BE SURE to ENTER CRAFTSMEN USA '661 Entry Forms for This National Competition Sponsored by ACC Are Available by Writing to the Council

Total Page:16

File Type:pdf, Size:1020Kb

BE SURE to ENTER CRAFTSMEN USA '661 Entry Forms for This National Competition Sponsored by ACC Are Available by Writing to the Council THE COLLECTOR'S ROOM Nickerson, Arlene Osgood, J. J. O'Leary, Cosanti Origi­ nals, Harry Pang, Ronald Pearson, Cambridge Potters, America House has opened a special shop at its 44 'Nest John Roesing, Jerry Rothman, Edwin and Mary Scheier, 53rd Street address in New York City called "The Collec­ Grete Schioler, Rachel Smith, Paul Soldner, Robert Sperry, tor's Room." Inaugurated as a new service to serious col­ Lenore Tawney, William Underhill, David Van Domme­ lectors of American crafts, the shop features many works l-en, M. Von Allesch, Kay Whitcomb, Frans Wildenhain, especially commissioned for or previously unavailable at William Wyman, Claire Zeisler. America House. A variety of craft media is represented in the collection; prices range from $18.50 to $1800. Partici­ pating craftsmen include: Eleen Auvil, Kate Auerbach, WCC Assembly To Meet Fred Bauer, Porter Blanchard, Steven Burr, John Burton, Wendell Castle, Clara Cherepov, Fong Chow, Frank Col­ The World Crafts Council General Assembly will meet son, James Crumrine, Rafael Diaz, Rosamaria De Ellis, in Montreux, Switzerland June 27 through July 1, 1966. Pauly D'Oriando, Henry Easterwood, Edris Eckhardt, This will be primarily a business meeting in which only Paul Evans, \Vill Farrington, Kurt Feuerherm, Jacque the delegate from the member countries can cast a vote. Fogot, Gerald Foley, Marilyn Fox, Michael Frimkess, However, the World Crafts Council hopes that many George Greenamyer, Jolyon Hofsted, Ka Kwong Hui, Paul others will come to participate in the program. For infor­ Hultberg, Evan Kullgren, .T eanne Knorr, Alma Lesch, mation on the five-day meeting which will include James Lovera, Robert Lunny, Frank Mann, Shirley speakers, demonstrations, and social activities, write to Marien, Kurt Matzdorf, James McKinnell, Gretchen Mul­ the World Crafts Council, 29 West 53rd Street. N. Y., ler, Otto and Gertrud Natzler, Taylor and Ng, Mayo N. Y. 10019. BE SURE TO ENTER CRAFTSMEN USA '661 Entry forms for this national competition sponsored by ACC are available by writing to the Council. Craftsmen of the Southwest AMERICAN CRAFTSMEN'S COUNCIL 29 West S3rd SlTeet The new directory, "Craftsmen of the Southwest," pub­ New York, N. Y. 10019 lished by ACC's Southwest Region has received unusual THE AMERICAN CRAFTSMEN'S COUNCIL is a national non­ notice since its debut in October. (See announcement in profit educational organization chartered in 1943 by the Board of Regents of the State of New York to stimulate public interest in October Outlook.) Favorable reviews have heen given in and appreciation of the work of handcraftsmen. Membership in several publications and many letters have heen rcceived the Council is open to all. concerning the book. From the California State Craft Chairman of the Board AtLEEN O. WEBB Congress through its secretary, Hhoda LeBlanc Lopez, President WILLIAM J. BARRETT Director, Administrative Services JOSEPH P. FALL~RINO came these comments addressed to Dextra Frankel, Chair­ Director, Regional Program LOIS MORAN man of the Directory CommittE'e: Director, Development & Planning FORREST SELVtG Editor, Craft Horizons ROSE SLIVKA Director, Museum of Contemporary Crafts PAUL J. SMtTH The California State Craft Congress met this last weekend at San Director, Research & Education SANDRA ZIMMERMAN Jose. Among the many subiects discussed at length was the very fine Administrator, Museum West LOIS HANSEN LWAS directory, Craftsmen of the Southwest, on which I/OU worked so The ACC Olltlook is published monthly, Janllary, May, Jllly, alld long and so hard and with such success. It is probably not /lossible AIIRllsr excepred, by rhe American Crafrsmen's Council. Second­ for people who have not actually been .so in()olved to realize fully claH postage rates paid or New York, N. Y. Membership rotes the enomwus effort, time lind lilbor which have gone into such a $8.00 per year and higher. Editor: Lois Moran; Photographer: Renira Hanf/ing maior productioll, but we feel that we do comprehend, at least to some extent, and do wish yo" to know how much we, as a represen­ tative gr01'p of craftsmen SJ)eaking for several organized craft groups, do appreciate and admire the results. This Directory is per­ Coming Regional Events haps the most important, certainl!! the most concrcle step taken for Plans are taking shape for the ACC Southwest Regional and b'J th e craftsmen of the state. Its impact will probably be an accelerating one, and I trust that YOllr pride and pleasure ill your Craftsmen's Conference April 6 - 8, 1966 at California accomplishment will contilille for a long time to come. Certaililu our State College at Long Beach, California. Main feature of heartfelt thanks and those of other c raftsmen are yours for 'Jour this conference will be day-long workshop sessions. Sev­ very fine effort. eral leading craftsmen have consented to lead these work­ shops: Jerry Rothman, environmental ceramics; June The spiral bound 240-page directory containing 344 Schwarcz, electroforming metal; Bob Cremcan, formative black/ white photographs and biographical data on 15] concepts in wooel. Marshall La Cour will lead a session on artist-craftsmen of the southwest may be purchased for photography of crafts and Gere Kavanaugh will direct $5.25 including handling charge by using the order blank an all-day architecture tour in the Los Angeles area. Addi­ on the back of this newsletter. tional workshops and other events are being developed. Accommodations for the conference will be available at the Edgewater Inn, Seal Beach. Alvin Pine of the Cali­ fornia State College faculty at Long Beach is Conference Mrs. Webb Attends White House Chairman and inquiries concerning this April event may Conference be directed to him. Another ACC region is conference planning: the South­ Mrs. Vanderbilt \Vebb represented the American Crafts­ east Region will sponsor a workshop conference June men's Council at the White House Conference on Inter­ 9 - 11, 1966 in Athens, Georgia. Sally Adams, former ACC national Cooperation held November 28 - December 1 in craftsman-trustee, is Conference Chairman. Details on the \Vashington, D.C. She served as a member of the Suh­ event will be given in February Outlook. committee on the Visual Arts of the Panel on Culture and Intellectual Exchange. SlI b-committee memhers along with Mrs. Webb were John Walker of the National Gal­ HELP! (On Taxes) lery of Art, Chairman, Rene d'Harnoncourt of the rVlu­ When the new year comes, not far behind is the time of seum of Modern Art, and Roy Newburger of the American income tax returns. If you have not yet purchased a copy Federation of Arts. The Sub-committee urged increased of ''Taxes and the Craftsman" published by ACC in Sep­ government aid for traveling exhibitions and other actions tember 1964 especially for its members, we suggest that which would lead to greater understanding among peo­ you send your order right away to make 1966 a perfect ples. A total of thirty panels dealing with a wide range of record-keeping year. Written by Sydney Prerau, lawyer subjects formed the conference. and tax specialist, the 36-page book has five major sub­ jects: taxes and the craftsman, travel and entertainment Held at the Sheraton Park Hotel, the four-day confer­ record keeping, professional vs. persol1al expenses, de­ ence included addresses by Vice President Hubert Hum­ preciation and accounting. Regularly priced at $2.50, phrey, McGeorge Bundy, Ambassador Arthur J. Goldberg, "Taxes and the Craftsman" may be ordered during Jan­ and Secretary of State Dean Rusk. Frank Stanton, Chair­ uary and February for $2.00. Direct your order and man of the Board of the Columbia Broadcasting System check to ACC Catalog Sales, 29 West 53rd Street, N. Y., and trustee of the Council, gave the introductory address N. Y. 10019. to the Panel on Culture and Intellectual Exchange. The Object In The Open Air FANTASY FURNITURE The Museum of Contemporary Crafts is planning an ex­ hibition March 25 - May 15, 1966 titled 'The Object In The Open Air." This exhibition will present work - both functional and nonfunctional - intended for outdoor lise in such areas as patios, gardens, playgrounds, community centers and puhlic areas, parks, etc. Crafts applied to the exterior of buildings will not be included. Craftsmen whose work is applicable to this exhibit are asked to send 35mm color slides to the Council's Research & Education Department as soon as possible. The slides may show the individual work in or out of its environmental setting. Each slide must have specific description as to size, ma­ terials, date, and ownership of the work. We also welcome information concerning works in public or private areas in the craftsmen's locality which would be applicahle to this exhibition. NEW SLIDE KIT A new slide kit featuring cookies, breads, and jars from the Museum of Contemporary Crafts' December exhihi­ tion will be available for rental on January 15. Containing fifty color slides, the kit will rent for a ten-day period for The Museum of Contemporary Crafts will inaugurate its $4.50. Craftsman/sustaining ($12.00) and higher mem­ 1966 program on January 21 with the exhibit "Fantasy bers may deduct 20% from this fee. Postaf!;e from ACe to Furniture" featuring the work of five craftsmen: Wendell the borrower is included in the rental price. Requests Castle of Rochester, N. Y., Pedro Friedeberg of Mexico should he made as much in advance as possible and sent City, Mexico, Fabio De Sanctis and Ugo Sterpini of Rome, to Miss Renita HanAing at the Council's New York Italy, and Thomas Simpson of Elgin, Illinois. This exhibit address. aims to show that form need not follow function, that Borrowers of the cookie slide kit will find a copy of the great imagination and craft skill can produce fantastic Museum catalog, "Cookies & Breads: The Baker's Art," a yet functional furniture.
Recommended publications
  • Workshops Open Studio Residency Summer Conference
    SUMMER 2020 HAYSTACK MOUNTAIN SCHOOL OF CRAFTS Workshops Open Studio Residency Summer Conference Schedule at a Glance 4 SUMMER 2020 Life at Haystack 6 Open Studio Residency 8 Session One 10 Welcome Session Two This year will mark the 70th anniversary of the 14 Haystack Mountain School of Crafts. The decision to start a school is a radical idea in and Session Three 18 of itself, and is also an act of profound generosity, which hinges on the belief that there exists something Session Four 22 so important it needs to be shared with others. When Haystack was founded in 1950, it was truly an experiment in education and community, with no News & Updates 26 permanent faculty or full-time students, a school that awarded no certificates or degrees. And while the school has grown in ways that could never have been Session Five 28 imagined, the core of our work and the ideas we adhere to have stayed very much the same. Session Six 32 You will notice that our long-running summer conference will take a pause this season, but please know that it will return again in 2021. In lieu of a Summer Workshop 36 public conference, this time will be used to hold Information a symposium for the Haystack board and staff, focusing on equity and racial justice. We believe this is vital Summer Workshop work for us to be involved with and hope it can help 39 make us a more inclusive organization while Application broadening access to the field. As we have looked back to the founding years of the Fellowships 41 school, together we are writing the next chapter in & Scholarships Haystack’s history.
    [Show full text]
  • The Factory of Visual
    ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
    [Show full text]
  • Movers & Shakers in American Ceramics
    A Ceramics Monthly Handbook Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Published by The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, Ohio 43082 USA The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, OH 43082 © 2003, 2011 by The American Ceramic Society, All rights reserved. ISBN: 1-57498-165-X (Paperback) ISBN: 978-1-57498-560-3 (PDF) No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher, except by a reviewer, who may quote brief passages in review. Authorization to photocopy for internal or personal use beyond the limits of Sections 107 and 108 of the U.S. Copyright Law is granted by The American Ceramic Society, provided that the appropriate fee is paid directly to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923 U.S.A., www.copyright.com. Prior to photocopying items for educational classroom use, please contact Copyright Clearance Center, Inc. This consent does not extend to copyright items for general distribution or for advertising or promotional purposes or to republishing items in whole or in part in any work in any format. Requests for special photocopying permission and reprint requests should be directed to Director, Publications, The American Ceramic Society, 600 N.
    [Show full text]
  • Annual Report 2013-2014
    The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I.
    [Show full text]
  • Peter Giopulos Files on Campus
    Peter Giopulos Collection Artist Files Box A-B Folder # 1 – Art on Campus intro Folder # 2 – Art Walk Map Folder # 3 – Web Art Bill Stewart Folder # 4 – Art on Campus (A) Ansel Adams Samuel Marcus Adler George Gustave Adomeit Ahlgren, Roy B Charles Curtis Adams Frank Milton Armington Milton Clark Avery Folder # 5 – Josef Albers Folder # 6 – Mari Alexander Folder # 7 – Architecture on campus Folder # 8 – Harry Bertoia Folder # 9 – Art on campus (B) Otto Henry Bacher Federico Fiori Barocci Norman Arthur Bate Will Barnet Gustave Baumann Lester Beall Frank Weston Benson Thomas Hart Benton Alistair Bevington Sander Blondeel Milton Bond Walter H Cassebeer Borglum, Gutzon Philip Bornarth Charlotte Bowman Folder # 10 – Donald Bujnowski Doors Folder # 11 – Photo printed from collection Bujnowski 11 copies of 8x11 photographs of his work Box C-F Folder # 1 – Art on Campus C Robert Carter Walter H Cassebeer Wendell Castle John Channell Philip Cheney Ohi Chozaemon Carl Chiarenza John Scott Clubb Eugene C. Colby Robert Conge, Lila Copeland John Edwards Costigan James Crable Frank Craig Byron G Culver Folder # 2 – Augustus Wall Callcott Folder # 3 – Hans Christensen Folder # 4 – Art on campus [D-F] Henry Golden Dearth Henry De Maine Jose De Rivera David Dickinson Mitsui Eiichi Alejandro Fernandez Robert Fergerson Richard Aberle Florsheim Emil Fuchs Folder # 5 – Eisenhower dresses & Paintings in stage – Physical plant Folder # 6 – Harold (Hal) Foster Folder # 7 – Donald J Forsythe Box G-L Folder # 1 – Dan Kiley Folder # 2 – Art on Campus (G-H) Emil Ganso Moton Garchik Charles Dana Gibson Arthur Eric Rowton Gill Janet Goldner Nancy Gong Marion Greenwood Emile Albert Gruppe, Folder # 3 – Gordon Grant Folder # 4 – Gordon, Stanley Folder # 5 – Art on Campus (H) Silvanus G.
    [Show full text]
  • Lisa Gralnick
    Lisa Gralnick (608) 262-0189 (office) (608) 262-2049 (studio) E-mail: [email protected] Education 1980 Master of Fine Arts, State University of New York, New Paltz (Gold and Silversmithing) Major Professors: Kurt Matzdorf and Robert Ebendorf 1977 Bachelor of Fine Arts, Kent State University Major Professors: Mary Ann Scherr and James Someroski Teaching Appointments 2007- present Professor of Art, University of Wisconsin-Madison 2004-2007 Associate Professor of Art, University of Wisconsin-Madison 2001-2004 Assistant Professor of Art, University of Wisconsin-Madison 1991-01 Full-Time Faculty, Parsons School of Design, New York, NY (Chair of Metals /Jewelry Design Program) 1982-83 Visiting Assistant Professor, Head of Jewelry Dept., Nova Scotia College of Art and Design, Halifax 1980-81 Visiting Assistant Professor, Kent State University, Kent, Ohio Grants, Awards, Fellowships, and Honors 2012 Faculty Development Grant, University of Wisconsin-Madison 2012 Kellett Mid-Career Award, University of Wisconsin-Madison 2010 Wisconsin Arts Board Individual Artist Fellowship 2010 Graduate School Faculty Research Grant, University of Wisconsin- Madison 2009 Rotasa Foundation Grant to fund exhibition catalog at Bellevue Arts Museum 2009 Graduate School Faculty Research Grant, University of Wisconsin- Madison 2008 Smithsonian Archives of American Art, Oral Interview (available online) 2008 Graduate School Faculty Research Grant, University of Wisconsin- Madison 2007 Graduate School Faculty Research Grant, University of Wisconsin- Madison
    [Show full text]
  • Oral History Interview with Michael and Magdalena Suarez Frimkess, 2001 March 8- April 17
    Oral history interview with Michael and Magdalena Suarez Frimkess, 2001 March 8- April 17 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Michael Frimkess on March 8, March 22, and April 17, 2001, and his wife, Magdalena Suarez Frimkess, on March 22, 2001. The interview took place in Venice, California and was conducted by Paul J. Karlstrom for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Michael Frimkess and Paul Karlstrom have reviewed the transcript and have made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written prose. Interview DR. KARLSTROM: This is Paul Karlstrom conducting an interview with Michael Frimkess at his home in Venice, California, with studio adjoining. The date for the interview is March 8, 2001. Well, Michael, this part of our interview will consist pretty much of biographical questions about your life, trying to lay in a picture of just who you are and where you came from. MR. FRIMKESS: I grew up in East L.A., was born in Cedars of Lebanon Hospital.
    [Show full text]
  • Antonio Prieto; » Julio Aè Pared 30 a Craftsman5 Ipko^Otonmh^
    Until you see and feel Troy Weaving Yarns . you'll find it hard to believe you can buy such quality, beauty and variety at such low prices. So please send for your sample collection today. and Textile Company $ 1.00 brings you a generous selection of the latest and loveliest Troy quality controlled yarns. You'll find new 603 Mineral Spring Avenue, Pawtucket, R. I. 02860 pleasure and achieve more beautiful results when you weave with Troy yarns. »««Él Mm m^mmrn IS Dialogue .n a « 23 Antonio Prieto; » Julio Aè Pared 30 A Craftsman5 ipKO^OtONMH^ IS«« MI 5-up^jf à^stoneware "iactogram" vv.i is a pòìnt of discussion in Fred-Schwartz's &. Countercues A SHOPPING CENTER FOR JEWELRY CRAFTSMEN at your fingertips! complete catalog of... TOOLS AND SUPPLIES We've spent one year working, compiling and publishing our new 244-page Catalog 1065 ... now it is available. In the fall of 1965, the Poor People's Corporation, a project of the We're mighty proud of this new one... because we've incor- SNCC (Student Nonviolent Coordinating Committee), sought skilled porated brand new never-before sections on casting equipment, volunteer craftsmen for training programs in the South. At that electroplating equipment and precious metals... time, the idea behind the program was to train local people so that they could organize cooperative workshops or industries that We spent literally months redesigning the metals section . would help give them economic self-sufficiency. giving it clarity ... yet making it concise and with lots of Today, PPC provides financial and technical assistance to fifteen information..
    [Show full text]
  • Nande 1974 Dec9 Complete.Pdf (5.406Mb)
    \ 1 <;.--\· 11 ·h.(,u 'l=>v� ' ( ..-�T, a Rochester Institute of Technology -!.Y,, ' '.IJ(:I.-·, Published by l[Cffl Communications Services December 9-15, 1974 Police Veteran:" Just Realizing Need For Professionals" For 26 years, she worked the sure children weren't victims of department's Youth Aid Bureau, Incarceration. streets, the bars, and the violent crimes. which she commanded until she When she left the force, she hangouts in the city of The lady was a cop. retired in 1974. had just been promoted to Schenectady. Patricia M. Carter was She retired to join the faculty captain. For 26 years she helped Schenectady's first female pol ice of RIT's School of Criminal "But being an administrator I neglected children, found and officer in 1948. She worked as a Justice, where she is now an found I was supervising other counseled delinquent children, police youth officer, eventually instructor teaching Criminology people's work," she recalled. "I and worked with others to make founding, in 1966, the and the Alternatives to wasn't in contact with the people anymore." She determined she could "be contributing more" by teaching. She is soft-spoken, and almost petite. She is her own best example of what she calls the "change in caliber" of the police and others in the criminal justice system. The criminal justice system - from the police on the street to the courts and the penal institution--is undergoing a substantial change, she believes. "It's really a new field ... we're just beginning to realize the need for trained professionals in pol ice positions .
    [Show full text]
  • Over-The-Summer Issue JUNE, 1963 50C It's in the National
    Over-the-Summer Issue JUNE, 1963 50c It's in the national g spotlight! The New CM Handbook on Ceramic Pro _< 64 Pages of Instruction * Over 200 Illustrations * 3-Color Cover * 81kxll Format From the wealth of material presented in CERAMICS Here's A Partial List of the Projects Included MONTHLY during the past decade, the editors have se- CLAY TOYS THAT MOVE ...... by Earl Hassenpflug lected an outstanding collection of articles by recognized COIL BUILDING VASE .......... by Richard Peeler authorities in the ceramic world. Each of these articles CLAY WHISTLES .................. by Helen Young has been carefully edited for presentation in book form HAND-FORMING USING A PADDLE ___ by Don Wood and is complete with large, clear photographs and step- LEAF-PRESSED POTTERY ........ by-step text. by Edris Eckhardt BUILT-IN SLAB HANDLES ........ by Irene Priced at only two dollars per copy, this stimulating Kettner compilation will find wide circulation among hobbyists, CERAMIC SCREENS ............ by F. Carlton Ball craft groups and schools. BOTTLE INTO A TEAPOT ....... by Tom Spencer AN INDOOR FOUNTAIN ............ by John Kenny z ~ HANGING PLANTERS .............. by Alice Lasher SAND BAG MOLDS .............. by Louise Griffiths CERAMICS MONTHLY BOOK DEPT. -mEt USE A STONE FOUNDATION .... by Lucia B. Comins 4175 N. HIGH ST., COLUMBUS, OHIO SEVEN DECORATING TECHNIQUES ___by Karl Martz DECORATION ON GLYCERIN ....... by Marc Bellaire Please send me ...... copies of the CERAMIC PROJECTS BALLOONS AS MOLDS --- by Reinhold P. Marxhausen Handbook @ $2 per copy. (CM pays postage.) CARVED GREENWARE MASKS .... by Phyllis Cusick ROLLING PIN "- ~ME SCULPTURE .......... by John Kenny KACHINA DOLL JEW-ELRY ......... by Peg Townsend ADDR~q~ CHILDREN OBSERVED .............
    [Show full text]
  • Constant Scholar Strength and Consistency of Hand: Skills Leeds
    spent a lifetime developing since, at age 17, he was accepted as the single disciple of Michael Frimkess, one of the seminal masters of the California clay movement. After Frimkess, Leeds found other teachers and evolved the distinctive body of work that, for 25 years, was exhibited and sold internationally by the gallery of Gumps, San Francisco. Recently, prompted by the sudden death of a close friend, Leeds has created a new body of work that integrates while it departs from all that he has learned before. In this uncharted region, for the first time, he has not sought a master. Born in New York to a father whose artistic ambitions were thwarted by World War II and the inconvenience of a family, Leeds grew up within constant conflict. “I was just checked out. I watched and waited until I could get away.” The family moved to Los Angeles in 1960 and Leeds ran away for the first time (at age 15) to Haight Ashbury where he found work in the shipyards and a home with a self-realisation community, “I was kind of a hippie but with a work ethic.” At age 17 he left for good. “I decided I would be a jeweller, so I went to get tools at a craft shop in downtown Los Angeles.” Above: Spring Landscape. 1983. High-fire ceramics. Clay in Particular was actually a studio that offered 45 x 28 in. ceramic classes and sold pots. Artists worked there Below: Solarsaurus. 2009. High-fire ceramics. 42 x 48 in. Article by Maureen Davidson The Many Lives of Mattie Leeds e did not learn in school, never did homework, was relegated to the back of the classroom among the hopeless cases Hand then advanced to the next grade.
    [Show full text]
  • WG001.Ead.Pdf
    http://oac.cdlib.org/findaid/ark:/13030/kt7p3033wt No online items Collection Processed and Finding Aid Written by: History Associates, Inc. Rockville, MD and Russell Michalak Ruth Chandler Williamson Gallery Scripps College 1030 Columbia Avenue Claremont, California, 91711 Phone: (909) 607-3397 Fax: (909) 607-4691 Email: [email protected] URL: http://scrippscollege.edu/dept/gallery/index.html August, 2005 WG001.ead 1 Descriptive Summary Title: The Guide to the Ruth Chandler Williamson Gallery Collection Date Range: 1870 - 2005, Date (bulk): 1950 - 2005 bulk Identification: WG001.ead Repository: Scripps College 1030 Columbia Avenue Claremont, CA 91711 Scripps College Abstract: The Ruth Chandler Williamson Gallery was built in 1993 on the campus of Scripps College and shows the artwork of professional artists as well as works by the college's teachers and students. The Williamson Gallery is most known for hosting the “Scripps College Annual Ceramic Exhibition,” which has the distinction of being the longest running ceramics show in the United States. The archival collection covers years 1870-2005, with the bulk of the material ranging from 1950-2005. Physical Description: 40.25 cubic feet Language of Material: English Baxter Hall, Scripps College Access This collection is open for research with permission from the Ruth Chandler Williamson Gallery staff. Donor records are restricted to staff use only. Accruals Additional material may be added to this collection as donations are received. Publication Rights Property rights reside with Scripps College, Claremont, California. Preferred Citation [Identification of item]. Chandler Williamson Gallery Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, California. Administrative History Scripps College has had numerous locations for art exhibitions since its founding in 1926.
    [Show full text]