Summary of Community Involvement
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
CHAPMAN HOUSE 02 the DEVELOPMENT an Elegant Art Deco Façade Stands at the Gateway to a Modern Classic of Urban Design
CHAPMAN HOUSE 02 THE DEVELOPMENT An elegant Art Deco façade stands at the gateway to a modern classic of urban design. 14 A NEW LIFESTYLE Between its restaurants, bars and Picturehouse cinema, Filmworks is set to showcase a vibrant social scene. 23 THE HEART OF EALING Few of the capital’s boroughs can claim the connections, greenery and urban charm of London W5. 35 THE RESIDENCES Contemporary decor and Art Deco flourishes create interiors with a well-defined sense of style. 44 FLOOR PLANS Open-plan, light-filled living spaces provide an exceptional example of modern living. 78 DESIGN SPECIFICATION Providing residents with exceptional living by prioritising quality on every decision. Page 01 Modern classic A VISION OF LONDON W5. INSPIRED BY THE PAST, CELEBRATING THE FUTURE. WELCOME TO FILMWORKS, EALING’S THRILLING NEW LIFESTYLE QUARTER. Filmworks infuses a new dimension into Ealing’s enticing personality. Retaining the old cinema’s historic façade, it will welcome a high-quality mix of new homes, alongside a leisure district that showcases an exciting new destination for the capital. Filmworks’ public and private spaces will create an authentic sense of place that is sensitive to Ealing’s blend of historic and modern architecture. For the design of Filmworks, St George partnered with TP Bennett, an award-winning architect with a world-class portfolio including One Hyde Park. Lifestyle illustration is indicative only. Page 03 Computer-generated image is indicative only. Page 05 In the heart of Ealing Ealing’s green village charm has always embraced a healthy blend of city and suburban lifestyles. -
Partnerships: an NMDC Briefing
Partnerships: an NMDC briefing Museums of all sizes and types regularly work in partnership to deliver collaborative projects with other museums, educational establishments, and heritage and community organisations across the country. Many of these partnerships are based around the loan of objects, including from national museums, but others focus on developing new public programming, sharing skills and expertise, education and learning, and working with communities. Museums continue to adapt the focus and nature of partnership working as a way of managing the impact of cuts to public funding and developing greater resilience. Museums loan thousands of objects to other museums across the UK every year as part of mutually beneficial collaborative projects. In 2012/13, DCMS-sponsored museums lent objects to 2727 venues in the UK (a marked increase from 1530 in 2008/09).i Examples include: Star object loans: National Gallery Masterpiece tour (sponsored by Christie's) opened with Manet's The Execution of Maximillian at The Beaney in Canterbury. It was seen by nearly 21,000 people before moving on to Barnard Castle and Coventry. Until 2016, one major National Gallery painting will tour each year. Loans of local significance: the loan of the Lindisfarne Gospels from the British Library to Durham Cathedral in 2012 generated £8.3m in economic benefit and was visited by 100,000 peopleii; Long-term loans to provide content for a museum or historic house: apart from one locomotive, the entire collection of locomotives and stock on display at STEAM in Swindon is a long-term loan from the National Railway Museum. Larger museums and specialist collections tour complete exhibitions to venues around the country. -
NEWSLETTER National Trust Issue 107 Winter 2018 £1 (Free to Members) from the Chairman John James a Happy New Year to You All
The Friends of Osterley Park In support of the NEWSLETTER National Trust Issue 107 Winter 2018 £1 (free to members) from the Chairman John James A Happy New Year to you all. We finished our programme for 2017 with a Christmas Lunch in the Brewhouse. It was a lovely occasion, with the café providing an excellent meal. The year also ended well for the House and Park, as they won the Running Awards 2018 for Best 10K Run in Greater London. The property have also concluded the staff and volunteer survey, with 170 completing it, an increase on last year. An innovation has been a trial allowing dogs into the gardens and to the stable café (a limited number at a time). The trial is running from 6th November 2017 to 23rd February 2018. The Halloween Pumpkin Festival was a great success. 2,000 pumpkins were sold, 11,000 individual marshmallows were packed and sold at the fire pits. It was also hugely successful for catering and retail. Another success was achieving the membership targets for the year. I mentioned in the Autumn newsletter the advert that Mike Doran was able to place on the website of Reach. It led to our finding a new Membership Secretary in Keith Rookledge. We welcome him to the Friends’ committee. Margaret Friday again arranged some very interesting London visits, to the Museum of Garden History and to the Jewel House, Westminster. Our coach trips continue to be well attended and the September visit was to the Shuttleworth Collection, Old Warden and in October to Sudeley Castle. -
Frank Bowling Cv
FRANK BOWLING CV Born 1934, Bartica, Essequibo, British Guiana Lives and works in London, UK EDUCATION 1959-1962 Royal College of Art, London, UK 1960 (Autumn term) Slade School of Fine Art, London, UK 1958-1959 (1 term) City and Guilds, London, UK 1957 (1-2 terms) Regent Street Polytechnic, Chelsea School of Art, London, UK SELECTED SOLO EXHIBITIONS 1962 Image in Revolt, Grabowski Gallery, London, UK 1963 Frank Bowling, Grabowski Gallery, London, UK 1966 Frank Bowling, Terry Dintenfass Gallery, New York, New York, USA 1971 Frank Bowling, Whitney Museum of American Art, New York, New York, USA 1973 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1973-1974 Frank Bowling, Center for Inter-American Relations, New York, New York, USA 1974 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1975 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, William Darby, London, UK 1976 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, Watson/de Nagy and Co, Houston, Texas, USA 1977 Frank Bowling: Selected Paintings 1967-77, Acme Gallery, London, UK Frank Bowling, Recent Paintings, William Darby, London, UK 1979 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA 1980 Frank Bowling, New Paintings, Tibor de Nagy Gallery, New York, New York, USA 1981 Frank Bowling Shilderijn, Vecu, Antwerp, Belgium 1982 Frank Bowling: Current Paintings, Tibor de Nagy Gallery, -
The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): an Exploration Into the Masonic and Occult Imagination of the Late Enlightenment
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2003 The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Terrance Gerard Galvin University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, European History Commons, Social and Behavioral Sciences Commons, and the Theory and Criticism Commons Recommended Citation Galvin, Terrance Gerard, "The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment" (2003). Publicly Accessible Penn Dissertations. 996. https://repository.upenn.edu/edissertations/996 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/996 For more information, please contact [email protected]. The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Abstract In examining select works of English architects Joseph Michael Gandy and Sir John Soane, this dissertation is intended to bring to light several important parallels between architectural theory and freemasonry during the late Enlightenment. Both architects developed architectural theories regarding the universal origins of architecture in an attempt to establish order as well as transcend the emerging historicism of the early nineteenth century. There are strong parallels between Soane's use of architectural narrative and his discussion of architectural 'model' in relation to Gandy's understanding of 'trans-historical' architecture. The primary textual sources discussed in this thesis include Soane's Lectures on Architecture, delivered at the Royal Academy from 1809 to 1836, and Gandy's unpublished treatise entitled the Art, Philosophy, and Science of Architecture, circa 1826. -
Ealing Council Sites Included
Appendix 1 Water, Wastewater and Ancillary Services procurement - Ealing Council sites included Site name Site address Postcode Smith's Farm Community Centre 61 Hotspur Road, Northolt UB5 6TN Northolt Park Play Centre Newmarket Avenue, Northolt UB5 4HB Westside Young People's Centre Churchfield Road, Ealing W13 9NF Woodlands Park Pond Woodlands Avenue, London W3 9BU High Lane Allotments High Lane, London W7 3RT Queen Annes Gardens Allotments Queen Annes Gardens, London W5 5QD Blondin Allotments 267-269 Boston Manor Road, Brentford TW8 9LF Carmelita House 21-22 The Mall, London W5 2PJ Ealing Alternative Provision Compton Close, Ealing W13 0LR Sunlight Community Centre London W3 8RF Short Break Services 62 Green Lane, Hanwell W7 2PB South Ealing Cemetery South Ealing Road, Ealing W5 4RH Pitzhanger Manor House & Gallery Walpole Park, Ma:oc -ane, -ondon W5 5EQ North Acton Playing Fields Noel Road, Acton W3 0JD Hanwell Zoo (Brent Lodge Park) Church Road, London W7 3BP Horizons Centre 15 Cherington Road, Hanwell W7 3HL Hanwell Children's Centre 25a -aurel 0ardens, Hanwell W7 3JG Perceval House 14-16 Uxbridge Road, Ealing W5 2HL 2 Cheltenham Place London W3 8JS Framfield Road Allotments Framfield Road, London W7 1NG Ealing Town Hall New Broadway, Ealing, London W5 2BY Popes Lane Allotments Popes Lane, Ealing W5 4NT Southall Recreation Ground Stratford Road, Southall UB2 5PQ Public Convenience, Maytrees Rest Gardens South Ealing Road, Ealing W5 4QT Horn Lane Allotments Horn Lane, London W3 0BP Tennis Courts Lammas Park, London, W5 5JH Michael -
Bianca De Divitiis, 'Plans, Elevations and Perspective Views of Pitzhanger Manor-House', the Georgian Group Journal, Vol. Xi
Bianca de Divitiis, ‘Plans, elevations and perspective views of Pitzhanger Manor-House’, The Georgian Group Journal, Vol. XIV, 2004, pp. 55–74 TEXT © THE AUTHORS 2004 PLANS, ELEVATIONS AND PERSPECTIVE VIEWS OF PITZHANGER MANOR-HOUS E BIANCA DE DIVITIIS t the beginning of John Soane published the mock ruins which Soane had built in the garden APlans, Elevations and Perspective Views of between and . Pitzhanger Manor House, and of the Ruins of an Dance’s wing was the only part of the property edifice of Roman Architecture … in a letter to a friend acquired by Soane in which he decided not to . Formed of eight pages of text and twelve demolish or modify, not only because in his judgement illustrations, this was a work on the suburban villa in it deserved to be kept in comparison with the rest of Ealing which he had designed and built for himself the building which lacked ‘symmetry and character’, and his family between and . Thirty years but also because it was a testimonial to the beginning had therefore passed since Soane had designed of his career, as it was the first project on which he Pitzhanger, and over twenty since he had sold the had worked when, as a boy of fifteen, he had first villa in to a General Cameron. His reasons for assisted his master (Fig. ). publishing a work on Pitzhanger and the way in As early as , only two years after the new which he described it are the subject of this article. house had been completed, and possibly encouraged The title of the work would imply that Soane was by the need to carry out some alterations and publishing materials produced in . -
Brent Valley & Barnet Plateau Area Framework All London Green Grid
All Brent Valley & Barnet Plateau London Area Framework Green Grid 11 DRAFT Contents 1 Foreword and Introduction 2 All London Green Grid Vision and Methodology 3 ALGG Framework Plan 4 ALGG Area Frameworks 5 ALGG Governance 6 Area Strategy 9 Area Description 10 Strategic Context 11 Vision 14 Objectives 16 Opportunities 20 Project Identification 22 Clusters 24 Projects Map 28 Rolling Projects List 34 Phase One Early Delivery 36 Project Details 48 Forward Strategy 50 Gap Analysis 51 Recommendations 52 Appendices 54 Baseline Description 56 ALGG SPG Chapter 5 GGA11 Links 58 Group Membership Note: This area framework should be read in tandem with All London Green Grid SPG Chapter 5 for GGA11 which contains statements in respect of Area Description, Strategic Corridors, Links and Opportunities. The ALGG SPG document is guidance that is supplementary to London Plan policies. While it does not have the same formal development plan status as these policies, it has been formally adopted by the Mayor as supplementary guidance under his powers under the Greater London Authority Act 1999 (as amended). Adoption followed a period of public consultation, and a summary of the comments received and the responses of the Mayor to those comments is available on the Greater London Authority website. It will therefore be a material consideration in drawing up development plan documents and in taking planning decisions. The All London Green Grid SPG was developed in parallel with the area frameworks it can be found at the following link: http://www.london.gov.uk/publication/all-london- green-grid-spg . Cover Image: View across Silver Jubilee Park to the Brent Reservoir Foreword 1 Introduction – All London Green Grid Vision and Methodology Introduction Area Frameworks Partnership - Working The various and unique landscapes of London are Area Frameworks help to support the delivery of Strong and open working relationships with many recognised as an asset that can reinforce character, the All London Green Grid objectives. -
Walpole Park ESOL Information Leaflet
POD WALK WALPOLE PARK Present day walks on Ealing’s past Designed for adults for whom English is an additional language WALPOLE PARK - WALK FOR ENGLISH LEARNERS - WALK PARK WALPOLE ARCHWAY ENTRANCE 1 POD WALK 3 MATTOCK LANE 4 2 7 This walk takes you around MATTOCK LANE ENTRANCE seven key areas in the park, 5 each location is numbered on the map.Follow the numbers on the map to complete the tour. 6 The leaflet is accompanied by a podwalk available to download as an mp3 from: www.ealing. MAP gov.uk/pmgwalpole/walks. 1 From Top to Bottom CULMINGTON 2 Show home ROAD ENTRANCE Walpole Park Walpole 3 Creating Illusions 4 A Tragic Story 5 Feast and Banquetes 6 Views LAMMAS PARK GARDENS ENTRANCE 7 Sir Johns Character Welcome to Walpole Park, one of Ealing’s best-loved parks and home to Pitzhanger Manor. It has been a public park and free for everyone to use since 1901 but has a long history with many owners before that, including Sir John Soane, architect of the Bank of England. We have developed a tour of the park and house for people learning English to show some of the stories we found most interesting and to give you a taster of Walpole Park and Pitzhanger Manor’s history. This leaflet has been developed by a group of English learners and is accompanied by a podwalk available to download as an mp3 from www.ealing.gov.uk/ pmgwalpole/walks. INTRO Walpole Park Walpole This walk starts under the archway on Mattock Lane, where you can look at Pitzhanger Manor. -
10.4 Heritage Land See Policy 3.3 and Map Sheets 1 and 2
Ealing’s Adopted 2004 Plan for the Environment / DCLG Direction 2007 Chapter Ten 10.3 Green Corridors continued 12. Other Railway Lines: Gaps in any of these corridors represent sections of hard surfaces where there is, at present, inadequate space for development of vegetation. It is noted that implementation of this policy will have regard to the problem of leaf fall on railway tracks. a) Central Line LRT) W of Northolt Station to North Acton Station. b) North London Line (Rail Track) S of Willesden Junction to N of Gunnersbury Station where a new station is proposed at junction with 12f. c) Land at Halsbury Road East and West and the (Rail Track) Northolt Park Station eastward. Marylebone Line d) British Rail and Central Line (LRT) From the canal W of Southall Station to E of Acton Main Line Station at Wormwood Scrubs. It includes corridor adjoining Hanwell Cemeteries and Conolly Dell. e) Piccadilly-Heathrow Line (LRT) Acton Town to Boston Manor Station. f) District Line with Piccadilly-Rayners Lane (LRT) Chiswick Park to Ealing Broadway and Park Royal. g) Brentford Line (Rail Track) Southall Station southeastwards to the M4. 10.4 Heritage Land See Policy 3.3 and Map Sheets 1 and 2 Pitshanger Manor and Walpole Park – comprising garden and pleasure grounds to 18th century Pitshanger Manor. Walpole Park (10 ha) lies to the south west of the Manor and is 1. crossed by axial paths, which provide links to Lammas Park. Key features within the park/garden include the lake, a low rustic classical bridge (listed), bench and rose garden. -
Revolutioniscoming.Co.Uk 52 UXBRIDGE ROAD, EALING
revolutioniscoming.co.uk 52 UXBRIDGE ROAD, EALING Realising the new ideals Revolution is a visionary HQ for a radically changing London. Versatile, creative, collaborative and social spaces with flexibility to rent and to scale. Located at the heart of a regenerated and resurgent Ealing, connectivity and convenience couldn’t be better – Just 11 minutes from the West End by Crossrail. THE NEW IDEALS Flexibility / Community / Connectivity COMPUTER GENERATED IMAGE GENERATED COMPUTER Flexibility Take the floor. Rent and scale it your way. Be agile. Evolve, adapt and flourish as required. Revolution turns commercial rental property on its head. Core Flex Super–flex Conventional let spaces Let-ready office space. Instant, inspirational at Revolution. Anytime. co-working. Choose from wide open areas on one Lease a 4 to 50 desk, ready to go, Book up to 100 desks in our lively of the six upper floors. From floors up fully-furnished office whenever co-working spaces on the ground to 21,471 sq ft of prime space with you need to. With easy-in, easy-out and first floors for however long you Revolution’s consistent and coherent terms, no dilapidations and immediate need. Benefit from secure storage, design aesthetic, flooded with natural occupation (subject to availability), high speed super broadband and no daylight and ideal for creating your Flex is perfect for servicing new service charges. unique workspace. contracts. Get in on the ground floor Modern business understands the balance of Community working and living is crucial to their employees. is central Revolution is where you win the war for talent. -
Traffic Noise in London's Parks
Traffic noise in London's parks a A REPORT BY CPRE LONDON MAY 2018 Traffic Noise in London’s Parks: CPRE London May 2018 Contents 1. Foreword p2 2. Summary and recommendations p3 3. Why research traffic noise in parks? P5 Notes on legislation and policy p8 4. Methodology p9 5. Findings p12 6. Solutions to traffic noise in parks p14 Permanent traffic re-routing p14 Regular temporary street closures p15 Noise mitigation measures like natural or man-made barriers p15 7. ‘Good’ parks, Green Flags and traffic noise p18 8. Tables and Graphs p21 9. References p30 Graph 1 – ‘Good parks’ scores compared to ‘noisy parks’ scores p18 Table 1 – Main categorisation p21 Table 2 – Parks severely impacted by noise (by borough, best to worst) p22 Table 3 – Parks with no noise (by borough, best to worst) p23 Table 4 – Parks completely impacted by noise (by borough, best to worst) p24 Table 5 – Parks impacted by particularly loud noise (by borough, best to worst) p25 Graph 2 – of data in Table 2 p26 Graph 3 – of data in Table 3 p27 Graph 4 – of data in Table 4 p28 Graph 5 – of data in Table 5 p29 1 Traffic Noise in London’s Parks: CPRE London May 2018 1. Foreword The London Mayor’s draft Environment Strategy says: “All Londoners should be able to enjoy the very best parks, trees and wildlife.”i We agree. But our new research shows that many of London’s parks, and our enjoyment of them, are marred by traffic noise. Though 44% of the 885 London parks we surveyed are completely free from the sound of traffic, almost a third (29%) are severely impacted by noise from nearby roads.