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Catalogue 55 Summer Miscellanea

Item 264: Nicolo Cantabella

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Registered in No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. James Paine Archi.t [bookplate] One A dentist and patient. A sharrp toothed crocodile is Science only will one Genius fit, / So vast is Art, suspended above. so narrow human Wit. / Pope. Gerrit Dou was the founder of the so called 'fijnschi' S. Wale delin / C. Grignion Sculp. [c.1750] (fine painters) of his native Leiden. Etching, platemark 110 x 85mm (4¼ x 3¼"). Glued to Stock: 38055 backing sheet at corners. £220 Bookplate of James Paine (bap. 1717?-d.1789), architect. A winged figure holding a measuring square (representing an aspiring architect) is directed by Minerva (with helmet, spear and shield) to attend to a bust of the great architect and theatre designer Inigo Jones (1573-1652). Jones was a major influence on Paine, particularly via William 's 1727 volume 'Design of Inigo Jones'. Couplet from Alexander Pope's 1711 poem 'An Essay on Criticism' below. For a portrait of Paine with his son see ref. 13428. Stock: 37622

2. The Country Maid and her Milk Pail. The Moral / When we dwell much on distant and chemerrical advantages; we neglect our present business and are exposed to real misfortunes. [Anon., c.1810] Engraving with letterpress, sheet 200 x 130mm (8 x 5"). £65 Moral tale of a milkmaid who, in thinking too much about the future wealth she stands to accrue from the sale of her milk rather than her present task, absent- mindedly spills the pail of milk. 6. [Schoolboys on Holiday.] Stock: 37944 Vakanzfreuden Junger Studenten. Ecoliers en Vacances. 3. There's a Divinity that shapes our ends / Gemalt von Hanno Rhomberrg. Nach d. Originale aus Rough hew them how we will. Shakespr. Stein gez v. C. Straube. Verllaag der K.B. priv. E. Edwards delin. / J. Hall sculpt. [n.d., c.1790] Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., Engraving with hand-colouring and gold leaf, sheet c.1860.] 190 x 165mm (7½ x 6½"). Trimmed inside platemark, Lithograph. Publisher's blind stamp in centre of title £130 area. Printed area 620 x 445mm (24½ x 17½"). Slight A man sits reading amongst a ruined abbey(?) with a foxing. £240 skull beside him. Adjacent, two reapers set out to Two schoolboys in a shop, trrying their first cigars. gather crops at harvest. Lines from Shakespeare's The original painting was in the collection of Ludvig I '' remind us of the impossibility of defying fate. of Bavaria. On a rectangular object by the man's feet, text reads 'sso Stock: 38086 it must be'. Stock: 37644 7. [St. Charles Borremmeo Healing the Sick.] Der heilige Carolus Borromeus. / St. Charles - 4. [Pair of studies of a nude woman.] II. [&] Borromée. III. Gemalt von Benedetto Luti. Nach d. Originale auf [n.d., c.1650.] Stein gez v. J. Woelfje. Verlag der K.B. priv. Pair of engravings. Each 300 x 185mm (12 x 7¼"). Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., Very large margins. Inks spots on 'II'. £140 c.1860.] The front and back of a woman, nude other than a Lithograph. Publishers blindd stamp in centre of title modesty cloth. area, 'Piloty & Loehle Munchen'. Printed area: 440 x Stock: 37720 590mm (17¼ x 23¼"). Slight foxing; small tear in lower edge of sheet. Large margins. £260 5. Der Zahnarzt von Gerard Dou. Das Medical scene showing St. Charles Borromeo, Original ist in derselben Grosse. Archibishop of Milan healing the sick, seated on the Dou. 1672. [Within plate.] N. d. Original auf Stein. floor to right, with a choir boy holding a candle in the gez. v. Fr. Pecht, Dresd. 1836. Konigl Gamalde. foreground to the left. Galerie in Dresden. Herausgegeben v. Franz After Peter Paul Rubens (1577 - 1640). From the Hanfstaengl. 1836. Munich Gallery collection. Lithograph. Printed area: 310 x 255mm (12¼ x 10"). Stock: 38054 Very large margins. £320 8. The Madonna. Munich. The painting was one of Rubens' last centred G. B. Cipriana. Inv.t. London: Printed in Colours & on the theme of hunting. Published by A. Friedel, 15, Southampton St. Strand.. Stock: 37788 [n.d., c.1830.] Very fine colour printed lithograph. Sheet size: 495 x 345mm (19½ x 13½"). Uncut with very large marginns. £140 The Virgin Mary holding the infant Jesus, his arms stretched out to front, looking up to the sky. After Giovanni Baattista Cipriani (1727 - 1785). Stock: 38076

9. [The Fruit Garland.] Der Fruchtenkranz. / La Guirlande de Fruits. Gemalt von P.P. Rubens. Nach d. Originale auf Stein gez v. Ferd Piloty. Verlag der K.B. priv. Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., c.1860.] Lithograph. Publishers blind stamp in centre of title area, 'Piloty & Loehle Munchen'. Printed area: 570 x 12. [Sleeping Nymphs of Diana.] Dianes 520mm (22¼ x 20½"). Spotting in very large marginss. Schlafende Nymphen von Waldgoettern £260 Belauscht. Nymphes Dorma Putti carrying an elaborate fruit garland, within a rocky Gemalt von P.P. Rubens u. Breughel. Nach d. landscape. Originale auf Stein gez v. Carl Straub. Verlag der K.B. After Peter Paul Rubens (1577 - 1640). From the prriv. Kunstanstaldt v. Piloty & Loehle in Munchen. Munich Gallery collection. [n.d., c.1860.] Stock: 38085 Lithograph. Publishers blindd stamp in centre of title area, 'Piloty & Loehle Munchen'. Printed area: 430 x 10. [Helena Formann & Her Son. Second 675mm (17 x 26½"). Tear in lower edge of sheet. Wife of Rubens.] Helena Formann mit ihrem Large margins. £220 Sohne. / Hélène Formann avec son fils. A scene depicting Diana's Nymphs sleeping under a Gemalt von Peter Paul Rubens. Nach d. Originale auf tree, being watched by two gremlins who are hiding to Stein gez v. Carl Feederle. Verlag der K.B. priv. the left. A numbber of dead game are seen on the ground Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., to the right. c.1860.] After Peter Paul Rubens (1577 - 1640). From the Lithograph. Publishers blind stamp in centre of title Munich Gallery collection. area, 'Piloty & Loehle Munchen'. Printed area: 480 x Stock: 38053 340mm (19 x 13¼"). Spotting in very large margins. £140 13. [The Rape of Phoebe and Elaira.] Der The second wife of Peter Paul Rubens, Helena Raub der Phoebe und Ellaira. / Le Ravissement Fourment (1614 - 1673) seated on a bench with her soon de Phoebé et Elaira. Frans on her lap, both whole-length and looking at the Gemalt von Peter Paul Rubens. Nach d. Originale auf viewer. She is wearing a low-cut dress with a lace Stein gez v. Franz Stadler. Verlag der K.B. priv. collar and plumed hat, the child naked with a plumed Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., beret. c.1860.] After Peter Paul Rubens (1577 - 1640). The original Lithograph. Publishers blindd stamp in centre of title painting is now held in the Alte Pinakothek in Municch. area, 'Piloty & Loehle Munchen'. Printed area: 510 x From the Munich Gallery collection. 410mm (20 x 16"). Spotting in very large margins. Stock: 38051 £260 A mythological scene depicttiing Phoebe and Hilaeria, 11. [The Lion Hunt.] Die Loewen Jagd. / Le the daughters of Leucippus being abducted by Castor Chasse Aux Lions. and Pollux. Gemalt v. P.P.Rubens. Nach d. Originale auf Stein gez After Peter Paul Rubens (1577 - 1640). The original v. F. Piloty u. J. Woelfyle. Gedr. in d. Kunstansalt v. paainting is now held in the Alte Pinakothek in Munich. Piloty u. Loehle. [n.d., c.1860.] Alte Pinakothek Lithograph. Publishers blind stamp in centre of title Stock: 38049 area, 'Piloty & Loehle Munchen'. Printed area: 440 x 655mm (17¼ x 25¾"). Tear to upper right corner. 14. [The Guard Dog.] Light spotting. Very large margins. £260 Gemalt v. Snyders u. Rubens. Nach d. Originale auf The Lion Hunt; a dramatic scene in which two lions are Stein gez v. J. Woelfjle. Verllag der K.B. priv. attacked by hunters on horseback and on foot. Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., After Peter Paul Rubens (1577 - 1640). The original c.1860.] painting of 1621 is now held in the Alte Pinakothek in Lithograph. Publishers blindd stamp in centre of title area, 'Piloty & Loehle Munchen'. Printed area: 570 x 520mm (22¼ x 20½"). Spotting in very large marginss. London; and the Booksellers in . MDCCLXXXII £260 [1782]. A large clothed table covered in dead game, poultry, Folio, original printed wrappers; pp. 40 + xix fruit and vegetables, and a Lobster in the centre. A dog (appendix). Covers torn, tearr across title page. is sniffing a stag's head from below the table, with a cat Damaged. £240 to the left, and a servant picking up some grapes to the An ode to Yorkshire, with extensive historical and right. topographical notes. The Appendix includes After Peter Paul Rubens (1577 - 1640). The original 'Illustrations on the Characteer of Sir Isaac '. painting is now held in the Alte Pinakothek in Municch. Stock: 37733 From the Munich Gallery collection. Stock: 38050

15. [The Reconciliation of Romans and Sabines.] Gemalt v. P.P.Rubens. Nach dem Originale auf Stein gez v. F. Piloty. Zu finden in der Kunstanstalt v. Piloty u. Loechle in Munchen. [n.d., c1860.] Lithograph. Publishers blind stamp in centre of title area, 'Piloty & Loehle Munchen'. Printed area: 530 x 640mm (20¾ x 25¼"). Spotting in very large marginss. £160 A dramatic scene depicting the Sabine women making peace by persuading their Roman husbands against killing their Sabine brothers and fathers by pleading and placing themselves between the two armies. After Peter Paul Rubens (1577 - 1640). The original painting is now held in the Alte Pinakothek in Municch. Stock: 37792

16. [The Arrest of Samson.] Die Gefangennehmung Simsons. / L'Arrestation de Samson. Gemalt von P.P. Rubens. Nach d. Originale auf Stein gez v. F. Piloty. Verlag deer K.B. priv. Kunstanstaldt v. Piloty & Loehle in Munchen. [n.d., c.1860.] Lithograph. Publishers blind stamp in centre of title 19. [Twelve Months.] area, 'Piloty & Loehle Munchen'. Printed area: 420 x Walter Severn. [n.d., c.1865..] 515mm (16½ x 20¼"). Spotting in vry large margins. Twelve etchings with chrommoolithographed floral £140 boorders, plus sheet with printted titles and 'Table of Delilah reclining on a bed to the left, holding a pair of Moveable Feasts' starting 18665. Very rare complete. scissors, Samson being tied with ropes surrounded by Small tear in margin of title sheet. £600 soldiers in the centre. Twelve seasonal scenes, most sporting (including After Peter Paul Rubens (1577 - 1640). From the skating, shooting, racing, fishing & cricket) but also Munich Gallery collection. harvest and scenes. Stock: 38052 Walter Severn (1830-1904) was one of the original members of The Arts Club, London. 17. On the Making and Issuing of Books. Stock: 37585 By Charles Thomas Jacobi, Manager of the Chiswick Press. London: Made at the Chiswick Press and Issued 20. Miss Bloomfield. from the Bodley Head, by Elkin Mathews, Vigo St. W. Adam Buck del. T Cheesman Sculpsit. London MDCCCXCI [1891]. Published April 25, 1803 by William Holland. No.11, Limited edition of 435. 8vo, Japanese vellum backedd Cockspur Street, (removed ffrrom ). boards; pp. (xi)+70+(6), wood engraved decorations Hand-coloured stipple with etching, and large margins. throughout. Spine worn, one gathering lose. £60 Plate 297 x 209mm. 11¾ x 8¼". . £220 A guide to book publishing, including a page Portrait of a young woman, almost full-length, three- illustrating proofing symbols and a glossary of terms. quarters to left with head in profile, left hand to hip; Stock: 37999 wearing white, low-necked, sshort-sleeved dress, hair tied back in Grecian style, wiith long diaphanous scarf 18. Viator, a Poem: or A Journey from fastened to a band in her hairr and trailing down on London to Scarborough, By the Way of Yorkk. either side, which she holds up with her right hand. With Notes Historical and Topographical. Stock: 28168 [By Thomas Maude.] Published by B. White, Fleet- Street; T. Becket, Strand; and J. Walter, Charing-Crooss, 21. Chinese Paper. 24. [Crest with books and angels] Publish'd by R. Ackermann, 101, Strand. [n.d. c. [Anon., c.1700] 1820.] Etching, sheet 150 x 230mmm (6 x 9"). Glued to album Scarce wood engraving and aquatint. Sheet 340 x sheet, with engravings of uniidentified building and 420mm (13½ x 16½"). £220 Guy, Earl of Warwick. £140 An illustration of Chinese wall paper, with motifs Stock: 37627 including monkeys and rabbits, storks, cranes and various figures. 25. The Royall Affrican Company Stock: 38079 [London, Printed for the Auutthor Rich Wallis Citizen & Arms painter of London & arre to be sold by him at his Shop against ye Royall Exchange 1677.] Engraving. 200 x 155mm (8 x 6"). Trimmed, mounted in album paper. £180 The armorial of the Royal Affrican Company. The company was originally estaabblished as the Company of Royal Adventurers Trading tto Africa in 1660 to exploit gold fields along the Gambia River. Transformed in 1672 into the Royal African Company its principal concern became the slave trade, and Charles II's brrother James, Duke of York and future James II, beecame governor. Many of the slaves transported across the Atlantic were branded with the letters 'DY' (for 'Duke of York'). From " Armory Accuratly delineated in a Graphical display of all the Arms, Crests, Supporters, 22. [Vintners' Company Coat of Arms] St.. Mantles and Motto’s of every distinct Company and Martin Patron Corporate Societie in the Honnourable ". [Anon., c.1700] Stock: 37625 Engraving, sheet 180 x 245mm (7 x 9½"). Glued to album sheet; 18th century engraving of Vinters' Hall 26. The Hospitall of Beethlem. verso. £160 [London, Printed for the Auutthor Rich Wallis Citizen & The coat of arms of the Vinters' Company, one of the Arms painter of London & arre to be sold by him at his Twelve Great City of London Livery Companies (it Shop against ye Royall Exchange 1677.] was placed eleven out of the twelve in the 1515 order Engraving. 200 x 155mm, 8 x 6". Trimmed, mounted of precedence). The crest depicts three tuns (large in album sheet with engravings of St Bartholomew's barrels) used for transporting wine, with satyrs holding church, hospital and tomb off Rahere in the church on flasks perched above. St. Martin is the patron saint of same sheet. £120 the company. From "Londons Armory Accuratly The crest of St Bartholomew's Hospital, the oldest in delineated in a Graphical display of all the Arms, London, situated in Smithfieelld. The shield (previously Crests, Supporters, Mantles and Motto’s of every the Coat of Arms used by John Wakering, Master of distinct Company and Corporate Societie in the the Hospital from 1423 to 1462) is flanked by two Honourable City of London". invalids. View of Vintners Hall on Upper Thames Street verso. From "Londons Armory Accuratly delineated in a Stock: 37624 Graphical display of all the Arms, Crests, Supporters, Mantles and Motto’s of every distinct Company and 23. Hector, Andromaque, et Astyanax leur Corporate Societie in the Honnourable City of London". fils, topase du Cabinet de Mr Crozat. Stock: 37626 Eliz. Cheron L.H. delin. C. Simmoneau maj. sculp. C.P.R. [c.1711.] 27. My Litttle Brother. (Playmates.) Engraving. 140 x 110mm (5½ x 4¼"). Very large Painted by H. Merle. Engraved by Geo. Zobel. margins. £70 London, Published May 6th 1878, by B. Brooks & The heads of the Trojan hero Hector, his wife Sons 171 Strand. Andromache and son Astyanax (Scamandrius), drawn Mezzotint with engraving. Pllatemark: 440 x 345mm by Élisabeth Sophie Chéron (1648 - 1711) from an (17¼ x 13¾"). Surface damage around edges of sheet. engraved topaz gem in the collection of Pierre Crozat, Plate worn. £190 published in her 'Recueil des pierres antiques gravées'. A young girl sitting in a loosse gown with her shoulders Her study for the print, in red chalk with pen and baare, cuddlng a kitten on herr lap, smiling towards the brown ink, is in the British Museum. See BM: viewer. 1868,0822.7592 for the study. Stock: 38069 Stock: 37718

28. [View along the River Thames, in .] Captain John Edwardes, at Sealyham House, near [n.d., c.1850.] Wolfscastle in the Welsh county of Pembrokeshire. Watercolour in sepia tones. Sheet size: 265 x 360mm By Cecil Aldin (1870 - 19355), British artist and (10½ x 14¼"). £140 illustrator best known for his paintings and sketches of A picturesque view, possibly in Essex, with the tree animals, sports, and rural life. lined river in the centre, on which are a rowing and Stock: 37751 sailing boat. A number of buildings are seen in the background, with windmills in the distance. The high level of skill and accuracy of the painting would suggest that it was made by an architect. Stock: 37761

29. [Unidentified British Country House.] [n.d., c.1850.] Watercolour in sepia tones; Printed on J. Whatman Turkey Mill paper. Sheet size: 300 x 420mm (11¾ x 16½"). £140 A fine and highly detailed watercolour view of an unidentified country house. The high level of skill and accuracy of the painting would suggest that it was made by an architect. Stock: 37766

30. [Unidentified British Landscape with large Country House.] [n.d., c.1850.] Watercolour in sepia tones. Sheet size: 300 x 420mm (11¾ x 16½"). Spotting. £110 33. Weight will tell. [In pencil.] An unidentified view depicting a country house within Cecil Aldin. [Signed in penciil.] Printed and Published large groundds, surrounded by trees and an open field to byy Eyre & Spoittiswoode Ltd. His Majesty's Printers 4 the front. Middle Row Street, London,, E.C 4, England. [n.d., The high level of skill and accuracy of the painting c.1925.] would suggest that it was made by an architect. Photolithograph. Blind stamp in lower left corner, 'Fine Stock: 37764 Art Trade Guild AWXJ'. Printed area: 385 x 350mm (15¼ x 13¾"). Unexamined oout of frame. £420 31. [Country House Scottish Landscape.] A Terrier and a Scottish Terrier, lying together in [n.d., c.1850.] an arm chair, looking towards the viewer. Watercolour in sepia tones. Printed on J. Whatman By Cecil Aldin (1870 - 19355), British artist and Turkey Mill paper. Sheet size: 300 x 420mm (11¾ x illustrator best known for his paintings and sketches of 16½"). £120 animals, sports, and rural life. The Fine Art Trade An unidentified view depicting a large country house Guild, founded in 1910, are an organisation to the right, and sailing boats on water in the representing the fine art and framing industry, aiming background to the left. Mountains can be seen in the to 'preserve the integrity of the limited edition print'. distance, maybe Scotland. The high level of skill and Stock: 37752 accuracy of the painting would suggest that it was made by an architect. 34. The School Mistreess. Stock: 37762 Published by Le Petit 15 Heenry St.t Dublin. [n.d. c. 1820.] 32. Barrry. Fine coloured stipple with engraving. Sheet 280 x Celcil Aldin. [Within plate.] Printed and Published by 230mm (11 x 9"). Trimmed, old ink numeral at top. Eyre & Spottiswoode, Ltd., His Majesty's Printers, 4 £130 Middle Row Street, London, E.C 4, England. [n.d., A bespectacled woman teaching two girls to read. c.1925.] Stock: 37798 Photolithograph. Printed area: 285 x 300mm (11¼ x 11¾") Frame size: 560 x 560mm (22 x 22"). In original 35. [Winchester College.] 10 [in pencil.] frame with damaged label on reverse. Unexamined out Cecil Aldin [signed in pencill with a sketch of a student of frame. £260 to the right.] Copyright The Welbeck Publishing A portrait of a Sealyham Terrier, looking directly Company Ltd. 33 Baker Street, London. W1. [n.d., towards the viewer. Following the First World War, the c.1925.] breed surged in popularity, however numbers have Photolithograph. Blind stamp in lower left corner, 'Fine dropped significantly since then, with the breed listed Art Trade Guild DOTE'. Printed area: 320 x 375mm as a Vulnerable Native Breed by the Kennel Club. The (12½ x 14¾"). Frame size: 565 x 620mm (22¼ x breed was developed between 1850 and 1891 by 24½"). Unexamined out of frrame. £240 A view within Chamber Court in Winchester College, Completed September 1826. John Davies Esq.r with figures iin academic dress in the centre and to the Architect. right, and the stained glass windows of the college Drawn, Eng.d & Pub.d by J. & H.G. Storer, chapel behinnd. Pentonville. [n.d., c.1826.] By Cecil Aldin (1870 - 1935), British artist and Scarce engraving. Sheet 210 x 325mm (8¼ x 12¾"). illustrator best known for his paintings and sketches of Trimmed to image, losing tittle and vignette, laid on animals, sports, and rural life. The Fine Art Trade album paper. £80 Guild, founded in 1910, are an organisation The dissenting academy Highhbury College, founded in representing the fine art and framing industry, aiming Mile End in 1783, before moving to Hoxton in 1791 to 'preserve the integrity of the limited edition print'. and then to Highbury in 1826, when this view was Stock: 37754 puublished. It was eventually amalgamated into New College London. 36. Bridgnorth School. respectfully Published by James Sargant Storer (1771–1853) and dedicated To the Rov.nd T. Rowley, D.D. Head his son Henry Sargant Storeer (1795–1837). Master. by his obliged Servant, Philip Brownee. Stock: 37889 P. Browne Del. F.W. Hulme Lith. [n.d, c.1840.] Coloured lithograph. Sheet 325 x 395mm (13¼ x 41. Milton Abbey 15½"). Printer's details scraped. £260 [Engraved by Benjamin Fawcett after Alexander A very scarce view of Bridgnorth Endowment Schoool Francis Lydon.] [London: William Mackenzie, from St Leonard's Close, with boys resting, one cricket c.1870.] bat in the lane, another over a boy's shoulder. The Chromolithograph, printed in colours. Printed area 150 dedication is to Dr Thomas Rowley (1796-1877), x 190mm (6 x 7½"). Very larrge margins. £45 headmaster between 1821 (when he was 24) and 18500. Milton Abbey, a school since 1954. Philip Vandyke Browne (1801-1868), drawing master From Francis Orpen Morris's 'County Seats of The at Shrewsbury. Ex: Tonkin Collection. Noblemen and Gentlemen off Great Britain and Ireland'. Stock: 37880 Stock: 37888

37. Grammar School of Christ Church. A. Pugin del.t. J. Stadler sculp.t. Published Sept.r 1. 1816, at 101, Strand, for R. Ackermann's History of Christ's Hospital. Coloured aquatint. 250 x 300mm (9¾ x 11¾"), watermarked 'J. Whatman 1816'. Tear just touching platemark. £140 The interior of Christ's Hospital ('The Bluecoat School'), with the boys seated on either side of room in four rows. Originally in Greyfriars, London, the school moved to Horsham in 1902. One of the illustrations to Ackermann's 'History of the Colleges'. 1816. Abbey: Scenery 438. Stock: 37859 42. Particulars and Conditions of Sale of the 38. Big School, Clifton College. Rendcomb Park Estate, oone of the most perfect Ed. Burrow del. Published by W.H. Beyman & Co. Freehold Residential Domains in the West of Cheltenham. [n.d., c.1898.] England... Messrs Beadel at the Mart, Etching on india, signed in pencil. 185 x 240mm (7¼ x Tokenhouse Yard, Londdon, E.C. On Thursday, 9½") Very large margins. £75 the 1st day of August, 1878, at Two o'Clock By Edward J. Burrow, known for his topographical Precisely, in One Lot. etchings and series of views of public schools. Folio, illustrated wrappers, buckram spine; pp. (23); Stock: 37885 two folding colour lithographic maps, a folding lithographic floor plan and two tinted lithographic 39. Clifton College. 1898. views, very scarce. Estate map with a small split in ED [Edward Burrow]. Published by W.H. Beyman & fold. £340 Co. Cheltenham. [n.d., c.1898.] The auction catalogue for the estate of Sir Francis Etching on india, signed in pencil. 185 x 240mm (7¼ x Henry Goldsmid (1808-78), 22nd Baronet. Goldsmid, a 9½") Very large margins. £75 Jewish banker and M.P., bought Rendcomb Park Estate By Edward J. Burrow, known for his topographical in 1863, demolishing the 17tth century house and had a etchings and series of views of public schools. new one built, designed by Philip Charles Hardwick Stock: 37886 and constructed by Thomas Cubitt. This sale occurred three month's after Goldsmid's death in 1878; the estate 40. Highbury College 1826 [ink mss.] The was sold again in 1918, purcchhased by Noel Wills who Foundation Stone was laid bt Tho.s Wilson founded Rendcomb College two years later. Esq.r June 28, 1825. The Building was The value of the estate made it cost-effective to have The interior of SSchool. From one of only two tinted lithographic views made. 25 proofs on large paper of Ackermann's 'History of For a view of the estate, see item ref: 38066. the Colleges'; it is one of onlly two altered plates, with Stock: 37997 the heads of the schoolmasteers bare. Abbey: Scenery 439. 43. [Rugby School from the Playing Fields.] Stock: 37890 Gertrude Hayes. [n.d., c.1900.] Etching, signed in pencil by the artist. 200 x 250mm (8 x 9¾"). Very large margins. £95 Gertrude Ellen Hayes (1872-1956), who married Alfred Kedington. Both were art tutors at Rugby School. Stock: 37883

44. [Rugby School from the Temple Speech Room.] Gertrude Hayes. [n.d., c.1900.] Etching, signed in pencil by the artist. 200 x 250mm (8 x 9¾"). Very large margins. £95 Gertrude Ellen Hayes (1872-1956), who married Alfred Kedington. Both were art tutors at Rugby School. Stock: 37884 49. Hall of Westminster School. A. Pugin del.t. J.C. Stadler sculp.t. Published Aug.t 1. 1816, at 101, Strand, for R. Ackermann's History of 45. [Rugby School entrance on Hillmorton Westminster School. Road, looking towards the Temple Speech Aquatint on india. 250 x 3000mm (9¾ x 11¾"). Proof Room.] with large margins. Backing paper spotted. £140 Gertrude Hayes. [n.d., c.1900.] The interior of the dining halll of Westminster School, Etching, signed in pencil by the artist. 255 x 200mm with teachers eating by candllelight. From one of only (9¾ x 8"). Very large margins. £95 25 proofs on large paper of Ackermann's 'History of Gertrude Ellen Hayes (1872-1956), who married the Colleges'. Abbey: Scenerryy 439. Alfred Kedington. Both were art tutors at Rugby Stock: 37891 School. Stock: 37882 50. Dormitory of Westminster School. A. Pugin del.t. J.C. Stadler sculp.t. Published Aug.t 1. 46. The School Room of St Paul's. 1816, at 101, Strand, for R. Ackermann's History of F. Mackenzie del.t. J. Bluck sculp.t. Published Dec.r 1. Westminster School. 1816, at 101, Strand, for R. Ackermann's History of St Aquatint on india. 250 x 3000mm (9¾ x 11¾"). Proof Paul's School. with large margins. Backing paper spotted. £140 Coloured aquatint. 250 x 300mm (9¾ x 11¾"), The interior of the dormitory of Westminster School, watermarked 'J. Whatman 1816'. £95 from one of only 25 proofs on large paper of The interior of St Paul's School. One of the illustrations Ackermann's 'History of the Colleges'. Abbey: Scenery to Ackermann's 'History of the Colleges'. 1816. Abbeeyy: 439. Scenery 438. Stock: 37892 Stock: 37860 51. [The Challenge, Westminster School.] 47. Stowe Park. [c.1869]. [Engraved by Benjamin Fawcett after Alexander Oblong folio, paper covers; pp. (10), lithographic Francis Lydon.] [London: William Mackenzie, facsimile handwriting and two lithographic sketches. c.1870.] Covers soiled and rubbed. £140 Wood engraving, printed in colours. Printed area 150 x An account of the 1809 Westtminster School 190mm (6 x 7½"). Very large margins. £45 'Challenge' (entrance exams)), in the form of a letter, Stowe Park, home of Stowe School since 1923. diary and two sketches. From Francis Orpen Morris's 'County Seats of The Stock: 37725 Noblemen and Gentlemen of Great Britain and Ireland'. Stock: 37887 52. Botanic Garden. W. Westall del.t. J. Stadler Sculp.t. London, Pub. July 48. Westminster School Room. 1st 1815 for R. Ackermann'ss History of Cambridge. A. Pugin del.t. J.C. Stadler sculp.t. Published Aug.t 1. Fine coloured aquatint. 250 x 290mm (9¾ x 11½"). 1816, at 101, Strand, for R. Ackermann's History of £140 Westminster School. The Walkerian Botanic Garden, now The New Aquatint on india. 250 x 300mm (9¾ x 11¾"). Prooff Museums Site. with large maargins. Backing paper spotted. £140 Stock: 37861 53. Court of King's College. boooks and papers, scrap books, pencils, rice paper & F. Mackenzie del.t. D. Havell sculp.t. London, Pub.d 'Ackermann's Transfer Varniish. It also advertises Sept.r 1st 1814 at 101 Strand, for R. Ackermann's 'Drawing Let out to Copy'. This catalogue was issued History of Cambridge. at the back of Ackermann's books, including the Life of Coloured aquatint. 1812 watermarked paper. 250 x Mytton mentioned above. Frrom a Private Collection. 290mm (9¾ x 11½"). Slight staining in the inscription Stock: 37786 area. £140 The Old Court. 56. List of Photographs of Kandahar and Stock: 37862 Neighbourhood. Published by Bourne and Shepherd / Simla, Calcutta & Bombay. Station Press, Simla [c.1870] 54. Members of the University, with their Leaflet, 4pp., 200 x 125mm ((7¾ x 5"). Tear. Very Respective Costume. scarce. £160 T. Uwins del.t. J. Agar Sculp.t. London, Pub. May 1st Price list for 76 photographs in and around Kandahar, 1814 [- April 15th 1815] at 101 Strand, for R. Afghanistan, by the photographic studio Bourne and Ackermann's History of Cambridge. Shepherd, which assumed its final form in 1865 Extract, 4to, pp. (16), numbered 299-314, 15 coloured following the departure of a tthird partner, William stipples withh etching & engraving, complete for this Howard. Originally based in Simla in the Punjab, the section. Disbound. £600 immediate success of the firm led them to open Illustrations of the gowns of doctors in Divinity, Law, additional branches in Calcuuttta (1867) and Bombay Physic, Music, master & bachelor of Arts, Nobleman, (1870), soon aftf er which this price list was printed. Stock: 37940 Fellow Commoner, Pensioner, Proctoer, etc. Stock: 57. [Peerless Pool.] To all Gentlemen Lovers of Swimming & Bathing This is to give notice That there is discover'd behind the Bolwing Green in Old Street, neaar St Lukes Church, the Bathing Waters of Peerless Pool, famous in History, consisting of Crrystal Springs, constantly running to waste which are now made into a Grand Please Bath, where Gentlemen may without danger learn to swim... [n.d., c.1743.] Extremely rare engraved brooadsheet. Sheet 270 x 180mm (10½ x 7"). Trimmed, laid on album paper, small areas of loss at top of immage. £230 A flyer advertising London'ss first outdoor public swimming pool, situated behind St. Luke’s Hospital in Old Street. It was originally a pond filled by a spring, known as 'Perilous Pond' because of the large number of fatalities there. In 1743 it wwas converted to a pool by William Kemp, 170 x 108 ft,, with banked edges and the bottom lined with gravel so that the depth was only beetween 3 and 5 feet. At onee end was a marble vestible for changing. Nearby Kemp created a canal filled with fish for angling. During the winter the pool was used for skating. The annual subscription, as noted here, was a guinea a year, making it an exclusive resort. Closed 55. A Catalogue of Sporting and Other in 1850 is is commemorated by Peerless Street and Prints, Published by R. Ackermann, at the Bath Street. Eclipse Sporting Gallery and New Sporting Stock: 37778 Magazine Office, 191, Regent Street, London. London: Walter Spiers, Printer, 399, Oxford Street. 58. The Flying Pen, emanating from the 1837. practice of the royal Lewisian System of Letterpress pamphlet, 8vo., pp. (ii) + 8., waxy-paper Penmanship. A process iinvented by Mr. back wrapper. Lacking waxy-paper front wrapper. £360 Lewis, whereby bad Wriiters are easily made Includes the 2nd edition of 'the Life of the Late John good ones [...] Mytton', Henry Alken's 'Quorn Hunt', 'The Southern Nichols and son, Printers, 8 & 9 Chandos Street, Whale Fishery', Ferneley's St Leger Winners & Strand [n.d., c.1840] Fielding's 'Fighting Cocks'. The last three sheets list art Letterpress pamphlet, 4pp, 2445 x 185mm (9½ x 7¼"). supplies available including watercolours, drawing Glued to backing sheet. £160 Prospectus for the penmanship courses of James Henry Lewis & Son on the Strand in London. Lewis (1786- 1853) was a strenographer who at the age of 26 published 'The ready writer', a shorthand course, whicch was still in print (on its 97th edition) in the 1860s. Patronized by George IV, Lewis taught in London and toured the provinces. One of the last great writing masters, Lewis believed penmanship was a fine art. In addition to teaching writing itself, he also invented pens and wote a book about the history of stenography. Stock: 37938

59. [Ex Libris bookplate of William Monk] For out of the old fieldes as men saithe / Cometh all this new corne from yere to / Yere and out of oold bookes in good / faithe cometh all this new science / That men lere. W. Monk, Hogarth Studios [N.d., c.1900] Etching, platemark 150 x 110mm (6 x 4¼"). £130 Ex libris plate in Arts and Crafts style, complete with lines from Chaucer, by William Monk, prolific etcher 63. The Old Flag & the New Do you wish to of London scenes. see it mutilated in this fashion? If not, resist Stock: 37948 home rule and the Dismemberment of the Empire. Rally Round the Old Flag / God Save 60. [Prospectus] East Delabole Slate and the Queen! Slab Company Limited. To be Incorporated Printed by C. Terry & Co., Little Denmark St., Soho, under the Limnited Liability Acts of 1856-7. London, W.C. [n.d., c.1850] Capital £12,000, in 6,000 Shares of £2 each, Photolithograph, sheet 220 x 145mm (8½ x 5¾"). With Power to Increase. Small tear on left. £65 [c.1862.] Call for action in response to the concerted campaign Letterpress prospectus. 4pp. Folded as issued, album for Repeal of the Act of Union and grant self- paper guard on left edge. £65 government to Ireland in the 19th century, using the A prospectus for a company raised to work the 'East prrospective change to the Royal Standard as a symbol Delabole Slate Quarry', near Boscastle, Cornwall, on a of this 'dismemberment of the Empire'. Stock: 37970 lease of 21 years. Stock: 37787 64. The Object of Peace and Anti-War 61. Lost! A German, who lately lost his Societies Is to diffuse information tending to horse, published the following notice. Rund show that WAR is inconssistent with the away or sdolen, or was sdrayed, mine large SPIRIT of CHRISTIANITY and the true plack Horse, about eighteen hands hie [...] interests of Mankind [...] [American Anon., c.1840] W.B. Scott / A.T. Aikman [n.d., c.1840] Letterpress, sheet 190 x 130mm (7½ x 5"). £95 Steel engraving with ms, sheet 190 x 240mm (7½ x Description of a missing horse, written as if with a 9½"). Small tear and creases to edges; rare. £140 heavy German accent. Membership certificate, partiially filled in by Annie Stock: 37934 Paul of the Plymouth Peace Society, with vignettes and Biblical quotes advocating 'peace and anti-war'. Stock: 37946 62. Five Guineas Reward. Whereas Great

Damage Has Been Lately Done in The Woods, 65. The Following is an Inscription on a Belonging to The Right Hon. the Earl of Tomb in the Church Yard of St. Giles's in the Cardigan, In the Township of West-Ardsley Fields. Here Lies Richard Pendrell, Preserver [...] Letterpress, sheet 195 x 170mm (7¾ x 6¾"). Folds. and Conductor of his Majesty King Charles the £130 Second, After his Escape from Worcester Broadside offering a reward for information about Fight, in the Year 1651, Who Died February damage done to land belonging to the Earl of Cardigan 8th, 1671 [...] in West Ardsley, near . [Anon, 1785?] Stock: 37943 Letterpress, sheet 175 x 95mm (7 x 3¾"). Trimmed and glued to album sheet. Small eengraving of St Giles in the Fields verso. £65 Richard Penderel (d.1672), rooyalist sympathizer who helped Charles II to escape after the battle of Worcester in 1651. Thereafter he escaped detection until the Restoration, when he was welcomed at court in 1660 and given an annual pension 'to live the quality of a farmer'. Penderel continued to live in the country but made regular visits to see the king up until his death. He was buried on 11 February 1672 in the churchyard of St Giles-in-the-Fields where his grave was marked by a special tomb-chest, reputedly commissioned by the king, which praised him as ‘Unparalled Penderel’ ESTC one copy listed (BL) Stock: 37641

66. [Notice announcing Jacob Henry Astley's intention to run as candidate for Norfolk, with letter from Astley to James Sayers] To the Gentlemen Clergy, and Freeholders, of the County of Norfolk [...] Melton Constable, Feb. 20th, 1807 69. Royal Coburg Theatre [...] This present Letterpress and ms, 230 x 190mm (9 x 7½"). Small Monday June 22nd 1818, & following Evenings tears, folds etc. £140 [...] an entirely New Interresting Local Melo- Jacob Henry Astley (1756-1817), from an ancient and influential Norfolk family, was candidate for the Drama, interspersed with Glees, Chorusses and county from 1797-1806, an instrument of Thomas Combats, New and Splendid Scenery, William Coke's ambition to secure a Whig monopoly. Machinery, Dresses, and Decorations, to be With support waning and facing another contest, called the North Pole; or, the Arctic Expedition Astley withdrew in 1806 and ceded his interest to [...] William Windham, but soon returned to the fold, as [1818] this notice indicates. It was sent to James Sayers of Scarce playbill, sheet 305 x 180mm (12 x 7"). Stains Yarmouth on 22nd February 1807 with a letter and creases; glued to backing sheet. £240 explaining Astley's motivations. Rare playbill with Arctic interest advertising the first Stock: 37935 peerformances of a theatrical pperformance about an expedition to the North Pole,, one of the first staged at 67. Stock Yards Chicago [pencil on reverse.] the Coburg Theatre in London (now the Old Vic) after [n.d., c.1900.] it opened in 1818. With detaiiled information about the A Holmes-type stereoscope card. 100 x 180mm (4 x pllot, locations and scenery (iincluding 'an extensive ice 7"). £65 island' and 'a ship of immense size'). The playbill also Two photographs of a cattle stock yard, mounted on specifies that the scenery inccludes views of the card for use in a stereoscope. American interest. Eddystone near Plymouth, Elsinore in Denmark, and Stock: 37807 Labrador in Canada. As The 'Nautical Arrangements' for the play were produced 'under the Superintendence 68. Royal Coburg Theatre [...] Thursday, of Mr. Serres' (the marine painter John Thomas Serres, February 14th, 1822, and During the Week [....] 1759-1825). The scenery, under Serres' supervision, A Looking Glass Curtain. [...] The Indian was painted by another prominent artist, Clarkson Father! [...] Ramo Samee The East Indian Stanfield (1793-1867). The play was written by William Barrymore (real name Blewitt, or Bluett), who Juggler [...] The Temple of Death! [...] soon after would invite the young painter David T. Romney, Printer, [1822] Roberts to London to work fofor the theatre, having seen Playbill, sheet 360 x 230mm (14¼ x 9"). Glued to his paintings in Edinburgh. backing sheet; top edge trimmed, losing part of theatre Stock: 37929 name. £130 Playbill advertising performances at the Coburg 70. Royal Coburg Theatre [...] Thursday, Theatre in London (now the Old Vic). The events include a 'looking glass curtain' was effeectively a Nov. 29th 1821,- And During the Week 'The mirror 36 x 32ft spanning the stage and 'holding the Greeks and the Turks! or, the Intrepidity of mirror up to nnature', as a periodical of the day Jemmy, Jerry, and a Briitish Tar' [...] Madame commented. In front of this curtain, the Indian juggler Nina Ferzi will introduce the entire of her and magician Ramo Samee (who as part of Captain graceful Evolutions on the Alambre Floxo! [...] Campbell's troupe formed the basis of Hazlitt's essay 'Eyes Right! or, You'll Miss Her [...] Dirk 'Indian Jugglers') performed his act. The current taste Hatteraick the Dutch Smuggler Or, The for Gothic melodramas set against exotic backdrops is Sorceress of Derncleugh demonstrated here through 'The Indian Father; or The T. Romney printer, Lambethh Bride of Mexico' and 'The Temple of Death'. Playbill, sheet 360 x 230mmm (14¼ x 9"). Glued to Stock: 37930 baacking sheet; paper losss halfway up on left. £160 Playbill advertising performances at the Coburg (1916-99). In early 1943 he fflew to England, and gave Theatre in London (now the Old Vic). The events a famous performance of Brahms's violin concerto with include Nina Terzi performing on the 'Alambre Floxo' Sir Adrian Boult in the samee visit. or 'slack wire'; C.E. Walker's melodrama 'The Greeks Stock: 37949 and the Turks' (one of a crop of 'War of Independence' dramas staged in London in response to the Graeco- 74. Description of A View of Rome, Ancient Turkish conflict); a ballet written by John Feron; andd and Modern; with the Surrounding Country, the Gothic melodrama 'The Sorceress of Derncleugh', Taken from The Tower of the Capitol Now adapted from Sir Walter Scott's novel ''. Exhibiting at the Panorama, Leicester Square. For a scene from 'The Greeks and the Turks' see ref. Painted by the Proprietor, Robert Burford, from 37960. Drawings taken by Himself iin 1837. London: Printed Stock: 37931 byy T. Brettell, Rupert Street, Haymarket. 1839. 8vo, printed leaflet, pp.16, with etched panorama, 71. In Memory of nearly 700 Passengers, folded, 365 x 505mm (14¼ x 19¾"). Panorama who Perished by the Sinking of the Saloon separated, some ink offset. £150 Steamer, "Princess Alice," in the Thames, off A guide and key plate publisshed as a souvenir of the Woolwich, September 3rd 1878. The sun rose exhibition of a panorama of Rome displayed at 'The in splendour, all Nature looked gay, / And Panorama', a purpose-built gallery in Leicester Square. hundreds on pleasure, from home hied away; / The first of its kind, it was opened by Robert Barker Then friend welcom'd friend, and it seem'd (1739-1806) in 1793 to instaannt acclaim. After Barker's that no sigh, / Would e'er rend the bosom, or death the business was continued by his son Henry tear dim the eye [...] Aston Barker (1774-1856), then from 1826 by Robert Burford (1791-1861). In 18665 the Marist Fathers Paxman, 124 Old Street, E.C.[Anon., c.1878] puurchased the building for a French , Letterpress printed on embossed card with black 'Notre Dame de France', whiicch still stands in Leicester border, sheet 155 x 120mm (6 x 4¾"). Creased; some Place. surface loss. Damaged. £65 Stock: 37785 Rare survivor. Verses written in memory of the many lives lost when following the sinking of the passengeer steamer 'Princess Alice'. The steamer, built in 1865, took Londoners on day trips down the Thames to Gravesend, Sheerness and Margate. Returning from Sheerness on 3 September 1878, the Princess Alice collided with a steam collier bound for Newcastle. The Princess Alice sank in less than four minutes and over 640 passengers drowned, making it the worst river disaster on record in Great Britain. Stock: 37941

72. The Will of Louis the Sixteenth, Late King of France, Written by Himself. In the Name of the Holy Trinity, the Father, the Son, and the Holy Ghost, this 21st Day of December 1792. [published 1793] Letterpress, sheet 350 x 190mm (13¾ x 7½"). Glued to backing sheet. Other prints verso. £130 The will of Louis XVI, king of France from 1774 until deposed in 1792 following the French Revolution. He 75. Tales. Botany. G. Nicholson's was tried by the National Convention and found guilty Lithography. of high treason. His will was made on 25 December [n.d., c.1825.] 1792, shortly before he was executed by guillotine on Lithograph. Sheet 160 x 160mmm (6¼ x 6¼"). Trimmed, 21 January 1793. laid on album paper. £190 Stock: 37637 A topographical caprice, with trees, woodland flowers and beehives, with a stack off three books titles as 73. The Daniel Musical Society presents above. A fourth is held open by the ribbon of a medal Yehudi Menuhin in a Single Concert at the labelled 'Ordre de Merite'. Carib Theatre Saturday Feb 13 1943 Part Stock: 38078 proceeds for War Funds. [programme verso] Letterpress programme with photogravure, 210 x 76. Hewetson, Milner & Thexton LTED. 150mm (8¼ x 6"). Crease through centre. £50 House Furnishers 200, 2003, 204, 211, 212, 213, Programme for a wartime concert by the great 214, 215 Tottenham Ct. Road London. W. American violinist and conductor Yehudi Menuhin [n.d., c.1890.] A brass nameplate. Size: 25 x 70mm (1 x 2¾"). £95 famous Italian family of gold- and silversmiths. See A small oval brass plate with the details of Hewetson, Grove Dictionary of Decorattive Arts. Milner & Thexton Ltd, House Furnishers, Tottenham Stock: 37664 Court Road, London. These makers nameplates weree attached to furniture and fittings made during the 80. Gaius Marius mourning over the ruins of nineteenth century. Carthage. Stock: 37820 Drawn by John Martin. Engrraved by W. Wallis. London, Published by Longman & Co. 77. New Head Dresses for 1772. Designed by Row. [n.d. c.1840.] D. Ritchie Hair Dresser, for Wheble's Lady's Steel engraving. 145 x 215mm (5¾ x 8½"). Very large Magazine. margins. £60 J. Hall sculp..t Published as the Act directs Sept.r 1st The Roman general Gaius Marius (157-86BC) was 1772. called 'the third founder of Rome' for defeating the Engraving, sheet 205 x 140mm (8 x 5½"). Thread invading Germanic tribes. Hoowever civil war with margins; creased; false margins added. £75 Sulla in 88BC caused him too flee to Africa, visiting Unusual display of fashionable hairstyles, taken from Carthage, here symbolic of a great city now destroyed. the 'Lady's Magazine'. Stock: 37808 Stock: 37681 81. Sketch of the Harvest Home Dances at Castledillon. October 17tth 1836. [In ink above image.] At the Dinner. 92. At the Dance 153. 1836. Unique & scarce pen and ink sketch. Sheet size: 185 x 220mm (7¼ x 8¾"). £260 On Monday 17th October 1836, Irish physician Lieutenant General Sir Thomas Molyneux (1661 - 1733) hosted a dinner and ball for his labourers at Castledillon, County Kildare, Ireland. This ink sketch depicts the evenings festivitiees, with crowds of figures surrounding the room, one couple falling down in the centre and the Molyneux family watching on from the baackground. Stock: 37838

78. London Fashions for the Winter of 18311. 82. This Print represennts the Attempted Published and Sold by G. Walker, 20, Southampton Assassination of Her Moost Gracious Majesty Street, Holborn. Queen Victoria and H.RR..H. Prince Albert, at Very scarce hand-coloured lithograph. Sheet: 610 x Constitution Hill by Edward Oxford, on the 540mm, (24 x 21¼"). Slight mount burn. Repaired Evening of Wednesday June 10th 1840. vertical tear from top edge to centre. £580 Madeley, lith, 5, Wellington St, Strand. [n.d., c.1840.] A large fashion plate showing the various fashions in Lithograph with hand-colourring, sheet 240 x 335mm men's and boy's clothing at the end of 1831. The plate (9½ x 13¼"). Creasing through centre and upper left. is divided into two halves, the bottom showing outer £160 and domestic urban wear while the top shows formal The first attempt on Queen Victoria's life, showing the wear and country sportswear. The functional prregnant monarch and her husband travelling on sportswear devleoped in England for the country Constitution Hill in a phæton, the in gentleman, as shown in the top right corner, used wool the background, and Edward Oxford with his pistol which could be easily tailored. This new form of raised. After firing two shots he was seized by tailcoat crossed the divide between urban and country onlookers. He was charged with treason, but, as no fashion due to its functionality and style. It is at this buullets could be found at the scene, it could not be stage that styles from London start to challenge Pariss' prroved his pistols had more tthan powder in them. He leadership and Mayfair becomes the heart of men's was found 'not guilty by reason of insanity' and sent to fashion. Bethlem asylum, where he was a model prisoner for Stock: 37822 nearly quarter of a century. IIn 1864 he was transferred to Broadmoor, still a model prisoner, and in 1867 it 79. [Virgin Mary and Child] Imago B. was decided to release him on the proviso he left the Mariae Virginis de Rotuna Civit: Albanen [...] country and never returned. He left for Australia, Pietro Belli scolpi in argento / Gio: Petrini incise where he changed his name tto John Freeman, married, [c.1829] served as a churchwarden in Melbourne and published Engraving, platemark 255 x 190mm (10 x 7½"). Small a book called Lights and Shadows of Melbourne Life margins. £50 in 1888. He died in 1900. Auustralian interest. Virgin and child, apparently engraved from a work in Stock: 37659 the Vatican by Pietro Belli (1780-1828), part of a 83. Cranmer burnt at Oxford [&] Martyrs colonial governor in Virginia. Smith claimed that the in Smithfield [ms] native American princess Poocahontas had saved him [by Samuel Wale, c.1770] from being put to death by the chief the previous year. Two watercolours, each approx 180 x 100mm (7 x 4"). From Smith's 'The Generall Historie of Virginia, New- Glued to album sheet; early engravings showing England, and the Summer Islles' (1624). Foor a portrait burning of martyrs verso. Some damage. £260 of Smith see ref. 27878; for another plate from the Two preparaatory drawings for a 'History of England' by 'Generall Historie' see ref. 45561. Samuel Wale (1721-86). One of the studies relates too Stock: 37658 'The Manner of Burning Archbishop Cranmer at Oxford, in the Bloody Reign of Queen Mary' (engraved 86. [Edward Prince of Wales presenting the by Sparrow). Captive King John of Frrance & his Son to his Wale was a founder member of the Royal Academy Father Edward the 3rd.]] and its first Professor of Perspective. J.F. Rigaud R.A. pinxt. F. Bartolozzi R.A. Sculpt. Stock: 37683 London, Published Feby. 14 1788 by W. Palmer No. 103 Strand. 84. Death of Lady Jane Grey. Stipple and etching, scratcheed-letter proof before title [by Samuel Wale, c.1770] prrinted in brown ink, 340 x 405mm. 13½ x 16". One Watercolour. Sheet size: 175 x 100mm (6¾ x 4"). vertical crease and some light spotting. Good margins. Glued to album sheet. Tear & damage at top & bottom £180 on left. £160 The Battle of Poitiers was foouught between England and A preparatory drawing for a 'History of England' by France on 19 September 13556 near Poitiers, central Samuel Wale (1721-86). A scene at Tower Green, France, resulting in the second of the three great within the Tower of London, with Lady Jane Grey on a English victories of the Hundred Years' War: Crécy, raised platform, flanked byy her maids who hold her Poitiers, and Agincourt. Here Edward of Woodstock, gloves and hankerchief, shortly before she is exeutedd Prince of Wales ('The Black Prince', 1330 – 1376), for high treason. A large crowd watches on from all kneeling in armour, presents his Prisoner of War John sides. II of France (1319 – 1364), to his father, King Edward Wale was a founder member of the Royal Academy III of England, enthroned at ccentre. and its first Professor of Perspective. After John Francis Rigaud (1742 - 1810). De Vesme Stock: 37722 520, IV of V. Stock: 25922

87. The Resignation of Lady Jane Grey. [&] The Magnanimity of Mary Queen of Scots. [After William Hamilton.] [n.d., c.1788.] Hand coloured stipple. Pair in titled Verre églomisé frames. Printed area: 295 x 295mm (11¾ x 11¾") each. Frame size: 460 x 460mm (18¼ x 18¼") each. Unexamined out of frames. £490 The Queen, on route to her execution, accompanied by her weeping ladies and a boy, led by two men, stops to address her steward Melville, an old man who kneels on the right, telling him not tto grieve, since her troubles are nearly over. [&] Lady Jane Grey sitting on the left with her ladies at a table with an open book, holding up a crown, turning her head to look happily towards the Duke of Suffolk who enters to the right, brringing news that the council had declared for Queen Mary. Titles within frames do not match the images. Stock: 38018

88. [Vortigern and Roowena or the Settlement of the Saxons in Britain.] J.F. Rigaud R.A. Pinx.t F. Bartolozzi R.A. Sculp.t 85. C. Smith taketh the King of Pamaunkee London Publish'd Feb.y 14. 11788 by W. Palmer, prisoner 1608 No.163 Strand. Stipple printed in red, proof before title. Plate 336 x [by Robert Vaughan, c.1624] 406mm. 13¼ x 16". £260 Engraving, sheet 145 x 110mm (5¾ x 4¼"). Trimmed Vortigern was the Saxon King of Britain in 5 AD. He and glued to backing sheet. Rare. £320 forged an alliance with brothers, Hengist and Horsa, English colonist Captain John Smith takes who were given lands in Linnccolshire in return for help Opechancanough, the King of Pamaunkee prisoner in in suppressing the Picts. Thee alliance was further Virginia. Smith (bap.1580-1631) was a soldier and enforced when King Vortigern fell in love with verse. The poem concerns the Biblical story of the Fall Renwein (or Rowena), the beautiful daughter of of Man, the temptation of Adam and Eve by the fallen Hengist who agreed to their marriage in exchange for angel Satan and their expulsion from the Garden of the whole of Kent. The scene captured here is clearly Eden. Begun by early 1824, this series of engravings the banquet scene depicting the meeting of Vortigern was the result of a comission from a little known and Rowena. The helmeted brooding figure of Hengist American publisher Septimus Prowett, who is seen seated on the left. Sometime later, in an attempt approached Martin to produce mezzotint illustrations to to bring all of Britain under Saxon control Vortigern accompany an issue of Milton's text. Prowett's arranged a meeting with Hengist, then King of the publication was released in four different proof forms. Jutes. However, Hengist armed his men who then Stock: 37809 massacred some 500 Saxon noblemen in an attack which became known as ‘the night of the long knives’ 93. [Cupid flying away from Troy] Stock: 24990 A. Jehotte Sculp.t imp.imé par Chardon fils [n.d., c.1820] 89. Faint- gazing on the burning orb of day, / Rare proof engraving on india, platemark 210 x When Afric's injur'd son expiring lay, page 97. 230mm (8¼ x 9"). Large margins. £120 T. Kirk del / J. Neagle Sc.t Published Feb. 1 1798 by Cupid, carrying a torch, flies away from the burning C. Dilly & Cadell & Davies, London; and R. Crutwell, city of Troy. The Trojan horse, which allowed the Bath. Greeks to enter the city, looms over the buildings. Engraving, sheet 120 x 75mm (4¾ x 3"). Trimmed Cupid played a decisive role in the conflict by shooting £130 Helen with an arrow which made her fall in love with A slave lays dying, as indicated by the lines from the Trojan prince Paris, who who she eloped. The torch William Lisle Bowles' poem 'The African' (1791). that Cupid holds here suggests that he has set the city Stock: 37655 ablaze. By the Liège printmaker Arnold Jéhotte (1789-1836). 90. L'Homme et son Image. Fable 11 Livre Stock: 37677 1.er. Gouget Direx. [Paris: Lecointe, Pougin & Gouget, 94. St. Dunstan and the Devil St Dunstan (as 1834.] the Story goes) / Once pull'd the Devil by the Engraving. 300 x 210mm (12 x 8¼"). Large margins. Nose. / With red hot Tongs which made him £75 roar, / That he was heard three Miles and 'The Man and his Image', an adaptation of the more. Narcissus story by Jean de La Fontaine (1621-95). A [Anon., c1740] dandyish man stares at his reflection in a pool. Engraving, sheet 165 x 120mm (6½ x 4¾"). Trimmed Stock: 37723 and glued to album sheet; small view of St Dunstans after Paul Sandby verso. £130 91. Les Voleurs et l'Ane. Fable 13 Livre St Dunstan (d.988), archbishop of Canterbury, holding 1.er. the devil with his tongs, as claimed by an 11th century Gouget Direx.t. [Paris: Lecointe, Pougin & Gouget, legend. 1834.] Stock: 37645 Engraving. 300 x 210mm (12 x 8¼"). Large margins. £65 95. Gun-Powder Treason. 'The Thieves and the Ass', a fable by Jean de La [Anon., c.1700.] Fontaine (1621-95). As two thieves argue over what to Engraving from an unidentified publication, sheet 120 do with the stolen ass another rides it away. From x 80mm (4¾ x 3¼). Rare. £120 'Fables de la Fontaine. Edition en taille-douce' by The eye of heaven condemns Guy Fawkes, who uses a Emile Joseph Alexandre Gouget. torch to guide him towards the Houses of Parliament at Stock: 37721 night. The Gunpowder Plot or Gunpowder Treason Plot of 92. Book 9, Line 780. [Satan tempting Eve] 1605, was a failed assassination attempt against King Designed & Engraved by J. Martin Esq.r. Printed by James I of England and VI of Scotland by a group of Chatfield & Co. London Published by Septimus provincial English Catholics led by Sir Robert Catesby. Prowett, 23 Old Bond Street. 1826. The plan was to blow up the House of Lords during the Mezzotint. 255 x 350mm (10 x 13¾"). Small margins State Opening of Parliament on 5 November 1605, as and small crease in top margin. £160 the prelude to a popular revolt in the Midlands during Satan tempting Eve; Eve standing under a tree at the which James's nine-year-old daughter, Princess edge of a pool, reaching up with one hand to hold a Elizabeth, was to be installed as the Catholic head of bough, around which Satan, disguised as a serpent, is state. Guy Fawkes (1570 – 1606), who had 10 years of entwined, holding an apple in the other, listening to the military experience fighting in the Spanish snake. in suppression of the Dutch Revolt, was given charge From a series of prints illustrating John Milton's of the explosives. For the image in reverse see ref. (1608–1674) 'Paradise Lost', first published in 1667, 18265 consisting of ten books with over ten thousand lines of Stock: 37648 96. The pretended Prince of Walles born, Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed June 10 1688 [parallel text in Dutch] [with inside plate. Some staining. £50 letterpress Stuart poem] A plate from 'The Criminal Recorder; or, Biographical [Anon., image c.1690, letterpress c.1750] Sketches of Notorious Public Characters', printed and Letterpress and etching, 160 x 185mm (6¼ x 7¼"), published by James Cundee, Ivy Lane, London, etching, and 145 x 135mm (5¾ x 5¼"), letterpress. illustrating the use of the guillotine. Both trimmed and glued to album sheet; other prints Stock: 38042 verso. £85 Dutch scene of the birth of James Francis Stuart, the 100. The Pillory. Old Pretender (1688-1766), Jacobite claimant to the J. Chapman sc. [Published Jan. 1804 by James Cundee, thrones of England, Scotland and Ireland. James was Ivy Lane.] born at St James's Palace in 1688. With Jacobite verses Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed above (which were published, for instance, inside plate. Slight staining. £45 accompanying portraits of James' eldest son Charles A plate from 'The Criminal Recorder; or, Biographical Edward Stuart). Sketches of Notorious Public Characters', printed and Stock: 37636 published by James Cundee, Ivy Lane, London, illustrating the use of the pillory. 97. A Representation of the Tryal of Lord Stock: 38044 Lovat in Wesminster Hall [&] A Representation of the Execution of Lord Lovat 101. The Stocks. [Anon, c.1747] J. Chapman sc. [Published Jan. 1804 by James Cundee, Two engravings, dimensions 190 x 235mm (7½ x Ivy Lane.] 9¼"), trial, and 110 x 175mm (4¼ x 7"), execution. Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed Both trimmed inside platemark and glued to album inside plate. Some staining. £45 sheet. Portrait of John, duke of Ormond verso. £130 A plate from 'The Criminal Recorder; or, Biographical Simon Fraser, 11th Baron Lovat (1667? - 1747) was a Sketches of Notorious Public Characters', printed and Jacobite executed at the age of eighty for high treason published by James Cundee, Ivy Lane, London, in the 1745 Rising, after a lifetime of devious intrigue illustrating the use of the stocks. Stock: 38043 between Jacobites and Hanoverians. A huge crowd attended his beheading, the last on Tower Hill, on 9 April 1747. Here his trial before the House of Lords is 102. Plan du Fort et de la Ville du Cape de represented in the form of a plan showing the positions Bonne Esperance. Tom.V.No 7. occupied by those present, while the scene of his [by Nicolas Bellin.] [n.d. but 1758.] execution includes a key identifying 'Lord Lovat's head Engraved map. 220 x 270mm (8¾ x 10½"). Folded as on ye block', 'cloth to receive the Head', 'The issued, left margin repaired. £50 Executioner with ye Axe', and 'The Coffin'. For Plan of the 's settlement at Hogarth's portrait of Lovat see ref. 24346; for another the Cape of Good Hope with a 13-point key, marking representation of the trial see ref. 17020. the castle that is now the oldest building in South Stock: 37633 Africa. Stock: 37604 98. [Act of the Parliament of Scotland making James, Earl of Arran, regent for Mary, 103. According to the General Treaty Queen of Scots, 1542.] of Vienna. 1815, Engraved by W. & D. Lizars, Edinburgh. [n.d., Published by Edw.d Baines Leeds 1816. c.1814.] Engraved map with minimal hand colour. 275 x Engraving with hand colour. Sheet 665 x 915mm (26¼ 360mm (10¾ x 14¼"). Repaired, nicks to edges, x 36"). Watermarked 'J Whatman & W Balston 1814'. central fold as normal. £140 Splits on folds. £280 The borders of Europe as decided by the Congress of A facsimile of 'Acta Parl. Mariæ M.D.XLII. App. I. P. Vienna, which started in September 1814 and 593', by which James Hamilton (c. 1516-75), 2nd Earl continued despite Napoleon's escape from Elba and the of Arran, was made regent for the infant Mary, Queen Waterloo campaign. It formed the shape of Europe of Scots, who had been only six days old at her until the First World War. From Baines' 'History of the accession. At the time he was second-in-line to the Wars of the French Revolution'. throne. The document is written in Latin and English, Stock: 37619 and has 18 wax seals remaining of the nobles who witnessed it. William Home Lizars published a number 104. Panorama des Environs Londres, Par of such facsimiles of important Scottish documents A.M. Perrot. circa 1815. Gravé par Legagneur, Rue de la Harpe, No. 35. [n.d., Stock: 37755 but 1828.] Engraved map with original colour. Printed area 210 x 99. The Guillotine. 310mm (8¼ x 12"). Folded as issued. £260 J. Chapman sc. [Published Jan. 1804 by James Cundee, Ivy Lane.] A tourist's map of the environs of London, extendingg 1812, published in Bowyer's 'Illustrated Record of from Windsor east to Gravesend and from Ware soutth Important Events in the Annaals of Europe'. to Reigate. From the 'Guide de l'Étranger a Londres'. Stock: 37913 Stock: 37603 110. Silver Jubilee Reviiew. The King Leads 105. Panorama de Londres, Par A.M. Perrott. His Fleet to Sea. [In pencil.] "Resolution" Gravé par Legagneur, Rue de la Harpe, No. 35. [n.d.,, "Victoria & Albert" "Revenge" "Queen but 1828.] Elizabeth" "Rowilles" "RRoyal Sovereign". Engraved map with original colour. Sheet 355 x Rowland Langmaid. [Signed in pencil.] [n.d., c.1920.] 450mm (14 x 17¾"). Folded as issued, trimmed to Etching. Platemark: 115 x 375mm (4½ x 14¾"). £260 printed border on right. £260 A view of the Royal Yacht Victoria & Albert, wearing A tourist's map of London, showing only the major Court Flags, proceeding throough the lines of the heavy roads, extending from Hyde Park east to the East Indiia ships during the Fleet Review of 16th July 1935 to Docks and from Kentish Town south to Kennington. mark HM King George V’s Silver Jubilee year. Each From the 'Guide de l'Étranger a Londres'. ship is named below the imagge. Stock: 37602 By Rowland John Robb Langgmaid R.A. (1897 - 1956). Born in Vancouver, Langmaaiid studied maritime art 106. A New and Accurate Plan of the City of with William Lionel Wyllie aand Langmaid was the Westminster, the Dutchy of Lancaster and official war artist to the Commander-in-Chief Places Adjacent. Mediterranean Fleet from 1941 to 1943. B. Cole Sculpp. [London, 1756.] Stock: 38070 Engraved map. 245 x 380mm (9¾ x 15"). £90 A detailed plan of Westminster, engraved by Benjamin 111. The Standards, Flags and Colours of all Cole for Willliam Maitland's 'History of London'. The Nations. extents are Shepherd's Market clockwise to Mary Le [n.d., c.1750.] Bone, Tottenham Court, Chancery Lane, Horse Ferry, Engraving. 185 x 125mm (7¼ x 4½"). £120 Chelsea Water Works & 'Pimblico'. Adams: London A collection of illustrations of flags, with a large Illustrated, no.38, 86. 'Standard of Great Britain' and fifteen smaller flags, Stock: 37856 including Naval ranks, the Eaast India Company, Guinea Company & New England ensign. Unusual 107. Chart Illustrative of the Campaigns of flags include: the Budge (Budgee) flag, on which the the Wars of the French Revolution. In Cross of St George was replaced by the Union flag; Germany, Poland, Russia & France, from 1803 and the 'Scotch Union Flag', on which the Cross of St ro 1813. Andrew is at the forefront off the Union Flag. The flags Published by Edw.d Baines Leeds March 4th 1816. are engraved using a colour code (ie. blue denoted by Engraved map. 240 x 400mm (9½ x 15¾"). Repaired, horisontal lines, red by vertical lines). nicks to edges, central fold as normal. £140 Stock: 37606 A map of Northern Europe, marking the route of Napoleon's reetreat from Moscow, 1812. From Baines' 'History of the Wars of the French Revolution'. Stock: 37620

108. Plan de la Position des Turcs en Face Tortokan Le 4. Nov.bre 1853. [c.1853.] Coloured lithographic map. Sheet 195 x 265mm (7¾ x 10½"). Trimmed and mounted on album paper. £60 At the outbreak of the Crimean War the Ottomans crossed the Danube from Tutrakan in Bulgaria and defeated the Russians at the Battle of Oltenița in Wallachia, 4th November 1853, the first military engagement of the war. 112. [Battle of Navarin..] Plate 10. Stock: 38010 [After George Philip Reinaglle.] Printed by C. Hullmandel. Published by Colnaghi & Son, Pall Mall 109. A Map exhibiting the Retreat of the East, 18th January 1828. French Army from Moscow to Paris. Hand coloured lithograph. On India paper. Sheet size: W. Milton sc. Published by R. Bowyer Pall Mall, 285 x 390mm (11¼ x 15¼").. Spotty colour. £260 London, 20 Feb. 1815. Plate 10 from George Philip Reinagle's 'Illustrations of Engraved map. Printed area 385 x 255mm (15¼ x 100"). the Battle of Navarin.', publisshed 1828. The Battle Of Damp stain on edge of wide margins. £140 Navarino was fought off the west coast of the A map of the roads between Moscow and Paris, Peloponnesus on October 200th 1827 and effectively showing the route of Napoleon's disastrous retreat off ended the Turkish resistance to Greek independence. Reinagle wittnnessed the battle form on board the HMS Mosquito, depicted in the centre of the image, and on his return to London produced 'Illustrations of the Battle of Navarin.' Parker: 243 not in. Stock: 38081

113. [Battle of Navarin.] Plate 3. [After George Philip Reinagle.] Printed by C. Hullmandel. Published by Colnaghi & Son, Pall Mall East, 18th Jaannuary 1828. Hand coloured lithograph. On India paper. Sheet size: 305 x 420mm (12 x 16½"). Spotty colour. £320 Plate 3 from George Philip Reinagle's 'Illustrations of the Battle of Navarin.', published 1828. The Battle Of Navarino was fought off the west coast of the Peloponnesus on October 20th 1827 and effectively ended the Turkish resistance to Greek independence. 116. To Captain Sir Phiilip Bowes Vere Broke, Reinagle wittnnessed the battle form on board the HMS Bart and K.C.B, This representation of H.M.S. Mosquito and on his return to London produced 'Illustrations of the Battle of Navarin.' Parker: 243 not Shannon, leading her Prriize the American in. Frigate Chesapeake into Halifax Harbour, on Stock: 38082 the 6th June, 1813, is Deddicated by his obliged and most grateful Servant, R. H. King. 114. [Battle of Navarin.] Plate 8. Painted by J.C. Schetky Esq..re & On Stone by L. [After George Philip Reinagle.] Printed by C. Hague. Designed by Capt R.H. King R.N. London, Hullmandel. Published by Colnaghi & Son, Pall Mall Pub.d by Smith, Elder & Co.. 65 Cornhill. Print.d by East, 18th Jaannuary 1828. W. Day 17 Gate St. [n.d., c.1830.] Hand coloured lithograph. Sheet size: 275 x 380mm Coloured lithograph. Sheet: 600 x 440mm, (23¾ x (10¾ x 15"). Spotting in margins. £350 17¼"). £780 Plate 8 from George Philip Reinagle's 'Illustrations of One of four plates following the most famous Anglo- the Battle of Navarin.', published 1828. The Battle Of American sea-battle, June 1sst, 1813. The plate depicts Navarino was fought off the west coast of the the Shannon leading her prize into Halifax Harbour, Peloponnesus on October 20th 1827 and effectively Nova Scotia. The plate is dedicated to the Shannon's ended the Turkish resistance to Greek independence. Captain, Sir Philip Bowes Veere Broke. Foor complete Reinagle wittnnessed the battle form on board the HMS seet of four, see ref. 26662 Mosquito and on his return to London produced Stock: 5430 'Illustrations of the Battle of Navarin.' Parker: 243 not in. 117. [Ships with landscaape behind] Stock: 38083 R. Zeeman [1656] Etching, sheet 130 x 200mmm (5 x 8"). Glued to backing 115. [Battle of Navarin.] Plate 11. sheet; wrinkling at corners. £140 [After George Philip Reinagle.] Printed by C. The fifth from a series of seven seascapes (plus Hullmandel. Published by Colnaghi & Son, Pall Mall frontispiece), 'Quelque port dee Meer' (Some Sea East, 18th Jaannuary 1828. Harbours), first published by Danckert Danckerts in Hand coloured lithograph. Sheet size: 285 x 390mm 1656 with several subsequent editions. (11¼ x 15¼"). Repaired tear to top edge in centre. Etched by Reinier Nooms (1623-67), Dutch painter and Spotting in margins. £320 prrintmaker who signed his prrints 'Zeeman' ('Seaman'). Plate 11 from George Philip Reinagle's 'Illustrations of Nooms travelled widely as a sailor on Dutch merchant the Battle of Navarin.', published 1828. The Battle Of vessels in his early life, and his works include views of Navarino was fought off the west coast of the Tunis, Tripoli and Algiers as well as many European Peloponnesus on October 20th 1827 and effectively poorts. He produced some 170 etchings which as well as ended the Turkish resistance to Greek independence. seascapes include architecturrally accurate renderings of This view shows the town of New Navarin in the Amsterdam. distance, with the ship 'Glasgow' in the centre. Stock: 37665 Reinagle wittnnessed the battle form on board the HMS Mosquito and on his return to London produced 118. The Great Western Steam Ship, 'Illustrations of the Battle of Navarin.' Parker: 243 not intended to trade between and New in. York, leaving Cumberlannd Basin on the Stock: 38084 morning of the 18th Aug. 1837, in tow of the Lion Steam Tug and acccoompanied by the Benledi and Herald Steaamers for the purpose of proceeding to London to receive her Engines. J. Walter del et litho. Printed by C. Hullmandel. rowing away in the foreground. White cliffs can be [c.1837.] seen in the distance on the rigght. Lettered below image Rare lithograph. Sheet 230 x 305mm (9 x 12"). with title, coat of arms, dedication to the commodore Trimmed to image and around title, laid on album and members of the Royal Yacht Club from Messrs paper. £260 Fores, the name of its builderrs. Parker: 2251. Isambard Kingdom Brunel's SS Great Western leaving Stock: 33610 the docks at Bristol to be fitted with engines by Maudslay, Sons & Field. Her maiden voyage started on 122. To Andrew Arcedeckne, Esq. 8th April 1838. NMM: PAH0209. From an album off (Commodore,) and the Officers and Members the Walter family. of the Royal London Yacht Club, this print of Stock: 37729 the Schooner Yacht "Egeeria", 161 Tons, J.

Mulholland, Esq (Owner) rounding the 119. The Great Western. 'Mouse' lightship, in the Schooner and Yawl J. Walter Pinx.d. Lithographed & Published by T. Bedford, 44 Broad Quay, Bristol. [c.1837.] match, June 9, 1870, _ Winner of the hundred Rare lithograph. Sheet 205 x 270mm (8 x 10½"). Smmaall guineas prize _ is dedicated by their obedient worm hole. £260 servant, Josiah Taylor. Isambard Kingdom Brunel's SS Great Western Josiah Taylor Del et Lith. London, Published May 15, steamship. NMM: PAH0210. From an album of the 1871, by J. Taylor, 13 Jackson Road, Holloway, & Walter family. Mess.rs R & A. Ackerman, 191 Regent St. W. Stock: 37730 Hand coloured lithograph. Prrinted area: 435 x 600mm (17 x 23¾"). £1350 120. To the Secretary and Members of the A view of the 98ft schooner yyacht, 'Egeria', owned by Royal Cork Yacht Club, This print of the J. Mulholland, in action during the Schooner and Yawl Cutter Yacht Cygnet (W. Smith Esq.re.) is match, which took place on June 9th, 1870. A list of the yachts numerous victories, and prize money won, is respectfully dedicated by their very obedient listed below the image. servant, O. W. Brierly. H.M. Brig Columbine. By maritime painter Josiah Taylor (fl.1846–1877). Xarifa Yacht. Stock: 33613 O. W. Brierly del. et lith. Day & Haghe lith.rs. to the Queen. Edmund Fry & Son, London. Edmund Fry 123. The Fernande R.W.Y.C. beating the Jun.r. Plymouuth. [n.d., c.1840]. Mosquito and Cynthia cutters for the Queen's Lithograph, rare. Sheet : 510 x 370mm. (20 x 14½"). Vase, Plymouth, August 26th 1849. Small tear on right. £980 Condy, Pinx.t. Young, Sculp.t. [n.d., c.1850.] A view of the cutter yacht 'Cygnet'. H. M. Brig Coloured aquatint. Sheet 405 x 580mm (16 x 22¾"). Columbine and Xarifa Yacht can be seen in the Trimmed to plate, bottom lefft corner of inscription area distance. For uncoloured example of this print see ref: repaired. £980 9894. Stock: 32819 The end of a yacht race, a lighthouse in the right baackground. The Fernande, a schooner built by William Camper at Gosport aand owned by Major Francis Mountjoy Martyn, was entered to race in the first of what was to become tthe Americas Cup (named after the winning yacht), but did not start. Stock: 32828

124. To J. H. P. J. Pigott Esq.re. this print of his Cutter Yacht "Ganymede", R.Y.S. is respectfully dedicated by his obedient servant Edmund Fry. N.M. Condy, del. T.G. Dutton, lith. Day & Haghe Lith.rs. to the Queen. [n.d., c.1850]. Lithograph with large margins, rare. Sheet: 460 x 360mm. (18 x 14"). Small teaar in title. Repair outside image on top right & left. £980 View of the cutter yacht 'Ganymede', with three yachts 121. The cutter yacht "Cynthia", 50 tons. in the distance. Painted by N.M.Condy. T. G. Dutton Lith. London, Stock: 32824 Published, Augt. 2nd. 1850. by Messrs Fores, At Their Sporting and Fine Print Repository and Frame 125. Kriemhilda. Manufactory, 41 Piccadilly, Corner of Sackville Street. T. G. Dutton, del et lith. John B. Day, Lith. London: Hand coloured lithograph, very fine. Printed area: 360 Published by John B. Day, Savoy Street, Strand W.C. x 460mm (14¼ x 18"). £1350 [n.d., c.1870] A view of the yacht 'Cynthia', on the water, sailing to the right, with other yachts behind it, and a small boat Lithograph with large margins. Sheet: 350 x 270mm. From 'The costume of Yorkshire, illustrated by a series (13¾ x 10½"). £450 of forty engravings, being faacc-similes of original View of the yacht 'Kriemhilda' with a yacht in the drawings. With descriptions in English and French.' distance racing. Stock: 13092 Stock: 32822 129. [Grenadier, or the first West York 126. The "Leda" Yacht, R.W.Y.C. Dedicated militia.] by permission to the owner William Russell [George Walker del.] Printed by T. Bensley, Bolt Brancepeth Castle, Esq.r. Court, Fleet Street. For Longman, Hurst, Rees, Orme Painted by N.M. Condy. T.G. Dutton, Lith. London, and Brown, Paternoster Row; Ackermann, Strand; and Published Jany 1st. 1850, by Messrs. Fores, At Their Robinson, Son, and Holdsworth, Leeds. 1814. Sporting & Fine Print Repository, & Frame Aquatint, 300 x 190mm. 12 x 7½". Trimmed. Laid on Manufactory, 41 Piccadilly, Corner of Sackville Street. album sheet. £120 Hand coloured lithograph, very fine. Printed area: 315 From 'The costume of Yorkshire, illustrated by a series x 450mm (12½ x 17¾"). £1350 of forty engravings, being faacc-similes of original A view of the 'Leda' yacht, owned by William Russell drawings. With descriptions in English and French.' of Brancepeth Castle, off the coast of Cornwall, with Stock: 13091 the Eddysone Lighthouse in the distance to the right. Founded as the Port of Plymouth Royal Clarence Regatta Club in 1827, the Royal Western Yacht Club was foundedd in 1833. Its original aims were to hold an annual regatta, to organise an active social programme and to stimulate improvements in naval architecture through yacht racing. In those early years the Club's principal strength proved to be in long distance cruising. Its members' yachts, wearing the Blue Ensign, a privilege given to them in a Warrant granted by Queen Victoria, were to be seen in the farthest corners of the globe, from France and St Petersburg to Cape Town, Ceylon, South America and the USA. NMM: PAH8679. Stock: 33609

127. The Iron Cutter Yacht Mosquito, 50 Tons, R.T.Y.C. To the Right Hon.ble Lord Londesborough, this plate is by permission respectfully dedicated by His Lordship's very obedient servant, Thomas g. Dutton. T.G. Dutton del et Lith. Day & Son. Lith.rs to the Queen. London, Published, Nov.r 6th, 1852, by R.A. Ackermann 191 Regent Street. Hand coloured lithograph, very fine. Printed area: 370 130. Napoleon. The First, and Last, by the x 450mm (14½ x 17¾") £1350 Wrath of Heaven Emperor of the Jacobins, A view of the iron cutter yacht, 'Mosquito', at sea with Protector of the Confederation of Rogues... several ships and yachts in the distance. The ship was [after Johann Michael Voltz..] Published at R. constructed by T. Waterman, built by C.J. Mare & Co., Ackerman. 101 Strand, London [1814]. and the sails made by Eversfield. It won many races, as Very fine hand coloured etching and letterpress. Sheet listed below the image with the prize money, including 445 x 295mm. (17½ x 11½")). Laid on album paper. the Lowestoft Regatta on July 6th 1852, the Great £690 Yarmouth Regatte on July 13th 1852, and the Royal A satirical portrait of Napoleon, with explanatory Western Yacht Championship Cup on August 5th letterpress underneath. The spider's web is surrounded 1852. Stock: 33606 byy a map with Napoleon's battles around the Elbe & Rhine. Napoleon's hat is porrtrayed as an eagle, with his face made of the corpses of those 'who perished on 128. [East York Militia.] the Plains of Russia and Saxony'. Napoleon's jacket is a [George Walker del.] Printed by T. Bensley, Bolt map of the environs of Leipzig, with other battles in Court, Fleet Street. For Longman, Hurst, Rees, Orme the campaign indicated. Also on the jacket, the and Brown, Paternoster Row; Ackermann, Strand; and epaulette is shown as a hand,, leading the 'Rhenish Robinson, Son, and Holdsworth, Leeds. 1814. Confederation', shown as a cobweb. 'His throat is Aquatint, 300 x 190mm. 12 x 7½". Trimmed to imagge. encircled with the Red Sea', ssymbolizing those who Colour faded. Laid on album sheet. £120 drowned in the battles led by Napoleon. Stock: 38077 travels in the Orient, inspired his British contempories to explore the East. Wisselingh: 85 Stock: 37850

135. [The Magic Door.]][In pencil beneath image.] [Marius Bauer.][Monogram iin pencil.] Etching. 1 of 100 signed proofs. Plate: 140 x 170mm, (5½ x 6¾). Very large margiins. Uncut. £160 An interior scene in which two elaborately dressed figures approach a large, ornnate door guarded by a figure with a torch. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose woork, influenced by his travels in the Orient, inspired his British contempories 131. [St Helena.] View taken from the Road to explore the East. Bauer was influenced by 'La leading Towards the Plantation House. [&] Jeunesse Inaltérable et la Vie Eternelle' a French View of Plantation House The Residence of the translation of Romanian folklore. Wisselingh: 37 Governor. [&] View from the First Range of Stock: 37844 Hills below Sandy Bay Ridge. [&] The New House at Longwood Intended for the Late 136. [Queen of Sheba.][In pencil below Napoleon Buonaparte. [with] The Shade of image.] Napoleon Visiting his Tomb. [Marius Bauer.][Monogram iin pencil.] [Painted by John Kerr, engraved by Robert Havell & Etching. 39 of Limited edition of 100. Plate: 180 x Son.] [London: Colnaghi & Co, 1822.] 135mm (7 x 5¼".) Very largge margins. Uncut. £140 Four very fine coloured aquatints. Each sheet c.225 x A biblical scene showing the Queen of Sheba arriving 340mm (9 x 13½"). Each trimmed to image and laid oon at King Soloman's palace, thhe Queen of Sheba, on two album sheets, titles excised and pasted below each hearing of Soloman's great wisdom decided to visit him image. £750 in order to see if the stories were true. Marius A. J. Four plates from the rare 'Series of Views in the Island Bauer (1867-1932) was a Dutch etcher whose work, of St Helena' by John Kerr, Paymaster to the 66th influenced by his travels in the Orient, inspired his Regiment, which had garrison duty guarding Napoleon British contempories to explore the East. Wisselingh: on St Helena in 1816. 111 An extra plate is an uncoloured lithograph with Stock: 37881 Napoleon's outline formed by two trees by his tomb. Abbey: Travel 316. 137. [A Vizir.][In penciil beneath image.] Stock: 38080 [Marius Bauer.][Monogram iin pencil.] Etching. Plate: 175 x 135mm, (7 x 5¼"). Very large 132. "Patience". 6/75. margins. Uncut. £140 Horace Williamson. [Signed in pencil.] [n.d., c.1930.] Scene in a market depicting a crowd of people bowing Etching. Platemark: 175 x 240mm (7 x 9½"). Very as a mounted Vizir rides through the crowd. Marius A. large marginns. Light mountburn. £170 J. Bauer (1867-1932) was a Dutch etcher whose work, A polar bear peering into an icy pool of water below. influenced by his travels in the Orient, inspired his Limited edition of 75 prints by Horace W. Williamson. British contempories to explore the East. Wisselingh: Stock: 37815 35 Stock: 37849 133. "Patience". Horace Williamson. [Signed in pencil.] [n.d., c.1930.] 138. [Fort at Agra.][In ppencil beneath image.] Etching. Proof. Platemark: 175 x 240mm (7 x 9½"). [Marius Bauer.][Monogram iin pencil.] Very large margins. £160 Etching. Plate: 175 x 105mm, (7 x 4¼"). Very large A polar bear peering into an icy pool of water below. A margins. Uncut. £140 proof impression from a limited edition of 75 prints by A view of the Agra Fort in India. Marius A. J. Bauer Horace W. Williamson. (1867-1932) was a Dutch etcher whose work, Stock: 37816 influenced by his travels in the Orient, inspired his British contempories to explore the East. Wisselingh: 134. [Aladdin.][In pencil beneath image.] 98 [Marius Bauer.][Monogram in pencil.] Stock: 37852 Etching. Plate: 170 x 140mm, (6¾ x 5½"). Very large margins. Uncut. £140 139. [A Colonnade.][In pencil beneath image.] A scene in which a lavishly dressed man, with his [Marius Bauer.][Monogram iin pencil beneath image.] hands tied behind his back is led by chains by mounted Etching. Plate: 150 x 115mm, (6 x 4½"). Very large horsemen. To the side of the images figures flee from margins. Uncut. £90 the oncoming soldiers. Marius A. J. Bauer (1867-1932) An interior view of a large room with a colonnade, a was a Dutch etcher whose work, influenced by his figure sits on a camel while others rest against the columns. Marius A. J. Bauer (1867-1932) was a Dutch can be seen behind the wall. Marius A. J. Bauer (1867- etcher whose work, influenced by his travels in the 1932) was a Dutch etcher whose work, influenced by Orient, inspired his British contempories to explore the his travels in the Orient, inspired his British East. Wisselingh: 63 contempories to explore the EEast. Wisselingh: 136 Stock: 37843 Stock: 37842

140. [Procession with Elephants.] [In pencil 145. [Hindoo Temple.][[In pencil beneath beneath image.] image.] [Marius Bauer.] [Monogram in pencil beneath image.] [Marius Bauer.][Monogram bbeneath image.] Etching. Plate: 130 x 180mm, (5 x 7"). Very large Etching. Plate: 130 x 180mm, (5 x 7"). Very large margins. Uncut. £160 margins. Uncut. £140 A view of a procession of figures riding elephants A view of an Hindu Temple with a figure driving a through a crowd, a large fortified building towers carriage pulled by cattles in tthe foreground. Marius A. above in the background. Marius A. J. Bauer (1867- J. Bauer (1867-1932) was a Dutch etcher whose work, 1932) was a Dutch etcher whose work, influenced by influenced by his travels in the Orient, inspired his his travels in the Orient, inspired his British British contempories to explore the East. Wisselingh: contempories to explore the East. Wisselingh: 113 30 Stock: 37839 Stock: 37841

141. [A Festival.][In pencil beneath image.] 146. [Jeypore.][In pencciil beneath image.] [Marius Bauer.][Monogram in pencil.] [Marius Bauer.][Monogram iin pencil.] Etching. Plate: 135 x 165mm, (5¼ x 6½"). Very large Etching. Plate: 180 x 125mm, (7 x 5"). Very large margins. Uncut. £160 margins. Uncut. £140 A scene depicting a crowd celebrating, several figures A view of Jeypore in India. A procession of people and crowd around a performing monkey while others shoout elephants gathers before a larrge decorated building. and dance. Marius A. J. Bauer (1867-1932) was a Marius A. J. Bauer (1867-19932) was a Dutch etcher Dutch etcher whose work, influenced by his travels in whose work, influenced by his travels in the Orient, the Orient, inspired his British contempories to explore inspired his British contempories to explore the East. the East. Wisselingh: 96 Wisselingh: 103 Stock: 37847 Stock: 37855

142. [Funeral at Cairo.][In pencil beneath image.] [Marius Bauer.][Monogram in pencil.] Etching. Plate: 285 x 225mm, (11¼ x 9"). Very large margins. Uncut. £120 A funeral procession in which figures chant and march before a coffin and a woman rides on a donkey. Mariius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East. Wisselingh: 133 Stock: 37848

143. [A Gate.][In pencil beneath image.] [Marius Bauer.][Monogram in pencil.] Etching. Plate: 135 x 100mm, (5¼ x 4"). Very large margins. Uncut. £110 147. [At the Lomei.][In pencil beneath image.] stand before a large gate. Marius A. J. [Marius Bauer.][Monogram iin pencil.] Bauer (1867-1932) was a Dutch etcher whose work, Etching. Plate: 125 x 180mm, (5 x 7"). Very large influenced by his travels in the Orient, inspired his margins. Uncut. £160 British contempories to explore the East. Wisselingh: An exterior scene in which a dismounted horseman 20 Stock: 37854 leads his horse to water. Marrius A. J. Bauer (1867- 1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British 144. [Bachi Hareem.][Title in pencil beneath contempories to explore the EEast. Wisselingh: 66 image.] Stock: 37845 [Marius Bauer.][Monogram in pencil.] Etching. Plate: 290 x 230mm, (11½ x 9"). Very large 148. [Leaving the Mosque.][In pencil beneath margins. Uncut. £180 image.] A view of a garden in Bakhchysarai., in the Crimean [Marius Bauer.][Monogram iin pencil.] Peninsula, with a high wall in which a group of wommeen Etching. Plate: 150 x 130mm, (6 x 5"). With large by a fountain. Part of the residence of the Tartar Khans margins. Uncut. £110 A view of figures on the steps of a mosque. Marius A. sister of James McNeill Whiistler (1834 - 1903) and J. Bauer (1867-1932) was a Dutch etcher whose work, beecame an important influennce on the American-born influenced by his travels in the Orient, inspired his etcher's style. H:98. British contempories to explore the East. Wisselingh: Stock: 38026 61 Stock: 37851 154. [Little Moat House.] Seymour Haden. [Signed in pencil.] 1866. 149. [Indian Mountains.] [In pencil beneath Etching. Platemark: 150 x 225mm (6 x 9"). Very large image.] margins. Some foxing. £250 [Marius Bauer.] [Monogram in pencil beneath image.] An attractive view at the watters edge, with a house to Etching. Plate: 175 x 110mm, (7 x 4¼"). Very large the left. margins. Uncut. £140 One of the pioneers of the 19th century etching revival, A large landscape with mountains towering above a Sir Francis Seymour Haden ((1818 - 1910) married the band of figures riding on horses and camels with spears sister of James McNeill Whiistler (1834 - 1903) and and lances. Marius A. J. Bauer (1867-1932) was a beecame an important influennce on the American-born Dutch etcher whose work, influenced by his travels in etcher's style. H:114. the Orient, inspired his British contempories to explore Stock: 38025 the East. Wisselingh: 74 Stock: 37840

150. [Palace Entrance.] [Marius Bauer.][Monogram in pencil.] Etching. Plate: 170 x 110mm, (6¾ x 4¼"). Very large margins. Uncut. £140 A view of a palace entrance in India. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East. Wisselingh: 24 Stock: 37879

151. [Temple Walls.][In pencil beneath image.] [Marius Bauer.][Monogram in pencil.] 155. [Little Shere Mill Pond.] Etching. Plate: 110 x 70mm, (4¼ x 2¾"). Very large Seymour Haden. [Signed in pencil.] [n.d., c.1860.] margins. Uncut. £110 Etching. Platemark: 110 x 170mm (4¼ x 6¾"). Slight A view of the steps leading up to a temple in Palitana staining. £160 in India, a figure mounts the steps and a figure holds a A view of Shere Mill Pond, surrounded by trees and horse. Marius A. J. Bauer (1867-1932) was a Dutch reeds, with a building in the bbackground in the centre. etcher whose work, influenced by his travels in the One of the pioneers of the 19th century etching revival, Orient, inspired his British contempories to explore the Sir Francis Seymour Haden ((1818 - 1910) married the East. Wisselingh: 29 Stock: 37846 sister of James McNeill Whiistler (1834 - 1903) and beecame an important influennce on the American-born etcher's style. H:37. 152. [Church in Moscow.][In pencil beneath Stock: 38027 image.] [Marius Bauer.][Monogram in pencil.] 156. [The Punt.] Etching. Plate: 150 x 200mm, (6 x 8"). Very large Whistler 861. J. Whistler. Loondon, Published margins. Uncut. £220 December 1st, 1861 by Day & Son, Lith. to the Queen. A view of St Vasily's Cathedreal in Red Square, Etching with drypoint. 120 x 165mm (4¾ x 6¼"), large Moscow. Marius A. J. Bauer (1867-1932) was a Dutch margins. £160 etcher whose work, influenced by his travels in the A man punts across a rural riiver, etched by James Orient, inspired his British contempories to explore the McNeill Whistler for the Junior Etching Club's East. Wisselingh: 47 'Passages from Modern Engllish Poets', 1862. Whistler Stock: 37853 was elected to the Junior Etcching Club in 1859 and attended a meeting on 2 January 1861, when he agreed 153. [Little Calais Pier.] to contribute two plates 'to replace those promised by Seymour Haden. [Signed in pencil.] Calais. S. Haden the late Mr Luard in the Colllection of Miscellaneous 1865. 3am. Etchings to be published by Day and Son.' State 4 of 6, Etching. Platemark: 75 x 150mm (3 x 6"). £170 with plate bevelled, losing part of Whistler's signature An attractive view of the pier at Calais, France. and date. University of Glasgow 'James McNeill One of the pioneers of the 19th century etching revivaal, Whistler: The Etchings'. Sir Francis Seymour Haden (1818 - 1910) married thhe Stock: 37756 157. [Sketching.] Engraving. Sheet size: 190 x 230mm (7½ x 9"). Whistler J. Whistler. London, Published December Stained, laid on board. £160 1st, 1861 by Day & Son, Lith. to the Queen. A keyplate depicting two boxers, Ned Turner, 'The Etching with drypoint. 120 x 165mm (4¾ x 6¼"), larrge Out-and-Outer', and Jack Randall, 'The Prime Irish margins. £160 Lad', surrounded by spectatoors, including other famous A man sketches by a rural river, etched by James pugilists of the era, during an exhibition sparring match McNeill Whistler for the Junior Etching Club's held in Fives Court, in London's Little St. Martin's 'Passages from Modern English Poets', 1862. Whistler Street. was elected to the Junior Etching Club in 1859 and Stock: 37835 attended a meeting on 2 January 1861, when he agreed to contribute two plates 'to replace those promised by 161. W.m Camden. the late Mr Luard in the Collection of Miscellaneous [c.1800] Etchings to be published by Day and Son.' State 4 of 6, Etching. 140 x 90mm (5½ z 9½"). £65 with plate bevelled, losing part of Whistler's signature. Portrait of William Camden (1550-1623) after Marcus University of Glasgow 'James McNeill Whistler: The Gheeraerts the Younger. He is best known for Etchings'. description of Britain, the 'Brritannia' (1586), which was Stock: 37758 first illustrated with county maps in 1607. This portrait appears to come from an octavo atlas, as the text under the portrait is headed 'Explanation of the Charcaters in the Maps'. Stock: 37795

162. Willi. Camden Clarenceux ye Sone of a painter Nat An.o 1550 Obit. 1623 Joseph's 158. [Yachts running down past Ryde.] Coat Nobility Dative the Second Booke by S: W. L. Wyllie. [Signed in pencil.] [n.d., c.1920.] M: [...] Etching. Platemark: 85 x 330mm (3¼ x 143"). £230 R: Gaywood fc. [c.1661] A seascape depicting the town of Ryde, Isle of Wight, Etching, 220 x 150mm (8½ x 6"). Trimmed along in the distance, and a number of yachts and various pllatemark; glued to backing sheet with engraving of a sailing vessels on the water. tomb verso. £320 By illustrator, etcher and marine painter William L. Portrait of William Camden (1550-1623), historian and Wyllie (1851-1931. herald, known for his 'Britannnia' (1586), a copy of Stock: 37783 which his hands rest upon here. Engraved by Richard Gaywood as a plate to Sylvanus 159. Hector, in the Tower. Morgan's 'Sphere of Gentry' (1661). The work W. Sharp sculp Bartholomew Lane [Publish'd consisted of four 'books', of which Josephs's Coat was according to Act of Parliament, Jan 9th 1775 by W.m the second, to which this was presumably the Sharp, No 9 Bartholomew Lane, Royal Exchange, frontispiece. London] This engraving was taken from a portrait of Camden Etching and engraving, sheet 165 x 190mm (6½ x which was destroyed in the great fire of London in 7½"). Trimmed to image, losing publication line; glueed 1666. However, when Morgan became master of the to backing sheet. Very rare. £160 Painter-Stainers' Company in 1676, he presented the The Royal Menagerie was established at the Tower of company with a portrait of Camden (a former London in the early 1200s during the reign of King beenefactor of the Painter-Staainers), worked up in turn John, and for over 600 years exotic animals were kept from the Gaywood engraving. That portrait still hangs there until they were transferred to Regents Park in the in the Painter-Stainers' hall. O'Donoghue 10. 1830s where they became part of London Zoo. Stock: 37629 18th century guidebooks listed in detail the animals in the menagerie, which were the main tourist attraction 163. [Two portraits of Catharine Macaulay] at the Tower. The lion shown here is probably the same [Engraved by James Caldwelll after Robert Edge Pine described in a 1769 guidebook as 'Hector, a fine young c.1774, top, and James Basirre after G.B. Cipriani, lion, sent as a present to his majesty from the emperor 1767, bottom] of Morocco' (Daniel Henry, 'An Historical Account of Two etchings, sheet dimensioons 165 x 110mm (6½ x the Curiosities of London and Westminster'). Baker 4¼") Pine/Caldwell, and 165 x 145mm (6½ x 5¾") 115 Cipriani/Basire. Both trimmed inside platemark and Stock: 37650 glued to album sheet. £140 Two portraits of Catharine Macaulay (1731-91), 160. [A keyplate to 'The interior of the Fives historian and political polemmicist. Macaulay was the Court with Randall and Turner sparring'.] author of an eight-volume 'History of England', the first London, Publsihed Aug. 1st 1825 by Sam. Brooks. volume of which was published in 1763. Both her Printseller to the Royal Family, opposite St. James's undertaking of the project and the support of her first Palace. husband Dr George Macaulay were remarkable for the eighteenth century. Macaulay's friends and correspondents included John Wilkes, Mary balmy gales and enjoy the growing luxuriance Wollstonecraft, and (during a trip to America) of the spring, himself the while in the blooming Benjamin Franklin and John Adams. youth of Life. He looks abroad on all 'She was a remarkable woman. No other woman before nature,and through nature up to nature's God! her had written history of the kind that she wrote. Burns Letters. Though not strictly a feminist she always behaved as Buck del. Bate sculps. London, Published August 1. though equality between the sexes already existed.' 1808, by William Holland, No.11 Cockspur Street. (Bridget Hill, Oxford DNB). Coloured stipple printed in colours and etching. 306 x The profile portrait after Cipriani was published in 222mm. 12 x 8¾". Slight damage below title. £130 volume three of Macaulay's 'History', while the full- A young (1759-1796) standing dressed in length portrait (in which Macaulay rests upon five a kilt and holding a book of his father's poems above volumes of her 'History', quill in hand) is taken from the gravestone of his father in Auld Kirk churchyard, the oil painting by Robert Edge Pine in the National Alloway, Ayrshire, Scotland. Portrait Gallery, London. On the pedestal is a quotation Stock: 24440 from Macaulay's writings, 'Governement A Power Delegated for the Happiness of Mankind Conducted by Wisdom Justice and Mercy'. In her left hand she holds 167. Effigies Michaelis Drayton Armigeri, a letter addressed to Dr Thomas Wilson, who Poetae Clariss. Aetat. Suae L.A. Chr. Macaulay lived with for a time. MDCXIII. Stock: 37632 Pub by W Richardson Sep.r 1. 1796 York House 31 Strand. 164. Edwardus Pocock, S.T.P. Adis Christi Engraving. 220 x 165mm (8¾ x 6½"). £75 Canonicus, Linguarium Hebr: et Arab: in Michael Drayton (1563 - 1631), poet, after the rare Acedemia Oxoniensi Professor. 1619 engraving by William Hole. He is most famous for his epic poem, ‘Poly-olbion, or a Chorographicall S. Harding del. W.N. Gardiner sc.t.. Pub.d as the act Description of all the Tracts, Rivers, Mountaines, directs Jan. 21, 1797, by the University of Oxford. Forests, and other Parts of Great Britaine,’ 1613. He is Stipple. Sheet size: 250 x 190mm (9¾ x 7½"). buried in Poet's Corner, Wesminster Abbey. NPG: Trimmed to platemark. £65 D35393. Edward Pococke (1604-1691) was an English Stock: 37794 Orientalist and biblical scholar. He was ordained a priest of the Church of England in 1629 and the first result of his studies was an edition from a Bodleian 168. [Dr. Goldsmith.] Library manuscript of the four New Testament epistles, Sir Joshua Reynolds pinx. R. Sayer Excudit. Jos. which were not in the old Syriac canon, and were not Marchi fecit. London Printed for R. Sayer, no. 53 Fleet contained in European editions of the Peshito. Street, Published as the Act directs, 1st Decr, 1770. For a proof before letters impression, see item ref: Mezzotint. 455 x 325mm (18 x 12¾"). £620 Portrait of Oliver Goldsmith (1728 - 1774), after Sir 23643. Stock: 37610 Joshua Reynolds (1723 - 1792), a close friend. Goldsmith's more notable works include, 'The Vicar of ', 'The Deserted Village' and 'She Stoops to 165. Dus kon Frans Mieris [...]. Conquer'. CS. 7. II. Hamilton: II of III. F.V. Mieris delin. A. Blooteling Fecit et Exc. [n.d., Stock: 31654 c.1670.] Mezzotint. Very fine impression. Rare. Platemark: 200 x 140mm (8 x 5½"). Small margins. £260 169. [&] The Globe on A portrait of Frans Mieris, half-length to the left, BankSide Where Shakespere Acted. resting his left hand on his hip and looking at the Engrav'd by W. Sherwin from the Original Folio viewer, wearing a draped cloak, with a city in the Edition [portrait] background to the left. After the self portrait by Dutch Two engravings, dimensions 200 x 140mm (8 x 5¾"), painter Frans van Mieris I (1635 - 1681). Lettered portrait, and 105 x 70mm (4 x 2¾"), Globe. Both below with six lines of verse by Willem van trimmed and glued to album sheet. £85 Heemskerk. Hollstein 14: II. Two prints from the late 18th century showing William Stock: 37615 Shakespeare and the Globe theatre where he acted and had his plays performed. During this period, the 166. Young Burns at the Grave of his Father. publisher John Boydell instigated an increase in prints If my Son should happen to be a man of related to Shakespeare by commissioning leading artists to paint pictures which he displayed at his feeling, sentiment and taste, I shall thus add 'Shakespeare Gallery' and sold prints of. largely to his enjoyments. Let me flatter myself Stock: 37640 that this sweet little fellow, who is just now running about my desk, will be a man of a 170. This Likeness of his most Excellent and melting, ardent, glowing heart, and an venerable Majesty, King George The Third, in immagination delighted with the painter, and the fiftieth Year of his Reign, is by Permission rapt with the poet. Let my figure him Dedicated to his Royal Highness the Prince of wandering out in a sweet evening to inhale the Wales and all the Loyal Subjects of the British 174. His Most Gracious Majesty William IV. Empire by their most obliged and very humble King of Great Britain, Ireland & Hanover. Servant Charles Rosenberg. Painted by Sir M.A. Shee P.R.A. Engraved by C. Drawn by C.Rosenberg. Engraved by I.C. Stadler. Turner A.R.A. London, Published November 4th 1836 Pub.d Oct 1. 1810 by Colnaghi & Co. 23 Cockspur by Fr. Graves & Co. late Coplnaghi & Co. 23, Street London. Cockspur Street, Charing Cross. Aquatint in vibrant original colour. Plate: 300 x Mezzotint. Platemark: 380 x 285mm (15 x 11¼"). Very 350mm, (12 x 12¾"). Some light spotting and soiling. large margins. Scuff to upper printed area. Some £360 damage to left platemark. £240 George III (1738 - 1820) on horseback, with a prospect A portrait of William IV, King of the of Windsor in the background. The figure of George is (1765 - 1837), with head turned to look towards left; in silhouette, while his horse is shown in detail. wearing the robes of the Garter over an ornate Stock: 14483 waistcoat. Ex collection of the Hon. Christopher Lennox-Boyd. Whitman - C. Turner 616 II/II. 171. Mary Queen of Scots That she was one Stock: 37702 of the most accomplished and talented women of the age, even her enemies allow [...] 175. Jerry Avershaw. [Anon., c.1830] Pub. Feb. 1. 1810, by Nuttall, Fisher & Dixon, Album sheet with collaged prints, fabric, beadwork and . ms, unique; sheet 270 x 260mm (10½ x 10¼"). £65 Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed Album sheet demonstrating the creative way prints inside plate. Staining. £45 were used in the 19th century. The bust of Mary, Louis Jeremiah Abershawe (1773 - 1795), better Queen of Scots is enveloped within a gown of three known as Jerry Abershawe, was a notorious coloured fabrics and intricate beadwork, with 19th highwayman who terrorised travellers along the road century lithographs of butterflies and plants, and a between London and Portsmouth in the late eighteenth mythological scene from a generation earlier. century. Stock: 37671 Stock: 38038

172. The Effigies of the Lady Anna, who was 176. Mrs. Brownrigg. borne ye 17th of March 1636, baptised ye 30th J. Chapman sc. Published Feb. 1801 [?] by James of ye same month in the yeare of our Lord god, Cundee. Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed 1637. inside plate. Slight loss top right. £45 [n.d., c. 1640.] Later. Elizabeth Brownrigg (1720 – 1767) was an 18th- Etching. Sheet 110 x 70mm (4¼ x 2¾"). Trimmed to century English murderer. Her victim, Mary Clifford, printed border, mounted in album paper. £85 was one of her domestic servants. As a result of Princess Anne (1636-1640), third daughter of Charles witness testimony and medical evidence at her trial, I. A frail child, she died of tuberculosis in Richmond Brownrigg was hanged at Tyburn on 13 September Palace and was buried in Westminster Abbey. 1767. Stock: 37589 A plate from 'The Criminal Recorder; or, Biographical Sketches of Notorious Public Characters', printed and 173. Her Royall Highness Mary Princess of published by James Cundee, Ivy Lane, London. Orange, eldest Daughter of King Charles ye Stock: 38040 first, & Mother to King William the Third. Van Dyke Pinx.t. Will.m Farthorne Fecit. [London, 177. Mrs. Brownrigg. Laurie & Whittle? c.1790.] [Pub. 1810, by Nuttall, Fisher & Dixon, Liverpool.] Mezzotint, late impression on wove paper watermarked Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed 'Sm[ith]'. 330 x 230mm (13 x 9"). £130 inside plate. £50 Three-quarter portrait of Mary Henrietta Stuart (1631- Elizabeth Brownrigg (1720 – 1767) was an 18th- 1660) after Adriaen Hanneman. not Van Dyke. century English murderer. Her victim, Mary Clifford, The daughter of Charles I and the first Princess Royal, was one of her domestic servants. As a result of Mary married Prince William II of Orange, but both witness testimony and medical evidence at her trial, died of smallpox. Their only child became King of Brownrigg was hanged at Tyburn on 13 September England as William III after the Glorious Revolution of 1767. 1688. Stock: 38039 This print was first published when William was king and had the correct attribution (and spelled Faithorne's 178. Col. Despard. name correctly). CS 27, state iii of iii. Fagan: Pg 10. Published June 1. 1810, by James Cundee, Albion Stock: 37588 Press, London. Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed inside plate. Slight staining. £45 Edward Marcus Despard (1751 - 1803) was an Irish soldier who served in the British Army. He later took up revolutionary politics, becoming involved with the 183. Catherine Hayes. United Britons movement, and was executed for high Etched by J. Chapman. Published by J. Cundee. Ivy treason for his part in the failed Despard Plot, a Lane. Jan.y 1804. conspiracy by British revolutionaries planning to Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed execute George III. Despard's execution on 21 inside plate. £60 February 1803 was attended by a crowd of around Catherine Hayes (1690 - 1726) murdered her husband 20,000, the largest public gathering until the funeral of with the help of two other men, Thomas Wood and Lord Nelson two years later following the Battle of Thomas Billings in 1726. Hayes and her accomplices Trafalgar. got the husband drunk, killed him and disposed of his Stock: 38035 body. Hayes was one of the last women ever to be burned at Tyburn. 179. Dr. Dodd. A plate from 'The Criminal Recorder; or, Biographical Published June 1. 1810, by James Cundee, Albion Sketches of Notorious Public Characters', printed and Press, London. published by James Cundee, Ivy Lane, London. Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed Stock: 38032 inside plate. Some staining. £50 William Dodd (1729 - 1777) was an English Anglican 184. Catherine Hayes. clergyman who was nicknamed the 'Macaroni Parson'. Published Jan. 1. 1810, by Nuttall, Fisher and Dixon, He dabbled in forgery in an effort to clear his debts, Liverpool. was caught, convicted, and despite a public campaign Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed for a Royal pardon became the last person to be hanged inside plate. Some staining. £60 at Tyburn for forgery. Catherine Hayes (1690 - 1726) murdered her husband Stock: 38031 with the help of two other men, Thomas Wood and Thomas Billings in 1726. Hayes and her accomplices 180. Dr. Dodd. got the husband drunk, killed him and disposed of his Etched by J. Chapman. Published Jan. 1804 by James body. Hayes was one of the last women ever to be Cundee, Ivy Lane. burned at Tyburn. Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed Stock: 38033 inside plate. £65 William Dodd (1729 - 1777) was an English Anglican 185. A.W. Hodge, Esq.r Executed for the clergyman who was nicknamed the 'Macaroni Parson'. Murder of his Negro Slave. He dabbled in forgery in an effort to clear his debts, [Anon., c.1811] was caught, convicted, and despite a public campaign Engraving, sheet 170 x 105mm (6¾ x 4"). Trimmed for a Royal pardon became the last person to be hanged inside platemark. Rare. £120 at Tyburn for forgery. Arthur William Hodge (1763-1811), plantation farmer A plate from 'The Criminal Recorder; or, Biographical and slave owner in Tortola, in the British Virgin Sketches of Notorious Public Characters', printed and Islands (then within the British colony of the Leeward published by James Cundee, Ivy Lane, London. Islands) executed for the murder of one of his slaves. Stock: 38041 Following a quarrel, Hodge was accused of murdering at least twelve of his slaves four or five years earlier 181. George Harrington. (some believed that Hodge's enemies had brought the Pub. Feb. 1. 1810, by Nuttall, Fisher & Dixon, charges for political reasons, hence the delay in Liverpool. bringing the charges). He was charged with the murder Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed of his slave Prosper by flogging, but further inside plate. Slight staining. £130 indictments were drawn up for the other alleged George Barrington (1755 - 1804) was an Irish-born murders in case the original charge failed, but he was pickpocket, popular London socialite, Australian found guilty and sentenced to death. pioneer (following his transportation to Botany Bay), Hodge was hanged on 8 May 1811, the first West and author. His escapades, arrests, and trials, were Indian slave owner to be executed for the murder of a widely chronicled in the London press of his day. slave and seemingly the only British West Indian slave Stock: 38036 owner ever to be executed for such a crime. Stock: 37679 182. John Hatfield. Pub. Jan. 1810, by Nuttall, Fisher & Dixon, Liverpool. 186. Earl Ferrers. Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed [Pub. 1810, by Nuttall, Fisher & Dixon, Liverpool.] inside plate. £45 Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed John Hatfield (1758 - 1803) was a notorious English inside plate. Staining. £45 forger, bigamist and imposter. Laurence Shirley, 4th Earl Ferrers (1720 - 1760) was Stock: 38034 an English nobleman, notable for being the last peer to be hanged, following his conviction for murdering his steward. Stock: 38037

187. Walter / Jeffry a fool at Kensington / at 192. Jessica. Oxford. The Bully[?] Brazen Nose Adam Buck del.t Rich.d Reeeve sculp. London, Pen and ink sketch with watercolour, sheet 105 x Published Jan.y 1.st 1808 byy R. Reeve 7 Vere Street. 70mm (4 x 2¾"). Additional ms verso. £160 Hand coloured stipple with aquatint, very rare, 'Proof' Sketch of two figures. Brazenose College interest. inscribed lower right. Sheet 420 x 335mm (16½ x Stock: 37649 13¼"). Small tears to edges expertly repaired. £360 An unidentified young lady with a flowing shawl 188. [Angelica.] poosing in a landscape in front of an urn on a pedestal; Adam Buck del. Engraved by Platt & Stadler. London she holds a book in her left hand. Published by William Holland, No.50, Oxford Street, After Adam Buck (1759 - 1833), draughtsman and Oct.r 1. 1801. specialist in watercolours. Hand coloured aqautint. Fine impression. Sheet size: Stock: 18472 230 x 285mm (9 x 11¼"). Cut inside plate. £260 A portrait of Italian opera singer Angelica Catalani (1780 - 1849), seated with her hands resting on her knee, looking directly at the viewer. Adam Buck (1759-1833) was an Irish neo-classical portraitist annd miniature painter. He was received very well in London with patrons such as Angelica Catalini, Mr Kemble, George IV, the Duke of York and his mistress Mary Anne Clarke. Stock: 38095

189. Ah: Si je te Tenais. / Ah: If I Catch You. Danloux, Pinx.t. London: Printed in Colours & Published by A. Friedel, 15, Southampton St. Strand.. [n.d., c.1830.] Very fine colour printed lithograph. Sheet size: 495 x 345mm (19½ x 13½"). Uncut, with ver large margins. £160 A portrait of an elderly man, looking to the right, holding a stick. After Henri-Pierre Danloux (1753 - 1809), a French painter and draftsman. Stock: 38075 193. This Plate is dedicaated to William Lock, 190. [A Dutch Lady.] Esq. by his most Obliged and Devoted Servant [Rembrandt van Rijn. J. Spilsbury.] [n.d., c.1760.] F. Bartolozzi. Proof before letters. Uncleaned title area from the G.B. Cipriani inv. F. Bartoloozzi sculp. Publish'd Galston collection. Sheet size: 340 x 250mm (13¼ x puursuant to an Act of Parliament Jan.y ye 28.th 1772. 9¾"). Frame size: 425 x 310mm (16¾ x 12¼"). Stipple printed in red. Sheet: 260 x 305mm, (10 x 12"). Unexamined out of frame. Trimmed to platemark. Bit Trimmed. £320 wrinkled. £290 Niobe, head turned to left, eyes turned upwards, A portrait of a young woman; bust, in an oval frame, touching her uncovered rightt breast with her left hand; directed to the left, tilting her chin and smiling slightly beelow, a shield held by an angel, seated on a cloud. De towards the viewer. She is wearing a gown with a rose Vesme: 456.ii. at the breast, pearl earrings, a cloak and a veil. Stock: 22936 Chaloner Smith: 40. Stock: 38014 194. [Eight Jacobite porrtraits across two sheets.] [Prince Charles Edward Stuart with] 191. The Infant Ex pede Herculem- / When Miss Cameron. Miss Maacdonald. How happy once we've scann'd th'Herculean head or foot / could I be eith Either / Were t'other dear Soon may we add a long &c: to 't. Charmer away. / Beg. Op. [&] Earl of Sparrow sc. Rosomans Row No 54 [n.d., c.1780] Kilmarnock. Earl of Cromertie. Lord Lovat. Etching, sheet 135 x 100mm (5½ x 4"). Trimmed around image and text. £85 Lord Balmerino. Charles Radcliffe Esq.r. 'From his foot [we can measure] Hercules', Latin [1747.] proverb. Identified by Dorothy George as a caricatured, Two engravings. 100 x 175mm (4 x 7"), 175 x 100mm but identified portrait. BM Satires 3801 'A Portrait, (7 x 4"). Trimmed to images,, laid on one album sheet. Some creases & tears. £75 Unkown' Stock: 37663 Sharpe writes that the portraiit of the Prince and two women was published in the London Magazine in March 1747 and as the frontiispiece to 'Ascanius' the same year; the portraits of thhe other Jacobites appeared in Fielding's 'Compleat and Authentick History of the... late Rebellion' and as the frontispiece to 'A Sketch of the English settlement at Jamestown. According to the Life and Character of Mr Radcliffe'. It seems that legend his life was saved by the Indian Pocahontas. A the plates were engraved by the same hand. Sharpe 699 copy of the portrait on Smith's 1616 map of New & 700, England. Stock: 37779 Stock: 37735

195. Drake. From an original picture in the 199. William Tell. Collection of Heads by possession of Sir T.F. Eliott Drake Bart. of W.D. No 21 Nutwell Court near Exeter. London: Published by Tho.s McLean, 26, Haymarket, Engraved by W. Holl. Under the Superindendence of Printed by Maguire, Lemercier, & Co. [n.d., c.1830] the Society for the Diffusion of Useful Knowledge. Lithograph with hand-colouring, printed area 265 x London: Published by Charles Knight, Ludgate Street. 220mm (10½ x 8¾"). Very fine colour. £140 Stipple. Printed area 205 x 120mm (8 x 4¾"). Tear in The legendary Swiss patriot William Tell. Tell top edge taped. £45 famously shot an apple from his son's head when, The explorer and vice-admiral Francis Drake (c. 150- according to legend, the tyrant Albrecht Gessler gave 96), first English circumnavigator and second-in- him the choice between doing so and being executed. command of the English fleet against the Spanish Tell subsequently employed his marksmanship to Armada in 1588. assassinate Gessler. The rebellion against ruling power Stock: 37736 that this represented was the impetus for the nascent Swiss Confederation. 196. [Drake. From an original picture in the One of a a series of characters, some real and some possession of Sir T.F. Eliott Drake Bart. of fictional, by William Drummond (1800-1849, fl.). Stock: 37660 Nutwell Court near Exeter.] [Engraved by W. Holl. Under the Superindendence of the Society for the Diffusion of Useful Knowledge.] 200. Monsieur de Balzac: [London: Published by Charles Knight, Ludgate R. Gaywood fecit. [n.d., c.1660] Street.] Engraving, sheet 140 x 100mm (5½ x 4"). Rare; Stipple on india, proof before letters. India 280 x letterpress pasted below. £110 195mm (11 x 7¾"). £85 Jean-Louis Guez de Balzac (1594 - 1654), man of The explorer and vice-admiral Francis Drake (c. 150- letters and critic, one of the original members of the 96), first English circumnavigator and second-in- Académie Française; he had a great influence on the command of the English fleet against the Spanish development of Classical French prose. Stock: 37680 Armada in 1588. Stock: 37737 201. [France] Renatus Des-Cartes, Dominus 197. Tam Marti, Quam Mercurio. The true De Perron, Natus Hagae Turonum, Anno. and lively Portraiture of the Ho.ble and M.D.X.CVI, Ultimo Die Martii. learned Knight S.r Walter Ralegh. Franciscus à Schooten PM. ad vivum delineavit et fecit Ro: Vaughan Sculp: [n.d. c.1650.] anno 1644. Rare & very scarce engraving. 128 x 70mm (5 x 2¾"). Engraving. Platemark: 170 x 100mm (6¾ x 4"). Large Trimmed. £65 margins. Title of publication printed on verso. £220 Sir Walter Raleigh [1554? - 1618], explorer, published A frontispiece portrait of French philosopher, as the frontispiece to Raleigh's 'Judicious and Select mathematician and scientist René Descartes (1596 - Essayes'. Engraved by Robert Vaughan (c.1600 - 1650), included in Francis van Schooten’s important c.1663) from a 1614 engraving by Simon De Passe. second edition of the 'Geometria', Descartes’s greatest Stock: 37734 academic work, and one of the key texts in the history of mathematics. Six lines in lower margin by 198. The Portraictuer of Captayne Iohn 'Constantini Hugenii F.ly'. Stock: 37685 Smith - Admirall of New England. There are the Lines that Shew thy Face but those That 202. [Germany] Hans Lautensack, Mahler in shew thy Grace and Glory, brighter bee Thy Nurnberg. Faire-Discoueries and Fowle-Overthrowes Of H.WGVGW. ISL 1554. Salvages, much Civilliz'd by thee Best Shew Engraving with etching. Sheet size: 155 x 105mm (6 x they Spirit and to it Glory Wyn: So, though art 4¼"). Trimmed inside plate. £140 Brasse without-but Golde within. A reverse copy of Hans Lautensack's portrait of Ulrich [after Simon van de Passe.] Published by W. Schwaiger. Half-length, seated to the left, looking Richardson Castle Street Leicester Fields. [n.d., towards the viewer, holding a beaker. A window c.1790.] behind shows a view of the exterior landscape in the Engraving, red-ruled. 180 x 130mm (7 x 5"). Trimmed background. Lautensack (c.1520 - 1564/6) was a at sides. £80 painter and designer of prints from Nuremberg. Captain John Smith (1580-1631), soldier and Stock: 37686 adventurer largely responsible for the establishment of 203. [Ireland] The Most Rev.d Charles Lord A portrait of William Bisset (1758-1834), the last Viscount Soomerton. Archbishop of Dublin. &c Church of Ireland Bishop of Raphoe, although he &c &c. declined to be the Archbishoop of Dublin. He built Painted by Gabriel Stuart. Engraved by Will.m Say. 91 several churches in the diocese and spent a Norton Street, London, 1803. 1803. considerable sum of money on the improvement of the Mezzotint. Platemark: 280 x 380mm (11 x 15"). Very paalace at Raphoe Ex collection of the Hon. Christopher large marginns. £220 Lennox-Boyd. Whitman: 42. A portrait of Charles Agar (1736 - 1809), 1st Earl of Stock: 37711 Normanton and Archbishop of Dublin from 1801 to 1809. In 1794 Agar was raised to the Peerage of 206. [Ireland] Hon.ble Charles Brodrick, D.D. Ireland as Baron Somerton. In 1801 he was created Archbishop of Cashel. Viscount Somerton and in 1806 he was even further Painted by H. Hamilton Esq..r. Engraved by C. Turner. honoured when he was made Earl of Normanton. From Member of the American Academy of Fine Arts. 1800 to 1809 he sat in the House of Lords as one of thhe London, Published Feb.y 20,, 1823, by Mr. Turner, 50 28 original Irish Representative Peers. Ex collection of Warren Street, Fitzroy Squarre. the Hon. Christopher Lennox-Boyd. O'Donoghue [not Mezzotint. Platemark: Smalll margins. Light creasing. recorded] First known state. Light spotting to right edge. £220 Stock: 37707 A portrait of Charles Brodrick (1761 - 1822), a reforming Irish clergyman and Archbishop of Cashel in the Church of Ireland. In 1795, Brodrick was consecrated as Bishop of Clonfert and Kilmacduagh, and in 1801, following the prreferment of Charles Agar to Dublin, Brodrick was appointed Archbishop of Cashel and Emly and remained in that post until his death in 1822. Ex collection oof the Hon. Christopher Lennox-Boyd. Whitman - C. Turner 71. Stock: 37703

207. [Ireland] The Right Rever.d, & Hon.ble William Carmichaell L.L.D Lord Bishop of Meath, and One of his Majesties most Hon.ble Privy Council. Concecrated A.D. MDCCLIII. J. Ennis Pinx.t. J. Dixon fecitt. [n.d., c.1790.] Mezzotint. Platemark: 350 x 250mm (13¾ x 9¾"). Large margins. £200 A portrait of William Carmichael (1702 - 1765), the son of the second Earl of Hyynndford. Carmichael was Archbishop of Dublin for a brief period in 1765 and had previously been Archdeacon of Buckingham (1742 204. [Ireland] Colonel Barré. - 1753), Bishop of Clonfert and Kilmacduagh (1753 - H.D. Hamilton del. R. Sayer Excudit. R. Houston fecit. 1758), Ferns and Leighlin (1758) and Meath (1758 - London, Printed for Rob.t Sayer, No. 53 in Fleet Streeet, 1765). Ex collection of the Hon. Christopher Lennox- Published as the Act directs, 2 July 1771. Boyd. Chaloner Smith: 10. Mezzotint. Platemark: 375 x 275mm (14¾ x 10¾"). Stock: 37694 Large margins. Bottom left corner cut outside of platemark. £320 208. [Ireland] John Jebb D.D. F.R.S. A portrait of Irish soldier and politician Isaac Barré Painted by Sir Thomas Lawrrence P.R.A. Principal (1726 - 1802) in profile to the right. Barré earned Painter in Ordinary to His Majesty. Engraved by distinction serving with the British army during the Thomas Lupton Jan. 5. 18300. 7 Leigh Street, Burton Seven Years' War, and later became a prominent Cresent. [Published 15 July 1835 bu Colnaghi, Son & Member of Parliament where he became a vocal Co.] supporter of William Pitt. He is known for coining the Mezzotint. Platemark: 425 x 325mm (16½ x 12¾"). term 'Sons of Liberty' in reference to American Whigs Small margins. £160 opposed to the British government's policies. Ex A portrait of Irish Bishop John Jebb (1775 - 1833). collection of the Hon. Christopher Lennox-Boyd. Ordained in 1799, Jebb becaamme curate of Swanlinbar, Chaloner Smith: 5. II/II. County Cavan and later curaatte in Mogorbane, County Stock: 37709 Tipperary in 1805 and archdeeacon of Emly in 1801. For his services in maintaining order in the parish 205. [Ireland] [William Bisset.] during the disturbances that ffollowed the outbreak of [Sir Thomas Lawrence. Charles Turner.] [n.d., c.1830.] famine in the west of Ireland in 1822, he was made Mezzotint. Proof before letters impression. Platemark: Bishop of , Ardfert and Aghadoe in that year. 385 x 305mm (15 x 12"). A few marks in very large Ex collection of the Hon. Chrristopher Lennox-Boyd. margins. £130 Stock: 37701 209. [Ireland] The most Reverend Father in 1722 to 1733. In 1728 he became a member of the God William King D.D. First appointed committee of Parliament investigating prison Bishop of Derby 9th Jan.ry 1690 & afterwards conditions. He soon became a close associate of James Archbishop of Dublin 11th March 1702. Done Oglethorpe, who chaired the committee. In 1730, the from the Original Painting in the possession of two men were among those who formed an association that later became the Trustees for the Establishment of Sr. Caple Moleyneux Barot to whom this Plate the Colony of Georgia in America. George II approved is most Humbly Dedicated. a charter for the colony in 1732, making Egmont Jarvis Pinx.t. A.w Miller Fecit. Sold by J. Orpin and P. president of the Georgia Trustees. Ex collection of the Smith in Crane Lane Dublin. [n.d., c.1750.] Hon. Christopher Lennox-Boyd. Chaloner Smith: 122. Mezzotint. Very scarce. Platemark: 350 x 250mm (13¾ I/II. x 9¾"). Small margins.Repaired tears to edges of sheet Stock: 37705 on right & elsewhere. £180 A portrait of William King, D.D. (1650–1729) an 213. [Ireland] The Right hon.ble John Anglican divine in the Church of Ireland, who was Ponsonby, one of his Majesty's most hon.ble Dean of St. Patrick's, Bishop of Derry and Archbishop of Dublin from 1703 to 1729. He was an author and Privy Council, unanimously chosen Speaker, of supported the Glorious Revolution. Ex collection of the the hon.ble House of Commons in three Hon. Christopher Lennox-Boyd. Chaloner Smith: 27. successive Parliaments; six times one of the Stock: 37706 Lord's Justices, & 27 years, one of the Chief Commiss.rs & Governers of his Majesty's 210. [Ireland] The Reverend Samuel Madden Revenue in Ireland. D.D. Gaven delin.t. Engrav'd by J. Gainer under the Jn. Brooks Excudit. Sold by T. Jeffreys at the corner of inspection of J. Dixon. [n.d., c.1790.] St. Martin's Lane Charing Cross, & W. Herbert at the Mezzotint. Rare. Platemark: 350 x 250mm (13¾ x Golden Globe on London Bridge. [n.d., c.1770.] 9¾"). Small margins. £300 Mezzotint. Platemark: 355 x 255mm (14 x 10"). Small A portrait of Irish Politician John Ponsonby (1713 - margins. £280 1787), the second son of 1st Earl of Bessborough, A portrait of Irish author Samuel Madden (1686-1765). Brabazon Ponsonby. In 1743 he married Elizabeth Dr. Samuel Johnson wrote of him, 'His was a name Canvendish, daughter of the 3rd Duke of Devonshire. which Ireland ought to honour.' Madden co-founded Ponsonby was a member of the Irish House of the Royal Dublin Society in 1731 and donated a grant Commons, becoming its speaker in 1756 and was to Trinity College, Dublin, the source of his nickname Comissioner of the Revenue of Ireland from 1756 - Premium. Ex collection of the Hon. Christopher 1771. Ex collection of the Hon. Christopher Lennox- Lennox-Boyd. Chaloner Smith: 22. II/II. Boyd. Chaloner Smith: 1. II/II. Stock: 37710 Stock: 37691

211. [Ireland] The Rev.d Mr. John Mears 214. James Stewart Esq.r. M.P. A.M. Painted by M. Cregan. Engraved by C. Turner. R. Hunter pinx.t. [n.d., c.1780.] [Published 1 March 1822 by Charles Turner.] Mezzotint. Rare. Platemark: 350 x 250mm (13¾ x Mezzotint. Sheet size: 310 x 240mm (12¼ x 9¾"). 9¾"). Trimmed to plate. Bit messy. £150 Sheet toned. Trimmed inside plate. £160 A portrait of John Mears (1695 - 1767), presbyterian A portrait of Irish politician James Stewart (1741 - minister at Newtownards, minister at Clommel, and at 1821). Stewart succeeded his father as one of the MPs Mary's Abbey and Wood-street in Dublin. Ex for Co. Tyrone in 1768, retaining the seat continuously collection of the Hon. Christopher Lennox-Boyd. and without a contest for the next thirty two years in Stock: 37693 Dublin and a further twelve after 1800 at Westminster. Stewart was prominent in the Volunteer movement, 212. [Ireland] The Right Honourable John from its foundation in the late 1770s to its suppression Earl of Egmont. Visccount Percival of in 1793. He was a close ally of the Volunteer Canturk Baron Percival of Burton & one of his commander-in-chief, James Caulfeild, 1st Earl of Charlemont, and was active at Volunteer meetings and Majesty's most Hon.ble Privy Councel in ye parades. Ex collection of the Hon. Christopher Lennox- Kingdom of Ireland. Boyd. W.543 H. Hysing Pinx.t. J. Faber fecit. 1734. Sold by J. Faber, Stock: 37704 at ye Golden head ye South side of Square. 215. [Poland] Stanislaus, the Beneficent. Mezzotint. Platemark: 350 x 250mm (13¾ x 9¾"). Engraved for the Universal Magazine. [London, Small margins. Right vertical crease along left edge of c.1770.] sheet. £650 Engraving. 165 x 105mm (6½ x 4¼"). Large margins. A portrait of Anglo-Irish politician. John Perceval, 1st £65 Earl of Egmont, (1683 - 1748), known as Sir John Stanisław I Leszczyński (1677 – 1766) was King of the Perceval from 1691 to 1715, as The Lord Perceval Polish-Lithuanian Commonwealth, but was twice from 1715 to 1722 and as The Viscount Perceval from forced to abdicate. Stock: 37916 between 1762 and 1796, the longest rule by a female monarch in Russia's history. 216. [Russia] Alexander the First Emperor of Stock: 37903 all the Russias. London, William Darton, 138 Holborn Hill, 1823. 222. [Russia] Marshal Kutusoff. Stipple. Sheet 115 x 75mm (4½ x 3"). Trimmed within Heath sc. Published by G. & S. Robinson, Paternoster plate, on card as normal. £50 Row, London, September 1, 1813. Vignette portrait of Tsar Alexander I (1777-1825) in Stipple. Sheet 135 x 185mm (5½ x 7¼"). Trimmed uniform. within plate. £30 Stock: 37994 Oval portrait of Mikhail Illarionovich Kutusov in uniform. Kutusov (1745 - 1813) was Prince of 217. [Russia] Alexander Emperor of Russia. Smolensk and Russian supreme commander during the Hopwood sculp. [n.d., c.1815.] Napoleonic Wars. Stipple. Sheet 135 x 90mm (5¼ x 3½"). Trimmed Stock: 37915 within plate. £35 Oval portrait of Tsar Alexander I (1777-1825) in 223. [Russia] Eudoxia, Wife of Peter the uniform. Great, Emperor of Russia. Stock: 37914 Engraved for the Universal Magazine. For J. Hinton at the King's Arms in Newgate Street [n.d., c.1770.] 218. [Russia] Alexander Ist, Emperor of all Engraving. 165 x 115mm (6½ x 4½"). Large margins the Russias. on 3 sides. £60 Engraved by Cha.s Heath, from a painting by Gerard Oval portrait of Eudoxia Lopukhina (1669-1731), Kugelgen. [n.d., c.1830.] married Tsar Peter I in 1689 but divorced in 1698, Engraving. Sheet 125 x 195mm (5 x 7¾"). Trimmed mother of Tsarevich Alexei Petrovich and the paternal within plate, mounted in album paper. £65 grandmother of Peter II of Russia. Half-length portrait of Tsar Alexander I (1777-1825) in Stock: 37919 uniform. Stock: 38009 224. [Russia] Nicholas 1. Emperor of Russia. O.B. 1855. 219. [Russia] Alexander 1st. Emperor of all [Engraved by D.J. Pound from a photograph?] [n.d., the Russias. c.1860.] Canton de;. et sculp. Published 18th May 1815 by Steel engraving. Sheet 220 x 150mm (8¾ x 6"). Richard Evans, Whites Row, Spitalfields. Trimmed and laid on album paper. £45 Etching, printed in red and hand finished. 225 x Nicholas I (1796-1855), Emperor of Russia from 1825 350mm (8¾ x 13¾"). Laid on card. Slight offset. £130 until his death towards the end of the Crimean War. Equestrian portrait of Tsar Alexander I (1777-1825) in Stock: 37993 uniform, with a standard-bearer and a battle behind. Published in William Nicholson's ' History of the War 225. [Russia] Paul Ier. Empereur de toutes les Occasioned by the French Revolution', 1816. Russies Couronné à Moscou le 5 avril 1797. Stock: 37877 Peint par Voille 1789. Gravé par Ign. S. Klauber 1797 Par sons très humble très Obéissant et très soumis 220. [Russia - Catherine II] The Empress of serviteur Ign. Sebast. Klauber. Russia. Engraving. Sheet size: 460 x 320mm (18 x 12½"). Cut Engraved for the Universal Magazine. For J. Hinton at to platemark. £280 the King's Arms in Newgate Street [n.d., c.1770.] A portrait of Paul I, Emperor of Russia (1754 - 1801); Engraving. 165 x 105mm (6½ x 4¼"). Small margins. bust with head tured to the left to face the viewer. £65 Within in an oval frame on a pedestal. Officially, he Seated portrait of Catherine II (1729-1796), who ruled was the only son of Peter III and Catherine the Great, Russia from 1762 until her death, the longest rule by a though Catherine is said to have later stated that he was female monarch in Russia's history. fathered by her lover Sergei Saltykov. Stock: 37917 Stock: 37776

221. [Russia] Catherina Alexiewna. 226. [Russia] Paul Petrowitz, Arch Duke of Rossorum Imperiatrix. Nata Princeps Anhalt: Russia. Servest: nata d. 2 Mai 1729. Engraved for the Universal Magazine. For J. Hinton at J:E: Nilson, inv: Sculps: et excud: Aug:V: [n.d., the King's Arms in Newgate Street [n.d., c.1770.] c.1770.] Engraving. 165 x 115mm (6½ x 4½"). Large margins. Stipple. Sheet 225 x 160mm (9 x 6¼"). Trimmed £60 within plate and laid on album paper. £95 Oval portrait of Tsar Paul I (1754-1801), son of Peter Half portrait of Catherine II (1729-1796), in profile, set III and Catherine II. in a roundel in an architectural capriccio, with the Stock: 37920 Three Graces paying tribute. Catherine II ruled Russia 227. [Russia] Gregory Alexandrowitz Attrato, Galfredi F Ioannis Comitis Oxoniae Potemkin, at the age of 38 Years. Nepoti, Brieliae et Portsmuthae Praefecto [...] [n.d., c.1800.] R. Gaywood fecit Loni 1657 Engraving. Sheet 225 x 145mm (9 x 5¾"). Trimmed at Etching, sheet 235 x 300mm (9¼ x 11¾"). Trimmed top and bottom. £60 inside platemark and glued to album sheet at corners; Prince Grigory Aleksandrovich Potemkin-Tavricheski 18th century print of Edward I's tomb verso. Rare.£140 (1739-91), favourite (and probably husband) of The tomb of Sir Francis Vere (1560-1609) in the Catherine II, Commander in Chief of the armies that chapel of St John the Evangelist in Westminster subdued the Cossacks and annexed the Crimea in 1783. Abbey, where his brother Horace is also buried. An Stock: 37921 army officer and diplomat, Vere is shown in civilian dress lying under a slab on which his suit of armour is 228. [Russia] Petrus Comes simeonides laid out. The monument has been attributed to the salticovious summus caesarei russiaci sculptor Maximilian Colt. The Latin inscription below exertcitus praefectus. is probably the same as that on the tomb. Comes Rotari pinx: D. Gerassimoff Sculps. [n.d., Francis was one of the greatest soldiers serving under c.1760.] Elizabeth I and distinguished himself at the Battle of Engraving. Sheet size: 465 x 340mm (18¼ x 13½"). Nieuwpoort (1600) and during the defence of Ostend Trimmed inside plate. Small repaired tear to lower left against the Spanish. He married Elizabeth, daughter of edge. Central horizontal crease where previously John Dent of London. His reputation was also folded. £230 enhanced by his 'Commentaries', the memoirs of his A portrait of Count Pyotr Semyonovich Saltykov campaigns which were published posthumously. (c.1700 - 1772), dressed in the General Field Marshals Stock: 37630 uniform, a steel cuirass and the White Eagle and Order of St. Andrew, the first and the highest order of 232. Parish Alvars. chivalry of the Russian Empire. Within a decorative Muenzer [after Kriehuber, c.1842] 'stone medallion' oval, on a pedestal with a poetic Steel engraving, sheet 240 x 180mm (9½ x 7"). dedication inscribed in Russian below. Trimmed inside platemark; paper tone. £65 Saltykov was a Russian statesman and a military Elias Parish Alvars (1808-49), harpist and composer. officer, promoted to the rank of Field marshal on 18 Born in Teignmouth, Devon, Alvars travelled widely in August 1759, during the Seven Years' War. continental Europe and beyond to Russia and Turkey, Stock: 37768 studying and performing. Finally returning to England in 1842 Alvars played to Queen Victoria at 229. [Sweden] Eleonora, Queen to Gustavus Buckingham Palace but found the establishment Adolphus. unsympathetic to his pioneering of the harp as a solo Engraved for the Universal Magazine. For J. Hinton at instrument, and returned to continental Europe. There the King's Arms in Newgate Street [n.d., c.1770.] his work excited contemporaries such as Berlioz, Liszt Engraving. 165 x 115mm (6½ x 4½"). Large margins and Mendelssohn, the latter being particularly helpful on 3 sides. Trimmed within plate on left. £45 in Alvars' career. In 1847 he settled in Vienna, where Oval portrait of Maria Eleonora of Brandenburg (1599- he remained until his death. Appointed 'chamber 1655), consort of the Swedish king Gustavus Adolphus musician' to the emperor, he was known in the city as the 'Paganini of the harp'. He is still regarded as one of (1594-1632). Stock: 37918 the greatest harpists of all time, and a pioneer in not just playing but also composing for the instrument. Stock: 37953 230. Charles S. Stratton as General Tom Thumb, in his Character as Napoleon is 12 233. [Niccolò Paganini] Years Old. 25 Inches High and Weighs 15 [Anon, c.1840] Pounds. Gen. Tom. Thumb. Aquatint with watercolour and gum arabic, sheet 145 x London J.T. Wood, 33, Holywell Str. Strand. [n.d. 110mm (5¾ x 4¼"). Glued to backing sheet; very fine c.1850.] colour. £280 Engraving, sheet 150 x 115mm. 6 x 4½". Bit messy, Niccolo Paganini (1784 - 1840), Italian violinist. 'E.B.J.' in ms lower left. £140 Paganini established himself as Italy's greatest violinist Charles Sherwood Stratton (1838-1883), known on the in solo performances between 1810 and 1828. He stage as General Tom Thumb, was a dwarf who embarked on a tour of Europe in 1829, reaching achieved great fame under circus pioneer P.T. Barnum. London in 1834 where he played to rapturous crowds. His routines included impersonating characters such as He was known for his virtuoso playing but also Cupid and Napoleon Bonaparte, as well as singing, composed music, mostly for his own performance dancing and comical banter. requirements. Stock: 37654 Stock: 37951

231. [Memorial tomb of Sir Francis Vere in Westminster Abbey] Francisco Vero, Equiti 234. Sir John Harrison Translator of Aristo_ church organ in background beyond. Master of the &c. Promo Augusti anno Domini 1591 ætatis king's musick from 1757, Boyce composed music for suæ 30. state occasions following the death of Handel. This [n.d. c.1800.] included music for the funeral of George II and the Etching. Sheet 100 x 75mm (4 x 3"). Trimmed and laid wedding of George III and Queen Charlotte. Boyce on album paper. £75 also had an interest in the history and science of music, Oval portrait of John Harington (c.1561-1612), courtier and published an important three-volume work of of Elizabeth I, author and reputed inventor of the flush church music, 'Cathedral Music', which was influential toilet, a clock in the background. His translation of in the repertoire of church music over the next century. Ariosto's 'Orlando Furioso' caused his banishment from According to O'Donoghue this plate was published by court. He installed his flush toilet, called 'Ajax' (a pun John Keyse Sherwin (1751? - 1790) in 1775, so this on the slang 'jakes' for toilet) at his manor in Kelston could be a reissue. See O'Donoghue p.223. and published a humorous book, under the pseudonym Stock: 37958 of Misacmos, called 'A New Discourse upon a Stale Subject: The Metamorphosis of Ajax'. 238. His Excellency Sir Francis Bond Head, Stock: 37796 Bart: K.C.H. Lieuenant Governor of Upper Canada, &c &c &c From an Original Picture 235. Sincerely yours, D. Lloyd George. painted at the solicitation of the Inhabitants of [Facsimile signature.] the City of Toronto This Plate is reprectfully Reproduced from a photograph by Ernest H. Mills. dedicated to Her Most Gracious Majesty's Issued by The London Publishing Company Limited. Loyal Canadian Subjects by their fellow [n.d., c.1915.] Citizens & most ob. hum.le Serv.t Frederick Photogravure. Framed. Printed area: 360 x 285mm Chase Capreol (14¼ x 11¼"). Frame size: 610 x 500mm (14 x 19¾"). Painted by Nelson Cook Esq.re Engraved by C. Turner Unexamined out of frame. £190 A.R.A. Published Sept.r 1. 1837, by Fred C. Capreol A portrait of David Lloyd George, 1st Earl Lloyd- Toronto, Upper Canada & in London for the Proprietor George of Dwyfor, (1863 - 1945), a British Liberal by Messrs Dominic Colnaghi & Co. Printsellers, 14 politician and statesman. His most important role came Pall Mall East & Mr. Leggatt, Printseller, 85 Cornhill. as the Prime Minister of the Wartime Coalition Mezzotint. Plate: 390 x 290mm, (15½ x 11½"). £260 Government (1916 - 22), during and immediately after Francis Bond Head (1793-1875). A soldier in the the First World War. Lloyd George was a key figure in British Army from 1811 to 1825, he was appointed the introduction of many reforms which laid the Lieutenant Governor of Upper Canada in 1835. In foundations of the modern welfare state. 1837 he quashed a brief rebellion in Toronto led by Stock: 38017 William Lyon Mackenzie, the first mayor of Toronto. Stock: 38087 236. To the Rt Hon.ble Humphry Parsons Esq Lord Mayor of ye City of London this plate is 239. His Excellencie the Lord Fairfax most humbly dedicated Generall of the forces raised by the Parliament. [Anon, c.1740] [Hebrew inscription] In English, His Integrity Etching, sheet 240 x 230mm (9½ x 9"). Various parts hath broken the wilde Ass. of print cut out and collaged; glued to album sheet. [n.d., c.1650.] Later. Very scarce. £95 Etching. Sheet 180 x 120mm (7¼ x 4¾"). Trimmed Probably a portrait of Humphrey Parsons (c.1676- within plate, mounted in album paper. £130 1741), brewer and politician. Parsons owned the Red Portrait of Thomas Fairfax, 3rd Baron Fairfax (1612 - Lion brewery in East Smithfield as well as serving for 1671), half length, wearing collar, sash, chain and two terms as Lord Mayor of London. Shown here with jewel, and holding a truncheon. In the left background allegorical figure of justice and the dome of St Paul's are soldiers, on the right are ships. O'Donoghue 41. Cathedral (?) in the background. O'D 2(?) Stock: 37590 Stock: 37635

240. The Right Reverend John Dolben Ld. 237. Dr. Wm. Boyce, Master of his Majesty's Bp. of Rochester. Band of Musicians. I. Haissmans Pinxit. R. Tompson excudit. [n.d., Drawn from the life & Engrav'd by I. K. Sherwin c.1680.] engraver to His Majesty & His Royal Highness the Mezzotint. Watermarked paper. Platemark: 340 x Prince of Wales. Publish'd as the Act directs Decr. 1ft 250mm (13¼ x 9¾"). Very large margins. £140 1788. A portrait of John Dolben, Archbishop of York (1625 - Etching, sheet 300 x 245mm (11½ x 9¾"). Trimmed 1686), three-quarter length, sitting, wearing cap, bands, unevenly along platemark; good impression. £260 and robes, holding a scroll. Chaloner Smith: 14. Only William Boyce (1711-1779), organist, composer, and State. music editor, seated beside a classically-ornamented Stock: 37598 table on which also lies a volume lettered 'Dr Boyce..'. His left arm rests on sheet music, quill in his right hand. Curtain drape behind to left, column at right, 241. [George Morley. Bishop of Winchester.] 1776 was appointed Surgeon Extraordinary to the [P. Lely. R. Tompson.] [n.d., c.1670.] King, making him one of the most celebrated surgeons Mezzotint. Proof before letters. Two collectors stamps of his time. W1475. on verso. Very scarce. Platemark: 330 x 250mm (13 x Stock: 38023 9¾"). Very large margins. £280 A portrait of George Morley (1598–29 - 1684), Bishop 244. John Hunter. of Winchester, half length, sitting in a chair wearing a Sir Joshua Reynolds pinx.t. Will.m Sharp sculp.t. square cap and episcopal robes, with one hand resting London, Published 1.st Jan.y 1788 by W.m Sharp, on a book on a covered table. Chaloner Smith: 31. I. No.8, Charles Street, Midd.x Hospital: B.B. Evans, Stock: 37600 corner of the Old Jewry, Cheapside, & W. Skelton, No. 23 Hay Market. Engraving. Sheet size: 485 x 375mm (19 x 14¾"). Trimmed inside plate. Laid on backing sheet. Repairs. A portrait of Scottish surgeon and anatomist John Hunter (1728 - 1793), three-quarter length seated to the right, his right hand holding a quill pen. Anatomy boooks, 'Natural History of Veegetables' and 'Natural History of Fossils', and an open book displaying anatomical drawings can be sseen on the table next to a beell jar. The lower legs and ffeet of a skeleton are hanging behind to the right. After Sir Joshua Reynolds (1723 - 1792), engraved by William Overend Geller (1834 - 1857). John Hunter was elected Felllow of the Royal Society and Surgeon to St George's Hospital in 1767, and in 1776 was appointed Surgeon Extraordinary to the King, making him one of the most celebrated surgeons of his time. Stock: 38022

245. [Lionel Lockyer] The true Effigies here you may behold, / Of him who for preventing others ill / Hath gaind a Medicine far excelling Gold. / And known to alll ye world for Lockyers Pill. 242. W. Cunningham Esq.r. J. Sturt sculp. [n.d., c.1672] Painted by R. Home. Engraved by W. Ward. Londonn Engraving, sheet 150 x 90mm (6 x 3½"). Trimmed and Publ by T. Nugent for Wm. Allen Dublin. [n.d., glued to backing sheet. £85 c.1780.] Lionel Lockyer (1601-72), inventor who had great Mezzotint. Open letter proof impression. Rare. Sheett success marketing a 'Pill Exttrracted from the Rays of size: 385 x 275mm (15¼ x 10¾"). Trimmed inside the Sun'. He is buried in Souutthwark cathedral. O'D 1 plate. Glued to backing sheet. £260 (only likeness listed) Wellcoome: 1799-2 A portrait of W. Cunningham, an unknown sitter in a Stock: 37638 portrait by Robert Home (1752 - 1834). Home was a pupil of Angelica Kauffman who studied in Rome 246. Joannes Stoflerus MMathematicus. between 1773-78 and settled in Dublin in 1779. This [Paris, c.1660.] impression was published for Willian Allen of Dublin. Engraving. Sheet 135 x 90mmmm. Trimmed to image, laid Ex collection of the Hon. Christopher Lennox-Boyd. on album paper. £65 Chaloner Smith: 31. II of II. Stock: 37700 Johannes Stöffler (1452-1531), mathematician, astronomer, astrologer and maker of scientific instruments including celestiial globes and astronomical 243. John Hunter, Esq. F.R.S. clocks. As a professor at the University of Tübingen From an original Picture by Sir Joshua Reynolds; he taught Philipp Melanchthon and Sebastian Münster. Drawn by J. Jackson. Engraved by R. Cooper. W2833. Published Dec. 1. 1814, by T. Cadell & W. Davies, Stock: 37797 Strand, London. Stipple. Printed in brown ink. Platemark: 385 x 310mm 247. Edmund Anderson K.t L.d Cheife (15¼ x 12¼"). Cut to plate at right edge. £120 A portrait of Scottish surgeon and anatomist John Justice of the Com: Pleas. Hunter (1728 - 1793). W. Faithorne Sculp. [n.d., c.11664.] After Sir Joshua Reynolds (1723 - 1792), engraved by Engraving. Sheet size: 205 x 135mm (8¼ x 5½"). William Overend Geller (1834 - 1857). Trimmed inside plate. Corneers glued to backing sheet. John Hunter was elected Fellow of the Royal Society £120 and Surgeon to St George's Hospital in 1767, and in A portrait of Sir Edmund Anderson (1530 - 1605), A portrait of Lady Margaret Herbert (c.1608 - 1663), Chief Justice of the Common Pleas under Elizabeth I. half length in an oval frame, wearing earrings, a Anderson sat as judge at the trial of Mary, Queen of necklace, and a low dress. Scots. A frontis piece to 'Les Reports du Tres erudite Lady Margaret Herbert was tthe daughter of Sir Thomas Edmund Anderson', London published 1664. Fagan: Smith, master of requests. Faagen: ii of ii. p.19. I/II. Stock: 38015 Stock: 37717 253. [Philip Howard, 20th Earl of Arundel.] 248. [Frederick Barne] the Jockey Club. [Engraved by R. Grave after Lucas Vorsterman.] [n.d., Spy. Vincent Brooks, Day & Son, Lith. Vanity Fair c.1820.] August 5 1882. Engraving. 120 x 95mm (4¾ 3¾"). Old ink mss. title Chromolithograph. Printed area 340 x 185mm (13½ x over lower plate. £75 7¼"). Small hhole in image. £60 Saint Philip Howard (1557-95), one of the Forty Frederick Barne (1801-86), landowner and MP for the Martyrs of England and Walles, famed for his supposed rotten borough of Dunwich from 1830 until its last words: 'Tell Her Majesty if my religion be the abolition in the Reform Act of 1832. Fifty years laterr cause for which I suffer, sorrry I am that I have but one he is depicted as an old man on a horse, smoking a life to lose'. cigar. Stock: 37780 Stock: 37878

249. [Robert Dingley Esq.r Treasurer to the Magdalen House.] [William Hoare. John Dixon.] [n.d., c.1760.] Mezzotint. Proof before letters impression. Sheet size: 380 x 270mm (15 x 10½). Trimmed to image on 3 sides. £150 A portrait of merchant Robert Dingley (1709 - 1781), holding a book open on right knee to show the title- page of 'An Account of the Rise, Progress and Present State of the Magdalen Charity' faced by a picture of a woman. Dingley founded the Magdalen Hospital for 'fallen women'. Stock: 37699

250. The Reverend Andrew Gifford, D.D. From an Original Picture painted by J. Russel. R. Houston fecit. Published as the Act directs, 2nd June 1774. Mezzotint. Platemark: 350 x 250mm (13¾ x 9¾"). Very large margins. £250 A portrait of Andrew Gifford (1701 - 1784), a Baptisst minsister in Nottingham. Gifford was a great collector of coins, books, and manuscripts and was appointed the assistant librarian to the British Museum. Ex collection of the Hon. Christopher Lennox-Boyd. Chaloner Smitth: 47. 254. His Grace Robert DDuke of Roxburghe. Stock: 37695 Died August 20th 1755. Thos. Hudson Pinx.t. Js. McArdell fecit. [n.d., c.1760.] 251. [Lady Jane Grey.] Mezzotint. Sheet size: 360 x 260mm (14 x 10¼"). [Engraved by R. Grave after Holbein.] [n.d., c.1820.]] Trimmed inside plate and glued to backing sheet. Engraving. 120 x 95mm (4¾ 3¾"). Old ink mss. title £240 over lower pllate. Loss top right. £60 A portrait of Robert Ker, 2nd Duke of Roxburghe Lady Jane Grey (c.1536-54), the Nine Day Queen. (c.1708 - 1755) three-quarterr length directed to the Stock: 37781 right, looking towards the viewer. Ker was the only son of the 1st Duke of Roxburghhe and Lady Mary Finch, 252. Margareta Smith Vidua Thomæ Cary et daughter of Daniel Finch, 2nd Earl of Nottingham. On Vxor Edoaardi Herbert Equitis. 24th May 1722 he was created Earl Ker, of Wakefield Ant: Van Dyck pinxit. Guil: Faithorne sculp. [n.d., in the County of York, and Baron Ker, of Wakefield in c.1650.] the County of York (both in tthe Peerage of Great Engraving. Framed. Printed area: 285 x 200mm (11¼ x Britain). Ex collection of the Hon. Christoppher Lennox- 7¾"). Unexamined out of frame. £190 Boyd. Chaloner Smith: 158. Stock: 37698

255. [Robert Loveday.] Wouldst know whose controversy of 1770 over the relationship of the Face this Figure represents [...] Methodist Church to the doctrines of Calvinism. He [n.d., c.1659.] was the Rector at Loughrea, County Galway, Ireland. Engraving. Sheet size: 140 x 85mm (5½ x 3½"). Ex collection of the Hon. Christopher Lennox-Boyd. Trimmed to platemark on 3 sides. Hinged to backing Chaloner Smith: 31. II/III. sheet at right edge. Repaired tear in lower edge. £65 Stock: 37696 A portrait of translator Robert Loveday (1620 - 1656) within an ocatogon. An illustation in each corner 259. Lavinia Countess Spencer. shows the sun, two doves, a bird in a cave and a vessel Painted by M.A. Shee Esq.r. Engraved by C. Turner. at sea. London, Published 24 July 1804 by R. Cribb & Son, Loveday translated into English the first three parts of 288 Holborn. La Calprenède's romance of ‘Cleopatra,’ under the title Mezzotint. Fine open letter proof impression. Blind of ‘Hymen's Præludia, or Love's Master-Piece,’ which stamp in lower left corner of publisher Robert Cribb, appeared respectively in 1652, 1654, and 1655. 'RC'. Platemark: 350 x 250mm (13¾ x 9¾"). Uncut. An illustration to 'Loveday's Letters Domesick and Very large margins. £360 Forrein, To Several Persons, occasionally distributed in A portrait of Lavinia, Countess Spencer (1762 - 1831), Subjects Philosophicall, Historicall & Morall. By R. born Lavinia Bingham, daughter of the Earl of Lucan. Loveday', published in London, 1659. Fagan: p.46/47. She married 2nd Earl of Spencer and was famed for her II/II. beauty and intelligence. Ex collection of the Hon. Stock: 37719 Christopher Lennox-Boyd. Whitman: C.Turner 538. I/II. 256. [Nelly O'Brien.] "Near a thick Grove Stock: 37708 whose deep embow'ring Shade, [/] Seem'd most for Love and contemplation made, [/] Thither 260. [John Taylor.] retir'd from Phoebus sultry Ray_" Dryden. J. Smart pinx.t. J. Dixon Sculp.t. [n.d., c.1790.] Engraved from and Original Picture Painted by S.r. Mezzotint. Platemark: 390 x 280mm (10¼ x 11"). Very Joshua Reynolds by Cha.s. Phillips & Published large margins. £260 According to Act of Parliament Aug.t. 24 1770. A portrait of Sir John Taylor (1745 - 1786), a fellow of Mezzotint. Framed. Sheet: 320 x 450mm, (12½ x the Royal Society who was created a baronet of Lysson 17¾"). Trimmed to plate. Some slight foxing. Laid on Hall in Jamaica. Taylor became a baronet on 1st card. £320 September 1778. In the same year he married an Half-length portrait of Nelly O'Brien a famous beauty heiress, Elizabeth Godden Houghton. His eldest and courtesan who, as a friend of Reynolds, sat for brother became a Jamaican attorney who represented several of his paintings. O'Brien sits, wearing a large the large number of absentee plantation owners and he brimmed hat and facing directly out holding a small was reputedly the richest person in Jamaica. Taylor lap-dog on her knee. The original painting by Reynolds lived in London but died in Jamaica in 1786. Ex collection of the Hon. Christopher Lennox-Boyd. is in the Wallace Collection. BM 1902,1011.3655 Stock: 35346 Chaloner Smith: 33. Stock: 37697

257. The Dutchess of Cleaveland. P.Lely pinxit. R. Tompson excudit. [n.d., c.1678.] 261. Mr. Philip Wootton of Nottingham, aged Mezzotint. 17th century watermarked paper. 51 years, ascended the Spire of St. Mary's Platemark: 340 x 250mm (13½ x 9¾"). Trimmed to Church Manch.r May 6th 1823, with the aid of plate. Small tear in lower edge of sheet. £220 ladders only, and took down the Ball & Cross Barbara Palmer (née Villiers) (1640 - 1709), mistress repaired the stone work altho' much injured, of Charles II during the 1660s, created Duchess of & May 29th placed a Vane upon the top, to the Cleveland in 1670. Three-quarter length seated to the astonishment of the admiring spectators/ left, glancing towards the viewer, wearing a luxurious Height of steeple 180 feet, circumference of gown and pearl necklace. Ball 6 feet, length of Cross 6 feet. After Dutch painter and collector Sir Peter Lely (1618 - Ja.s Parry sc. [After David Henry Parry.] Manchester, 1680). CS: 9 Published by D. H. Parry, Portrait Painter. 11 Stock: 37594 Newbailey St. Salford. [n.d., c.1823.] Hand coloured etching. Very scarce. Sheet size: 360 x 258. The Reverend Mr. Shirley. Chaplain to 210mm (14¼ x 8¼"). Trimmed inside plate. £240 the Countess of Huntingdon. A full length portrait of Philip Wootton who in 1823, R. E. Pine pinx.t. J. Dixon fecit. [n.d., c.1773.] climed the spire of St. Mary's Church, Manchester (as Mezzotint. Rare. Sheet size: 370 x 280mm (14½ x depicted behind to the left) using only ladders, and 11"). Trimmed to image on 3 sides. Glued to album repaired the ball and cross at the top, also adding a sheet. Slight crease on right. £350 vane. The figure of Wootton is seen ascending the spire A portrait of Walter Shirley (1726 - 1786). He was first of the church in the background. cousin to the Countess of Huntingdon and brother to Stock: 38073 the notorious Earl Ferrers, who was hanged at Tyburn in 1760 for murder. Shirley played a major role in the

264. Nicolo Cantabella,, Savoyardischer Würmschneider. 2 [by Martin Engelbrecht.] [Augsburg: Martin 262. A Study of Sir Henry Irving by Aubrey Engelbrecht, c.1710.] Beardsley "Becket" [upper left] Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to ABeardsley [lower left] pllate, library blind stamp on bottom right corner. £480 Mixed-media, platemark 210 x 130mm (8¼ x 5"). £8800 Nicolo Cantabella, a dwarf of Savoy, carrying his Sir Henry Irving in the title role of Tennyson's 'Becket' peeepshow over his shoulder aand crying 'oh sena rarite' at the Lyceum Theatre in 1893, after the legendary (oh rare show). Victorian illustrator Aubrey Beardsley (1872-98). See Plate 2 from 'Het Dwergentoooneel' by Martin BM 1960,0409.502 Engelbrecht (1684 - 1756), engraver and publisher in Stock: 37936 Augsburg, with portraits of ffamous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' 263. Blassl Broatgosch, Juramentirter figures. The portrait was also published within Nachtwachter undt Rumorwachs Adjunct, in elaborate borders as 'Il Calloottto resusciato oder Neü würcklicher function 34 eingerichtes Zwerchen Cabinet'. [by Martin Engelbrecht.] Cum Priv. S.C.M [Augsburrg: Stock: 37562 Martin Engelbrecht, c.1710.] Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to 265. Iupanschku Ferenzz. Richter auss der plate, library blind stamp on bottom right corner. £260 Raübau, führnehmer Ochssen Iubilir, und Vice The dwarf Bllassl Broatgosch, night watchman. Admiral der Ungrischenn heü Flotta 43 Plate 34 from 'Het Dwergentooneel' by Martin [by Martin Engelbrecht.] [Augsburg: Martin Engelbrecht (1684 - 1756), engraver and publisher in Engelbrecht, c.1710.] Augsburg, with portraits of famous dwarfs in the stylle Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The pllate, library blind stamp on bottom right corner. £260 portrait was also published within elaborate borders as The dwarf Iupanschku Ferenz, ploughman and vice- 'Il Callotto resusciato oder Neü eingerichtes Zwerchen admiral of the Hungarian navy! Cabinet'. Rijksmuseum: FMH 3695-a/34. Plate 43 from 'Het Dwergenttooneel' by Martin Stock: 37572 Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of ffamous dwarfs in the style of Jacques Callot's 'Gobbi' orr 'Lilliputian' figures. The poortrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'. Rijksmuseum: FMH 3695-a/43. Stock: 37571 Augsburg, with portraits of ffamous dwarfs in the style 266. Mathias Flecksippl, faisant le bel of Jacques Callot's 'Gobbi' orr 'Lilliputian' figures. The humeur aux jours maigres. 28 poortrait was also published within elaborate borders as [by Martin Engelbrecht.] [Augsburg: Martin 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Engelbrecht, c.1710.] Cabinet'. Rijksmuseum: FMH 3695-a/44. Stock: 37567 Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner. £260 A dwarf comic actor, a broken jug on his head, carrying a shepherd's crook. Plate 28 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The pportrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'. Rijksmuseum: FMH 3695-a/28 Stock: 37564

267. Riepl Gleichdron, Approbierter und Privilegierter Sauschneider, und Spanischer äpfell-Abaldator. 41 [by Martin Engelbrecht.] [Augsburg: Martin Engelbrecht, c.1710.] Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner. £260 The dwarf Veith Knollinger, pig-slaughterer. Plate 41 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the stylle of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 270. Bertraüd Knörtzlinn, Baÿerischen Diern. 'Il Callotto resusciato oder Neü eingerichtes Zwerchen 42 Cabinet'. Rijksmuseum: FMH 3695-a/41. [by Martin Engelbrecht.] [Augsburg: Martin Stock: 37568 Engelbrecht, c.1710.] Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to 268. Malper Höllriglin... 32 pllate, library blind stamp on bottom right corner. £260 [by Martin Engelbrecht.] [Augsburg: Martin The dwarf actress Bertraüd Knörtzlin carrying a Engelbrecht, c.1710.] chopping knife and basket off radishes making an Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to obscene gesture with the otheer hand. plate, library blind stamp on bottom right corner. £260 Plate 42 from 'Het Dwergenttooneel' by Martin The dwarf actress Malper Höllriglin as an angry Engelbrecht (1684 - 1756), engraver and publisher in landlady with a burning piece of wood. Augsburg, with portraits of ffamous theatrical dwarfs in Plate 32 from 'Het Dwergentooneel' by Martin the style of Jacques Callot's 'Gobbi' or 'Lilliputian' Engelbrecht (1684 - 1756), engraver and publisher in figures. The portrait was also published within Augsburg, with portraits of famous theatrical dwarfs in elaborate borders as 'Il Calloottto resusciato oder Neü the style of Jacques Callot's 'Gobbi' or 'Lilliputian' eingerichtes Zwerchen Cabinet'. Rijksmuseum: FMH figures. The pportrait was also published within 3695-a/42. The description ofof a Viennese porcelain elaborate borders as 'Il Callotto resusciato oder Neü 'Callot' figure in the Austrian Museum of Applied Arts eingerichtes Zwerchen Cabinet'. Rijksmuseum: FMH calls Knörtzlin a prostitute. 3695-a/32. Stock: 37565 Stock: 37566 271. Sophia Luxuria, General Staals leib 269. Veith Knollinger, von Pinklfeldt, mäscherin der gestusten.... 30 Sarthfrager ünd Vorgeher der neü [by Martin Engelbrecht.] Cum Privil. S.C.M. eingerichten flegl Brüderschafte 44 [Augsburg: Martin Engelbreccht, c.1710.] [by Martin Engelbrecht.] [Augsburg: Martin Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to Engelbrecht, c.1710.] pllate, library blind stamp on bottom right corner. £260 Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to Sophia Luxuria, a dwarf actrress, wearing military coat plate, library blind stamp on bottom right corner. £260 and hat, a sword at her feet. The dwarf Veith Knollinger, a 'bag carrier'. Plate 30 from 'Het Dwergenttooneel' by Martin Plate 44 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of ffamous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' 275. Mrs. Egerton, As Madge Wildfire in figures. The portrait was also published within "The Heart of Mid Lothian": "Come along elaborate borders as 'Il Callotto resusciato oder Neü Daddy Ratton." -British Stage, No.58 eingerichtes Zwerchen Cabinet'. Rijksmuseum: FMH Brooks del. / Roberts Sculp. [n.d., c.1820] 3695-a/30 Rare etching with fine hand-colouring, J Whatman Stock: 37563 1821 watermarked paper; platemark 225 x 150mm (8¾ x 6"). Very large margins. £60 272. Hanss Görge Prijann, gebohrner Sarah Egerton (1782x5-1847), actress. After an Donnerhüdt, von Scanderbeg aüs einer unsuccessful spell in Covent Garden, Egerton moved to bastardirt Rottmeister der waghältz the theatre where she played Madge Wildfire in u.eisenfresser, Catharina, köpffer und Bluth Thomas Dibdin's 'The Heart of Midlothian, or , the Lily gurgln contra Champmerdant 33 of St Leonard's' in 1819. This was one of several [by Martin Engelbrecht.] [Augsburg: Martin adaptations of Sir Walter Scott's novels in which she Engelbrecht, c.1710.] performed, which rescued her from obscurity. Harvard Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to 9 plate, library blind stamp on bottom right corner. £260 Stock: 37955 The dwarf Hanss Görge Prijann as a fierce officer with a raised sword. 276. Hibernia in a Jig. Plate 33 from 'Het Dwergentooneel' by Martin Drawn by Adam Buck. Engraved by Roberts & Engelbrecht (1684 - 1756), engraver and publisher in Stadler. London Published by William Holland. No.50, Augsburg, with portraits of famous dwarfs in the style Oxford Street, March 25, 1801. of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The Hand-coloured aquatint. 342 x 241mm. 13½ x 9½". portrait was also published within elaborate borders as Laid on board. Damaged. £110 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Dorothea Jordan (1761-1816) dancing. The Anglo-Irish Cabinet'. Rijksmuseum: FMH 3695-a/33. actress, courtesan, and mistress of the future William Stock: 37569 IV. Stock: 27275 273. Liendl Schnekenfist des Wienerischen Nacht-kinigs Magazin-Visirer, Ambts fuhren 277. Miss Fanny Kemble. in the Character of Inspector und material Verwalter 46 Juliet. [by Martin Engelbrecht.] Cum Priv. S.C.M [Augsburg: London, Published Nov.r 2nd 1829 by T McLean, 26 Martin Engelbrecht, c.1710.] Haymarket. Printed by C. Hullmandel. Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to Lithograph on india, india dimensions 285 x 185mm plate, library blind stamp on bottom right corner. £260 (11¼ x 7¼"). Very large margins. £80 The dwarf Liendl Schnekenfist, Viennese magazin Frances Anne [Fanny] Kemble (1809-93), actress and inspector. author, in the role in which she made her debut in Plate 34 from 'Het Dwergentooneel' by Martin Covent Garden, as Juliet. Her parents played Mercutio Engelbrecht (1684 - 1756), engraver and publisher in and Lady Capulet in the production. Her tremendous Augsburg, with portraits of famous dwarfs in the style success in the role is attested to by the several prints of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The made to commemorate it. Harvard 69 portrait was also published within elaborate borders as Stock: 37956 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'. Rijksmuseum: FMH 3695-a/46 278. Mr Kean as Lucius Junius in Brutus. Stock: 37573 Drawn Etchd [...] by Rich.d Dighton 1818 Pub.d by T McLean Haymarket 274. Hans Sausakh von Wurstelfeld, Etching with hand-colouring, platemark 300 x 205mm Berühmter Zahnluken-Architect u. zotten (11¾ x 8"). Fine. £130 Professor auff der hohe Baurn-Schuhl. 34 (1787-1833), actor, in Howard Payne's [by Martin Engelbrecht.] Cum Priv. S.C.M [Augsburg: 'Brutus'. The English theatre's supreme example of the Martin Engelbrecht, c.1710.] charismatic actor, he was enshrined as the rebellious Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to spirit of Romanticism when Alexandre Dumas wrote a plate, library blind stamp on bottom right corner. £260 play about him, 'Kean' (later reworked by Jean-Paul The dwarf Hans von Sausakh Wurstelfeld as an Sartre) three years after his death. architect and professor at a provincial school. By Richard Dighton (1795-1880) was the son of the Plate 34 from 'Het Dwergentooneel' by Martin respected and popular satirist Robert Dighton. Dighton Engelbrecht (1684 - 1756), engraver and publisher in fils is best known for his series of City and West End Augsburg, with portraits of famous dwarfs in the style portraits. Harvard 72. Stock: 37950 of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen 279. Mr. Mathews as Scout, (Jumps cross- Cabinet'. Rijksmuseum: FMH 3695-a/34. legged on the Chair) SNARL: "There now hes Stock: 37570 fancying himself a Taylor and at Work upon my Cloth" -Village Lawyer Drawn & Etched expressly for the British Stage, Aug. Book: 8to, (185 x 215mm, (7¼ x 8¼"). Very scarce. 1817 [by George Cruikshank?] Cloth binding with title stamped on spine in gilt. Etching and stipple with fine hand-colour. 205 x Binding scuffed and worn. Some overall foxing. £220 115mm (8 x 4½"). Glued to backing sheet at top. A catalogue of naval prints depicting British sea battles Slight offset. £65 in the collection of Sir C. L. Cust with introduction by Charles Mathews (1776-1835), English theatre Commander Charles Napier Robinson. This is the manager and comic actor, in George Colman's 'The third copy of this rare & inteerresting reference book we Village Lawyer', based on De Bruey's 'L'avocat have seen in 40 years. Patelin'. Mathews' last appearance was in 1835 in Neew Stock: 38065 York City, before he returned home to Plymouth, cutting short his American tour because of illness. 283. Tregears Flights of Humor No. 15. The Harvard 61 (as by Cruikshank); O'D 17; Cohn 461 Covey Wots Got A Knack of Taking People Stock: 37952 Off. Published by G. Tregear 1233 Cheapside London [n.d., 280. Pierre-Louis Dubus de Preville, c.1830]. Comédien François. Il a débuté le 20. 7.bre Coloured lithograph. Sheet 290 x 230mm (11½ x 9"). 1753 par Crispin du Légataire [...] Laid on album paper, old ink numeral on upper edge. Jean Bap. Michel fecit 1787 A Paris chez Petit, rue du £190 petit Pont, à ll'Image N.D. Pretty lady standing on the left! Death as a skeleton in Rare engraving, sheet, 370 x 255mm (14½ x 10"). dandyish dress, monocle over one eye-socket, standing Trimmed inside platemark. Slight crease at top. £220 on a grave slab. Pierre-Louis Dubus (1721-99), French comic actor Stock: 37763 known as simply 'Préville'. As the text on the print recounts, he joined the Comédie Francaise in 1753 in the role of Crispin in Jean-François Regnard's 'Le Légitaire Unniversel'. Admired by Louis XV and a friend of the greatest British actor of the day, David Garrick (who christened him 'enfant de la nature'), he created more than sixty roles during his time at the Comédie Francaise (1753-86). Portrayed here in decorative frame with symbols of the arts and scene from another play by Regnard, 'Les Folies Amoureuses'. Stock: 37957

281. Sous un habit de Mezetin / Ce gros brun au riant Visage / Sur la guitarre avec sa mainn / Fait un aimable badinage [...] Peint par Wattaux [Antoine Watteau] / et Grave par 284. The Earth Stopper. The business of an Thomassin le fils A Paris chez Sirois sur le Quay Neuf Earth Stopper, the Night previous to a Days aux Armes de France [n.d., c.1725] Sport, is to stop up the Fox's Earth whilst he is Engraving, platemark 315 x 205mm (12½ x 8"). Very out Feeding ____ The above gentle Swain is large marginns. On laid paper with 'Michallet' supposed to be on his way Home, when by a watermark. £130 sudden turn of the Lane,, he is brought plump Engraving of Watteau's painting of the same name upon what he conceives to be nothing more or (c.1717-9, Wallace Collection). According to the less then the Devil, but which in fact is a simple dealer and connoisseur Jean-Pierre Mariette, the scene Sweep & his Dickey. Vide Beckford on Fox portrays the family of Pierre Sirois (1665-1726), another dealer and the publisher of this print. Sirois is Hunting. dressed as the commedia dell'arte character Mezzetin, London: Pub. Dec. 15. 1814,, by Burgis & Barfoot, 32 while a sculpture of the god Pan peers out from above Southampton Street, Strand. them. The Wallace Collection suggest the painting may Hand coloured aqautint. Very scarce. Fine impression. Sheet size: 265 x 355mm (10¼ x 14"). Trimmed inside have been maade as a commission or a gift for Sirois. Stock: 37932 pllate. £280 A scene on a narrow lane, litt by a crescent moon; a terrified countryman throws uup his arms as he is 282. Naval Battles From the Collection of confronted by a silhouette which he is convinced is the Prints formed amd owned by Commander Sir Devil but is in fact a chimney sweep standing with Charles Leopold Cust, Bart. K.C.V.O., C.B., folded arms in front of his donkey. For a copy in C.I.E, R.N. The Chronological Arrangement reverse see BM Satires ref: 14086. of the Prints with Decorative and Historical Stock: 38074 Notes. by Harry Parker. London. T.H. Parker, 45, Whitcomb Street. MCMXI. 285. Tregears Flights of Humor No. 12. An Napoleon, to the right, who stands at the bar. The Affair of Honor. 'Holding as it were a Mirror barrister nearest the prisoner has talons and a horned up to Nature'. Wretch! thy Reflections hath mask. There are ushers, spectators, a gaoler, and a ever been Shameful and Degrading to Me and I distant gallery filled with ladies, above Gothic arches now demand that Satisfaction which is due to a in the background. The broadside below describes, in detail, a fictional trial of Napoleon Bonaparte. Gentleman. Fire! Stock: 37818 Published by G. Tregear 123 Cheapside London [n.d., c.1830]. 290. How do you do this cold morning Mrs Coloured lithograph. Sheet 245 x 190mm (9¾ x 7½"). Trimmed just into image, laid on album paper, old ink Bare? - Never you mind Mr. Bear. / The numeral on upper edge. £120 Northern ladies are so bold / They never mind A man challenges his own reflection to a pistol duel. excessive cold [...] Stock: 37765 [Anon.] 16 May 1821 [ms] Lithograph, printed in the Arctic; printed area 135 x 286. A Private Rehearsal. / "But soft! What 170mm (5¼ x 6¾"). Creased. £320 light through younder window breaks! It is the Encounter on a frozen sea, with the North Pole east, amd Juliet is the sun! indicated in the distance. A zoomorphized woman surprises a bear by wearing only an elegant dress [G.S Tregear? n.d., c.1835.] despite the temperature- a comment on the willingness Coloured lithograph. Sheet 225 x 255mm (9 x 10"). of Northern women to brave low temperatures! Trimmed, laid on album paper. £130 Stock: 37661 A chimney sweep reads to a scullery maid who sits on a barrel holding a candle. Stock: 37769 291. Going to White's. Drawn Etched by Rich.d Dighton Jany 1819. Pub.d by T. McLean Haymarket 287. Tregears Flights of Humor No. 50. Pray; Coloured etching. Sheet 155 x 290mm (6 x 11½). Mr Jinkins are you Musical; / Why Ma-am, I Trimmed into image and title, remargined at sides.£110 am not musical my-self but I have a very William Arden (1789-1849), 2nd Baron Alvanley, a excellent snuff box wot is. member of the Prince Regent's clique of bucks. A Published by G. Tregear 123 Cheapside London [n.d., friend of Beau Brummel's, it was to Arden that c.1835]. Brummel turned, having been snubbed by Prince Coloured lithograph. Sheet 255 x 220mm (10 x 8¾"). George, famously asking 'Alvanley, who's your fat Trimmed, laid on album paper. £130 friend?'. His extremely lavish lifestyle could not be A woman playing an upright piano, other instruments funded by the income generated by his estates, which including a harp and guitar behind. eventually had to be sold to pay off his debts. He Stock: 37767 eventually had to resign his membership of White's. BM Satires 13348. 288. John Bull and Napoleon!! To the tune of Stock: 37790 the Blue Bell of Scotland. Woodward del. I.C. [Isaac Cruikshank.] London Pub 292. Der Zahnbrecher von Gerard Honthorst. by Ackermann. 101. Strand London Aug.t 13. 1803. Höhe 5'3". Breite 7'9". Hand coloured etching with letterpress broadside Nd Original a St. gz v. Fr. Hanfstaengl. Gedruckt bei below. Watermarked paper 1801. Sheet size: 370 x den Herausgeber. Königl Gemalde-Galerie in Dresden. 240mm (14½ x 9½"). Chips to top and bottom edges. Heraaugegeben v. Franz. Hanfstaengel. Damaged. £160 Lithograph. On india. Printed area: 490 x 380mm, The antagonists face each other across a narrow (19¼ x 15"). Sheet: 860 x 590mm, (34 x 23¼"). Foxing channel between two patches of land. John Bull is seen in very large margins. £360 on the left with a clenched fist and sturdy walking- An interior scene showing several figures crowding stick. Bonaparte in a large plumed bicorne, is on the around a dentist pulling a tooth. right, holding an enormous sabre. Five verses below. Stock: 38064 BM Satires: 10064. Stock: 37817 293. Consilium Medicum. Das Original ist aus Seiner Majestät des Königs Ludwig I von 289. A full and particular account of the Trial Bayern Privat Galerie von Gemälden neuerer of Napoleon Buonaparte, before John Bull. Meister. Das Original, auf Leimand gemalt, ist Woodward del. Cruikshank sc. London Pub.d at 3'11" hoch u. 4'7" briet. L'original se trouve Ackermanns Gallery. 101. Strand. Sep.r 14 1803. Scare hand coloured etching with letterpress broadside dans la Galerie privée de S.M. Louis I Roi de below. Image size: 160 x 260mm (6¼ x 10¼"). Total Bavière, contenant. Le tableau, peint sure toile, sheet size: 510 x 360mm (20 x 14¼"). A few small a une heuteur de 3'11" sur 4'7" de larger. tears to edges. Horizontal central crease as issued.£460 Gemalt von Geyer in Augsburg. Nach d'Originale auf John Bull, to the left, sits in an arm chair raised above Stein gez. v. J.Woelfjle. Verlag der K. B priv. the table at which Counsel are seated, and facing Kunstanstalt v. Piloty u. Loehle zu München (Karls. Str. N.o.39). Lithograph. On india. Printed area: 490 x 490mm, (19¼ x 19 19¼"). Sheet: 860 x 600m, (33¾ x 23¾"). Foxing. Very large margins. £260 Interior scene depicting a council of doctors. A spirited debate takes place bewtween several male figures while two are slumped in their chairs sleeping, on the floor behind an ornate chair a monkey holds a syringe. Stock: 38062

294. [Shepherdess and Cattle.] Printed & Sold by Thos. Bakewell next the Horn Tavern, Fleet Street [n.d., c.1737-42] Mezzotint, pllatemark 175 x 125mm (7 x 5"). Thread margins; small nick inside platemark lower left. £75 Stock: 37662

295. Spring-Head Gardens and Water-Cress Plantation; Near Gravesend [Anon., c.1850] Wood-engraving, sheet 205 x 245mm (8 x 9½"). Trimmed and glued to backing sheet. £65 Springhead, at the source of the river Ebbsfleet near Gravesend in Kent. In 1808 William Bradbury (17766- 298. A Perspective View of the Engine, now 1860) opened the first British watercress farm there. made use of for Driving tthe Piles of the New He commuted to London to sell cress, and made Bridge at Westminster: most Humbly watercress tea a popular refreshment. Inscrib'd to the Hon.ble Commissioners for Stock: 37939 Building the said Bridge,, by the Inventor-

James Vaulone, Watch-Maker 296. Record of the International Exhibition of H. Gravelot delin / W.H. Toms sculp [in image] 1862. By Robert Mallet, Esq.r C.E., F.R.S., Printed for Carington Bowles in St Pauls Church Yard. Editor in CHief of the Practical Mechanics's London. Journal. Assisted by A Complete Staff of Engraving, sheet 445 x 350mm (17½ x 13¾"). Eminent Literary and Scientific Gentlemen.... Trimmed inside platemark; glued to backing sheet and In 12 Parts at 2s. Each, Illustrated by about folded. Scarce. £320 1000 Woodcuts and 24 Engraved Plates, and, Pile driver for building over water, consisting of a for framing, A Memorial Portrait of H.R.H. floating platform on which horses turn a wheel which The Late Prince Consort. drives the pilse downwards. LLater 18th century reissue William Mackenzie: London, 22 Paternoster Row. byy Carington Bowles, of a pllate first published by its Glasgow, 45 & 47 Howard Street. Edinburgh, 59 South engraver, W.H. Toms, in 1748. At that time the Bridge. construction on the first Westminster Bridge had been Letterpress prospectus, pp. (4), 340 x 210mm (13½ x underway for nine years (and would not be completed 8¼") folded oonce. Laid on thick paper. £75 for another two). It was probbably published to Stock: 37791 capitalise on public interest iin the project. For a related print demonstrating ttechnology used to construct Westminster Bridgge see ref.2555.

297. [Scraps relating to steam engines.] Stock: 37646 [c.1843.] Six items laid on thick paper, including a letter, a written slip, two news clippings, a patent for an engine 299. View of the British Plate Glass and a lithographed sheet of illustrations of engines. Warehouse. £260 [n.d.. c.1810.] The letter is an offer to submit a tender by the Glasgow Aquatint, sheet 130 x 200mm (5 x 8"). Trimmed from firm Tod & Macgregor, builders of steam engines; the larger sheet. £95 slip part of a prospectus for the fitting of a ship; one The British Plate Glass Warehouse in Southwark, newspaper clipping relates to the sea trials of HMS London. Situated on the soutth side of Blackfriars Rattler, the first British (and arguably global) screw- Bridge, here the Surrey Instittution and Christchurch driven warship, the other about the launch of an iron can be seen in the background. Thomas Girtin made his schooner for the Baptist Missionaries to Africa; the famous London panorama frroom the rooftop of the patent describbes the 'Cambrian Patent Steam Engine',, warehouse. The site is now occupied by a large pub, designed by Aspinall, Jones & Co, Smethwick, and the Doggetts. For an uncut sheett also showing the British illustration seems to give examples of its use. Plate Glass Manufactory see ref. 142. Stock: 37789 Stock: 37945 300. Interior of the Copper & Brass Works The Matweitsch family performed in Britain for the belonging to Wm & Russell Pontiex, & E. first time in 1838, when the 'Morning Post' reviewer Goldwin, No. 46, 47 & 48 Shoe Lane. wrote (June 18, 1838) that: 'the melodies did not betray [Draw]n & Publish'd, by Pyne, & Nattes. / J. Hill the originality we anticipated; but in the disposition Aquatinta. [c.1806] and treatment quaintness was often remarkable'. They Aquatint with hand-colouring, sheet 280 x 345mm (11 also appear to have toured England, Scotland and x 13½"). Trimmed inside platemark (losing start of text Ireland, and performed specially for visitors such as the on left); laid on conservation tissue. Very scarce. £260 future Alexander II of Russia, when he visited England Unusual interior view of the coppersmiths, founders as a young man in 1839. and copper plate makers run by William and Russell Stock: 37961 Pontifex and Edward Goldwin on Shoe Lane, which runs between Holborn and Fleet Street in central 305. [Harpist] Deo et Diis grata London. The business sold copper plates which in the J.M.F. inv et fecit early 19th century were still widely used by Etching, platemark 160 x 130mm (6¼ x 5"). Very large printmakers. See National Portrait Gallery online margins. £130 database of British artists' suppliers, 1650-1950. German etching, from a book, of a harpist, with music Stock: 37628 and violin [?] on the floor. Stock: 37954 301. The General Laws of the Leeds Independent Order of the Miners' Refuge. 306. Music. Established March 26th 1853, in G.B.Cipriani invt. F.Bartolozzi Sculp. London Remembrance of the Unity. Publish'd as the Act directs Feby. 15th 1783 by A.Torre, No. 44 Mark Lane. J. Parrott, Printer, Briggate, Leeds. Stipple, printed in sanguine. Plate: 180 x 230mm, (7 x Lettrpress pamphlet, 4pp, each 155 x 95mm (6 x 3¾"). 9"). Slight surface abrasion near title. Light foxing. Final page glued to backing card. £170 £220 Pamphlet listing the fifteen rules of the Miners' The allegorical figure of Music, in Grecian dress, plays Association, with preface, presumably printed for a harp and looks to the heavans. distribution to Leeds miners although with nationwide Stock: 1289 application. Early Trade Union item. Stock: 37673 307. The Surprise. [n.d., c.1800.] 302. [48 Characters - Musicians and Engraving. 175 x 110mm (7 x 4¼"). Small margins. Tradesmen.] £65 Cox. Medici. [?] [n.d., c.1700.] A chamber orchestra, centred on a woman playing a Very scarce woodcut. Sheet size: 435 x 310mm (17¼ x piano. The title apparently comes from Haydn's 12¼)"). A few nicks to left edge. £520 Symphony No. 94, 'The Surprise', which premiered in 48 vignettes, each depicting a character. The first 24 London in 1792, with Haydn leading the orchestra are musicians, with each playing an instrument, seated at a fortepiano. including; piano (1), guitar (4), harp (5), french horn Stock: 37724 (11), and bagpipes (17). Numbers 25 to 48 illustrate various tradesmen, each demostrating their particular 308. The Globe on the Bancke Side, where skill, including; a farrier (28), a cooper (30), a carpenter (37), a cook (41), a horoglogist (44) and an Shakspere acted. From an Old View of engineer (48). London published in 1579. Stock: 37836 James Coleman, Heraldic and Genealogical Bookseller. 22 High Street, Bloomsbury, London W.C. 303. The Pretty Laundress. on William Shakspeare's Birth-day: 23rd April 1864. Dean & Munday Lithog 35 Threadneedle St. Pub.d by Woodblock. Sheet size: 215 x 135mm (8½ x 5¼"). £95 Treagear 123 Cheapside 1828. A commemorative etching celebrating the birth of Coloured lithograph. Printed area 250 x 180mm (9¾ x William Shakespeare, depicting the Globe Theatre, 7"). £120 published as part of catalogue XXXIV by James Coleman, 1864. A woman ironing a square of cloth. Stock: 37824 Stock: 37760

304. The Russian Family, Matweitsch in the 309. Mr. Sloman, as Jemmy, and Mr. Beverly, Cossack Dance from the Imperial Theatre, at as Jerry. Moscow, performing at the Argyll Rooms. 246, P Roberts [in image lower right] [N.d., c.1821] Very rare etching with hand-colouring, platemark 200 Regent Street. x 245mm (8 x 9½"). Annotations in pencil; large W. Clark, lith., 202 High Holborn [c.1838] margins. £160 Lithograph with hand-colouring, sheet approx 200 x Scene from C.E. Walker's melodrama 'The Greeks and 210mm (8 x 8¼"). Trimmed and glued to backing the Turks, or, the Intrepidity of Jemmy, Jerry, and a sheet. Very rare. £160 British Tar' (one of a crop of 'War of Independence' dramas staged in London in response to the Graeco- Stock: 37793 Turkish conflict of the 1820s). The play was first stage at London's Royal Coburg Theatre (now the Old Vic) 312. Danse des Marionettes. Pl. 12. in 1821. Set in a Thessaloniki harbour, the play had S. Baptiste [within plate.] Baptiste del. Lith de Jemmy and Jerry 'under the Command of their Valiant Engelmann, rue Faub Monilmarlre No.6. [n.d., c.1826.] Grandmother, Fan Fireproof'. The star of the show, Lithograph. Sheet size: 180 x 240mm (7 x 9¾"). £95 Fireproof was 'ardent in the cause of Greece and A group of villagers smile as they watch a marionettist universal Liberty'. For a playbill for 'The Greeks and peerforming with puppets, controlling the marionettes the Turks' see ref. 37931. See Edith Hall (ed.), 'Greek with his leg. tragedy and the British Theatre, 1660-1914' Stock: 38072 Stock: 37960 313. A Prize Fight. H. Alken del.t I. Clark sculp..t London, Published by T, Mc.Lean, Jany. 1. 1820. Hand-coloured aquatint, Arthur Ackermann framed. Visible sheet area 229 x 324mm. 9 x 12¾". Slight offsetting. In mount. £480 Two men poised to fight with two men behind each fighter; spectators behind a bar. Plate 38 from 'National Sporrtts of Great Britain'. Siltzer: p.70. Stock: 25715

314. [Old English Sports & Games- Cricket.] Cecil Aldin. [signed in penciil.] Entered at Stationer's Hall - Copyright. - Entered According to Act of Congress, in the year 1901, by Lawrence & Bullen, 310. 'Bridge' 1."May I Play To Hearts?"/ Ltd., In the Office of Librarian of Congress, at 2."I Double Hearts"/ 3."Chicane"/ 4."Ruffing Washington. Copyright 1901- Published by Lawrence A Black Suit" & Bullen, Ltd., 16 Henrietta Stret, Covent Garden, L. Thackeray [facsimile signature in plate & signed in London, W.C. pencil lower left.] Entered according to Act of Lithograph. Sheet: 345 x 275mm, (13½ x 10¾"). £480 Congress in the year 1904 by The Fine Art Society Ltd. A portly figure swinging his cricket bat in the air, looks in the Office of the Librarian of Congress, Washington. beehind him concerned as thee ball hits the wicket and London Published 1904 by The Fine Art Society, 148, the bails fly through the air. A crowd of men and New Bond Street. Copyright registered. women watch from the sideliines. From Cecil Aldin's Set of four chromolithographs on india laid paper, with (1870-1935) 'Old English Sports & Games' series. Stock: 37826 vignettes of playing cards in the margin and etched remarques lower left. Images 291 x 410mm, sheets 4775 x 608mm. Unfaded impressions, full sheets, with 315. [Old English Sports & Games- Golf.] occasional spotting, on board. £1600 Cecil Aldin. [signed in penciil.] Entered at Stationer's A fine example of one of the most highly regarded sets Hall- Copyright.- Entered According to Act of of bridge prints. A young couple, clergyman and Congress, in the ear 1901, by Lawrence & Bullen, Ltd., retired army officer are around the table, and, with the In the Office of Librarian of Congress, at Washington. exception of the last, these same characters feature in a Copyright 1901- Published by Lawrence & Bullen, charming sub-narrative in the remarques. Ltd., 16 Henrietta Stret, Coveent Garden, London, W.C. The painter and illustrator Lance Thackeray (d.1916)) is Lithograph. Sheet: 345 x 270mm, (13½ x 10½"). £350 best known for his comic sporting illustration art, An angry golfer in a red coatt hits his ball towards the especially billiards and golf, and his humorous scrub, behind him a young caddy wearing a tam postcards. He was also an author, of 'The Light Side of o'shanter covers his mouth trrying not to laugh and a Egypt' and 'The People of Egypt'. Along with Cecil fugure peeps over the hill. Frrom Cecil Aldin's (1870- Aldin and other noted artists, he was one of the 1935) 'Old English Sports & Games' series. founders of The London Sketch Club, a graphic artists' Stock: 37827 club in Chelsea. Stock: 7836 316. [Polo at Hurlingham] G.D. Giles [signed in pencil]] London, June 1st 1904 by 311. The School Boy [&] The School Girl. Messrs. Fores, 41 Piccadilly,, London W. London, William Darton & Son, Holborn Hill. [n.d., Colour photograuvure, very sscarce, printed area approx c.1830.] 400 x 680mm (15½ x 26½").. Printsellers' Association Pair of coloured aquatints. Sheets 185 x 135mm (7¼ x bllindstamp lower left. Slightt foxing in upper margin. 5¼"). Trimmed within plate. £130 £820 The girl walks along, head in a book; the boy is more interested in his hoop. Very rare polo scene at Hurlingham. Photogravure by Photogravure printed in colour. Rare. Blind stamp in E.M. Hester from a painting by G.D. Giles. PSA:A.P. lower left corner, 'Berlin Photographic Society. 21.' 100 Platemark: 645 x 320mm (25¼ x 12¼"). Very light Stock: 23950 foxing in margins. £280 A young man in hunting dress rides directly towards 317. [Polo at Ranelagh (England v. America)] the viewer, with another figure following, behind to the Cuthbert Bradley [signed in pencil] London, July 15th right. Fields can be seen in the distance. After British 1904 by Messrs. Fores, 41 Piccadilly, London W. sporting and animal painter, Thomas Blinks (1860 - Colour photograuvure, very scarce, printed area approx 1912), who worked in Abbey Road and exhibited 400 x 680mm (15½ x 26½"). Printsellers' Association paintings at the RA from 1883. blindstamp lower left. £820 Stock: 37688 Very rare polo scene at Ranelagh. Photogravure by E.M. Hester from a painting by Cuthbert Bradley. 321. [Hunting scene after Thomas Blinks.] PSA:A.P. 100 Thos. Blinks [Signed in pencil]. T. Blinks [within Stock: 23948 plate]. Published by The Berlin Photographic Company Berlin - London W.133 New Bond Street - New York 318. Northumberland Races 1826 County 14 East 23rd Street. [n.d., c.1890.] Plate Photogravure printed in colour. Rare. Blind stamp in [Anon, c.1830] lower left corner, 'Berlin Photographic Society. 23.' Etching, platemark 225 x 440mm (9 x 17¼"). Platemark: 650 x 320mm (25½ x 12¼"). Grubby in Damaged; laid on convservation tissue, creased as margins. Very light foxing in margins. £320 normal. £140 A young woman in Edwardian dress leads three other Political satire, with the Northumberland candidates hunters on horse-back over a fence. Fields can be seen dressed as jockeys. Another, similar print of the same in the distance. After British sporting and animal title is described in BM Satires as showing Thomas painter, Thomas Blinks (1860 - 1912), who worked in Wentworth Beaumont winning easily and cheered by Abbey Road and exhibited paintings at the RA from the crowd, followed by Liddell, Bell and Howick. The 1883. polite society on the far side raise their hats to Stock: 37687 Beaumont, who returns the gesture. By contrast, in the foreground fights break out amongst the drunken 322. [Pheasants. After Thomas Blinks.] spectators (who raise a flag reading 'Beaumont for Thos. Blinks [Signed in pencil]. T. Blinks [within ever'). plate]. Copyright 1904, by Photographische As in BM Satires 15133 there is a distant view of Gesellschaft. Ravensworth Castle (which Liddell's father owned). Photogravure printed in colour. Rare. Blind stamp in Compare BM Satires 15133 lower left corner, 'Berlin Photographic Society. PP.' Stock: 37984 Platemark: 580 x 380mm (22¾ x 15"). £280 A flock of pheasants in flight over a field, two birds 319. Northumberland Races 1826. The falling as they are shot. After British sporting and memorable Contest between Bonny Pit Lad, animal painter, Thomas Blinks (1860 - 1912), who Sprig of Talent, Slim Harry & Tom Dross. worked in Abbey Road and exhibited paintings at the [Anon, c.1830] RA from 1883. Stock: 37689 Etching, platemark 225 x 440mm (9 x 17¼"). Damaged; laid on convservation tissue; creased as normal. £140 323. [Grouse Shooting.] Political satire, with the Northumberland candidates [James Pollard.] Holloway Pub. by R. Pollard & Sons, dressed as jockeys. Another, similar print of the same Aug. 2. 1822. title is described in BM Satires as showing Thomas Hand coloured engraving. Framed. Printed area: 105 x Wentworth Beaumont winning easily and cheered by 345mm (4¼ x 13½"). Frame size: 370 x 595mm (14½ the crowd, followed by Liddell, Bell and Howick. The x 23½"). Unexamined out of frame. £290 polite society on the far side raise their hats to A wide Grouse shooting scene, depicting two hunters Beaumont, who returns the gesture. By contrast, in the on the left, one holding two dogs and a horse, the other foreground fights break out amongst the drunken in profile to the right, on horse back, shooting. Another spectators (who raise a flag reading 'Beaumont for stands in the centre, holding a gun, looking on. Three ever'. Beaumont in fact lost his Northumberland seat in dogs run towards a number of falling Grouse to the left 1826 to Liddell. of the scene. Stock: 37985 After English painter James Pollard (1792–1867), published by his father Robert Pollard (1755–1838). Stock: 38016 320. [Hunting. After Thomas Blinks.] Thos. Blinks [Signed in pencil]. T. Blinks [within plate]. Published by The Berlin Photographic Company 324. [RAF biplane being turned.] Berlin - London W.133 New Bond Street - New York [by Cyril Barraud.] [n.d., c.1925.] 14 East 23rd Street. [n.d., c.1890.] Etching, in RAF colours. 105 x 150mm (4¼ x 6"). Paper lightly soiled. £260 Cyril Barraud (1877-1965), son of Herbert Rose Barraud and nephew of Francis Barraud. Having trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a lieutenant with the 43rd Battalion of the Canadian Expeditionary Forces in 1915 but transferred to the 79th Cameron Highlanders of Canada a few months later. He was wounded in the leg fighting in France in 1917, but retuturned to active service. Barraud was one of the first Canadian artists hired by Lord Beaverbrook for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he wass seconded to the Canadian War Memorials Fund. After demobilisation he remained in England, painting and etching landscapes, some of which were used for the LNER carriage prints, and taking commissions for christmas cards. Stock: 37599

325. [RAF monoplane.] [by Cyril Barraud.] [n.d., c.1935.] 327. [Hannibal, the firsst Handley Page H.P. Etching. 1100 x 150mm (4¼ x 6"), watermarked F J 42.] Head & Co. £220 [by Cyril Barraud.] [n.d., c.1930.] Cyril Barraud (1877-1965), son of Herbert Rose Etching. 125 x 125mm (5 x 5"). £220 Barraud and nephew of Francis Barraud. Having A flying Handley Page H.P.42, 'G-AAGX', was the trained at the Brighton School of Art he emigrated to first of its design to fly (14th November 1930). The Winnepeg in 1913. He was commissioned as a model received its certificate of airworthiness in May lieutenant with the 43rd Battalion of the Canadian 1931, and had its first commmeercial passenger flight on Expeditionary Forces in 1915 but transferred to the the 11th June that year. 79th Cameron Highlanders of Canada a few months In the eight years of its civiliian service, no lives were later. He was wounded in the leg fighting in France in lost (a record thought to be unique for contemporary 1917, but retuturned to active service. Barraud was one aircraft); G-AAGX did crash in Kent because of engine of the first Canadian artists hired by Lord Beaverbrook failure, but there were no injuries. However, pressed for the War Records Office to sketch Canadian battle into RAF service, G-AAGX disappeared without trace zones around Ypres and Vimy Ridge-Arras sectors. over the Gulf of Oman on 1 March 1940 with eight Later he wass seconded to the Canadian War Memorials aboard including the First World War ace Group Fund. After demobilisation he remained in England, Captain Harold Whistler and the Indian politician Sir painting and etching landscapes, some of which were A. T. Pannirselvam. used for the LNER carriage prints, and taking Cyril Barraud (1877-1965), son of Herbert Rose commissions for christmas cards. Barraud and nephew of Franncis Barraud. Having Stock: 37596 trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a 326. [Biplane, G-ACON.] lieutenant with the 43rd Batttaalion of the Canadian [by Cyril Barraud.] [n.d., c.1935.] Expeditionary Forces in 1915 but transferred to the Etching. 1300 x 130mm (5 x 5") £160 79th Cameron Highlanders of Canada a few months Cyril Barraud (1877-1965), son of Herbert Rose later. He was wounded in the leg fighting in France in Barraud and nephew of Francis Barraud. Having 1917, but returned to active service. Barraud was one trained at the Brighton School of Art he emigrated to of the first Canadian artists hired by Lord Beaverbrook Winnepeg in 1913. He was commissioned as a for the War Records Office to sketch Canadian battle lieutenant with the 43rd Battalion of the Canadian zones around Ypres and Vimy Ridge-Arras sectors. Expeditionary Forces in 1915 but transferred to the Later he was seconded to the Canadian War Memorials 79th Cameron Highlanders of Canada a few months Fund. After demobilisation he remained in England, later. He was wounded in the leg fighting in France in paainting and etching landscaappes, some of which were 1917, but retuturned to active service. Barraud was one used for the LNER carriage prints, and taking of the first Canadian artists hired by Lord Beaverbrook commissions for christmas caards. Stock: 37593 for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he wass seconded to the Canadian War Memorials 328. [Gloster Mars I, 'Bamel', G-EAXZ.] Fund. After demobilisation he remained in England, [by Cyril Barraud.] [n.d., 1922.] painting and etching landscapes, some of which were Etching. 155 x 105mm (6¼ x 4¼"). Some staining. used for the LNER carriage prints, and taking £220 commissions for christmas cards. Derived from the Nieuport Nighthawk, the Gloster Stock: 37595 Mars I was a single-seat racinng biplane. In 1922 a Mars I made an attempt on the worrld air speed record. Although the recorded speed of 212.15 mph (342 km/h) was faster than the existing record, it did not exceed it by the required margin, so the record was noot recognised. Cyril Barraud (1877-1965), son of Herbert Rose Barraud and nephew of Francis Barraud. Having trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a lieutenant with the 43rd Battalion of the Canadian Expeditionary Forces in 1915 but transferred to the 79th Cameron Highlanders of Canada a few months later. He was wounded in the leg fighting in France in 1917, but retuturned to active service. Barraud was one of the first Canadian artists hired by Lord Beaverbrook for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he wass seconded to the Canadian War Memorials Fund. After demobilisation he remained in England, painting and etching landscapes, some of which were used for the LNER carriage prints, and taking 331. [A Rolls-Royce Coompany Christmas commissions for christmas cards. Stock: 37597 Card, illustrated Airshow, with flypast of Hawker Harts?] 329. [Flighht of Supermarine Southamptons??] [by Cyril Barraud.] [Printed bby] W.F. Sedgewick Ltd. [by Cyril Barraud.] [n.d., c.1930.] Xmas 1934. Etching. 1100 x 150mm (4½ x 6"), watermarked F J Etching, presented as a printed christmas card. Etching Head & Co. £280 175 x 120mm (7 x 4¾") on ffrront of a folded sheet Four flying boats (Supermarine Southamptons?) flying watermarked 1934. Rare. £220 over a destroyer. A christmas card with a printted greeting frrom A.F. Cyril Barraud (1877-1965), son of Herbert Rose Sidgreaves, managing director of Rolls Royce Ltd. It Barraud and nephew of Francis Barraud. Having depicts an airshow with a flypast of biplanes in three trained at the Brighton School of Art he emigrated to ranks of three, most likely the Hawker Hart, a Winnepeg in 1913. He was commissioned as a prrominent British light bomber between the wars, lieutenant with the 43rd Battalion of the Canadian poowered by a Rolls-Royde engine. A Rolls Royce car Expeditionary Forces in 1915 but transferred to the is parked prominently among the spectators. 79th Cameron Highlanders of Canada a few months Cyril Barraud (1877-1965), son of Herbert Rose later. He was wounded in the leg fighting in France in Barraud and nephew of Franncis Barraud. Having 1917, but retuturned to active service. Barraud was one trained at the Brighton School of Art he emigrated to of the first Canadian artists hired by Lord Beaverbrook Winnepeg in 1913. He was commissioned as a for the War Records Office to sketch Canadian battle lieutenant with the 43rd Batttaalion of the Canadian zones around Ypres and Vimy Ridge-Arras sectors. Expeditionary Forces in 1915 but transferred to the Later he wass seconded to the Canadian War Memorials 79th Cameron Highlanders of Canada a few months Fund. After demobilisation he remained in England, later. He was wounded in the leg fighting in France in painting and etching landscapes, some of which were 1917, but returned to active service. Barraud was one used for the LNER carriage prints, and taking of the first Canadian artists hired by Lord Beaverbrook commissions for christmas cards. for the War Records Office to sketch Canadian battle Stock: 37601 zones around Ypres and Vimy Ridge-Arras sectors. Later he was seconded to the Canadian War Memorials 330. Apparatus for filling Mr. Lunardi's Fund. After demobilisation he remained in England, Balloon. paainting and etching landscaappes, some of which were used for the LNER carriage prints, and taking [London: J.Bell for the author, 1784?] commissions for christmas caards like this. Etching, sheet 255 x 210mm (10 x 8¼"). Trimmed; Stock: 37591 creased; laid on conservation tissue. £140 The balloonist Vincenzo Lunardi (1759-1806) famously made the first balloon voyage in England on 332. Portraits. Taken August 12th. 1813. 15 September 1784, setting out from Moorfields in Engraved by H.R. Cook from a Drawing by R. Clarke North London and descending 24 miles away near Esq.r Published March 30 1814, by I Cornes 1 Ware in Hertfordshire. The event made Lunardi a Cavendish Street, Cavendish Square. celebrity and several account were published. This Fine coloured aquatint, scarce, 295 x 440mm (11½ x print illustrating the equipment used to fill the balloon 17¼"). Repaired tears in title area. In mount. £260 was probably issued in Lunardi's own account, 'An Two men in a horse-drawn carriage with dogs Account of the First Aerial Voyage in England' (1784). [dalmatians] in the foreground. Engraved by Henry Richard Cook (1804-1849; ffll). Not in Siltzer. For a portrait of Lunardi see ref. 4392 Stock: 17292 Stock: 37672 333. Schlitten=fahrt auf der Elbe. 36 John Crosby (d.1476). It remained in the City until the Kliedertracht u. Gebrauche in Hamburg. early twentieth century when it was relocated to Fine coloured aquatint; Sheet 175 x 265mm (6¾ x Cheyne Walk, Chelsea (it is nnow the only extant 10½"). Trimmed to image, small tear top right. £80 example of domestic architecture built for a London 'A Sleigh-Ride on the Elbe'. A horse-drawn sleigh merchant in the middle ages)). In the 1830s many driven by a man seated on the back, a woman prrominent citizens were involved in campaigning for passenger under a leopard-skin, the outline of Hamburg the restoration of the hall, which the event shown here in the background. may have been related to. Stock: 37989 Stock: 37667

334. Dôme de la Cathédrale de St Paul 338. The Present Fashions Scene near the Londres. St Paul's Dome (Church Yard) canal_St. James's Park London. Drawn & Etched by J. Findlay, Aquatinted by S.G. Dessiné et lith. par Jules Arnout. Imp. Lemercier a Hughes. Published & Sold by J. Wyatt, 36 Frith Street, Paris. Paris, Bulla Freres et Jouy, Editeurs. Berlin, F.d Soho Square, London. Ebner, 196 Friedrichsstasse. London, E. Gambart & Coloured aquatint. Plate: 560 x 410mm (22 x 16"). Co. 25 Berners St. Oxf. St. New-York, Emile Seitz, Stain on left. Tears in bottom and top edge. £950 233 Broadway. [n.d., c.1840.] One of a series of fashion priints published by Wyatt set Rare tinted lithograph. Printed area 330 x 390mm (13 x in fashionable London locatiions. A group of men, 15½"). Very large margins. £480 women and children in fine examples of the current A close view of St Paul's Cathedral, depicting the street fashions stand and converse iin St. James's Park. Stock: 11230 traffic around the edifice. Stock: 37777 339. Waterloo Place, Pall Mall, and the 335. The Cathedral Church of St Paul Colonnade of the Kings Theatre, Opera-House. London S.r Christopher Wrenn Archit: Published 21st Jan.y 1818 by Ja.s Whittle & Rich.d H. T: Mueller Sculp. Publish'd According to Act of Laurie, No. 53 Fleet Street London. Parliament March ye 8th 1750 Coloured engraving. 285 x 430mm, 11¼ x 17". . £260 Etching, sheet 155 x 125mm (6 x 5"). Trimmed to The newly-built junction of Lower Regent Street and platemark and glued to backing sheet. Rare. £50 Pall Mall. Unusual view of St Paul's Cathedral, delicatedly etchhed Stock: 17745 and distinguished from most views of the period by showing the building from a frontal perspective rather than at an anngle, and by omitting people altogether. Stock: 37631

336. St. Paul's Cathedral. R. Ackermann's Series, No.3. Drawn by G.S. Shepherd _ T. Picken. Day & Son. lith.rs to The Queen. London, Published, March 20th 1851 by Rudolph Ackermann. 191 Regent Street. Tinted lithograph. Rare. Sheet size: 295 x 440mm (11½ x 17¼"). £240 A rare view of the west front facade of St. Paul's Cathedral, with the dome behind. The street in front of the cathedral is busy with various carriages and horse drawn carts. A female street seller is seen sitting by a 340. A View of White Hall 1754 lamp post in the foreground. To the left, many A.B. Lens Fecit pedestrains walk by shops such as 'Laceys Juvenile Watercolour, sheet 250 x 345mm (9¾ x 13½"). On laid Book [Sellers]'. paaper with 'GR' watermark. £620 Plate 3 from 'London: The London Prints of Rudolph Watercolour by the draftsmaan Andrew Bernard Lens Ackermann Junior (Ackermann's Series 1851). Ten (1732-1770, fl.) seemingly coopied from John Maurer's Coloured Lithographs By T. Picken After G.S. famous view of Whitehall, showing Inigo Jones's Sheperd.' Banqueting House and Holbein Gate. The gate with its Stock: 37831 distinctive octagonal turrets was built about 1532, and byy the time this watercolour wwas made it had long been 337. Crosby Hall February 28 1839[?] threatened with demolition to enable traffic to pass [Anon., c.1840] more easily (it was finally demolished in 1759). The Lithograph on grey paper with white highlights added Banqueting House, with its ffamous ceiling by Rubens, by hand, printed area 220 x 295mm (8¾ x 11½"). is now the only remaining part of the old Whitehall Scarce. £140 Palace above ground. The Banqueting Hall of Crosby Hall, a Medieval house Stock: 37623 built on Bishopsgate by merchant and diplomat Sir 341. A View of Hammersmith, looking down the architect William Pettit Griffith adapted the hall for the Thames. No. 8 its new use. A new wing was built in 1868 (one print J. Boydell del & Sculpt. Published according to act of shows the proposed additions before they were made). Parliament by J. Boydell at the Unicorn, the corner of The hospital continues in the same location, but has Queen Street, Cheapside, London 1752. Price 1s. changed its name more than once since the 1860s, and Coloured engraving with very fine colour. Plate size: is now the Royal Hospital for Neuro-disability. 260 x 424mm. 10¼ x 16¾". £420 Stock: 37676 A view of Hammersmith looking down the Thames, with numerous boats and people shown. This view was 345. A View of Mortlake up the Thames. Vüe engraved by John Boydell who sold his prints at the du Mortlake sur la Tamise. No.25. Unicorn on the corner of Queen Street and Cheapside, Boydell Delin & Sculp. Publish'd according to Act of and later at his own Shakespeare Gallery. Boydell’s Parliament & Sold by Jn.o Boydell Engraver at the work proved very popular and sold across the Unicorn the Corner of Queen Street in Cheapside continent. During 1752 and 1753 he made several London. 1753. Thameside views west of London. Coloured engraving with very fine colour. Plate size: Stock: 28064 254 x 412mm. 10 x 16¼". £450 A view of Mortlake from the Thames with sailing 342. Old Chelsea Seymour Haden 1863 Out of boats on the river and cattle on the river bank. Whistler's window. This is actually Barnes looking from Mortlake, with [Seymour Haden.] 1863. the bay window to the house which later became the Etching. Platemark: 150 x 225mm (6 x 9"). Very large residence of the composer Gustav Holst. Collage: margins. £230 p7494057. A view of Battersea Reach taken from Whistler’s Stock: 28065 house in Chelsea looking out over the Thames towards Battersea railway bridge. The church in the centre is St 346. Mortlake. Mary’s, Battersea. Drawn from Nature & on Stone by W. Westall A.R.A. One of the pioneers of the 19th century etching revival, Printed by C. Hullmandel. London Pub: by Rodwell & Sir Francis Seymour Haden (1818 - 1910) married the Martin: New Bond St. Dec.r 1823. sister of James McNeill Whistler (1834 - 1903) and Hand coloured lithograph. Sheet size: 275 x 400mm became an important influence on the American-born (10¾ x 15¾"). Large margins. £220 etcher's style. H: 52. A view of the river Thames at Mortlake, with a number Stock: 38024 of figures, including a fish-seller, on the bank to the left, and three boats on the water. 343. Bankside. Southwark in 1648, with a William Westall (1781 - 1850) was a British view of Holland's Leaguer, one of the Ancient topographical draughtsman and engraver. He became Stews or Licenced Brothels there, suppressed an Associate Member of the Royal Academy in 1812. during the reign of King Henry the Eighth. He was the younger brother of the painter and illustrator Richard Westall. After the original by Ralph Aggis. Engraved from the A plate from 'Thirty five Views on the Thames, at Frontispiece to the very scarce Tract called Hollands Richmond, Eton, Windsor and Oxford', published Leaguer by Howlett. London, Published by Mess.rs December 1823. Boydell & Co. Cheapside Sep.t 2, 1812. Stock: 38067 Engraving. Platemark: 225 x 280mm (8¾ x 11"). With large margins. £130 A bird's eye view over Bankside, with an enlarged 347. Richmond. Looking from the Bridge. view of Holland's Leaguer on a scroll at the top centre. Drawn by W. Westall. A.R.A. Printed by C. To left is a small view of the Bull and Bear baiting Hullmandel. Lonodn. Pub by Rodwell and Martin 40 theatres, and to the right a view over the Globe, Rose Argyll St. & 46 New Bond St. Aug.t 1822. and Bear-Baiting theatres. A small plan of the area Hand coloured lithograph, india paper. Sheet size: 290 x 390mm (11½ x 15¼"). Large margins. £180 below image depicts London before the great fire. Stock: 37830 A view of the Thames from Richmond Bridge, with various figures on the bank to the right and a number of sailing boats in the water. 344. [Five views of the Royal Hospital for A plate from 'Thirty five Views on the Thames, at Incurables, West Hill, Putney Heath] Richmond, Eton, Windsor and Oxford', published [various printmakers, c.1865-70] December 1823. Five lithographs and wood-engravings, dimensions William Westall (1781 - 1850) was a British from 105 x 170mm (4 x 6¾") to 170 x 200mm (6¾ x topographical draughtsman and engraver. He became 8"). All glued to backing sheets; minor foxing. £95 an Associate Member of the Royal Academy in 1812. The 'Hospital for Incurables' was established in He was the younger brother of the painter and Carshalton, Surrey, in 1854. To meet demand it moved illustrator Richard Westall. once in 1858, and again in 1863 to the building shown Stock: 38068 in this prints, Melrose Hall on West Hill, Putney. Formerly part of Lord Spencer's estate at Wimbledon Park (with grounds landscaped by 'Capability' Brown), 348. [Maison de Plaisance du Trés Honorable eight volumes between 1814-1825, described by R.V. Welbore Ellis, at Twickenham in Middlesex.] Tooley as 'the most important colour plate book on [W. Watts del. Gravé par Guyot.] [Chez Guyot British Topography'. Abbey: Scenery, 16; Tooley: Graveur et Md. d'estampe Paris. c.1788.] Books with Coloured Plates 177. Proof before letters impression. Very scarce. Stock: 37607 Platemark: 175 x 220mm (6¾ x 8¾"). Very large margins. £380 352. The entrance to Portreath, Cornwall. Welbore Ellis's country cottage in Twickenham, Drawn & Engraved by Will.m Daniell. Published by Middlesex, depicting the house surrounded by trees, on Mess.rs Longman, & Co. Paternoster Row, & W. the riverbank, with boats in the foreground and a group Daniell, 9 Cleveland St. Fitzroy Square, London. of figures with cattle to the left. Welbore Ellis, 1st Feb.y, 1, 1814. Baron Mendip (1713 - 1802) was a British statesman. Aquatint with fine original hand colour. 230 x 300mm He held a number of political offices, including briefly (9 x 12"). Large margins. £190 serving as Secretary for the Colonies in 1782 during A view at Portreath, Cornwall, with a man seated on a the American War of Independence. wall in the foreground and another beside him, A proof impression from 'Des Jardins Anglais', a set of watching a ship at sea, tilting to the left near the twelve plates representing lodges around London, first entrance to a narrow harbour. A group of figures can advertised in the Journal de Paris, 13th November be seen standing on a jetty to the left. 1788. Only five plates, etched by Guyot, are known, From William Daniell's 'A Voyage Round Great and it is quite possible that the rest of the set has Britain', a series of 308 aquatints published in eight actually never been engraved. Gascoigne, 'Images of volumes between 1814-1825, described by R.V. Twickenham': 216. Tooley as 'the most important colour plate book on Stock: 37716 British Topography'. Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177. 349. Windsor Bridge. Stock: 37608 J. Farington R.A. delt. J. C. Stadler Sculpt. Publish'd June 1, 1798, by J. & J. Boydell, Shakespeare Gallery, 353. Barrow House, near Keswick, Pall Mall, & No. 90, Cheapside London. Cumberland Coloured aquatint. 220 x 320mm (8¾ x 12½"). Faint C. Moody lith, 257, Holborn Published by T. Bailey & text offset. £120 Son The wooden bridge over the Thames at Windsor, Rare lithograph, printed area 125 x 155mm (5 x 6"). looking up towards Windsor Castle. From Boydell's £50 'History of the River Thames'. Abbey: 432. Barrow House, a Georgian mansion built in 1787 Stock: 37858 overlooking Derwent Water, was owned by Joseph Pocklington and his descendants in its early years, and 350. A View of the Royal Palace of Windsor. was later rented by the pioneer of photography William Vue du Palais Royal de Windsor á vingt un Henry Fox Talbot (1850-1). It had first become a youth Miles de Londrés. hostel by 1931 and is now the Derwentwater Brookes Delin. Parr Sculp. Publish'd according to Act Independent Hostel. of Parliament. London Printed for & Sold by Rob.t Stock: 37962 Sayer Map & Printseller at the Golden Buck opposite Fetter Lane Fleet Street. 354. Torquay, from Waldon Hill. Coloured engraving. 260 x 400mm (10¼ x 15¾"). J. Salter del et Lith. Day & Son, Lithr.s to the Queen. Trimmed to plate. £220 [Published by Mr J. Salter, Palk Street...] [n.d., c.1838.] A view of the castle from the Thames. A smartly- Tinted lithograph. Printed area 250 x 365mm (9¾ x dressed man fishes on the shore, watched by two 14¼"). Very large margins. Spotting in margins. £240 women From Salter's 'Six Views of Torquay'. Stock: 37898 Stock: 37897

351. The long ships light house, off the lands 355. View of Manningtree from Highlands. end, Cornwall. 1851. Drawn & Engraved by Will.m Daniell. Published by Watercolour in sepia tones. Sheet size: 270 x 350mm Mess.rs Longman, & Co. Paternoster Row, & W. (10½ x 13¾"). Glued to backing sheet in corners. £180 Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, A fine watercolour view of Manningtree, Essex, 1, 1814. England from Highlands House, in the village of East Aquatint with fine original hand colour. 230 x 300mm Bergholt in Suffolk, just north of the Essex border. (9 x 12"). Large margins. Stain to lower left corner. Bridges crossing the river Stour can be seen in the £160 centre, with two large windmills in the distance. A small boat with two figures sailing at sea, tilting to The high level of skill and accuracy of the painting left in stormy weather, near a lighthouse on top of a would suggest that it was made by an architect. rock at the right. A rocky shoreline can be seen in the Stock: 37759 distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in 356. [Set of four lithographs of Walton on the 360. [Sheet of sketches of Westmont, Isle of Naze, Essex] Wight] Drawn from Nature & on Stone by F. Stacpoole 1832 [J. Blanche, c.1870] Four very rare lithographs on india, each seet approx Four pencil sketches glued to album sheet, sheet 530 x 215 x 305mm (8½ x 12"). Trimmed. Edges bit tatty. 370mm (21 x 14½"). £240 £520 Fine sketches of an elegant house on the Isle of Wight, Remarkable set of views of Walton on the Naze in now Ryde School. Juliet Blanche du Thon married Essex, probably amongst the earliest works of the Edmund Henry Peters in 1860 on the Isle of Wight. engraver Frederick Stacpoole (1813-1907). Stacpoole Stock: 37986 would become the leading engraver of his generation by making large engravings after artists such as Edwin 361. Tunbridge Wells, from Mount Ephraim. Landseer and William Holman Hunt, but these No. 2. lithographs are based on his detailed and personal Drawn from Nature & lith by H. Harris. Pr. by Graf & observations of the town. The sights visible include Soret. [n.d., c.1840.] one of the first piers built in England (shortly after its Lithograph. Sheet size: 220 x 280mm (8¾ X 11"). construction in 1830), and the Naze Tower built in Very large margins. £130 1720 Ex collection of the Late Hon. C. Lennox-Boyd An attractive view of Tunbridge Wells, Kent, from Stock: 37972 Mount Ephraim, with a number of figures on the paths before the town itself. 357. Rencomb Park. To Sir Will.m Stock: 38071 Guise_Bar.t Member of Parliament for the County of Gloucester this plate is Inscribed by 362. Approaches to Liverpool. 1847. [with] hhis most Obliged humble servant J: Rudder. Abstract of The Act, 9 & 10 Vic., c.100. For the Drawn and Engraved byT. Bonnor. Publish'd as the Act Regulation of Steam Navigation, and for directs Decem.r 1.st 1779. requiring Sea-going Vessels to carry Boats. Engraving. Platemark: 320 x 390mm (12½ x 15¼"). J.B. Leatherbarrow, lithog. So J.n Street. Very large margins; folds as normal. Repaired tear in Lithographic map. 220 x 260mm (8¾ x 10¼"), 12pp. lower margin. £140 pamphlet pasted to edge. Splits in folds. £80 The estate of Sir Francis Henry Goldsmid (1808-78), A guide to navigating into Liverpool's port, with 2nd Baronet. Goldsmid, a Jewish banker and M.P., coastal landmarks marked and illustrations of the bought Rendcomb Park Estate in 1863, demolishing lighthouses around three sides. The accompanying the 17th century house and had a new one built, pamphet, published in Liverpool, outlines the new designed by Philip Charles Hardwick and constructed requirements for lifeboats. by Thomas Cubitt. Stock: 37621 For an auction catalogue for the sale of the estate, see item ref: 37997. 363. Boston, Lincolnshire. Stock: 38066 Drawn & Engraved by Will.m Daniell. Published by Mess.rs Longman, & Co. Paternoster Row, & W. 358. Richmond Lodge, Southampton. Daniell, 9 Cleveland St. Fitzroy Square, London. July, 1841. 1, 1822. Watercolour in sepia tones. Sheet size: 255 x 360mm Aquatint with fine original hand colour. 230 x 300mm (10 x 14"). Removed from backing sheet. Missing (9 x 12"). Large margins, uncut. £190 lower right corner detached. £220 A view of Boston from the harbour, with a pier in the A fine watercolour view of Richmond Lodge, foreground and boats moored nearby. St. Botolph's Southampton, with surrounding gardens. The high Church can be seen at the centre in the background. level of skill and accuracy of the painting would From William Daniell's 'A Voyage Round Great suggest that it was made by an architect. Britain', a series of 308 aquatints published in eight Stock: 37745 volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on 359. King Williams College, Isle of Man [ms] British Topography'. Abbey: Scenery, 16; Tooley: A Delamotte del / O Jewitt sc. [n.d., c.1850] Books with Coloured Plates 177. Wood-engraving, sheet 85 x 130mm (3¼ x 5"). Stock: 37609 Trimmed and glued to backing sheet. £50 Boys playing cricket on grounds of King William's 364. Chateau et Parc d'Osterley, Appartenant College on the Isle of Man. a M.me Child. dans le Comté de Midlessex. In 1828 Edward Welch (1806-1868) formed a No. 9 des Jardine Anglois. partnership with Joseph Hansom (1803-1882). W. Watts del. Guyot sculp. à Paris chez Guyot Graveur Together they designed several churches in Yorkshire et M.d d’Estampes, rue St. Jacques au Grand Gessner and Liverpool, but in 1830 they went to the Isle of Man No.9. [n.d. c.1790.] to design King William's College. Coloured aquatint and with etched outline, very fine. Stock: 37657 200 x 235mm, 8 x 9¼". Laid on board. £360 Osterley Park, Isleworth, as remodelled by Robert Adam for the banker Sir Francis Child and his brother and heir Robert Child. After Robert Child's death in 369. Talbot Inn, Oundle. 1782 the estate came into the possession of Sarah Anne J. S. del.t. [Reverend John Shillibeer.] Printed by W. Child, later Countess of Westmorland, in trust for his Day. [n.d., c.1830.] granddaughter Sarah Sophia Child Villiers, Countess Lithograph. Sheet size: 280 x 385mm (11 x 15¼"). of Jersey,who also became the principle shareholder of Very large margins. £120 Child's Bank. A street scene in New Oundle, a market town on the Published in a series of views of important English River Nene in Northamptonshire, depicting a horse and gardens. cart on the left, and a figure pumping water from a well Stock: 25760 in the centre. The Talbott Inn, one of Oundle's oldest buildings, is seen along the opposite side of the road. 365. Market Place, Yarmouth. After Reverend John Shillibeer, the Headmaster of Publihsed by S.N. Purdy, Yarmouth. Oundle Grammar School and the Rector of the parish Tinted lithograph. Printed area 250 x 350mm (9¾ x of Stoke Doyle. 13¾"). Large margins. Paper soiled, tear in right Stock: 38021 margin. £180 The main square of Great Yarmouth. On the right is 370. [The Cowport Gate. (Berwick-on- Fish Stall House, a public house which, in September Tweed)] 1852, became the only house in Great Yarmouth to be George D. Guthrie [signed in pencil.] [n.d., c.1910.] reprimanded by magistrates for misconduct. Located at Drypoint etching. Issue limited to 25 copies. number 49, it was demolished in 1972. Platemark: 62 x 72mm (2½ x 2¾"). £50 Stock: 37895 A small etching depicting the Cowport Gate, Berwick- on-Tweed, Northumberland, the only surviving gate of 366. Keswick, H. Gurney Esq [with coat of the original protecting walls of the town. Defensive arms of Hudson Gurney attached] walls encircling Berwick were first constructed in the [Anon, c.1852] early 14th century and were built on a line laid down Lithograph with hand colouring, with engraved coat of by Edward 1 in 1296. arms. Total dimensions 220 x 240mm (8½ x 9½"). Stock: 38028 Rare. £70 Keswick Hall near Norwich, the grand mansion built 371. Sand Gate. Berwick-on-Tweed. by the antiquary and banker Hudson Gurney (1775- T. Rose. [Within plate and signed in pencil.] [n.d., 1864) following his retirement from business and c.1900.] politics in 1832. It later housed the Norwich Teacher Etching printed in brown ink. Platemark: 210 x 145mm Training College (1948-81) before returning to (8¼ x 5¾"). Very large margins. £50 residential use. A woman and small child walk through the Sand Gate, Stock: 37963 Berwick-on-Tweed. The woman carries a basket, the child, a hoop, as another child waves from the bridge 367. Keswick, H. Gurney Esq above. Defensive walls encircling Berwick were first [Anon, c.1852] constructed in the early 14th century and were built on Lithograph with hand colouring, sheet 150 x 240mm (6 a line laid down by Edward 1 in 1296. The Sandgate x 9½"). Rare. £65 was one of the fortified entrances into the town. Keswick Hall near Norwich, the grand mansion built Stock: 38029 by the antiquary and banker Hudson Gurney (1775- 1864) following his retirement from business and 372. Bath Mechanics Institution. James politics in 1832. It later housed the Norwich Teacher Wilson, Architect. Training College (1948-81) before returning to J. Hollway, Lith. Bath. [n.d., c.1840.] residential use. Rare tinted lithograph. Printed area 150 x 185mm (6 x Stock: 37964 7¼"). £130 A view of the proposed building, to be built on the 368. New Oundle. corner of Charlotte Street and Queen Square. Rev.d J. Shillibeer del. W. Day Lithog. 17. Gate St. Stock: 37802 London. Pub.d by G.S. Leigh and by Todd & Williams, Booksellers. [n.d., c.1830.] 373. To the right Worsp.ll S.r Charles Lithograph. Sheet size: 275 x 375mm (10¾ x 14¾"). Skrymsher Gis Maj.ties high Sherriff of Very large margins. £120 Staffordshire 1684 This 19 Table Shewing the A street scene in New Oundle, a market town on the E.N.E. Prospect of Norbury Manor and of River Nene in Northamptonshire. A crowd of gentllemen are gathered to the left, with another crowd Shebben Poole where the pewits annually inside the building in the centre. breed, in Testimony og his Munificence is After Reverend John Shillibeer, the Headmaster of thankfully dedicated by R.P. L.L.D. Oundle Grammar School and the Rector of the parish Mburghers delin. et sculp. [Oxford Theatre, 1686.] of Stoke Doyle. Coloured engraving. 265 x 295mm (10½ x 11½"). Stock: 38020 Large margins. Split in margin of lower centrefold. £120 Norbury Manor and Shebdon Pool in Staffordshire, A fine watercolour view of Ridley House, Felixtowe. with the harvesting of Northern Lapwings. In the early 1840's Sir Robert and Lady Harland Stock: 37893 acquired a Georgian farmhouse by the sea at Old Felixstowe. It was then largely rebuilt in the Italianate 374. Felixtow[e]. Verandah Houses burnt style in 1843 by Sir Robert. Twenty years later it was down Nov.r 7th 1845. bought by Lady Login who occasionally let it to 1845. friends for short periods. The most interesting of these Watercolour in sepia tones. Sheet size: 265 x 360mm was a short let to Edward Fitzgerald the poet who lived (10½ x 14"). Glued to backing sheet at corners. Lower in nearby Woodbridge. The high level of skill and left corner chipped. £190 accuracy of the painting would suggest that it was A fine watercolour view of Felixstowe, between the made by an architect. River Orwell and River Deben on the North Sea coast Stock: 37744 of Suffolk, England. Steam and sailing vessels can be seen on the water in the background to the right, as 379. Stoke bridge, Ipswich. well as figures beside beach huts by the water below. A 1845 large row of houses with verendas facing the sea, are in Watercolour in sepia tones. Sheet size: 255 x 360mm the centre of the image. According to the annotation (10 x 14"). Glued to backing sheet in corners. £220 below the image, these houses were destroyed in a fire, A fine watercolour showing Stoke Bridge, Ipswich, the same year that this painting was made. The high crossing over the point at which the River Gipping level of skill and accuracy of the painting would becomes the River Orwell. Masts of a number of boats suggest that it was made by an architect. can be seen behind the bridge, with various buildingss Stock: 37750 including a church in the background to the left. There are records of a bridge existing on the site from the late 375. Cliff House, Felixstow[e]. 13th Century. The high level of skill and accuracy of 1845. the painting would suggest that it was made by an Watercolour in sepia tones. Sheet size: 255 x 360mm architect. (10 x 14"). Glued to backing sheet at corners. £220 Stock: 37742 A fine watercolour view of Cliff House, Felixstowe in Suffolk, with surrounding gardens. The high level of 380. Orwell Lodge, Ipswich. skill and accuracy of the painting would suggest that it 1844. was made by an architect. Watercolour in sepia tones. Sheet size: 265 x 365mm Stock: 37746 (10¼ x 14¼"). Glued to backing sheet in corners. £220 A fine watercolour showing Orwell Lodge, Ipswich, 376. Languard Fort. the former seat of Joseph Burch Smyth. The high level 1845. of skill and accuracy of the painting would suggest that Watercolour in sepia tones. Sheet size: 255 x 360mm it was made by an architect. (10 x 14"). Glued to backing sheet at corners. £220 Stock: 37741 A fine and highly detailed watercolour view of Landguard Fort, Felixstowe, Suffolk, at the mouth of 381. Holywells, Ipswich. the River Orwell, with fencing on the left, a clock 1842. tower in the centree and a large flag on the right. The Watercolour in sepia tones. Sheet size: 265 x 365mm high level of skill and accuracy of the painting would (10¼ x 14¼"). Glued to backing sheet in corners. £190 suggest that it was made by an architect. A fine watercolour showing Holywells House, Ipswich, Stock: 37747 and part of the front gardens. The house was built in the 19th Century on the site of an old farmhouse. Its 377. Martello Place Felixtow[e]. Victorian gardens were redesigned in the 20th Century 1845. in accordance with the ideas of gardeners such as Watercolour in sepia tones. Sheet size: 265 x 360mm Gertrude Jekyll. The high level of skill and accuracy of (10½ x 14"). Glued to backing sheet at corners. Small the painting would suggest that it was made by an tear in lower right corner. Lower left corner chipped. architect. £220 Stock: 37740 A fine and highly detailed watercolour view of Martello Place, Felixstowe, Suffolk, with surrounding 382. Holywells. gardens. The high level of skill and accuracy of the 1845. painting would suggest that it was made by an Watercolour in sepia tones. Sheet size: 265 x 365mm architect. (10¼ x 14¼"). Glued to backing sheet in corners. £240 Stock: 37748 A fine watercolour showing Holywells House, Ipswich, built in the 19th Century on the site of an old 378. Sir. R. Hartlands Villa. Felixtow[e]. farmhouse. Its Victorian gardens were redesigned in 1845. the 20th Century in accordance with the ideas of Watercolour in sepia tones. Sheet size: 255 x 360mm gardeners such as Gertrude Jekyll. The high level of (10 x 14"). Glued to backing sheet in corners. £240 skill and accuracy of the painting would suggest that it was made by an architect. Stock: 37738 Pen and ink drawing. Sheet size: 175 x 215mm (6¾ x 383. Holywells, Ipswich. 8½"). Large margins; hinged to backing sheet. £220 1845. A view of Arundel Castle, , within a circle. A Watercolour in sepia tones. Sheet size: 265 x 365mm pen and ink drawing, possibly by Benjamin Ralph. The (10¼ x 14¼"). Glued to backing sheet in corners. image was reproduced as an engraving, first published Extreme left corner detached. £220 in 1764. Originally produced for 'England Illustrated, A fine watercolour showing Holywells House, Ipswich, or, a Compendium of the Natural History, Geography, with a woman and child on a path in the front garden. Topography, and Antiquities Ecclesiastical and Civil, The house was built in the 19th Century on the site of of England and Wales'. See 37629 for engraving. an old farmhouse. Its Victorian gardens were Stock: 37684 redesigned in the 20th Century in accordance with the ideas of gardeners such as Gertrude Jekyll. The high 388. Brighton Beach. level of skill and accuracy of the painting would R. Goff [signed in pencil]. 1894. suggest that it was made by an architect. Etching. Platemark: 55 x 115mm (2¼ x 4½"). £65 Stock: 37739 An attractive view of Brighton beach, Sussex, with the famous pier to the left and the beach front town on the 384. Highlands. East Bergholt Suffolk. right. 1851. Robert Charles Goff (1837–1922) was a printmaker Watercolour in sepia tones. Sheet size: 300 x 410mm and painter who specialised in topographical scenes, (12 x 16"). Glued to backing sheet in corners. £220 strongly influenced by the work of James McNeill A fine watercolour showing Highlands House, in the Whistler. Brighton and Hove Museum and Art Gallery village of East Bergholt in the Babergh District of hold a large collection of Goff's work. Ford: Not in. Suffolk, England, just north of the Essex border. The Stock: 38045 house is sitiuated within large grounds, in which two archery targets can be seen on either side. East 389. Eboracenis Comitatis (cuius Incolæ olim Bergholt is the birthplace of painter John Constable Brigantes apellabantur) pars Orientalis, vulgo (1776 - 1837). East Riding. The high level of skill and accuracy of the painting Christophorus Saxo' descrip: Gulielmus Hole sculpsit. would suggest that it was made by an architect. [London, 1610.] Stock: 37757 Engraved map. 200 x 250mm (8 x 9¾"). With 7p. text extract from Camden's 'Britannia', within paper 385. River Orwell. Woolverstone House. wrappers. Very large margins. Uncut. £240 1843. A map of the East Riding of Yorkshire, engraved by Watercolour in sepia tones. Sheet size: 255 x 360mm William Hole after the first printed map of the county (10 x 14"). Glued to backing sheet in corners. Extreme by Christopher Saxton. First published in 1607, this is right corner detached. £220 an example of the first state, before a plate number was A fine watercolour depicting the River Orwell, with a added. The text gives a short history and description of steam boat travelling on the right and a sailing vessel in the Riding. the centre. Woolverstone Hall can be seen in the Stock: 37613 middle gound. The house was built in 1776 for William Berners, a property developer from London who had 390. Eboracenis Comitatis pars gradually been acquiring extensive land-holdings on Septentrionalis, vulgo North Riding. the Shotley peninsula. The back of the house overlooks Christophorus Saxon descrip: Gulielmus Hole sculpsit. the River Orwell at a picturesque curve and from the [London, 1610.] sides of the house there are views both down and Engraved map. 200 x 345mm (8 x 13½"). With 7p. text upstream towards Ipswich. The high level of skill and extract from Camden's 'Britannia', within stapled paper accuracy of the painting would suggest that it was wrappers. Very large margins. Uncut. £240 made by an architect. A map of the North Riding of Yorkshire, engraved by Stock: 37743 William Hole after the first printed map of the county by Christopher Saxton. First published in 1607, this is 386. Arundel Castle. an example of the first state, before a plate number was B. Ralph del. I. Ryland sculp. added. The text gives a short history and description of Engraving. Sheet size: 135 x 175mm (5¼ x 6¾"). the Riding. Trimmed. Hinged to backing sheet. £50 Stock: 37614 A view of Arundel Castle, Sussex, first published in 1764. Originally produced for 'England Illustrated, or, 391. Isle of Man. a Compendium of the Natural History, Geography, [London: James Pigot & Co., c.1828.] Topography, and Antiquities Ecclesiastical and Civil, Steel engraved map with hand colour. Sheet 240 x of England and Wales'. See 37684 for drawing. 365mm (9½ x 14¼"). Trimmed within plate and laid on Stock: 37639 album paper. £130 Map of the Isle of Man orientated with north to the top 387. Arundel Castle. right, with a vignett view of Peel Castle. This map [B. Ralph del. I. Ryland sculp.] appeared in the first steel-engraved atlas of county maps as well as numerous directories of the island master at the Sandhurst Milittary Academy, whose son published by Pigot. Philip was a photography pioneer known for his series Stock: 37616 on the disassembly of the Crryystal Palace in Hyde Park and its reconstruction in Syddenham. Not in Abbey. 392. Bangor, from Perfeddgoed Road. Stock: 37996 Lithographed by J. Newman & Co, 48, Watling St. London. Published by A.R. Martin, Bangor. [n.d., 397. Rose Hall Lanarkshire. c.1850.] 1840. Tinted lithograph with fine hand colour. Printed area Watercolour in sepia tones. Sheet size: 300 x 430mm 250 x 350mm (9¾ x 13¾"). Some spotting. £240 (12 x 17"). Glued to backingg sheet at corners. £220 A rare, locally-produced view of Bangor, looking A fine and highly detailed viiew of Rosehall, down on the town from the hills above. In the middle Lanarkshire, Scotland, the seat of Sir James Hamilton distance is a locomotive of the Chester and Holyhead 2nd Bt. (1682-1750), within the dense surrounding of Railway, when operated from Chester to Bangor from trees and shrubs. In 1691 Haammilton purchased the May 1848 and across the Britannia Bridge to Holyheaad Lanarkshire estate of Haggs from Sir Archibald from 18 March 1850. Hamilton, 1st Bt., subsequently renaming it Rosehall. Stock: 37896 The high level of skill and accuracy of the painting would suggest that it was made by an architect 393. Conway Castle, North Wales. Stock: 37749 F. J. Sarjent Feat. London. Published June 4. 1811 by J. Deeley No 95, Berwick Street, Soho Square. Coloured aquatint. Plate: 440 x 590mm, (17½ x 23"). Slight scuff on right of image. £380 Fine colour. Stock: 5354

394. [Harrlech Castle.] Fred Burridge [pencil signature lower right] [n.d., c.1910] Etching, 2400 x 260mm (9½ x 10¼"). In mount. £140 Harlech Castle, located in Gwynedd, Wales, was built towards the end of the 13th century by Edward I duriinng his conquest of Wales. Stock: 18223

395. Pen Y Gwyrd Hotel, North Wales 398. To His Grace, John Duke of Argyle &c. [Anon., c.1850] &c. this Plate, representiing Castle Stalcher, the Engraving, sheet 70 x 120mm (2¾ x 4¾"). Trimmed Islands of Lismore & Mull, with the Hills of down from larger sheet. Rare. £50 Morven, Sunart &c. is respectfully Inscribed, The Pen y Gwryd hotel near Mount Snowdon, built as by His Grace's most obeddient Humble Servant, a farmhouse in 1810, subsequently a coaching inn. Robert Andrew Riddell. Coaches andd horses can be seen here, along with a sign Rob.t And.w Riddell Pinxt. Engraved by Arch.d advertising 'guides and ponies to Snowdon'. In 1953 it Robertson. Published July 1st. 1812 by Mess.rs was used as the training headquarters of the first Boydell & Co. 90 Cheapside, London. successful Everest climbing expedition. Hand-coloured aquatint. Sheeet: 555 x 415mm, (22 x Stock: 37942 16¼"). Trimmed. Laid on caarrd. £360 Landscape, view over lake with castle tower on island 396. Sketches of Scenery in South Wales with boats surrounding, mountains in the background, By G.O. Delamotte. Printed at Moser and Harris's seen from high vantage pointt with broken branch on a Lithographic Press, No 7 Cromer Street Brunswick ledge in foreground. Square. [n.d., c.1820.] Castle Stalker, is a four storey tower house or keep set Oblong folio, printed wrappers, six lithographic plates, on a tidal islet on Loch Laich, Argyll, Scotland. stitched; scarce. Wrappers chipped and creased, some Stock: 21922 spotting and soiling of plates. £650 A collection of early lithographs, rare complete, 399. [Inside of an Irish Cabin, form entrance.] originally priced at 7s 6d. The plates are: Aberdylis, C.K. Aug. 1845. Vale of Neath; Melincourt, Vale of Neath; Yscwd yr Watercolour and pencil. Sheeet size: 160 x 190mm (6¼ Rhyd In the grounds of W: Williams Esq.r; Yscwd x 7½"). Glued at corners to backing sheet. £140 Inon Cam Vale of Neath; Entrance to Porth yr Ogof The interior of an Irish cabin, with five figures around Caveer, Vale of Neath. Kil Hepsti, Vale of Neath. a table; to the left is a young woman is knitting, to the George Orleans Delamotte ( 1809 - 1821; fl.), artist right, another is sewing, watched by a younger girl in and teacher, son of a French refugee. His brother was the centre. Two small children are sat on the floor William Alfred Delamotte (1775-1863), drawing- below. Crockery and untensils are seen to the right, 405. Comeen-Duff or Black Valley, Killarney. with a large window showing a faint landscape behind. George Petrie, R.H.A. del.t. N. Fielding saculp.t. Stock: 38059 Dublin, Published by W.F. Wakeman, 9 D'Olier Street, 1835. 400. View of the Floating Chapel, Ringsend Fine hand coloured aquatint. Platemark: 225 x 270mm Dock, Dublin. (8¾ x 10½"). Horizontal stain along upper edge, [n.d., c.1850.] outside of printed area. £130 Lithograph. Very rare. Sheet size: 120 x 195mm (4¾ x A picturesque view of the Black Valley in County 7¾"). Sheet trimmed to image and laid on backing Kerry, a remote location in the Macgillycuddy's Reeks sheet. £75 situated south of the Gap of Dunloe and north of Moll's In the 18th century a floating chapel was moored in the Gap. Ringsend Dock of the Grand Canal Basin, Dublin, to A plate from volume three of 'Picturesque sketches of accomodate the needs of the local community. The some of the finest landscape and coast scenery of chapel is seen in the centre with 'Episcopal Floating Ireland', 1835. Abbey: 465. Chapel' inscribed on the side. Stock: 38056 Stock: 38060 406. [Muckross Abbey - Killarney. From a 401. [From My Window at Stradbally Hall.] woodcut.] G. Pigott. 1843. [n.d., c.1890.] Pencil sketch. Sheet size: 115 x 155mm (4½ x 6"). £65 Watercolour on 'Whatman' watermarked paper. Sheet A view from the window of Stradbally Hall, a large size: 155 x 200mm (6 x 8"). £70 house in Stradbally, County Laois, Ireland, with trees A watercolour view of Muckross Abbey, Killarney, in the foreground and middleground, and hills in the Ireland, one of the major ecclesiastical sites found in distance. Possibly by Sir George Pigott, 1st Baronet the Killarney National Park, County Kerry, Ireland. In (1766–1844) of Knapton, Queen's County, Ireland. the 17th and 18th centuries, it became the burial place Stock: 38061 for prominent County Kerry poets O'Donoghue, Ó Rathaille and Ó Súilleabháin. 402. National University Dublin Stock: 38058 MMRudge [pencil signature] [n.d., c.1920 Etching, platemark 95 x 140mm (3¾ x 5½"). £75 407. Albanian. The central building of University College Dublin at Wyndham? 1829. the foundation of the National University of Ireland, Pen and watercolour. Sheet 260 x 210mm (10¼ x which had originally been built for the Dublin 8¼"). £240 International Exhibition of 1865. After UCD relocated An Albanian in national dress, with a musket. in the 1960s, the building, on Earlsfort Terrace, waas Stock: 37731 transformed into the National Concert Hall. Stock: 37666 408. Russia - Plate 6. [ A Woman of Esthonia.] 403. Ballyarthur Gate. [London: John Murray, c.1814.] [n.d., c.1860.] Coloured aquatint. Sheet 230 x 155mm (9 x 6"), on Lithograph. Sheet size: 170 x 205mm (6¾ x 8"). Laid Whatman paper. Trimmed within plate, edges soiled. on backing sheet. Light staining in corners. £65 £75 A view of Ballyarthur Gate, county Wicklow, Ireland. Portrait of an Estonian woman, with an embroidered The remains of the gate and tower can be seen to the apron, from William Alexander's 'Picturesque left, a large house on the right, a church in the representations of the dress and manners of the background in the cedntre, and hills in the distance. Ex Russians'. collection of the Hon. Christopher Lennox-Boyd. Stock: 37911 Stock: 38057 409. La Mer de glace depuis le Montanvert. 404. Lower Glanmire. Briquet et fils Genéve. A. Guvillier lith. Imp T. S. Roberts del. S. Alken fecit. [London. Published Lemercier. [n.d., c.1850.] by T.S. Roberts, Augst 1 1796.] Lithograph. Sheet size: 115 x 140mm (4½ x 5½"). £85 Aquatunt printed in sanguine. Sheet size: 335 x 440mm A view of a glacier with many ice-peaks, a valley in (13¼ x 17¼"). Trimmed inside plate. £230 the centre, and small buildings and figures in the A picturesque landscape view of Glanmire, County foreground. Cork, Ireland. The scene shows figures with a fishing The Mer de Glace is a glacier located on the northern net by a river in the foreground, cottages and a church slopes of the Mont Blanc massif, in the Alps. on the opposite shore with horses and carts outside, Stock: 37828 two sailing boats on the river, hills in the distance and trees throughout. 410. [Le Pont-au-Change, Paris] A plate from 'Views in Ireland' by Thomas Sautell C. Meryon del sculp mdcccliii Imp. R. Neuve St. Roberts, 1795-96. Etienne-du-Mont 26 Stock: 38063 Etching, platemark 200 x 370mm (8 x 14½"). Small Pietro. No.2. obelisco Alsato dal Cavr. margins. £650 Fontaana. No.3. Nuova Sacristia. No.4. The Pont-au-Change seen from the river Seine, with Palazzo Vaticano. the Palais du Justice on the right. Plate seventeen from Jo Jovanni Brun delinio e Sccuulp nel anno. 1785. Presso Charles Meryon's series of twenty-two etchings, 'Eaux- Carlo Losi l'anno 1785: Fortes sur Paris', published by the artist in three partss A very fine copper engraving. Plate 431 x 605mm. 17 between 1852 and 1854. The first state of this print had x 23¾". Loss of margin top rright inside platemark.£490 a balloon on the left with a caption reading 'Speranza', A beautiful view looking down on to the Papal Basilica before this was replaced by the birds and moon seen of Saint Peter. A late renaissaance church at the heart of here. the Vatican City, and the head of the Catholic Church. Meryon (1821-68) studied etching from 1849-50 andd Stock: 16341 began by copying earlier artists such as Salvator Rosa and, mostly enthusiastically, the Dutch sailor-artist 415. [illeg.] De Licing after Dinner [ms] Reinier Nooms (for whom see ref. 37665) who Meryyoon C. de Brocktorff described as 'another self'. Meryon's set of Paris views, Watercolour, signed; 170 x 175mm (6¾ x 7"). Fine. on which hiss reputation as a major etcher rests, was £550 directly inspired by Nooms' work. Stokes 37.iii A grandmother and mother checking their children for Stock: 37678 lice. Plates, bowls, piglets and a chicken strewn across the foreground. Original wattercolour by the famous 411. Le Mont Blanc er La Valée de Maltese artist Charles Frederrick de Brocktorff (1775- Chamouni, vus du col de Balme. 1850) Briquet et Fills, Editeur a Genéve. Th. Muller lith. Immpp. Stock: 37682 Lemercier. [n.d., c.1850.] Coloured lithograph. Sheet size: 140 x 200mm (5½ x 416. Floriana From Curtain Reale. 8"). £160 [n.d., c.1850.] A view of Mont Balnc and the Chamonix valley to the Lithograph. Sheet size: 200 x 285mm (7¾ x 11¼"). right, with a small building with figures on a peak in Very light spotting. Crease to upper right corner. £320 the centre. A view of the fof rtified town of Floriana, Malta, from Stock: 37829 the Porta Reale Curtain, the curtain wall linking St. John's and St. James Bastions, and where the city's 412. La Tonne de Heidelberg. main gate is located. A number of well dressed figures [Anon. French, c.1700] are seen in the foreground, with a figure in military Engraving, sheet 220 x 180mm (8½ x 7"). Trimmed dress standing before three cannons to the left. and glued to album sheet. £160 Stock: 38019 The famous Heidelberg Tun, a huge wine vat in the cellars of Heeidelberg Castle. The cask shown here is is the second of four Heidelberg Tuns, built in 1664 (the first was destroyed during the Thirty Years' War. The later Tuns were built in 1728, and 1751 respectively, with the latter today still in situ (Heidelberg Castle). According to the British Museum, this is a copy of a print made c.1664-90 with text in English. See BM registration nos. 1982,U.543 (this plate)) and G,1.248 (source image). Stock: 37651

413. Trinita di Monte. Rome. R. Goff [signed in pencil and within plate]. 1892. Etching. Platemark: 95 x 145mm (3¾ x 5¾"). £75 A view of the church of the Santissima Trinità dei 417. Her Majesty The Queen Dowager Monti, often called merely the Trinità dei Monti in Adelaide. Entering Malta Harbour on Board Rome. It is best known for its commanding position above the Spanish Steps which lead down to the Piazza H.M.S. Hastings 30th Nov.ber 1838. di Spagna. Drawn and Lith.d by C. von Brocktorff. Malta. [n.d., Robert Charles Goff (1837–1922) was a printmaker c.1838.] and painter who specialised in topographical scenes, Very scarce hand coloured liithograph. Sheet size: 365 strongly influenced by the work of James McNeill x 520mm (14¼ x 20½"). Central vertical crease. Taped Whistler. Brighton and Hove Museum and Art Gallery to mount. £620 A scene at Valletta Harbour, Malta, depicting Queen hold a large collection of Goff's work. Stock: 38046 Adelaide on board H.M.S Hastings, greeted by crowds of joyful supporters both in boats and on the waters edge. The fortifications of thhe city can bee seen in the 414. Veduta della Basilica di S: Pietro in baackground. Vaticano. No.1. Colonnato e Piazza di S: A year after her husband William III's death, Queen E. Lassalle Lith. Lith. J. Rigo et C.ie r. Richer 7. Paris; Adelaide cruised the Mediterranean and visited Malta, Challamel, éditeur. [n.d., c1837.] where she was received enthusiastically. Apparently Tinted lithograph. Sheet 305 x 235mm (12 x 9¼"). there was no Anglican church at Malta, and she was Slight spotting. £120 ultimately responsible for founding and endowing the A portrait of the Tsarina's coachman, painted by Prince Anglican Cathedral of St Paul at Valetta, Malta (she Grigory Grigorievich Gagarin (1810-93). From the laid the foundation stone in 1839). 'Album Cosmopolite, ou Choix des Collectionss de M. Stock: 38030 Alexandre Vattemare, compose de sujets historiques et religieux, paysages, marines'. 418. Vestire dei Pollacchi. Stock: 38003 Giarré e Stangli inc. [Milan: Antonio Fortunato Stella, 1816-27.] 423. Cosaque regulier. Coloured engraving. Sheet 225 x 140mm (9 x 5½"). Fib' 11 Feb 1817. Trimmed within plate. £65 Pen and ink with watercolour. Sheet 270 x 205mm Costumes of three Poles, from Giulio Ferrario's 'Le (10½ x 8"). £80 Costume Ancien et Moderne ou Histoire du A mounted cossack soldier. gouvernement, de la milice, de la religion, des arts, Stock: 38002 sciences et usages de tous les peuples anciens et modernes d'après les monuments de l'antiquité et 424. Russian Cossaks. [in pencil.] accompagné de dessins analogues au sujet par le [Engraved in London 1817 by G. Scharf.[in pencil]] Docteur Jules Ferrario'. Engraving. Sheet 185 x 110mm (7¼ x 4¼"). Trimmed Stock: 37998 within plate, laid on album paper, fold flattened, some soiling. £45 419. Russian Droska. Two Cossack soldiers and a camp follower. George Drawn, Printed and Published at Friedel's Litho. Estab.t (Georg Johann) Scharf (1788-1860), a German artist 252, Tottenham C.t R.d & an the Polytechnic who accompanied the Waterloo Campaign, after which Institution, 309, Regent Street, London. [n.d., c.1840.] he came to England with the British army. It is likely Scarce tinted lithograph, finished by hand. Printed area that he sketched these Cossacks shortly after the Battle 245 x 350mm (9¾ x 13¾"). Large margins. Several of Waterloo. small tears, one affecting publication line. £450 On the reverse of the album sheet is a fine coloured A Russian naval officer being driven across a snowy stipple of the Allied Monarchs after Waterloo. landscape in an open coach. Stock: 37991 Stock: 37905 425. Cosaque de l'Oural. 420. A Circassian Warrior Chief in his Gala Val' 11 Feb 1817. Costume. Pen and ink with watercolour. Sheet 270 x 205mm Drawn by A.L. Molinari, from a Sketch by the Author. (10½ x 8"). £80 From Zinc by Day & Haghe Lith.rs to the King. A mounted cossack soldier. London, Pub.d by H. Colburnm 13 G.t Marlborough Stock: 38001 S.t 1837. Scarce coloured zincograph. Sheet 220 x 140mm (8¾ x 426. Russie. Le Jeu du Svayky, du Babky. 5½"). Edges soiled & chipped. £95 Bramatti dis. e inc. Biasoli A.T. [Milan, c.1826.] The frontispiece of Edmund Spencer's 'Travels in Aquatint with fine hand colour. 180 x 325mm (7 x Circassia, Krim Tartary, Etc'. Elsewhere in the text the 13¾"), watermarked 'FAG', publisher's blind stamp in author describes this as a self-portrait. margin. Large margins. £140 Stock: 37995 Russians playing Svayky (trying to throw an iron spike so that it sticks in the ground within a ring) and Babky 421. Tcherkases. (a game illustrated on Etruscan vases, in which GWG 77. [1877.] throwers attempt to knock over pairs of bones). Ink sketch. Sheet 260 x 160mm (10¼ x 6¼"). Mounted From Giulio Ferrario's 'Le Costume Ancien et on album paper. £120 Moderne...'. A group of Cirassian soldiers, sketched a decade after Stock: 37902 their defeat in the century-long Russo-Circassian War (1763–1864). It is estimated that between the end of 427. Russie. Le Jeu du Gorodky, du Pristinky. the war and 1911 three million Circassians were Bramatti dis. e inc. Biasoli A.T. [Milan, c.1826.] evicted from Circassia (northern Caucasus), departing Aquatint with fine hand colour. 180 x 325mm (7 x for the Ottoman Empire. 13¾"), watermarked 'FAG', publisher's blind stamp in Stock: 37908 margin. Large margins. £160 Russians playing Grodki (literally 'little cities', an 422. Album Cosmopolite. Portrait du Cocher ancient game in which skittles arranged in different de S.M. L'Impératrice de Russie. Par le Prince patterns are knocked over by a thrown bat) and G.Gagarin di S.t Petersbourg. Pristinky (a coin is bounced of a wall to land as close to the opponent's coin as possible). Peter the Great is known to have played Grodki. From Giulio Ferrario's Lithograph. Printed area 140 x 180mm (5½ x 7"). Very 'Le Costume Ancien et Moderne...'. large margins. £65 Stock: 37901 A building with the distinctive Russian minarets, seen though an arched gateway. From 'Trip to England and 428. Grundsteinlegung des Russischen Russia during the years 1821, 1822 and 1823' by Monument's Bey Culm am 29 September Edouard de Montule. 1835. Stock: 37899 J. Wolf fec. gedr. b. J.Höfelich. Eigenthum der Herausgeber Wolf & Weissenbach. 433. View of the Old Wooden Theatre at Fine & rare coloured lithograph. Printed area 270 x Moscow. 350mm (10½ x 13¾"). Large margins. £260 [Publish'd Jan.y 1813 at R. Ackermann's Repository of The laying of a foundation stone commemorating the Arts, 101, Strand, London.] Russian dead at the Battle of Kulm, 29–30 August Coloured aquatint. Sheet 230 x 300mm (9 x 12"). 1813, during the War of the Sixth Coalition. To the left Trimmed within plate, losing publication line, laid on is a statue of the Goddess of Victory. Kulm is now album paper. £170 Chlumec in the Czech Republic. From Ackermann's 'Historical Sketch of Moscow: Stock: 37907 Illustrated by Twelve Views of Different Parts of That Imperial City', with no credits for either artist or 429. View of the Palace of Petrovski. engraver. Abbey: 224. Publish'd 1 Jan.y 1813, at R. Ackermann's Repository Stock: 37900 of Arts, 101, Strand, London. Coloured aquatint. 255 x 300mm (10 x 11¾") Edges 434. [Moscow. Scene in the Kitaigorod.] frayed. Large margins. £220 [Drawn and lithographed by Rev. John Thomas From 'Historical sketch of Moscow : illustrated by James.] [London, John Murray, 1826-27.] twelve views of different parts of that imperial city, the Lithograph with some hand colour, trimmed to image Kremlin, &c.' Neither the artist not engraver have been and mounted on thick paper, as issued. 195 x 265mm ascertained. Abbey: 224. (7¾ x 10½"). Title label attached to reverse. £130 Stock: 37872 A rare view of the damage done during Napoleon's short occupation in 1812, published in James's 'Views 430. [Street in Ruins. Moscow, 1814.] in Russia, Sweden, Poland and Germany', issued in [Drawn and lithographed by Rev. John Thomas parts 1826-1827. James.] [London, John Murray, 1826-27.] John Thomas James (1786-1828) travelled through Lithograph with some hand colour, trimmed to image Europe in 1813-4, publishing a journal of the trip in and mounted on thick paper, as issued. 175 x 255mm 1816. Subsequent editions appeared in 1817 and 1819. (7 x 10"). Title label attached to reverse. Tear in His publication of the accompanying views was cut backing paper. £130 short when he was made Bishop of Calcutta in 1827. A rare view of the damage done during Napoleon's He arrived on 18th January 1828, but illness shortened short occupation in 1812, published in James's 'Views his tenure: he died on 22nd August. Abbey Travel 23. in Russia, Sweden, Poland and Germany', issued in Stock: 37875 parts 1826-1827. John Thomas James (1786-1828) travelled through 435. Phenomenon seen at Moscow. Europe in 1813-4, publishing a journal of the trip in Pub: by Longman & Co, London 1828. 1816. Subsequent editions appeared in 1817 and 1819. Aquatint, printed in blue. Sheet 145 x 220mm (5¾ x His publication of the accompanying views was cut 8¾"). Laid on old marbled paper, some surface soiling. short when he was made Bishop of Calcutta in 1827. A corona around the Moon, From William Rae He arrived on 18th January 1828, but illness shortened Wilson's 'Travels in Russia, &c. &c.'. his tenure: he died on 22nd August. Abbey Travel 23. Stock: 38004 Stock: 37876 436. The Chinese Quarter of the Great Fair at 431. Vue d'une autre Porte du Kremlin. près Nlini Novgorod. du Manége. Laurence Oliphant del. W. & A.K. Johnston Lith. Ed. de Montulé del. Alp Leroy Lith. Lith de Langlume. William Blackwood & Sons, Edinburgh & London [n.d., 1825.] [n.d., 1853]. Lithograph. Printed area 140 x 180mm (5½ x 7"). Very Tinted lithograph. Sheet 140 x 220mm (4½ x 8¾"). large margins. £95 Edges toned, binding notches on bottom edge. £65 A view of a gateway into Moscow's Kremlin. From A view of Nizhny Novgorod (Gorky), published as the 'Trip to England and Russia during the years 1821, frontispiece to Laurence Oliphant's 'The Russian 1822 and 1823' by Edouard de Montule. Shores of the Black Sea in the Autumn of 1852 With A Stock: 37894 Voyage Down the Volga, And a Tour Through the Country of the Don Cossacks'. The author travelled 432. Un Couvent de Msocou. from St. Petersburg to Moscow and down the Volga Ed. de Montulé del. Alp Leroy Lith. Lith de Langlume. River in 1852. [n.d., 1825.] Oliphant and his father are credited with introducing Coloured stipple with etching. Sheet 365 x 255mm tea to Sri Lanka. Abbey: 233. (14¼ x 10"). Trimmed into plate at sides, slight Stock: 37992 staining. £120 Archery portrait of a Siberian tribesman, from E. 437. Prince Immiretien. Harding's 'Costume of the Russian Empire', with the Chopin del.t. Lith. de G. Engelmann. [n.d., c.1828. title taken from the text. See Abbey Travel 244-246, but Coloured lithograph. Printed area 170 x 140mm (6¾ x an edition with this plate number not listed. 5½"). Very large margins. £80 Stock: 37864 Lithographed by Godefroy Engelmann after Jean- Marie Chopin (1796-1871), one of 16 plates in 443. No 46. [A Tongusian in his Usual Dress.] Chopin's 'Costumes Russes modernes'. [Engraved by J. Dadley.] [London: John Stockdale, Stock: 37874 1811.] Coloured stipple with etching. Sheet 365 x 255mm 438. Russia - Plate 1. [A Laplander.] (14¼ x 10"). Trimmed into plate at sides, slight [London: John Murray, c.1814.] staining. £120 Coloured aquatint. Sheet 230 x 155mm (9 x 6"), on Archery portrait of a Siberian tribesman, from E. Whatman paper. Trimmed within plate, edges soiled. Harding's 'Costume of the Russian Empire', with the £80 title taken from the text. See Abbey Travel 244-246, but Portrait of a Laplander, carrying fish and nets, the an edition with this plate number not listed. frontispiece of William Alexander's 'Picturesque Stock: 37865 representations of the dress and manners of the Russians'. 444. No 58. [A Tschutskian in Armour, with Stock: 37909 his wife and child.] [Engraved by J. Dadley.] [London: John Stockdale, 439. [No 1. A Laplander.] 1811.] [Engraved by J. Dadley.] [London: John Stockdale, Coloured stipple with etching. Sheet 365 x 255mm 1811.] (14¼ x 10"). Trimmed into plate at sides, slight Coloured stipple with etching. Sheet 365 x 255mm staining. £120 (14¼ x 10"). Trimmed into plate at sides. £140 Archery print from E. Harding's 'Costume of the Portrait of a Laplander, carrying fish and nets, from E. Russian Empire', with the title taken from the text. See Harding's 'Costume of the Russian Empire', with the Abbey Travel 244-246, but an edition with this plate title taken from the text. See Abbey Travel 244-246, but number not listed. an edition with this plate number not listed. Stock: 37863 Stock: 37868 445. No 61. [A Kurilian.] 440. No 2. [A Woman of Lapland.] [Engraved by J. Dadley.] [London: John Stockdale, [Engraved by J. Dadley.] [London: John Stockdale, 1811.] 1811.] Coloured stipple with etching. Sheet 365 x 255mm Coloured stipple with etching. Sheet 365 x 255mm (14¼ x 10"). Trimmed into plate at sides. £120 (14¼ x 10"). Trimmed into plate at sides. £140 Archery portrait of a tribesman of the Kurile Islands, Portrait of a Laplander woman, from E. Harding's between Kamchatka and , from E. Harding's 'Costume of the Russian Empire', with the title taken 'Costume of the Russian Empire', with the title taken from the text. Such women are described as 'obliging, from the text. See Abbey Travel 244-246, but an modest and extremely irritable'. See Abbey Travel 244- edition with this plate number not listed. 246, but an edition with this plate number not listed. Stock: 37866 Stock: 37869 446. No 64. [A Turkoman.] 441. No 45. [A Samoyede.] [Engraved by J. Dadley.] [London: John Stockdale, [Engraved by J. Dadley.] [London: John Stockdale, 1811.] 1811.] Coloured stipple with etching. Sheet 365 x 255mm Coloured stipple with etching. Sheet 365 x 255mm (14¼ x 10"). Trimmed into plate at sides. £140 (14¼ x 10"). Trimmed into plate at sides, slight Archery portrait of a tribesman of Central Asia from E. staining. £80 Harding's 'Costume of the Russian Empire', with the Archery portrait of a Siberian tribesman, from E. title taken from the text. See Abbey Travel 244-246, but Harding's 'Costume of the Russian Empire', with the an edition with this plate number not listed. title taken from the text. See Abbey Travel 244-246, but Stock: 37867 an edition with this plate number not listed. Stock: 37873 447. [A Russian Church.] [Paper watermarked 'Fellows 1824'.] 442. No 45. [A Tongusian in his Hunting Coloured lithograph. 185 x 250mm (7¼ x 9¾"). £120 Dress.] A Russian scene with figures and a horse and sleigh in [Engraved by J. Dadley.] [London: John Stockdale, front of a large church. 1811.] Stock: 38006 448. A Russian Sledge. representations of the dress and manners of the Miss Crighton. [n.d., c.1850.] Russians'. Ink and grey wash colour, 200 x 280mm (8 x 11) Stock: 37910 mounted on album paper with flowers overpainted. Sheet total 275 x 360 (10¾ x 14¼"). Corners knocked. 453. Russia - Plate 5. [A Woman of Finland, £280 in her Summer holiday dress.] Stock: 38011 [London: John Murray, c.1814.] Coloured aquatint. Sheet 230 x 155mm (9 x 6"), on 449. St Petersbourg. [Cyrillic title] Grand Whatman paper. Trimmed within plate, edges soiled. Théâtre. £75 Dietz pinx.t. Lith. par Noury. Imp. Lemercier à Paris. Portrait of a Finnish woman, from William Alexander's Publié par Dazario à Moscou et St Petersbourg. 'Picturesque representations of the dress and manners Tinted lithograph. Sheet 320 x 410mm (12½ x 16"). of the Russians'. Narrow margins, tear affecting printed border on right. Stock: 37912 £220 The Imperial Bolshoi Kamenny Theatre, built in 1783 454. No 37. [A Yakut in his Hunting Dress.] by Antonio Rinaldi as an opera house and home to the [&] No 38. [The Back Figures of a Yakut in his Imperial Ballet until 1886, when it was declared Hunting Dress. unsafe. [Engraved by J. Dadley.] [London: John Stockdale, From a series of plates published in Russia by Daziaro, 1811.] a French publisher who seems to have set up shop in Pair of coloured stipples with etching. Each sheet 365 x Russia temporararily. The Saint Petersburg 255mm (14¼ x 10"). Trimmed into plate at sides. Conservatory was built on the site, retaining the £240 theatre's grand staircase and landing. The front and back of a Yakut of Siberia, from E. From a series of plates published in Russia by Daziaro, Harding's 'Costume of the Russian Empire', with the a French publisher who moved his business to Russia titles taken from the text. See Abbey Travel 244-246, temporarily. but an edition with this plate number not listed. Stock: 37904 Stock: 37871

450. Attelages Russes. No. 1. Traineau de 455. Malaga. Voyage. D. Roberts [signed and dated in plate]. 1836. dress. par H.Mitreuter. Imp. Lemercier à Paris. Publié Tinted lithograph. Sheet size: 275 x 390mm (10¾ x par Dazario à Moscou et St Petersbourg. (n.d., 1845.) 15¼"). Trimmed to subject. Small repaired wormhole Lithograph. Sheet 245 x 310mm (9½ x 12"). Edges top left. £160 spotted. Foxing in margins. £95 A view of the Citadel and Port of Malaga, Spain. A sled drawn by three horses. A plate from 'Picturesque Sketches in Spain', London From a series of plates published in Russia by Daziaro, published, 1837. a French publisher who moved his business to Russia Stock: 37832 temporarily. Stock: 37990 456. Island of Johanna- Mozambique Channel- Straits of Madagascar 451. No 5. [A Woman of Finland in her [by Joseph Walter, c.1830?] Holiday Dress.] Watercolour, sheet 285 x 455mm (11¼ x 18"). Album [Engraved by J. Dadley.] [London: John Stockdale, hinge left edge; tears on right edge; creasing; three 1811.] holes; some surface loss. £360 Coloured stipple with etching. Sheet 365 x 255mm Probably the island of Juan da Nova in the (14¼ x 10"). Trimmed into plate at sides. £140 Mozambique Channel separating that country from Portrait of a Finnish woman dressed in a heavily- Madagascar. embroidered dress, from E. Harding's 'Costume of the From an album given to Theodore Walter by his father, Russian Empire', with the title taken from the text. See the marine artist Joseph Walter (1783-1856). Joseph Abbey Travel 244-246, but an edition with this plate Walter exhibited in London from 1836 to 1847, mainly number not listed. at the Royal Academy and Suffolk Street Gallery. Stock: 37870 Stock: 37674

452. Russia - Plate 4. [A Female Peasant of 457. [View on Madagascar or Île Juan da Finland.] Nova?] [London: John Murray, c.1814.] [by Joseph Walter, c.1830?] Coloured aquatint. Sheet 230 x 155mm (9 x 6"), on Watercolour, sheet 225 x 230mm (8¾ x 9"). Glued to Whatman paper. Trimmed within plate, edges soiled. album sheet; some surface loss. £120 £75 View of hills probably on Madagscar or the nearby Portrait of a Finnish woman, with an embroidered island of Juan da Nova in the Mozambique Channel apron, from William Alexander's 'Picturesque (see ref 37674). From an album given to Theodore Walter by his father, 461. [A Man and a Woman of Oonalashka] the marine artist Joseph Walter (1783-1856). Joseph [after William Alexander, c.11820] Walter exhibited in London from 1836 to 1847, mainly Etching and stipple with hannd-colouring, platemark at the Royal Academy and Suffolk Street Gallery. 340 x 250mm (13½ x 9¾"). TTrimmed close to Stock: 37675 pllatemark. £170 Natives of Unalaska, one of tthe Fox Islands group of 458. An Indian Cacique of the Island of Cuba, the Aleutian Islands, part of tthe US state of Alaska. addressing Columbus concerning a future The island was visited by Cook in 1788 (who spelled it state. Oonalashka), although this ettching was probably B. West delin.t. F. Bartolozzi sculp.t. [n.d., c.1794.] copied from an engraving afftter William Alexander Engraving. Sheet size: 230 x 195mm (9 x 7¾"). which appeared in Martin Sauer's account of the travels Trimmed inside plate. £140 in Russia by the explorer Joseph Billings (1758-1806). A meeting between Christopher Columbus and a Stock: 37967 cacique (Taino for chief) and his people. Columbus is backed by a priest and some soldiers to the left. The 462. United States of America Exhibiting the natives appear to have an offering of fruit, including Seat of War on the Canadian Frontier From pineapples, shown on the right. 1812 to 1815. After Colummbbus' arrival, Cuba became a Spanish Published by Edw.d Baines Leeds August 5th 1816. colony, ruled by a Spanish governor in Havana. In Engraved map. 255 x 360mm (10 x 14¼"). Repaired, 1762, Havana was briefly occupied by Great Britain, nicks to edges, centre fold as normal, small margins. before being returned to Spain in exchange for Florida. £160 Stock: 37611 Map of the United States, wiith an inset detail of Lakes Erie and Ontario. From Bainnes' 'History of the Wars of 459. The World Displayed; or a Curious the French Revolution'. Collection oof Voyages and Travels, Selected Stock: 37617 from The Writers of all Nations. In which the Conjectures and Interpolations of Several vain Editors and Translators are expunged, Every Relation is madde concise and plain, And The Divisions of Countries and Kingdoms are clearly and distinctly noted. With Variety of Maps and Prints By the best Hands,. Vol IV. [Edited by Samuel Johnson, Oliver Goldsmith & Christopher SSmart.] London: Printed for J. Newbery, at the Bible and Sun, in St Paul's Church-Yard; and J. Hoey, jun. in Skinner-Row, Dublin MXCCLX (1760)). One volume only (of 20); 6to, contemporary full calf, maroon morocco title labelpp. (viii)(title & contents)+214+(2)(ads); 8 engraved plates. Front cover detached. £220 The volume relating to the English discoveries in America, starting with John & Sebastian Cabot, with 463. The Pitons, S.t. Lucia. chapters on voyages include those of Drake, Raleigh & W. S. Andrews, del. T. G. Dutton, lith. [n.d., c.1859.] Davis, and the settlment of New England, Virginia, Hand-coloured lithograph. Prrinted area: 315 x 210mm, Carolina, Maryland, New Jersey, Bermuda, Bahamas (12¼ x 8¼"). Frame: 470 x 380mm, (18½ x 15"). and Jamaica.. Unexamined out of frame. £350 Stock: 38000 A view of the Pitons, two larrge volcanic plugs nears the towns of Soufriere and Choiseul, on the island of 460. Interior of Californian Batchelors housse St. Lucia in the West Indies. An illustration from by S. Agill [&] Californian Peddling Waggon 'Andrews Illustrations of the West Indies: Sailing by R Woolner [ms] Directions for the Caribbeann,, Gulf of Mexico and 'Date of drawings about 1845' [ms] Florida.' See refs: 17732, 17729, 17726, 17739 for Two drawings, in ink (batchelors house) and pencil fuurther plates from the series. Stock: 38047 (peddling waggon), each approx 100 x 170mm (4 x 6¾"). Glued to album sheet with engraving of Lillooet, Canada, verso. £350 464. Calliaqua, Saint Vincent. From the Villa Two fascinating drawings of 19th century California, Estate. the first showing a batchelor's house with kitchen Drawn by J. Johnson. / Engraved by T. Fielding. [n.d., utensils and a rifle and violin hanging on the wall, c.1827]. while the second shows a peddle-powered vehicle. Coloured aquatint, very fine.. Plate: 490 x 350mm, Stock: 37656 (19½ x 13¾"). Slighted fadedd. £1200 A view from the Villa Estate, Calliaqua on the island of St. Vincent, looking out to the Caribbean Sea. Calliaqua is a town in Saint Vincent and the A woman in an elaborate dress, turban and fur-trimmed Grenadines. It is located in the far south of the main coat, in a rose garden. island of Saint Vincent, close to the island's Stock: 37906 southernmost point. ex Parker Gallery. Stock: 29995 470. [A Chinese peasant family.] W. Alexander fecit. [Watermarked 1797.] 465. A woman selling bread. Crayon-manner etching. 190 x 200mm (7½ x 7¾"). [Engraved by Daniel Lizars after Carsten Niebuhr.] Trimmed close to printed border. £140 [Edinburgh, 1792.] A Chinese couple and their three children. The wife is Rare engraving. Sheet 160 x 105mm (6¼ x 4¼"). smoking a pipe. Trimmed close to image and around title. £50 Alexander Macartney accompanied the Macartney A view from 'Travels through Arabia' by Carsten embassy to in 1792-4, making over two Niebuhr (1733-1815), translated into English by Robert thousand sketches. Many were entraved for George Heron. The German explorer is renowned for his Staunton's official account of the embassy, but travels through the Arabian peninsula as a member of Alexander also published his own 'Views of the an expedition of which he was the only survivor. headlands, islands, etc., taken during a voyage to, and Stock: 37806 along the eastern coast of China, in the years 1792 & 1793' (1798), a "Costume of China" (1805) and a 466. An Arab on Horseback. collections of etchings entitled "Chinese Life" (1798- Daniel Lizar[s] [after Carsten Niebuhr.] [Edinburgh, 1805). It appears that this print is from the later. 1792.] Stock: 37800 Rare engraving. Sheet 160 x 105mm (6¼ x 4¼"). Trimmed close to image and around title, losing part of 471. [Chinese boat-people.] the inscription. £40 [French, n.d., c.1780.] A view from 'Travels through Arabia' by Carsten Etching. Sheet 210 x 325mm (8¼ x 12¾"). Trimmed Niebuhr (1733-1815), translated into English by Robert into plate top and bottom. £95 Heron. The German explorer is renowned for his A man with a feathered cape punts the traditional travels through the Arabian peninsula as a member of Chinese hongtou sampan, with a woman holding a fish an expedition of which he was the only survivor. on the end of a line. Stock: 37805 Stock: 37801

467. Dress of the women in the back parts of 472. Dubourg's Original View of Ancient yemen. Jerusalem, As It Appeared A.D. 65. [Engraved by Daniel Lizars after Carsten Niebuhr.] Drawn from the Model by N.Whittock. [n.d., c.1840.] [Edinburgh, 1792.] Tinted lithograph. Printed area: 320 x 490mm, (12½ x Rare engraving. Sheet 160 x 105mm (6¼ x 4¼"). 19¼"). Laid on board. £450 Trimmed close to image and around title. £50 An stunning aerial view of Jerusalem as imagined in A view from 'Travels through Arabia' by Carsten the first century AD, numbered and lettered in the Niebuhr (1733-1815), translated into English by Robert image, with an extensive key underneath. Heron. The German explorer is renowned for his Stock: 7474 travels through the Arabian peninsula as a member of an expedition of which he was the only survivor. 473. In der Garten des Gross Moguls. Stock: 37804 N. Orig. Skiz. Prinsen Waldemar v. Pr. gez v. Bellermann. / Druck d. Konigl lith Instituts zu Berlin. / 468. Prospect among the Coffee Mountains of Lith von Tempeltei. [n.d., c.1830]. Yemen. Lithograph. Sheet: 380 x 330mm, (15 x 13"). £240 [Engraved by Daniel Lizars after Carsten Niebuhr.] Agra Fort is a monument located in Agra, Uttar [Edinburgh, 1792.] Pradesh, India. The present-day structure was built by Rare engraving. Sheet 100 x 145mm (4 x 5¾"). the Mughals, though a fort had stood there since at Trimmed close to image and around title. £50 least the 11th century. The plan of Arga was typical of A view from 'Travels through Arabia' by Carsten Islamic cities; a citadel on the edge of a fortified Niebuhr (1733-1815), translated into English by Robert enclosure (which could be used to grow food in times Heron. The German explorer is renowned for his of siege) adjoining a walled town. This scene depicts travels through the Arabian peninsula as a member of the garden of the fort, with an Elephant to the left, and an expedition of which he was the only survivor. a figure in traditional dress in the centre, standing in Stock: 37803 front of the highly decorative arches that surround the garden. 469. Costume Etrangérs. Georgie. Prince Waldemar of Prussia (1817-1849), encouraged L. Mansion del.t. London, Published by W. Spooner by Alexander von Humboldt, commenced a scientific 259, Regent Street. Printed by Graf & Soret. expedition to India in September 1844, reaching Lithograph with fine hand colour. Printed area 240 x Calcutta in January 1845 via Athens, Egypt, and 140mm (9½ x 5½"). Large margins. £75 Ceylon, and travelled on to Patna, Kathmandu, Benaras, Delhi, Naini Tal and into Tibet. While the Anglo-Sikh wars ranged about them, the expedition Gobindram Mitter. Various ffigures go about their day gathered a huge amount of specimens and data on the to day business, as do several cows and a goat. From cultural, historical, social and political scenery of India, Charles D'Oyly's 'Views of Calcutta and its Environs'. and Waldemmar, a keen and talented artist, made Stock: 35168 hundreds and hundreds of fine sketches and watercolours, depicting landscapes, village life and 477. Homme de Goa. [&] Femme de Goa. monuments as well as Anglo-Sikh battles. These werre J. G. S. Sauveur Inv. Direx. Labrousse Sculp. [n.d., later skilfully turned into lithographs and published as c.1800]. 'Zur Erinnerung an die Reise nach Indien 1844-46'. Pair of coloured engravingd. Plate: 140 x 190mm, (5½ Stock: 32520 x 7½"). £160 Portraits of a wealthy man and woman of Goa, wearing 474. Budha Gayha. elaborate dress. N. Orig. Skiz. Prinsen Waldemar v. Pr. gez v. Stock: 35077 Bellermann. / Druck d. Konigl lith Instituts zu Berlinn. / Lith von A. Haun. [n.d., c.1830]. 478. Pettah The Citadell & Pettah of Lithograph. Sheet: 380 x 325mm, (15 x 12¾"). £240 Dowlutabad. A Fortress belonging to the Bodh Gaya is a religious site and place of pilgrimagee Nizam, near Aurungabadd. associated with the Mahabodhi Temple Complex of the G. Fitz Clarence del.t. Engraaved by R. Havell & Son. Gaya district in the Indian state of Bihar. It is famous London, Published April 1819, by John Murray, as the place where Gautama Buddha is said to have Albermarle Street. obtained enlightenment. The complex contains the Coloured aquatint. Rare. Sheet size: 200 x 265mm (8 x Mahabodhi Temple, depicted here, with the diamondd 10½"). Trimmed inside plate at three edges. £240 throne (called the Vajrasana) and the holy Bodhi treee. A view of the Devagiri-Daullatabad fort, overlooking Prince Waldemar of Prussia (1817-1849), encouraged the citadel of Daulatabad. by Alexander von Humboldt, commenced a scientific Plate 1 from 'Journal of a route across India, through expedition to India in September 1844, reaching Egypt, to England: in the lattter end of the year 1817, Calcutta in January 1845 via Athens, Egypt, and and the beginning of 1818', by Lieutenant-Colonel Ceylon, and travelled on to Patna, Kathmandu, Fitzclarence, first Earl of Munster (1794 - 1842). Benaras, Delhi, Naini Tal and into Tibet. While the Fitzclarence was a military commander in India and Anglo-Sikh wars ranged about them, the expedition President of the Royal Asiatiic Society of London. gathered a huge amount of specimens and data on the Abbbey. 519.1. Bohn says in 11841 this volume is very cultural, historical, social and political scenery of India, sccarce. and Waldemmar, a keen and talented artist, made Stock: 38092 hundreds and hundreds of fine sketches and watercolours, depicting landscapes, village life and monuments as well as Anglo-Sikh battles. These werre later skilfully turned into lithographs and published as 'Zur Erinnerung an die Reise nach Indien 1844-46'. Stock: 32519

475. [View of part of Chowringhee]. Sir C. Doylyy. delt. Dickinson & C.o. lith. [n.d., c.18449] Lithograph. Sheet: 510 x 375mm, (20 x 14¼"). £520 View of the Chowringhee area of Calcutta. Originally a suburb of Calcutta, Chowringhee had a reputation for grandeur on account of the large buildings and sweeping vistas and even earning the city the name 'City of Palaces'. Several tanks, or resevoirs were created in the area for the provision of water. The image depicts several of the large houses built in the area, in the foreground several figures and animals 479. Ruins of the Fort at Juanpore on the gather around the edge of the resevoir to bathe and River Goomtee. drink. From Charles D'Oyly's 'Views of Calcutta and Drawn by Henry Salt. Engraavved by D. Havell. No. VII. its Environs'. Published as the Act directs by William Miller, Stock: 35169 Albermarle Street, May 1st 1809. Coloured aquatint. Platemark: 480 x 650mm (18¾ x 476. Hindoo Mut in Chitpore Bazaar. 25½"). Unexamined out of frrame. Very large margins. [Charles D'Oyly.] [Published by Dickinson & Co., £1200 1849]. A fine view of the fort of Jaunpur in India, built by Lithograph. Sheet: 500 x 370mm, (19¾ x 14½"). £520 Feroz Shah Tughluq in 13600. It is situated next to the View along a road in the Chitpur district of Calcutta. river Gomti, a tributary of thhe Ganges. Elephants are Along the road are several dwellings and shops and shown on the waters edge in the foreground to the left. behind them stand the decaying ruins of the navaratna temple built iin the early eighteenth century by Plate 8 to Henry Salt's 'Twenty-four views in St. 482. Riacotta in the Baramahal. Helena, the Cape, India, Ceylon, the Red Sea, Drawn by Henry Salt. Engraavved by D. Havell. No. XII. Abyssinia and Egypt', published 1809. Salt's (1780- Published as the Act directs by William Miller, 1827) drawings were made when he accompanied Lord Albermarle Street, May 1st 1809. Valentia as his secretary on a mission to Abyssinia, to Coloured aquatint. Platemark: 490 x 660mm (19¼ x conclude an alliance there. Abbey: 515.8. 26"). Unexamined out of frame. Very large margins. Stock: 38090 £1200 The Fort at Rayakottai in the Baramahal Hills seen in 480. A View within the Fort of Monghyr. the background, with cattle and figures surrounding the Drawn by Henry Salt. Engraved by D. Havell. No. IV. water below. Salt visited Rayakottai in Tamil Nadu on Published as the Act directs, by William Miller, his way to the Cauvery Falls. Albermarle Street, May 1st 1809. Plate 12 to Henry Salt's 'Twenty-four views in St. Coloured aquatint. Fine impression. Platemark: 580 x Helena, the Cape, India, Ceylon, the Red Sea, 650mm (23 x 25½"). Unexamined out of frame. Abyssinia and Egypt', publisshhed 1809. Salt's (1780- Repaired damage in sky, very large margins. £1200 1827) drawings were made when he accompanied Lord A view of the fort of Munger in Bihar, India, with the Valentia as his secretary on a mission to Abyssinia, to shrine of Shah Nafah, erected in 1497 by Prince conclude an alliance there. Abbey: 515.12. Daniyal, son of Ala al-Din Husain of Bengal. The Stock: 38091 palace buildings within the fort are seen along the riverside to the right. 483. [A General View of Ootacamund.] [&] Plate 5 rom Salt's 'Twenty-Four Views in St. Helena, [A view taken in the Commandant's Garden.] The Cape, India, Ceylon, The Red Sea, Abyssinia and [Captain Richard Barron. Robert Havell.] [London: Egypt'. Salt's (1780-1827) drawings were made when Published August 16, 1837, by Robt. Havell, 77, he accompanied Lord Valentia as his secretary on a Oxford Street.] mission to Abyssinia, to conclude an alliance there. Pair. Aquatint. Printed in collour, finished by hand. Abbey Travel: 515.5. Extremely fine colour. Sheett size: 395 x 530mm (15¼ Stock: 38089 x 21") each. Some surface damage to 'Ootacamund'. Damage to upper and lower lleft corners of sheet. Light horizontal stain along upper edge of 'Commandent's Garden'. Trimmed as normaal to image. £1250 A general view of Utakamund (formerly Ootacamund or Ooty), the main city in the Nilgiri Hills, with figures guiding cattle in the foreground and the town in the hills in the distance. It is situuated in an open valley in the centre of the hills and knoown for its botanical gardens. Plate 3 from 'Views in India, Chiefly Among the Neelgherry Hills.', after thhe illustrations of Captain Richard Barron, engraved and published by Robert Havell. [&] A view taken in the Commandant's garden, including C.M. Lushington'ss House and Kelsoe Land. Plate 4 from 'Views in India,, Chiefly Among the Neelgherry Hills.', after the illustrations of Captain Richard Barron, engraved and published by Robert 481. Pagodas at Trinchicunum. Havell. Captain Richard Barrron served as the A.D.C. to Drawn by Henry Salt. Engraved by D. Havell. No. XII. the Governor of Madras. Soomme purchasers of these Published as the Act directs, by William Miller, images think that they are buying watercolours such is Albemarle Street. May 1st 1808. the price of the colouring. Abbbey. 459.3.4. Stock: 38093 Coloured aquatint. Fine impression. Platemark: 450 x 605mm (17¾ x 23¾"). Unexamined out of frame. Veery light spots in sky. £1200 484. Vue Prise à Malaccca. Plate 13 to to Henry Salt's 'Twenty-four views in St. Lauvergne del. Himely sc. Fiinot imp. [Paris, 1811.]e Helena, the Cape, India, Ceylon, the Red Sea, Sainson Edit. [n.d., 1835.] Abyssinia and Egypt', published 1809. Various figures Coloured aquatint on india, publisher's blindstamp. 265 are seen by the water in the foreground and middle x 360mm, 10½ x 14". . £320 gound, with the sacred hill at Tirukkalikunram in View of the town of Malacca, at the time a British Tamil Nadu shown to the left. Salt's (1780-1827) colony, published in ' Voyagge autour du monde par les drawings were made when he accompanied Lord mers de l'Inde et de la Chine de la corvette de sa Valentia as his secretary on a mission to Abyssinia, to Majeste La Favorite execute pendant les annees 1830, conclude an alliance there. Abbey: 515,13. 1831, 1832 sous le commandement de M. Laplace'. Stock: 38088 Stock: 24857

485. Rade d'Amboine au moment du Départ Stock: 24852 du Gouverneur. [Moluques.) de Sainson pinx. S.t Aulaire Lith. Fig. par V. Adam. J. 490. Budisten Tempel Sambunath. Tastu edit. [Paris, n.d., c.1833.] N. Orig. Skiz. Prinsen Waldemar v. Pr. gez v. Coloured lithograph. Printed area 290 x 390mm, 11½ x Bellermann. / Druck d. Konigl lith Instituts su Berlin. / 15¼". Tear in printed border at top, paper lightly toned. Lith von Bellermann. [n.d., c.1830]. £320 The harbour of Ambon, seat of the Dutch resident and Lithograph. Sheet: 380 x 315mm, (15 x 12½"). £240 military commander of the Moluccas. The vierw was Swayambhunath is an ancient religious building at the published in the 'Voyage de la Corvette l'Astrolabe', the top of a hill in the Kathmandu Valley, west of account of Jules Dumont D'Urville's important Kathmandu city, Nepal. Swayambhunath occupies a expedition to the South Seas between 1826 and 1829. central position, and is one of the most sacred among Stock: 24835 Buddhist pilgrimage sites. For Tibetans and followers of Tibetan , it is second only to Boudhanath. 486. Borneo. Gezigt Genomen te Poelo Waÿ The Swayambhunath complex consists of a stupa and a Tambelan Eilanden. Vue prise à Poelo Waÿ. 4. variety of shrines and temples, the highest of which has C.W.M. van de Velde. P.Lauters. [Paris, Buddha's eyes and eyebrows painted on, which can be 1811.]itgegeven by Frans Buffa & Zonen. te seen in the centre of the image. Amsterdam [n.d., 1846.] Prince Waldemar of Prussia (1817-1849), encouraged Lithograph with hand colour. Image size 290 x by Alexander von Humboldt, commenced a scientific 330mm, 11½ x 13". £320 expedition to India in September 1844, reaching A ship with two row boats landing on a secluded shore Calcutta in January 1845 via Athens, Egypt, and line in what is now part of West on the Ceylon, and travelled on to Patna, Kathmandu, west coast of Borneo. Benaras, Delhi, Naini Tal and into Tibet. While the By the Dutchman Carel William Meredith van de Anglo-Sikh wars ranged about them, the expedition Velde (1818-98), a sailor, doctor and watercolourist. gathered a huge amount of specimens and data on the Stock: 24854 cultural, historical, social and political scenery of India, and Waldemar, a keen and talented artist, made 487. A Javanese Man and Wooman 32 hundreds and hundreds of fine sketches and [Anon., c.1739] watercolours, depicting landscapes, village life and Engraving, platemark 295 x 190mm (11½ x 7½"). Very monuments as well as Anglo-Sikh battles. These were large margins. £120 later skilfully turned into lithographs and published as Costume print, probably from "Modern History: or, the 'Zur Erinnerung an die Reise nach Indien 1844-46'. Stock: 32518 Present State of all Nations," by Thomas Salmon. Stock: 37987 491. Collins Street Melbourne. 488. A Makasser with his Wife as they are Drawn & Lithog by Edmund Thomas. E.T. 53. Printed habited at Batavia. by R. Quarrill & Co. 214 King Street Melbourne. [1853.] [Anon., c.1739] Rare tinted lithograph. Sheet size: 285mm 410mm Engraving, platemark 295 x 190mm (11½ x 7½"). Very (11¼ x 16"). Repaired tear to lower edge. Creases to large margins. Slightly wrinkled at bottom. £120 sheet. £260 Costume print, showing a couple originally from A view depicting Collins Street, central Melbourne, Macassar, now resident in Batavia in the Dutch East wirth many pedestrains outsisde shops, including 'T. Indies, which had been founded as the administrative Alison & Co. Drapery Millinery & Establishment'. centre for the Dutch East India Company. It is now By painter and lithographer Edmund Thomas, born in , the capital of . Probably from Cheltenham, . He arrived at Port Phillip "Modern History: or, the Present State of all Nations," on 25th November 1852 and was listed as a practising by Thomas Salmon. Stock: 37988 artist of 118 Collins Street East, Melbourne, the same year. From the series 'Victorian Views' published by F. Varley, 1854. 489. Vue du Fort Hollandais. à Manado Stock: 37712 (Moluques.) de Sainson pinxt. Alexis Noel Lith. J. Tastu Editeur. 492. [A lunar corona in the Arctic.] Lith. de Bichebois ainé, rue de la bibliotheque, 4. [n.d., c.1820.] [Paris, 1833.] Aquatint. 150 x 225mm (6 x 9"). £120 Coloured lithograph. Printed area 260 x 360mm, 10¼ x A corona around the Moon, with an icebound ship 14". Narrow margin at top. £320 Stock: 38005 Ships, including a rowing boat of Europeans under the Dutch flag, in Manado Bay, on the north tip of in the . The fortress on the right was built by the VOC in 1658. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829.