, Nov./Dec. 1997, "Verre eglomise - Project as Primer." "1998 Electric Sign Design Contest." p. 26+, ill. The Gilder's Tip, Fall 1997, p. 3, ill. Signs of the Times, v. 220, no. 10, Sept. 1998, Neon safety issues. Glass coffee table projects. pp. 75-103, ill.

1816 Day, Larry. 1830 Elsheimer, Skip. 1846 Gately, Eileen D. "Sometimes New Is Better." "A Glass Menagerie of Effects: How to Use "The Enameling Technique of Josefina Gar- Glass Line, v. 12, no.1, June/July 1998, p. 11 +, ill. Eye Candy's Glass Filter." rigo de Hernandez." Evaluation of a new torch. PE/(Photo Electronic Imaging), v. 41, no. 6, Glass on Metal, v. 16, no. 4, Dec. 1997, June 1998, pp. 52-54, ill. pp. 89-90, ill. 1817 Desaulniers, Gilles. "Innovative Hot Work: Imposing Centrifugal 1831 Emery, Margaret J. 1847 German, Daniel M. Force on Glass." "Etching Gold Leaf on Glass." "Photographing Stained Glass." Glass Gazette, Winter 1998, pp. 7-9, ill. The Gilder's Tip, Fall 1997, pp. 12-13+, ill. Common Ground: Glass (Newsletter of the In French and English. International Guild of Glass Artists Inc.), 1832 Evans, Bob. Spring 1998, pp. 23-25, ill. "Where's the Pyrex® - The Rest of the Story." 1818 Dobbins, Norm. Glass Line, v. 11, no. 6, April/May 1998, p. 1. "Glass: Know What You Are Selling!" 1848 Goldman, Stu. Supplies of borosilicate rods for lampworking. A & E, The Magazine for Awards & Engraving "Classique Multicore Solder's MultisafeTM Professionals, v. 10, no. 10, Dec. 1997, (F10P) Self Cleaning Plumber's Paste Flux." pp. 38-41, ill. 1833 Fastag, Miriam. Glass Craftsman, no. 149, Aug./Sept. 1998, Types of glass and engraving processes in "Enamels Applied on Pottery." p. 48. corporate gifts and awards. Glass on Metal, v. 16, no. 4, Dec. 1997, Product review. pp. 91-92+, ill. 1819 "Glass: The State of the Art." 1849 "What Is a Good Design?" 1834 Fenton, Dan. Glass Craftsman, no. 149, Aug./Sept. 1998, A & E, The Magazine for Awards & Engraving "Slumping Glass for Lighting Fixtures: Part 1." Professionals, v. 11, no. 7, Sept. 1998, pp. 23-26, ill. Glass Art, v. 13, no. 4, May/June 1998, Analysis of some works by well-known glass pp. 32-34. pp. 4-8, ill. Developments in the use of etched glass artists. products and etching techniques. 1835 Slumping Glass for Lighting Fixtures: 1850 Gruenig, David. Part II." 1820 "How to Gluechip Glass and Why!" "Solo Gaffer Hang Ups." Glass Art, v. 13, no. 5, July/Aug. 1998, The Independent Glassblower, no. 49, Glass Art, v. 13, no. 1, Nov./Dec. 1997, pp. 12-20, ill. pp. 22-28+, ill. March/April/May 1998, pp. 3-4, ill. Blowpipe hanger. 1836 "Slumping Glass for Lighting Fixtures: 1821 "How to Glue Chip Glass. Part 2." Part III." 1851 "Solo Gaffer: The Bench." Glass Art, v. 13, no. 2, Jan./Feb. 1998, Glass Art, v. 13, no. 6, Sept./Oct. 1998, p. 22+. pp. 40-43+, ill. The Independent Glassblower, no. 48, Dec. 1997 and Jan./Feb. 1998, pp. 1-6, ill. 1837 "Slumping Glass for Lighting Fixtures: 1822 Dodson, Ricky Charles. Part IV." 1852 Hall, Sarah and Kraegel, Jeffrey. "Choices in Borosilicate." Glass Art, v. 14, no. 1, Nov./Dec. 1998, "Material Matters." Glass Line, v. 11, no. 5, Feb./March 1998, p. 1+. pp. 12-16. Glass Art, v. 14, no. 1, Nov./Dec. 1998, pp. 40-42+, ill. 1823 Dundas, Bill. 1838 Filler, Martin. "Light Motives." A consideration of color, texture, and charac­ "Seven Deadly Sign Sins." ter of different glasses - and how each will re­ Signs of the Times, v. 220, no. 6, May 1998, Progressive Architecture, April 1979, pp. 92- 97, ill. spond to painting, etching, sandblasting, and p. 32+, ill. silver staining. Analysis of errors in design and fabrication of Includes "some of the energy-efficient lamps neon (and other) signs. and luminaires currently available." 1853 Harben, P. W., ed. 1839 Frese, Robert. Minerals and Chemicals in Glass and Ceram­ 1824 Eckes, Jeff. ics - The Next Decade (Proceedings of Min­ "Blown Glass Ornaments: Breathing Beauty "Step-by-Step: Laying Gold Leaf on Glass." The Gilder's Tip, Spring 1998, pp. 14-18, ill. erals and Chemicals in Glass and Ceramics - into Your Holidays." The Next Decade, a meeting held Oct. 15-16, Glass Patterns Quarterly, v. 14, no. 3, Fall 1998, 1981 at the Corning Glass Center, Corning NY). pp. 70-72, ill. 1840 Frolic, Irene. "Kiln Casting: Frequently Asked Questions, Worcester Park, England: Industrial Minerals, Part 1." 1982, 98 pp., ill. 1825 "What's the Point? Lead Line Exten­ Glass Gazette, Winter 1998, pp. 15-17, ill. sions or Pointing Off." 1854 Hausheer, Herbert. Glass Craftsman, no. 147, April/May 1998, 1841 "Kiln Casting: Frequently Asked Ques­ "Lighting Design: Stars in the Bar." pp. 12-15, ill. tions, Part 2." Schott Information, no. 83, Dec. 1997, "Pointing off" on copper foil and lead came Glass Gazette, Spring 1998, pp. 7-9, ill. pp. 16-17, ill. work. Fiber optics used in design of luxury health spa. 1842 Fuhr, Christine. 1826 "Working on the Torch: Testing for "Halogen Lamps: More Light, Less Energy." 1855 Helwig, Bill. Compatible Glass." Schott Information, no. 83, Dec.1997, pp. 46, ill. "Valeri Timofeev. Plique-a-Jour: Yesterday's Glass Patterns Quarterly, v. 14, no. 1, "A new generation of halogen lamps . . . uses Technique Today." Spring 1998, pp. 16-17. less electricity than ever before." Glass on Metal, v. 11, no. 3, June 1992, pp. 58-63, ill. 1827 Edgington, John. 1843 "Special Treatment Adds Value." "Changing Attitudes towards Training." Schott Information, no. 83, Dec. 1997, 1856 Hoffmann, Ute. Glass, Monthly Journal of the European Glass pp. 2-3, ill. "Saving the Old, Creating New." Industry, v. 74, no. 12, Dec. 1997, pp. 481- Innovations in coated glass and its future Schott Information, no. 84, Dec. 1997, 483, ill. applications. pp. 22-23, ill. Training approaches for employment in the Baldur Schonberg of Rheinbach repairs and glass industry. 1844 Garcia, Denis. reconstructs damaged glass. "Formation verre au chalumeau." 1828 Ellis, Tom. CERFAV Infos (Lettre de la Plate-forme 1857 "Setting the Scene for Natural History." "Separation Enamel - Old and New Variations." Verriere de Vannes-le-Chatel), no. 20, Schott Information, no. 84, Dec. 1997, Glass on Metal, v. 11, no. 2, April 1992, March 1998, p. 1+, ill. pp. 20-21, ill. pp. 34-35, ill. Lampworking. Fiber optics used in lighting museum displays. 1858 Holm wood, Jeff. 1872 "How To Use It: Uroboros Textured 1886 Morello, Augusto. "Tech Talk: Gas Garages." Glass. Part 2." "Alleanze del vetro: Sostituzioni tra materiali." Glass Gazette, Winter 1998, p. 14, ill. Uroboros Glass Studios, no. 14, Fall 1997, Stileindustria, v. 3, no. 10, June 1997, p. 3, ill. pp. 34-37, ill. In Italian and English. 1859 Hsieh, Irene. "Glass and its relationships with other materi­ "A Personal Experience with Ventilation." 1873 Lewis, Benn H. als. . . The Arizona Society of Glass Beadmakers "Adhesives for Mounting Enamels." Newsletter, Jan. 1998, p. 5. Glass on Metal, v. 11, no. 3, June 1992, 1887 Morello, Augusto. Setting up a ventilation system for the glass- p. 53+, ill. "Un capitolo deirimmaginario scientifico: I vetri worker. della chimica." 1874 Litton, Charles V. Stileindustria, v. 3, no. 10, June 1997, pp. 26-29, ill. In Italian and English. 1860 Ingalls, Albert G., ed. "Machinery Procedures. Chucking with Plane­ "Glass-making for laboratories left its mark on Amateur Telescope Making Advanced (Book tary Bar Chucks: An Application Note." two centuries of the history of science, as well Two): A Sequel to Amateur Telescope Making Fusion (American Scientific Glassblowers So­ as the history of shapes." (Book One). ciety, Toledo, OH), v. 11, Aug. 1964, pp. 9-10. [New York]: Scientific American, 1957, 650 pp. A collection of contributions to amateur preci­ 1875 Livi, Vittorio. 1888 Moretti, Dario. sion optics by numerous authorities. "L'era del vetro: Un materiale ancora da sco- "Cristallo: La trasformazione di una cultura lo­ prire." cale." Stileindustria, v. 3, no. 10, June 1997, pp. 20- Stileindustria, v. 3, no. 10, June 1997, 1861 Jackson, Bruce. 25, ill. In Italian and English. pp. 13-19, ill. In Italian and English. "Chemical Metal Patination for Glass Gilding." "The numberless qualities - both functional Quality, cost, and automation in glassmaking. The Gilder's Tip, Spring 1998, pp. 7-8. and aesthetic - of an ancient material ... for the manufacturing of household products." 1889 Morton, David. 1862 Jackson, Mike. "Tipping the Scales." "Surface Gilding Techniques." 1876 Lovell, Eric. Progressive Architecture, May 1979, pp. 98- The Gilder's Tip, Spring 1998, p. 9. "How We Make It: Heavily Textured Glass." 101, ill. Uroboros Glass Studios, no. 14, Fall 1997, Sackler Wing of The Metropolitan Museum of 1863 Jaszczak, Michael. p. 1, ill. Art incorporates insulating and hammered "Channeling." misco wire glass. Glass on Metal, v. 11, no. 1, Feb. 1992, 1877 "How We Make It: Ring Mottle Opales­ pp. 21-23, ill. cent." 1890 Newble, Brian. Using multicolored lines in cloisonne design. Uroboros Glass Studios, no. 15, Spring 1998, Practical Enamelling and Jewelry Work. p. 1, ill. New York: Viking Press, [1967], 96 pp., ill. Techniques include cloisonne, champleve, 1864 Jenkins, Jean Foster. basse-taille, mosaics, and dusted enamels. "Sectional Enamels or How to Make a Large 1878 Malenda, James. Enamel Panel in a Small Furnace." "One Approach to Large Scale Enameling." 1891 Normile, Dennis. Glass on Metal, v. 16, no. 4, Dec. 1997, Glass on Metal, v. 13, no. 1, Feb. 1994, "Tokyo International Forum." pp. 79-81, ill. pp. 8-11, ill. ENR (Engineering News-Record), Oct. 9, Health and safety issues in studio work. 1995, pp. 22-26, ill. 1865 Kensington, Alexander. Glass atrium hall in center designed by Rafael "Into a Glass Plate Darkly: Wet Plate Photog­ 1879 Mayfield, James. Vinoly. raphy." "Working with Custom Mesh Enamel." Glass on Metal, v. 11, no. 3, June 1992, p. 47, ill. View Camera, v. 11, no. 4, July/Aug. 1998, 1892 O'Donoghue, Michael. pp. 36-39, ill. Identifying Man-Made Gems. 1880 McDaniel, Harry. London: N.A.G., 1983, 223 pp., [16] pp. of 1866 Kerkvliet, Brian. "Experimental Techniques for Carefree Lusters." plates, ill. "The Cast Cane." Glass on Metal, v. 13, no. 6, Dec. 1994, Includes discussion of glass as gemstone Glass Art, v. 13, no. 5, July/Aug. 1998, p. 34+, ill. pp. 120-121, ill. simulant. Mosaic cane construction. 1881 Mead, Alistair. 1893 Olsen, Frederick L. 1867 King, Candice. "Decorating Glass with Coloured Lustres." The Kiln Book: Materials, Specifications, and "Glass Bytes." Hot Gas (Scientific Glassblowers Association Construction. Glass Line, v. 12, no. 2, Aug./Sept. 1998, of Australia), v. 4, no. 4, 1997, p. 12. Radnor, PA: Chilton Book Co., 1983, 291 pp., ill. pp. 6-7. Information applicable to glass kilns and Technical tips about glass traded on the Internet. 1882 Michaelides, Panicos E. annealing ovens. "Byzantine Cloisonne Icons: Using Round Gold Wire & Hardenable Silver." 1868 Klopsch, Bill. 1894 Oriowo, O. M. and others. Glass on Metal, v. 16, no. 1, April 1997, "Working Large: Tips for Tackling Bigger Win­ "Occupational Exposure to Optical Radiation pp. 16-18, ill. dows." and the Ocular Health Status of Glassblowers." Stained Glass News (Grand Rapids, Ml), Art Hazards News, v. 21, no. 1, 1998, p. 2. no. 40, May 1998, p. 8, ill. 1883 Mickelsen, Robert A. Abstract of article. "At the Lamp: The Glass Torch Technologies 'Lynx' and 'Phoenix'." 1895 Peace, David. 1869 Kondrashov, v. I.; Kaplina, T. V.; and Glass Line, v. 12, no. 1, June/July 1998, p. 1+, ill. "Thoughts on the Scaffold." Tyukalina, L. A. "A new breed of burner." The Guild of Glass Engravers Newsletter, "Dekorativnoe steklo 'Metelitsa'." Summer 1998, pp. 5-6. Steklo i Keramika, no. 8, Aug. 1997, 1884 Mitchell, James A. Engraving windows with carborundum or drill pp. 10-11, ill. "Creating a Reverse, Marbleized, Gilded in situ. Decorative architectural glass product. Glass Panel." Signs of the Times, v. 220, no. 8, July 1998, 1896 Perszyk, Peter. 1870 Kozma, Norbert J. pp. 44-54, ill. "Lighting Technology." "Stretching Exercises at Work." Technique for "making impressive, high-end Sign Builder Illustrated, no. 50, March/ British Society of Scientific Glassblowers signs." April 1998, pp. 74-79, ill. Journal, v. 36, no. 3, July 1998, pp.114-119, ill. Review of lighting technologies in use today, For scientific glassblowers. 1885 Monkhouse, Cosmo. including neon. "Pictures in Enamel." 1871 Lampton, Patrice. Glass on Metal, v. 16, no. 4, Dec. 1997, 1897 "You Think They Would Learn." "How to Use It: Uroboros Ring Mottle Glass." pp. 81-83, ill. Sign Builder Illustrated, no. 48, Nov./ Uroboros Glass Studios, no. 15, Spring 1998, "Some adaptations of enamel unknown to the Dec. 1997, pp. 86-88+, ill. pp. 4-5, ill. ancients or to any less modern time." Neon safety issues. 1898 Piatt, Karl. Ausglass Magazine, no. 12, 1998, p. 15. Includes direct current conductivity in glass, "Operation and Maintenance of Electric Kilns. Glassblower develops condition possibly trig­ periodic electric fields, and other dielectric Part 2." gered by exposure to antimony. phenomena. The Firing Line (Orton Firing Institute, Wester- ville, OH), no. 98-1, Winter/Spring 1998, 1911 Smith, Kent. 1924 Tamas, Ferenc, ed. pp. 9-12+, ill. "Glass Gilding." Conference on the Silicate Industry. Updated version of articles appearing in The The Gilder's Tip, Spring 1998, pp. 5-6+. (Proceedings of the Ninth Conference on the Firing Line, v. 2, no. 2, March/April 1991, and Tips for the gilder. Silicate Industry, Siliconf, Budapest, 1967.) v. 2, no. 3, May/June 1991. Budapest: Akademiai Kiado, 1968, 753 pp., ill. 1912 Smith, Leah A. Includes glass tank furnaces, borosilicate 1899 Porcelli, Joe. "What a Blast!" glass, etc. "Getting Started Has Never Been Easier." A & E, The Magazine for Awards & Engraving The Crafts Report, v. 24, no. 270, Oct. 1998, Professionals, v. 11, no. 7, Sept. 1998, 1925 Taylor, David. pp. 16-17+, ill. pp. 12-18, ill. "Glass on Demand." Setting up a glass studio. "The whys and how-tos of buying sandblast­ Glass, Monthly Journal of the European Glass ing equipment." Industry, v. 74, no. 10, Oct. 1997, p. 401, ill. 1900 "Wrought Iron Table and Mosaic Table Flexible, economic furnace for small-volume Top." 1913 Spronck, S. glass studio. Glass Craftsman, no. 147, April/May 1998, "Screenprinting with Gold Adds Glamour to pp. 22-26, ill. Glass." 1926 Terry, Doug. Latest in mosaic materials makes project easier. Glass, Monthly Journal of the European Glass "Foot-Opening Glory Hole Doors." Industry, v. 75, no. 7, July 1998, p. 211, ill. The Independent Glassblower, no. 49, 1901 Powning, Peter. Development of decorative precious metals March/April/May 1998, pp. 1-2, ill. "Photographing Your Work: The Basics." for use on glass; two recently launched gold- Fusion News (The Ontario Clay & Glass As­ based pastes for direct and transfer screen 1927 Trueb, Lucien F. sociation), July 1998, p. 6. printing. "Segments for Spectroscopy." Schott Information, no. 84, Dec. 1997, 1902 Rayer, Randy. 1914 Stander, Ed. pp. 15-17, ill. "Mosaic Garden Stones: Part 1. Tips on Using "Observations of a Studio-Wary Glass Player." American-made telescope with 11-meter mir­ Cement and DiamondCRETE." Glass Music World, Spring 1998, p. 1+, ill. ror will perform like "supertelescopes" but at a Glass Art, v. 13, no. 5, July/Aug. 1998, Recording of glass music. considerably lower cost. pp. 22-23+, ill. Glass mosaics and stone. 1915 Steele, Gerald L. 1928 Tudor, Jean. Fiber Glass: Projects and Procedures. "Enameling Today: Progress or Stagnation." 1903 Reynolds, Gil. Bloomington, IL: McKnight & McKnight, Glass on Metal, v. 14, no. 2, April 1995, "Kiln Crafting: Hot Tips for Fusing and Slump­ [1962], 159 pp., ill. pp. 38-39, ill. ing." Paper presented at the British Society of En- Stained Glass News, no. 38, Nov. 1997, - amellers' Conference, March 27, 1995. no. 40, May 1998. 1916 Stephens, Suzanne. Continuing series provides corrective mea­ "Living Proof." Progressive Architecture, April 1979, 1929 "Cloisonne on Steep-Sided Surfaces." sures for glass contamination, broken glass in Glass on Metal, v. 15, no. 1, Feb. 1996, p. 16. the kiln, overfiring, and unwanted air bubbles. pp. 110-115, ill. Santa Fe homes experiment with various methods of solar heating. 1904 Rickard, Stephen. 1930 van den Ham, Frank. "Some Notes on Packaging Glass for Trans­ "Fusing, de herontdekking van een techniek." port." 1917 Stewart, Ian. Bulletin van de Vereniging van Vrienden van The Guild of Glass Engravers Newsletter, "Mathematical Recreations: Glass Klein Bottles.' Modern Glas, v. 1, no. 3, 1987, pp. 12-13. Spring 1998, p. 12. Hot Gas (Scientific Glassblowers Association Glass fusing. of Australia), v. 5, no. 3, Winter 1998, 1905 Robertson, Stanley. pp. [7-8], ill. 1931 "Met het oog op glasgraveren." "Restoration or Conservation: Which Is Which English glassblower Alan Bennett solves Bulletin van de Vereniging van Vrienden van and Why?" mathematical puzzles in glass objects that will Modern Glas, v. 1, no. 1, 1987, pp. 11-13. The Gilder's Tip, Fall 1997, p. 7. become a permanent exhibit at the Science Glass engraving. Museum in London. 1906 Ronchi, Lucia. 1932 Wardell, Randy. "Sulla valutazione e la classifica delle lastre di 1918 Stone, Graham. "Working with Stained Glass: Hints & Tips for vetro." "Defining Technical Terms." Hobbyists." Atti del la Fondazione "Giorgio Ronchi," v. 6, Ausglass, no. 11, 1997, pp. 10-11. Stained Glass News, no. 39, Feb. 1998, no. 1, Feb. 1951, pp. 42-45, ill. pp. 12-13, ill. English summary, p. 42. 1919 Strattman, Wayne. A new method of classifying "window plates." "Neon Techniques: Bombarding." 1933 "Working with Stained Glass: Hints & Signs of the Times, v. 219, no. 13, Dec. 1997, Tips for Hobbyists." 1907 Rossol, Monona. p. 64+, ill. Stained Glass News, no. 40, May 1998, p. 10. "Clean-All Heavy Metal Hand and Body Soap." 1920 "Neon Techniques: Filling and Aging 1934 Watson, Dan. Glass Craftsman, no. 149, Aug./Sept. 1998, Tubes." "Demonstrations: Practical Annealing." p. 46+. Signs of the Times, v. 220, no. 1, Jan. 1998, The Glass Art Society Journal, 1997, A general look at de-leading soaps. p. 98+, ill. pp. 77-80, ill. Measurement-based techniques of annealing 1908 Schell, Jim. 1921 "Neon Techniques: Transformer Instal­ used at the Steward Observatory Mirror Labo­ "Glass Casting and Pate de Verre: An Easy lation and Loading." ratory are discussed at the Tucson conference. Way to Make Molds for Waxes." Signs of the Times, v. 220, no. 3, Feb. 1998. Glass Art, v. 13, no. 5, July/Aug. 1998, p. 52+, ill. 1935 "The Dominick Labino Lecture: The pp. 46-52, ill. Steward Observatory Mirror Laboratory." 1922 Sutton, Katherine Day. The Glass Art Society Journal, 1997, 1909 Selezneva, Galina. "Designers Rate ... Bendheim's Masterglass." pp. 27-30, ill. "Painting Enamel: Step by Step Notes." Interiors, v. 157, no. 4, April 1998, pp. 26-27, ill. Glass on Metal, v. 11, no. 1, Feb. 1992, 1936 Weissmann, Rudolf and Hahn, Karl- pp. 4-7, ill. 1923 Sutton, Paul M. Heinz. The Dielectric Properties of Glass. "Brilliance and No Added Lead." 1910 Simpson, Chuck. London: Heywood & Company Ltd., 1960, Schott Information, no. 82, Sept. 1997, "Chuck's Disease." pp. 115-164. pp. 4-6, ill. Schott-Zwiesel develops composition for no. 98, Jan./Feb. 1998, pp. 54-57, ill. 1945 Yaxley, W. T. "Dusty." stemware that replaces toxic heavy metal ad­ Firing processes and furnaces for enameling. "Gilding Incised Letters." ditives. The Gilder's Tip, Spring 1998, pp. 12-13, ill. 1941 Winter, Hans-Jorg. 1937 Wilhelm, Charles. "Ahead to the Future." 1946 Young, Butch. "Neon Techniques: High-Quality Tube Produc­ Schott Information, no. 81, Jan. 1997, "Carving a Name for Yourself in Glass: The tion." pp. 3-5, ill. Benefits of Making Other Artists' Work." Signs of the Times, v. 220, no. 7, June 1998, Glass-ceramic cooktops. Glass Art, v. 13, no. 3, March/April 1998, p. 70+, ill. pp. 14-15+, ill. Carving known images in glass. 1938 Willhauk, Eva. 1942 Wirtz, Waltfried. "'Ceran' for Gas." "Wohnambiente: Einrichten mit Glas." 1947 Young, Butch and Long, Rita. Schott Information, no. 81, Jan. 1997, Glas + Rahmen, v. 49, no. 5, May 1998, "Design Your Way to Excellent Glass Carving." pp. 8-11, ill. pp. 16-17, ill. Glass Art, v. 13, no. 4, May/June 1998, Glass-ceramic cooktops for cooking with gas. Glass furniture, paintings, etc., in the home. pp. 24-30, ill. 1939 Willis, Sandy. 1943 Wolf, Emil, ed. "Design of a Stained Glass Hobby Studio." 1948 "Favorite Tools and Accessories." Progress in Optics. Common Ground: Glass (Newsletter of the Glass Art, v. 14, no. 1, Nov./Dec. 1998, Amsterdam: North-Holland, v. 1, 1966, 342 pp. International Guild of Glass Artists Inc.), pp. 32-35. Articles review Hamiltonian optics, optical de­ Winter 1997, pp. 35-48, ill. Etching: how to make prepping the glass, sign, optical and electronic information, inter­ The ergonomic, physical, and environmental pattern mounting, and blasting easier. ference color and modern alignment devices. considerations of planning a stained glass studio. 1949 "Never Be Afraid to Design Your Way 1944 Progress in Optics. Out of Trouble." 1940 Winter, Daniel. Amsterdam: North-Holland, v. 6, 1965, 327 pp. Glass Art, v. 13, no. 6, Sept./Oct. 1998, "Frittage des emaux: Construction d'un four." Theoretical articles on aberration, shearing in- pp. 60-62+. La Revue de la Ceramique et du Verre, terferometry, surface deterioration, etc. Deep carving: problems and solutions.

FILMS AND VIDEOTAPES/FILME UND VIDEOKASSETTEN

1950 American Glass Masters of the Art. 1956 [Chris Van Zanten]. Dolly Curtis and Miso Productions, 1997. Lloyd Herman and Fisher-Pratt Visual Produc­ BBS Ontario, 1997. 30 min., sound, color. tions, 1996. 8 min., sound, color. Community volunteers create eight windows 33 min., sound, color. Stained glass, woodworking, and kaleido­ designed by Father Terentieff for the Children's William Morris, Judith Schaechter, Therman scopes by Chris Van Zanten. Chapel. Statom, Ginny Ruffner, James Minson, and Richard Marquis. 1957 The Corning Museum of Glass 1997 1964 [Emilio Santini and Jose Chardiet at Seminar. Penland, July 1997\. 1951 The Bead Movement: The Story of Tape 8: Glassmaking Demonstrations by Wil­ [S.n.], 1997. Beads and the People Who Love Them. liam Gudenrath. 2 videocassettes, sound, color. Wendy Simpson Conner and Impromptu Pro­ The Corning Museum of Glass, 1997. Chardiet teaches a class on the techniques of ductions, 1997. 85 min., sound, color. drawing, blowing, solid hot work, sand cast­ 60 min., sound, color. Venetian glass, canes, and millefiori. ing, and cold working; Santini's class involves Includes a segment on the making of Indian lampworking with borosilicate and soft glass, lampworked beads and a tour of a Czecho- 1958 The Corning Museum of Glass 1998 as well as creating architectural assemblages. slovakian glass bead factory. Seminar. Tape 4: Colorful Cut Glass: Fact vs. Fancy, by 1965 Frank Lloyd Wright. Jane Shadel Spillman; and Marbles Past and Florentine Films and WETA-TV, Washington, 1952 The Best Bead Show Exhibitors 1997. Present, by Mark R. Matthews. D.C.; Ken Burns; Warner Home Video; Ameri­ Crystal Myths Inc., 1997. The Corning Museum of Glass, 1998. can Lives Film Project; PBS Home Video, 1997. 1 videocassette, sound, color. 120 min., sound, color. 153 min., sound, color/b&w. 1953 Beyond Lighting. 1959 Tape 5: The Legacy of American Schonbek Worldwide Lighting Inc., 1997. Paperweights, by Lauren K. Tarshis. 1966 Frederick Birkhill: Lampworking Glass 15 min., sound, color. 60 min., sound, color. Techniques. Traces the history of the company's crystal [S.n.], [1997?]. 1 videocassette, sound, color. chandeliers and details their signature designs. 1960 Tape 6: The Rakow Commission, by Michael Scheiner; and Curator's Choice, by 1954 Cesare Toffolo Ross it: Advanced Jutta-Annette Page and Patricia J. Rogers. 1967 Glass and Ceramics. Flameworking. 120 min., sound, color. Coscient Inc., France 3 Unite Continentales, Emilio Santini?, [1997], and Radio-Quebec; Films for the Humanities 1 videocassette, sound, color. 1961 Creating a Stained Glass Panel. and Sciences, 1993. Instructional class in traditional Muranese Video Classroom Arts & Crafts Series, 1994. 23 min., sound, color. techniques and blowing glass at the torch. 1 videocassette, sound, color. Includes glassblowing, the making of stained glass windows, and the use of glass in archi­ tecture. 1955 Chihuly over Venice. 1962 The Crystal Trail. KCTS Television with Lark International in as­ Lumic International, 1997. sociation with NHK Japan; Gary Gibson and 60 min., sound, color. 1968 Glassworks Show # 1: What Is Glass ? PBS Home Video; Portland Press, 1998. Glass companies and studios in Stourbridge, Marcie Davis, 1997. 90 min., sound, color. England. 30 min., sound, color. Details Chihuly's glassmaking technique, and focuses on the creation and installation of the 1963 Dolly Curtis Interviews: The Stained 1969 Glassworks Show #2: Glass Fusing. 14 chandeliers situated around Venice's Glass Windows at the Mary Taylor Memorial Marcie Davis, 1997. waterways. United Methodist Church, Milford, CT. 29 min., sound, color. 1970 Glassworks Show #3: Glass Slumping. 1982 The Master Class Series, Volume I: Elias, Jaroslav Matous, Jan Exnar, and Ja- Marcie Davis, 1997. Cane Working with Lino Tagliapietra. romir Rybak) held at East Bohemian Gallery 28 min., sound, color. The Studio of The Corning Museum of Glass, in Pardubice, June 4-August 31, 1998. 1998. 1971 Glassworks Show #4: Hot Glass Beads. 30 min., sound, color. 1991 State of the Art: The Canadian Clay Marcie Davis, 1997. and Glass Gallery in Waterloo, Ontario. 30 min., sound, color. 1983 My Life as a Dog. Wilhelm Nassau, 1998. Svensk Filmindustri and Film-Teknik; 13 min., sound, color. 1972 Glassworks Show #5: Sandblasting/ Fox Lorber Home Video, 1998. Acid Etching. 101 min., sound, color. 1992 Steve Tobin: 5 Pieces. Marcie Davis, 1997. Includes scenes inside Swedish glass factory Z-tv Productions and Michael Zatuchni, 1993. 29 min., sound, color. where work by Eric Hoglund is visible. 50 min., sound, color.

1984 Neon. 1973 Glassworks Show #7: Offhand Glass- 1993 The Studio of The Corning Museum of Craig Kraft and Thorn Wolf, 1997. blowing. Glass 1998 Spring and Summer Programs, 90 min., sound, color. Marcie Davis, 1997. Session Seven: William Gudenrath. Neon sculpture techniques. 29 min., sound, color. Frederick Birkhill, 1998. 1 videocassette, sound, color. 1974 Glassworks Show #8: Old World Glass. 1985 Neon Training. Marcie Davis, 1997. Daco Neon Equipment, [1997]. 120 min., sound, color. 1994 Sunday - A New Voyage: Artists for 28 min., sound, color. Seville. Covers tools and equipment, basic glass bend­ ing steps, construction of a neon sign from Television New Zealand Ltd, [1991]. 1975 Glassworks Show #9: Glassworks in start to finish, and bombarding the neon unit. 22 min., sound, color. Our Schools. Includes Ann Robinson, who employs pate de Marcie Davis, 1997. verre and cire perdue in her work. 29 min., sound, color. 1986 Paulina Komorowska-Birger: Doku- mentacja 1991-1998. Paulina Komorowska-Birger, [1998]. 1995 Timeless Tradition. 1976 Glassworks Show #10: Stained Glass. 22 min., sound, color. Liquid Light Television, 1997. Marcie Davis, 1997. 12 min., sound, color. 30 min., sound, color. Lundberg Studios. 1987 Petr Vlcek-Ego? Vladimir Korimek and Ceska Televize, 1997. 1977 Glassworks Show #11: Mass Produc­ 20 min., sound, color. 1996 Venini. tion - Molds and Presses. Venini, [1997?]. Marcie Davis, 1997. 1988 Restoring Tiffany's Oriental Poppy: A 15 min., sound, color. 29 min., sound, color. Study in Museum Conservation. Promotional format displays process and Gallina/Bricker and Neustadt Museum of product at the Murano company. 1978 Glassworks Show #12: Lampworked Tiffany Art, 1997. Christmas Ornaments. 15 min., sound, color. 1997 Visiting with Huell Howser - Glass Marcie Davis, 1997. Also shows some of the other lamps in the Garden. 29 min., sound, color. Neustadt collection. Huell Howser Productions and Community Television of Southern California, 1995. 1979 Health Week Transcripts: Proqram 1989 River of Glass: Inside Chihuly over 30 min., sound, color. no. 112. Venice. Glass garden in southern California made of Washington Post Company, 1997. Portland Press and Barnard Productions, 1997. crushed recycled glass. 1 videocassette, sound, color. 90 min., sound, color. Safety measures for artists. Documentary providing a visual record of the 1998 Walls of Light: The History of Stained entire project to make chandeliers that were Glass. 1980 Human Anatomy: Emilio Santini. suspended over Venetian canals in 1996. Ben Hafey and Ben Productions, 1997. [S.n.], 1997. 85 min., sound, color. 1 videocassette, sound, color. 1990 Skupina Rubikon = Rubikon Group. History of stained glass, including works by Human statuary and objects made using soft Vychodoceska Galerie v Pardubicich, Vycho- contemporary artists. and borosilicate glass at the torch. doceske Muzeum Pardubice, Komercni Banka, Galerie Internationale du Verre, and 1999 Willet Studios of Stained Glass. 1981 Kjell Engman. East Bohemian Gallery in Pardubice, 1998. Willet Stained Glass Studios (Hauser Art Boomerangfilm and Lars Johansson, 1995. 55 min., sound, color. Glass Company Inc.), 1998. 4 min., sound, color. Exhibition of the Rubikon group (Bohumil 10 min., sound, color. A SELECTIVE INDEX OF PROPER NAMES AND PLACES AUSGEWAHLTES REGISTER VON EIGENNAMEN UND ORTEN

This is a subject index to the "Bibliogra­ Es handelt sich im folgenden urn ein denen die entsprechenden Personen phy" of New Glass Review 20. The num­ Sachregister zur „Bibliographie" der New oder Orte behandelt werden. bers following the names below are Glass Review 20. Die Zahlen hinter den keyed to the numbers preceding the indi­ Namen entsprechen den Zahlen, die den vidual "Bibliography" entries in which Eintragungen der einzelnen Beitrage der these persons and places are discussed. „Bibliographie" vorangestellt sind, in

Aalto, Alvar, 1074 Chihuly, Dale, 83, 84, 85, 102, 129, 130, 239, Glass Art Society, 452, 460, 526, 549, 550, Adam, Jan, 486 313, 316, 346, 386, 486, 570, 897, 916, 552, 589, 621, 637, 684, 728, 773, 774, 931, 1078, 1087, 1097, 1955, 1989 795, 1021, 1037, 1050, 1107, 1121, 1141, Adams, Hank Murta, 58, 110 Cigler, Vaclav, 387, 746, 1117 1169, 1173, 1257, 1264, 1312, 1373, 1418 Africano, Nicholas, 996 Gong, Nancy, 1426 Clarke, Brian, 1222, 1478, 1489, 1500, 1562, Almeida, Isabel, 628 1700 Goodman, Jeff, 924 Angus, Mark, 465 Clayman, Daniel, 110 Graham, Dan, 870, 1310 Antonakos, Stephen, 393, 955 Clegg, Tessa, 410, 759, 909, 1062 Groot, Mieke, 250, 366, 548, 652, 763, 866, 909, 1192 Ayotte, Rick, 1146 Cocks, Deborah, 1028 Grunert, Tina, 143 Babcock, Herb, 1041 Cohen, Carol, 591 Grunseit, Marc, 34, 1712 Backstrom, Monica, 37, 68, 701, 846, 899, 904 Coombs, Debora, 1596, 1638 Gudenrath, William, 1957 Baldwin, Philip, 315, 521 Copier, Andries D., 93, 624, 831, 953, 961, Guggisberg, Monica, 315, 521 1280, 1322 Barbini, Alfredo, 1125 Gussek, Jens, 801 Copping, Brad, 1381 Barovier & Toso, 1125 Gustafson, Mats, 1069 Dailey, Dan, 17, 86, 166, 396, 578 Baudry, Thierry, 411 Hafner, Dorothy, 950 Dane, Robert, 76 Beelen, Tijs, 1247 Halem, Henry, 957 Day, Stephen Paul, 1006 Bell, Larry, 584, 995 Hall, Sarah, 1552, 1568, 1572, 1574, 1600 de la Torre, Einar, 621, 1353 Bengtson, Hertha, 1179 Hammond, Susan, 354, 401 de la Torre, Jamex, 621, 1353 Bergstrom, Lena, 45, 224, 535, 702 Handl, Milan, 912 De Obaldia, Isabel, 714, 917, 689 Bettinger, Claude, 1568, 1729 Harcuba, Jiff, 746, 1032 Dejonghe, Bernard, 64, 97, 343, 1053, 1388 Bianchin, Cristiano, 127, 239, 266, 285 Harmon, James, 578 Desaulniers, Gilles, 1541 Bianconi, Fulvio, 789 Harris, Suzanne, 821, 937 Dietman, Erik, 1194 Birkhill, Frederick, 53, 1966 Haufschild, Lutz, 1639 Dodson, Ricky Charles, 637, 638 Heesen, Willem, 533, 712 Blondeel, Herman, 188, 1712 Donefer, Laura, 641, 861 Hellsten, Lars, 179 Blondel, Michele, 1172, 1342 Dowler, David, 302 Hennix, Margareta, 339, 379 Bohus, Zoltan, 1002 Dreisbach, Fritz, 915 Higgins, Frances, 1234 Boissel, Thierry, 1590, 1790 Dunham, Bandhu Scott, 550, 684, 685 Higgins, Michael, 1234 Bokesch-Parsons, Mark, 150, 454 Ehrner, Anna, 240, 661 Hilton, Eric, 110, 687 Bolt, Gary, 1027 Eisch, Erwin, 738, 1189 Hiscott, Amber, 196 Borgstrom, Matz, 1077 Elias, Bohumil, 396, 1990 Hlava, Pavel, 1294 Borowski, Stanislav, 1238 Hobson, Diana, 909, 1356 Engels, Felicitas, 484 Bourgeois, Louise, 572, 1151 Hoglund, Erik, 846 Engman, Kjell, 19, 115, 216, 217, 258, 260, Bowen, Nancy, 549 846, 904, 979, 1981 Hopkins, Deborah, 95 Boysen, Bill, 552, 1410 Exnar, Jan, 1990 Houk, Peter, 1076 Brekke, John, 1113 Fero, Shane, 136, 565 Houston, James, 210, 1083 Bruce, Jane, 197 Filer, Mary, 606 Hu, Bing, 377, 988 Huth, Ursula, 152, 1707 Cagianelli, Antonio, 25, 754 Fisar, Jan, 486 Hydman-Vallien, Ulrica, 19, 164, 514, 705 Cao, Andrew, 1997 Flander, Brita, 16 Ikemoto, Kazumi, 694 Carlson, Bob, 570 Flavin, Dan, 1065, 1096 Ink, Jack, 143, 910 Carlson, William, 602, 1295 Forsell, Ulla, 183, 848 Irving, Joan, 150, 1715 Carnegie, Hattie, 391 Franck, Kaj, 270, 830, 1106, 1262 Ito, Makoto, 120 Carpenter, Ed, 1623, 1651 Frijns, Bert, 438, 473, 486, 653, 1148, 1394 Jolley, Richard, 110, 601 Carpenter, James, 1540 Frolic, Irene, 1840, 1841 Karel, Marian, 387, 1105 Casenove, Pierre, 770 Fujita, Kyohei, 744, 1043, 1287 Kerkvliet, Brian, 550, 1866 Castiglioni, Achille, 280 Gardner, Ann, 110, 812 King, Gerry, 1417 Cenedese, 1125 Gaudet, Mitchell, 322 Kogelnik, Kiki, 1404 Chabrier, Gilles, 350 Gehr, Andreas, 20, 872, 1378 Kohler, Lucartha, 947 Chao, Bruce, 1707 Gherardi, Lisa, 593, 1401 Kopecky, Vladimir, 1105, 1225 Chardiet, Jose, 136, 1964, 1808 Glancy, Michael, 396, 1292 Kreider, Peter, 136 Kuhn, Jon, 215 Nurminen, Kerttu, 893 Slepian, Marian, 1414 Labino, Dominick, 80 Ohira, Yoichi, 266, 644 Smith, Kiki, 597, 1150, 1178 Lagerbielke, Erika, 123, 308, 385, 513, 765 Ohrstrom, Edvin, 1080 Somers, Myriam, 1213, 1214 Lalique, Marc, 1364 Othoniel, Jean-Michel, 1194, 1385 Sottsass, Ettore, 60, 495, 613, 745, 920, 993, 1177 Lalique, Marie-Claude, 1364 Pennell, Ronald, 670 Stankard, Paul, 1007, 1102, 1103, 1135 Lane, Danny, 811 Peretti, Sibylle, 1227 Starck, Philippe, 277, 583, 858 Langley, Warren, 752 Perkins, Flo, 1107 Statom, Therman, 377, 611, 1257, 1950 Latimer, Lynn, 150, 454 Pesce, Gaetano, 1191 Stinsmuehlen-Amend, Susan, 110 Layton, Peter, 600 Pfeifer, Jens, 1129 Stump, Loren, 1350 Leap, J. Kenneth, 1471 Philabaum, Thomas, 1121 Suhajek, Jiff, 328, 380, 1343 Leibowitz, Edward, 530, 1712 Piano, Renzo, 1704 Sundberg, Per, 782 Leperlier, Antoine, 364, 672 Picaud, Fabienne, 114 Svoboda, Jaroslav, 650 Levenson, Silvia, 376, 1390 Pilchuck School, 47 Swinburne, Elizabeth, 174, 175 Levi, David, 1097 Poensgen, Jochem, 1576, 1683 Tagliapietra, Lino, 108, 205, 239, 301, 409, Libensky, Stanislav/Brychtova, Jaroslava, 65, Powell, Stephen Rolfe, 1141, 1411 486, 496, 773, 810, 960, 987, 1022, 1311, 86, 387, 416, 741, 746, 910, 1032, 1225, Powers, Pike, 129, 130, 579, 916, 1087 1315, 1356, 1982 1226 Price, Richard, 764 Tarsitano, Debbie, 1298, 1347 Lichtman, Linda, 1618 Quagliata, Narcissus, 1444 Thompson, Cappy, 337 Lillie, Jacqueline, 208 Rainey, Clifford, 1136, 1157 Timofeev, Valeri, 318, 592 Lin, Maya, 645, 829 Raman, Ingegerd, 4, 245, 513, 740, 967 Tobin, Steve, 1992 Lipski, Donald, 305, 614 Toikka, Oiva, 676, 894 Reid, Colin, 910, 1289 Littleton, Harvey, 325, 564, 679, 1358 Trnka, Pavel, 1064 Reyntiens, Patrick, 1582 Logan, Kristina, 517, 1255 Umbdenstock, Jean-Pierre, 6 Rhoads, Kait, 321 Lou Liza, 232, 616, 1082, 1415 Valkema, Sybren, 625, 867 Riberolles, Pascale, 1193 Luebtow, John Gilbert, 1623 Vallien, Bertil, 7, 129, 130, 227, 239, 299, 403, Robinson, Ann, 21 Lugossy, Maria, 106, 1002 406, 537, 661, 901, 905, 916, 1054, 1087, Rogers, Sally, 76 1346, 1357 Lutgen, Per, 847 Rosin, Diego, 1173 Van Cline, Mary, 771 Lutgen, Veronique, 6 Rosin, Dino, 522, 1173 van der Ven, Robert, 480, 1247 Mandelbaum, Ellen, 1427 Rosin, Loredano, 522 van Lith, Jean-Paul, 26, 425 Mansau, Serge, 31 Rosol, Martin, 969 van Loo, Bert, 518 Marioni, Dante, 804, 1111 Rouan, Frangois, 1422, 1666 van Wijk, Antoon, 38, 1143 Markovitz, Sherry, 836 Roubicek, Rene, 553 Vandenhoucke, Sylvie, 628, 1212 Marquis, Richard, 335, 539, 773, 1351, 1389, 1950 Roubickova, Miluse, 553 Vanderstukken, Koen, 146, 219, 540, 1052 Matous, Jaroslav, 1120, 1990 Rousvoal, Gilles, 1435 Varotsos, Costas, 956 Matthews, Mark, 1958 Ruffner, Ginny, 1950 Vasicek, Ales, 9, 10, 520, 635 Velasquez, William, 214, 364 Maurer, Ingo, 569, 573, 1158 Rybak, Jaromir, 387, 1990 Vizner, Frantisek, 1118 McElheny, Josiah, 986, 1344 Rynkiewicz, Mariusz, 150, 454 Vlcek, Petr, 1987 Meitner, Richard, 71, 349, 366, 548, 652, 763, Sabokova, Gisela, 387, 438, 1303 Vogel, Kate/John Littleton, 679, 1097 866, 1192 Sahlin, Gunnel, 48, 123, 164, 238, 258, 510, Melby, Rick, 1134 512, 899, 904 Wagenfeld, Wilhelm, 562, 1204 Merker, Ursula, 251, 1035 Salo, Markku, 532, 1356 Wahlstrom, Ann, 19, 513, 1069, 1077 Merz, Mario, 1707 Sandstrom, Annica, 400 Warff, Ann, 1393 Meydam, Floris, 221, 475, 531 Santarossa, Renato, 104, 1406 Warff, Goran, 164, 176, 179 Mickelsen, Robert, 116, 150, 454, 1037, 1104, Santillana, Laura de, 266, 1012 Watkins, James, 86 1883 Santini, Emilio, 1964, 1980 Wax, Jack, 772 Mitchell, Jan, 1528 Sato, Nobuyasu, 1066, 1281 Wilkin, Neil, 1321 Moje, Klaus, 912 Saulnier, Emmanuel, 792 Wilmarth, Christopher, 67, 934 Wilson, David, 1570, 1573 Moje-Wohlgemuth, Isgard, 519, 912 Scarpa, Carlo, 239, 991 Wingfield, Leah, 1121 Monod, Isabelle, 256 Schaechter, Judith, 1950 Wirkkala, Tapio, 626, 913, 992, 994 Moretti, Carlo, 61 Schaedel, Albin, 976 Woffenden, Emma, 1001 Morrell, Richard, 61 Schaffrath, Ludwig, 1562, 1576 Wolff, Ann, 300, 406, 443, 604, 736 Morris, William, 129,130, 916,1050,1087,1950 Scheiner, Michael, 420 Wright, Frank Lloyd, 1965 Mukaide, Keiko, 547 Schetting, Katja, 1244 Zamecnikova, Dana, 296, 387 Myers, Joel Philip, 1007, 1356 Schreiter, Johannes, 1685 Zembok, Udo, 1435 Nanning, Barbara, 891, 1248 Serra, Richard, 1127 Zijst, Jan-Willem van, 1089, 1712 Nauman, Bruce, 55, 614, 799, 1127 Shaffer, Mary, 242, 241, 1229 Zimmerman, Jorg, 1456 Nilsson, Anne, 124, 661, 766 Shinkai, Miyuki, 329 Zoritchak, Yan, 5, 257, 428, 445, 910, 1004, Noda, Osamu, 1093 Simpson, Josh, 13, 437, 1025, 1088, 1397 1168, 1293 Noda, Yumiko, 1093 Sipek, Borek, 327, 459, 769, 817, 919, 1030, Zuber, Czeslaw, 910, 1206 Novaro, Jean-Claude, 1186, 1676 1049, 1316 Zynsky, Mary Ann "Toots", 110, 335, 396, 414, Novotny, Lukas, 969 Skibska, Anna, 22, 23 415, 670, 912, 1009, 1059