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The Fashion Runway Through a Critical Race Theory Lens
THE FASHION RUNWAY THROUGH A CRITICAL RACE THEORY LENS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sophia Adodo March, 2016 Thesis written by Sophia Adodo B.A., Texas Woman’s University, 2011 M.A., Kent State University, 2016 Approved by ___________________________________________________________ Dr. Tameka Ellington, Thesis Supervisor ___________________________________________________________ Dr. Kim Hahn, Thesis Supervisor ___________________________________________________________ Dr. Amoaba Gooden, Committee Member ___________________________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ___________________________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ___________________________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________________________ Dr. Christine Havice, Director, The School of Art ___________________________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS ........................................................................................................... iii CHAPTER I. INTRODUCTION .................................................................................................................. -
30 June 2018 Cinecittà Studios “Who Is on Next?”, the Fashion Scouting
30 June 2018 Cinecittà Studios “Who Is On Next?”, the fashion scouting project for young talents, conceived and organized by Altaroma in collaboration with Vogue Italia, is for industry experts a laboratory of made-in-Italy creations which, thanks to the support of ICE – the Agency for the internationalization and promotion of Italian businesses abroad (with its offices in Rome and abroad), appeals to international markets. Considered as one of the most influential creative platforms in the world, “Who Is On Next?” consolidates the role of Rome as the launch pad and incubator of new talents. It is the ideal setting for an experimental, fresh and innovative creativity which has never lost sight of its history and artisanal traditions. The organizers of “Who Is On Next? 2018” received a lot of interesting applications, which were evaluated by the specific Committee formed by Simonetta Gianfelici, Fashion Expert and Talent Scout, and by Sara Sozzani Maino, Deputy Editor-in-Chief of Vogue Italia (Special Projects) and Head of Vogue Talents. Nine projects have been selected as the finalists of this edition: five in the clothing category and four in the accessories’ category. The finalists will present their creations in Rome, before a prestigious jury formed by professionals from the fashion industry (Italian and foreign manufacturers, distributors and retailers) and by Italian and international journalists. Prêt-à-porter: AltaRoma Scpa sede legale via dell’Umiltà, 48 – tel. +3906678 3 3 !.a. – "a# +39 0669$00303 %!i&'(ale di Roma (. 89634) – c.". e p.i. 0)) 89 00$ – capitale sociale * .7) .$80,00 i.v. -
Le Aziende Del Fashion Sui Listini Mondiali Rallentano Nel 2014
EDITORIALE MERCATI DI IERI PUBBLICO DI DOMANI di David Pambianco stato un inizio d’anno con spunti di ottimismo. L’andamento delle prime fiere del settore ha riservato, questa volta, sorprese positive. Le manifestazioni Èdell’uomo di Firenze e Milano hanno registrato crescite importanti dei visita- tori e soprattutto dei buyer. Lo stesso clima positivo si è registrato negli appuntamenti della casa e del bambino. Questa inaspettata ‘ripartenza’ è il risultato di molteplici fat- tori. Ci sono aspetti contingenti, come un calendario con cadenze più gestibili rispetto a quello dell’anno precedente e (soprattutto per Pitti Uomo) la chiusura, all’ultimo momento, della fiera tedesca Bread & Butter. Ma ci sono anche fattori macro-econo- mici. Da una parte del mondo, la locomotiva americana ha ripreso a marciare; dall’al- tra parte, la fiducia ha risvegliato gli acquisti in Giappone. Questi due poli sono da sempre la terra di conquista del made in Italy. Rappresentano le fondamenta dell’ex- port nazionale del settore, senza le quali il rischio è di rimanere sempre in bilico. Ma attenzione. Tutto ciò che sta in mezzo, dalla Russia alla Cina, non va sottovalu- tato. La Russia rappresenta un mercato che, per anni, ha sostenuto i conti del lusso italiano, sia delle grandi sia delle piccole imprese: oggi, paga la crisi nazionale ed è di fronte a una ristrutturazione-riposizionamento che sarà utile studiare con attenzione, perché potrebbe riservare soddisfazioni a marchi italiani capaci di proporre una qua- lità più accessibile, dunque un più ampio ventaglio di marchi made in Italy. Mentre la domanda cinese, che ha stupito per la rapida escalation, non deve oggi stupire per l’attuale fase di assestamento. -
Brésil 2014 Que Va Faire Xavier Niel ? Un Joueur De L’Asm R 28240 - F : 2,50 € Champion Du Monde ? 3 782824 002503 01340
SANTÉ : LA NEUROSTIMULATION FONCTIONNELLE CONTRE LA DÉPRESSION 2,50 € Numéro 133 - Juin 2014 - www.lobservateurdemonaco.mc SOCIÉTÉ UN HEUREUX ÉVÉNEMENT POUR LA PRINCESSE CHARLÈNE POLITIQUE EUROPE : LES ÉLUS PRENNENT POSITION ECONOMIE MONACO TELECOM : BRÉSIL 2014 QUE VA FAIRE XAVIER NIEL ? UN JOUEUR DE L’ASM R 28240 - F : 2,50 € CHAMPION DU MONDE ? 3 782824 002503 01340 CHAMPION usqu’au 13 juillet, on ne parle (presque) que rejoindre la classe moyenne. Désormais, ils peuvent de ça. La Coupe du monde de foot au Brésil consommer. Ils paient des impôts. Et, assez logique- occupe les esprits et les conversations. Six ment, ils sont attentifs aux dépenses publiques. Ils font joueurs de l’AS Monaco disputent cette donc partie de ceux qui protestent contre la coûteuse compétition : James Rodriguez (Colombie), organisation de ce Mondial. Avec en filigrane, la peur de Sergio Romero (Argentine), Danijel Subasic basculer à nouveau dans la pauvreté. Est-ce que le sport J(Croatie), João Moutinho (Portugal), Carl Medjani (Algé- parviendra à faire oublier ce climat social et politique rie) et Edgar Salli (Cameroun). Est-ce que l’un d’eux sensible ? C’est un exercice d’équilibre auquel se livre soulèvera le trophée Jules Rimet ? Pas si sûr. Mais c’est le gouvernement travailliste de Dilma Rousseff avant tout de même l’une des questions posées par L’Obs’ dans la présidentielle en octobre. Les sondages la place en notre grand dossier du mois. tête, devant son principal rival social-démocrate. Mais Depuis quelques semaines, tous les projecteurs sont rien n’est gagné. Du coup, cette Coupe du monde pour- braqués sur le Brésil. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
Fashion Awards Preview
WWD A SUPPLEMENT TO WOMEN’S WEAR DAILY 2011 CFDA FASHION AWARDS PREVIEW 053111.CFDA.001.Cover.a;4.indd 1 5/23/11 12:47 PM marc jacobs stores worldwide helena bonham carter www.marcjacobs.com photographed by juergen teller marc jacobs stores worldwide helena bonham carter www.marcjacobs.com photographed by juergen teller NEW YORK LOS ANGELES BOSTON LAS VEGAS MIAMI DALLAS SAO PAULO LONDON PARIS SAINT TROPEZ BRUSSELS ANTWERPEN KNOKKE MADRID ATHENS ISTANBUL MOSCOW DUBAI HONG KONG BEIJING SHANGHAI MACAU JAKARTA KUALA LUMPUR SINGAPORE SEOUL TOKYO SYDNEY DVF.COM NEW YORK LOS ANGELES BOSTON LAS VEGAS MIAMI DALLAS SAO PAULO LONDON PARIS SAINT TROPEZ BRUSSELS ANTWERPEN KNOKKE MADRID ATHENS ISTANBUL MOSCOW DUBAI HONG KONG BEIJING SHANGHAI MACAU JAKARTA KUALA LUMPUR SINGAPORE SEOUL TOKYO SYDNEY DVF.COM IN CELEBRATION OF THE 10TH ANNIVERSARY OF SWAROVSKI’S SUPPORT OF THE CFDA FASHION AWARDS AVAILABLE EXCLUSIVELY THROUGH SWAROVSKI BOUTIQUES NEW YORK # LOS ANGELES COSTA MESA # CHICAGO # MIAMI # 1 800 426 3088 # WWW.ATELIERSWAROVSKI.COM BRAIDED BRACELET PHOTOGRAPHED BY MITCHELL FEINBERG IN CELEBRATION OF THE 10TH ANNIVERSARY OF SWAROVSKI’S SUPPORT OF THE CFDA FASHION AWARDS AVAILABLE EXCLUSIVELY THROUGH SWAROVSKI BOUTIQUES NEW YORK # LOS ANGELES COSTA MESA # CHICAGO # MIAMI # 1 800 426 3088 # WWW.ATELIERSWAROVSKI.COM BRAIDED BRACELET PHOTOGRAPHED BY MITCHELL FEINBERG WWD Published by Fairchild Fashion Group, a division of Advance Magazine Publishers Inc., 750 Third Avenue, New York, NY 10017 EDITOR IN CHIEF ADVERTISING Edward Nardoza ASSOCIATE PUBLISHER, Melissa Mattiace ADVERTISING DIRECTOR, Pamela Firestone EXECUTIVE EDITOR, BEAUTY Pete Born PUBLISHER, BEAUTY INC, Alison Adler Matz EXECUTIVE EDITOR Bridget Foley SALES DEVELOPMENT DIRECTOR, Jennifer Marder EDITOR James Fallon ASSOCIATE PUBLISHER, INNERWEAR/LEGWEAR/TEXTILE, Joel Fertel MANAGING EDITOR Peter Sadera EXECUTIVE DIRECTOR, INTERNATIONAL FASHION, Matt Rice MANAGING EDITOR, FASHION/SPECIAL REPORTS Dianne M. -
Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries
Roman Armour Chain Mail Armour Transitional Armour Plate Mail Armour Milanese Armour Gothic Armour Maximilian Armour Greenwich Armour Armour Diagrams Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries. Replaced old chain mail armour. Made up of dozens of small metal plates, and held together by leather laces. Lorica Segmentata Page 1 100AD - 400AD Worn by Roman Officers as protection for the lower legs and knees. Attached to legs by leather straps. Roman Greaves Page 1 ?BC - 400AD Used by Roman Legionaries. Handle is located behind the metal boss, which is in the centre of the shield. The boss protected the legionaries hand. Made from several wooden planks stuck together. Could be red or blue. Roman Shield Page 1 100AD - 400AD Worn by Roman Legionaries. Includes cheek pieces and neck protection. Iron helmet replaced old bronze helmet. Plume made of Hoarse hair. Roman Helmet Page 1 100AD - 400AD Soldier on left is wearing old chain mail and bronze helmet. Soldiers on right wear newer iron helmets and Lorica Segmentata. All soldiers carry shields and gladias’. Roman Legionaries Page 1 400BC - 400AD Used as primary weapon by most Roman soldiers. Was used as a thrusting weapon rather than a slashing weapon Roman Gladias Page 1 400BC - 400AD Worn by Roman Officers. Decorations depict muscles of the body. Made out of a single sheet of metal, and beaten while still hot into shape Roman Cuiruss Page 1 ?- 400AD Chain Mail Armour Page 2 400BC - 1600AD Worn by Vikings, Normans, Saxons and most other West European civilizations of the time. -
Стиль2009 Весна Лето 2 Апреля 2009 Номер 58 (02)
Стиль2009 весна лето 2 апреля 2009 номер 58 (02) Коммерсантъ мужские коллекции №4113 с момента возобновления издания Цветные тематические страницы №17–48 являются составной частью газеты «Коммерсантъ» Рег. №01243 22 декабря 1997 года. Распространяются только в составе газеты. emporio.Style(2_1).indd 1 3/23/09 5:27:55 PM emporio.Style(2_1).indd 2 3/23/09 5:29:00 PM СОДЕРЖАНИЕ СТИЛЬ апреЛЬ 2009 IMAXTREE БРЕмя БЕлОгО (22) В чем пережить лето. БесстрашНАя НЕБРЕЖНОСть (24) Тенденции нового сезона. Под зНАкОм кАчествА (26) Ярмарка Pitti Immagine Uomo БЕлый (28) чЕРНый (30) УзкИЕ БРюкИ (32) ШирокИЕ штАНы (33) гЕОмЕтРИя (34) ДлИННАя рубахА (36) ОткРытАя шЕя (37) ПлАщИ (38) ЖИлЕты (39) ЗасучЕННыЕ рукАвА (40) ПодвЕРНУтыЕ штАНИНы (41) клЕткА (42) ПОлОСкА (43) СУмкИ (44) ОБУвь (46) IMAXTREE IMAXTREE IMAXTREE IMAXTREE IMAXTREE IMAXTREE глав ный ре дак тор еле на ну си но ва | ди зайн-про ект ана то лий гу сев | фэшн-ре дак тор ма ри на про хо ро ва | глав ный ху дож ник де нис лан дин | бильд-ре дак тор ма рия ло ба но ва | вы пу ска ю щий ре дак тор на та лия даш ков ская | ре дак тор еле на гах | кор рек тор ири на пет тин гилл | ди рек тор по рек ла ме ид «ком мер сантъ» ека те ри на куз не цо ва | ди рек ция по рек ла ме: от дел про даж на деж да ер мо лен ко e-ma il: er mo len ko@kom mer sant.ru | от дел раз ме ще ния на талья чу па хи на e-ma il : chu pa hi na@ kom mer sant.ru | (499)943 9108 | (499)943 9110 | (499)943 9112 | (495)101 2353 Коммерсантъ Стиль апрель 2009 20 etro.Style(1_1).indd 1 3/23/09 5:32:07 PM Летом, когда невозможно спрятаться под броней паЛьто, выбор костюма — деЛо особенно ответственное. -
Architettura Della Biblioteca MUSCOGIURI Bd PARTE 4 Di 4.Pdf
APPENDICI figura 590 1 Cfr. Capitolo 8. Poiché, come si è detto, “architettura” della biblioteca è architettura sia del servizio sia dell’edifi- 2 Cfr. Capitolo 9. 3 Cfr. paragrafo 3.1. cio, sarà dunque utile analizzare come l’una e l’altra si siano sviluppate nel tempo. 4 Per lo studio dell’evoluzione storica della biblioteca nel Uno degli aspetti caratteristici della civiltà occidentale è la documentazione scritta, utilizzata come periodo antico, sono particolarmente interessanti il volume Biblioteche del mondo antico, di Lionel Casson, Milano: registrazione e interpretazione della vita sociale, politica, economica, religiosa, culturale e scientifi- Edizioni Sylvestre Bonnard, 2003; e i saggi contenuti in Le ca: strumento finalizzato ad assicurare non solo la memoria, ma anche il progresso delle idee. A tali biblioteche del mondo antico e medioevale, a cura di Guglielmo Cavallo, Roma-Bari: Laterza, 1989; in Storia esigenze risponde l’istituto della biblioteca, evolvendosi parallelamente alle forme e ai supporti dei della lettura nel mondo occidentale, a cura di Guglielmo Cavallo e Roger Chartier, Roma-Bari: Laterza, 1995 e in La documenti e al loro utilizzo, in continua oscillazione tra permanenza e mutamento dei suoi carat- città e la parola scritta, a cura di Giovanni Pugliese teri spaziali e tipologici. Carratelli, Milano: Libri Scheiwiller, 1997. 1 5 Blanck riporta la notizia di Aulo Gellio secondo cui Prima di indagare il rapporto tra esigenze funzionali (programma biblioteconomico) e requisiti spa- Pisistrato, tiranno di Atene, avrebbe creato una “bibliote- ziali, tecnici e formali (programma edilizio prestazionale),2 è utile osservare l’evoluzione storica del- ca pubblica” addirittura nel 480 a.C. -
"Flemish" Hats Or, Why Are You Wearing a Lampshade? by BRIDGET WALKER
Intro to Late Period "Flemish" Hats Or, Why Are You Wearing a Lampshade? BY BRIDGET WALKER An Allegory of Autumn by Lucas Van Valkenborch Grietje Pietersdr Codde by Adriaen (1535-1597) Thomasz. Key, 1586 Where Are We Again? This is the coast of modern day Belgium and The Netherlands, with the east coast of England included for scale. According to Fynes Moryson, an Englishman traveling through the area in the 1590s, the cities of Bruges and Ghent are in Flanders, the city of Antwerp belongs to the Dutchy of the Brabant, and the city of Amsterdam is in South Holland. However, he explains, Ghent and Bruges were the major trading centers in the early 1500s. Consequently, foreigners often refer to the entire area as "Flemish". Antwerp is approximately fifty miles from Bruges and a hundred miles from Amsterdam. Hairstyles The Cook by PieterAertsen, 1559 Market Scene by Pieter Aertsen Upper class women rarely have their portraits painted without their headdresses. Luckily, Antwerp's many genre paintings can give us a clue. The hair is put up in what is most likely a form of hair taping. In the example on the left, the braids might be simply wrapped around the head. However, the woman on the right has her braids too far back for that. They must be sewn or pinned on. The hair at the front is occasionally padded in rolls out over the temples, but is much more likely to remain close to the head. At the end of the 1600s, when the French and English often dressed the hair over the forehead, the ladies of the Netherlands continued to pull their hair back smoothly. -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
Living the Dream Antwerp’S Adventurer Marc Sluszny
WHERE NEWS & BUSINESS MEET GLAMOUR & GOOD TI MES #16 /MarcH 2010 Living the dream Antwerp’s Adventurer Marc sluszny pArIs FAsHIOn WEEK renzo rosso and vivienne westwood MARRAKeCH ‘red City’, red carpet, fantasy hotel COMPETItIONS Alexandre de paris and davidrose EDITORIAL Perchance to dream ‘Living the dream’ – it’s a concept Morocco’s finest hotel, Sofitel Marrakech. that may seem singularly at odds And, can a country ‘live the dream’? Well, Emma Portier Davis takes a look at how Belgium is making a with the dark, cold days of the comeback on the world stage, big-time, following its new year’s beginning, but we at much-heralded near-demise of not so long ago. Together disagree, and we want to share what we’ve learned about In a new column, Sensual Secrets, Kimberley Lovato making your dream life a reality. takes a look at the trials and triumphs of seduction, and, in Eat Together, discusses her soon-to-be released culinary travel book, Walnut Wine & Truffle hen it comes to living Groves, about the Dordogne region of France, with dangerously and ‘who dares our co-editor Colin Moors. Colin also casts a cold eye wins’, there are few who know over two of the latest ‘dream’ gadgets, in Must- more about living on the edge Haves. than Antwerp-born commodities-trader, author and adventurer Marc W As usual, there are interviews galore – Michael Gaio Sluszny. In his own words: “I want to taste all the speaks with fashion giants Andrea cannelloni and dreams and big adventures of this world – that Jeremy Hackett, and Federico Grandesso chats to would be something extraordinary to accomplish Reinze Rosso and Vivienne Westwood.