The Seattle Glass Experience
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An Artists' Resume
DANTE MARIONI Selected Museum Collections The White House Collection of American Crafts, Washington, DC Tacoma Art Museum, Tacoma, WA Seattle Art Museum, Seattle, WA Corning Museum of Glass, Corning, NY Los Angeles County Museum of Art, Los Angeles, CA The Museum of Art and Design, New York, NY Smithsonian American Art Museum Renwick Gallery, Washington, DC Carnegie Museum of Art, Pittsburgh, PA Birmingham Museum of Art, Birmingham, AL Chrysler Museum of Art, Norfolk, VA Cincinnati Art Museum, Cincinnati, OH Columbia Museum of Art, Columbia, SC The Museum of Fine Arts, Houston, TX Hunter Museum of American Art, Chattanooga, TN Racine Art Museum, Racine, WI Vero Beach Museum of Art, Vero Beach, FL Huntsville Museum of Art, Huntsville, AL Mint Museum of Craft and Design, Charlotte, NC Mobile Museum of Art, Mobile, AL Suffolk Center for Cultural Arts, Suffolk VA New Orleans Museum of Art, New Orleans, LA Philadelphia Museum of Art, Philadelphia, PA Whatcom Museum, Bellingham, WA Washington State University’s Museum of Art, Pullman, WA University of Miami’s Lowe Art Museum, Miami, FL Western Washington University, Bellingham, WA University of Missouri’s Museum of Art and Archaeology, Columbia, MO Stanford University’s Iris & Gerald Cantor Center for Visual Arts, Stanford, CA Arizona State University’s Art Museum, Tempe, AZ Montreal Museum of Fine Arts, Quebec, Canada Victoria and Albert Museum, London, England Scottish National Gallery, Edinburgh, Scotland Ebeltoft Glass Museum, Ebeltoft, Denmark National Museum if Fine Arts, Stockholm, Sweden -
David Shaner – (1934 – 2002) Artist's Statement – David
DAVID SHANER – (1934 – 2002) David Shaner is an icon in the field of American ceramic art. He was instrumental in establishing the Archie Bray Foundation as a major player in ceramics, and he continued to support the Bray after retiring as its Resident Director. His exquisitely formed vessels with their understated glazes are a reflection of the man himself, a man in harmony with his environment and at peace in himself. Shaner was also noted as a teacher, a collector, and a generous contributor to the world of ceramic art and the field of environmental protection; his gardens which he called his “spiritual work” included notable specialized collections. While David Shaner’s life was cut short by ALS, his legacy continues through the David and Ann Shaner Resident Studio Complex which opened in 2005 at the Archie Bray foundation. ARTIST’S STATEMENT – DAVID SHANER “Basically, I am doing what I want to do and have never done anything else. By competing only with myself, I am not in pursuit of the crowd. Following one’s work is a joy and a challenge. One learns to do what is in one’s soul – thus revealing the connections between life and art. Although over the years I have become deeply involved with my tools and materials, simplicity of form and process have been my greatest achievements. And while the pots have been saturated with optimism, this has not always been easy to achieve. It is with a certain resilience I carry the belief that as life is enriched, the work can answer a resounding YES!”1 1. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
December 2007
December 2007 Issue 5 ISSN 1553-3069 Table of Contents Editorial A Time of Transition ................................................................ 1 Jonathan Reams Peer Reviewed Works The Evolution of Consciousness as a Planetary Imperative: An Integration of Integral Views ............................................................. 4 Jennifer Gidley Editorially Reviewed Works Towards an Integral Critical Theory of the Present Age ..................... 227 Martin Beck Matuštík Illuminating the Blind Spot: An Overview and Response to Theory U ............................................ 240 Jonathan Reams Sent to Play on the Other Team ........................................................... 260 Josef San Dou Art and the Future: An Interview with Suzi Gablik ............................. 263 Russ Volckmann cont'd next page ISSN 1553-3069 Reactivity to Climate Change .............................................................. 275 Jan Inglis Developing Integral Review: IR Editors Reflect on Meta-theory, the Concept of "Integral," Submission Acceptance Criteria, our Mission, and more............................................................................................... 278 IR Editors ISSN 1553-3069 Editorial A Time of Transition As we welcome you to the fifth semi-annual issue of Integral Review (IR), I would like to point to signs that mark a time of transition for this journal. Some are small, like shifting our table of contents headings to more clearly identify which works are peer reviewed, and changing the spacing between articles’ paragraphs. Others are more obvious, like the ability and willingness to publish even longer works than previously, in addition to the ongoing array of works published. Some transitions are in process and less visible. For example, we are working to evolve IR’s structure to reflect its degree of engagement from others, and making behind the scene shifts in our ability to better understand and realize the goals we set out to accomplish. -
GLASS in a NEW LIGHT JUNE 9-11, 2016 Corning2016
Corning2016 GLASS ART SOCIETY’S 45th ANNUAL CONFERENCE CREATING CONTEXT: GLASS IN A NEW LIGHT JUNE 9-11, 2016 Corning2016 THE GLASS ART SOCIETY is a 501c3, non-profit, international organization whose purpose is to encourage excellence, to advance education, to promote the appreciation and development of the glass arts, and to support the worldwide community of artists who work with glass. BOARD OF DIRECTORS 2015-2016 STAFF President Cassandra Straubing Pamela Figenshow Koss, Executive Director Vice President Kim Harty Kristin Galioto, Communications Manager Vice President Natali Rodrigues Shelbey Lang, Executive Assistant Treasurer Roger MacPherson Ted Cotrotsos, Graphic Designer* Secretary Tracy Kirchmann Laurie Streiner, Event Planner* Alex Bernstein Marc Petrovic Anne Beranger Giese, Corning Logo Designer Chris Clarke Charlotte Potter *part-time/contract Kelly Conway Stephen Rolfe Powell Matt Durran Masahiro Nick Sasaki REGISTER BY MARCH 1, 2016 for the lowest BJ Katz Jan Smith conference fee. Register online: www.glassart.org Ed Kirshner David Willis Jeff Lindsay Student Rep Amanda Wilcox GAS 2016 CONFERENCE CO-CHAIRS 6512 23rd Avenue NW, Suite 329 Ellen Corradini Michael Rogers Seattle, Washington 98117 USA Steve Gibbs Chris Sharkey Tel: 206.382.1305 Fax: 206.382.2630 Angus Powers [email protected] www.glassart.org 2 CONTENTS Centerway Square, downtown Corning 02 GAS Board & Staff 15 Students and Schools 04 Welcome to Corning • Education and Professional Resource Center 04 Letter from the Conference Co-Chairs • Poster Presentations -
The Influence of Lino Tagliapietra
FOR IMMEDIATE RELEASE CONTEMPORARY GLASS AT INAUGURAL SILICON VALLEY ART FAIR: THE INFLUENCE OF LINO TAGLIAPIETRA Media Inquiries: Thursday, April 10-Sunday, April 13, 2014 at Silicon Valley Contemporary Art Fair Kristin Carlson McEnery Convention Center in San Jose, California | Schantz Galleries Booth #410 Think All Day 505-501-2497 [email protected] SAN JOSE, CA—Schantz Galleries (Stockbridge, Massachusetts) is pleased to present new work by five top contemporary glass artists at the first annual Silicon Valley Contemporary Art Fair, April 10-13, 2014, Booth #410, McEnery Convention Center in San Jose, California. The work of Lino Tagliapietra, Dante Marioni, John Kiley, David Walters, and Giles Bettison demonstrates that the intersection between technology and art precedes the digital age; cutting-edge science and innovative expression have long been synthesized in the discipline of glassmaking. Each of these artists has mastered and pushed the boundaries of traditional techniques, and achieved important advances in this time-honored art form. Italian glass maestro Lino Tagliapietra is acknowledged worldwide as one of the most influential glassmakers of our time; the other four artists in this exhibition have each studied and worked with Tagliapietra, and the broad scope of his influence in the field of glass art is evident in the far-reaching facets of their careers. Lino Tagliapietra, Africa, 2013, blown glass, 10.25 x 19.25 x 19.25.” Photo by Russell Johnson. LINO TAGLIAPIETRA: MAESTRO. Celebrating his 80th birthday this year, Lino Tagliapietra is one of the world’s most accomplished artists working with glass today. Tagliapietra has been an independent glass artist since 1989, exhibiting in museums internationally, receiving countless honors, openly sharing his extensive knowledge of the medium and his skill as one of its finest practitioners, and helping to create a new renaissance in studio glassmaking. -
The Magazine of the Museum of Texas Tech University in This Issue | Fall-Winter 2017
The Magazine of the Museum Mof Texas Tech University In This Issue | Fall-Winter 2017 Bringing the Abstract Heroes of the Postosuchus: Special Needs Art Meets Holocaust T. Rex of the Community to Atmospheric Triassic the Museum Science The Magazine of The Texas Tech University Museum M The Magazine of the Museum is for Museum of Texas Tech University M Fall/Winter 2017 2 Staff Publisher and Executive Editor M=eC Gary Morgan, Ph.D. Copy Editor Daniel Tyler Stakeholder engagement for a university Editorial Committee Sally Post, Jill Hoffman Ph.D. museum is a continuum between the university Design (Campus) and the Community. The Museum Armando Godinez Jr. must engage with the Campus; it must engage M is a biannual publication of the Museum of Texas Tech University. with the Community; and it must facilitate 3301 4th St, Lubbock, TX 79409 Phone: 806.742.2490 engagement between Campus and Community. www.museum.ttu.edu All rights reserved. Museum (M) equals engagement (e) ©Museum of Texas Tech University 2017 by Campus (C) and by Community (C). Cover Photo: Harvey Chick The Texas Liberator: Witness to the Holocaust 2 | FAll/Winter 2017 Museum at sunrise with desert agave casting shadows. Photo: Ashley Rodgers Fall/Winter 2017 | 3 M The Magazine of The Texas Tech University Museum 12 Lessons Large and Small By Deborah Bigness 16 Beauty Abounds By Marian Ann J. Montgomery 22 Inside M Bringing the Special Needs Community to the Museum M News . 7 By Bethany Chesire Light Up Lubbock. 9 Genetic Resources Collection . 11 25 Extending Creative Visions . -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
BEYOND the CLASSROOM TOUR & TRAVEL Columbus Academy
BEYOND THE CLASSROOM TOUR & TRAVEL Columbus Academy Art Trip 2020 Chicago Program Dates Saturday February 15 – Monday February 17, 2020 PROGRAM OVERVIEW ★ Three Days and 2 Nights in Chicago ★ Hotel accommodations (quad occupancy for students) for two nights at The Congress Plaza Hotel H Chaperones housed in single rooms H All hotel taxes and occupancy fees ★ Hotel baggage handling upon arrival and departure (one bag per person) ★ Two Dinners in Chicago (Giordano’s Pizza and The Fireplace Inn) ★ Breakfast included at the hotel each morning H Two ($15) Lunch Stipends ★ Guided Tour of Frank Lloyd Wright Home & Studio H Guided Tour of Frederick C Robie House ★ Admission to the Art Institute of Chicago ★ Private Tour of Stony Island Arts Bank H Admission to Museum of Contemporary Art H Admission at the Museum of Contemporary Photography ★ Screen Printing Workshop at Lillstreet Art Center ★ Attend performance at The Neo-Futurists Theater H Opportunities to visit The Chicago Cultural Center and view public art in Grant Park and Millennium Park ★ RT Motor Coach Transportation via Lakefront Lines including driver room, driver gratuity, tolls, and parking ★ Night time security at the hotel ★ A Full-time Tour Director to accompany your group 24 hours a day from departure to arrival home ★ Comprehensive Insurance Policies. In addition, all participants are provided accident coverage ★ Individual Trip Cancellation Insurance Available when you register on the Beyond The Classroom web site BEYOND THE CLASSROOM TOUR & TRAVEL TOTAL PER PERSON COST $605 -
Following the Trail of the Snake: a Life History of Cobra Mansa “Cobrinha” Mestre of Capoeira
ABSTRACT Title of Document: FOLLOWING THE TRAIL OF THE SNAKE: A LIFE HISTORY OF COBRA MANSA “COBRINHA” MESTRE OF CAPOEIRA Isabel Angulo, Doctor of Philosophy, 2008 Directed By: Dr. Jonathan Dueck Division of Musicology and Ethnomusicology, School of Music, University of Maryland Professor John Caughey American Studies Department, University of Maryland This dissertation is a cultural biography of Mestre Cobra Mansa, a mestre of the Afro-Brazilian martial art of capoeira angola. The intention of this work is to track Mestre Cobrinha’s life history and accomplishments from his beginning as an impoverished child in Rio to becoming a mestre of the tradition—its movements, music, history, ritual and philosophy. A highly skilled performer and researcher, he has become a cultural ambassador of the tradition in Brazil and abroad. Following the Trail of the Snake is an interdisciplinary work that integrates the research methods of ethnomusicology (oral history, interview, participant observation, musical and performance analysis and transcription) with a revised life history methodology to uncover the multiple cultures that inform the life of a mestre of capoeira. A reflexive auto-ethnography of the author opens a dialog between the experiences and developmental steps of both research partners’ lives. Written in the intersection of ethnomusicology, studies of capoeira, social studies and music education, the academic dissertation format is performed as a roda of capoeira aiming to be respectful of the original context of performance. The result is a provocative ethnographic narrative that includes visual texts from the performative aspects of the tradition (music and movement), aural transcriptions of Mestre Cobra Mansa’s storytelling and a myriad of writing techniques to accompany the reader in a multi-dimensional journey of multicultural understanding. -
GINNY SYKES Lives and Works in Chicago, IL Ginnysykes.Com
GINNY SYKES Lives and works in Chicago, IL ginnysykes.com EDUCATION MA, Women Studies and Gender Studies, Loyola University, Chicago, IL, 2014 BFA, Painting, Washington University, St. Louis, MO, 1979 Studio Cecil Graves, Classical Painting and Art History, Florence, Italy, 1991 EXHIBITIONS AND PERFORMANCES 2016 Water Tower Arts Festival, (installation and performance), Fabrika 126, Sofia, Bulgaria By Land or By Sea, LACE Contemporary Exhibitions, Los Angeles, CA HearteartH Festival, Berlin, Germany 2015 Arceo Press: Santitos, Presidents Gallery, Chicago State University, Chicago, IL Traffic Jam #4, Festival de Arte Contemporáneo, Saltillo Contemporary, Saltillo, Mexico Omaggio del Cilento a Palma Bucarelli, Palazzo Marchesale, Pisiotta, Italy Traffic Jam #4, Can Gelabert Casal de Cultura, Binissalem, Malorca and Centre d’Art I Creació de Ses Voltes, Palma de Mallorca, Spain 2014 Finding Space, (solo exhibition), Chicago Art Source Gallery, Chicago, IL Continuum, (solo exhibition), Prospectus Gallery, Chicago, IL Los Santitos, Studio Art Schools International, Florence, Italy 2013 Bodies of Memory, (multimedia theater production), Next Theatre, Evanston, IL Deliberate Dissonance, (solo exhibition), Art on Armitage, Chicago, IL Supermarket 2013, Kulturhuset, Stockholm, Sweden 2012 Surface, Chicago Art Source Gallery, Chicago, IL Los Santitos, Loyola University Museum of Art, Chicago, IL; Universidad Michoacana de San Nicolás de Hidalgo, Morelia, Michoacán, México; Benedictine University, Lisle, IL; Fundación Casa de los Tres Mundos, Granada,