ASCHB Season 2018-2019 25Th September 2018
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Partnerships: an NMDC Briefing
Partnerships: an NMDC briefing Museums of all sizes and types regularly work in partnership to deliver collaborative projects with other museums, educational establishments, and heritage and community organisations across the country. Many of these partnerships are based around the loan of objects, including from national museums, but others focus on developing new public programming, sharing skills and expertise, education and learning, and working with communities. Museums continue to adapt the focus and nature of partnership working as a way of managing the impact of cuts to public funding and developing greater resilience. Museums loan thousands of objects to other museums across the UK every year as part of mutually beneficial collaborative projects. In 2012/13, DCMS-sponsored museums lent objects to 2727 venues in the UK (a marked increase from 1530 in 2008/09).i Examples include: Star object loans: National Gallery Masterpiece tour (sponsored by Christie's) opened with Manet's The Execution of Maximillian at The Beaney in Canterbury. It was seen by nearly 21,000 people before moving on to Barnard Castle and Coventry. Until 2016, one major National Gallery painting will tour each year. Loans of local significance: the loan of the Lindisfarne Gospels from the British Library to Durham Cathedral in 2012 generated £8.3m in economic benefit and was visited by 100,000 peopleii; Long-term loans to provide content for a museum or historic house: apart from one locomotive, the entire collection of locomotives and stock on display at STEAM in Swindon is a long-term loan from the National Railway Museum. Larger museums and specialist collections tour complete exhibitions to venues around the country. -
NEWSLETTER National Trust Issue 107 Winter 2018 £1 (Free to Members) from the Chairman John James a Happy New Year to You All
The Friends of Osterley Park In support of the NEWSLETTER National Trust Issue 107 Winter 2018 £1 (free to members) from the Chairman John James A Happy New Year to you all. We finished our programme for 2017 with a Christmas Lunch in the Brewhouse. It was a lovely occasion, with the café providing an excellent meal. The year also ended well for the House and Park, as they won the Running Awards 2018 for Best 10K Run in Greater London. The property have also concluded the staff and volunteer survey, with 170 completing it, an increase on last year. An innovation has been a trial allowing dogs into the gardens and to the stable café (a limited number at a time). The trial is running from 6th November 2017 to 23rd February 2018. The Halloween Pumpkin Festival was a great success. 2,000 pumpkins were sold, 11,000 individual marshmallows were packed and sold at the fire pits. It was also hugely successful for catering and retail. Another success was achieving the membership targets for the year. I mentioned in the Autumn newsletter the advert that Mike Doran was able to place on the website of Reach. It led to our finding a new Membership Secretary in Keith Rookledge. We welcome him to the Friends’ committee. Margaret Friday again arranged some very interesting London visits, to the Museum of Garden History and to the Jewel House, Westminster. Our coach trips continue to be well attended and the September visit was to the Shuttleworth Collection, Old Warden and in October to Sudeley Castle. -
The Construction of Northumberland House and the Patronage of Its Original Builder, Lord Henry Howard, 1603–14
The Antiquaries Journal, 90, 2010,pp1 of 60 r The Society of Antiquaries of London, 2010 doi:10.1017⁄s0003581510000016 THE CONSTRUCTION OF NORTHUMBERLAND HOUSE AND THE PATRONAGE OF ITS ORIGINAL BUILDER, LORD HENRY HOWARD, 1603–14 Manolo Guerci Manolo Guerci, Kent School of Architecture, University of Kent, Marlowe Building, Canterbury CT27NR, UK. E-mail: [email protected] This paper affords a complete analysis of the construction of the original Northampton (later Northumberland) House in the Strand (demolished in 1874), which has never been fully investigated. It begins with an examination of the little-known architectural patronage of its builder, Lord Henry Howard, 1st Earl of Northampton from 1603, one of the most interesting figures of the early Stuart era. With reference to the building of the contemporary Salisbury House by Sir Robert Cecil, 1st Earl of Salisbury, the only other Strand palace to be built in the early seventeenth century, textual and visual evidence are closely investigated. A rediscovered eleva- tional drawing of the original front of Northampton House is also discussed. By associating it with other sources, such as the first inventory of the house (transcribed in the Appendix), the inside and outside of Northampton House as Henry Howard left it in 1614 are re-configured for the first time. Northumberland House was the greatest representative of the old aristocratic mansions on the Strand – the almost uninterrupted series of waterfront palaces and large gardens that stretched from Westminster to the City of London, the political and economic centres of the country, respectively. Northumberland House was also the only one to have survived into the age of photography. -
+44 (0)1844 277188 +44 (0) 20 7394 2100 +44 (0)20 7394 8061 [email protected] [email protected] [email protected]
ROPEWALK THREE PIGEONS BRUNSWICK HOUSE Arch 52, London Road, 30 Wandsworth Road, Maltby Street, Milton Common, Vauxhall, Bermondsey, Oxfordshire OX9 2JN London SW8 2LG London SE1 3PA www.lassco.co.uk +44 (0)1844 277188 +44 (0) 20 7394 2100 +44 (0)20 7394 8061 [email protected] [email protected] [email protected] SIR WILLIAM CHAMBERS' DOORCASE An important carved Portland Stone doorcase c.1769, by Chambers (1723-1796) for his own house in Berners Street Westminster the triangular pediment with dentil mouldings above the rusticated cushion moulded frieze centred by a keystone in Coade Stone modelled in relief with a female mask, the jambs constructed with alternating rusticated quoins, DIMENSIONS: 432cm (170") High, 244cm (96") Wide, 198 (78.5) wide at jambs, Aperture = 315 x 152cm (124 x 59.75 STOCK CODE: 43528 HISTORY Sir William Chambers (1723-96) is one of the most revered of Georgian neo-classical architects. In his early career he was appointed architectural tutor to the Prince of Wales, later George III. In 1766, he became Architect to the King, (this being an unofficial title, rather than an actual salaried post with the Office of Works). He worked for Augusta, Dowager Princess of Wales building exotic garden buildings at Kew (the pagoda is his), and in 1757 he published a book of Chinese designs which had a significant influence on contemporary taste. He developed his Chinese interests further with his Dissertation on Oriental Gardening (1772), a fanciful elaboration of contemporary English ideas about the naturalistic style of gardening in China. -
Piranesi and His Studio at the Staatliche Kunsthalle Karlsruhe
Unexpected fame: Conservation approaches to the preparatory object. Proceedings from the International Conference of the Icon Book & Paper Group, Oxford 1–2 October 2018 https://icon.org.uk/unexpected-fame-conservation-approaches-to-the-preparatory-object Spotlight on newly identified drawings in albums: Piranesi and his studio at the Staatliche Kunsthalle Karlsruhe Irene Brucklë and Maria Kramer̈ Copyright information: This article is published by Icon on an Open Access basis, after a 3 month embargo period, under a Hybrid Creative Commons Attribution-NonCommercial- NoDerivatives License (CC BY-NC-ND) https://creativecommons.org/licenses/by-nc- nd/4.0/. After the embargo is over, you are free to copy and redistribute this material in any medium or format under the following terms: You must give appropriate credit and provide a link to the license (you may do so in any reasonable manner, but not in any way which suggests that Icon endorses you or your use); you may not use the material for commercial purposes; and if you remix, transform, or build upon the material you may not distribute the modified material without prior consent of the copyright holder. You must not detach this page. To cite this article: Irene Brucklë and Maria Kramer̈ , ‘Spotlight on newly identified drawings in albums: Piranesi and his studio at the Staatliche Kunsthalle Karlsruhe’ in Unexpected fame: Conservation approaches to the preparatory object. Proceedings from the International Conference of the Icon Book & Paper Group, Oxford 1–2 October 2018 (London, The Institute of Conservation: 2020). https://icon.org.uk/unexpected-fame-conservation-approaches-to-the-preparatory-object (accessed date). -
Frank Bowling Cv
FRANK BOWLING CV Born 1934, Bartica, Essequibo, British Guiana Lives and works in London, UK EDUCATION 1959-1962 Royal College of Art, London, UK 1960 (Autumn term) Slade School of Fine Art, London, UK 1958-1959 (1 term) City and Guilds, London, UK 1957 (1-2 terms) Regent Street Polytechnic, Chelsea School of Art, London, UK SELECTED SOLO EXHIBITIONS 1962 Image in Revolt, Grabowski Gallery, London, UK 1963 Frank Bowling, Grabowski Gallery, London, UK 1966 Frank Bowling, Terry Dintenfass Gallery, New York, New York, USA 1971 Frank Bowling, Whitney Museum of American Art, New York, New York, USA 1973 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1973-1974 Frank Bowling, Center for Inter-American Relations, New York, New York, USA 1974 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1975 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, William Darby, London, UK 1976 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, Watson/de Nagy and Co, Houston, Texas, USA 1977 Frank Bowling: Selected Paintings 1967-77, Acme Gallery, London, UK Frank Bowling, Recent Paintings, William Darby, London, UK 1979 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA 1980 Frank Bowling, New Paintings, Tibor de Nagy Gallery, New York, New York, USA 1981 Frank Bowling Shilderijn, Vecu, Antwerp, Belgium 1982 Frank Bowling: Current Paintings, Tibor de Nagy Gallery, -
The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): an Exploration Into the Masonic and Occult Imagination of the Late Enlightenment
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2003 The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Terrance Gerard Galvin University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, European History Commons, Social and Behavioral Sciences Commons, and the Theory and Criticism Commons Recommended Citation Galvin, Terrance Gerard, "The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment" (2003). Publicly Accessible Penn Dissertations. 996. https://repository.upenn.edu/edissertations/996 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/996 For more information, please contact [email protected]. The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Abstract In examining select works of English architects Joseph Michael Gandy and Sir John Soane, this dissertation is intended to bring to light several important parallels between architectural theory and freemasonry during the late Enlightenment. Both architects developed architectural theories regarding the universal origins of architecture in an attempt to establish order as well as transcend the emerging historicism of the early nineteenth century. There are strong parallels between Soane's use of architectural narrative and his discussion of architectural 'model' in relation to Gandy's understanding of 'trans-historical' architecture. The primary textual sources discussed in this thesis include Soane's Lectures on Architecture, delivered at the Royal Academy from 1809 to 1836, and Gandy's unpublished treatise entitled the Art, Philosophy, and Science of Architecture, circa 1826. -
Thomas Hardwick Jnr. (1752-1827)
THOMAS HARDWICK JNR. (1752-1827) The name of Hardwick in the field of architecture was the most prominent name during the 19th century. From the late 18th century until 1892 the Hardwick Dynasty contributed some of the finest buildings in London and helped restore a great many too. Born in Brentford, greater London, to a prosperous master mason Thomas Hardwick Snr. (1725 -1798) who worked with the Adam brothers during the building of Syon House. Hardwick Jnr. underwent his training during the construction of the Somerset House and was tutored by William Chambers. He became a member of the Royal Academy and won the prestigious gold medal in architecture. Then came his travel to Europe with his close friend/rival Sir John Soane; together they visited Italy and France. Thomas became a notable church architect and the church of St Mary’s is his finest piece of work in London. The building is a prime example of Regency architecture. His other work included the restoration of St James, Piccadilly, St. Paul’s, Convent Garden and St Bartholomew-the-less, in Smithfield. He was also appointed Clerk of Works by King George III at both Hampton Court and Kew Palace. In his later years he became a tutor to none other than JMW Tuner whom he persuaded to concentrate more on painting rather than architecture! He had two sons, John Hardwick, whom became a famous magistrate in London, and also Philip (1792-1870) who would become the second architect in the Hardwick line and who took over his father’s office in 1825. -
Ealing Council Sites Included
Appendix 1 Water, Wastewater and Ancillary Services procurement - Ealing Council sites included Site name Site address Postcode Smith's Farm Community Centre 61 Hotspur Road, Northolt UB5 6TN Northolt Park Play Centre Newmarket Avenue, Northolt UB5 4HB Westside Young People's Centre Churchfield Road, Ealing W13 9NF Woodlands Park Pond Woodlands Avenue, London W3 9BU High Lane Allotments High Lane, London W7 3RT Queen Annes Gardens Allotments Queen Annes Gardens, London W5 5QD Blondin Allotments 267-269 Boston Manor Road, Brentford TW8 9LF Carmelita House 21-22 The Mall, London W5 2PJ Ealing Alternative Provision Compton Close, Ealing W13 0LR Sunlight Community Centre London W3 8RF Short Break Services 62 Green Lane, Hanwell W7 2PB South Ealing Cemetery South Ealing Road, Ealing W5 4RH Pitzhanger Manor House & Gallery Walpole Park, Ma:oc -ane, -ondon W5 5EQ North Acton Playing Fields Noel Road, Acton W3 0JD Hanwell Zoo (Brent Lodge Park) Church Road, London W7 3BP Horizons Centre 15 Cherington Road, Hanwell W7 3HL Hanwell Children's Centre 25a -aurel 0ardens, Hanwell W7 3JG Perceval House 14-16 Uxbridge Road, Ealing W5 2HL 2 Cheltenham Place London W3 8JS Framfield Road Allotments Framfield Road, London W7 1NG Ealing Town Hall New Broadway, Ealing, London W5 2BY Popes Lane Allotments Popes Lane, Ealing W5 4NT Southall Recreation Ground Stratford Road, Southall UB2 5PQ Public Convenience, Maytrees Rest Gardens South Ealing Road, Ealing W5 4QT Horn Lane Allotments Horn Lane, London W3 0BP Tennis Courts Lammas Park, London, W5 5JH Michael -
Bianca De Divitiis, 'Plans, Elevations and Perspective Views of Pitzhanger Manor-House', the Georgian Group Journal, Vol. Xi
Bianca de Divitiis, ‘Plans, elevations and perspective views of Pitzhanger Manor-House’, The Georgian Group Journal, Vol. XIV, 2004, pp. 55–74 TEXT © THE AUTHORS 2004 PLANS, ELEVATIONS AND PERSPECTIVE VIEWS OF PITZHANGER MANOR-HOUS E BIANCA DE DIVITIIS t the beginning of John Soane published the mock ruins which Soane had built in the garden APlans, Elevations and Perspective Views of between and . Pitzhanger Manor House, and of the Ruins of an Dance’s wing was the only part of the property edifice of Roman Architecture … in a letter to a friend acquired by Soane in which he decided not to . Formed of eight pages of text and twelve demolish or modify, not only because in his judgement illustrations, this was a work on the suburban villa in it deserved to be kept in comparison with the rest of Ealing which he had designed and built for himself the building which lacked ‘symmetry and character’, and his family between and . Thirty years but also because it was a testimonial to the beginning had therefore passed since Soane had designed of his career, as it was the first project on which he Pitzhanger, and over twenty since he had sold the had worked when, as a boy of fifteen, he had first villa in to a General Cameron. His reasons for assisted his master (Fig. ). publishing a work on Pitzhanger and the way in As early as , only two years after the new which he described it are the subject of this article. house had been completed, and possibly encouraged The title of the work would imply that Soane was by the need to carry out some alterations and publishing materials produced in . -
Walpole Park ESOL Information Leaflet
POD WALK WALPOLE PARK Present day walks on Ealing’s past Designed for adults for whom English is an additional language WALPOLE PARK - WALK FOR ENGLISH LEARNERS - WALK PARK WALPOLE ARCHWAY ENTRANCE 1 POD WALK 3 MATTOCK LANE 4 2 7 This walk takes you around MATTOCK LANE ENTRANCE seven key areas in the park, 5 each location is numbered on the map.Follow the numbers on the map to complete the tour. 6 The leaflet is accompanied by a podwalk available to download as an mp3 from: www.ealing. MAP gov.uk/pmgwalpole/walks. 1 From Top to Bottom CULMINGTON 2 Show home ROAD ENTRANCE Walpole Park Walpole 3 Creating Illusions 4 A Tragic Story 5 Feast and Banquetes 6 Views LAMMAS PARK GARDENS ENTRANCE 7 Sir Johns Character Welcome to Walpole Park, one of Ealing’s best-loved parks and home to Pitzhanger Manor. It has been a public park and free for everyone to use since 1901 but has a long history with many owners before that, including Sir John Soane, architect of the Bank of England. We have developed a tour of the park and house for people learning English to show some of the stories we found most interesting and to give you a taster of Walpole Park and Pitzhanger Manor’s history. This leaflet has been developed by a group of English learners and is accompanied by a podwalk available to download as an mp3 from www.ealing.gov.uk/ pmgwalpole/walks. INTRO Walpole Park Walpole This walk starts under the archway on Mattock Lane, where you can look at Pitzhanger Manor. -
Selby Whittingham, 'J.M.W. Turner's Almshouse and Gallery At
Selby Whittingham, ‘J.M.W. Turner’s Almshouse and Gallery at Twickenham’, The Georgian Group Journal, Vol. XX, 2012, pp. 171–178 TEXT © THE AUTHORS 2012 J.M.W. TURNER’S ALMSHOUSE AND GALLERY AT TWICKENHAM SELBY WHITTINGHAM rom the fog of false ideas about J.M.W. Turner’s in all to perches ( / of an acre), though Turner Fbequests has gradually emerged a clearer contemplated building only on the three freehold appreciation of the facts, and not least about his strips and not on the fourth copyhold one. proposed almshouse and gallery at Twickenham, Drawings R and S are clearly for the proposed though uncertainties remain. A newspaper report almshouse and are presumably by Turner, who is after his death in stated: ‘The testamentary known to have considered architecture as a papers are interspersed with drawings and elevations profession and to have been the architect of his own of buildings.’ A.J. Finberg in referred to the villa at Twickenham and his house in Queen Anne drafts for those papers, and, though scholars knew Street, and maybe a lodge at Farnley Hall, Yorkshire. about that, no one looked for them until I did, They confirm the supposition by Dr John Gage that finding the drawings still with the fascinating drafts ‘the style of building he now considered was not the in a dusty bundle. neo-classical style he had occasionally practised There are four sheets of paper each with drawings himself, but English Tudor.’ Gage’s argument was on both sides: that such a style was considered English, and Turner R.