The Battle of the Styles in Thomas Hardy's Jude the Obscure
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Palace of Westminster and Westminster Abbey Including Saint
Palace of Westminster and Westminster Abbey including Saint Margaret’s Church - UNESCO World Heritage Centre This is a cache of http://whc.unesco.org/en/list/426 as retrieved on Tuesday, April 09, 2019. UNESCO English Français Help preserve sites now! Login Join the 118,877 Members News & Events The List About World Heritage Activities Publications Partnerships Resources UNESCO » Culture » World Heritage Centre » The List » World Heritage List B z Search Advanced Palace of Westminster and Westminster Abbey including Saint Margaret’s Church Description Maps Documents Gallery Video Indicators Palace of Westminster and Westminster Abbey including Saint Margaret’s Church Westminster Palace, rebuilt from the year 1840 on the site of important medieval remains, is a fine example of neo-Gothic architecture. The site – which also comprises the small medieval Church of Saint Margaret, built in Perpendicular Gothic style, and Westminster Abbey, where all the sovereigns since the 11th century have been crowned – is of great historic and symbolic significance. Description is available under license CC-BY-SA IGO 3.0 English French Arabic Chinese Russian Spanish Japanese Dutch Palace of Westminster and Westminster Abbey including Saint Margaret’s Church (United Kingdom of Great Britain and Northern Ireland) © Tim Schnarr http://whc.unesco.org/en/list/426[04/09/2019 11:20:09 AM] Palace of Westminster and Westminster Abbey including Saint Margaret’s Church - UNESCO World Heritage Centre Outstanding Universal Value Brief synthesis The Palace of Westminster, Westminster Abbey and St Margaret’s Church lie next to the River Thames in the heart of London. With their intricate silhouettes, they have symbolised monarchy, religion and power since Edward the Confessor built his palace and church on Thorney Island in the 11th century AD. -
Berkhamsted Heritage Network and Hub – Main Report Appendices
Berkhamsted Heritage Hub and Network Berkhamsted Heritage Network and Hub – Main Report Appendices 1 Destination Audit 78 2 Heritage Groups 87 3 Collections 91 4 Arts Groups in Berkhamsted 94 5 Museums & Heritage Centres 96 6 History Festivals 99 7 “Berkhamsted - Ten Centuries Through Ten Stories” - Worked Example of Events and Performances Proposal 105 8 Increasing Enjoyment of Heritage by Young People and Working with Schools 113 9 The Historic Environment (M Copeman Report) 10 BLHMS Collections Analysis (E. Toettcher report) 11 HKD Digitisation and Digital / Virtual Interpretation 12 Workshop Notes 13 Socio-Demographic Profile – Berkhamsted 14 Socio-Demographic Profile – 30 Minute Drive Time 77 Berkhamsted Heritage Hub and Network 1 Destination Audit 1.1 Access The A4251 runs through the centre of Berkhamsted. It connects to the A41, which runs adjacent to the town. The A41 connects in the east to the M1 and M25. Figure 48: Distance & Drive Time to large towns & cities Name Distance (mi.) Drive Time (mins) Tring 6.7 13 Hemel Hempstead 7.4 15 Watford 12.6 25 Aylesbury 13.8 22 Leighton Buzzard 14.3 31 High Wycombe 15.2 35 Luton 18.2 32 Source: RAC Route Planner There are currently 1,030 parking places around the town. Most are charged. Almost half are at the station, most of which are likely to be used by commuters on weekdays but available for events at weekends. A new multi-storey will open in 2019 to alleviate parking pressures. This is central to the town, next to Waitrose, easy to find, and so it will a good place to locate heritage information. -
The Industrial Revolution: 18-19Th C
The Industrial Revolution: 18-19th c. Displaced from their farms by technological developments, the industrial laborers - many of them women and children – suffered miserable living and working conditions. Romanticism: late 18th c. - mid. 19th c. During the Industrial Revolution an intellectual and artistic hostility towards the new industrialization developed. This was known as the Romantic movement. The movement stressed the importance of nature in art and language, in contrast to machines and factories. • Interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote and the mysterious. CASPAR DAVID FRIEDRICH Abbey in the Oak Forest, 1810. The English Landscape Garden Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England William Kent. Chiswick House Garden. 1724-9 The architectural set- pieces, each in a Picturesque location, include a Temple of Apollo, a Temple of Flora, a Pantheon, and a Palladian bridge. André Le Nôtre. The gardens of Versailles. 1661-1785 Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England CASPAR DAVID FRIEDRICH, Abbey in the Oak Forest, 1810. Gothic Revival Architectural movement most commonly associated with Romanticism. It drew its inspiration from medieval architecture and competed with the Neoclassical revival TURNER, The Chancel and Crossing of Tintern Abbey. 1794. Horace Walpole by Joshua Reynolds, 1756 Horace Walpole (1717-97), English politician, writer, architectural innovator and collector. In 1747 he bought a small villa that he transformed into a pseudo-Gothic showplace called Strawberry Hill; it was the inspiration for the Gothic Revival in English domestic architecture. -
George Edmund Street
DOES YOUR CHURCH HAVE WORK BY ONE OF THE GREATEST VICTORIAN ARCHITECTS? George Edmund Street Diocesan Church Building Society, and moved to Wantage. The job involved checking designs submitted by other architects, and brought him commissions of his own. Also in 1850 he made his first visit to the Continent, touring Northern France. He later published important books on Gothic architecture in Italy and Spain. The Diocese of Oxford is extraordinarily fortunate to possess so much of his work In 1852 he moved to Oxford. Important commissions included Cuddesdon College, in 1853, and All Saints, Boyne Hill, Maidenhead, in 1854. In the next year Street moved to London, but he continued to check designs for the Oxford Diocesan Building Society, and to do extensive work in the Diocese, until his death in 1881. In Berkshire alone he worked on 34 churches, his contribution ranging from minor repairs to complete new buildings, and he built fifteen schools, eight parsonages, and one convent. The figures for Oxfordshire and Buckinghamshire are similar. Street’s new churches are generally admired. They include both grand town churches, like All Saints, Boyne Hill, and SS Philip and James, Oxford (no longer in use for worship), and remarkable country churches such as Fawley and Brightwalton in Berkshire, Filkins and Milton- under-Wychwood in Oxfordshire, and Westcott and New Bradwell in Buckinghamshire. There are still some people for whom Victorian church restoration is a matter for disapproval. Whatever one may think about Street’s treatment of post-medieval work, his handling of medieval churches was informed by both scholarship and taste, and it is George Edmund Street (1824–81) Above All Saints, Boyne His connection with the Diocese a substantial asset for any church to was beyond doubt one of the Hill, Maidenhead, originated in his being recommended have been restored by him. -
The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
Cardiff 19Th Century Gameboard Instructions
Cardiff 19th Century Timeline Game education resource This resource aims to: • engage pupils in local history • stimulate class discussion • focus an investigation into changes to people’s daily lives in Cardiff and south east Wales during the nineteenth century. Introduction Playing the Cardiff C19th timeline game will raise pupil awareness of historical figures, buildings, transport and events in the locality. After playing the game, pupils can discuss which of the ‘facts’ they found interesting, and which they would like to explore and research further. This resource contains a series of factsheets with further information to accompany each game board ‘fact’, which also provide information about sources of more detailed information related to the topic. For every ‘fact’ in the game, pupils could explore: People – Historic figures and ordinary population Buildings – Public and private buildings in the Cardiff locality Transport – Roads, canals, railways, docks Links to Castell Coch – every piece of information in the game is linked to Castell Coch in some way – pupils could investigate those links and what they tell us about changes to people’s daily lives in the nineteenth century. Curriculum Links KS2 Literacy Framework – oracy across the curriculum – developing and presenting information and ideas – collaboration and discussion KS2 History – skills – chronological awareness – Pupils should be given opportunities to use timelines to sequence events. KS2 History – skills – historical knowledge and understanding – Pupils should be given -
Incidents in My Life and Ministry
This is a re-creation of the original – see page 2 – and please note that the headings on the contents page 3 are hyperlinks INCIDENTS IN MY LIFE AND MINISTRY BY CANON A. G. HUNTER Some time Vicar of Christ Church, Epsom, Rural Dean of Leatherhead, and Hon. Canon in Winchester Cathedral. PUBLISHED BY BIRCH & WHITTINGTON, 10, STATION ROAD, EPSOM, SURREY. 1935. Price Two Shillings Net. DEDICATION. To my dear old Epsom friends I dedicate this little book. A. G. H. Transcriber’s note This small book (of some 100 octavo pages in the 1935 original) has long been out of print. To provide a more accessible source for local and other historians, the present text has been scanned in from an original held by Epsom & Ewell Borough Council’s local history museum at Bourne Hall, Ewell. While it reflects the typography and layout of the original, it does not – as is obvious from the different page count – purport to be a facsimile. Archer George Hunter (pictured here in about 1908) was born on 12 November 1850. As the title page indicates, he was among other things Vicar of Christ Church, Epsom Common. Appointed in 1881 to succeed the first Vicar, the Revd George Willes (who served from the parish’s foundation in 1876) he led the parish for 30 years until his retirement in 1911 at the age of 60. In 1906, he was appointed as Rural Dean of Leatherhead, alongside (as is usual) his parish duties. Less usually, he continued as Rural Dean – perhaps even more actively – after standing down from the parish, retiring from that in 1925 at the age of 75. -
Thomas Hardwick Jnr. (1752-1827)
THOMAS HARDWICK JNR. (1752-1827) The name of Hardwick in the field of architecture was the most prominent name during the 19th century. From the late 18th century until 1892 the Hardwick Dynasty contributed some of the finest buildings in London and helped restore a great many too. Born in Brentford, greater London, to a prosperous master mason Thomas Hardwick Snr. (1725 -1798) who worked with the Adam brothers during the building of Syon House. Hardwick Jnr. underwent his training during the construction of the Somerset House and was tutored by William Chambers. He became a member of the Royal Academy and won the prestigious gold medal in architecture. Then came his travel to Europe with his close friend/rival Sir John Soane; together they visited Italy and France. Thomas became a notable church architect and the church of St Mary’s is his finest piece of work in London. The building is a prime example of Regency architecture. His other work included the restoration of St James, Piccadilly, St. Paul’s, Convent Garden and St Bartholomew-the-less, in Smithfield. He was also appointed Clerk of Works by King George III at both Hampton Court and Kew Palace. In his later years he became a tutor to none other than JMW Tuner whom he persuaded to concentrate more on painting rather than architecture! He had two sons, John Hardwick, whom became a famous magistrate in London, and also Philip (1792-1870) who would become the second architect in the Hardwick line and who took over his father’s office in 1825. -
Decorative Art of William Morris and His Work
anxaf 86-B 19107 ' 1 / Digitized by the Internet Archive in 2014 https://archive.org/details/decorativeartofwOOdayl THE ART OF WILLIAM MORRIS Helcochromg. FLORA."—Sketch design for Tapestry executed by Morris & Co. Figure by Sir Edward Burne=Jones, Ornament by William Morris. 1886. " LONDON: /.S.VIRTUE AND CoUMlTED :; WILLIAM MORRIS AND HIS ART. NO one in the least interested in Decorative Art—and care for art. His old friend Mr. F. S. Ellis tells (in who is there does not profess that much ? —wants to a paper read before the Society of Arts, May loth, 1898) be told at this time of day who William Morris was. how he went to the Exhibition of 1851—he was then seven- His name is prominent among the few true poets of the teen years old—and how he sat himself down on a seat, age ; it heads the list of those who in our days have and steadily refused to go over the building, declining wrought and fought for the lesser arts—for art, that is to to see anything more wonderful in this wonder of the say, in the larger sense of the word. He it was snatched world than that it was " wonderfully ugly." He never from the hand of Ruskin the torch which Pugin earlier got over that prejudice against the Great Fair, which he in the century had kindled, and fired the love of beaiity accused of giving the death-stroke to traditional design in us. He was the staunchest defender of our ancient in this country. Nevertheless, he owed something, if not to that event, to the awakened interest in artistic production of which it was the outward and vis- * ' Hammersmith Carpet Weav- ible sign. -
Births, Marriages, and Deaths
thérite" was then opened by Mr. HAINWORTH, who stated that namely, with 1318. Hence, the deaths of last week were less- he had seen no cases of the genuine disease, although he had by about 100 than the number which would have occurred if a seen sore-throats of all kinds in abundance. He was anxious mortality equal to the average rate had prevailed. At the to obtain information as to the physical characters of the dis- present time the population appears to enjoy a fair amount of ease, as to its course, and as to its contagiousness. health, if this is measured by the experience of London itself Mr. PART gave the result of his experience. His first two in former seasons; sanitary defects become apparent on com- Jases -were fatal. Lately he had seen four or five others which paring its mortality -with that of places in more favourable had recovered. His cases had generally been ushered in by conditions. Whilst the deaths were low, the births were high, vomiting, although the worst case was not attended by that and the result is an excess in the latter, as compared with the symptom. Lately he had given carbonate of ammonia, with former, equal to 726. The mortality from small-pox again nutritious diet; and had used as an application nitric acid at shows an increase, the deaths in the last four weeks having drst. followed by gargles of chloride of soda. been successively 29, 13, 11, and 22. The disease seems to Mr. ADAMS thought that many cases of sore-throat, not true prevail in parts of the St. -
Certain Early Ancestors
CERTAIN EARLY ANCESTORS GENEALOGIES OF THE BUTTERFIELDS OF CHELMSFORD, MASS., OF THE PARKERS OF WOBURN AND CHELMSFORD, MASS., OF THE HOHNS OF ONTARIO, CANADA, OF THE JOHNSONS OF ROXBURY, MASS., AND OF THE HEATHS OF HAVERHILL, MASS. Compiled from records of the First Church of Christ in Frances town, N. H., '1791.(deposited at the State Library, Concord, N. H.), and from framed old family registers, and Bibles, and from the history · of Old Families of Amesbury and Salisbury, Mass., and from town histories of Roxbury, Mass., Ryegate, Vt., Lyndeboro and Francestown, N. H., and from histories of Buf, falo and Erie Co., N. Y., Macomb Co., and Ionia and Montcalm Cos., Mich., and Houston Co., Minn., and from published gene, alogies, gravestone records and censuses, and from personal recoJ, lections of Nellie B. Buffum, Emma C. Perry, Lilly Ellis and Jessie Culver, extended and substantiated by inspection of offi, cial documents of births, marriages, deaths, deeds, probate rec, ords, pension papers and war records in Massachusetts, New Hampshire, Connecticut, Vermont, New York, Michigan and Ontario. Compiled by Cora Elizabeth Hahn Smith I 9 4 3 Copyright 1944 Cora Elizabeth Hahn Smith Lithoprinted in U.S.A. EDWARDS BROTHERS, INC. ANN .-4,RROR, MIC~ICAN 1944 FOREWORD This book of early New England and Ontario fam ilies records, in the case of the Butterfields of Chelms ford, Mass., primarily, the descendants of William Butterfield (family #4),beginning with the record of his birth and including his marriage to Rebecca Parker as given in New England Historical and Genealogical Register of January 1890, page 37, and continuing with the historical account of the man as given in History of Francestown, New Hampshire,by Cochrane, published 1895, and including data obtained through corresponding with various de3~endants of his children who had records of their family descent. -
Royal Gold Medall
1912 - Basil Champneys 1977 - Sir Denys Lasdun Royal Gold Medall 1913 - Sir Reginald Blomfield 1978 - Jørn Utzon 1914 - Jean Louis Pascal 1979 - Charles and Ray Eames 1848 - Charles Robert Cockerell 1915 - Frank Darling, Canada 1980 - James Stirling 1849 - Luigi Canina 1916 - Sir Robert Rowand Anderson 1981 - Sir Philip Dowson 1850 - Sir Charles Barry 1917 - Henri Paul Nenot 1982 - Berthold Lubetkin 1851 - Thomas Leverton Donaldson 1918 - Ernest Newton 1983 - Sir Norman Foster 1852 - Leo von Klenze 1919 - Leonard Stokes 1984 - Charles Correa 1853 - Sir Robert Smirke 1920 - Charles Louis Girault 1985 - Sir Richard Rogers 1854 - Philip Hardwick 1921 - Sir Edwin Landseer Lutyens 1986 - Arata Isozaki 1855 - Jacques Ignace Hittorff 1922 - Thomas Hastings 1987 - Ralph Erskine 1856 - Sir William Tite 1923 - Sir John James Burnet 1988 - Richard Meier 1857 - Owen Jones 1924 - No award 1989 - Renzo Piano 1858 - Friedrich August Stüler 1925 - Sir Giles Gilbert Scott 1990 - Aldo van Eyck 1859 - Sir George Gilbert Scott 1926 - Prof. Ragnar Ostberg 1991 - Colin Stansfield Smith 1860 - Sydney Smirke 1927 - Sir Herbert Baker 1992 - Peter Rice 1861 - JB Lesueur 1928 - Sir Guy Dawber 1993 - Giancarlo de Carlo 1862 - Rev Robert Willis 1929 - Victor Alexandre Frederic 1994 - Michael and Patricia Hopkins 1863 - Anthony Salvin Laloux 1995 - Colin Rowe 1864 - Eugene Viollet-le-Duc 1930 - Percy Scott Worthington 1996 - Harry Seidler 1865 - Sir James Pennethorne 1931 - Sir Edwin Cooper 1997 - Tadao Ando 1866 - Sir Matthew Digby Wyatt 1932 - Dr. Hendrik Petrus Berlage 1998 - Oscar Niemeyer 1867 - Charles Texier 1933 - Sir Charles Reed Peers 1999 - Barcelona 1868 - Sir Austen Henry Layard 1934 - Henry Vaughan Lanchester 2000 - Frank Gehry 1869 - Karl Richard Lepsius 1935 - Willem Marinus Dudok 2001 - Jean Nouvel 1870 - Benjamin Ferrey 1936 - Charles Henry Holden 2002 - Archigram 1871 - James Fergusson 1937 - Sir Raymond Unwin 2003 - Rafael Moneo 1872 - Baron von Schmidt 1938 - Prof.