Lisa Gralnick
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The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Smithsonian American Art Museum
Smithsonian American Art Museum Chronological List of Past Exhibitions and Installations on View at the Smithsonian American Art Museum and its Renwick Gallery 1958-2016 ■ = EXHIBITION CATALOGUE OR CHECKLIST PUBLISHED R = RENWICK GALLERY INSTALLATION/EXHIBITION May 1921 xx1 American Portraits (WWI) ■ 2/23/58 - 3/16/58 x1 Paul Manship 7/24/64 - 8/13/64 1 Fourth All-Army Art Exhibition 7/25/64 - 8/13/64 2 Potomac Appalachian Trail Club 8/22/64 - 9/10/64 3 Sixth Biennial Creative Crafts Exhibition 9/20/64 - 10/8/64 4 Ancient Rock Paintings and Exhibitions 9/20/64 - 10/8/64 5 Capital Area Art Exhibition - Landscape Club 10/17/64 - 11/5/64 6 71st Annual Exhibition Society of Washington Artists 10/17/64 - 11/5/64 7 Wildlife Paintings of Basil Ede 11/14/64 - 12/3/64 8 Watercolors by “Pop” Hart 11/14/64 - 12/13/64 9 One Hundred Books from Finland 12/5/64 - 1/5/65 10 Vases from the Etruscan Cemetery at Cerveteri 12/13/64 - 1/3/65 11 27th Annual, American Art League 1/9/64 - 1/28/65 12 Operation Palette II - The Navy Today 2/9/65 - 2/22/65 13 Swedish Folk Art 2/28/65 - 3/21/65 14 The Dead Sea Scrolls of Japan 3/8/65 - 4/5/65 15 Danish Abstract Art 4/28/65 - 5/16/65 16 Medieval Frescoes from Yugoslavia ■ 5/28/65 - 7/5/65 17 Stuart Davis Memorial Exhibition 6/5/65 - 7/5/65 18 “Draw, Cut, Scratch, Etch -- Print!” 6/5/65 - 6/27/65 19 Mother and Child in Modern Art ■ 7/19/65 - 9/19/65 20 George Catlin’s Indian Gallery 7/24/65 - 8/15/65 21 Treasures from the Plantin-Moretus Museum Page 1 of 28 9/4/65 - 9/25/65 22 American Prints of the Sixties 9/11/65 - 1/17/65 23 The Preservation of Abu Simbel 10/14/65 - 11/14/65 24 Romanian (?) Tapestries ■ 12/2/65 - 1/9/66 25 Roots of Abstract Art in America 1910 - 1930 ■ 1/27/66 - 3/6/66 26 U.S. -
Annual Report 2013-2014
The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
Craft Alliance Center for Art and Design Records (S0439)
PRELIMINARY INVENTORY S0439 (SA0010, SA2390, SA2492, SA2714, SA3035, SA3068, SA3103, SA3633, SA3958) CRAFT ALLIANCE CENTER FOR ART AND DESIGN RECORDS This collection is available at The State Historical Society of Missouri Research Center- St. Louis. If you would like more information, please contact us at [email protected]. Introduction Approximately 58 cubic feet The Craft Alliance is a non-profit, cultural and educational organization which promotes the production, enjoyment, and understanding of the crafts. The records include budgets, bylaws, correspondence, exhibition schedules, Education Center program schedules, newsletters, scrapbooks, and photographs. Donor Information The records were donated to the University of Missouri by Mrs. Norman Morse on January 29, 1971 (Accession No. SA0010). Additions were made on April 7, 1981 by a representative of the Craft Alliance (Accession No. SA2930); November 2, 1982 by Mary Colton (Accession No. SA2492); September 11, 1985 by Wilda Swift (Accession No. SA2714); December 1, 1991 by Barbara Jedda (Accession No. SA3035); June 24, 1992 by Barbara Jedda (Accession No. SA3068); December 28, 1992 by Barbara Jedda (Accession No. SA3103); September 7, 2005 by Alexi Glynias (Accession No. SA3633); July 12, 2011 by Barbara Jedda (Accession No. SA3958); August 14, 2020 by Mark Witzling (Accession No. SA4474); August 26, 2020 by Mark Witzling (Accession No. SA4479). Copyright and Restrictions The Donor has given and assigned to the State Historical Society of Missouri all rights of copyright which the Donor has in the Materials and in such of the Donor’s works as may be found among any collections of Materials received by the Society from others. -
Exhibit Catalog (PDF)
Mastery in Jewelry & Metals: Irresistible Offerings! Gail M. Brown, Curator Mastery in Jewelry & Metals: Irresistible Offerings! Gail M. Brown, Curator Participating Artists Julia Barello Mary Lee Hu Harriete Estel Berman Michael Jerry Elizabeth Brim Robin Kranitzky & Kim Overstreet Doug Bucci Rebecca Laskin Kathy Buszkiewicz Keith Lewis Harlan W. Butt Charles Lewton-Brain Chunghi Choo Linda MacNeil Sharon Church John Marshall John Cogswell Bruce Metcalf Chris Darway Eleanor Moty Jack DaSilva Tom Muir Marilyn DaSilva Harold O'Connor Robert Ebendorf Komelia Okim Sandra Enterline Albert Paley Fred Fenster Beverly Penn Arline Fisch Suzan Rezac Pat Flynn Stephen Saracino David C. Freda Hiroko Sato-Pijanowski Don Friedlich Sondra Sherman John G. Garrett Helen Shirk Lisa Gralnick Lin Stanionis Gary S. Griffin Billie Theide Laurie Hall Rachelle Thiewes Susan H. Hamlet Linda Threadgill Douglas Harling What IS Mastery? A singular idea, a function, a symbol becomes a concept, a series, a marker- a recognizable visual attitude and identifiable vocabulary which grows into an observation, a continuum, an unforgettable commentary. Risk taking. Alone and juxtaposed….so many ideas inviting exploration. Contrasting moods and attitudes, stimuli and emotional temperatures. Subtle or bold. Serene or exuberant. Pithy observations of the natural and WHAT is Mastery? manmade worlds. The languages of beauty, aesthetics and art. Observation and commentary. Values and conscience. Excess and dearth, The pursuit and attainment, achievement of purpose, knowledge, appreciation and awareness. Heavy moods and childlike insouciance. sustained accomplishment and excellence. The creation of irrepressible, Wisdom and wit. Humor and critique. Reality and fantasy. Figuration important studio jewelry and significant metal work: unique, expressive, and abstraction. -
Exuberance of Color V3.Indd
TANSEY CONTEMPORARY Presents AN EXUBERANCE OF COLOR In Studio Jewelry Curated by Gail M. Brown www.tanseycontemporary.com 1 Contents AN EXUBERANCE OF COLOR In Studio Jewelry curated by Gail M.Brown Contents Julia Barello ..................................................................................................................................... 4 Harriete Estel Berman...................................................................................................................... 9 Jessica Calderwood........................................................................................................................ 12 Arline Fisch ....................................................................................................................................... 16 Donald Friedlich............................................................................................................................... 20 Rebekah Laskin................................................................................................................................ 26 Amy Lemaire.................................................................................................................................... 30 Karen Thuesen Massaro................................................................................................................... 36 Bruce Metcalf................................................................................................................................... 40 Mike & Maaike................................................................................................................................. -
Craft Horizons AUGUST 1973
craft horizons AUGUST 1973 Clay World Meets in Canada Billanti Now Casts Brass Bronze- As well as gold, platinum, and silver. Objects up to 6W high and 4-1/2" in diameter can now be cast with our renown care and precision. Even small sculptures within these dimensions are accepted. As in all our work, we feel that fine jewelery designs represent the artist's creative effort. They deserve great care during the casting stage. Many museums, art institutes and commercial jewelers trust their wax patterns and models to us. They know our precision casting process compliments the artist's craftsmanship with superb accuracy of reproduction-a reproduction that virtually eliminates the risk of a design being harmed or even lost in the casting process. We invite you to send your items for price design quotations. Of course, all designs are held in strict Judith Brown confidence and will be returned or cast as you desire. 64 West 48th Street Billanti Casting Co., Inc. New York, N.Y. 10036 (212) 586-8553 GlassArt is the only magazine in the world devoted entirely to contem- porary blown and stained glass on an international professional level. In photographs and text of the highest quality, GlassArt features the work, technology, materials and ideas of the finest world-class artists working with glass. The magazine itself is an exciting collector's item, printed with the finest in inks on highest quality papers. GlassArt is published bi- monthly and divides its interests among current glass events, schools, studios and exhibitions in the United States and abroad. -
Acknowledgments from the Authors
Makers: A History of American Studio Craft, by Janet Koplos and Bruce Metcalf, published by University of North Carolina Press. Please note that this document provides a complete list of acknowledgments by the authors. The textbook itself contains a somewhat shortened list to accommodate design and space constraints. Acknowledgments from the Authors The Craft-Camarata Frederick Hürten Rhead established a pottery in Santa Barbara in 1914 that was formally named Rhead Pottery but was known as the Pottery of the Camarata (“friends” in Italian). It was probably connected with the Gift Shop of the Craft-Camarata located in Santa Barbara at that time. Like his pottery, this book is not an individual achievement. It required the contributions of friends of the field, some personally known to the authors, but many not, who contributed time, information and funds to the cause. Our funders: Windgate Charitable Foundation / The National Endowment for the Arts / Rotasa Foundation / Edward C. Johnson Fund, Fidelity Foundation / Furthermore: a program of the J. M. Kaplan Fund / The Greenberg Foundation / The Karma Foundation / Grainer Family Foundation / American Craft Council / Collectors of Wood Art / Friends of Fiber Art International / Society of North American Goldsmiths / The Wood Turning Center / John and Robyn Horn / Dorothy and George Saxe / Terri F. Moritz / David and Ruth Waterbury / Sue Bass, Andora Gallery / Ken and JoAnn Edwards / Dewey Garrett / and Jacques Vesery. The people at the Center for Craft, Creativity and Design in Hendersonville, N.C., administrators of the book project: Dian Magie, Executive Director / Stoney Lamar / Katie Lee / Terri Gibson / Constance Humphries. Also Kristen Watts, who managed the images, and Chuck Grench of the University of North Carolina Press. -
Lisa Gralnick 414 S. Randall Ave. Madison, WI 53715
Lisa Gralnick 414 S. Randall Ave. Madison, WI 53715 (608) 770-7028 (home) (608) 262-0189 (office) E-mail: [email protected] Education 1980 Master of Fine Arts, State University of New York, New Paltz (Gold and Silversmithing) Major Professors: Kurt Matzdorf and Robert Ebendorf 1977 Bachelor of Fine Arts, Kent State University Major Professors: Mary Ann Scherr and James Someroski Teaching Appointments 2007- present Professor of Art, University of Wisconsin-Madison 2004-2007 Associate Professor of Art, University of Wisconsin-Madison 2001-2004 Assistant Professor of Art, University of Wisconsin-Madison 1990-01 Full-Time Faculty, Parsons School of Design, New York, NY (Chair of Metals /Jewelry Design Program) 1982-83 Visiting Assistant Professor, Head of Jewelry Dept., Nova Scotia College of Art and Design, Halifax 1980-81 Visiting Assistant Professor, Kent State University, Kent, Ohio Grants, Awards, Fellowships, and Honors 2019 Nominee, American Academy of Arts and Letters Arts Award (pending) 2018 Faculty Research Grant, University of Wisconsin-Madison 2017 Emily Mead Baldwin Award in the Creative Arts, UW-Madison Arts Institute 2017 Graduate School Research Grant, University of Wisconsin-Madison 2016 Master Metalsmith Award, National Ornamental Metal Museum, Memphis (solo exhibition and catalog) 2015 Mondriaan Fellowship (3 Month Residency), European Ceramic Work Center, Netherlands 2014 Creative Arts Award, UW-Madison Arts Institute 2013 Open Residency Grant, Haystack Mountain School of Crats, Deer Isle, Maine 2012 Faculty -
ANNOUNCING Heatguns, to Makelightweight, and Strong, Colorful Material (Polyesther Fi Be Covered/Glued with High-Tech Modelairplane for Useinearrings, Orpendants
See p3 for details ANNOUNCING METAL ARTS 2017 SOCIETY OF SOUTHERN CALIFORNIA January / February MATRIX JEWELRY WORKSHOP - Robert K. Liu February 18th, 2016 8am – 5pm interesting jewelry. This technique is well suited to Robert K. Liu he is co- make earrings, symmetrical or asymmetrical. Essen- editor of Ornament and tially, your imagination and skill are the limitations of has written extensively on the forms you can make. For a one-day workshop, it ancient, ethnographic and is necessary to have soldering and simple handtool contemporary jewelry and skills. personal adornment since 1974. Over the past four ddecades, he has lectured eextensively in the US, as willill learn l to use brass b wire i or bronze b StudentsSt d t wwell as the UK and PRC rod to fabricate matrix/matrices for use as pen- aand given workshops on dants, earrings or other jewelry components. jjewelry photography, Simple handtools or mandrels will be used to shape making bamboo jewelry or matrix jewelry and has the wire or rodforms, then solder them. Participants recently published The Photography of Personal will learn how to handform wire/rod foundations AAdornment. He is also the author of Collectible for use in earrings, or pendants. These matrices will Beads, and has written over 700 articles or other be covered/glued with high-tech model airplane publications, on personal adornment, technology material (polyesther fi lms), then heatshrunk with aand science. heatguns, to make lightweight, strong, colorful and Cost: $105 for MASSC Members - $125 for non members Materials Fee: $10 Location: Irvine This workshop will be fi lled via the MASSC lottery system with MASSC members receiving priority. -
Donald Friedlich Curriculum Vitae
Donald Friedlich Curriculum Vitae 2712 Marshall Parkway Phone: 608 280-9151 Madison, WI 53713 Mobile: 608 217-3581 [email protected] DonaldFriedlich.com EDUCATION 1982 Rhode Island School of Design, Providence, Rhode Island B.F.A. Jewelry/Metalsmithing 1975-79 University of Vermont, Burlington, Vermont MUSEUM AND MAJOR PRIVATE COLLECTIONS Victoria and Albert Museum, London, England Smithsonian American Art Museum, Renwick Gallery, Washington, DC Museum of Fine Arts Boston, Boston, Massachusetts Cooper Hewitt, Smithsonian Design Museum, New York, New York Schmuckmuseum, Pforzheim, Germany Museum of Fine Arts Houston, Houston, Texas Corning Museum of Glass, Corning, New York Los Angeles County Museum of Art, Los Angeles, California Montreal Museum of Fine Arts, Montreal, Canada Museum of the Arts and Design, New York, New York Yale Art Museum, Yale University, New Haven, Connecticut Newark Museum of Art, Newark, New Jersey Mint Museum of Craft and Design, Charlotte, North Carolina Racine Art Museum, Racine, Wisconsin Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, New York Helen Drutt, Philadelphia, Pennsylvania Garth Clark and Mark Del Vecchio, Santa Fe, New Mexico Daphne Farago, Little Compton, Rhode Island Robert Phannebacker, Lancaster, Pennsylvania PROFESSIONAL ACTIVITIES 1999-2001 President, Society of North American Goldsmiths 1998 President Elect, Society of North American Goldsmiths 2002 Past President, Society of North American Goldsmiths 1999-2019 SOFA/SNAG Lecture Series, Selected speakers and managed the program 2003-08