Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN

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Catalogue 61

[The Alternative of Williams Burg.] A New Method of Macarony Making, as Item 288 practiced at Boston. Item 289

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Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. Drawings from Original Pictures of Boswell and Dr.Johnson. While Cox's name is on Philip Reinagle, Esq. R.A. No. 2. Mrs these pieces he would have had to depend on skilled Wrightson (subscriber's name in craftsmen to produce the elaborate exhibition pieces contemporary ink mss]. that can now be seen in the Metropolitan Museum of By an Amateur. [n.d., c.1826.] Art. A spectacular survivor of Cox's Museum is a Imperial folio, original printed wrappers, four Peacock that was taken to St. Petersburg in 1781 and is lithographic plates on india, stitched. Wear to edges. now in the Hermitage. British Library: 000807157 Stock: 40010 £280 Four untitled British landscape scenes presented in their original wrapper, apparently the complete second 4. The Duke of Bedford's Stables, with the installment of what became a series of 16 plates after New Tennis-Court & Riding-House at Woburn Reinagle. We have seen another wrapper with the Abbey subscriber's same in the same handwriting, suggesting [Anon, c.1750] it was written by the anonymous 'Amateur'. See BM Engraving, sheet 110 x 190mm (4¼ x 7½"). Glued to 1894,0417.546 for a bound set of 16 plates, also backing sheet. £95 unattributed. The stable blocks, topped by an impressive octagonal Stock: 40879 drum and dome, which the architect Henry Flitcroft (1697-1769) designed at Woburn Abbey in 2. [A Study in the Egyptian Antiquity Bedfordshire, for John Russell, fourth duke of Bedford Department in the British Museum] (1710-77). Beside it (right) is the indoor riding school H.S. Marks London, Published December 1st 1861 by and tennis court which the fifth duke commissioned Day & Son, Lith to the Queen from Henry Holland (1745-1806). Unfortunately, when Etching on india, platemark 180 x 130mm (7 x 5") very the fifth duke died in 1802 it was the result of a large margins. £130 strangulated hernia sustained while playing tennis. Etching by painter Henry Stacy Marks (1829-98), plate Stock: 41058 17 from Passages from 'Modern English Poets Illustrated by the Junior Etching Club' (1862). 5. [Summer Indolence.] Marks first exhibited at the Royal Academy in 1853 J.E. Millais 1861. and regularly exhibited there in the next two decades Etching on india, platemark 180 x 255mm (7 x 10") (mostly with Shakespearean or historical subjects). very large margins. Foxing to edges. £190 Family responsibilities forced him to take on additional Two girls in a field, one of whom chains together work, including illustrations such as this, art criticism, newly-picked flowers. Etching by Pre-Raphaeilite and designs for porcelain, church and theatre interiors, painter John Everett Millais (1829-96), who frequently and even Christmas cards! He was elected as an returned to the theme of childhood in his popular Academician in 1878. etchings. This print was made in 1861, the year that Stock: 41167 Millais returned from Scotland to live in London (residing in Cromwell Place, South Kensington). Plate 3. Mr. Cox's Museum. from 'Passages from 'Modern English Poets Illustrated James Cox invt. Engraved by John Keyse Sherwin, by the Junior Etching Club' (1862). Pupil of Mr. Bartolozzi for a Frontispiece to the This plate was reissued in 1874/5 (reissues can be Descriptive Inventory of Mr. Cox's Museum. Publish'd identified by the absence of the 1861 publication line according to Act of Parlt. Jany. 7, 1774. [Cox, found on this impression). Hartnoll 28; for 1870s London.] restrike see ref. 35880. Fine etched frontispiece to James Cox's catalogue [Full Stock: 41168 title] : 'A Descriptive Inventory of the Several Exquisite and Magnificent Pieces of Mechanism and 6. [Ancient Scripture Prints.] Jewellery, comprised in the schedule annexed to an Act [Darlington, J. Sams? n.d., c.1820.] of Parliament ... for enabling Mr. James Cox ... to Large quarto, contemporary half morocco with dispose of his museum by way of lottery.' Platemark: marbled boards; 38 woodcut plates with letterpress 275 x 205mm (10¾ x 8"). Slight damage to top left printed in red. Binding worn and strained, later title corner. Small margins. £190 label added on spine; plates numbered in old ink mss; The Etching shows a portrait in profile of King George plate 26 with short tear. £480 III (1738 - 1820), in an oval, between elaborate and A collection of early 16th century German scripture decorative supports featuring jewelled birds and fine prints, printed from blocks discovered in Nuremberg, instruments. James Cox was a jeweller and toy maker with English letterpress taken from John Wycliff's who, from the mid-1760s, produced luxury articles for translation of the Bible. trade with the Far East. Cox had been exhibiting In the 1822 catalogue of bookseller J. Sams of automata since at least 1769, and he would hold Darlington, item 6376 is an example of this book; it is exhibitions prior to the export of his pieces. He made described as 'rare, only 72 Copies having been struck an application to Parliament to sell the contents of his off ' and priced at 20 shillings. Provenance: bookplate 'Museum' in 1773. He planned to sell the Museum by of James Drummond (1816-77), Scottish artist and Lottery exhibiting his jewelled automania throughout. curator of the National Gallery of Scotland 1868-77. Cox’s Museum attracted visitors, including James Stock: 40880 7. The Illustrated General, and Elementary By George Cruikshank. London Imprinted for David Physical Atlas: with Descriptive Letterpress... Bogue, Bibliopolist, in Fleet Street. Vizetelly Brothers Recommended by the Minister of Public & Co. Printers, Peterborough Court, 135 Fleet Street. Instruction to be used in the Schools of Prussia Very small 4to, original half calf gilt with marbled and Germany. boards, maroon morocco title label on spine; pp. 64, twelve wood-engraved plates, Bookplate E. C. Grant By Dr. Karl, Vogel. Director of Schools, Berlin, and on front pastedown, some pages toned, one text page the Editor of the 'University Atlas of the Middle Ages,' with a tear. £180 &c. London: Edward Gover, Sen., Princes Street, A mixture of useful dates (i.e. when the British Bedford Row; Whittaker and Co; Simpkin and Museum is open), satire and caricature. The last plate MArshall; Aylott and Jones. Dublin: J. Robertson. is 'The Banquet of the Black Dolls' with a page of text. 1850. In ink 'To Edward C. Grant esq with thanks for his 4to, limp boards titled in gilt on front board; pp. 24, 1 assistance from the Author. folding steel-engraved world map and 7 double-page Stock: 40552 maps, all in original hand colour. Pages loose, some slight foxing, ink ownship inscription dated 1856 on prelim. £390 10. De la Brune à la Blonde A basic atlas with maps of the World, Europe, Asia, Seize Estampes Artistiques par Raphael Kirchner. Africa, North America, South America, Oceania and Editées par La Vie Parisienne 29 Rue Tranchel Paris. the British Isles. All the maps have decorative borders; [n.d., 1914.] the continents have illustrations of the peoples and Original buckram folio with illustrated title label, ties; wildlife. On the maps the British Empire is marked in 20 chromolithographic plates, sheets 400 x 330mm (15¾ x 13"). £600 red. Stock: 40554 A folio full of loose plates of young women in various states of undress by Raphael Kirchner (Austrian, Vienna 1876–1917 New York). Although the title label 8. Aeronautica; or, Sketches Illustrative of calls for 16 prints there are twenty different images the Theory and Practice of Aerostation; present, in the same format, all by Kirchner. comprising an enlarged account of the late Stock: 40555 aerial expedition to Germany; By Monck Mason, Esq. Member of the 'Académie de 11. Catalogue of the Works of British Artists l'Industrie française,' and of the 'Societé de in the Gallery of the British Institution, Pall statistque universelle,' etc. etc. With Plates. Mall, for Exhibition and Sale. 1836. London: F.C. Westley, 162, Piccadilly. 1838. [London: The British Institution, 1836.] 8vo, contemporary diced russia, rebacked with calf gilt, 4to, disbound; pp. (18) (numbered 7-20+(6)). £120 marbled edges and endpapers; pp. viii + 355; A list of 503 pictures and sculptures, with works by lithographic frontispiece and five plates, as called for David Roberts (from his Spanish tour), Edwin in the list of illustrations. Ex libris labels on front Landseer, John Constable, J.M.W. Turner and William pastedown. Scarce. £480 Beechey. Ink ownership inscription of Richard James. An account of a balloon trip from London to Weilburg Stock: 40885 in Hessen, Germany, by Thomas Monck Mason (1803- 89), Charles Green (1785-1870) and Robert Hollond 12. Description of the Grand Picture , Now (1808-77). They travelled a record distance of 500 Exhibiting in the Roman Gallery, of the miles in 18 hours. Egyptian Hall, Piccadilly, Representing the The frontispiece has portraits of the three aeronauts with facsimile signatures; the other plates are four Pathetic Incident in Roman History, the Death views of the flight and a depiction of two parachute of Virginia, Painted by Monsieur Le Thiere, designs. Professor of Painting in Paris, and Member of In 1844 Edgar Allan Poe wrote a hoax account of a the Institute of France; The Artist, who so man called Monck Mason who had just crossed the successfully exhibited, in the same gallery, a Atlantic by balloon in 72 hours; it was published in few years since, a picture of similar Magnitude, New York newpaper 'The Sun' on April 13th and was entitled 'The Judgement of Brutus.' retracted two days later. Provenance: the Carton London: Printed by James Bullock, Lombard-Street, Library, i.e. Augustus FitzGerald, 3rd Duke of Leinster Whitefriars. 1828. (1791–1874). 8vo pamphlet, later card wrappers with ink mss. label, Stock: 40599 pp. 24, with folding etched plate. Lacking original paper covers. £160 9. The Comic Almanak, for 1847: An The guide to an exhibition of a painting, Guillaume Ephemeris in Jest and Ernest, containing 'All Lethiere's 'The Death of Virginia', painted c.1800. It Things Fitting for such a Work.' By Ricdum illustrates a story from Livy, in which a Roman Funnidos, Gent. Adorned with Numerous centurion stabs his daughter rather than let her be Humorous Illustrations: - And a Dozen of despoiled by a corrupt decemvir. The resulting riots led 'Right Merrie' Cuts pertaining to the Months. to the overthrow of the decemviri and the re- establishment of the Roman Republic. Guillaume Guillon-Lethière (1760-1832), born in Guadeloupe to a French colonial official and 'mulatto' mother, was a 16. A Catalogue of the Miniatures, Drawing rival of Jacques-Louis David. This painting is now in and Pictures by the Late Sir William C. Ross, the Louvre. R.A. Collected for Exhibition at the Society of Stock: 40881 Arts, John Street, Aldephi, W.C. Proof. Printed by Whittingham and Wilkins, at the Chiswick 13. Gallery of Poets, Pall-Mall and Fleet- Press, for the Society for the Encouragement of Arts, Street, April 2, 1790. Catalogue of the Third Manusfactures and Commerce. 1860. Exhibition of Pictures, Painted for Mr. 4to, disbound; pp. 26. £90 Macklin by the Artists of Britain, Illustrative A list of 212 items on display at the commemorative of the British Poets, and the Bible. exhibition following the death of Sir William Charles London: Printed by T. Bensley, Bolt Court, Fleet Ross (1794-1860), listing the owners of the pictures. Street. Stock: 40886 4to, lacking covers; pp. 42. £120 Guide to an exhibition of 41 paintings by 17. Catalogue of the Sketches and Drawings Gainsborough, Reynolds, Cosway, Hamilton and by J.M.W. Turner, R.A. Exhibited in others, mounted to publicise two of Thomas Macklin's Marlborough House In the Year 1857-8. publications. 'Macklin's British Poets' was a series of Accompanied with Illustrative Notes. 100 paintings illustrating famous English poems, By John Ruskin, M.A. London: Printed by published monthly as engravings between 1790 and Spottiswoode and Co., New-Street Square. 1857. 1795, many engraved by Francesco Bartolozzi. His 8vo pamplet, stitched; pp. 53 + ii (publisher's ad). Old three-volume Bible contained 70 plates and has a ink mss. ownership inscription, with small hole caused production cost estimated at £30,000. According to the by pen. £130 Dictionary of National Biography the Macklin Bible The guide to a posthumous exhibition of over 200 'endures as the most ambitious edition produced in Turner's paintings, written by the pre-eminent Britain, often pirated but never rivalled'. Victorian art critic, John Ruskin (1819-1900), whose Stock: 40883 'Modern Painters' (1843) was an a defence of Turner's work. 14. The Fratricide, or the Murderer's Stock: 40882 Gibbet, Being the Right Tragical Hystorie of Sir J. Dinely Goodere, Bart., Who was 18. Catalogue of Works of Art Sent In, murdered by his Brother, Capt. Samuel Pursuant to the Notices Issued by Her Goodere, and Assistants, On the 19th of Majesty's Commissioners on the Fine Arts, for January, 1741, on board his Majesty;s Ship the Exhibitio in Westminster Hall. Ruby, 64. then lying in Kingroad, Bristol. To London: Printed by William Clowes and Sons, the Editor of the Bristol Mirror. Stamford Street, for Her Majesty's Stationery Office. [n.d., c.1842.] 1844. Letterpress pamphlet; 8vo, pp. (iv) with wood- 4to, disbound; pp. 24. £160 engraved illustration. Some age-toning, glue stains, old A list of 183 sculptures, frescoes and pictures ink mss, correction. £50 submitted for the decoration of the New Palace at The transcript of a letter to the editor of the Bristol Westminster, rebuilt after the disastrous fire of 1834. Mirror, in which the unnamed correspondent tells of A Royal Fine Art Commission under the presidency of being shown the gibbet irons in which the body of one Prince Albert had been set up, which decided to of the murderers, Matthew Mahony, was displayed, encourage a British school of history painting. Among with an illustration of the contraption. the exibitiors is William Dyce, who was the first to Feeling slighted by what he regarded as an unfair start fresco work in the Palace in 1848, completing division of an inheritance, Captain Samuel Goodere only five of the seven commissioned works before he arranged for his older brother, Sir John Dinely died in 1864. Ink ownership inscription of Richard Goodere, to be abducted, taken to his ship (HMS James and John Martin. Ruby) and garrotted. Found guilty, the three were Stock: 40887 executed on the 20th April 1741 and hung in chains. See item 21373 for a contemporary print with portraits 19. Catalogue of the Works of the Late Sir and scenes. David Wilkie R.A. together with a Selection of Stock: 40958 Pictures by Ancient Masters, with which The Proprietors have favoured the Institution. June 15. Murder of Mrs Frances Ruscombe and 1842. Her Maid, In College Green A.D. 1764. [London: The British Institution, 1842.] [n.d., c.1842.] 4to, disbound; pp. (10) (numbered 7-16). £120 Letterpress pamphlet; 8vo, pp. 4, Glue stains. £50 A list of the 193 paintings of Sir David Wilkie (1785- A description of an infamous Bristol murder by 1841) exhibited at the British Institution a year after his Richard Smith, who seems to have a fascination with death, listing the owners of the paintings. Ink examining notorious murders. ownership inscription of Richard James. Stock: 40959 Stock: 40884 20. [Album of watercolours, drawings, etc. followed by a series of letters written discussing the by the Mahon family.] theories by notables including John Harrison (during [by Caroline Charlotte Mahon, Edward Elphinstone his quest for longitude) and James Short, and Ellicott's Mahon et al.] [dated 1838-1911.] reponses. The plate illustrates Ellicott's cylindrical Victorian maroon morocco gilt album, lacking spine, pendulum. disbound. £1150 Inserted in the book is a letter from Tom Robinson Containing watercolours and drawings of views in thanking Mr Sainsbury for the use of the book during England and overseas, including Muscat, India, Port his researching of his book 'The Longcase Clock' Arthur (Australia), China and Egypt. Besides the views (Antiques Collectors' Club, 1981. there are flowers, fruit and animals, costumes Stock: 40598 (including a geisha), a few copies of prints and a couple of photographs. 23. Original Poems for Infant Minds by Originally given to Caroline Charlotte Mahon by her several young persons. Vol. II Fifteenth husband Rev. George William Mahon in 1838, the Edition. album passed to their son, Edward Elphinstone Mahon, [by Ann and Jane Taylor et al.] London: Printed for C.B., a fleet surgeon who became Inspector General of Darton, Harvey & Darton, No 55, Gracechurch-Street. Hospitals and Fleets. During the First Zulu War he was Sold also by J. Conder, St Paul's Church Yard. 1819. recommended for a Victoria Cross but was not One volume only (of two). Small 8vo, original quarter awarded one. Many of the views are of places he was morocco gilt with marbled boards; pp. viii + 128 posted during his career; he was staff-surgeon on HMS +(8)(publisher's ads.), engraved frontis. Spine Baccante, a flag ship in the East Indies, mentioned on distressed, some leaves loose, old ink ownership one of the sketches. In 1911 he presented this album to inscription on prelim. £130 his wife, Ermyntrude Madeline, two years after they Collection of poems mainly written by Ann Taylor married. (1782-1866) and her younger sister Jane Taylor (1783- Stock: 41141 1824), author of 'The Star' (better known as 'Twinkle, Twinkle, Little Star'). The frontispiece illustrates 'The 21. [Collection of letterpress and hand- Welch Lad'. A poem for children titled 'Sluttishness' written pages with a Methodist theme.] shows how much the English language has changed [Various dates 1779-1821.] over the years. Some signs of wear. £520 Stock: 40553 A collection of broadsides containing news clippings, hymn sheets, and prayers mostly relating to Methodism 24. The Complete Weather Guide; a including an account of missionaries in Ceylon and an collection of Practical Observations for advert for prominent methodist and lace maker George Prognosticating the Weather, Drawn from Frederick Urling's new shop in Covent Garden. Plants, Animals, Inanimate Bodies, and also by However, the item also includes a petition for a means of Philosophical Instruments; including Christmas box from dustmen of a London street, a war The Shepherd of Banbury's Rules, Explained song, a clipping describing the arrival of the bones of a mamouth beast found in Mississippi which states 'an on Philasophical Principles. with an Appendix animal of such dimensions must have been a of Miscellaneous Oberservations on contemporary of the almost fabulous Kraken', and an Meteorology, a curious Botanical Clockm &c. interesting strip of adverts offering rewards for the &c. &c. recapture of runaway slaves in the U.S. By Joseph Taylor. London: Printed for Gale, Curtis, Stock: 40888 and Fenner, Paternoster Row: Sold also by John Harding, St James's Street; and John Martin Holles 22. A Description of Two Methods, by which Street, Cavendish Square. 1813. The Irregularities in the Motion of a Clock 12mo, paper boards; pp. viii + 160; with folding wood- arising from the Influence of Hot and Cold engraved frontis. Front hinge very strained. £290 upon the Rod of the Pendulum, may be A rare guide to predicting the weather, based on the behaviour of animals and plants, astronomy, winds and prevented. By John Ellicott, F.R.S. Read at the even barometers and thermometers. The frontispiece is Royal Society, June 4, 1752. To which are 'Flora's Dial', a decorative table listing when different added A Collection of Papers, Relating to the plants open and close their flowers. Joseph Taylor Same Subject, Most of which were read at (c.1761–1844). several Meetings of the Royal Society. Stock: 40551 London: Printed for R. Willock, at Sir Newton's Head, in Cornhill M.DCC.LIII. [1753.] 25. A New Drawing-Book, very Necessary Small 4to, later boards with maroon morocco title label for ye Practice of all young Beginners, in the on spine; pp. viii + 56 (lacking 4pp. at end), folding Arts of Painting, Drawing, Engraving &c. engraved plate, tear close to binding. Bookplate of M. Invented & Drawn, by that Eminent French Sainsbury on front pastedown. £360 artist, Seb le Clerc An extremely rare, but incomplete, text about J. Clark sculp 1721 Price 1 shilling. clockmaking, a transcript of a lecture at the Royal Society by John Ellicott (1706-72), pages 1-15, Eighteen etchings over six sheets in original wrappers, Set of landscapes, engraved by the reproductive bound with incomplete set of etchings in same format, engraver Henry Roberts (1730-90, fl.) after, according 'Figures from Callot and others', in ink on wrapper to the wrappers, Sébastien le Clerc, the Elder (1637- "Book of Figures etc (signed) Serrell"; 285 x 200mm 1714). Le Clerc was a prolific engraver and (11¼ x 8") very large margins. £390 draughtsman who succeeded Claude Mellan as Set of figure studies, designed for amateurs to study, engraver to the king of France, working in various after Sébastien le Clerc, the Elder (1637-1714). Le genres in a style derived from Jacques Callot. Ex Clerc was a prolific engraver and draughtsman who collection of the Hon. C. Lennox-Boyd succeeded Claude Mellan as engraver to the king of Stock: 41049 France, working in a style derived from Jacques Callot. Bound with another, incomplete set of figure studies 29. [Four landscapes after Adam Pérelle] after Callot and others, including two circus subjects. Perelle invt. James Roberts sculp Printed & Sold by One of these bears the legend 'June 1727 the Italian Hen. Roberts Engraver & Printseller near Hand Alley Flyer, Flew so from ye top pf ye steeple of St Martins facing Turnstile Holborn London [c.1744] Church into the Meuse, ye Torches he used when he Four engravings in original wrappers, in ink on Flew from ye upper Gallery to ye emd of ye Stage'! Ex wrappers "Landscapes (signed) Serrell"; 130 x 215mm collection of the Hon. C. Lennox-Boyd (5 x 8½"). Trimmed to platemark. Slight staining. Stock: 41047 £150 Four landscapes after Adam Pérelle (1640-95), one of a 26. [Eighteen landcapes engraved by John family of French artists whose output included many Boydell after his own designs and paintings by views of Paris, Versailles and Chantilly. Ex collection David Teniers, 1747] of the Hon. C. Lennox-Boyd Eighteen engravings, 18th century watermark; in ink Stock: 41051 on wrappers "Boydells landskips (signed) Serrell; and six fine engravings of pictures by Teniers to be cared 30. [Five landscapes after Herman van for"; platemarks approx 140 x 270mm (5½ x 10½"); Swanevelt and Giovanni Francesco Grimaldi] very large margins. Some damage. £450 H. Roberts sculp. According to Act 20 Sep.r 1743 Three sets of landscape etchings by the engraver and Five engravings in original wrappers, in ink publisher John Boydell (1720-1804), during his years "Engravings of 3 Landscapes by Swanevelt and 2 by as a journeyman printmaker. In 1751 he was to take his Grimaldi (Bolonese) (signed) "Serrell"; 165 x 230mm first shop in the City of London, setting him on the (6½ x 9"). £140 path to becoming the great merchant printseller of Incomplete set of landscapes engraved by the Georgian London. One set are engravings of paintings reproductive printmaker Henry Roberts (1730-90, fl.) by David Teniers II (1610-90), Flemish painter of after the 17th century landscape artists Giovanni genre scenes. Ex collection of the Hon. C. Lennox- Francesco Grimaldi (Italian, 1606-80) and Herman van Boyd Swanevelt (Dutch, 1600-55). Ex collection of the Hon. Stock: 41053 C. Lennox-Boyd Stock: 41050 27. [Set of twelve landscapes by John Boydell] 31. Six Landscapes by P[aul] Sandby 1758 Publish'd according to Act of Parliament July 25 1747 P Sandby Inv sculp (Bit later) Price 6d by J.G. Printseller in St. Ann's Court Dane's Six etchings, 'J Whatman Turkey Mill' watermark Street, Soho Square 1822; each platemark approx 100 x 135mm (4 x 5¼") Twelve etchings in original wrappers, in ink very large margins. £300 "Landscape (signed) Serrell"; 120 x 210mm (4¾ x Complete set of landscapes etched by Paul Sandby 8¼"); very large margins. Some staining and tears to (bap. 1731-d.1809), influential landscape painter and margins. End images paper bit weak. £290 printmaker. Two separate sets of landscape etchings by the Stock: 41052 engraver and publisher John Boydell (1720-1804), during his years as a journeyman printmaker. In 1751 32. [Three Soldiers resting by a Tree.] he was to take his first shop in the City of London, Mortimer del. S. Ireland Sc. [n.d., c.1785.] setting him on the path to becoming the great merchant Etching printed in sepia. Plate: 215 x 210mm, (8½ x printseller of Georgian London. Ex collection of the 8¼"), with very large margins. £160 Hon. C. Lennox-Boyd A scene showing three soldiers in armour, one resting Stock: 41048 his head on his arm and one pointing towards the sky, resting on what appear to be the remnants of a column. 28. [Eleven landscapes by Henry Roberts Stock: 40924 after Sébastien Le Clerc(?)] [c.1743-4] 2 sets, 1 incomplete missing plate 2 price 6d. Eleven engravings in original wrappers, in ink on wrappers "Landscapes (signed) Serrell"; 120 x 180mm (4¾ x 7"). £240 33. An Exact List of the Votes of the 38. Trinity College Library. Cambridge Freeholders and Freemen, of the City and University Almanack 1801. County of Bristol, Taken at the Election of Baldrey del. S. Sparrow sculp. [n.d., c.1801.] Members of Parliament before John Rich Esq; Engraving. Sheet: 485 x 360mm, (19 x 14"). £260 and Noblet Ruddock, Esq: Sheriffs [...] A view of the Wren Library from the River Cam, built Bristol: Printed by and for Joseph Penn, Bookseller, in by Sir Christopher Wren between 1676 and 1695. Wine Street, 1722. Bit later? Stock: 41027 Letterpress, 2pp, 220 x 130mm (8½ x 5"). £120 Frontispiece to a volume publishing the votes of 39. The West fronts of Kings College, Kings freeholders and freemen of Bristol in 1722. The Chapel and Clare Hall. candidates were the merchant Joseph Earle (c.1658- [J. K. Baldrey. S. Sparrow.] [n.d., c.1807.] 1730), Sir Abraham Elton, and William Hart. Earle Engraving. Plate: 485 x 365mm, (19 x 14¼"). £260 was elected with 2141 votes. Elton received 1869 and A view across the River Cam looking towards Kings Hart 1743. Elton was successful in two later elections College and Clare College. (1734 and 1741). Stock: 41028 Stock: 41086 40. Divinity School. 34. Pax Respub. Drawn by John Buckler. 1804. Engraved by Joseph [n.d., c.1600.] Skelton. [Oxford Almanack, c.1804.] Woodcut. Sheet 235 x 180mm (9¼ x 7"). Trimmed Engraving. 370 x 480mm (14½ x 19"), with Almanack close to printed area. Loss top right & bottom left. ink stamp in top margin. Trimmed to plate at bottom. £160 Large margins on 3 sides. £140 A pair of female allegorical figures shake hands to seal The interior of Oxford University's Divinity School, a peace treaty. Watching are the figures of Justitia, depicting the elaborate vaulting with bosses designed Prudentia and Caritas. by William Orchard in the 1480s and the door to the Stock: 40708 Sheldonian Theatre added by Sir Christopher Wren in 1699. The original drawing is in the Ashmolean. BM 35. [Scottish Terrier] 1859,1008.307, dated 1816. Henry Rayner. [signed in pencil below image.] [n.d., Stock: 40608 c.1939] Drypoint etching. Plate: 145 x 185mm, (5¾ x 7¼"). 41. [Radcliffe Camera] Interior of the £220 Radcliffe Library. A portrait of a Scottish Terrier by an Australian artist. F. Mackenzie, del. Henry Le Keux, sculp.t. Published Henry Rayner (1902-1957). Nov.r 1 1835 by J. Parker, Oxford. Stock: 40925 Engraving. Sheet 305 x 435mm (12 x 17"). Trimmed within plate. £140 36. Bristol Grammar School. Founded by The interior of Oxford University's Radcliffe Camera, Robert Thorne, 1536. Re-Established January before the library was transferred to another building in 1848. 1861, and the statuary dispersed. From the Oxford Lander sc. Exchange. [c.1850.] Almanak. Engraving. Sheet 135 x 200mm (5¼ x 8"). Trimmed Stock: 40609 close to design. £65 The name and crest of the school, probably published 42. The New Library University College, soon after the school was reopened after a four-year Oxford. hiatus in 1848. Drawn & Engraved by J. H. Le Keux. [n.d., c.1861.] Stock: 40938 Etching. Plate: 410 x 330mm (16 x 13"), with very large margins. Title area bit messy. £230 37. [C T Hudson's School for Young A view of George Gilbert Scott's library in University Gentlemen] Manilla Hall, Clifton. Head College, Oxford constructed between 1858 and 1861. Stock: 40629 Master: C.T. Hudson, M.A., LL.D., Fifteenth

Wrangler in 1852... [n.d., c.1870.] 43. Queens College &c. Letterpress pamphlet with wood-engraved illustration; J. K. Baldrey del. S. Sparrow sculpt. [n.d., c.1804.] pp. iv. With an extra wood engraving. £65 Engraving. Sheet: 485 x 360mm, (19 x 14"). Trimmed A prospectus for the school at Manilla Hall, with a within plate on left and right edges. £260 wood-engraved view. The school was based at the A view of the Essex building of Queens College, house built by Sir William Draper with the prize Cambridge founded in 1448 by Margaret of Anjou, money he received for taking Manilla in 1762, during wife of King Henry VI. As well as the bridge linking the Seven Years War. The extra print is another view, the two sides of Silver Street, the world famous 'Manilla Hall, Clifton. Residence of W.m Miles mathematical bridge which links the two parts of the college can be seen on the far side. From the Esq.re.', engraved by J. Harris after S.C. Jones, c.1885. Stock: 40935 Cambridge University Almanack 1804. Stock: 41025 44. St. John's College Bridge &c. 48. [Prospectuses for 1944 publications by Baldrey del. S. Sparrow sc. [n.d., c.1804.] the Golden Cockerel Press with wood Engraving. Sheet: 485 x 360mm, (19 x 14"). Trimmed engravings by John Buckland-Wright and within plate on left and right edges. £260 others] Per Ardua Ad Victoriam. After Five A view of St John's College, Cambridge, founded in Years of War the Golden Cockerel is Still Alive 1511, showing part of the college buildings and the & Pecking: He Offers the War-Weary for the Wren Bridge and two students. The bridge is named after Sir Christopher Wren as the mason who built it, Refreshment Some Tasty Pickings Robert Grumbold, based his design on an earlier plan 6 prospectuses (each 2pp-4pp) in beige wrappers, 320 x 200mm (12½ x 8"). £360 submitted by Wren. Stock: 41026 Prospectuses for the Golden Cockerel Press, founded in 1922 and run by Christopher Sandford and Owen Rutter. With engravings by John Buckland-Wright 45. Observatory, Clifton. Mr. West begs (who illustrated seventeen books for the press) and most respectfully to inform the Subscribers, others. Visitors, and the public generally, that the The books advertised are Swinburne's 'Hymn to Observatory is now open, and that it contains, Proserpine', Napoleon's memoirs, volumes of for their use, by day or night, large and correspondence between the Shelleys, T.J. Hogg and powerful Reflecting and Achromatic others, and Anders Sparrman's 'A Voyage Round the Telescopes... World with Captain James Cook in H.M.S. Resolution'. [n.d., c.1842.] Stock: 41157 Wood engraving and letterpress, sheet 190 x 105mm (7½ x 4¼"). £50 49. [Insurance Advert] [Felix] Farl[ey's Clifton Observatory is a former corn and snuff mill, but Bristol] Jour[nal.] in 1777 the sails were left turning during a gale and [Bristol J.M. Gutch, (late Rudhall & G]utch) at his caused the equipment to catch light. After being Printing-Office No. 1[5 Small Street] Saturday, derelict for 52 William West rented it from the Society January 2, 1808. of Merchant Venturers and installed a telescope and a Newspaper clipping. Sheet at most 170 x 135mm (6¾ camera obscura. x 5¼"). Trimmed. £30 Stock: 40957 With an advert for 'The British Fire Office', illustrated with a woodcut logo. 46. Clarke, Maze & Co. Great Western Stock: 40931 Cotton Works, Bristol. Drake, sc. [n.d., c.1842.] 50. [Insurance Adverts] [F]elix [Farley's Steel engraved advert. 80 x 120mm (3¼ x 4¾"). Some Bri]stol [Journal.] faint text offset. £50 [Bristol] J.M. Gutch, (late Rudhall & Gutch) [at his A trade card with a view of the cotton factory at Barton Printing-Office No. 15 Small Street] Saturday, March Hill, designed by Isambard Kingdom Brunel, regarded 21, [1807.] as Bristol's most important factory. Newspaper clipping. Sheet 195 x 125mm (7¾ x 5"). Founded as 'Clarke, Acramans, Maze & Co.' in 1837, Trimmed. £30 the factory was completed in 1838 and started With adverts for two insurance companies, 'London producing cotton early the following year. By 1872 the Assurance Corporation' and 'Sun Fire-Office', each factory contained more than 800 looms. Despite illustrated with a woodcut logo. closing in 1925, the main spinning mill was only Stock: 40930 demolished in 1968. The original company had 15 proprietors: of these 51. [Insurance] Bristol Fire Office. New eight appear in slave compensation records as owners Buildings, Small Street, near the Exchange, of slaves on West Indian cotton plantations and a ninth (Established in the Year 1769). was the son of an owner. Hall et al., Legacies of British [1822.] Slave-Ownership. News clipping, letterpress with woodcut logo. Sheet Stock: 40956 125 x 75mm (5 x 3"). Laid on album paper. £30 An advert specifying the due date of renewal 47. Golden Chest Tea Warehouse premiums. The directors of the company are listed. [c.1840] Stock: 40933 Wood-engraving, sheet 65 x 100mm (2½ x 4"). Trimmed around image and glued to backing sheet. 52. [Insurance Adverts] [Felix] Farley's £50 [Bristol] Journal. Advert for a tea warehouse, showing tea transported [Bristol: John Mathew Gutch] at his Printing-Office from Asia and being consumed by English women; on No. 15 Small Street [October 3] 1807. box on ground "Cowslip Hyson". Stock: 41056 Newspaper clipping. Sheet 260 x 130mm (10¼ x 5"), 3½d tax stamp. Trimmed. £30 With three adverts for London insurance companies, 'Imperial Fire-Office', Phœnix Fire-Office & Royal Exchange Assurance Company, each illustrated with a from the 21st December [1824] to the 21st woodcut logo. Descember [1825]. [James Powell] Secretary. Stock: 40929 [1824] Engraved receipt, filled in with ink mss. Sheet 130 x 53. [Two items of Liverpool maritime 150mm (5¼ x 6"). £85 insurance interest.] Stock: 40915 [1876 & 1902.] 4pp. letterpress prospectus and a pen & ink sketch. 57. [Crest of Bristol Fire Office] Prospectus battered. £80 [c.1770] A prospectus for 'The Sea Insurance Company' of Engraving, platemark 105 x 180mm (4 x 7"). Thread 1876; and a study for an invitation to the 'Liverpool margins. £160 Underwriter's Association Centenary Banquet', 1902; Stock: 40872 with the letterhead of the above. Stock: 40969 58. [Crest of Bristol Fire Office.] Johnson sc. [c.1840] 54. [Ship Builders] Ross & Sage, Ship Engraving, sheet 120 x 190mm (4¾ x 7½"). Creases. Builders, Patent Slip Yard, Cumberland Basin, £45 Bristol. Stock: 40873 Robinson, Bristol. [n.d., c.1864.] Wood-engraving and letterpress on green paper, sheet 59. [Insurance policy receipt from Bristol 180 x 110mm (7 x 4¼"). £60 Crown Fire-Office] Whereas Christopher An advert for Ross & Sage, showing the convenience Willougby Chamberlyne for the Use of the of their 'Patent Slipway'. Also known as the 'Heave-up Mayor, Burgeses and Commonalty of the City Slip', it was a fixed runway with a timber cradle: a ship of Bristol [...] would be floated onto the cradle, secured and hauled [filled out September 29, 1747] out of the water. Patented in 1819 by shipbuilder Engraving, letterpress and manuscript, sheet 210 x Thomas Morton of Leith, Ross and Sage's was 330mm (8¼ x 13"). Folded. £260 powered by a hand capstan. Document insuring against fire damage the post office Stock: 40939 was being built at the corner of Exchange Alley and

Corn Street in Bristol, insured for £300. 55. Storm Signals Hoisted at the Coast Stock: 40871 Guard Stations... H. Carlisle Lith. Liverpool Published by Hugh Seddon, 60. Sun Fire Office. No. [1788196.] 10 Wapping. [n.d., c.1861.] Printed by Norris & Son, 16 Blomfield Street, Finsbury Steel engraved card. Sheet 90 x 125mm (3½ x 5"). Circus. [Completed in ink 1855.] With letterpress explanation. Some surface soiling. Receipt, engraved logo and letterpress, filled in with £160 ink mss, blind stamp. 165 x 270mm (6½ x Folded, old A scarce & interesting item showing a system of ink mss. on reverse. £95 warning signals consisting of cones and cylinders A receipt for the premium paid by 'Justine Sawyer of hoisted up flagpoles in ports, devised by Vice-Admiral Severn House, Henbury'. Robert FitzRoy (1805-65), best known as the captain Stock: 40934 of HMS Beagle during Charles Darwin's famous voyage in 1831-36. He was also governor of New 61. Bo.t of D.T. M.cCarthy Paper Factor, Zealand 1843-8 and from 1854 was 'Meteorological General Stationer, Account Book Statist to the Board of Trade', head of what became the Meteorological Office. His mission was to stop the loss Manufacturer. Account Books Ruled & Bound of shipping to storms, by 'forecasting the weather', an upon the most Improved Principle. Importer of expression he coined himself. He ordered the & Dealer in Rags, Ropes, &c. Wholesale Paper distribution of barometers to small fishing communities & Account Book Warehouse, 1. Bridewell in 1859 and the following year introduced this storm Lane, Bristol. signal system, keeping fleets in port when the signals Joy & Son Sc. All Saints St, Bristol. [n.d., c.1840.] were up. The publisher of both card and text, Hugh Steel-engraved billhead. Sheet 125 x 160mm (5 x Seddon, describes himself in the text as a flag maker. 6¼"). Trimmed at lateral edges, some old ink mss. £45 Stock: 40952 During the trial of those arrested in the Queen Square Riots of October 1831, after the House of Lords 56. Bristol Fire-Office, New Buildings, rejected the second Reform Bill, Daniel Thomas Small-Street, near the Exchange. Established McCarthy (born 1803) was called as a witness to the in 1769. Received of [The Treasurer of the attack on Bridewell Prison. Stock: 40941 Ciphan Asylum] the Sum of [Ten Shillings & sixpence] for One Year's Premium on [£600] insured in Policy No. [18665] in this Office, 62. [Spring Water]. S. Powell. Bristol Edmund Burke (1729-1797) first became an MP in Hotwell Water. I Do Certify that this is the 1765, for Wendover. In 1774 he stood for Bristol, at Real Bristol Hotwell Water, filled under my the time England's second city: three sheets here are an Inspection at the Original Spring; And that address to the electorate, an advert for a public meeting none is Genuine, unless the Corks are sealed and the transcript of one of his speeches, a third of which is to do with America. By 1780 he had upset his with my Name in the Center, and Bristol constituents by supporting Catholic emancipation and Hotwell Water in the Margin. Free Trade with Ireland (against the wishes of the [dated in ink mss] Sept.r 14th 1805. Bristol merchants) and, although asked to contest the Letterpress receipt, filled in with ink mss. in ink verso seat at a meeting (the resolutions of which are printed "No 32 Park St"; Sheet 95 x 155mm (3¾ x 6¼"). £130 on the fourth sheet), he lost the election. A bill for three dozen bottles of Hotwell water and two Stock: 40949 hampers. Stock: 40944 66. [Bound collection of broadsides relating

to the possible invasion of Britain by Napoleon 63. The Durdham Down Astrologer, or no Bonaparte.] guarding against Destiny, Fate &c. as witness [1802-3.] the Tower of Cooke's Folly. A True Narrative. 19th century half mottled calf gilt with marbled boards; Printed and sold by W. Collard, top of Hotwell-Road, 33 letterpress broadsides, many folding, some with and Bridewell-lane, Bristol. - Prince One Penny. [n.d., woodcut vignettes. A few tears to folds and other signs c.1820.] of wear. £5200 Letterpress broadside. Sheet 325 x 170mm (12¾ x 33 broadsides (including two duplicates), including: 6¾"). Laid on album paper. Folded. £120 'Plain Answers to plain Questions, in a Dialogue A gothic tale accounting for the building of Cooke's between John Bull and Bonaparte'; 'A Second Dialogue Tower in Clifton. A woman meets a gypsy who between Bonaparte and John Bull'; 'The Prophecy or, prophesises that her unborn son would die from an Bonaparte Killed at last by His Own Troops'; 'Union adder's bite; although her husband builds the doorless and Watchfulness, Britain's True and Only Security'; tower an adder is brought in with the firewood and kills 'History of Buonaparte'; 'A Peep into Hanover; or, A the boy. faint Description of the Atrocities committed by the This prose was also published in William Oxberry's French in that City'; and 'To the infamous Wretch, if 'Flowers of Literature' in 1821 and Rudolph there be such as one in England, who dares to talk of, Ackermann's 'Repository of Arts, Literature, Fashions' or even hopes to find Mercy in the Breast of the in 1822. Corsican Bonaparte, the eternal sworn Foe of England, Stock: 40937 the Conqueror and Grand Subjugator of France'. Stock: 41143 64. [Bristol Election 1796.] St George's Chappel. Bristol, (Saturday) May 28, 1796. 67. Eulogium on the Late Duke of Bedford, This Day the Poll finally closed at the Delivered by Mr. Fox, in the House of Guildhall, when the Numbers were / For Lord Commons, On the Sixteenth of March, 1802, Sheffield, 679 / Mr. Bragge, 714 / Mr. previously to his moving a new writ for the Hobhouse, 102 / Mr. Lewis, 4 / Mr. Thomas, 2 / Bourough of Tavistock, vacant by the Majority in Favor of Lord Sheffield, 577. Succession of Lord John Russell to the Title Letterpress broadside. Sheet 155 x 190mm (6 x 7½"). [...] £75 London: Published, as the Act directs, by Robert The two elected M.P.'s for Bristol were John Baker Laurie and James Whittle, No. 53, Fleet-Street. 22nd Holroyd (1735-1821), 1st Earl of Sheffield (an Irish March, 1802. peerage so not a bar for sitting in the Commons), and Scarce letterpress broadside with hand-coloured Charles Bragge (1754-1831, known as Charles etching, coloured portrait by Robert Laurie from a Bathurst from 1804), member of the Privy Council sketch by Eckstein; sheet 510 x 380mm (20 x 15"). from 1801, Treasurer of the Navy 1801-03, Secretary Repaired tear to top edge. £450 at War 1803-4, Master of the Mint 1806-10, Chancellor Eulogy delivered by Charles James Fox following the of the Duchy of Lancaster 1812-23 and President of the death of the agriculturalist and politician Francis Board of Control 1821-2. As a member of the Society Russell, fifth duke of Bedford (1765-1802). Bedford of Merchant Venturers, Bragge was a supporter of the became known as a leading promoter of agricultural slave trade. development. He was an original member of the board Stock: 40961 of agriculture set up in 1793, and the first president of the Smithfield Club in 1798, while he also instituted 65. [Ephemera relating to Edward Burke's the annual agricultural fair at Woburn. Russell was also campaigns for the Seat of Bristol, 1774 & an ambitious urban developer, and used his 119 acres 1780.] of land around London's West End to develop much of 4 letterpress sheets, largest 360 x 230mm (14 x 9"), the Bloomsbury estate (including Bedford Square, with three small portraits. Some paper toning, one Russell Square, and Bloomsbury Square). After sheet taped on folds. £360 Russell's death a statue was erected in Russell Square, showing Russell with one hand resting on a plough and Hand coloured lithograph card. Card: 130 x 85mm, the other holding ears of corn. (5¼ x 3¼"). £12000 Stock: 41059 An extremely rare example of the first Christmas card, designed by John Calcott Horsley (1817-1903) on the 68. Monody on the Much Lamented Death of commission of Sir Henry Cole (1808-1882) in 1843. the Most Noble Francis Duke of Bedford, by Cole, an inventor, designer, author of children's books Mr. Fox. O how shall the muse Britons' and the first director of the Victoria and Albert sorrow impart, / For the loss of a Bedford so Museum, often designed items such as this Christmas dear? [...] card, under the pseudonym Felix Summerly. The design is a triptych: the central panel shows a large Published June 23, 1802, by John Fairburn 146 family enjoying the Christmas festivities with wine and Minories. food, while the side panels depict figures feeding and Rare letterpress broadside with etching, sheet 350 x clothing the poor inspired by Christmas spirit. 260mm (13¾ x 10¼"). Tear on right. £240 Published in the same year as Charles Dickens' 'A Verses by Charles James Fox following the death of Christmas Carol' the image captures the Victorian the agriculturalist and politician Francis Russell, fifth Christmas we recognise today. The card is inscribed by duke of Bedford (1765-1802). Bedford became known Isabel Agnes Cowper (neé Thompson)(1826-1911) as a leading promoter of agricultural development. He who, in 1868, became the first female 'Official was an original member of the board of agriculture set Photographer' at the Victoria and Albert Museum, a up in 1793, and the first president of the Smithfield position she inherited from her brother Thurston Club in 1798, while he also instituted the annual Thompson on his sudden death and held until 1891. agricultural fair at Woburn. Russell was also an Provenance: Hooton Pagnell Hall, Yorkshire. ambitious urban developer, and used his 119 acres of Stock: 41135 land around London's West End to develop much of the Bloomsbury estate (including Bedford Square, Russell Square, and Bloomsbury Square). After 72. [Insurance letter "including the Hull and Russell's death a statue was erected in Russell Square, Contents" from Hynd Tasker to Charles showing Russell with one hand resting on a plough and Livingston, Glasgow, 29 November 1805 the other holding ears of corn, on right sheep are being concerning expenses for transatlantic voyages] sheared. Mss, 4pp, 250 x 205mm (9¾ x 8"). Tears etc. £240 Stock: 41061 Stock: 41064

69. Cheap Trip. Election of the Lord Mayor 73. [The Brindle Will Case.] of Tarleton. The Directors of the Preston and [1840-3.] Longton Grand Junction Railway Company Letterpress broadside, 1p. ALS, newspaper clippings, Beg to inform the Public, that there will be A ink & wash sketch of Brindle Church. Laid on album Special Train On Monday next, (calling at paper, edges of sketch rubbed. £140 The broadside is 'Lines on the Death of William Longton,) For the Purpose of accomodating Heatley, Esq., of Brindle Lodge'. His will was persons desirous of witnessing the august contested by his two nieces, leading to a court case, a Ceremony of Electing A Lord Mayor for the subsequent libel case and an attempt to recover unpaid Ancient Borough of Tarleton. legal fees. The letter is an eviction notice, signed by the April 20, 1850. George Bobins, Printer, Old Market nieces and Thomas Eastwood, the husband of one Place, Tarleton. niece. Scarce letterpress broadside. Sheet 325 x 210mm (12¾ Stock: 40951 x 8¼"). Surface soiling, folded, laid on album paper. £120 74. The Brank or Bridle, An ancient Stock: 40950 Instrument of Punishment for Scolds and other 'Unquiet Women'. The Original in the 70. [10 National Flags] Possession of Dr Kendrick Warrington. [Anon., c.1860] S. Holaen, del et lith. [n.d., c.1840.] Lithograph, sheet 125 x 90mm (5 x 3½"). Glued to Very rare lithograph. Sheet 220 x 140mm (8¾ x 5¼"). album sheet. £130 Time stained. Mounted on album paper. £110 Ten flags, including the Papal standard, Russian Man Two illustrations of the infamous 'Scold's Bridle, one of War. the Persian Shah and an unusual Stars & showing the design, the other showing it in use. The Stripes pennant. Centrally is the early American flag. first recorded use was in Scotland in 1567, the last in Stock: 40380 Bolton-le-Moors, Lancashire, as late as 1856. Stock: 40964 71. A Merry Christmas and A Happy New Year to You. To [my dear Lucy Applegath [in mss.]]. From [Isabel A. Thompson [in mss.]]. [Designed by John Calcott Horsley.] Published at Summerly's Home Treasury Office. 12 Old Bond Street. [n.d., c.1843.] 75. [A Collection of Letterpress relating to 79. [Coronation of James I] Nach dem Elisa The Press Club.] Konigin / Aus dieser Welt geschieden hin, / [Various dates 1904-1964] Und Konig Jacobum hochgeborn / Zu Ihre £360 Nachfolger selbs erkorn [...] A collection of letterpress items relating to the Press Etching, platemark 210 x 275mm (8¼ x 10¾") very Club, London between 1904-1964 including a telegram large margins. Rare. £260 from Kipling, menus for various dinners and lunches, The coronation of James VI and I at Westminster photographs, and the original drawing from which a Abbey on 25 July 1603, an elaborate event with cartoon of the Press Club by Roy Ullyett was made. entertainments by Ben Jonson and Thomas Dekker. Stock: 41032 Engraving attributed to Abraham Hogenberg (fl. 1608- 53). 76. T. & J. Perry's Coach & Harness Stock: 41054 Manufactory. No. 61 Upper End of Stokes Croft, Bristol. Established in 1804. 80. The Genealogy of the Earls and Dukes of W. Lander, Exchange, Bristol. [1840] Lancaster of the House of Anjou or Steel engraving, sheet 105 x 190mm (4 x 7½"). Foxed. Plantagenet, from 1216, Henry III to 1422, £45 Henry V. With their Arms and those of their Tradecard for a coach and harness factory in the centre Alliances. of Bristol. Printed by G.F. Harris's Widow & Brothers, for Stock: 41072 Gregson's Portfolio of Fragments of the History of Lancashire. [Entered at Stationer's Hall.] [n.d, c.1824.] 77. George Plum, Surgical Instrument Wood-engraving and letterpress. Sheet 500 x 410mm Maker, and Cutler, 3 Dolphin Street, Bristol, (19¾ x 16"). Folded for binding, some damage. £130 & 262, Strand, London. A family tree of the Plantagenet kings of England from [n.d., c.1845.] Henry III to Henry V, headed by their Royal Arms. Rare steel-engraved trade card, sheet 90 x 60mm (3½ x From the second edition of Matthew Gregson's 2½"). £160 'Portfolio and Fragments, Relative to the History and A trade card with an image of an elephant. George Antiquities of the County Palatine and Duchy of Plum opened in Bristol c.1823; he advertised in 'The Lancaster. In three Parts with Additions, stitched, and Gardeners' Chronicle and Agricultural Gazette' in 1845 two large Pedigrees'. using the addresses above; by 1912 the firm was Stock: 40963 'George Plum & Co'. Stock: 40945 81. Weihnachtszeit. [Christmas Day.] K.64 [printed in image.] Erfunden von Paul Konewka. 78. [Bristol during the Reform Act Riots of Berlin, Paul Bette. Druck von Gebrüder Fickert in 1831] View of the New Prison & Two Toll Berlin. Houses, on Fire. As it Appeared, Oct. 30th Lithograph. Sheet: 315 x 420mm, (12½ x 16½"), large 1831 margins. £140 J. Jones sc. Pub.d by A. Giudice [c.1832] A silhouette pattern in which various figures Etching and aquatint, sheet 95 x 120mm (3¾ x 4¾"). participate in different Christmas scenes, in the centre a Very rare. £65 family decorate the Christmas Tree, Father Christmas One of several prints made in the wake of the 1831 stands with his staff in the top left corner. Bristol Riots. These were amongst the several Stock: 40778 manifestations of civil unrest which took place after the House of Lords rejected the second Reform Bill. The 82. [Mazzeppa.][In mss.] Reform Bill aimed to improve 'rotten boroughs' [H. Vernet. S.W. Reynolds.][In pencil.] [n.d., c.1830.] standards and to give Britain's fast growing industrial Mezzotint; extremely rare proof before letters. Sheet: towns greater representation in the House of 820 x 610mm (32 x 24"). Trimmed within plate. £460 Commons. The riots continued for three days during A dramatic illustration to Lord Byron's poem which the palace of Robert Gray the Bishop of Bristol, 'Mazeppa' published in 1819. The poem tells the story the Mansion House, and private homes and property of Ivan Stepanovych Mazeppa (1640-1709) who, were looted and destroyed, along with the demolition having been found having an affair with his count's of much of the gaol and toll houses. Work on the wife, is strapped naked to the back of a horse which Clifton Suspension Bridge was halted and Isambard rides through the wilds of Eastern Europe. This scene Kingdom Brunel was sworn in as a special constable. shows Mazeppa lying on the floor, his horse having Stock: 41070 fallen to the ground, surrounded by wild horses. After 'Mazeppa and the Horses' by Horace Vernet who painted a pair of oils on the subject in 1825. Ex: The Collection of Hon. Christopher Lennox-Boyd. Stock: 40705

83. [Robinson Crusoe's Island.] 87. The Environs, or Countries Twenty Clark & Pine Sc. 1719. [n.d., c.1908.] Miles Round London, Drawn from Accurate Etching on watermarked paper 'Michallet'. Platemark: Surveys, by Thomas Kitchin Geographer. 230 x 350mm (9 x 13½"). £95 Printed for & sold by R. & J. Dodsley in Pall-mall A pictorial map of Crusoe's island, also known as the [1761]. 'Island of Despair', showing various incidents from Engraving with original outline colour. Sheet 500 x Daniel Defoe's novel. 575mm (19¾ x 22¾"). Narrow margin at bottom due to A copy of the plate originally published in the third trimming for binding, small holes in folds, repaired edition of Defoe's series titled, 'Serious Reflections tear. £240 during the Life and Surprising Adventures of Robinson A map of the environs of London extending to Crusoe', London printed by W. Taylor, 1720. Guildford bottom left, clockwise to Windsor, Hemel Stock: 41126 Hempstead, St Albans, Harlow Ongar, Billaricay, Gravesend, Sevenoaks and Reigate. A line markes the 84. [A Pig and Chickens.] extent of the Penny Post. The map was published as the E. N. Downard. E.G. Hester. [in pencil beneath image.] frontispiece to the grandly-titled 'London and Its [n.d., c.1880.] Environs Described: Containing an Account of Rare dry point etching. Printsellers' Association stamp Whatever is Most Remarkable for Grandeur, Elegance, on left; Sheet: 375 x 280mm, (14¾ x 11"). Paper tone. Curiosity or Use, in the City and in the Country Laid on card. £230 Twenty Miles round it', 6 vols. A scene in a barn with a sleepy pig and three chickens. Stock: 40968 Stock: 40928 88. Battle of the Nile. Representing the 85. London and Westminster in the Reign of situation of the two Fleets, previous to the Queen Elizabeth, Anno Dom. 1563. blowing up of the L'Orient, on the Night of Neele sculp.t. No 352 Strand. [London: Robert Aug.1. 1798. Faulder, n.d., c.1794.] Whitcomb Pinx.t Hellyer Sculp.t London, Published Engraved map. Watermark 'J. Whatman 1794'; 210 x Jan.y 1 1806 by R. Bowyer, Historic Gallery Pall Mall 560mm (8¼ x 22"). Folded as issued. £230 Aquatint, sheet 485 x 715mm (19 x 28"). Trimmed A reduced version of one of the earliest plans of inside platemark. £680 London ever produced, a woodcut incorrectly The Battle of the Nile (also known as the Battle of attributed to Agas. The style is much the same as Aboukir Bay), fought between the British and French Braun & Hogenberg, with the buildings shown in navies on the Mediterranean Coast off Egypt from 1-3 profile. St Paul's Cathedral is in the centre of the map, August 1798, which resulted in a decisive victory for without the spire that had been destroyed by lightning the British under the command of Lord Nelson. This in 1561; London Bridge has buildings on it; and The print shows the decisive moment when the French Globe and the Bull-Baiting Ring can be seen on the flagship 'Orient' (in the centre of the image) caught south bank of the river. Published in Thomas Pennant's fire. The British, observing this, directed their cannon 'Some Account of London', the original has been fire into the blaze, spreading the flames and preventing clarified with clearer names. French efforts to extinguish the fire. The other ships Ralph Agas published a plan of Oxford and wrote of seen here, both French and British, then moved away his intention to compile a map of London. This was from the 'Orient' in anticipation of the huge explosion enough to cause the attribution of this map to him. which took place once the fire reached the ship's Stock: 40965 magazines. Not in Parker Stock: 41155 86. A Plan of the City of London, after the Great Fire in the Year of our Lord 1666, 89. [The Battle of Beachy Head] A Prospect according to the design & proposal of Sir of the Late Engagement at Sea between the Christopher Wren, K.t for rebuilding it. English and the French Fleets on Monday the Shewing the Situation of the Great Streets, St thirtieth of June 1690 [...] Pauls Cathedral, the Exchange, Guildhall, the Etching, platemark 200 x 385mm (8 x 15¼"). Folds as Custom House, & other Public Offices. issued; restrike. £130 [n.d., c.1780. The Battle of Beachy Head (Bévéziers), a naval Engraved map. Sheet 205 x 295mm (8 x 11½"). Tears. engagement in 1690 off the south coast of England £60 during the Nine Years' War (1688-97). It was the A plan of London shaded to show the extent of the greatest French tactical victory during the war, and damage of the Great Fire of London with Wren's 'New resulted in the English Channel temporarily falling into Model' plan for the rebuilding, with grand piazzas and French hands. straight boulevards. Unfortunately the money needed Stock: 41060 was impossible to procure. Stock: 40967

90. [Captain Forrest engages M. de Kersaint 92. To the Memory of Captain Gardiner, off Cape François, 21 October 1757] To Capt. and to the Gallant Officers and Seamen of His Forrest Commander of His Majesty's Ship Majesty's Ship Monmouth, who Attack'd and Augusta, Capt. Suckling of ye Dreadnought, Took the Foudroyant a French Ship of War, on and Capt. Langdon of the Edinburgh [...] the 28th Feb.ry 1758 in the Mediterranean [...] R. Paton Pinxt. P.C. Canot Sculp. London, Publish'd R. Paton Pinx P.C. Canot Sculp London, Publish'd according to Act of Parliament, 14 Feb.y 1759. To be according to Act of Parliament 14 Feb.ry 1759- To be had of R. Paton in Wardour Street Soho, and R. had of R. Paton in Wardour Street Soho, and R. Willock in Cornhill. Willock in Cornhill Engraving, platemark 405 x 600mm (16 x 23½"). £580 Engraving, platemark 400 x 600mm (15¾ x 23½"). The Battle of Cap-Français (present day Cap-Haïtien, Very fine. £650 Haiti) during the Seven Years' War in which The interception of the French flagship Foudroyant by Commodore Forrest of the 'Augusta' intercepted a the Monmouth. The action took place during the Battle French convoy of merchant ships bound for France. By of Cartagena during the Seven Years' War in which a the time of the British attack, the French convoy had British fleet blockaded a French fleet off the Spanish been reinforced by the French Commodore de port. The Foudroyant subsequently became the finest Kersaint. Despite the claims made in the text to this ship in the British navy for many years, and Lieutenant print that 'the French were Defeated & Retir'd', they in Carkett, who commanded the Monmouth after its fact succeeded in their objective of damaging the captain Arthur Gardiner was mortally wounded, was British ships sufficiently that they were forced to return promoted to command the Foudroyant. to Jamaica rather than pursuing the French convoy. Engraved after, and published by, Richard Paton Engraved after, and published by, Richard Paton (1716/17-91), marine painter. Paton exhibited a (1716/17-91), marine painter who painted a well- painting of this subject with the Society of Artists in known series of pictures of the royal dockyards and 1762. He subsequently painted a well-known series of painted Russian naval victories for Catherine the Great. pictures of the royal dockyards and painted Russian Twelve of his paintings are in the National Maritime naval victories for Catherine the Great. Twelve of his Museum in Greenwich. Parker 59.b; for other prints of paintings are in the National Maritime Museum in this action see refs. 12111, 23387, 27561 and 32270. Greenwich. Parker 60.a; for another print of the same Stock: 41154 action see ref. 32266. Stock: 41152 91. [John Elliot's squadron taking three French ships off the Isle of Man, 28th February 93. The Great Eastern Steam Ship. 1760] To Capt. Elliot and the rest of his Presented Gratis with "The Guide," March 5, Gallant Officers these Prints (a little 1859. Monument) of their decisive Victory) [...] E. Landells sc. "Nassau Steam Press," W.S. Johnson, Painted by Rich.d Wright J. Miller sculp Published CO, St. Martin's Lane, W.C. according to Act of Paliament May the 30th 1762 Wood engraving, sheet approx 620 x 910mm (24½ x Engraving, sheet 435 x 630mm (17¼ x 24¾"). Small 35¾"). Folded. £220 margins. £520 Large image of the 'Great Eastern' steam ship, by far Action off the Isle of Man during the Seven Years' War the largest ship of her time, with decorative border and in which John Elliot engaged a French squadron cartouches showing it in construction and from headed for Belfast. The engagement saw the surrender different angles, published in advance of the ship's of three French ships and the death of their squadron maiden voyage. commander François Thurot (1727-1760). Such was The ship was designed by Isambard Kingdom Brunel Thurot's reputation (he is named in the legend to this and built by Scott Russell & Co.Ltd, London (screw print as 'The Enterprizing Monsieur Thurot') that his engines by James Watt & Co.Ltd, Birmingham), to presence on the coast was the cause of much alarm. His meet demand for a ship capable of journeying to India death prompted much rejoicing amongst the British, and the Far East under steam and without stopping for and over forty years later Lord Nelson claimed that the refueling. Work started on the ship, which at first was action 'will stand the test with any of our modern going to be called the Leviathan, in 1854. However, victories'. due to problems encountered in building the ship and After Richard Wright (c.1720-c.1775), marine painter. in trying to launch it, the ship (by now renamed the Not in Parker; for another print of this action see ref. Great Eastern) was not finally afloat until January 32268. 1858. She was cheered on her way by enormous Stock: 41153 crowds as she travelled down river towards the sea. The public impact of the launching of the Great Eastern was enormous and the event was widely celebrated in the press. During sea trials on 9th September 1859 the Great Eastern's heaters exploded, killing six firemen and devestating the grand saloon. The explosion would have sunk a lesser ship, but the Great Eastern survived. Brunel's new construction methods, dividing the ship up into compartments with watertight bulkheads, limited the extent of the damage. subsequently came under Japanese occupation before Brunel, already mortally sick by this time, passed away reverting to Chinese rule in 1922. on 15th September. In 1864, the Great Eastern was From a series of Japanese-published scenes of the sold for a fraction of its cost to a cable laying company. Great War. The time that the ship spent laying cables for the new Stock: 41145 telegraph system was its most successful. It was used to lay the first telegraph cable to America. The Great 97. [Siege of Tsingtao, 1914] Banzai, Banzai Eastern was finally broken up in 1888. the Fall of Tsingtau. The Illustration of the Stock: 41081 Graet European War. No. 39. Shobido & Co. Hitotsu-Bashi Kanda Tokyo Japan. 94. Captain Hans Busk's Schooner yacht Agent Shobido [...] [c.1915] 'Lady Busk'. Built and fitted with auxiliary Chromolithograph, sheet 360 x 505mm (14 x 19¾"). engines (80 I.H.P.) by Messrs. Henry Tipping Glued onto linen, hunting chromolithographs on verso. of Portsmouth. £320 Hans Busk, Delt._T.G. Dutton, Lith. Vincent Brooks, The Siege of Tsingtao, an attack on the German port of Day & Son, Lith [n.d. c.1850.] Tsingtao (Qingdao) in China by Japanese and British Tinted lithograph with later hand colour. Sheet: 580 x forces in 1914, the first year of World War I. It 440mm (22¾ x 17¼") very large margins. £850 subsequently came under Japanese occupation before Hans Busk the younger (1815 - 1882) was one of the reverting to Chinese rule in 1922. principal originators of the volunteer movement in From a series of Japanese-published scenes of the England. He took an equal interest in the navy. Great War. Originally it was his intention to adopt a naval career, Stock: 41146 and, being forced to abandon it, he devoted much of his leisure to yachting. He mastered the principles of naval 98. [Surrender of Cornwallis at Yorktown, construction, and made designs for several yachts Virginia, 19 October 1781] Reddition de which were very successful. He was the first to l'Armée du Lord Cornwallis. 8000 Anglais, advocate life-ship stations, and fitted out a model life- soldats et matelots, investis a York en Virginie ship at his own expense. [...] Busk's youngest sister, Rachel Harriette Busk, was an Dessiné par le Barbier Peintre du Roi Gravé par authoress of repute. Parker: 2284. NMM: PAH8792. Godefroy de l'Academie Imperiale et Royale de Stock: 41031 Vienne, & c. A Paris chez M.r Godefroy, rue des Francs-bourgeois Porte St Michel et chez Mr. Ponce 95. [Battle of Galicia, 1914] The Triumph of Graveur de M.g le Comte d'Artois, rue Hiacinthe Russian Army Great Retire Austrian Army at A.P.D.R. Renbellg. The Illustration of the Graet Engraving, platemark 180 x 210mm (7 x 8¼"). Slight European War. No. 14. repaired damage at top. Trimmed to platemark. £160 Shobido & Co. Hitotsu-Bashi Kanda Tokyo Japan. The surrender of Charles Cornwallis at Yorktown, Agent Shobido [...] [c.1915] Virginia, which effectively ended the American War of Chromolithograph, sheet 360 x 505mm (14 x 19¾"). Independence. Cornwallis was headed north to try and Glued onto linen, decorative chromolithograph on link up with the Sir Henry Clinton and his army but verso. £250 was isolated by a large Franco-American fleet in the The Battle of Galicia (also known as the Battle of Siege of Yorktown. Lemberg), a major battle between Russia and Austria- Stock: 40362 Hungary during the early stages of World War I in 1914 in what is now the city of Lviv, Ukraine. The 99. The Royal Military College. To Captain battle was won by the Russian army, who from this Frederick T. Michell, R. N. This View is position ruled Eastern Galicia until June 1915. inscribed by His Brother. From a series of Japanese-published scenes of the Drawn & Engraved by Capt.n C.C.Michell. Sandhurst Great War. Jun. 1825. Stock: 41147 Very rare engraving. Sheet: 200 x 160mm, (8 x 6¼"). Trimmed to platemark. £120 96. [Siege of Tsingtao, 1914] The Japanese A very rare and interesting view of the Royal Military General Yamad's Army Ocuupied Chiuo Forts college, published at Sandhurst and drawn and at Tsingtau. The Illustration of the Graet engraved by an officer in the British Army and European War. No. 38. dedicated to his brother, also an army officer. The Shobido & Co. Hitotsu-Bashi Kanda Tokyo Japan. scene shows what is now called the Old College Agent Shobido [...] [c.1915] building built in 1812, with two soldiers fishing in the Chromolithograph, sheet 360 x 505mm (14 x 19¾"). lake at the foreground. Glued onto linen, British chromolithograph on verso. Stock: 40775 £320 The Siege of Tsingtao, an attack on the German port of Tsingtao (Qingdao) in China by Japanese and British forces in 1914, the first year of World War I. It 100. Series of Military Evolutions or Warlike 103. Madras Light Cavalry. Officer in Review Sketches by Mr Gessner Publish'd by R. Order. 1st Regiment. R. Ackermann's Ackermann, 96, Strand. Costumes of the British Army. No. 3. C. Gessler Delin. C.Ziegler Sculp.t. London. Publish'd Drawn by H. Martens , from a Sketch by Capt.n Fred.c as by Act of Parliament April 1st 1797, by Ainslie, 21st Fusiliers. Engraved by J. Harris. London, R.Ackermann, 96 Strand. Published June 7th 1845, by Rudolph Ackermann, at Four aquatints with original wrapper missing back his Eclipse Sporting Gallery, 101, Regent Street. wrapper, W. Bloar 1796 watermark; sheets 390 x Coloured aquatint. Sheet 345 x 250mm (13½ x 9¾"). 570mm (15¼ x 22½") very large margins. Creased. Trimmed within plate, corners clipped, small tear in £650 edge. Slight toning. £160 Four plates from 'Military Evolutions', a scarce set of A European officer in review order, wearing an 30 aquatints of the Allied cavalry during the French extravagantly-laced French grey uniform, with two Revolutionary Wars. Engraved after designs by Conrad native troopers behind. Ogilby 8. Gessner (1764-1826), Swiss artis in London from 1796 Stock: 40488 to 1804, exhibiting at the RA while mostly living on the estate of his Scottish patron (many paintings from 104. Napoleon, When First Consul, & this period remain in English and Scottish private Madame Josephine. (His First Wife) in the collections). For individual plates from the set see refs. Garden at Malmaison. 22775-81 Drawn and Engraved by Mr George Cruikshank from Stock: 41063 the Original Portraits executed by Isabey Miniature Painter to Napoleon Published Nov. 26 1824 by John 101. [Japanese capture of the Jaluit Atoll, Fairburn, Broadway, Ludgate Hill 1914] The Japanese Navy Accepted Surrender Aquatint with hand-colouring, sheet 210 x 290mm (8¼ of the Yaluit Island Marshall Group in South x 11½"). Folds as issued. £75 Sea. The Illustration of the Graet European Aquatint by the famous satirist George Cruikshank, War. No. 28 assembled from a composite of works by Jean-Baptiste Shobido & Co. Hitotsu-Bashi Kanda Tokyo Japan. Isabey, including Bonaparte at Malmaison (exh. Salon Agent Shobido [...] [c.1915] 1802; Malmaison, Château N.) and Empress Josephine Chromolithograph, sheet 360 x 505mm (14 x 19¾"). (after 1803; Angers, Mus. Turpin de Crissé). Glued onto linen. £320 Originally published in William Henry Ireland's 'The Scene in the Jaluit Atoll, part of the Marshall Islands in Life of Napoleon Bonaparte volume I' (1828). the Pacific Ocean. The Marshall Islands are themselves Stock: 41114 part of the Oceanic subregion of Micronesia, which comprises thousands of small islands. Jaluit was 105. [Allegro.] LXXI. claimed by the German Empire in 1884 and established W. Russell Flint. [signed beneath image.] [n.d., as a trading outpost, but shortly after Japan joined the c.1830.] Entente during World War I it captured several Signed etching. Watermark Weatherley 1829. 150 x German colonies in Micronesia, including Jaluit. 125mm, (6 x 5"). Faint mount burn outside plate. From a series of Japanese-published scenes of the £490 Great War. A pair of figures dressed in classical costume dance in Stock: 41144 an embrace. Stock: 40919 102. Passage of the Douro, by the Division, under the Command of L.t Gen.l the Hon.ble 106. The Wapeti, or New Species of Elk Edward Paget. To L.t Gen.l the Hon.ble (drawing a carriage). Edward Paget this plate is respectfully London, Published Feb.y 16 1823 by Jones & Co. inscribed by his most obedient Servant H. Aquatint, sheet 125 x 195mm (5 x 7¾") £130 L'Eveque. The wapiti or elk, one of the largest species in the deer family. This print was published in the same year that a Drawn by H. L'Eveque. Engraved by J. Fitler. London: wapiti was exhibited at the Egyptian Hall in Piccadilly, Pub.d April 2, 1812 for the Proprietors by Mess.rs London, a popular venue for displaying curiosities and Colnaghi & Co 23, Cockspur Street. discoveries or all kinds. Etching. Sheet 355 x 465mm (14 x 18¼"). Trimmed to Stock: 41082 plate, vertical crease at centre. £220 Paget (1775–1849) and his troops assembling on the bank of the Douro and embarking in wine barges to 107. Hyacinths. cross the river with their artillery. The crossing, S. Edwards pinx.t. Warner sculp.t. London. Published ordered by the Duke of Wellington, allowed the British June 1, 1801 by Dr. Thornton. to catch up to the retreating French under Marshal Aquatint with stipple and line, printed in colours, no Soult. added hand colouring. 550 x 450mm. £850 Plate 6 of the series 'Campaigns of the British Army in Four varieties of hyacinths, published in Dr Robert Portugal' after Henri L'Evêque (1769-1832), John Thornton's 'Temple of Flora' 1799-1807, considered by many to be the greatest English colour- illustrating British Peninsula War campaign. Stock: 40501 plate flower book, and the first series of flower prints to show the plant within a habitat. This example is 111. Prospectus vetusti Palatii Quiritum, in unusual in having no additional hand colour, instead quo Patres conscripti privata Consilia relying on the quality of the colour printing. Celebrare solebat Romæ. [title repeated in Dunthorne: p.245, state ii of ii. French, Italian & German.] Stock: 40878 [Augsburg: Georg Balthasar Probst, n.d., c.1770.] Coloured engraving, windows excised and replaced 108. The Publican. with coloured tissue as a transparency. 310 x 435mm Printed by G.E. Madeley, Wellington St., Strand. (12¼ x 17"). Trimmed into title area, losing publisher's London Pub.d by T. McLean 26 Haymarket,May 1st inscription. Slight staining. £280 1830. The Quirinal Palace (Palazzo del Quirinale), built in Coloured lithograph. Sheet 260 x 175mm. Trimmed. 1583 by Pope Gregory XIII as his summer residence, £240 now one of the Italian President's official residences. A A portrait of a publican with the body made up of the fine transparency print. tools of his trade. The trunk is a barrel of Brown Stout; Stock: 40455 his upper thighs casks of gin & rum, lower thighs upturned bottles and feet corkscrews; his arms jugs and 112. Henry Bunbury Esq. glasses, neck a tankard; and his hat a ewer. He is Laurence pinx. Ryder sculp. London Published as the smoking a pipe. Act directs 24 Apr: 1789 by S: Watts No28 Walcot Stock: 40966 Place Lambeth & to be had at T: Ryder's No.43 Great Titchfield St. 109. Vicissitudes of Love & Matrimony. Stipple printed in sepia with small margins, platemark [Anon., c.1820] 412 x 322mm (16¼ x 12¾"). Damaged at top of two Aquatint with hand-colouring, sheet 170 x 235mm (6¾ corners. £420 x 9½"). Trimmed and glued to backing sheet. £230 Henry William Bunbury (1750-1811), holding a sheet Ladder showing the progressing stages of love on one of figures across his lap inscribed 'Long Minuet', side (admiration; flirtation; declaration; acceptation; completing the drawing with a pencil in his right hand, preparation; celebration), with happy couples which rests on a table at left. The Long Minuet is one ascending a hill to the temple of the muses. From there, of Bunbury's famous large panoramic images. For the descent begins (alteration; irritation; altercation; impression printed in black ink see ref. 29958. execration; desperation; separation), with a ship in a Stock: 41062 storm providing the not-so-subtle metaphor. One of many nineteenth century prints visualising the 113. Denon [facsimile signature] ups and downs of relationships (see also the 'Map of Engraved by Thomson, from a Drawing by Isabey Matrimony', ref. 40811). This particular impression has Published by Fisher, Son & Co. Caxton, London, 1825 been personalised by a previous owner, who has Stipple, platemark 220 x 135mm (8½ x 5¼"), small trimmed the print and coloured the edges in trompe margins. Foxing. £85 l'oeil fashion, to resemble a piece of paper curling at Baron Dominique-Vivant Denon (1747-1825), French the edges. painter, archaeologist and traveller. He had a brilliant Stock: 41085 career as an artist and diplomat under the ancien regime, rubbing shoulders with the likes of Diderot, 110. Prospectus comeastus Marselliensis. Vüe Voltaire, and Robespiere. He followed Napoleon on his du Cours de Marseille. [title repeated in campaign in Egypt, making over 150 sketches (now in Italian & German.] the British Museum) which, reproduced in his book [after Jacques Rigaud.] [Augsburg: Georg Balthasar 'Voyage dans la Basse et la Haute Egypte' (1802), the Probst, n.d., c.1770.] first serious description of the antiquities discovered in Coloured engraving, windows excised and replaced Egypt, were influential in establishing the Egyptian with coloured tissue as a transparency. 310 x 420mm Revival style in France. In 1802 he was appointed (12¼ x 16½"). Trimmed into title area, losing director-general of the Imperial Museums, playing a publisher's inscription. Slight stain bottom centre. key role in bringing foreign masterpieces into the £280 Louvre. He played a crucial role as artistic adviser to A view of the Boulevard de la Canebière, Marseilles, Napoleon, selecting artworks to requisition and built by Louis XIV in 1666, based on the view by handing out commissions to artists. After Napoleon's Jacques Rigaud but more basic staffage, but including defeat in 1815 he retired, and spent his last ten years a sedan chair. The name comes from the Latin for engraving and working on a general history of the arts. cannabis, when the area was used for growing hemp Stock: 41080 for rope and baskets. A fine transparency print. 114. Francis Town Inventor of the Art of Stock: 40486 Painting in Velvet Died 11 Nov.r 1826 Aged 88. Carbonnier delt. Pd. by Engelmann G. C.d Lithograph on india, sheet 235 x 200mm (9¼ x 8"). £230 Francis Town (1738-1826), Jewish artist believed to have derived from Thun-Hohenstein in the Tyrol, Austria, from which most Jews were expelled in the between arches and with a family tree and portrait of eighteenth century. As the print states, he is credited their son Henry Frederick, prince of Wales (1594- with introducing the art of painting on velvet to Britain, 1612) between them. a skill continued by his children. See entry in the Anonymous Dutch etching based on a 1604 engraving Palgrave Dictionary of Anglo-Jewish History. by Nicolaas de Bruyn. Hind: II page 182. Stock: 41075 Stock: 41055

115. Jane Austen. 119. [Kings and Queens of England, plate 6] [after Cassandra Austen.] [London, Richard Bentley? King Edward VI; Lady Jane Gray; Queen c.1870.] Mary 1st; Queen Elizabeth. Oval stipple. 245 x 150mm (9¾ x 6"). Trimmed to Mezzotint, platemark 355 x 250mm (14 x 9¾"). No plate at bottom £140 margin to right edge. £220 The only known realistic portrait of novelist Jane In 1731 the publisher John Bowles advertised a set of Austen, taken from a c.1810 pencil and watercolour by ten mezzotints depicting: 'the Kings of England from Charlotte, Jane's older sister (1773-1845), and William the Conqueror, four heads on each Plate; they engraved on the commission of a nephew. However a are very curiously done by J. Faber; the antient heads niece wrote 'there is a look which I recognise as hers... after the Drawings of Lutteril in Crayons, the later ones though the general resemblance is not strong, yet as it after the best Paintings'. (He didn't leave out the represents a pleasing countenance it is so far a truth.' queens, however.) This sixth plate in the set depicts The portrait will be used on Ten Pound bank notes Edward VI (reigned 1547-53), Lady Jane Grey (1553), from 2017. Mary I (1553-8), and Elizabeth I (1558-1603). Stock: 40515 Engraved by John Faber the Younger after drawings by Edward Luttrell (1680-1724, fl). Rare complete. 116. Ludwig Börne Chaloner Smith notes that 'in order to carry out the T. Oppenheim gem. In Stahl gest. v. C. Barth Inst. arrangement by periods in illustrating books, these Bibliogr. excudit [c.1835] prints have been generally cut up, so as to separate the Steel engraving, sheet 240 x 150mm (9½ x 6"). Foxed. heads', although this sheet has remained intact. CS £50 124.i; Ex Collection of Hon. Christopher Lennox-Boyd. Ludwig Börne (1786-1837), German-Jewish political Stock: 40565 writer and satirist. Born Loeb Baruch in Frankfurt, he changed his name after converting to Lutheran 120. James Aiten. Alias John the Painter. Protestantism. After the 1830 Revolution he moved to Lond. Mag. March 177[7]. Paris, where he spent his final years. Engraving. Sheet 215 x 120mm (8½ x 4¾"). Trimmed Engraving after a portrait (Frankfurt am Main, into date on right. £120 Historisches Museum) by Moritz Daniel Oppenheim James or John Aitkin (1752-77), a Scot better known as (1800-82), who studied under the great Danish sculptor John the Painter, shown in the dock during his trial for Thorvaldsen in Rome, before returning to Germany. arson attacks on British dockyards during the Stock: 41095 American War of Independence. A painter by trade, his knowledge of chemicals paint solvents enabled him 117. [Leo Tolstoy.] to make crude incendiary devices. After attacking [after Ilya Repin.] Will. Henderson [pencil signature.] Portsmouth and Bristol Dockyards, causing a general Published 1926 by the Museum Galleries, 69 Shorts panic of a large band of arsonists, he was captured, Gardens, London WC. Copyright. tried and hung at Portsmouth on 10th March 1777. Colour-printed photogravure on india. 320 x 230mm The mizzenmast of HMS Arethusa was taken from the (12½ x 9"), Printsellers' blind stamp, with sheet of ship and erected at the dockyard entrance, so that the letterpress biography. £360 reported 20,000 spectators could all get a good view. It Leo Tolstoy (1828-1910), author of 'War and Peace' was the highest gallows ever to be used in an execution and 'Anna Karenina', from Il'ya Repin's 1901 full- in England. length portrait of Tolstoy, barefooted (St Petersburg, Stock: 40942 State Museum), cropping the composition to the sitter's upper body. Repin (1844-1930), the foremost exponent 121. Cap.t Edward England. of the late 19th century Russian Realist style, first met J. Nicholls delin. I. Basire sculp. [n.d., c.1736.] Tolstoy in 1880 and produced several portraits of him. Coloured engraving. Sheet 305 x 200mm (12 x 8"). Stock: 40500 Trimmed within plate. Repairs. £220 The pirate Edward England, born Edward Seegar 118. [James VI and I, and Anne of Denmark] (c.1685–1721). After serving as a privateer during the Jacobi VI Angliae, Scotiae, Franciae et War of Spanish Succession, he turned pirate, first in Hiberniae Regis Incomparabilis [...] Nassau in the Bahamas and then in Madagascar. When [Anon., c.1610] his crew mutinied in 1720, England was marooned on Etching, sheet 195 x 235mm (7¾ x 9¼") False margins Mauritius with three others but managed to build a boat added. Rare. £220 and return to Madagascar, where he died the following James VI and I (1566-65), king of England, Scotland, year. His flag was the classic 'Jolly Roger', the skull and Ireland, and queen Anne (1574-1619), standing and crossed bones. A plate from 'A general history of the lives and 125. Richard Lander. The discoverer of the adventures of the most famous highwaymen, termination of the Niger, In his African murderers, street-robbers, etc, to which is added, a Costume. Respectfully dedicated to the genuine account of the voyages and plunders of the Committee and Subscribers to the Lander most notorious pyrates'', by 'Captain Charles Johnson'. Column at Truro. Although the real author's identity is unknown Painted by Wm. Brockedon, F.R.S. Engraved by C. (although Daniel Defoe and publisher Nathaniel Mist Turner, A.R.A. London, Published July 13 1835, by are suspects) it is known that Woodes Rogers (c.1679- Colnaghi, Son & Co. Printsellers to their Majesties, 1732), the first Royal Governor of the Bahamas and Pall Mall East. bane of the pirates there, gave considerable help. Stock: 41117 Mezzotint, platemark 355 x 255mm (14 x 10"). Fine proof impression. £280 Richard Lemon Lander (1804 - 1834), traveller in 122. Cap.t Hen Morgan before Panama w.h Africa. After travels in the West Indies and work as a he took from the Spaniards. servant in London, Lander travelled to west Africa J. Nicholls delin. I. Basire sculp. [n.d., c.1736.] with the Scottish explorer Hugh Clapperton in 1825. Coloured engraving. Sheet 305 x 200mm (12 x 8"). They crossed the Niger, and after Clapperton's death in Trimmed within plate, some wear to edges. Repairs. Sokoto, Lander returned to England. Dissatisfied with £220 the menial job he had obtained at the customs' house in Sir Henry Morgan (ca. 1635-1688), Welsh admiral of London, Lander undertook a second expedition to the Royal Navy and sometime privateer & buccaneer, Africa with his brother John, to trace the source and who scaked Panama in 1671. course of the Niger. Sailing to Cape Coast (now in A plate from 'A general history of the lives and Ghana), they travelled to Bussa and sailed upstream as adventures of the most famous highwaymen, far as Yelwa. Heading downstream in canoes they were murderers, street-robbers, etc, to which is added, a robbed and nearly killed by locals at Kerre, and at Igbo genuine account of the voyages and plunders of the Ora they were imprisoned by the king and only most notorious pyrates'', by 'Captain Charles Johnson'. released after payment of a large ranson. Eventually Although the real author's identity is unknown the Landers found that the river flowed into the Gulf of (although Daniel Defoe and publisher Nathaniel Mist Guinea on the Atlandtic coast, rather than Lake Chad are suspects) it is known that Woodes Rogers (c.1679- as many had thought. They arrived back in England in 1732), the first Royal Governor of the Bahamas and 1831 and their journal of the expedition were published bane of the pirates there, gave considerable help. the following year. In 1832 Lander led an unsuccessful Stock: 41119 expedition hoping to use the Niger as a trade route to open trade with the countries of central Africa. He was 123. Cap.t Bartholomew Roberts. shot by middlemen who wanted European traders to J. Nicholls delin. I. Basire sculp. [n.d., c.1736.] remain on the coast and died on the island of Fernando Coloured engraving. Sheet 305 x 200mm (12 x 8"). Po (Bioko). Trimmed within plate. £220 Fine engraving after the portrait by Brockedon now in The Welsh pirate Bartholomew Roberts, born John the National Portrait Gallery, London. The print was Roberts (1682-1722), was the most successful of the dedicated to subscribers to the memorial erected on golden age of piracy, capturing over 450 prizes before Lemon Street in Lander's hometown of Truro, being killed by a salvo of grapeshot from HMS Cornwall in 1835, which collapsed the following year Swallow. although its replacement is still standing. For another A plate from 'A general history of the lives and portrait of Lander see ref. 22926; for a set of views adventures of the most famous highwaymen, along the Niger made from sketches by the Landers see murderers, street-robbers, etc, to which is added, a ref. 37241; for Lander's grave on Fernando Po see ref. genuine account of the voyages and plunders of the 14920. most notorious pyrates'', by 'Captain Charles Johnson'. Stock: 41150 Although the real author's identity is unknown (although Daniel Defoe and publisher Nathaniel Mist 126. Characters from Lord Byron. Zuleika. - are suspects) it is known that Woodes Rogers (c.1679- The Bride of Abydos. 1732), the first Royal Governor of the Bahamas and [?Signed by the artist in plate.] London: Published by bane of the pirates there, gave considerable help. Engelmann, Graf, Coindet & Co. 14, Newman Street, Stock: 41118 1829. Lithograph with very fine hand-colouring, sheet 22 x 124. [Woman sat on a balcony] 265mm (8¾ x 10½"). £130 A Lucas inv et del in lap. Frankfurt a/m in der Zuleika, the heroine of 'The Bride of Abydos', a poem Broennerschen Buchhandlung Lith. v. F.C. Vogel Frft written by George Gordon Byron, 6th Baron Byron a/m [c1840] (1788 - 1824) in 1813. One of his earlier works, The Lithograph on india, india dimensions 230 x 220mm (9 Bride of Abydos is considered to be one of his “Heroic x 8½") very large margins. £160 Poems”, along with The Giaour, Lara, The Siege of Rare print by French draughtsman and pastellist Abel Corinth, The Corsair, and Parisina. In the poem François Lucas (b.1813). Zuleika is in love with the hero, Selim, who is killed Stock: 41164 trying to avenge the death of his father. The poem also Frederick Howard, fifth earl of Carlisle (1748-1825), inspired a painting by Delacroix (in the Louvre). politician and diplomat, as portrayed as a boy by Sir Four line quotation from the poem below title. For Joshua Reynolds (1757-8, Castle Howard, North uncoloured impression see ref. 22762. Yorkshire). Never an influential politician, Carlisle was Stock: 41087 most significant in the 1790s when supporting Pitt and working towards the establishment of a strong national 127. Thomas Moore Esq.r. government. He was later guardian to the young Lord Painted by G.S. Newton. Engraved by W.H.Watt. Byron. Hamilton p.15 ii/ii; CS 9 ii/ii London published June 1828 by W.H.Watt. Stock: 41044 Fine engraving, on india; open letter proof. Plate: 270 x 360mm, (10½ x 14") with large margins. £260 130. Lord John Russell. The Advocate of A half-length portrait of the Irish poet, musician and Parliamentary Reform. entertainer Thomas Moore (1779-1832), who found N. Whittock del.t London: Published by F. Kennedy fame for his ballads whilst studying the law at Middle (late Royle) July 1831 27, King St Holborn. Printed by Temple. C. Kellow 11, High Holborn. Stock: 40777 Lithograph with hand-colouring, rare in colour, sheet 185 x 155mm (7¼ x 6"). Trimmed and glued to 128. [Edmund Burke] 'Hunc to, Dea, backing sheet with decorative gold border attached. tempore in omni Onmibus ornatum voluisti £130 excellere rebus.' Lord John Russell (1792-1878), prime minister and J. Jones fecit [Publish'd as the Act directs, Feby 5th author. Lord John served twice as Prime Minister of 1787, by J. Jones, No 63, Great Portland Street] the United Kingdom during the 19th century. His first Stipple, sheet 190 x 140mm (7½ x 5½"). Trimmed, premiership (1846-1852) came following the losing publication line; good impression. Bit messy. resignation of Peel after the repeal of the Corn Laws. £130 He was responsible for reforms to the working hours in Edmund Burke (1729/30-1797), Irish politician and the 1847 Factory Act and for the passing of the Public author who served for many years in the House of Health Act of 1848. His ministry also ended Commons as a member of the Whig party. Burke is restrictions on colonial trade by repealing the remembered for his support of the cause of the Navigation Acts of 1849. American Revolutionaries and for his later opposition This lithograph was published earlier in Lord John's to the French Revolution. He was thus seen as a career, shortly after he introduced the second Reform leading figure within the conservative faction of the Bill to the House of Commons. It was rejected by the Whig parts, which he dubbed the "Old Whigs", in House of Lords, but a third bill was passed the opposition to the pro-French-Revolution "New Whigs", following year. Not in O'D led by Charles James Fox. He is also well-known for Stock: 41091 impeaching Warren Hastings, former Governor- General of Bengal, for his conduct in India. 131. Lord Alexander George Russell, and his As an author (Hazlitt considered him the greatest prose Pony Emerald. To His Grace The Duke of writer in the English language) Burke is chiefly Bedford, this Print is with permission remembered for 'A Philosophical Enquiry into the respectfully inscribed. Origin of our Ideas of the Sublime and Beautiful' Painted by Edwin Landseer R.A. Drawn on stone by (1757), which fuelled growing interest in the pictorial R.J. Lane A.R.A. Published Feb'y 13th 1832 by J. and literary appeal of landscape, and "Reflections on Dickinson New Bond Street Printed by C. Hullmandel. the Revolution in France" (1790), a founding text for Fine lithograph with tintstone on india, sheet 305 x modern political conservatism. 325mm (12 x 12¾"). Foxing to edges. £160 Engraving after George Romney, probably published Lord Alexander George Russell (1821-1907), army as a pendant to a portrait of Charles James Fox (see ref. general. The son of John Russell, sixth earl of Bedford, 40559). O'D 16; Ex Collection of Hon. Christopher it has also been claimed that Lord Alexander was the Lennox-Boyd. son of Edwin Landseer, from whose painting this Stock: 40560 lithograph derives, since Landseer had an affair with his mother. Landseer's original painting 'The First 129. The Right Hon. Frederick Howard, Earl Leap: Lord Alexander Russell on his Pony "Emerald"' of Carlisle. This Print obtained the First (1829) is in the Guildhall Art Gallery, London. Premium granted, in the year 1762, by the Stock: 41092 Society for the Encouragement of Arts, Manufactures, and Commerce, instituted in 132. John Frost. Leader of the Chartists in London Monmouthshire, Nov.r 4th, 1839. J. Reynolds Pinxt. J. Spilsbury Fecit. Published by Presented with No. 17 of the Star, or Drawing Room John Spilsbury, Engraver & Print-Seller, in Russel Album, Nov.r 9th 1839 Court, Covent Garden, Feb 10 1763 Lithograph, sheet 235 x 150mm (9¼ x 6"). Trimmed; Mezzotint, platemark 485 x 360mm (19 x 14¼"). crease, foxed. £65 Thread margins; laid down. £260 John Frost (1784-1877), Chartist. Frost took an active role in the struggle for reform in his home town of Newport, where he became a magistrate in 1835 and by Jan Faber the Younger were made for an intended mayor in 1836 (although he was defeated in 1837 due history of the Rawdon family which was never to his opposition to church rates). In 1839, the year this completed. Not in CS. print was published, Frost was elected to the Chartist Stock: 41090 convention as delegate for Monmouthshire, and owing to his popularity he soon became a national leader. He 136. Hellen Daught.r & Heiress of the Hon.ble led a large body of armed working men into Newport Sr. Ja.s Graham And Wife to Sr. Arth.r later that year, although they were easily repulsed and Rawdon of Rawdon Hall in the County of York Frost was captured. Frost was among several sentenced Bar.t to be hung, drawn and quartered, but the sentence was J. Faber Fecit 1745 commuted to transportation for life to Van Diemen's Mezzotint, old ms verso in ink 'Given me by Mr Land (Tasmania). This was later repealed and Frost Bindley'; sheet 150 x 100mm (6 x 4"). Glued to spent time lecturing in America before in 1856 he was backing sheet. Trimmed to plate. £120 finally allowed to return to Britain. Lady Helen Rawdon (née Graham) (1662-1709), wife Stock: 41071 of Sir Arthur Rawdon, 2nd baronet (1662-95). Chaloner Smith quotes Lowndes as saying that this 133. Selina, Countess of Huntingdon. print and other prints of the Rawdon family engraved H. Meyer Sculpt. Published by Ogles, Duncan & by Jan Faber the Younger were made for an intended Cochran, Paternoster Row, June 1st 1815 history of the Rawdon family which was never Stipple, sheet 190 x 115mm (7½ x 4½"). £60 completed. Not in CS. Selina Hastings, countess of Huntingdon (1707-91), Stock: 41089 founder of the Countess of Huntingdon's Connexion. After an initially close relationship with John Wesley, 137. The Rt. Hon.ble Lady Helena Wife to Sr. she moved towards the ideas of George Whitefield John Rawdon of Rawdon Hall in the County of before his departure for America in 1751. In the 1760s the countess established several chapels, and a college, York Bar.t [...] Trevecca, in a renovated Brecknockshire farmhouse. J. Wills pinxit J. Faber Fecit 1745 Whitefield had left the countess the Bethesda Mezzotint, sheet 150 x 100mm (6 x 4"). Glued to orphanage in his will, and she organised a mission to backing sheet; trimmed to plate; old ms in ink verso America, which so infuriated the Georgians that 'Very scarce given me by Mr Bindley' £120 Bethesda was burnt to the ground. Subsequent plans in Lady Helen Rawdon (1718-41), daughter of the America were rejected and her Georgia property was politician and diarist John Perceval, first earl of eventually confiscated. In 1783 the rigidly Calvinistic Egmont (1683-1748). Chaloner Smith quotes Lowndes Countess of Huntingdon's Connexion was formed as saying that this print and other prints of the Rawdon when several Trevecca students were ordained. In her family engraved by Jan Faber the Younger were made final years she was sceptical about further work in for an intended history of the Rawdon family which England, and was concentrating on sending a mission was never completed. CS 401 Stock: 41088 to the South Seas. Not in O'D. Stock: 40805 138. Lord Alexander George Russell. 134. [Charles Darwin.] (Dedicated by Permission) To Her Grace The John Collier. G. Sidney Hunt. [signed in pencil below Duchess of Bedford. image.] Published 1922 by the Museum Galleries, 26 Drawn on Stone by Rich.d J. Lane from a Picture by Museum Street, London, W.C. Copyright. Geo: Hayter M.A.S.L. Printed by C. Hullmandel Colour printed mezzotint. Fine Art Guild blindstamp. Lithograph on india, india 205 x 215mm (8 x 8½"); Plate: 235 x 305mm, (9¼ x 12"), with large margins. large margins. Foxing to edges. Proof. £140 Pin hole in extreme left edge of margin. £240 Lord Alexander George Russell (1821-1907), army A portrait of Charles Darwin (1809-1882), British general. and son of John Russell, sixth earl of Bedford, geologist and naturalist who's revolutionary theories on as a boy. Lithograph after a painting by Sir George natural selection and evolution as published in 'On the Hayter (1792-1871), painter and engraver who was a Origin of Species' are now the basis for the study of friend of the sixth duke of Bedford and was a frequent natural history. guest at his home. Stock: 41024 Stock: 41093

135. Sr. Arth.r Rawdon of Rawdon Hall in 139. Jane Shore from an Original Picture in the Cou.ty of York Bar.t [...] the Provost's Lodge at King's College J. Faber Fecit 1745 Cambridge Mezzotint, platemark 150 x 100mm (6 x 4"). Small [Michael Tyson, 1780s] margins. £160 Fine etching, platemark 210 x 165mm (8¼ x 6½") very Sir Arthur Rawdon, 2nd baronet (1662-95), MP for large margins. £150 County Down and soldier fighting for Ulster loyalists Jane Shore (1445?-1527), mistress to Edward IV. against the army of James II. Much of what we know about her comes from Thomas Chaloner Smith quotes Lowndes as saying that this More’s History of King Richard III, composed during print and other prints of the Rawdon family engraved the first two decades of the sixteenth century. More includes the story that Edward IV claims to have had 144. Sir Richard Arkwright, late of Cromford three concubines, ‘the merriest, the wiliest, and the Derbyshire, The Eminent Inventor of the holiest harlot in his realm’, Shore being the merriest. Machinery used in Spinning Cotton, by means She enjoyed a considerable literary afterlife, as the of Rollers [...] subject of poems, ballads, historical novels, and plays; Painted by J. Wright Engraved by H. Meyer [c.1800] the most notable of the latter was Nicholas Rowe's Stipple engraving on india, platemark 225 x 150mm (9 Tragedy of Jane Shore, first produced in 1714. x 6") very large margins. £120 One of several engravings made from an anonymous Sir Richard Arkwright (1732-92), inventor of cotton- painting in King's College, Cambridge. A near- spinning machinery and cotton manufacturer. The identical painting is at Eton College. O'D 1; for an archetypal self-made man, Arkwright went from a early mezzotint from the same picture see ref. 12031; barber's apprentice in Bolton to a key figure in the see Henrietta Ryan, 'Jane Shore and her Portraits at proto-industrial north and midlands whose worth at his Eton and King's'. death was some £500,000. An ambitious inventor, Stock: 41084 Arkwright improved cotton manufacturing machinery, set up up the Cromford Cotton Mills in the then 140. [Francesco Baglioni in the role of a unexploited district of Cromford near Matlock (for a quack doctor] Ecco il Bravo Carnacci a chi view of pre-Arkwright Cromford see ref.29386), and che sia Vero Rimedio dall'Ipocondria later ventured into hosiery knitting as well. Eq: P.L. Ghezzius del M. Tuscher Romae 1738 Engraving after the portrait of c.1789-90 by Joseph Etching, sheet 330 x 215mm (13 x 8½"). Trimmed Wright of Derby (private collection). Arkwright inside platemark. £260 occupies an important place in Wright's work, not only Francesco Baglioni (Carnaccia), one of the most in the portraits he painted of Arkwright and his family, acclaimed 'buffi' (comic actor-singers) of his time. The but also because of the series of views he painted of the artist Pier Leone Ghezzi (1675-1755) met Baglioni at area where Arkwright established his empire. Not the Roman carnival in 1738 and sketched him shown in this engraving is the model of the spinning performing different roles. frame Arkwright claimed to have invented, which in Etched by Carl Marcus Tuscher (1705-51), German Wright's painting is on a table beside the sitter's left artist who first travelled to Rome in 1728, where he hand. Benedict Nicolson suggests that because produced drawings for Johann Joachim Winckelmann's aspersions had been cast on his qualifications as an book on the gemstones belonging to the collector inventor, Arkwright preferred to have this aspect of his Philipp von Stosch (who Ghezzi caricatured). Tuscher work emphasised, rather than being painted with, say, a made this print soon before he arrived in London in plan of his industrial empire- an achievement which 1741 with the intention of establishing an academy of was in no doubt. Nicolson, 'Joseph Wright of Derby: art. Painter of Light' (1968), vol. 1, pp.164-9. For Stock: 40790 Nicolson's monograph see ref. 27349. Stock: 41078 141. Cerito. Ondine. F. Smith. W. H. Mote. Published by David Bogue, 145. Edw. Colston, Esq. "Go thou & do Fleet Street Nov.r 1. 1844. likewise." Engraving. Sheet: 175 x 260mm, (7 x 10¼"). Trimmed. J. Richardson pinxit. DM fecit [c.1800?] £85 Scarce etching, sheet 125 x 100mm (5 x 4"). Trimmed A portrait of Italian ballet dancer Fanny Cerito (1817- and glued to backing sheet. Loss top right. £130 1909) in the title role of the ballet Ondine. From 'The Edward Colston (1636-1721), merchant and Beauties of Opera and Ballet'. philanthropist. Colston became a merchant in the 1670s Stock: 40920 and built up a lucrative business trading with Spain, Portugal, Italy and Africa (much of his wealth is 142. Carlotta Grisi. La Giselle. thought to have been made in buying and selling Published by David Bogue, Fleet Street April. 1. 1844. slaves). While Colston lived in Mortlake (now part of Engraving. Sheet: 175 x 260mm, (7 x 10¼"). Trimmed. London) from 1689 on, he was from Bristol originally Slight mark. £65 and became one of the most famous philanthropic A portrait of Italian ballet dancer Carlotta Grisi (1819- benefactors to his native city, where he is remembered 1899) in the title role of the ballet Giselle. From 'The through a bronze statue on Colston Avenue, the city's Beauties of Opera and Ballet'. concert venue Colston Hall, and various streets named Stock: 40921 after him. Bust portrait cropped from the 3/4 length portrait of 143. Mrs. Cha.s Kemble. Colston by Jonathan Richardson (1722) in the council [n.d., c.1815.] Bit later. house, Bristol. Not in O'D. For a large mezzotint of Stipple. Platemark: 205 x 165mm (8¼ x 6½"). £35 Colston see ref. 4883. A head and shoulders portrait of Maria Theresa Stock: 41065 Kemble (1774-1838), actress on the English stage and wife of actor Charles Kemble. Stock: 40263

146. William Davis Mathematician. 'The portrait belongs to a late phase in the sitter's life W. Allen del. J.S. Dickson sculp. [1813] when the struggle for power was over, but when long Rare stipple, sheet, 200 x 130mm (8 x 5"). Trimmed. habits of discipline were too deeply engrained to allow £95 the fruits of power to be plucked. It appears from William Davis (1771/2-1807), mathematician and letters to his wife and family that Strutt had a streak of publisher. Davis' publications include writings on melancholy even when the struggle was at its height; globes, land surveying, and a steady flow of that he took an intellectual's delight in standing back mathematical texts. In the ten years prior to his death at and surveying from outside his own role in the the age of thirty-five, Davis produced a remarkable struggle, intrigued (as men of action are not supposed mathematical output considering that he was to be) by evidence of weakness in himself, concerned simultaneously attending to his publishing business. with the moral implications in big business'. Nicolson, Following Davis' death, his wife Anne remarried, to 'Joseph Wright of Derby: Painter of Light' (1968), vol. London bookseller and printer J.S. Dickson (Davis' 1, p.63. For Nicolson's monograph see ref. 27349. firm became Davis and Dickson in 1814). Dickson Stock: 41077 engraved this portrait of his wife's first husband, which was the frontispiece to the fifth (1813) edition of Davis' 149. Taking an Emetic. 'A treatise on land surveying'. I Ck [Isaac Cruikshank] [first Published by S.W. Fores, Stock: 41079 1801] Etching with hand-colouring, platemark 315 x 220mm 147. [Paul Julius Baron von Reuter.] (12½ x 8½"). 'John Hall 1825' watermark £220 Painted by Rudolf Lehmann. Engraved by T. Oldham Elderly woman vomiting into a bucket while a kettle Barlow. Private Plate. [n.d. c.1870.] boils on the fire. Etching by Isaac Cruikshank (1764- Mixed method engraving, on india paper. Plate: 385 x 1811), father of George. BM Satires 9805 510mm, (15¼ x 20"). £260 Stock: 41115 (Paul) Julius de Reuter, Baron de Reuter (née Israel Beer Josaphat) (1816-1899), founder of Reuter's News 150. Easterly Winds, or Scudding under Bare Agency. Reuter moved to London on October 29, Poles. Tegg's Caricatures. No 2. 1845, he set up an office at the London Stock Rowlandson Del. Pub. May 10th 1810 by Tho.s Tegg, Exchange, and established a telegraph link between No. 111 Cheapside. Britain and the European continent through the English Coloured etching. 245 x 340mm (9¾ x 13½"); very Channel. This link was extended to the south-western large margins. £240 shore of Ireland, at Cork in 1863 where ships coming A strong wind buffets the disembarking passengers of a from America threw canisters containing news into the wherry on the River Thames. Two Rivermen pull the sea. The news was telegraphed to London, arriving boat up onto the slipway, amused at the fact that a before the ships. He was created Baron in 1871. parson's hat and wig is being blown off his head whilst Stock: 41023 the woman whose hand he holds is having her parasol pulled out of her hand. BM: 11620, suggesting the 148. Jebediah Strutt Esquire. (late of Derby.) buildings on the far bank of the river is Southwark. The Eminent Inventor of the Important Stock: 40712 Machine Called the Derby Rib Stocking Frame, To William Strutt Esq.re St. Helen's 151. Gaffers at a Country Fair. House Derby. This plate is most respectfully Rowlandson 1805 [in image lower left] dedicated by his obliged Humble Servant Etching with hand-colouring, sheet 270 x 355mm (10½ Stephen Glover the Publisher. x 14"). Trimmed inside platemark top and bottom; tear to top edge; pinhole lower right. £240 Drawn by O. Oakley from a Painting by J. Wright R.A. Two men about to play a game at a country fair. Engraved by H. Meyer No. 3 Red Lion Square [c.1800] Etching by Thomas Rowlandson (1757-1827). An Fine stipple engraving on india, platemark 225 x artist of extraordinary range, Rowlandson was equally 150mm (9 x 6") very large margins. £130 at home producing incisive caricatures or lyrical Jebediah Strutt (1726-97), Derbyshire inventor and watercolours, and his work has become an integral part cotton manufacturer. Strutt got involved in the hosiery of the popular vision of Regency Britain. Not in Grego; business in the 1750s and by the decade's end he had for another Rowlandson country fair image see ref. obtained a patent for his 'Derby rib machine'. He was in 36668. partnership for a time with another major manufacturer Stock: 41158 in the area, Richard Arkwright (see ref. 41078). Strutt's cotton empire was centred around his model communities at Belper and Milford, and a calico 152. The Mothers Hope. factory at Derby. Woodward Del Rowlandson scul by Tho.s Tegg N111 Engraving after the portrait of c.1790 by Joseph Wright Cheapside [1808] of Derby (Derby Museum and Art Gallery). Benedict Etching with hand-colouring, sheet 355 x 255mm (14 x Nicolson, in his monograph on Wright, sets out the 10"). Creased; trimmed to plate. £260 ambiguities in what he calls Wright's 'marvellous A nursemaid or mother in pink looks on as a boy portrait': (dressed as a girl) protests 'I don't like dolls! I don't like Canary Birds I hate Battledore and Shuttlecock, I like Drums and Trumpets. I wont go to school- I will stay at Educational satire with a shepherd sitting with his home- I will have my own way in everything!!' An snuff (a paper beside him reads 'Chronicle: School elderly woman in spectacles approves: 'Bless the Baby- Question' while sheep in the field below complain what an aspiring spirit- if he goes on in this way he will 'Toad! Bully! Drudge! Infidel!' be a second Buonaparte!!' Stock: 41076 Etched after George Murgatroyd Woodward (1760?- 1809), caricaturist and author, by Thomas Rowlandson. 155. Madame Very Restaurateur. Palais A prolific artist who designed 525 prints between 1790 Royal Paris. La Belle Liminaudiere au Caffee and his death in 1809, Woodward's forte was social de Mille Collone, Palais Royale Paris. satire such as this print- at the time this print was made Rowlandson Scul. J.N. [John Nixon] [London, Thomas Woodward's reputation exceeded that even of Tegg, 1814 but later.] Rowlandson. While his reputation has since been Coloured etching. 350 x 250mm (13¾ x 9¾"). £320 eclipsed, Henry Angelo, whose 'Reminisces' are the Two scenes of Parisian high life on one plate: above is main source of biographical information on Madame Very, the foremost restaurateur of the period; Woodward, claimed that if Woodward had learned to below is Madame Romain, who presided over the Café draw (he was self-taught) and had been more temperate des Mille Colonnes, renowned for its gilt columns and in his habits (it is reported that he kept low company mirrors. Usually the two scenes are found separately. and drank immoderately), he might have rivalled John Nixon visited Paris in 1814 after the fall of Hogarth. He died in the Brown Bear tavern, according Napoleon. BM Satires 12409 & 12410. with Angelo with a glass of brandy in his hand, and Stock: 41132 was buried at the expense of his landlord. BM Satires 11137. 156. Tregear's Flights of Humor No 32. Toast Stock: 41160 and Sentiment;;; Upstanding and uncover'd The Lawyers;;;; [and may the Devil Fetch 153. Making a Sailor a Free Mason. Woodward del. Etch'd by Roberts London Pub by T. 'em.] Tegg 11 Cheapside Published by G. Trgear Cheapside, London. [n.d., Etching with hand-colouring, platemark 250 x 350mm c.1833.] (9¾ x 13¾"). Paper watermaked 'Basted Mill 1825'. Coloured lithograph. Sheet 330 x 275mm (13 x 10¾"). £260 Trimmed into title at bottom, losing last line. £140 Four freemasons initiating a sailor (kneeling). His shirt An incarcerated map toasting lawyers with a broken has been emblazoned with masonic insignias and his crock filled with water from a hand pump. Stock: 40754 trousers pulled down. On the left one of the masons announces 'it now only remains to fix on the bandage and prepare the red hot poker', which the mason on the 157. The Anatomist. far right attends to. Rowlandson Del. [Pub.d March 12 1811] by Thos Etched after George Murgatroyd Woodward (1760?- Tegg No 111 Cheapside [but later]. 1809), caricaturist and author. A prolific artist who Coloured etching. 355 x 255mm (13¾ x 10") Trimmed designed 525 prints between 1790 and his death in to plate on right and bottom. £280 1809, Woodward's designs were etched by Thomas An elderly surgeon selects from a bag of instruments Rowlandson and Isaac Cruikshank amongst others. Of on a table. A panicked woman tried to alert him to the orthodox pro-government and anti-French political fact that his intended subject has woken up. On the outlook, Woodward's forte was social satire such as wall behind is a poster with an early use of the word this print- in this field his reputation between 1807 and 'Sawbone'. It is likely that this is a satire on body- 1809 exceeded that even of Rowlandson. While his snatching. BM: Satires 11800, this example with date reputation has since been eclipsed, Henry Angelo, erased. whose 'Reminisces' are the main source of biographical Stock: 41138 information on Woodward, claimed that if Woodward had learned to draw (he was self-taught) and had been 158. Medical dispatch or Doctor Doubledose more temperate in his habits (it is reported that he kept Killing Rwo Birds with one Stone. low company and drank immoderately), he might have Rowlandson Del. [London, Thomas Tegg, 1810, but rivalled Hogarth. He died in the Brown Bear tavern, later.] according to Angelo with a glass of brandy in his hand, Coloured etching. 350 x 250mm (13¾ x 9¾"). £350 and was buried at the expense of his landlord. BM A middle-aged doctor attends to an old woman but is Satires 10891 far more interested in the young girl he has his arm Stock: 41159 around. On the table are medicine phials, a bowl of 'Composing Draught' and a pill-box inscribed 'Opium'. 154. Shepherd & Jackdaw!! Dedicated The original publishing date has been removed. BM (without permission) to the Vicar of Childwell! Satires 11638. Published by the Society for the suppression of Vice!!! Stock: 41134 [c.1830] Etching, platemark 215 x 175mm (8½ x 7"). Later restrike. £130 159. Corporal Cartouch teaching Miss Camp- They were married by proxy to on 11th March 1810; Love her Manual Exercise. From an Original they met for the first time on March 27th, had a civil Picture Painted by Mr. Collett. wedding on 1st April and a religious ceremony in the London, Printed for R. Sayer & J. Bennett, Map & Salon Carré chapel of the Louvre the following day. Printsellers, No 53 Fleet Street, as the Act directs 4th Not in BM. Jan.y 1780 Stock: 41122 Mezzotint, sheet 360 x 265mm (14¼ x 10½"). Trimmed inside platemark bottom edge; £380 163. Exporting Cattle not Insurable. A soldier drills an attractive young woman, watched by W.m E-s Delin. [Pub.d Febr.y 23 1813 ]by Tho.s Tegg a drummer boy, a dog and a monkey holding a flute. - N° 111 Cheapside - London [but later]. Detailed interior with pictures hanging on the wall (one Coloured etching. 250 x 350mm (9¾ x 13¾"). £330 of which is identified in another state as 'Camp at A ship's boat filled with rollicking prostitutes, Winchester'). See British Museum no. 2010,7081.909 including a black woman smoking a pipe, is rowed Stock: 40810 towards a King's ship. Tied outside the boat are two barrels, both inscribed 'Smugled', one 'Hollands Gin', 160. The Giant and the Dwarf. dedicated to the other 'Coniac Brandy'. Other women are already on M. Thiers. v. Punch Vol 6 p.170 board. Drawn by William Elmes after a satire by [c.1844] Rowlandson with the same title published by Pencil sketch, sheet 225 x 185mm (9 x 7¼"). Glued to Ackermann in 1809. BM Satires 12158. Stock: 41124 backing board. £190 Preparatory sketch (?) for a cartoon published in 'Punch', 20 April 1844, p.170, with various elements 164. Rigging out a Smuggler. No 8. (such as the two figures on the right) not in the Rowlandson Del. [Pub.d Sept.r 25th 1810 by Thos] published cartoon. The image shows the duke of Tegg No 111. Cheapside [but later]. Wellington inspecting a tiny Napoleon with a monocle. Coloured etching. 350 x 245mm (13¾ x 9¾"). £290 As the text in 'Punch' explains, the cartoon was A buxom young woman aboard a returning East occasioned by the discovery that Napoleon, in a codicil Indiaman, being 'rigged out' with goods by an adoring to his will, bequeathed 10,000FF to a man charged sailor. A satire on the plundering of ships in the with an attempt to murder Wellington. Napoleon wrote Thames before they reached the Customs House. BM that if Wellington justified sending Napoleon to St Satires 11627 Helena by appealing to British national interest, then Stock: 41123 the would-be assassin would have served French interests equally in killing Wellington. However, as 165. The Political Mirror or an Exhibition of 'Punch' reason, Wellington, by objecting to the Ministers for April 1782. suggestion of excecuting Napoleon after he was Razo Rezio inv. Crunk Fogo sculp. [April? 1782]. captured, showed himself to be a giant in comparison Rare etching. 165 x 240mm (6½ x 9½"); large margins. to Napoleon. Folded for original binding. £160 Stock: 41074 A satire on a change of ministry, probably published as a frontispiece to a satirical periodical. The former 161. The Irishman's Joy. ministers, including Sandwich, North, Rigby, Germain W.S. [Charles Williams] del.t et Sculp.t. Pub.d Jan.y and Mansfield, fall into the abyss grasped by demons. 1st 1808 by Tho.s Tegg 111 Cheapside London. The new ministers, including Fox, look on. Above is Coloured etching. 280 x 210mm (11 x 8¼"). Repaired Bute, hitching a ride on a witch's broomstick, both tear entering plate on right, small hole in plate. £190 dropping towards the pit. An Irish officer surrounded by adoring women. The 24 Neither the artist nor the engraver have been identified. lines of verse conclude: 'Search the world over, sure BM: 5982 Paddy's the Boy. / For banging the men, and for kissing Stock: 40936 the lasses'. Stock: 40710 166. The Testimonial - to be erected in the Phenix Park Dublin 162. The First Night of My Wedding. or Little [Monogram of Paul Pry, i.e. William Heath] Esq.r. Pub Boney No Match for an Arch Dutchess. Tegg's June 5 1829 by T. McLean 26 Haymarket Sole Caricatures No 7. Publisher of Paul Prys Caricatuers none are Original [Rowlandson?] Pub.d April 25th 1810 by Tho.s Tegg without McLeans name. No 111. Cheapside [but later]. Hand-coloured etching. 370 x 260mm (14½ x 10¼"); Coloured etching. 350 x 245mm (13¾ x 9¾"), on paper large margins. Cut to platemark on left. £260 watermarked 'J. Whatman 1824'. £380 A satire on the Wellington Monument in Phoenix Park, Napoleon Bonaparte a little worse for wear after the at the time unfinished because of lack on funds. The first night with his new wife, Marie Louise, Duchess of Duke sits on a close-stool (covered chamber pot) Parma, who says 'Well there's one hope left - I shall marked '40 Free', which is balanced on a lion with the quickly carry him to his journeys end'. He turns to the face of Lord Eldon, which in turn lies on a volume medicines on the bedside table, which include 'Drops' titled 'Constitution. On Wellington's shoulders sits and 'Cock Broth'. Pope Pius VIII, who grins down on a ragged Irishman. 172. The Sweet Little Girl that I Love. Robert Peel peeks out from behind. Woodward Del. Rowlandson scul. [Pub.d June 4 1808 The 'forty-shilling freeholders' were those who owned by Thos Tegg N 111 Cheapside.] or rented land that was worth at least that amount, and Coloured etching. 350 x 245mm (13¾ x 9¾"). thus were eligible to vote. BM Satires: 15831. Trimmed within plate on left. £280 Stock: 39614 A tall, thin, elderly military officer, ugly but elegant, stoops to embrace a fat country woman, short and 167. After Sweet Meat comes Sour Sauce. or hideous, yet buxom. Corporal Casey got into the wrong box. Tegg's A later printing with the publication line erased. BM Caricatures NO. 24. Satires 11138. Rowlandson Del. [Pub.d Nov.r 30 1810 by Thos Tegg Stock: 41120 No 111 Cheapside.] Coloured etching. 245 x 350mm (9¾ x 13¾"). Narrow 173. II. Blessings of Britain- or- swarm of tax margins. £290 gatherers. In a rustic bedroom a buxom young woman kneels to [by CHarles Williams.] [London, Thomas Tegg, 1817.] kiss her soldier who has been hiding in a large chest. Coloured etching. Sheet 250 x 375mm (9¾ x 14¾"). A later printing with the publication line erased. BM Trimmed to plate on three sides. £320 Satires 11642. The tax gatherers descend on John Bull's hive, Stock: 41121 breaking through the roof and carrying off the honeycomb, while John defends the door with the 'Prop 168. The Coblers Cure for a Scolding Wife. of Reform'. On the left is a smoking manure-heap Rowlandson Del. by Thos Tegg No 111 Cheapside. inscribed 'Ministrial Dung-hill'; on this lies a paper, [n.d, c.1815.] 'Prope[rty] Tax' and from it grow toadstools inscribed Coloured etching. 350 x 255mm (13¾ x 10"). Trimmed 'Place, Pension', and 'Sinecure'. BM Satires 12863. close to plate on left. £380 Stock: 41133 A cobbler sews his wife's mouth shut, aided by a laughing maid, who holds up a candle to light the 174. Business and Pleasure. room. BM Satires 12148, with the date scratched out Woodward del. Rowlandson scul. London Published rather than erased as this example. by Thomas Tegg No 111 Cheapside. [n.d., c.1810.] Stock: 41129 Coloured etching. J Whatman Turkey Mill watermark. 250 x 350mm (9¾ x 13¾"). £290 169. Cupid & Psyche. I wish I had a A cobbler and his neighbour chat: their idea of pleasure thousand pound [/] I'd give it thee, my Honey. is to go to see five men being hung. BM Satire 11133B. [/] Oh! give me what I value more, [/] Your love Stock: 41137 and looks so funny!. Printed by G. E. Madeley, 3 Wellington St. Pub. by 175. Crimping a Quaker. Tho.s McLean, 26 Haymarket. [n.d., c1835.] Rowlandson 1814. [Pub.d March 1st 1814] by Thos Lithograph. Sheet: 250 x 225mm, (9¾ x 9"). Trimmed. Tegg No 111 Cheapside [but later]. Some staining. £190 Coloured etching. 350 x 250mm (13½ x 10¾") £280 A humorous valentine showing a funny looking man Prostitutes try to hustle a Quaker into a brothel. One and a woman dressed as the mythical lovers Cupid and sings 'Wont you come, wont you come Mr Mug' (a Psyche. Ballet interest. popular song). BM: Satires 12401, this example with Stock: 40918 date erased. Stock: 41140 170. A Nincompoop, or Hen Peck'd Husband. Rowlandson sc. T. Tegg Cheapside. [n.d., 1807 but 176. [Lithographic designs by George later.] Cruikshank, signed by the artist] Reissue of Coloured etching. 350 x 250mm (13¾ x 9¾") £280 Scraps & Sketches by George Cruikshank in A small ugly man trots beside his wife, a large, over- Monthly Parts Half a Crown [...] dressed, scowling termagant, on their Sunday outing. [George Cruikshank, c.1854] 86 Fleet Street W. Kent BM Satires 10909. & Co Late David Bogue Stock: 41131 Lithograph, 270 x 360mm (10½ x 14¼"). Glued to backing sheet, wormhole bottom left; frontispiece to 171. None but the Brave Deserve the Fair. Cruikshank's 'Illustrations of Time' verso. Inscribed 'To Rowlandson 1813. [London: Thomas Tegg, 1813 but the Editor of the Morning Post with the compliments of later.] George Cruikshank' £160 Coloured etching. 350 x 245mm (13¾ x 9½"). Small 'About 1854 Cruikshank intended to publish "Re-issue tear in edge. £320 of Scraps and Sketches in monthly parts...to be A hussar rides his horse through a stream to help a completed in ten parts." [...] For this issue the artist pretty young woman climb down from a high wall. BM executed a lithographic design for the wrappers, and Satires 12149. the work was published by "W. Kent & Co., late Stock: 41136 Bogue" (Cohn). Cohn 180 Stock: 41113 177. The English Ladies Dandy Toy. Woodward's forte was social satire such as this print- at I.R. Cruikshank del et fec.t. Pub.d Dec.r 9th 1818 by T. one point Woodward's reputation exceeded that even of Tegg 111 Cheapside. Rowlandson. While his reputation has since been Coloured etching. Slight damage in top right. £280 eclipsed, Henry Angelo, whose 'Reminisces' are the A good-looking young woman, holds the two strings of main source of biographical information on a pantine, a jointed puppet in vogue in the mid- Woodward, claimed that if Woodward had learned to eighteenth century. It takes the form of a dandy holding draw (he was self-taught) and had been more temperate an umbrella and a bell-shaped top-hat. BM Satires in his habits (it is reported that he kept low company 13067 and drank immoderately), he might have rivalled Stock: 41125 Hogarth. He died in the Brown Bear tavern, according with Angelo with a glass of brandy in his hand, and 178. Genius of Bazaar arrived at London. was buried at the expense of his landlord. Not in BM [by John Cawse?] pub 29th 1816 by T. Tegg, 111 Satires. Cheapside. Stock: 41161 Coloured etching. 345 x 250mm (13½ x 9¾"). £320 A monster with bat's face, wings & tail and hoofs, in 181. Effects of the Rail Road on the Brute quasi-oriental dress, strides from 'Turkey' to London', Creation. holding a fool's bauble and a paper: 'Plan for turning St This Drawing is Copyright Published July 12th 1831 Pauls to a Bazaar'. by Jno Townsend No. 2 King St. Manchester The 'Bazaar' was established by John Trotter in 1815, Lithograph, printed area 300 x 360mm (11¾ x 14¼"). to enable the widows and daughters of Army officers £260 to raise money by selling their handywork. Counter- Lithograph showing horses as street musicians. New space was rented at 3d. a foot a day, the only railway line in background with corn warehouse on the recommendation required being 'an irreproachable right. Not in BM Satires. character'. The Bazaar, the first of its kind, extended Stock: 41149 from the west side of Soho Square to Oxford Street and proved a source of great wealth to Trotter. BM Satires 182. The Rights of Women or the Effects of 12836. Female Enfranchisement. The Comic Stock: 41130 Almanack for 1859. Designed & Etched by George Cruikshank. Pub.d by D 179. Kicking up a Breeze. Or Barrow Women Bogue 86 Fleet Street London. Basting a Beadle. Etching. Sheet: 400 x 165mm, (15¾ x 6½"). Creases as Rowlandson Del 1814. [Pub. Feb 10th 1814] by Thos issued, laid on card with some staining. £130 Tegg No 111 Cheapside [but later]. A scene ridiculing the idea of woman's suffrage in Coloured etching. 350 x 250mm (13½ x 10¾") Very which a large crowd of men and women gather at a small pin hole in title. £320 stage, the women turn all their attention to a handsome Two shrieking termagants with bare breasts beat up a candidate, Sir Charles Darling, while a more rotund uniformed beadle, to the delight of the spectators. BM: man is ignored. Figures in the crowd hold signs saying Satires 12401, this example with date erased. 'Vote for the Ladies Champion' and 'Do not Vote for Stock: 41139 Ugly Old Stingy'. Stock: 40922 180. A Lilliputian Auction. Woodward del. Cruikshank st. Pub.d by T. Tegg 111 183. Fortune bestowing equal Favors on Two Cheapside London [c.1803] Brothers (named Charles and Frederick) the Etching with hand-colouring, sheet 250 x 350mm (9¾ first of whom uses them with prudence, while x 13¾"). Nicks and large tears to bottom edge. £290 the latter destroys them in extravagance and Satire on ignorant collectors. In an auction, two disspiation pictures are on display, a landscape ('Lot 32 a Beutifull Printed for & Sold by Carington Bowles, No 69 in St Claude in the highest preservation') and a portrait, Paul's Church Yard, London Published as the Act which the auctioneer is opening the bidding for ('Lot directs 31 August 1787 20- Cleopatra an un undoubted Corregio'). A Engraving with hand-colouring, sheet 170 x 255mm prospective buyer examines the latter through a (6¾ x 10"). Trimmed. £130 looking glass while his advisor assures him of its One of a series of morality prints contrasting virtue and authenticity ('I saw it myself in Egypt'). On the far left vice in two siblings. Such series of prints were popular a man pays a deposit for the chinese figure he holds during the 18th century (see for example Hogarth's under his arm, while a bespactacled man in the centre series on 'Industry and Idleness'). The different read a sales catalogue offering a piece of Noah's Ark, characters of the brothers can be seen from their stance Alexander the Great's knee buckle, and Julius Caesar's and the background images behind them. The brother wig. on the left kneels down gratefully to accept a bag of Etched after George Murgatroyd Woodward (1760?- money, and can be seen behind giving some to a 1809), caricaturist and author, by Isaac Cruikshank disabled beggar while out walking (the church suggests (father of George). A prolific artist who designed 525 that is where he has come from). The brother on the prints between 1790 and his death in 1809, right, however, nonchalantly accepts his bag, and can be seen in a coach drawn by four horses, outside a resulting scandal (she had apparently also been tavern. involved with her new husband's brother) fatally Stock: 41166 damaged her reputation. From the 'Histories of the Tête à Tête annexed...' series 184. Florizel and Perdita. that appeared in 'Town and Country Magazine', a Pubd as the act directs 178[3.] monthy magazine which featured articles on the Very rare etching, 18th century watermark; platemark scandals and romantic affairs of the nobility. BM 230 x 275mm (9 x 10¾"). Creasing; ms in pencil. Satires 5410 £330 Stock: 41057 Satire on the relationship between the prince of Wales (the future George IV) and the author and actress Mary 187. Tutors Assistant. 'Perdita' Robinson (1756/8-1800). H.y Alken, Del.t. London, Published by Tho.s McLean Bust portrait divided in two, one half representing the Repository of Wit & Humour, 26 Haymarket, 1823. prince, the other representing Robinson. They first met Soft ground etching with handcolour. Plate: 255 x at a command performance in 1779, where Robinson 215mm, (10 x 8½"). Some marks and pinholes in was playing the part of Perdita in Shakespeare's 'The margins. £95 Winter's Tale'; four days later the prince claimed to be A humorous series of illustrations of grammatical passionately in love with Robinson. Robinson gave up terms such as A Verb Neuter, a Verb Active. her theatrical career, devoted herself to a life of Stock: 40926 extravagance, and fell deeply into debt. When the prince turned his attentions elsewhere the following 188. Royal Albert Bridge, Saltash The above year, Robinson threatened to publish his letters (she Engraving of the "Royal Albert Bridge," eventually returned the letters, in exchange for £5000 across the River Tamar at Saltash, represents a and the tacit promise of an annuity). wrought-iron structure, 2,200 feet, or nearly To the sides of the split portrait are (on the left) a half-a-mile, in length [...] despondent George III saying 'Oh! My Son, My Son' Sketched by Mr. Hake; Engraved and Published by W. and (right) the heads of Robinson's other famous lovers Wood, 52 Fore Street, Devonport. Charles James Fox, Colonel Tarleton and Lord North, Wood-engraving with hand-colouring, sheet 155 x with beneath them the head of her husband Thomas 230mm (6 x 9"). Small margins. £110 Robinson, labelled 'King of Cuckolds'. BM Satires The Royal Albert Bridge, which crosses the Tamar at 6266 Stock: 41042 Saltash in Cornwall. Isambard Kingdom Brunel (1806- 59) was chief engineer and designer of the bridge, which replaced the ferry across the river to carry the 185. The Paris Diligence. new railway line linking Cornwall to the rest of Rowlandson del. [Thomas Tegg.] [n.d., c.1810.] England. The bridge opened shortly before Brunel's Handcoloured etching. Sheet: 390 x 280mm, (15¼ x death in 1859, and this print, with its detailed 11"). Staining in margins, repaired damage top right. information about the bridge, was probably made to £190 coincide with its opening. A scene in a French town in which a heavily laden Stock: 41172 diligence sets off for Paris, the passengers represent various sterotypical figures such as the letcherous 189. Craven Agricultural Show Field from a monk or the soldier in uniform. In the background a large group of monks pray to a crucifix in the middle Photograph taken on the day of the First of the square. BM Satire 11624. Exhibition of the Society. 20th Sept.r 1855. Stock: 40927 Skipton Lithographed & Printed by W.H. James Commercial 186. No. XXXVII. - No. XXXVIII. The Buildings Leeds Political Platonic Lovers. Lithograph, printed area 305 x 385mm (12 x 15"); London, Publish'd by A. Hamilton Jun.r. nr St John's large margins. Repaired tear lower edge. £280 Gate Jan 10 1777 Large view of the first agricultural show held in Engraving. Plate: 105 x 175mm (4¼ x 7"); large Skipton, in the district of Craven, Yorkshire. The show margins. £70 was an annual event from 1855 until 1929. Portraits of (left) Catharine Macaulay (1731-91), Also interesting as an early example of a lithograph historian and political polemicist; and (right) Thomas based on a photographic source. Stock: 40675 Wilson (1703-84), Church of England clergyman. Both lived in Bath, and were single after the deaths of their respective partners, and Macaulay and her daughter 190. [Ambulant Scrivener] Il Segretario moved into Wilson's house to work on her 'History of Ambulante England' using Wilson's library. Wilson was besotted Letty 1825 [after Maria de Vito] with Macaulay and in the year that this print was Very fine watercolour, 190 x 145mm (7½ x 5¾"). published, he celebrated her forty-sixth birthday by Glued to backing sheet. £260 seating her on a throne and reading adulatory addresses Fine copy of an Italian lithograph, one of five in a set to her. However, the following year she married the depicting Italian professions and costumes. For an twenty-one year old mate to a ship's surgeon, and the impression of the source lithograph see V&A Museum, the Open Championship and the Amateur the same museum number E.1160-1963 year, 1890. Stock: 41094 Stock: 40692

191. The Sale Room of Mr. Tho.s Price, 196. Muir. Auctioneer, Appraiser & Estate Agent, in the Spy [Leslie Ward.] Vincent Brooks, Day & Son Ltd Assembly Rooms, Cheltenham. lith. Vanity Fair. July 18th 1903. Printed & Published by S.Y. Griffith & Co, Chomolithograph. Printed area 330 x 190mm (13 x Cheltenham. 7½"). Tear in right margin. £160 Steel engraving. 150 x 230mm (6 x 9") very large Samuel Mure Fergusson (1855 – 9 December 1928), a margins. £70 Scottish amateur golfer who was placed fourth in the Am auctioneer's room during viewing, with the tables 1891 Open Championship. He lost by 1 to John Ball in stacked high with illustrated books, published in the final of the 1894 Amateur Championship at Royal Griffith's 'New Historical Description of Cheltenham'. Liverpool Golf Club. He designed the the New Zealand Stock: 40507 Golf Club course in 1895 and later a 9-hole golf course for King Edward at Windsor. 192. [Bacchic Initiation.] Stock: 40693 [Cornelius de Bruijn.] [n.d., c.1698.] Engraving. Plate: 190 x 300mm, (7½ x 11¾"). £190 197. Hoylake. An illustration from Cornelius de Bruijn's (1652-1726) Spy [Leslie Ward.] Vincent Brooks, Day & Son Ltd account of his travels to Italy and the Levant, 'Reizen lith. Vanity Fair. July 16th 1903. van Cornelius de Bruyen door de vermaardste Peelen Chomolithograph. Printed area 330 x 190mm (13 x van Klein Asia', 1698. The scene shows the initiation 7½"). Tear in right margin. £160 of a new member of the Bentvueghals, a society of Harold Horsfall Hilton (1869-1942), golfer, one of mainly Flemish and Dutch artists living in Rome only three amateurs to win an Open Championship, between 1620 and 1720, these bacchic initiations could firstly at Muirfield in 1893, and again at Royal last over 24 hours after which the members would Liverpool Golf Club, Hoylake, 1897. He was also the march to the Temple of Bacchus. Each member was first editor of Golf Monthly, an editor of Golf given a nickname relating to classical mythology, de Illustrated and a course designer (for example Bruijn was called 'Adonis'. Ferndown Golf Club in Dorset). Hewas inducted into Stock: 40943 the World Golf Hall of Fame in 1978. Stock: 40691 193. Crib Uncorking Blackstrap. 98. W. E_s Scu.t. 11 Octo.r 1811 Publ.d by Tho.s Tegg. 198. Plan of the Aintree Race Ground, near 111 Cheapside London. Liverpool. Shewing the various Courses. 1842. Coloured etching. 350 x 250mm (13¾ x 9¾"). £420 Drawn & Engraved by G. Tattersall. London. Tom Cribb uncorking a bottle containing a negro's Published March 1st 1842 by R. Ackermann, 191 face, with admirers cheering him on. Tom Cribb Regent Street. (1781-1848) retained his title of boxing champion of Rare etching, platemark 160 x 250mm (6¼ x 9¾"). England by beating American Thomas Molineux £130 (1784-1818), a former slave, at Thissleton Gap, Aintree Racecourse near Liverpool. The hotelier and Leicester on 28 September, 1811, breaking his jaw and sports promoter William Lynn (1792-1870), who had knocking him out. Black Strap was a low-quality thick leased the Waterloo Hotel in Aintree in 1820, leased sweet port. BM Satires 11755. the racecourse in 1829 (probably as a way of attracting Stock: 41127 customers to his hotel), erected a grandstand, and was soon organizing three meetings a year. By the time this 194. [Football Certificate.] Diplome de print was published, however, the artistocracy had Membre Honoraire. become involved. Lynn's name had been removed from Paul Ordner. [d.n., c.1950.] the card (he was declared bankrupt in 1844), and the Certificate. Sheet: 300 x 240mm, (11¾ x 9½"). £110 'Grand National' (which some consider to have begun A football certificate designed by the well known in the 1830s) was officially adopted in 1847 for the sporting poster designer Paul Ordner (1901-1969) national racing event at the course. showing the moment a goalkeeper leaps to save a goal Stock: 41083 kicked by a figure on the left. Stock: 40940 199. [Newmarket] A View of the Round Course or Plate Course with divers jockeys and 195. Mr John Ball jun. Horses in different Actions and Postures going Lib. [Liborio Prosperi.] Vincent Brooks, Day & Son to start for the Kings Plate at New Market. Ltd lith. Vanity Fair. March 5 1892. Tillimans Pinx. [Peter Tillemans] J.s Sympson and J.n Chomolithograph. Printed area 330 x 190mm (13 x Lord [ex]. [n.d., c.1730.] 7½"). Tear in right margin. Slight offset. £140 Very rare coloured engraving. Sheet 295 x 420mm John Ball, Jr. (1861-1940), golfer, the first of only (11½ x 16½"). Trimmed within plate, false margins three amateurs to win an Open Championship. He won added, laid on card. £240 The artist, Peter Tillemans (1684-1734), was born in 203. The South Prospect of the Cathedral of Antwerp and moved to England in 1708. He St Pauls. specialised in sporting and landscape paintings. Not in Schwert fäger delin. R. Parr sculp. Published 12th May Siltzer. 1794 by Laurie & Whittle, 53 Fleet Street London. Stock: 40442 Rare engraving. 340 x 505mm (14¼ x 20"). Holes in all four corners of the printed border, where hung up; 200. [Newmarket] A View of the Round small area of worming in inscription area paper toned. Course or Plate Course with divers jockeys and £190 Horses in different Actions and Postures going A front elevation of the rear of St Paul's Cathedral, to start for the Kings Plate at New Market. towers on the left, from a series of all four faces and a Tillimans Pinx. J.s Sympson and J.n Lord [ex]. [n.d., floorplan, all engraved by Parr after Schwertfäger. It is c.1730.] not known when the plates were first published: an Rare engraving; 18th century watermark. 450 x 310mm example of the floorplan with a dedication by John (17¾ x 12¼"); large margins. Creasing. £340 Brindley is dated 1747, but the BM believes this was The artist, Peter Tillemans (1684-1734), was born in also a reissue. Parr died in 1754 and Schwertfäger is Antwerp and moved to England in 1708. He untraced. specialised in sporting and landscape paintings. Not in Stock: 40695 Siltzer. Stock: 40610 204. A South View of the Cities of London and Westminster, taken from Denmark Hall 201. To His Grace the Duke of Newcastle This near Camberwell. From the Original Picture Print of The Return from Shooting Is by in the Possession of Mr. Smart. Permission dedicated by his Grace's most George Robertson pinxit. John Boydell excudit 1779. obliged & most humble Servant Francis Daniel Lerpiniere Sculpsit. Published May 1.st 1779 by Wheatley. John Boydell, Engraver in Cheapside London. Painted by F.Wheatley. Engraved by F.Bartolozzi R.A. Engraving. Plate: 610 x 485mm, (24 x 19") large the Landscape &c. by S. Alken. Publish'd as the Act margins. Some small repairs. £1250 directs Jan.y. 10. 1792, by Joseph Barney Tottenham A view across to London from the South, in the Court Road opposite the Chapel. foreground a stagecoach laden with passengers hurtles Stipple. Plate: 670 x 540mm, (26½ x 21¼") very large down the road to London passing by a young couple margins. Tear in top edge. £950 walking arm in arm. St Pauls Cathedral and An exterior scene showing the Henry Pelham-Clinton, Westminster Abbey tower above the buildings around 2nd Duke of Newcastle (1720-1794) and Colonel them and the Tower of London is just visible at the Lichfield returning from a days shooting with their extreme right of the image. dogs, including the clumber spaniels bred by the Stock: 40827 Duke's gamekeeper William Mansell, who is also depicted. The Duke of Newcastle's Nottinghamshire 205. A North View of the Cities of London residence, Clumber Park, after which the dogs are and Westminster, with part of Highgate taken named, can be seen in the far distance. from Hapstead Heath, near the Spaniards. Stock: 40876 George Robertson Delineavit. John Boydel excudit 1780. Daniel Lerpiniere sculpsit. Published June 10.th 202. The East Prospect of the Cathedral of St 1780 by John Boydell Engraver in Cheapside London. Pauls. Engraving. Sheet: 615 x 485mm, (12 x 19"). Trimmed Schwert fäger delin. R. Parr sculp. Published 12th May to platemark. Mark in sky. Repairs. £800 1794 by Laurie & Whittle, 53 Fleet Street London. A view looking across Hampstead Heath, where Rare engraving. 505 x 360mm (19¾ x 14¼"). Tears in figures are depicted cutting, raking and collecting hay, right margin, holes in all four corners of the printed to London where St Pauls Cathedral and Westminster border, where hung up, paper toned. £190 Abbey can be seen towering above the buildings A front elevation of the rear of St Paul's Cathedral, surrounding them. from a series of all four faces and a floorplan, all Stock: 40826 engraved by Parr after Schwertfäger. It is not known when the plates were first published: an example of the 206. Part of the Bridge at Blackfriars. As it floorplan with a dedication by John Brindley is dated was in July 1766. 1747, but the BM believes this was also a reissue. Parr Edw.d Rooker delin et Sculp. Publish'd Accordijng to died in 1754 and Schwertfäger is untraced. BM: Act of Parliament by Jn.o Boydell Engraver, Feb.y1.st 1978,U.3615. 1777. Stock: 40694 Engraving. 185 x 245mm (7¼ x 9¾"), large margins. £120 The first Blackfriars Bridge, built by Robert Milne from Portland stone, opening 1769. This is a reduction a larger view published by Edward Rooker in 1766. Stock: 40962

207. [Stationer's Almanack.] British Museum 211. The North View of Roehampton. 14 Grand Central and Egyptian Saloons. Chatelain delin. J. Roberts sculp. Publish'd according Engraved by Sands from a Drawing by Allom. to Act of Parliament Sep.t ye 22 1750. Published by J. Robins & Sons, Tooley Street, London. Engraving. 85 x 130mm (3¼ x 5"). Trimmed to plate, [For the Stationers' Almanack, c.1840.] laid on album paper. Dusty. £70 Steel engraving. 265 x 450mm (10½ x 17¾"); very A view looking up to Roehampton from the Thames, large margins. £230 with figures on the bank of the river and sailing boats Figures wondering around the sculptures inside the on the water. From Jean Baptiste Chatelain's 'Fifty Lower Egyptian Gallery (Room 25) of the British Views of Villages, &c. from the most agreeable Museum in Bloomsbury, London; an artist at work to Prospects near London'. Later editions were printed by right foreground. Robert Sayer. From a plate engraved for the Stationers' Almanack. Stock: 40682 The Stationers' Company had published the Stationers' Almanack since 1747, a single-sheet which consisted 212. A View of the Garden of the Earl of of calendar text set out beneath an engraved headpiece Burlington, at Chiwick; taken from the Top of that recorded significant events of the preceding year. the Flight of Steps leading to ye Grand Gallery After Thomas Allom (1804 - 1872). Hyde: pg.33. in ye Back Front. Stock: 40611 [J. Donowell, Arch. delin.] London Printed for John Bowles & Son, at the Black Horse in Cornhil, T. 208. This Plate of the Royal Military Asylum Bowles in St Pauls Church-Yard, Rob.t Sayer at the and Training-College, -Chelsea, is respectfully Golden Buck in Fleet Street, & John Ryall at Hogarth's dedicated by permission to the Rev.d G.R. Head in Fleet Street. [c.1750] Gleig M.A. Chaplain General to the Forces by Rare engraving with fine colour. Sheet 250 x 405mm. his obedient and humble servant - Frederick Trimmed to image, title excised and pasted on verso, Whitaker, Military Student. August 1856 trimmed into Donowell's inscription, two short tears. F. Whitaker, Delt et Fecit Printed by R. Appel's Slight tear on left. £260 Anastatic Process Chiswick House, built for the 3rd Earl of Burlington Zincograph, sheet 240 x 330mm (9½ x 13"). Creases; after a fire damaged the old house in 1725. It was a very scarce. £240 summer retreat from his main residence in London, The Duke of York's Headquarters near Sloane Square Burlington House, now home of the Royal Academy. in Chelsea, London, completed in 1801 to the designs The gardens, designed on part by William Kent, are of John Sanders. Originally the Royal Military among the earliest examples of the 'English Landscape Asylum, it was a school for the children of soldiers' Garden', informal arrangements with mock classical widows. Part of the site is now occupied by the Saatchi features. Gallery, with another part used for an independent Stock: 40683 school. Stock: 41073 213. The South View of Barnes. 12 Chatelain delin. J. Roberts sculp. Publish'd according 209. Holland House, Middlesex. to Act of Parliament Sep.t ye 29 1750. Day & Son Lith.rs to the Queen. [n.d., c.1850.] Engraving. 85 x 130mm (3¼ x 5"). Trimmed inside Lithograph with hand colour. Sheet: 340 x 250mm, plate on left, elswhere thread margins, laid on album (13½ x 9¾"). Slight foxing. £140 paper. £120 A view of Holland House in Kensington, originally A view of Barnes, centred on St Mary's Church with a built in the Elizabethan era by Sir Walter Cope only the windmill to the left. From Jean Baptiste Chatelain's east wing now survives and the grounds are now a 'Fifty Views of Villages, &c. from the most agreeable public park. Prospects near London'. Later editions were printed by Stock: 40917 Robert Sayer. Stock: 40677 210. The South East View of Kensington Church. 25 214. The West View of Barnes. 13 Chatelain delin. J. Roberts sculp. Publish'd according Chatelain delin. J. Roberts sculp. Publish'd according to Act of Parliament Oct 20 1750. to Act of Parliament Sep.t ye 29 1750. Engraving. 85 x 130mm (3¼ x 5"); very large margins. Engraving. 85 x 130mm (3¼ x 5"). Trimmed to plate, £75 laid on album paper. £95 A view centred on St. Mary Abbots, from Jean A view of St Mary's Church showing "Strawberry Baptiste Chatelain's 'Fifty Views of Villages, &c. from House" from Jean Baptiste Chatelain's 'Fifty Views of the most agreeable Prospects near London'. Later Villages, &c. from the most agreeable Prospects near London'. Later editions were printed by Robert Sayer. editions were printed by Robert Sayer. Stock: 40679 Stock: 40678

215. The North View of Mortlake. 16 219. South West View of Woburn Abbey, The Chatelain delin. J. Roberts sculp. Publish'd according Seat of His Grace the Duke of Bedford. to Act of Parliament Sep.t ye 22 1750. R. Creighton Del.t W. Woolnoth sculpt. [n.d., c.1780] Engraving. 85 x 130mm (3¼ x 5"). Trimmed to plate, Etching, watermark 1835 T. Edmends; sheet 355 x laid on album paper. £95 535mm (14 x 21") very large margins. £150 A view of St Mary the Virgin. From Jean Baptiste Woburn Abbey in Bedfordshire, family seat of the Chatelain's 'Fifty Views of Villages, &c. from the most Duke of Bedford since 1547 when Henry VIII took it agreeable Prospects near London'. Later editions were from its monastic residents. The architect Henry printed by Robert Sayer. Flitcroft was employed from 1747 to rebuild the west Stock: 40681 wing of the house in the Palladian style as seen here. Stock: 41171 216. The East View of Mortlake. 15 Chatelain delin. J. Roberts sculp. Publish'd according 220. Drakeloe Pond, the Chinese Temple, & to Act of Parliament Sep.t ye 22 1750. Evergreens. taken from Woburn Church Engraving. 85 x 130mm (3¼ x 5"). Trimmed to plate, Tower laid on album paper. £95 F. Ross lith A view of Mortlake and the Thames, from Barnes, with Lithograph with very fine hand colouring, printed area the tower of St Mary the Virgin. From Jean Baptiste 160 x 230mm (6¼ x 9"). £160 Chatelain's 'Fifty Views of Villages, &c. from the most The Chinese Dairy at Woburn, designed by Henry agreeable Prospects near London'. Later editions were Holland in 1787, built in 1794 and restored in 2004. printed by Robert Sayer. Plate from the 'Hortus Woburnensis' (1833), a volume Stock: 40680 about the grounds at Woburn Abbey. Stock: 41176 217. Woburn House, Bedfordshire, The Residence of His Grace the Duke of Bedford. 221. The Menagerie, Woburn Abbey. [Anon., c.1800] G.P. Harding delt F. Ross delt Aquatint with hand-colouring, sheet 210 x 265mm (8¼ Lithograph with very fine hand colouring, printed area x 10½"). Trimmed inside platemark. £160 185 x 260mm (7¼ x 10¼") very large margins. £160 Woburn Abbey in Bedfordshire, family seat of the The menagerie at Woburn Abbey in Bedfordshire, Duke of Bedford since 1547 when Henry VIII took it showing buildings constructed accoding to designs by from its monastic residents. The architect Henry the great landscape gardener Humphry Repton as part Flitcroft was employed from 1747 to rebuild the west of his improvements to the grounds. The octagonal wing of the house in the Palladian style as seen here. aviary on the right was divided into a lower section (for Stock: 41174 canaries) and an upper section (for pigeons). On either side of the octagonal structure are the keepers' 218. Approach to Woburn Abbey, as it has apartments, next to which are antelope enclosures. been altered Plate from the 'Hortus Woburnensis' (1833), a volume [Published by J. Taylor, Feb. 1 1808] about the grounds at Woburn Abbey. The aviary was Aquatint with hand-colouring, sheet 260 x 185mm recently reconstructed at Woburn, modelled upon (10¼ x 7¼"). Trimmed. losing publication line. £140 prints such as this. Woburn Abbey in Bedfordshire, family seat of the Stock: 41175 Duke of Bedford since 1547 when Henry VIII took it from its monastic residents. The architect Henry 222. Interior of St Bees Clerical College Hall. Flitcroft was employed from 1747 to rebuild the west The profits from the sale of this print to be wing of the house in the Palladian style as seen here. appropriated to the St Bees College Missionary Plate from Humphry Repton's 'Fragments on the theory Association. and practice of Landscape Gardening', in which it F.B.A. Student of St Bees Del.t. G.F. Braff Lith. contrasted with a view of the abbey from a similar Printed by H. Fores Spur Street London. [n.d., c.1840.] position, but before picturesque alterations were made Rare tinted lithograph. Printed area 210 x 260mm (8¼ to the garden. In the 'before' image there is no river, the x 10¼"), large margins. £120 path runs more directly towards the house, and denser The main lecture room of St Bees Theological College, trees conceal more of the house. Repton's last treatise, formerly the chancel of St Bees Priory, which had been 'Fragments' charts the break-up of landscape gardening roofless since the Dissolution. and the society which sustained it, focusing on small Founded in 1816, St Bees was the first independent flower gardens and ornate gothic buildings rather than theological college to be established for the training of the landscape at large. Repton died two years later, in Church of England ordinands. Initially a success, 1818. training over 2,600 clergy for the ministry, numbers Stock: 41173 tailed away until the college was shut in 1895. The lecture room is now a parish hall and the rehearsal room for the Priory choir. Stock: 40685

223. A View of the Landslip from Great 227. Allington Castle. Bindon, looking Westward to the Sidmouth Drawn from Nature & on Stone by C. Hullmandel. Hills and Estuary of the Exe. No.4 Printed by C. Hullmandel. [n.d., c1850.] Mary Buckland del 30th Dec.r 1839, on Zinc by G. Lithograph. Sheet: 410 x 340mm, (16 x 13¼"); large Scharf. Printed by C. Hullmandel. [London: John margins. Some marking. £180 Murray, 1840.] A view of Allington Castle in Kent. The castle, first Tinted zincograph. Sheet 300 x 430mm (11¾ x 17"). built in the 12th century fell into ruin after the owner Slight marks in sky. £160 Thomas Wyatt forfeited the property in 1584 following A scene on the cliffs of England's 'Jurassic Coastline' an unsucessful rebellion against Queen Mary. The after a landslip on Christmas Day 1839, taking with it a castle was eventually restored in the twentieth century number of cottages and an orchard. It was the first and is once again a private residence. major landslip to be recorded scientifically and is Stock: 40759 known today as the 'Undercliff'. From Conybeare & Dawson's 'Landslips in East Devon". Abbey: 129. 228. S.t Andrew's Hall, Norwich. (Built by Stock: 40524 Sir Thomas Erpingham, Kn.t in 1428.) In which are held the Mayor's Annual Feast, 224. A View of the Axmouth Landslip from Musical Festival & Public Meetings. Dowlands, looking Westward upon the Drawn by D. Hodgson. Day & Haghe, lithog.rs to the Undercliff and New Beach raised from the King Gate St. Pub.d by Charles Muskett, Bookseller Bottom of the Sea onthe 25th Dec.r 1839. &c. Corner of Bridewell Alley, Norwich & Co Tilt, Drawn on the Spot by Mary Buckland 30th Dec.r 1839. Fleet S.t London. On Zinc by G. Scharf. Printed by C. Hullmandel. Lithograph. Sheet: 220 x 305mm, (8¾ x 12"). [London: John Murray, 1840.] Trimmed. Tears in edges. £65 Tinted zincograph. Sheet 300 x 870mm (11¾ x 34¼"). An interior view of the fifteenth century hall attached Some wear to margins. Central crease as normal. to the fourteenth century friary in Norwich. £220 Stock: 40782 A scene on the cliffs of England's 'Jurassic Coastline' after a landslip on Christmas Day 1839, taking with it a 229. [Jesus College from the Turl.] number of cottages and an orchard. It was the first [J.H. Le Keux.] [n.d., c.1860.] major landslip to be recorded scientifically and is Etching. Proof before all letters. Plate: 400 x 340mm known today as the 'Undercliff'. The only double-page (15¾ x 13½"), with very large margins. £220 plate in Conybeare & Dawson's 'Landslips in East A view of Jesus College from the Turl, Oxford, groups Devon". Abbey: 129. of figures are depcited going about their daily business Stock: 40523 while three men dig up the cobbles in the road. Stock: 40703 225. Cottage in the Village of Buckland-in- the-Moor, Devon. 230. The New Chapel, Balliol College, Oxford. E.A. Martin, delin. Hackett, lithog. Exeter [c.1830] Drawn & Engraved by J.H. Le Keux. [n.d., c.1860.] Rare lithograph, printed area 190 x 290mm (7½ x Mint etching. Plate: 410 x 330mm (16 x 13"), with 11½"); very large margins. Repaired tear to left very large margins. £280 margin. £140 A view of William Butterfield's controversial chapel Unusual rural scene with family playing outside a completed in 1857. Several groups of scholars, women cottage by a stream. On the other side of the stream a and children are depicted walking through the scene, man, accompanied by his dog, brings back wood. while two gardeners can be seen working on the lawn. Buckland-in-the-Moor is a village situated in Stock: 40627 Dartmoor, in Devon. Ex: Collection Hon Christopher Lennox-Boyd. 231. Oxford from the Top of Bodley's Stock: 40644 Library. Drawn & Engraved by J. H. Le Keux, Durham. 226. Dawlish. Published by Macmillan & Co. Oxford & London, From Nature & on Stone by W. Spreat, Jun.r Printed Nov.r. 1st. 1865. by C. Risdon, Exeter Mint etching. Plate: 405 x 335mm (16 x 13") very Lithograph with tintstone, printed area 215 x 300mm large margins. £320 (8½ x 11¾"). £190 A very impressive view of the roof tops showing the A view in Dawlish on the south coast of Devon, spires of Oxford from the top of the Bodleian Library. showing an early train. During the eighteenth century, In the sixteenth century, following the decline of the Dawlish grew from a small fishing port to become a University's library, Sir Thomas Bodley took it upon well-known seaside resort. William Spreat was an himself to fund and refurbish it. It was reopened in accomplished local topographer of Devon scenery (see 1602 under the name the Bodleian Library. also his 'The Churches of Devon' and set of views of Stock: 40621 the 'The Church of St Mary, Ottery'. Stock: 40674

232. New Meadow Buildings, Christ Church. 237. Worcester College from the Provost's Drawn & Engraved by. J. H. Le Keux, Durham. Garden. Published by Macmillan & Co. Oxford & London Drawn & Engraved by J.H. Le Keux. Published by Novr. 1st. 1864. J.H.Parker, Oxford Nov.r. 1st. 1855. Mint etching, on india. Plate: 400 x 330mm (16 x 13") Mint etching. Plate: 410 x 330mm (16 x 13"), with very large margins. £280 very large margins. £280 A view of the Meadow Building of Christ Church A view of Worcester College, Oxford and the Provost's College in Oxford University, showing the college Lodgings from the lake. Though near the centre of the under construction. Several groups of figures walk by city today, when the college was founded in 1714 it lay the building while construction workers work by some on the outskirts of the city, this has allowed it to retain scaffolding. the very large grounds and playing fields shown in the Stock: 40613 image. Stock: 40625 233. Front of Corpus Christi College from the Garden. 238. Thomas Clarkson. Playford Hall. Aug. Drawn & Engraved by J. H. Le Keux, Durham. 31. 1846, aged 87. Thomas Clarkson penned Engraving, on india. Plate: 440 x 340mm (17¼ x the original Autograph, (of which the above is 13¼"), with very large margins, mint. £260 a perfect facsimile, obtained by the Anastatic A view of the garden in Corpus Christi in Oxford Press) in ink pre-pared for the purpose; about University founded in 1517. A figure in a gown and 4 weeks before his death, which took place on three women stand on the lawn. Stock: 40606 the 26th of the 9th month, 1846, in his 87th year. The windows immediately opposite the 234. The New Chapel, Exeter College. gate are these of his usual sitting room, the two G.G.Scott, A.R.A Arch.t. Drawn & Engraved by above them of that where he ended his mortal J.H.Le Keux. Published by J.H.Parker, Oxford Novr. career. WDS. 1.1860. W.m Dillwyn Sims [facsilimile within plate]. Ipswich Mint etching. Plate: 390 x 335mm (15½ x 13"), with Anastatic Press. [n.d., c.1846.] very large margins. £260 Lithograph. Sheet size: 280 x 385mm (11 x 15¼"). £75 A view of the newly completed chapel at Exeter A view of Playford Hall, Suffolk, with abolitionist College, Oxford. In the early part of the 19th Century it Thomas Clarkson (1760 - 1846), walking towards the became clear that the chapel built in the 17th Century gates. Clarkson was founding member of The Society was no longer sound so after much deliberation Scott's for Effecting the Abolition of the Slave Trade (also design in the french gothic style was chosen. Work known as the Society for the Abolition of the Slave started in 1853 and was completed in 1859. Trade) and helped achieve passage of the Slave Trade Stock: 40617 Act of 1807, which ended British trade in slaves. Clarkson rented Playford Hall in around 1813 and lived 235. View in the Parks, Oxford, Looking there until his death in 1846. South. Taken in the year, 1866. Stock: 40262 [Le Keux.] Mint etching, on india. Plate: 410 x 330mm (16 x 13") 239. A Survey of the House, Gardens & Park very large margins. £160 of Claremount, One of the Seats of the Right A view of the University Parks which lies to the Hon.ble Lord Clive. Plan des Jardins & parc northeast of the city. Groups of women and children de Claremmount, une des maisons de Plaisance can be seen walking and conversing while a shepherd de Mylord Clive. chez R. H. Laurie, No. 53 and his dog are shown watching their sheep. Fleet Street. Stock: 40619 A. Aveline sculp. Surveyed by I. Roque. Published 26.th April 1821 by R.d Homes Laurie, No. 53, Fleet 236. The University Museum. Street, London. Drawn & Engraved by J.H.Le Keux. Published by J.H. Rare engraved plan with hand colour. Pine & Thomas Parker, Oxford, Nov.r. 1st. 1859. Watermark 1814. Plate: 515 x 310mm, (20¼ x 12¼") Mint etching. Plate: 400 x 340mm (15¾ x 13½"), with very large margins. Diagonal crease through bottom very large margins. £260 left corner. £320 A view of the Oxford University Museum of Natural A plan of the house and gardens of Claremont in History which was completed in 1861 after a neo- Surrey. The original house was built by Sir John gothic design by Deane and Woodward. Vanbrugh in 1708, in 1768 it was bought by Sir Stock: 40623 Robert Cliver who commissioned Lancelot 'Capability' Brown to rebuild the house and redesign the gardens. In 1816 it was bought for the nation as a wedding present for George IV's daughter Princess Charlotte and her husband Prince Leopold Saxe-Coburg, it passed down through the Saxe-Coburg family until 1922 when it was supposed to be inhreited by the Duke of Saxe-Coburg, but as he had served as a German 243. [Royal Pavilion.] West-Front of the general in WW1 the inheritance was disallowed. It Pavilion Towards the Garden. became a school in 1930. H. Repton Esq.r del.t. J.C. Stadler sculp. London: Pub; Stock: 40828 May 1 1808 by J.C. Stadler, No. 15 Villiers Street, Strand [but London: Boydell, Longmans, et al, c.1822.] 240. [Royal Pavilion.] North-Front Towards Coloured aquatint; 1807 watermark. Printed area 320 x the Parade. 440mm (12½ x 17¼"). Soiled creasing on flap. £350 H. Repton Esq.r del.t. J.C. Stadler sculp. London: Pub; A general view of the original building with an overlay May 1 1808 by J.C. Stadler, No. 15 Villiers Street, that can be lifted to show Humphrey Repton's proposal Strand [but London: Boydell, Longmans, et al, c.1822.] for the Prince Regent's Royal Pavilion at Brighton, Coloured aquatint, with two overlays. Printed area 265 with similar Indo-Saracenic domes to the palace built x 705mm (10 x 27¾"). Repaired tear in upper margin, by Nash. It was an illustration to his 'Designs for the folded as issued. Top margins messy. £380 Pavillion at Brighton', first issued 1808 but this A general view of Humphrey Repton's proposal for the example from the 1822 second edition, published on Prince Regent's Royal Pavilion at Brighton, with two the completion of the rebuilding according to the flaps to be lifted to reveal the Palace and the Great designs of Repton's rival, John Nash. Abbey: Scenery, Dome. It was an illustration to his 'Designs for the 57. Pavillion at Brighton', first issued 1808 but this Stock: 40537 example from the 1822 second edition, published on the completion of the rebuilding according to the 244. [Royal Pavilion.] West-Front of the designs of Repton's rival, John Nash. Abbey: Scenery, Pavilion. 57. H. Repton Esq.r del.t. J.C. Stadler sculp. London: Pub; Stock: 40536 May 1 1808 by J.C. Stadler, No. 15 Villiers Street, Strand [but London: Boydell, Longmans, et al, c.1822.] 241. [Royal Pavilion.] [The Corridor.] Aquatint, printed in sepia. 355 x 530mm (13¾ x 20¾"). H. Repton Esq.r del.t. J.C. Stadler sculp. London: Pub; Trimmed within plate, as issued. £260 May 1 1808 by J.C. Stadler, No. 15 Villiers Street, The public facade of Humphrey Repton's proposal for Strand [but London: Boydell, Longmans, et al, c.1822.] the Prince Regent's Royal Pavilion at Brighton, with Coloured aquatint. 195 x 290mm (7¾ x 11½"). £160 similar Indo-Saracenic domes to the palace built by A glass-lined corridor, part of Humphrey Repton's Nash. It was an illustration to his 'Designs for the proposal for the Prince Regent's Royal Pavilion at Pavillion at Brighton', first issued 1808 but this Brighton, linking the main living area with the leisure example from the 1822 second edition, published on building around the gardens. It was an illustration to the completion of the rebuilding according to the his 'Designs for the Pavillion at Brighton', first issued designs of Repton's rival, John Nash. Abbey: Scenery, 1808 but this example from the 1822 second edition, 57. published on the completion of the rebuilding Stock: 40534 according to the designs of Repton's rival, John Nash. The original letterpress description is also supplied. 245. [Royal Pavilion.] General Ground Plan. Abbey: Scenery, 57. [Etched by J.C. Stadler after Humphry Repton.] Stock: 40533 [London: Boydell, Longmans, et al, c.1822.] Coloured aquatint. Sheet 530 x 365mm (20¾ x 10½"). 242. [Royal Pavilion.] General View from the Some faint staining. £240 Pavillion. The planned layout of Humphrey Repton's proposal for H. Repton Esq.r del.t. J.C. Stadler sculp. London: Pub; the Prince Regent's Royal Pavilion at Brighton, May 1 1808 by J.C. Stadler, No. 15 Villiers Street, published in his 'Designs for the Pavillion at Brighton'. Strand [but London: Boydell, Longmans, et al, c.1822.] Originally published 1808, this example comes from Coloured aquatint, with two overlays; 'J. Whatman' the 1822 second edition, issued on the completion of watermark 1807. 385 x 625mm (15¼ x 24½"), large the rebuilding according to the designs of Repton's margins. Folded as issued, some surface soiling mainly rival, John Nash. In the original edition this plan was to margins. £380 uncoloured. Abbey: Scenery, 57. A view from the back of the old building with two Stock: 40532 flaps that can be lifted to show the gardens and outlying buildings of Humphrey Repton's proposal for 246. Burton Constable, East Front. The Seat the Prince Regent's Royal Pavilion at Brighton. It was of Sir Clifford Constable, Bart. an illustration to his 'Designs for the Pavillion at J. Storey, lith. Printed by W. Monkhouse. [n.d., Brighton', first issued 1808 but this example from the c.1850.] 1822 second edition, published on the completion of Very rare tinted lithograph. Sheet 295 x 430mm (11½ the rebuilding according to the designs of Repton's x 17"). Repaired tear in top margin. £230 rival, John Nash. Abbey: Scenery, 57. Burton Constable Hall, outside the village Skirlaugh in Stock: 40535 the East Riding of Yorkshire, an Elizabethan Grade 1 listed building, as is the Stable Block. The interiors were remodelled in the 1760s, when Robert Adam lost the commission to Timothy Lightoler. Lancelot 'Capability' Brown landscaped the grounds between 250. Montblanc prise de Chamouny 1772-82. Straub del Weber sc. Edition originale à Zurich chez Stock: 40497 l'Editeur H.F. Leuthold [c.1835] Aquatint, sheet 175 x 195mm (7 x 7¾"). £180 247. Views of the Principal towns and Castles View of the town of Chamonix in the Rhône-Alpes in Scotland For Mr Tindal's continuation of region of south-east France, overshadowed by the Mr Rapin's History. mountains of the Mont Blanc massif (the highest [after John Slezer.] [London, John & Paul Knapton, mountain in the Alps and western Europe). 1744.] After Georg Straub (Swiss, 1805-77). Coloured engraving; 18th century watermark. 365 x Stock: 41109 470mm (14¼ x 18½"). Folded as issued, edges chipped. £160 251. [Greeks at Prayer.] Eleven views on one sheet, derived from John Slezer's [After Gerome] Rajon. views first published in the 1690s. They are: Edinburgh Etching. Early proof before all letters; Sheet: 280 x (spelt 'Edinburg'); Sterling; Aberdeen; Stirling Castle; 400mm, (11 x 15¾"). £140 Glasgow ('Glascow'); Fortrose ('Channery Town in An interior scene in an oriental style room, in which Ross'); Edinburgh Castle; St Andrews; Dunnottar two men kneel in prayer while a third stands behind Castle ('Dunotyr'); The Bass Rock; and Montrose. them with his head bowed. Stock: 40687 Stock: 40780

248. [The Custom House, Dublin.] 252. [Carlo III, duke of Savoy] Carolus III MMRudge [pencil signature]. [n.d., c.1920.] Philippi II filius Sabaudiae Dux IX Cypri Rex Etching, signed by the artist in pencil. 95 x 140mm à Beroldo XXVII natus Chasiaci [...] (3¾ x 5½") large margins. £90 F.J.D. Lange del P. Giffartsculptor regius sculp Parisus The Custom House, Dublin, designed by James [1702.] Gandon and opened 1791. Engraving, platemark 275 x 230mm (10¾ x 9"); very By Margaret M. Rudge, who exhibited at the Royal large margins. £130 Academy and the Society of Women Artists between Carlo III (1486-1553), duke of Savoy, often called 'il 1913 and 1929. Buono' ('the good'). Carlo was a younger son of of Stock: 40489 Filippo II (see ref. 41068), who having spent much of his life without possessions, unexpectedly became 249. Vue du Port de Dieppe Gravé d'après le duke shortly before his death owing to the death in Tableau Original, appartenant au Roi, et childhood of Carlo II (see ref. 41067). This made Carlo faisant partie de la Collection des Ports de duke following the death of his father's half-brother France ordonné par Mr. le Marquis de Filiberto II in 1504. After France invaded Savoy in Marigny [...] 1535 and held almost all of Carlo's possessions, he J. Vernet pin 1765 P. Martini scul aqua fortis 1775 spent the rest of his life in near-exile. C.N. Cochin Filius et J.P. le Bas Sculpserunt 1778. After F.J. de Lange, it is one of the 33 portraits of the A.P.D.R. Dukes of Savoy engraved by Georges Tasnière for Engraving, sheet 550 x 760mm (21½ x 30"). Trimmed 'Augustae Regiæque Sabaudæ domus arbor gentilitia', to plate. £520 1702. Stock: 41069 Impressive view of Dieppe, after one of a series of views of French ports by Joseph Vernet (1714-89) and exhibited at the Salons between 1755 and 1765. 253. Bellaggio au Lac de Como. Vernet followed an official itinerary along the French Exécuté d'après l'original du Daguerréotype Gravé par coast from Antibes in the Mediterranean to Dieppe on Falkeisen Milan chez Ferd. Artaria et Fils, Editeurs the English Channel via Toulon, Marseille, Bandol, [c.1838] Sète, Bayonne, Bordeaux, Rochefort and La Rochelle. Aquatint, sheet 230 x 280mm (9 x 11"). Artaria After visiting each port, he was required to report back blindstamp lower left. £160 to his partron Jean Girardot de Marigny, explaining The municipality of Bellaggio on the shore of Lake which views he had chosen and justifying any changes Como in the Lombardy region or northern Italy. in his itinerary. If completed, the whole series would Bellaggio is situated where the lake divides into two have comprised perhaps two dozen paintings, but narrow arms, the Como (west) arm and Lecco (east) Vernet produced only 15 (2 in Paris, Louvre; 13 on arm. dep. Paris, Mus. Mar.). He finally gave up the task and Aquatint after a daguerreotype (an early photographic settled in Paris in 1765, the series incomplete; during process), engraved by Johann Jacob Falkeisen (1804- the Revolution Jean-François Huë was commissioned 83), Swiss printmaker who worked in Milan until 1838. to continue it. He later set himself up as a businessman in Asia Minor Stock: 41156 before returning to Switzerland to curate the museum of Basle. Stock: 41110

254. Varenna au Lac de Como. 258. Baveno on Lago Maggiore Sep.r 7th 1853 Exécuté d'après l'original du Daguerréotype Gravé par Pencil sketch, sheet 180 x 265mm (7 x 10½"). £130 L. Cherbuin Milan chez Ferd. Artaria et Fils, Editeurs View of Baveno, on the west shore of Lago Maggiore [c.1838] in Piedmont, Italy. Aquatint, sheet 230 x 280mm (9 x 11"). Artaria One of a collection of sketches made by a traveller blindstamp lower left. £160 around the lakes of Switzerland and northern Italy in The municipality of Varenna on the eastern shore of 1853. Lake Como in the Lombardy region or northern Italy, Stock: 41100 with angler in the foreground. Aquatint after a daguerreotype (an early photographic 259. Lago Maggiore Looking down from the process), engraved by Johann Jacob Falkeisen (1804- Inn Window Baveno. Sept. 6th 1853 83), Swiss printmaker who worked in Milan until 1838. Pencil sketch, sheet 180 x 265mm (7 x 10½"). £140 He later set himself up as a businessman in Asia Minor View from Baveno, on the west shore of Lago before returning to Switzerland to curate the museum Maggiore in Piedmont, Italy, looking out towards the of Basle. Isola dei Pescatori and Isola Bella. These are two of the Stock: 41112 Borromean Islands (Isole Borromee), a group of three islands and two islets named after the Borromeo 255. Villa Carlotta au Lac de Como. autrefois family, which once owned all five. Villa Sommariva One of a collection of sketches made by a traveller Mazzola dess Gravé par L. Cherbuin Milan chez Ferd. around the lakes of Switzerland and northern Italy in Artaria et Fils, Editeurs [c.1838] 1853. Aquatint, sheet 230 x 280mm (9 x 11"). Artaria Stock: 41101 blindstamp lower left. £160 Villa Carlotta on the western shore of Lake Como in 260. Lago di Como or Lecco looking towards the Lombardy region of northern Italy. Completed in Lecco from near Belaggio Sept 3d 1853 1745, it was acquired by the Neapolitan banker and Pencil sketch with watercolour, sheet 180 x 265mm (7 politician Giambattista Sommariva (hence its previous x 10½"). £80 name 'Villa Sommariva'). View of Lake Como in Lombardy, Italy. The view is Stock: 41111 taken from Bellaggio, famous for its location at the point where the lake separates into Como (west) and 256. A view of the Cathedral Church of Lecco (east) arms. Florence and the Grand Procession of the Host One of a collection of sketches made by a traveller [after Giuseppe Zocchi.] Publish'd according to Act of around the lakes of Switzerland and northern Italy in Parliament August 1st 1750. 1853. Engraving with fine original colour. Sheet 270 x Stock: 41105 440mm (10½ x 17¼"). Trimmed to image and laid on card as a vüe d'optique, title (as above) pasted on 261. Lago D'Orta looking up from below the reverse. £160 Monte Sacro aug.t 31st 1853 The Cattedrale di Santa Maria del Fiore during Corpus Pencil sketch, sheet 180 x 265mm (7 x 10½"). £140 Christi. After Giuseppe Zocchi (c. 1711-67), best View of Lago d'Orta in the Piedmont region of known for his Vedute of his native city, Florence. northern Italy, from near the Roman Catholic complex Zocchi's original plate appeared in his ''Scelta di XXIV Sacro Monte di Orta on the lake's eastern shore. vedute delle principali contrade, piazze, chiese e One of a collection of sketches made by a traveller palazzi della città di Firenze' of 1744. around the lakes of Switzerland and northern Italy in Stock: 40684 1853. Stock: 41104 257. Lago Maggiore near Baveno Sep.r 7th 1853 262. From the Col de Colina de Varallo Sept.r Pencil sketch, sheet 180 x 265mm (7 x 10½"). £120 1st 1853 View near Baveno, on the west shore of Lago Pencil sketch with painted accents, sheet 180 x 265mm Maggiore in Piedmont, Italy, looking towards Laveno (7 x 10½"). £110 on the east shore. View from Varallo Sesia in the Piedmont region of One of a collection of sketches made by a traveller Italy, looking towards Monte Rosa, the second highest around the lakes of Switzerland and northern Italy in mountain in the Alps, on the right. 1853. One of a collection of sketches made by a traveller Stock: 41099 around the lakes of Switzerland and northern Italy in 1853. Stock: 41106

263. Lago di Como looking down from A view of the Baptistry of St John in Pisa, built Varenna Sept. 3 1853 between 1152 and 1363, with various figures and Pencil sketch with watercolour, sheet 180 x 265mm (7 animals standing by the doors. x 10½"). £140 Stock: 40955 View from the municipality of Varenna on the east shore of Lake Como in Lombardy, Italy. 269. Veduta della Famosa Cattedrale di Pisa. One of a collection of sketches made by a traveller View of the Famous Cathedral of Pisa. around the lakes of Switzerland and northern Italy in A Livorno presso Gio. Batta. Guerrazzi Via 1853. Ferdinanda No. 90 Anno 1826. Stock: 41102 Engraving. Plate: 580 x 430mm, (22¾ x 17"); large margins. Messy margins. Slight foxing. £480 264. Looking up Lago di Como from near A large fine view of the Cathedral in Pisa with the Varenna Sept 3. 1853 leaning tower behind. Several groups of figures, Pencil sketch with chalk accents, sheet 180 x 265mm including musicians, Ottomans and a man with a (7 x 10½"). £140 camel. View from near the municipality of Varenna on the Stock: 40948 east shore of Lake Como in Lombardy, Italy. One of a collection of sketches made by a traveller 270. The Inside of the Pantheon at Rome. Le around the lakes of Switzerland and northern Italy in dedans du Pantheon a Rome. 1853. Published 12th May 1794 by Laurie & Whittle, 53 Stock: 41103 Fleet Street, London. Fine coloured engraving. Sheet 275 x 415mm (10¾ x 265. [Map of Livorno.] Piano Attuale Della 16¼"). Trimmed just within plate. £230 Città e Porto di Livorno Con suoi Subborghi The interior of the Pantheon, looking up to the famous ed Adjacenze 1825. domed roof with the hole. G. Batocchi inc. Built by Marcus Vipsanius Agrippa in 27 BC and Fine & rare engraving. Sheet: 640 x 480mm, (25 x restored by Emperor Hadrian in AD 120, the Pantheon 19"); very large margins. Creasing in edges. £380 stands as one of Rome's most impressive temples. A detailed plan of the city of the Tuscan port city Stock: 40444 Livorno including outlying areas including a key identifying major houses and churches. 271. Lombardie. Venise. Pont de Rialto. Stock: 40954 Venezia. Ponte di Rialto. Dessiné d'apres nature par Ph. Benoist. Lith par 266. Faciata Dauanti il Pallazo. Prospetiua Bachelier. Imp. per Lemercier à Paris. Paris, Bulla Del Giardin che é sopra il Pallazo Del' Ill.mo éditeur rue Tiquetonne 18 et M.on Aumont Francois Sig: Con. Mafei in Verona. Delarue, Succio rue J.J. Rousseau 10. [n.d., c.1840.] [Johann Christoph Volkamer.] [1708.] Tinted lithograph. Printed area 250 x 290mm (9¾ x Rare engraving. Sheet: 330 x 230mm, (13 x 9"). Some 11½"); large margins. £190 damage on left edge, central crease as issued. £160 The famous Rialto Bridge over the Grand Canal, A view of the garden of the Mafei Palazzo in Verona, Venice, designed by Antonio da Ponte and completed showing the many citrus trees in ornate pots. An in 1591. Stock: 40688 illustration from 'Nürnbergische Hesperides...,' 1708 a study of citrus fruit by German merchant and botanist Johann Christoph Volkamer (1644-1720). 272. Lombardie. Venise. Quai des Esclavons. Stock: 40946 Venezia. Riva degli Schiavoni. Dessiné d'apres nature par Ph. Benoist. Lith par 267. Invictissimo Comiti Octavio Bachelier. Imp. per Lemercier à Paris. Paris, Bulla Piccolomineo de Aragona. éditeur rue Tiquetonne 18 et M.on Aumont Francois G. Seghers pinxit. Vorsterman sculpsit. Cum privilegio Delarue, Succio rue J.J. Rousseau 10. [n.d., c.1840.] Regium. [n.d., c.1645.] Tinted lithograph. Printed area 250 x 290mm (9¾ x Engraving. 17th century watermark; Plate: 180 x 11½"); large margins. £230 245mm, (7 x 9½"); large margins. £140 A view of the Riva degli Schiavoni, the promenade on A half-length portrait of Ottavio Piccolomini (1599- the waterfront at St. Mark's Basin in Venice. It got its 1656), an Italian nobleman who served as a name for being the landing point of goods from the Balkans, including the trunks of alder trees than form commander for Spain and the Holy Roman Empire. Stock: 40923 the foundations of the city. Stock: 40689

268. Veduta del Battistreo di Pisa. View of the Baptistry of Pisa. A Livorno presso Gio. Batta. Guerrazzi Via Ferdinanda, No.90 Anno 1826. Engraving. Plate: 410 x 570mm, (16 x 22½"); very large margins. Slight spotting. Rare in good condition. £420 273. A Perspective View of the Town and was lost, earning him the sobriquet 'senza terra' or Fortifications of Malta. Veue Perspective de la 'Landless'. Ville et des Fortifications de Malta. After F.J. de Lange, it is one of the 33 portraits of the Published 12th May 1794 by Laurie & Whittle, 53 Dukes of Savoy engraved by Georges Tasnière for Fleet Street, London. 'Augustae Regiæque Sabaudæ domus arbor gentilitia', Hand coloured engraving. 260 x 400mm (10¼ x 15¾"). 1702. Foxing. £520 Stock: 41068 A highly-detailed panoramic bird's-eye view of the fortified town of Valletta on the island of Malta. 278. Victor Amedeus II. Sabaudiæ Dux Ped Stock: 37340 Princ. Cypri Rex &c. F.J.D. Lange Annessiensis Sab.e del. 1702. G. 274. A View of Rotterdam and the River Tasniere Sculps. Taurini. [1702.] Maese with variety of Shipping. Vüe de Engraving. 280 x 225mm (11 x 9"). Cut to border. Rotterdam, er de las Meuse acec divers £180 Vaisseaux. An oval portrait of Victor Amadeus II (1666-1732), Duke of Savoy from 1675-1730, within a decorative Printed for Jn.o Bowles & Son at the Black Horse in border with engraved Latin biography. Cornhill, London. [n.d., c.1760.] After F.J. de Lange, it is one of the 33 portraits of the Coloured engraving. 280 x 425mm (11 x 16½"). Top Dukes of Savoy engraved by Georges Tasnière for edge chipped, faint crease. £280 'Augustae Regiæque Sabaudæ domus arbor gentilitia', A fine view of Rotterdam from the Meuse, with the 1702. Grote of Sint-Laurenskerk in the centre. Most of the Stock: 40972 ships fly the Dutch tricolour, but two have the British Union Flag. John Bowles was in partnership with his son Carington 279. [Vittorio Amadeo Maria III of Sardinia] from 1752-64. Victorius Amedeus III. Caroli Emanuelis I ex Stock: 40540 Polixena filius, Sardiniae, Cypri, et Hierusalem Rex III. 275. Funchall, Capitale de l'Ile de Madere. Visca delineavit Dom Cagnoni sculp [1780] Bit later. Par Thomas Ender de Vienne, (Austriche.) Paris, Engraving, 18th century watermark; platemark 310 x Challamel, Editeur. [n.d., 1848.] 250mm (12¼ x 9¾"). £95 Tinted lithograph Sheet 230 x 300mm (9 x 11¾"); Vittorio Amadeo III (1726-96), King of Sardinia from large margins. Slight crease. £140 1773 until his death. In 1750 Vittorio Amadeo married A fine view of Funchal from 'Album cosmopolite: the Infanta Maria Antonietta of Spain, strengthening Choix des Collections de M. A. Vattemare, d'après les ties between Madrid and Turin. He declared war on dessines des principaux artistes de l'Europe'. Revolutionary France in 1792 but after four years of Stock: 40686 fighting was forced to cede the Treaty of Paris surrendering various possessions to the French. 276. [Carlo II, duke of Savoy] Carolus Stock: 41066 Joannes Amedeus II Sabaudie Dux VI; Cypri Rex, à Beroldo XXIV [...] 280. View of the Boiling Spring in Iceland F.J.D. Lange Annessiensis del G. Tasniere Taurini Called The Great Geyser [&] View of the 1701 [1702.] Boiling Spring in Iceland Called The New Engraving, platemark 275 x 230mm (10¾ x 9") very Geyser. From a Drawing taken on the Spot by large margins. £130 Sir John Thomas Stanley Bar.t 1789 Carlo II (1488-96), duke of Savoy (although his mother On Stone by J. Baynes Printed by C. Hullmandel Bianca di Monferrato served as regent). [c.1820] After F.J. de Lange, it is one of the 33 portraits of the Two lithographs, 'The Great Geyser' on india, each Dukes of Savoy engraved by Georges Tasnière for printed area approx 255 x 180mm (10 x 7"). £320 'Augustae Regiæque Sabaudæ domus arbor gentilitia', Pair of lithographs of geysers in Iceland, made from 1702. drawings by Sir John Thomas Stanley, seventh baronet Stock: 41067 and first Baron Stanley of Alderley (1766-1850). Following earlier travels in continental Europe, John 277. [Filippo II, duke of Savoy] Philippus II Stanley organized an expedition to Iceland in 1789 Ludovici Ducis filius, Sabaudie Dux VII Cypri while a student at Edinburgh University, becoming one Rex; à Beroldo XXV [...] of the first English explorers of the country. On his F.J.D. Lange del G. Tasniere sculps Taurini 1700 return Stanley became MP for Wootton Bassett (1790- [1702] 6) but after marrying the letter writer and liberal Engraving, platemark 275 x 230mm (10¾ x 9") very advocate Lady Maria Josepha Stanley (née Holroyd) in large margins. £130 1796, focused upon local affairs and his family in his Filippo II (1438-97), junior member of the ducal new home of Alderley Park, Cheshire. family who belatedly became duke of Savoy 1496-7 Stock: 41148 after the death in childhood of Carlo II (see ref. 41067). His original apanage of Bresse (near the French border) 281. Fordna och Närvarande Sverige af 285. Near Airolo on the St Gotthard Road 8th Thersner. Skåne. Sept. 1853 Yellow + brown rocks green grass [n.d., c.1823.] [...] Oblong folio, contemporary half calf gilt, marbled Pencil sketch, sheet 180 x 145mm (7 x 5¾"). £35 boards with red morocco gilt title label on front; pp. The municipality of Airolo in the canton of Ticino, (vi), 61 aquatint plates (as called for in index), pp. 114 Switzerland, on the southern flank of the St Gotthard (descriptions of plates in Swedish & French. Spine Pass connecting northern and southern Switzerland slightly rubbed, lacking three engraved frontispieces. through the Alps. £650 One of a collection of sketches made by a traveller The first volume of the monumental 'Fordna och around the lakes of Switzerland and northern Italy in närvarande Sverige - La Suede Ancienne et Moderne' 1853. (Sweden Ancient and Modern), a set of twelve Stock: 41096 volumes of views by Ulrik Thersner (1779-1828), eventually completed in 1867. This tome contains 286. Fluellen on the Lake of Lucerne 9th Sept views of Skåne (Scania), most engraved by Carl 1853 Fredrik Akrell (1779–1868) with dates 1819-23. After Pencil sketch, sheet 180 x 265mm (7 x 10½"). £130 Thersner's death the series was continued by his widow View of Flüelen, towards the south of Lake Lucerne in and his daughter Thora (1818-67), who lithographed Switzerland, looking towards the Bristen mountain in many of her father's drawings for the later volumes. the distance. JMW Turner often painted the Stock: 40877 municipality on his Alpine tours (see sketches and watercolours in Tate collection). 282. Torre de las Infantas. One of a collection of sketches made by a traveller J.F.L. 1835. J.D.H. lith. [Drawn by John Frederick around the lakes of Switzerland and northern Italy in Lewis, lithographed by James Duffield Harding.] 1853. [London: Hodgeson, Boys & Graves, 1835.] Stock: 41098 Tinted lithograph. Pritned area 360 x 260mm (14¼ x 10¼"), wide margins. Edges chipped. £260 287. Lago Maggiore from the Inn Window The interior of the 'Tower of the Pricesses', a Moorish Sept 7th 1853 defensive tower in the Alhambra, from Lewis's Pencil sketch, sheet 180 x 265mm (7 x 10½"). £120 'Sketches of Spain and Spanish Character'. A Spanish View of Lago Maggiore, the large lake on the south family have moved in: the man sits weaving a basket. side of the Alps divided between Italy and Switzerland. Abbey 148. One of a collection of sketches made by a traveller Stock: 40632 around the lakes of Switzerland and northern Italy in

1853. 283. Altdorf vers le Bristenstock Stock: 41097 Winterlin ad natur del F Hirchenhein sculpt. Hasler & Cie éditeurs à Bale. [c.1830] 288. [The Alternative of Williams Burg.] Aquatint, sheet 200 x 260mm (8 x 10¼"). Slightly London, Printed for R. Sayer, & J. Bennett, No. 53 foxed. £85 Fleet Street, as the Act directs, 16 Feb. 1775. Altdorf, the capital of the Swiss canton of Uri, looking Hand-coloured mezzotint. Sheet: 255 x 300mm, (10 x south towards the Bristen mountain. After Anton 11¾"). Trimmed to image, some creasing and tear in Winterlin (1805-94), Swiss artist based in Basle. left edge. £2000 Stock: 41108 A wonderfully hand-coloured print which depicts a crowd of Virginian merchants signing the Continental 284. Chateau de Chillon. Association, which boycotted any trade with Great Winterlin pinx.t J.J. Tanner sculp.t Hasler & C.ie Britain, in the hopes that it would force Britain to éditeurs à Bale. change its policies on tax. In the background a barrel of Aquatint with hand-colouring, sheet 210 x 255mm (8¼ tar and a sack of feathers hangs from a gibbet as a x 10"). Slight foxing. £95 warning of the fate of all who refused to sign. In the A landscape view of Castle Chillon on Lake Geneva. background stands the newly erected statue to Lord The Château de Chillon (Chillon Castle) is an island Botetourt (Norborne Berkeley, Baron Botetourt)(1717- castle located on the shore of Lake Geneva in the 1770) who served as governor of Virginia from 1768 commune of Veytaux, at the eastern end of the lake, 3 until his death in 1770. The crowd of figures lean upon km from Montreux, Switzerland. The castle consists of a makeshift table resting on a barrell labelled 'Tobacco, 100 independent buildings that were gradually A Present for John Wilkes Esqr. Lord Mayor of connected to become the building as it stands now. The London', Wilkes who had only recently been elected castle was made popular by Lord Byron, who wrote the mayor, campaigned on the side of the Americans and poem The Prisoner Of Chillon (1816) about François called for sympathy with the American colonies. de Bonivard, a Genevois monk and politician who was Stock: 41142 imprisoned there from 1530 to 1536. After Anton Winterlin (1805-94), Swiss artist based in Basle. Stock: 41107 289. A New Method of Macarony Making, as Alexander Caldcleugh's "Travels in South America, practiced at Boston. during the years, 1819-20-21: containing an account of [Printed for Carington Bowles, at his Map & Print the present state of Brazil, Buenos Ayres, and Chile". Warehouse, No.69 in St. Pauls Church Yard, London. Stock: 40770 Publish'd as the Act directs, Oct. 12th 1774.] Mezzotint. Sheet 345 x 250mm (13½ x 9¾") Trimmed 293. Tarma. to plate at sides and into engraved text at bottom, L.t Gibbon del. Ackerman Lith 379 Broadway, NY. minus verses underneath. £3200 Lithograph. Sheet: 210 x 130mm, (8¼ x 5"). Trimmed. An extremely rare caricature about the American Creasing and marking. £65 colonies in rebellious mood. On January 27, 1774, a A view of the small town of Tarma in Peru from British customs officer, John Malcolm, was tarred and 'Exploration of the Valley of the Amazon' 1854 by Lt. feathered, led to a gallow and forced to drink vast Lardner Gibbon. The image shows the plentiful fields amounts of tea by two Bostonians. Here Malcolm is and pastures full of grazing sheep described by Gibbon shown with a short piece of rope around his neck in his account of the town. which may have been attached to the piece hanging Stock: 40769 from a gibbet in the background. The American holding the teapot wears a hat with '45' on it, a patriotic 294. Henry Cruger Esq.r. symbol referring to the John Wilkes case of 1763. The W. Hincks del et sculp. London Publish'd March 11th other American holds the broken end of the noose and 1783 by R. Wilkinson No. 58 Cornhill. carries a club. The large bow in his hat indicates his Rare stipple, platemark 120 x 80mm (4¾ x 3"). Small membership in the Sons of Liberty. Not in the BM, see margins. £260 BM: J,S. 67 for smaller version; JCB Political A bust portrait of Henry Cruger (1739-1827), an Cartoons 32224. American and British merchant who is the only person Stock: 41128 in history to have be elected to both the Parliament of Great Britain and the New York State Senate. Born in 290. Lima. New York to a political and mechant family, his uncle R. E. del et lith. Printed by Hullmandel & Walton. and grandfather both serving as mayor of New York, London: Hurst & Blackett, Great Marlborough Street. Cruger left America in 1757 having graduated from [n.d., c.1830.] Kings College, now Columbia University. He was Tinted lithograph. Sheet: 235 x 150mm, (9¼ x 6"). £65 placed in his family's merchant firm in Bristol, where A view of the town of Lima in Peru at night showing he was elected as MP for the Whig party. He was the Puente de Piedra, the bridge over the River Rimac. elected for two terms 1774-1780 and 1784-1790. As an Stock: 40771 MP he criticized Britian's increasing failing relationship with its colonies and campaigned for 291. Pai de dous Povos, en dous Mundos conciliation with America. Following American Grande. D. Pedro Io. Imperador Independence Cruger returned to New York where he Constitucional do Brasil. IV No Nome Rei de was elected to the New York State Senate as a Federalist. Portugal... Stock: 40874 D. A. de Sequiera Io Pinder du Camara de S. M. F. e fez em Paris an de 1826. Very scarce lithograph. Printed area: 370 x 540mm, 295. Edgar A. Poe [facsimile signature.] (14½ x 21"). Small margins. Some creasing. £450 F.T. Stuart. [n.d., c.1885.] A portrait of Pedro IV of Portugal and I of Brazil Steel engraving. 150 x 95mm (6 x 3¾"). Small (1798-1834) who stands with his sword raised while a margins. £75 young girl, his daughter Maria da Gloria (1819-1853), Portrait of American author Edgar Allan Poe (1809- dressed in white, carries a large book titled 49), engraved by Frederick T. Stuart of Boston from a 'Constitucion Portugueza anno 1826.' Following daguerreotype by William Abbott Pratt, taken in Pedro's father's return to Portugal from exile in Brazil, Richmond, Virginia, in 1849, only a few weeks before Pedro joined the Brazilians in a revolution to make Poe’s death. It was first published as the frontispiece Brazil independant of Portugal and was crowned George E. Woodberry’s biography of Poe, published Emperor. Upon inheriting the throne of Portugal, on 1885), with a signature copied from an 1844 letter, the death of his father, he struggled to keep control of now in the Huntington Library. Stock: 40516 both countries so in 1826 he abdicated his throne in Portugal in favour of his oldest daughter Maria da Gloria who became Maria II of Portugal. 296. Yamboo or Port of Medina. Stock: 40711 Capt.n R. Mores by, I.N. del. T. Picken lith. Day & Haghe Lith.rs to the Queen. [n.d., c.1840.] 292. Lima, with the Bridge over the Rimac. Very rare tinted lithograph. Sheet: 280 x 185mm, (11 x Published Feb. 1825, by John Murray, London. 7½"). £160 Aquatint. Sheet: 215 x 135mm, (8½ x 5½"). Trimmed A view of the red sea port of Yanbu 'al Bar in Saudi within plate. Creasing. £60 Arabia. Not in Abbey. Stock: 40786 A view of the town of Lima with the bridge crossing the River Rimac on the right of the image. From 297. [View at the Mountain Resort, Chengde, 300. Saith Satoore. Sadek BEg. China] The way like the Herb Chi, and the Drawn on Stone from the Life by Richard Lane. Banks like the Clouds of Heaven, The Road London. Pub.d by R. Dickinson 144 New Bond Street over the two Bridges, from the Villa, where the Dec. 1824. Printed by C. Hullmandel Emperor resides, to the Pallace of Business. Lithograph on india, india dimensions 255 x 180mm [Anon, after Matteo Ripa, published 1753] (10 x 7") very large margins. Bit dusty. £160 Rare engraving with hand-colouring, platemark 295 x Saith Satoor (d.1842). The son of an Armenian 315mm (11½ x 12½"). Glued to backing sheet, cut to merchant, Satoor was educated in Bombay and platemark. £320 travelled as interpreter to the British artist Robert Ker View at the Mountain Resort in Chengde, China. Built Porter in the Middle East from 1818-19. Lithograph between 1703 and 1792, the mountain resort was the from life by Richard Lane (1800-72), lithographer and Qing emperors' summer palace. Situated 350km from sculptor, and one of the most accomplished Beijing, it offered a base to strengthen administration practitioners of the new medium of lithography. Satoor in the Chinese border regions. was also portrayed by Sir George Hayter (1831 portrait Plate from 'The Emperor of China's Palace at Pekin, in the Victoria & Albert Museum, London). Stock: 41165 and his principal Gardens, as well in Tartary as at Pekin, Gehol, and the adjacent Countries. With the temples, pleasure-houses, artificial mountains, rocks, 301. A Plan of the City of Babylon According lakes, &c. as disposed in different parts of the Royal to Herodotus and F. Kircher. Gardens. With an Exact Elevation of the Great Mogul's [n.d., c.1740.] Superb Throne. The Whole neatly Engraved on Twenty Engraving. 320 x 435mm (12½ x 17¼") very large Copper-Plates Twelve Inches Square, from the original margins. Folded twice, as issued. £240 View, correctly taken on the Spot' (London, 1753). A fanciful plan of ancient Babylon, marking the Tower According to Richard Strassberg, this plate is based on of Babel and the Hanging Gardens. one of 'the engravings done by Matteo Ripa in 1713 of Stock: 40539 the Kangxi emperor's summer palace at Chengde'. Ripa (1682-1746) was a missionary who worked at the Qing 302. [Jew Pedlar, Damascus] court and introduced copperplate engraving to China. It Viscount Bury [in image] London, Published has been suggested that it was through Ripa's December 1st 1861 by Day & Son, Lith to the Queen engravings (and therefore perhaps by copies such as Etching, platemark 230 x 150mm (9 x 6"). £180 this) that Chinese garden design as evidenced at Rare etching by William Coutts Keppel, seventh earl of Chengde and elsewhere influenced the landscape Albemarle and Viscount Bury (1832-94), politician and gardens of William Kent and others. For the print by amateur artist. Plate from 'Passages from 'Modern Ripa from which this derives see BM 1955,0212,0.1.26 English Poets Illustrated by the Junior Etching Club' Stock: 41046 (1862). Bury was in India as aide-de-camp to Lord Frederick Fitzclarence, commander-in-chief at Bombay 298. The Emperor of China's Palace at Pekin. (1852-3). 1. Stock: 41170 London, Printed for Rob.t Wilkinson 58 Cornhill, Whittle & Laurie 53 Fleet Street & Bowles & Carver 303. Niskani, Aoucantouri et Erougantoi, 69 St Pauls Church Yard habitans de la Baie de Langle. Orotchis, Rare engraving with hand-colouring, platemark 295 x habitans de la Baie de Castries. 315mm (11½ x 12½"). Glued to backing sheet, cut to Dessiné par Duche de Vancy. Gravé par Simonet. L. platemark. £320 Aubert scripsit. [Paris: Imprimerie de la Republique, The Forbidden City in Beijing, China. It was the 1797.] Chinese imperial palace from the Ming dynasty to the Engraving. 565 x 410mm (22¼ x 16"). Tear in edge, end of the Qing dynasty (1420-1912). well outside image area. Small margins. £140 Stock: 41045 Two round group portraits: above are inhabitants of the Tomari Bay, Sakhalin; below are the inhabitants of De 299. [The Door of the Kiosk] Castries Bay, on the mainland coast of the Gulf of Viscount Bury 1859 [in image] London, Published Tartary. They were drawn by Gaspard Duchè de Vancy December 1st 1861 by Day & Son, Lith to the Queen (1756–1788), the official artist of the La Perouse Etching, platemark 300 x 215mm (11¾ x 8½"). £95 expedition, who disappeared with the rest of the crews Rare etching by William Coutts Keppel, seventh earl of of the Astrolabe and Boussole in 1788. Albemarle and Viscount Bury (1832-94), politician and Stock: 40543 amateur artist. Plate from 'Passages from 'Modern English Poets Illustrated by the Junior Etching Club' 304. Koord or native of Koordistan, Turkey, (1862). Bury was in India as aide-de-camp to Lord in Asia Frederick Fitzclarence, commander-in-chief at Bombay [Anon., c.1840] (1852-3), an experience which may have contributed to Pen and ink, sheet 210 x 140mm (8¼ x 5½"). Glued to this etching. backing sheet. £65 Stock: 41169 Costume sketch of male from Kurdistan, a region now stretching across parts of Turkey, Syria, Iraq and Iran. Stock: 40870 306. [Native of Banaba Island] Eingeborener von Banaba (Gilbert-Insseln) 305. [Woman from Rogeia Island, Papua New Verlag von A. Asher & Co. in Berlin Lith. Anst. von Guinea] Papua-Frau von Rogia (Heath-Insel) C.L. Keller in Berlin S [c.18887] China-Strasse, Neu-Guinea. Lithograph with hand-colourring, printed area 325 x Verlag von A. Asher & Co. in Berlin Lith. Anst. von 210mm (12¾ x 8¼"). Rare. £130 C.L. Keller in Berlin S [c.1887] Man from Banaba Island in tthe Pacific Ocean, part of Lithograph with hand-colouring, printed area 325 x the Gilbert Islands (which became independent as the 210mm (12¾ x 8¼"). Rare. £130 Republic of Kiribati in 1979)). Plate from 'Tätowiren, Plate from 'Tätowiren, Narbenzeichnen und Narbenzeichnen und Körperbemalen; ein Beitrag zur Körperbemalen; ein Beitrag zur vergleichenden vergleichenden Ethnologie' (('Tattoing, scarring and Ethnologie' ('Tattoing, scarring and body painting: a boody painting: a contribution to comparative contribution to comparative ethnology') by the German ethnology') by the German etthnographer Wilhelm Joest ethnographer Wilhelm Joest (1852-97). His collections (1852-97). His collections arre preserved in the are preserved in the Rautenstrauch-Joest Museum in Rautenstrauch-Joest Museum in Cologne, Germany. Cologne, Germany. Stock: 41163 Stock: 41162

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