DOCSLIB.ORG

Royal Gold Medall

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1912 - Basil Champneys 1977 - Sir Denys Lasdun Royal Gold Medall 1913 - Sir Reginald Blomfield 1978 - Jørn Utzon 1914 - Jean Louis Pascal 1979 - Charles and Ray Eames 1848 - Charles Robert Cockerell 1915 - Frank Darling, Canada 1980 - James Stirling 1849 - Luigi Canina 1916 - Sir Robert Rowand Anderson 1981 - Sir Philip Dowson 1850 - Sir Charles Barry 1917 - Henri Paul Nenot 1982 - Berthold Lubetkin 1851 - Thomas Leverton Donaldson 1918 - Ernest Newton 1983 - Sir Norman Foster 1852 - Leo von Klenze 1919 - Leonard Stokes 1984 - Charles Correa 1853 - Sir Robert Smirke 1920 - Charles Louis Girault 1985 - Sir Richard Rogers 1854 - Philip Hardwick 1921 - Sir Edwin Landseer Lutyens 1986 - Arata Isozaki 1855 - Jacques Ignace Hittorff 1922 - Thomas Hastings 1987 - Ralph Erskine 1856 - Sir William Tite 1923 - Sir John James Burnet 1988 - Richard Meier 1857 - Owen Jones 1924 - No award 1989 - Renzo Piano 1858 - Friedrich August Stüler 1925 - Sir Giles Gilbert Scott 1990 - Aldo van Eyck 1859 - Sir George Gilbert Scott 1926 - Prof. Ragnar Ostberg 1991 - Colin Stansfield Smith 1860 - Sydney Smirke 1927 - Sir Herbert Baker 1992 - Peter Rice 1861 - JB Lesueur 1928 - Sir Guy Dawber 1993 - Giancarlo de Carlo 1862 - Rev Robert Willis 1929 - Victor Alexandre Frederic 1994 - Michael and Patricia Hopkins 1863 - Anthony Salvin Laloux 1995 - Colin Rowe 1864 - Eugene Viollet-le-Duc 1930 - Percy Scott Worthington 1996 - Harry Seidler 1865 - Sir James Pennethorne 1931 - Sir Edwin Cooper 1997 - Tadao Ando 1866 - Sir Matthew Digby Wyatt 1932 - Dr. Hendrik Petrus Berlage 1998 - Oscar Niemeyer 1867 - Charles Texier 1933 - Sir Charles Reed Peers 1999 - Barcelona 1868 - Sir Austen Henry Layard 1934 - Henry Vaughan Lanchester 2000 - Frank Gehry 1869 - Karl Richard Lepsius 1935 - Willem Marinus Dudok 2001 - Jean Nouvel 1870 - Benjamin Ferrey 1936 - Charles Henry Holden 2002 - Archigram 1871 - James Fergusson 1937 - Sir Raymond Unwin 2003 - Rafael Moneo 1872 - Baron von Schmidt 1938 - Prof. Ivar Tengbom 2004 - Rem Koolhaas 1873 - Thomas Henry Wyatt 1939 - Sir Percy Thomas 2005 - Frei Otto 1874 - George Edmund Street 1940 - Charles Francis Annesley 2006 - Toyo Ito 1875 - Edmund Sharpe Voysey 2007 - Herzog & de Meuron 1876 - Joseph Louis Duc 1941 - Frank Lloyd Wright 2008 - Edward Cullinan 1877 - Charles Barry 1942 - William Curtis Green 2009 - Álvaro Siza Vieira 1878 - Alfred Waterhouse 1943 - Sir Charles Herbert Reilly 2010 - I. M. Pei 1879 - Marquis de Vogue 1944 - Sir Edward Maufe 1880 - John Loughborough Pearson 1945 - Victor Vesnin, USSR 1881 - George Godwin 1946 - Prof. Sir Patrick Abercrombie 1882 - Baron von Ferstel 1947 - Prof. Sir Albert Edward 1883 - Francis Cranmer Penrose Richardson 1884 - William Butterfield 1948 - Auguste Perret 1885 - Heinrich Schliemann 1949 - Sir Howard Robertson 1886 - Charles Garnier 1950 - Eliel Saarinen, Finland 1887 - Ewan Christian 1951 - Emanuel Vincent Harris 1888 - Baron Theophil von Hansen 1952 - George Grey Wornum 1889 - Sir Charles Thomas Newton 1953 - Le Corbusier (CE Jeaneret 1890 - John Gibson (architect) 1954 - Sir Arthur George Stephenson 1891 - Sir Arthur Blomfield 1955 - John Murry Easton 1892 - Cesar Daly 1956 - Dr. Walter Adolf Georg 1893 - Richard Morris Hunt Gropius 1894 - Lord Leighton 1957 - Hugo Alvar Henrik Aalto 1895 - James Brooks 1958 - Robert Schofield Morris 1896 - Sir Ernest George 1959 - Ludwig Mies van der Rohe 1897 - Dr Pierre Cuypers 1960 - Prof. Pier Luigi Nervi 1898 - George Aitchison 1961 - Lewis Mumford 1899 - George Frederick Bodley 1962 - Sven Gottfried Markelius 1900 - Prof. Rodolfo Amadeo 1963 - The Lord Holford Lanciani 1964 - Edwin Maxwell Fry 1901 - No award 1965 - Kenzo Tange, Japan 1902 - Thomas Edward Collcutt 1966 - Ove Arup 1903 - Charles Follen McKim 1967 - Sir Nikolaus Pevsner 1904 - Auguste Choisy 1968 - Richard Buckminster Fuller 1905 - Sir Aston Webb 1969 - Jack Antonio Coia 1906 - Sir Lawrence Alma-Tadema 1970 - Robert Matthew 1907 - John Belcher (architect) 1971 - Hubert de Cronin Hastings 1908 - Honore Daumet 1972 - Louis I. Kahn 1909 - Sir Arthur John Evans 1973 - Sir Leslie Martin 1910 - Sir Thomas Graham Jackson 1974 - Powell and Moya 1911 - Wilhelm Dorpfeld 1975 - Michael Scott, Ireland 1976 - Sir John Summerson .
Recommended publications
  • Commerce and Exchange Buildings Listing Selection Guide Summary

    Commerce and Exchange Buildings Listing Selection Guide Summary

    Commerce and Exchange Buildings Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https:// www.gov.uk/government/publications/principles-of-selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide treats commercial buildings. These range from small local shops to huge department stores, from corner pubs to Victorian ‘gin palaces’, from simple sets of chambers to huge speculative office blocks.
  • March Newsletter

    March Newsletter

    The Train at Pla,orm 1 The Friends of Honiton Staon Newsle9er 12 - March 2021 Welcome to the March newsle0er. As well as all the latest rail news, this month we have more contribuons from our members and supporters, as well as the usual update on engineering work taking place along our line over the next couple of months. We also take the opportunity to remember the 50th anniversary this year of the demolion of William Tite’s original staon building at Honiton. Hopefully, as the front image shows, Spring is on its way. Remember that you can read the newsle0er online or download a copy from our website. (Photograph by Vernon Whitlock) SWR Research Shows Likely Future Changes to Rail Travel Research commissioned by South Western Railway suggests that rail travel will look very different in a post-pandemic world. SWR has invesgated the possible impact of the pandemic on train travel and the main concerns passengers have about returning to the railways. They spoke to over 6,000 people across the region between April and October 2020. Their research has explored passenger’s atudes to SWR and to travel in general. These studies highlighted three key safety concerns held by passengers, that train companies need to connue to address. These are: other passengers’ adherence to safety measures, crowded trains, and the cleanliness of trains. The key finding of this research is that five key changes in behaviour are likely to have a long term impact on SWR. These are: • A move to remote meengs, held online through plaPorms such as Zoom and Microso Teams; • A move away from public transport back to the car; • More people choosing to work from home in the future; • A fla0ening of the rush hour peak, with a longer, but less intense peak period; • More people intending to take holidays in the UK in the future.
  • The Architecture of Sir Ernest George and His Partners, C. 1860-1922

    The Architecture of Sir Ernest George and His Partners, C. 1860-1922

    The Architecture of Sir Ernest George and His Partners, C. 1860-1922 Volume II Hilary Joyce Grainger Submitted in fulfilment of the requirements for the degree of Ph. D. The University of Leeds Department of Fine Art January 1985 TABLE OF CONTENTS Notes to Chapters 1- 10 432 Bibliography 487 Catalogue of Executed Works 513 432 Notes to the Text Preface 1 Joseph William Gleeson-White, 'Revival of English Domestic Architecture III: The Work of Mr Ernest George', The Studio, 1896 pp. 147-58; 'The Revival of English Domestic Architecture IV: The Work of Mr Ernest George', The Studio, 1896 pp. 27-33 and 'The Revival of English Domestic Architecture V: The Work of Messrs George and Peto', The Studio, 1896 pp. 204-15. 2 Immediately after the dissolution of partnership with Harold Peto on 31 October 1892, George entered partnership with Alfred Yeates, and so at the time of Gleeson-White's articles, the partnership was only four years old. 3 Gleeson-White, 'The Revival of English Architecture III', op. cit., p. 147. 4 Ibid. 5 Sir ReginaldýBlomfield, Richard Norman Shaw, RA, Architect, 1831-1912: A Study (London, 1940). 6 Andrew Saint, Richard Norman Shaw (London, 1976). 7 Harold Faulkner, 'The Creator of 'Modern Queen Anne': The Architecture of Norman Shaw', Country Life, 15 March 1941 pp. 232-35, p. 232. 8 Saint, op. cit., p. 274. 9 Hermann Muthesius, Das Englische Haus (Berlin 1904-05), 3 vols. 10 Hermann Muthesius, Die Englische Bankunst Der Gerenwart (Leipzig. 1900). 11 Hermann Muthesius, The English House, edited by Dennis Sharp, translated by Janet Seligman London, 1979) p.
  • A Short Cultural History of Britain

    A Short Cultural History of Britain

    S. L. Yeliseyev T. O. Kupinska A Short Cultural History of Britain Ministry of Education and Science, Youth and Sports of Ukraine State Institution “Luhansk Taras Shevchenko National University” S. L. Yeliseyev T. O. Kupinska A Short Cultural History of Britain A manual for students of foreign languages departments of higher education institutions Luhansk SI “Luhansk Taras Shevchenko National University” 2012 УДК 908:81.2Англ (076) ББК 26:81.2Англ–9 Є51 Rewievers: Mihalskiy I. S. – Doctor of Historical Sciences, Professor, the chair of Political Studies of SI “Luhansk Taras Shevchenko National University” Krysalo O. V. - Candidate of Philological Sciences, Associate Professor of Translation Studies Department SI “Luhansk Taras Shevchenko National University” Demidov D. V. – Candidate of Pedagogical Sciences, senior lecturer of English Philology Department of SI “Luhansk Taras Shevchenko National University” Yeliseyev S. L. Є51 A Short Cultural History of Britain : a manual for students of foreign languages departments of higher education institutions / S. L. Yeliseyev, T. O. Kupinska ; State Institution “Luhansk Taras Shevchenko National University”. – Luhansk : Luhansk Taras Shevchenko National University Press, 2012. – 103 p. A Short Cultural History of Britain is a manual intended for students of foreign languages department, specialities “Language and Literature (English)”, “Philology. English and Oriental language and literature” and “Translation Studies”. Its aim is to give a general idea of artistic styles in European art from the Gothic style through the Romantic movement, and the detailed information on the history of theatre, music, visual arts and architecture of Great Britain. The content of the book conforms to the requirements of the syllabus of “Country Studies: the United Kingdom of Great Britain and Northern Ireland” for senior students.
  • Aauk 393-David Chipperfield

    Aauk 393-David Chipperfield

    20 21 SORTIR DU SOLILOQUE DAVID ARCHITECTURAL CHIPPERFIELD ABANDONING THE ARCHITECTURAL SOLILOQUY PAR / BY JONATHAN GLANCEY HEC PARIS Bâtiment d’accueil, entrance hall, Jouy-en-Josas, France, 2012. 22 23 « IL Y A DE LA PLACE POUR LA RADICALITÉ. » “THERE IS ROOM FOR RADICAL IDEAS.” Commissaire de la Biennale d’architecture de Venise en 2012, David Chipperfield, reconnu pour ses prestigieux projets culturels, ne renonce pas pour autant aux constructions « du quotidien ». Le Londonien confie sa lutte pour une culture architecturale basée sur des valeurs communes : érudition, responsabilité et réflexion. Curator of the 2012 Venice Architecture Biennale, David Chipperfield, known for his prestigious cultural projects, has nevertheless not turned his back on “ordinary” constructions. The London architect recounts for AA his battle for an architectural culture based on shared values: erudition, responsibility and reflection. L’ARCHITECTURE D’AUJOURD’HUI. Commençons L’ARCHITECTURE D’AUJOURDHUI. Let’s start with par Venise. Vous avez été le commissaire de la Biennale Venice. You were the curator of the 2012 Architecture BIENNALE d’architecture 2012. Quelle était l’idée phare de cette Biennale. What was the point of the show? What message DE VENISE édition et le message que vous vouliez faire passer ? were you trying to get across? VENICE BIENNALE 2012. DAVID CHIPPERFIELD. J’ai intitulé cette édition « Common DAVID CHIPPERFIELD. The title I chose for the show was Ground » [« socle commun », NDLR]. Il y a quelque temps de “Common Ground”. A while before, I’d been sitting in a late cela, j’étais en compagnie de Jacques Herzog dans un bar de night bar in Madrid with Jacques Herzog.
  • Incidents in My Life and Ministry

    Incidents in My Life and Ministry

    This is a re-creation of the original – see page 2 – and please note that the headings on the contents page 3 are hyperlinks INCIDENTS IN MY LIFE AND MINISTRY BY CANON A. G. HUNTER Some time Vicar of Christ Church, Epsom, Rural Dean of Leatherhead, and Hon. Canon in Winchester Cathedral. PUBLISHED BY BIRCH & WHITTINGTON, 10, STATION ROAD, EPSOM, SURREY. 1935. Price Two Shillings Net. DEDICATION. To my dear old Epsom friends I dedicate this little book. A. G. H. Transcriber’s note This small book (of some 100 octavo pages in the 1935 original) has long been out of print. To provide a more accessible source for local and other historians, the present text has been scanned in from an original held by Epsom & Ewell Borough Council’s local history museum at Bourne Hall, Ewell. While it reflects the typography and layout of the original, it does not – as is obvious from the different page count – purport to be a facsimile. Archer George Hunter (pictured here in about 1908) was born on 12 November 1850. As the title page indicates, he was among other things Vicar of Christ Church, Epsom Common. Appointed in 1881 to succeed the first Vicar, the Revd George Willes (who served from the parish’s foundation in 1876) he led the parish for 30 years until his retirement in 1911 at the age of 60. In 1906, he was appointed as Rural Dean of Leatherhead, alongside (as is usual) his parish duties. Less usually, he continued as Rural Dean – perhaps even more actively – after standing down from the parish, retiring from that in 1925 at the age of 75.
  • Proposed Café and Carriage Display, Gunnersbury Park

    Proposed Café and Carriage Display, Gunnersbury Park

    Proposed Café and Carriage Display, Gunnersbury Park HERITAGE IMPACT ASSESSMENT January 2015 KATHARINE BARBER AND MIRIAM HOLLAND 15 Bermondsey Square, Tower Bridge Road, London SE1 3UN [email protected] www.purcelluk.com All rights in this work are reserved. No part of this work may be reproduced, stored or transmitted in any form or by any means (including DOCUMENT ISSUE without limitation by photocopying or placing on a website) without the prior permission in writing of Purcell except in accordance with ISSUE 1 (MARCH 2014) - EALING AND HOUNSLOW COUNCILS the provisions of the Copyright, Designs and Patents Act 1988. Applications for permission to reproduce any part of this work should be ISSUE 2 (JANUARY 2015) - EALING AND HOUNSLOW COUNCILS addressed to Purcell at [email protected]. Undertaking any unauthorised act in relation to this work may result in a civil claim for damages and/or criminal prosecution. Any materials used in this work which are subject to third party copyright have been reproduced under licence from the copyright owner except in the case of works of unknown authorship as defined by the Copyright, Designs and Patents Act 1988. Any person wishing to assert rights in relation to works which have been reproduced as works of unknown authorship should contact Purcell at [email protected]. Purcell asserts its moral rights to be identified as the author of this work under the Copyright, Designs and Patents Act 1988. Purcell® is the trading name of Purcell Miller Tritton LLP. © Purcell 2015 KB/tro/234320 CONTENTS
  • THE START of the NECROPLOLIS Iain Wakeford 2015

    THE START of the NECROPLOLIS Iain Wakeford 2015

    ast January, in these articles, I started to look at the history of Woking in a way that most local history newspaper columns don’t (or cannot) now do. I wanted to get away from the normal superficial ‘peep’ into history and look a bit deeper at some L of the facts. For over thirty years I have been writing books and booklets about the history and heritage of Woking, so rather than just cobble together readers’ reminiscences’, I wanted to give my column some structure – to tell a more complete history of Woking (if a subject such as history can ever be complete). Starting with the geology and geography, I moved slowly onto the prehistoric before tackling the history of the area from the ‘Dark Ages’ onwards in an almost chronological order. Arthur Locke followed a similar approach many years ago, with readers cutting out and keeping his series of articles on ‘Woking Past’. At the end of last year we reached the 1840’s and 50’s and as well as looking at local chapels and schools, I touched upon the London Necropolis Company and Brookwood Cemetery (now owned by Woking Council). Over the next few months (if not years) I intend to tackle the subject of Woking ‘Past and Present’ in even more detail, beginning this week with a more detailed look at the Necropolis and why it came to Woking. THE START OF THE NECROPLOLIS Iain Wakeford 2015 The original plan for a cemetery on the whole of Woking n the first half of the 19th century the Common used Woking Station with private halts and But these new cemeteries themselves only had population of London had increased from chapels along the main line.
  • Mauro Marzo Lotus. the First Thirty Years of an Architectural Magazine

    Mauro Marzo Lotus. the First Thirty Years of an Architectural Magazine

    DOI: 10.1283/fam/issn2039-0491/n43-2018/142 Mauro Marzo Lotus. The first thirty years of an architectural magazine Abstract Imagined more as an annual dedicated to the best works of architectu- re, urban and industrial design, during the first seven issues, the maga- zine «Lotus» shifts the axis of its purpose from that of information and professional updating to one of a critical examination of the key issues intrinsic to the architectural project. This article identifies some themes, which pervaded the first thirty years of «Lotus» life, from 1964 to 1994, re- emerging, with variations, in many successive issues. If the monographic approach set a characteristic of the editorial line that endures over time, helping to strengthen the magazine’s identity, the change in the themes dealt with over the course of the decades is considered as a litmus test of the continuous evolution of the theoretical-design issues at the core of the architectural debate. Keywords Lotus International — Architectural annual — Little Magazine — Pier- luigi Nicolin — Bruno Alfieri The year 1963 was a memorable one for the British racing driver Jim Clark. At the helm of his Lotus 25 custom-made for him by Colin Chapman, he had won seven of the ten races scheduled for that year. The fastest lap at the Italian Grand Prix held at Monza on 8 September 1963 had allowed him and his team to win the drivers’ title and the Constructors’ Cup,1 with three races to go before the end of the championship. That same day, Chap- man did “the lap of honour astride the hood of his Lotus 25”.2 This car, and its success story, inspired the name chosen for what was initially imagined more as an annual dedicated to the best works of archi- tecture, urban and industrial design, rather than a traditional magazine.
  • Information 123

    Information 123

    ISSN 0960-7870 BRITISH BRICK SOCIETY INFORMATION 123 FEBRUARY 2013 BRICK CHURCHES ISSUE OFFICERS OF THE BRITISH BRICK SOCIETY Chairman Michael Chapman 8 Pinfold Close Tel: 0115-965-2489 NOTTINGHAM NG14 6DP E-mail: [email protected] Honorary Secretary Michael S Oliver 19 Woodcroft Avenue Tel. 020-8954-4976 STANMORE E-mail: [email protected] Middlesex HA7 3PT Honorary Treasurer Graeme Perry 62 Carter Street Tel: 01889-566107 UTTOXETER E-mail: [email protected] Staffordshire ST14 8EU Enquiries Secretary Michael Hammett ARIBA 9 Bailey Close and Liason Officer with the BAA HIGH WYCOMBE Tel: 01494-520299 Buckinghamshire HP13 6QA E-mail: brick so c @mh 1936.plus. c om Membership Secretary Dr Anthony A. Preston 11 Harcourt Way (Receives all direct subscriptions, £12-00 per annum*) SELSEY, West Sussex P020 0PF Tel: 01243-607628 Editor of BBS Information David H. Kennett BA, MSc 7 Watery Lane (Receives all articles and items for BBS Information) SHIPSTON-ON-STOUR Tel: 01608-664039 Warwickshire CV36 4BE E-mail: [email protected] Printing and Distribution Chris Blanchett Holly Tree House, 18 Woodlands Road Secretary LITTLEHAMPTON Tel: 01903-717648 West Sussex BN17 5PP E-mail: [email protected] Web Officer Vacant The society's Auditor is: Adrian Corder-Birch F.Inst.L.Ex . Rustlings, Howe Drive E-mail: [email protected] HALSTEAD, Essex C09 2QL The annual subscription to the British Brick Society is £10-00 per annum. Telephone numbers and e-mail addresses of members would be helpful for contact purposes. but these will not be included in the Membership List.
  • William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe

    William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe

    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-2005 William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe Andrea Yount Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the European History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Yount, Andrea, "William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe" (2005). Dissertations. 1079. https://scholarworks.wmich.edu/dissertations/1079 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. WILLIAM MORRIS AND THE SOCIETY FOR THE PROTECTION OF ANCIENT BUILDINGS: NINETEENTH AND TWENTIETH CENTURY IDSTORIC PRESERVATION IN EUROPE by Andrea Yount A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of History Dale P6rter, Adviser Western Michigan University Kalamazoo, Michigan June 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3183594 Copyright 2005 by Yount, Andrea Elizabeth All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
  • The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S

    The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S

    1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000.