Thomas Hardwick Jnr. (1752-1827)

Total Page：16

File Type：pdf, Size：1020Kb

THOMAS HARDWICK JNR. (1752-1827) The name of Hardwick in the field of architecture was the most prominent name during the 19th century. From the late 18th century until 1892 the Hardwick Dynasty contributed some of the finest buildings in London and helped restore a great many too. Born in Brentford, greater London, to a prosperous master mason Thomas Hardwick Snr. (1725 -1798) who worked with the Adam brothers during the building of Syon House. Hardwick Jnr. underwent his training during the construction of the Somerset House and was tutored by William Chambers. He became a member of the Royal Academy and won the prestigious gold medal in architecture. Then came his travel to Europe with his close friend/rival Sir John Soane; together they visited Italy and France. Thomas became a notable church architect and the church of St Mary’s is his finest piece of work in London. The building is a prime example of Regency architecture. His other work included the restoration of St James, Piccadilly, St. Paul’s, Convent Garden and St Bartholomew-the-less, in Smithfield. He was also appointed Clerk of Works by King George III at both Hampton Court and Kew Palace. In his later years he became a tutor to none other than JMW Tuner whom he persuaded to concentrate more on painting rather than architecture! He had two sons, John Hardwick, whom became a famous magistrate in London, and also Philip (1792-1870) who would become the second architect in the Hardwick line and who took over his father’s office in 1825. Philip would later become the father to Philip Charles Hardwick (1822-1892) the third and last architect of that find family. It is also worth noting that Philip Hardwick married into the equally famous father and son architectural family, the Shaw’s; John Shaw Snr (1776-1832) and his son John Shaw Jnr (1803-1870). The two families are buried together in Kensal Green. .

Copy Link

Recommended publications

The Construction of Northumberland House and the Patronage of Its Original Builder, Lord Henry Howard, 1603–14
The Antiquaries Journal, 90, 2010,pp1 of 60 r The Society of Antiquaries of London, 2010 doi:10.1017⁄s0003581510000016 THE CONSTRUCTION OF NORTHUMBERLAND HOUSE AND THE PATRONAGE OF ITS ORIGINAL BUILDER, LORD HENRY HOWARD, 1603–14 Manolo Guerci Manolo Guerci, Kent School of Architecture, University of Kent, Marlowe Building, Canterbury CT27NR, UK. E-mail: [email protected] This paper affords a complete analysis of the construction of the original Northampton (later Northumberland) House in the Strand (demolished in 1874), which has never been fully investigated. It begins with an examination of the little-known architectural patronage of its builder, Lord Henry Howard, 1st Earl of Northampton from 1603, one of the most interesting figures of the early Stuart era. With reference to the building of the contemporary Salisbury House by Sir Robert Cecil, 1st Earl of Salisbury, the only other Strand palace to be built in the early seventeenth century, textual and visual evidence are closely investigated. A rediscovered eleva- tional drawing of the original front of Northampton House is also discussed. By associating it with other sources, such as the first inventory of the house (transcribed in the Appendix), the inside and outside of Northampton House as Henry Howard left it in 1614 are re-configured for the first time. Northumberland House was the greatest representative of the old aristocratic mansions on the Strand – the almost uninterrupted series of waterfront palaces and large gardens that stretched from Westminster to the City of London, the political and economic centres of the country, respectively. Northumberland House was also the only one to have survived into the age of photography.
[Show full text]
+44 (0)1844 277188 +44 (0) 20 7394 2100 +44 (0)20 7394 8061 [email protected] [email protected] [email protected]
ROPEWALK THREE PIGEONS BRUNSWICK HOUSE Arch 52, London Road, 30 Wandsworth Road, Maltby Street, Milton Common, Vauxhall, Bermondsey, Oxfordshire OX9 2JN London SW8 2LG London SE1 3PA www.lassco.co.uk +44 (0)1844 277188 +44 (0) 20 7394 2100 +44 (0)20 7394 8061 [email protected] [email protected] [email protected] SIR WILLIAM CHAMBERS' DOORCASE An important carved Portland Stone doorcase c.1769, by Chambers (1723-1796) for his own house in Berners Street Westminster the triangular pediment with dentil mouldings above the rusticated cushion moulded frieze centred by a keystone in Coade Stone modelled in relief with a female mask, the jambs constructed with alternating rusticated quoins, DIMENSIONS: 432cm (170") High, 244cm (96") Wide, 198 (78.5) wide at jambs, Aperture = 315 x 152cm (124 x 59.75 STOCK CODE: 43528 HISTORY Sir William Chambers (1723-96) is one of the most revered of Georgian neo-classical architects. In his early career he was appointed architectural tutor to the Prince of Wales, later George III. In 1766, he became Architect to the King, (this being an unofficial title, rather than an actual salaried post with the Office of Works). He worked for Augusta, Dowager Princess of Wales building exotic garden buildings at Kew (the pagoda is his), and in 1757 he published a book of Chinese designs which had a significant influence on contemporary taste. He developed his Chinese interests further with his Dissertation on Oriental Gardening (1772), a fanciful elaboration of contemporary English ideas about the naturalistic style of gardening in China.
[Show full text]
Piranesi and His Studio at the Staatliche Kunsthalle Karlsruhe
Unexpected fame: Conservation approaches to the preparatory object. Proceedings from the International Conference of the Icon Book & Paper Group, Oxford 1–2 October 2018 https://icon.org.uk/unexpected-fame-conservation-approaches-to-the-preparatory-object Spotlight on newly identified drawings in albums: Piranesi and his studio at the Staatliche Kunsthalle Karlsruhe Irene Brucklë and Maria Kramer̈ Copyright information: This article is published by Icon on an Open Access basis, after a 3 month embargo period, under a Hybrid Creative Commons Attribution-NonCommercial- NoDerivatives License (CC BY-NC-ND) https://creativecommons.org/licenses/by-nc- nd/4.0/. After the embargo is over, you are free to copy and redistribute this material in any medium or format under the following terms: You must give appropriate credit and provide a link to the license (you may do so in any reasonable manner, but not in any way which suggests that Icon endorses you or your use); you may not use the material for commercial purposes; and if you remix, transform, or build upon the material you may not distribute the modified material without prior consent of the copyright holder. You must not detach this page. To cite this article: Irene Brucklë and Maria Kramer̈ , ‘Spotlight on newly identified drawings in albums: Piranesi and his studio at the Staatliche Kunsthalle Karlsruhe’ in Unexpected fame: Conservation approaches to the preparatory object. Proceedings from the International Conference of the Icon Book & Paper Group, Oxford 1–2 October 2018 (London, The Institute of Conservation: 2020). https://icon.org.uk/unexpected-fame-conservation-approaches-to-the-preparatory-object (accessed date).
[Show full text]
The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): an Exploration Into the Masonic and Occult Imagination of the Late Enlightenment
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2003 The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Terrance Gerard Galvin University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, European History Commons, Social and Behavioral Sciences Commons, and the Theory and Criticism Commons Recommended Citation Galvin, Terrance Gerard, "The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment" (2003). Publicly Accessible Penn Dissertations. 996. https://repository.upenn.edu/edissertations/996 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/996 For more information, please contact [email protected]. The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Abstract In examining select works of English architects Joseph Michael Gandy and Sir John Soane, this dissertation is intended to bring to light several important parallels between architectural theory and freemasonry during the late Enlightenment. Both architects developed architectural theories regarding the universal origins of architecture in an attempt to establish order as well as transcend the emerging historicism of the early nineteenth century. There are strong parallels between Soane's use of architectural narrative and his discussion of architectural 'model' in relation to Gandy's understanding of 'trans-historical' architecture. The primary textual sources discussed in this thesis include Soane's Lectures on Architecture, delivered at the Royal Academy from 1809 to 1836, and Gandy's unpublished treatise entitled the Art, Philosophy, and Science of Architecture, circa 1826.
[Show full text]
Births, Marriages, and Deaths
thérite" was then opened by Mr. HAINWORTH, who stated that namely, with 1318. Hence, the deaths of last week were less- he had seen no cases of the genuine disease, although he had by about 100 than the number which would have occurred if a seen sore-throats of all kinds in abundance. He was anxious mortality equal to the average rate had prevailed. At the to obtain information as to the physical characters of the dis- present time the population appears to enjoy a fair amount of ease, as to its course, and as to its contagiousness. health, if this is measured by the experience of London itself Mr. PART gave the result of his experience. His first two in former seasons; sanitary defects become apparent on com- Jases -were fatal. Lately he had seen four or five others which paring its mortality -with that of places in more favourable had recovered. His cases had generally been ushered in by conditions. Whilst the deaths were low, the births were high, vomiting, although the worst case was not attended by that and the result is an excess in the latter, as compared with the symptom. Lately he had given carbonate of ammonia, with former, equal to 726. The mortality from small-pox again nutritious diet; and had used as an application nitric acid at shows an increase, the deaths in the last four weeks having drst. followed by gargles of chloride of soda. been successively 29, 13, 11, and 22. The disease seems to Mr. ADAMS thought that many cases of sore-throat, not true prevail in parts of the St.
[Show full text]
Steep Buildings and Monuments
Steep Buildings and Monuments Contents Introduction 1 Preface 3 Steep Parish Map 4 Ridge Common Lane 5 Lythe Lane 7 Dunhill and Dunhurst 7 Stoner Hill 9 Church Road 12 Mill Lane 25 Ashford Lane 28 Steep Hill and Harrow Lane 34 Steep Marsh, Bowers Common and London Road, Sheet 39 Bedales 42 The Hangers 47 Architects A - Z 48 The following reports also form part of the work of the Steep Parish Plan Steering Group and are available in separate documents, either accessible through the Steep Parish Plan website www.steepparishplan.org.uk or from the Steep Parish Clerk Steep Parish Plan 2012 Steep Settlements Character Assessment Steep Local Landscape Character Assessment October 2012 2 Introduction Steep is at the western edge of the Weald, within the Bedales grounds, the Memorial at the foot of the Hangers, with the Downs Library and Lupton Hall are outstanding and to the south. The earliest buildings were are Grade I listed. The influence of the Arts amongst a sporadic pattern of farmsteads and Crafts Movement can also be seen at at the foot of the Hangers’ scarp, which Ashford Chace, the War Memorial and Whiteman in the ‘Origins of Steep’ suggests Village Hall. were settled in early Saxon times. The The other influence that Bedales had on Hampshire Archaeology and Historic Build- Steep was through the parents of its pupils, ings Record confirms these suggestions. All who decided to live locally while their chil- Saints Church dates from 1125 and dren were educated at the School, Edward ‘Restalls’, a timber framed house on its east Thomas and his family being the prime ex- side is thought to be the oldest dwelling in ample.
[Show full text]
Selby Whittingham, 'J.M.W. Turner's Almshouse and Gallery At
Selby Whittingham, ‘J.M.W. Turner’s Almshouse and Gallery at Twickenham’, The Georgian Group Journal, Vol. XX, 2012, pp. 171–178 TEXT © THE AUTHORS 2012 J.M.W. TURNER’S ALMSHOUSE AND GALLERY AT TWICKENHAM SELBY WHITTINGHAM rom the fog of false ideas about J.M.W. Turner’s in all to perches ( / of an acre), though Turner Fbequests has gradually emerged a clearer contemplated building only on the three freehold appreciation of the facts, and not least about his strips and not on the fourth copyhold one. proposed almshouse and gallery at Twickenham, Drawings R and S are clearly for the proposed though uncertainties remain. A newspaper report almshouse and are presumably by Turner, who is after his death in stated: ‘The testamentary known to have considered architecture as a papers are interspersed with drawings and elevations profession and to have been the architect of his own of buildings.’ A.J. Finberg in referred to the villa at Twickenham and his house in Queen Anne drafts for those papers, and, though scholars knew Street, and maybe a lodge at Farnley Hall, Yorkshire. about that, no one looked for them until I did, They conﬁrm the supposition by Dr John Gage that ﬁnding the drawings still with the fascinating drafts ‘the style of building he now considered was not the in a dusty bundle. neo-classical style he had occasionally practised There are four sheets of paper each with drawings himself, but English Tudor.’ Gage’s argument was on both sides: that such a style was considered English, and Turner R.
[Show full text]
Stm325 Final
THE ST MARYLEBONE SOCIETY NEWSLETTER Spring 2018 Number 352 www.stmarylebonesociety.org Registered Charity 274082 SCHOOL’S OUT! Christ Church in 1949 with the Schoolmaster’s House in the background. Christ Church and the Schoolmaster’s House today. The Church St ‘Futures’ masterplan The old schoolmaster’s house stands in schoolmaster’s house is the last threatens the future of the old the way of over-development by a remaining fragment of this history and its schoolmaster’s house at 29 Cosway scheme that is simply not good enough retention should be the starting point for Street and it is hard to believe that a for this important location opposite the new design rather than something complete Victorian building in a Christ Church Cosway Street, Grade 2* that is cleared away because it doesn’t fit Conservation Area is even considered landmark building by Thomas Hardwick the desired massing and density. for demolition. (who also designed St Marylebone We have reported the Society’s strong Parish Church). The old schoolmaster’s The Society has been involved with objections to the demolition of the old house clearly contributes to the setting evolving planning briefs for this site schoolmaster’s house and feel that in this of the church, a fact confirmed in the since 2011, although to date none have high value exceptional location the heritage statement accompanying the been formally adopted. The retention quality of the proposed scheme is not of the old schoolmaster’s house in any application, which concludes that good enough. Demolition on this scale development on the site was originally ‘moderate harm’ is caused by the would not be allowed in the agreed, and as an unlisted heritage proposed demolition of the neighbouring Conservation Areas of asset its contribution to the character schoolmaster’s house.
[Show full text]
Brochure-The-Brentford.Pdf
4 5 A ringing song of a town, its toes lapped by the Thames 6 7 8 9 Table of Contents Table of Contents Part 1 12 — 41 Part 5 105 — 127 The Town St Lawrence’s Gardens Part 2 42 — 59 Part 6 128 — 153 The High Street The Apartments Part 3 60 — 83 Part 7 154 — 165 The Lanes West London Part 4 84 — 104 Part 8 166 — 157 The Waterside Ballymore 10 11 THE TOWN THE BRENTFORD PROJECT Part 1 The Tow n 12 13 THE TOWN THE BRENTFORD PROJECT The Undiscovered Waterside in the We s t On the doorstep of West London’s new powerhouse of creative, commercial and academic development is a remarkable riverside location at the meeting point of the River Thames and River Brent. The Brentford Project is away from the rush, yet directly connected to the city and the wider world. Within view of the River Thames and on London’s doorstep, The Brentford Project is a place to make a home with a mix of urban life and rural escape that is all but impossible to find in a position that offers so much connectivity to the city. To the north are the West London offices of some of the world’s most successful established brands, as well as a thriving new generation of emerging enterprises. To the south and west are wide open, wild spaces rich in natural life. The re-discovery of this hidden gem sees the Yards and Lanes of this proud west London town re-established, and the water’s edge brought back to ABOVE Swathed in green, one of a row of 18th century residences in The Butts.
[Show full text]
{PDF} Turner Ebook Free Download
TURNER PDF, EPUB, EBOOK William Gaunt,Robin Hamlyn | 128 pages | 12 Aug 1998 | Phaidon Press Ltd | 9780714827599 | English | London, United Kingdom Turner | Definition of Turner by Merriam-Webster Turner — , English painter Jamie Turner born , American automobile dealer Jane Turner born , Australian actor and comedian Janine Turner born , American actor Jay Turner — , American football running back Jean Turner born , member of the Scottish Parliament Jermaine Turner born , American professional basketball player Jessie Franklin Turner — , American fashion designer. Turner born , American magician, mentalist and speaker Jonathan Baldwin Turner — , abolitionist and educational leader Jonathan D. Turner end , American football player T. Retrieved 28 August A Dictionary of English Surnames Third ed. Retrieved 9 December American Surnames. Genealogical Publishing Com. Dictionary of American Family Names. Oxford University Press. Time Traveler for turner The first known use of turner was in the 13th century See more words from the same century. Statistics for turner Look-up Popularity. More from Merriam-Webster on turner Thesaurus: All synonyms and antonyms for turner. Comments on turner What made you want to look up turner? Get Word of the Day daily email! Test Your Vocabulary. Love words? Need even more definitions? The awkward case of 'his or her'. Take the quiz Forms of Government Quiz Name that government! Take the quiz Spell It Can you spell these 10 commonly misspelled words? Take the quiz Citation Do you know the person or title these quotes desc Play the game. High levels of volcanic ash from the eruption of Mt. Tambora in the atmosphere during , the " Year Without a Summer ", led to unusually spectacular sunsets during this period, and were an inspiration for some of Turner's work.
[Show full text]
ASCHB Season 2018-2019 25Th September 2018
ASCHB Season 2018-2019 25th September 2018 Talk: Royal Academy Works Lyall Thow, Julian Harrap Architects LLP This year marks the 250th anniversary of the foundation of The Royal Academy of Arts and on the 19th of May 2018, the RA proudly opened the doors of 6 Burlington Gardens to invite in the public after an ambitious project that had been in the making for ten years. This re- awakening of an old unloved Victorian building and its interconnection with the RA’s old home at Burlington House has significantly improved a number of the principal historic spaces while introducing new contemporary interventions informed by the original architecture. Lyall Thow is a partner of Julian Harrap Architects LLP with 17 years experience in architectural conservation. He studied architecture at Robert Gordon University in Aberdeen. At Julian Harrap Architects, Lyall has been closely involved in a number of private residences and some key important buildings including the recent restoration of Sir John Soane’s Museum, The Museum De Lakenhal in Leiden, The Netherlands and most recently the Museum of London’s relocation to Smithfield Market. For more details, download the flyer here 16th October 2018 Forum: Technical Debate - Insulation in Historic Buildings Led by Dr Robyn Pender, Historic England Speakers: Soki Rhee-Duverne of Historic England, Douglas Kent of the SPAB, joined on the Plenary Panel by Jonny Garlick, Harry Paticus and Iain McCaig Latest in thinking, negative outcomes, and HE research. 20th November 2018 Talk: Alexandra Palace: West Yard Project Dante Vanoli, Purcell Alexandra Palace commissioned the West Yard scheme as part of their programme to restore derelict and underused spaces and to re-invigorate a dilapidated site through conservation improvement.
[Show full text]
Cavendish Square
DRAFT CHAPTER 7 Cavendish Square Peering over the railings and through the black trees into the garden of the Square, you see a few miserable governesses with wan-faced pupils wandering round and round it, and round the dreary grass-plot in the centre of which rises the statue of Lord Gaunt, who fought at Minden, in a three- tailed wig, and otherwise habited like a Roman Emperor. Gaunt House occupies nearly a side of the Square. The remaining three sides are composed of mansions that have passed away into dowagerism; – tall, dark houses, with window-frames of stone, or picked out of a lighter red. Little light seems to be behind those lean, comfortless casements now: and hospitality to have passed away from those doors as much as the laced lacqueys and link-boys of old times, who used to put out their torches in the blank iron extinguishers that still flank the lamps over the steps. Brass plates have penetrated into the square – Doctors, the Diddlesex Bank Western Branch – the English and European Reunion, &c. – it has a dreary look. Thackeray made little attempt to disguise Cavendish Square in Vanity Fair (1847–8). Dreariness could not be further from what had been intended by those who, more than a century earlier, had conceived the square as an enclave of private palaces and patrician grandeur. Nor, another century and more after Thackeray, is it likely to come to mind in what, braced between department stores and doctors’ consulting rooms, has become an oasis of smart offices, sleek subterranean parking and occasional lunch-hour sunbathing.
[Show full text]