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Cat Talogu E 55 Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books Catalogue 55 Summer Miscellanea Item 264: Nicolo Cantabella For other images from this list please see our web site www.grosvenorprints.com Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. James Paine Archi.t [bookplate] One A dentist and patient. A sharrp toothed crocodile is Science only will one Genius fit, / So vast is Art, suspended above. so narrow human Wit. / Pope. Gerrit Dou was the founder of the so called 'fijnschi' S. Wale delin / C. Grignion Sculp. [c.1750] (fine painters) of his native Leiden. Etching, platemark 110 x 85mm (4¼ x 3¼"). Glued to Stock: 38055 backing sheet at corners. £220 Bookplate of James Paine (bap. 1717?-d.1789), architect. A winged figure holding a measuring square (representing an aspiring architect) is directed by Minerva (with helmet, spear and shield) to attend to a bust of the great architect and theatre designer Inigo Jones (1573-1652). Jones was a major influence on Paine, particularly via William Kent's 1727 volume 'Design of Inigo Jones'. Couplet from Alexander Pope's 1711 poem 'An Essay on Criticism' below. For a portrait of Paine with his son see ref. 13428. Stock: 37622 2. The Country Maid and her Milk Pail. The Moral / When we dwell much on distant and chemerrical advantages; we neglect our present business and are exposed to real misfortunes. [Anon., c.1810] Engraving with letterpress, sheet 200 x 130mm (8 x 5"). £65 Moral tale of a milkmaid who, in thinking too much about the future wealth she stands to accrue from the sale of her milk rather than her present task, absent- mindedly spills the pail of milk. 6. [Schoolboys on Holiday.] Stock: 37944 Vakanzfreuden Junger Studenten. Ecoliers en Vacances. 3. There's a Divinity that shapes our ends / Gemalt von Hanno Rhomberrg. Nach d. Originale aus Rough hew them how we will. Shakespr. Stein gez v. C. Straube. Verllaag der K.B. priv. E. Edwards delin. / J. Hall sculpt. [n.d., c.1790] Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., Engraving with hand-colouring and gold leaf, sheet c.1860.] 190 x 165mm (7½ x 6½"). Trimmed inside platemark, Lithograph. Publisher's blind stamp in centre of title £130 area. Printed area 620 x 445mm (24½ x 17½"). Slight A man sits reading amongst a ruined abbey(?) with a foxing. £240 skull beside him. Adjacent, two reapers set out to Two schoolboys in a shop, trrying their first cigars. gather crops at harvest. Lines from Shakespeare's The original painting was in the collection of Ludvig I 'Hamlet' remind us of the impossibility of defying fate. of Bavaria. On a rectangular object by the man's feet, text reads 'sso Stock: 38086 it must be'. Stock: 37644 7. [St. Charles Borremmeo Healing the Sick.] Der heilige Carolus Borromeus. / St. Charles - 4. [Pair of studies of a nude woman.] II. [&] Borromée. III. Gemalt von Benedetto Luti. Nach d. Originale auf [n.d., c.1650.] Stein gez v. J. Woelfje. Verlag der K.B. priv. Pair of engravings. Each 300 x 185mm (12 x 7¼"). Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., Very large margins. Inks spots on 'II'. £140 c.1860.] The front and back of a woman, nude other than a Lithograph. Publishers blindd stamp in centre of title modesty cloth. area, 'Piloty & Loehle Munchen'. Printed area: 440 x Stock: 37720 590mm (17¼ x 23¼"). Slight foxing; small tear in lower edge of sheet. Large margins. £260 5. Der Zahnarzt von Gerard Dou. Das Medical scene showing St. Charles Borromeo, Original ist in derselben Grosse. Archibishop of Milan healing the sick, seated on the Dou. 1672. [Within plate.] N. d. Original auf Stein. floor to right, with a choir boy holding a candle in the gez. v. Fr. Pecht, Dresd. 1836. Konigl Gamalde. foreground to the left. Galerie in Dresden. Herausgegeben v. Franz After Peter Paul Rubens (1577 - 1640). From the Hanfstaengl. 1836. Munich Gallery collection. Lithograph. Printed area: 310 x 255mm (12¼ x 10"). Stock: 38054 Very large margins. £320 8. The Madonna. Munich. The painting was one of Rubens' last centred G. B. Cipriana. Inv.t. London: Printed in Colours & on the theme of hunting. Published by A. Friedel, 15, Southampton St. Strand.. Stock: 37788 [n.d., c.1830.] Very fine colour printed lithograph. Sheet size: 495 x 345mm (19½ x 13½"). Uncut with very large marginns. £140 The Virgin Mary holding the infant Jesus, his arms stretched out to front, looking up to the sky. After Giovanni Baattista Cipriani (1727 - 1785). Stock: 38076 9. [The Fruit Garland.] Der Fruchtenkranz. / La Guirlande de Fruits. Gemalt von P.P. Rubens. Nach d. Originale auf Stein gez v. Ferd Piloty. Verlag der K.B. priv. Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., c.1860.] Lithograph. Publishers blind stamp in centre of title area, 'Piloty & Loehle Munchen'. Printed area: 570 x 12. [Sleeping Nymphs of Diana.] Dianes 520mm (22¼ x 20½"). Spotting in very large marginss. Schlafende Nymphen von Waldgoettern £260 Belauscht. Nymphes Dorma Putti carrying an elaborate fruit garland, within a rocky Gemalt von P.P. Rubens u. Breughel. Nach d. landscape. Originale auf Stein gez v. Carl Straub. Verlag der K.B. After Peter Paul Rubens (1577 - 1640). From the prriv. Kunstanstaldt v. Piloty & Loehle in Munchen. Munich Gallery collection. [n.d., c.1860.] Stock: 38085 Lithograph. Publishers blindd stamp in centre of title area, 'Piloty & Loehle Munchen'. Printed area: 430 x 10. [Helena Formann & Her Son. Second 675mm (17 x 26½"). Tear in lower edge of sheet. Wife of Rubens.] Helena Formann mit ihrem Large margins. £220 Sohne. / Hélène Formann avec son fils. A scene depicting Diana's Nymphs sleeping under a Gemalt von Peter Paul Rubens. Nach d. Originale auf tree, being watched by two gremlins who are hiding to Stein gez v. Carl Feederle. Verlag der K.B. priv. the left. A numbber of dead game are seen on the ground Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., to the right. c.1860.] After Peter Paul Rubens (1577 - 1640). From the Lithograph. Publishers blind stamp in centre of title Munich Gallery collection. area, 'Piloty & Loehle Munchen'. Printed area: 480 x Stock: 38053 340mm (19 x 13¼"). Spotting in very large margins. £140 13. [The Rape of Phoebe and Elaira.] Der The second wife of Peter Paul Rubens, Helena Raub der Phoebe und Ellaira. / Le Ravissement Fourment (1614 - 1673) seated on a bench with her soon de Phoebé et Elaira. Frans on her lap, both whole-length and looking at the Gemalt von Peter Paul Rubens. Nach d. Originale auf viewer. She is wearing a low-cut dress with a lace Stein gez v. Franz Stadler. Verlag der K.B. priv. collar and plumed hat, the child naked with a plumed Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., beret. c.1860.] After Peter Paul Rubens (1577 - 1640). The original Lithograph. Publishers blindd stamp in centre of title painting is now held in the Alte Pinakothek in Municch. area, 'Piloty & Loehle Munchen'. Printed area: 510 x From the Munich Gallery collection. 410mm (20 x 16"). Spotting in very large margins. Stock: 38051 £260 A mythological scene depicttiing Phoebe and Hilaeria, 11. [The Lion Hunt.] Die Loewen Jagd. / Le the daughters of Leucippus being abducted by Castor Chasse Aux Lions. and Pollux. Gemalt v. P.P.Rubens. Nach d. Originale auf Stein gez After Peter Paul Rubens (1577 - 1640). The original v. F. Piloty u. J. Woelfyle. Gedr. in d. Kunstansalt v. paainting is now held in the Alte Pinakothek in Munich. Piloty u. Loehle. [n.d., c.1860.] Alte Pinakothek Lithograph. Publishers blind stamp in centre of title Stock: 38049 area, 'Piloty & Loehle Munchen'. Printed area: 440 x 655mm (17¼ x 25¾"). Tear to upper right corner. 14. [The Guard Dog.] Light spotting. Very large margins. £260 Gemalt v. Snyders u. Rubens. Nach d. Originale auf The Lion Hunt; a dramatic scene in which two lions are Stein gez v. J. Woelfjle. Verllag der K.B. priv. attacked by hunters on horseback and on foot. Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., After Peter Paul Rubens (1577 - 1640). The original c.1860.] painting of 1621 is now held in the Alte Pinakothek in Lithograph. Publishers blindd stamp in centre of title area, 'Piloty & Loehle Munchen'. Printed area: 570 x 520mm (22¼ x 20½"). Spotting in very large marginss. London; and the Booksellers in York. MDCCLXXXII £260 [1782]. A large clothed table covered in dead game, poultry, Folio, original printed wrappers; pp. 40 + xix fruit and vegetables, and a Lobster in the centre. A dog (appendix). Covers torn, tearr across title page. is sniffing a stag's head from below the table, with a cat Damaged. £240 to the left, and a servant picking up some grapes to the An ode to Yorkshire, with extensive historical and right. topographical notes. The Appendix includes After Peter Paul Rubens (1577 - 1640). The original 'Illustrations on the Characteer of Sir Isaac Newton'. painting is now held in the Alte Pinakothek in Municch. Stock: 37733 From the Munich Gallery collection. Stock: 38050 15. [The Reconciliation of Romans and Sabines.] Gemalt v. P.P.Rubens. Nach dem Originale auf Stein gez v. F. Piloty. Zu finden in der Kunstanstalt v. Piloty u. Loechle in Munchen.
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