INTERNATIONALISM from BELOW Volume 4 (Part 1) COMMUNISTS
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2. Historical, Cultural and Ethnic Roots1
2. HISTORICAL, CULTURAL AND ETHNIC ROOTS1 General features of ethnic identity evolution history, to develop autonomous state structures, in the eastern part of Europe their lives have mostly been determined by out- side forces with diverse geopolitical interests. Differences may be observed between Eastern The uncertain political situation of past cen- and Western Europe in terms of the ethnogenesis turies gave rise – along the linguistic, cultural of the peoples and the development of their eth- and political fault lines – to several ethnic groups nic identity. In the eastern half of the continent, with uncertain identities, disputed allegiances rather than be tied to the confines of a particular and divergent political interests. Even now, there state, community identity and belonging have exist among the various groups overlaps, differ- tended to emerge from the collective memory of ences and conflicts which arose in earlier periods. a community of linguistic and cultural elements The characteristic features of the groups have not or, on occasion, from the collective memory of a been placed in a clearly definable framework. state that existed in an earlier period (Romsics, In the eastern half of Europe, the various I. 1998). The evolution of the eastern Slavic and ethnic groups are at different stages of devel- Baltic peoples constitutes a particular aspect of opment in terms of their ethnic identity. The this course. We can, therefore, gain insights into Belarusian people, who speak an eastern Slavic the historical foundations of the ethnic identity language, occupy a special place among these of the inhabitants of today’s Belarus – an identity groups. -
Ukraine at the Crossroad in Post-Communist Europe: Policymaking and the Role of Foreign Actors Ryan Barrett [email protected]
University of Missouri, St. Louis IRL @ UMSL Dissertations UMSL Graduate Works 1-20-2018 Ukraine at the Crossroad in Post-Communist Europe: Policymaking and the Role of Foreign Actors Ryan Barrett [email protected] Follow this and additional works at: https://irl.umsl.edu/dissertation Part of the Comparative Politics Commons, and the International Relations Commons Recommended Citation Barrett, Ryan, "Ukraine at the Crossroad in Post-Communist Europe: Policymaking and the Role of Foreign Actors" (2018). Dissertations. 725. https://irl.umsl.edu/dissertation/725 This Dissertation is brought to you for free and open access by the UMSL Graduate Works at IRL @ UMSL. It has been accepted for inclusion in Dissertations by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Ukraine at the Crossroad in Post-Communist Europe: Policymaking and the Role of Foreign Actors Ryan Barrett M.A. Political Science, The University of Missouri - Saint Louis, 2015 M.A. International Relations, Webster University, 2010 B.A. International Studies, 2006 A Dissertation Submitted to the Graduate School at the The University of Missouri - Saint Louis in partial fulfillment of the requirements for the degree Doctor Philosophy in Political Science May 2018 Advisory Committee: Joyce Mushaben, Ph.D. Jeanne Wilson, PhD. Kenny Thomas, Ph.D. David Kimball, Ph.D. Contents Introduction 1 Chapter I. Policy Formulation 30 Chapter II. Reform Initiatives 84 Chapter III. Economic Policy 122 Chapter IV. Energy Policy 169 Chapter V. Security and Defense Policy 199 Conclusion 237 Appendix 246 Bibliography 248 To the Pat Tillman Foundation for graciously sponsoring this important research Introduction: Ukraine at a Crossroads Ukraine, like many European countries, has experienced a complex history and occupies a unique geographic position that places it in a peculiar situation be- tween its liberal future and communist past; it also finds itself tugged in two opposing directions by the gravitational forces of Russia and the West. -
The White Guard PDF Book
THE WHITE GUARD PDF, EPUB, EBOOK Mikhail Afanasevich Bulgakov | 304 pages | 06 Jul 2006 | Vintage Publishing | 9780099490661 | English | London, United Kingdom The White Guard PDF Book Sure he had and s It was indeed a very amusing book. LitCharts Teacher Editions. When the shooting stars Use my words as bullets, Crimson with hate. I think that I was looking for something similar to Grossman's Life and Fate , but I just couldn't really find it here, and the introduction set up the book so well, too. This is a very interesting piece of text about the theatre and life within theatre. Nothing is ever perceived clear as to what is actually going on, in terms of leadership. Jul 26, Jayaprakash Satyamurthy rated it it was amazing. While The White Guard , Bulgakov's first novel, doesn't have the same surreal or supernatural elements as his later works, such as The Master and Margarita or Heart of a Dog , those qualities are presaged in the dream sequences and lyrical descriptions of the city of Kiev. More Details Born in Kiev in , the eldest of what was to become a family of seven children, Bulgakov belonged not only by blood — his father was a professor of theology at Kiev's theological seminary — but also by inclination to the ancient regime. While the main story revolves around the members of the Ukrainian Turbin family, the essence of the story is much more far reaching and captures the seemingly endless turbulence of both the City and the nation. During the strike Finnish police forces were effectively disbanded, as they had been closely associated with the occupying Russian authorities. -
Helsinki Workers' House and Katajanokan Kasino During the Civil
9 January 2018 Two Houses with Changing Masters – Helsinki Workers’ House and Katajanokan Kasino during the Civil War of 1918 - Photographic exhibition at Paasitorni and Katajanokan Kasino Helsinki Congress Paasitorni and Katajanokan Kasino are holding a joint photographic exhibition on the history of Helsinki in 1918, especially through the history of two buildings. The exhibition opens at Paasitorni on 18 January and runs until June 2018. From August until December 2018, the exhibition will be on display at Katajanokan Kasino. The exhibition is open to everyone during the opening hours of Paasitorni and Katajanokan Kasino. A hundred years after the Civil War, the Two Houses with Changing Masters exhibition offers the audience a poignant glimpse of the tragic events of 1918. Paasitorni (Helsinki Workers’ House) was designed by architect Karl Lindahl and it has been owned by the Helsinki Workers’ Association since its completion in 1908. Katajanokan Kasino was built as a club for Russian officers probably in 1913. It is owned through Katajanokka Officers’ Club by the Finnish Officers’ Union, the Helsinki Reservist District and the Finnish Reserve Officers’ Federation. Opening on 18 January 2018, the Two Houses with Changing Masters exhibition features 20 historical photographs depicting the events of 1918 and the Civil War in Helsinki, in which the Helsinki Workers’ House and Katajanokan Kasino played a key role. The name of the exhibition refers to the changing occupants of the two houses. Paasitorni, or the Helsinki Workers’ House became the base for the Red Guard despite the objection of the Workers’ Association, and on 26 January 1918, the Red Guard lit up a red lantern in the tower to mark the beginning of the revolution. -
Historical Background
1 HISTORICAL BACKGROUND Ukraine's long and turbulent history has been marked by devas• tation, suppression and discontinuity, the absence of any lasting independent statehood, and the division of ethnically Ukrainian lands among foreign conquerors and more powerful neighbours. Located at the former crossroads between Europe and Asia, where the Orthodox, Catholic and Muslim worlds confronted one another, this rich and fertile land was for centuries a magnet for invaders and colonizers, including Tatars, Poles, Turks, Russians and Germans. Over the ages Ukraine's history was rewritten by its foreign rulers in accordance with their own political and imperial interests, thus obscuring the story and aspirations of one of Europe's largest nations. Indeed, having remained a submerged nation for so long, Ukraine's resurgence during the final years of the USSR's existence was to take many by surprise and not only to alter the political geography of Europe but also to challenge the traditional ways of looking at Russia and Eastern Europe. Early history The Ukrainians, like the Russians and Belarusians, belong to the eastern branch of the Slavs. All three trace their historical ancestry to the state of Kyivan (Kievan) Rus, which arose in the ninth century and developed into a vast and powerful realm. The centre of this conglomerate of diverse territories and principalities was Kyiv and the area around it, that is, the heartland of present-day Ukraine. Kyivan Rus adopted Christianity from Byzantium in 988, along with Old Church Slavonic, with its Cyrillic script, which became the liturgical and literary language. The Kyivan state's famed 'golden domed' capital flourished as a jewel of East Slavonic culture and its rulers formed dynastic links with many 1 2 Historical background of medieval Europe's royal families as far away as France and Norway. -
Sami Suodenjoki, Popular Songs As Vehicles for Political Imagination
Sami Suodenjoki, Popular Songs as Vehicles for Political Imagination Sami SUODENJOKI POPULAR SONGS AS VEHICLES FOR POLITICAL IMAGINATION: The Russian Revolutions and the Finnish Civil War in Finnish Song Pamphlets, 1917–1918* The rule of rogues is now ended, as our country is ruled by the government of men, by the People’s Delegation, and therefore we rejoice! Yet a battle still lies before us until the hiding places, the nooks are empty, until the bourgeoisie, its rabble of villains, is disarmed and harmless. With these verses from “The Finnish Spring,” the songwriter David Lauri Leivo called workers to arms in March 1918, during the first deci- sive battles of the Finnish Civil War. The militant verses were included in a small collection of songs titled Lahtarikenraali Mannerheimin husaarit (The Hussars of Butcher-General Mannerheim). This eight-page pamphlet * The author acknowledges the anonymous reviewers for their valuable comments and suggestions. 228 Ab Imperio, 2/2019 circulated in southern Finland, which was controlled by the socialist Red Guards.1 By means of moral polarization, mockery of the bourgeois enemy, and glorification of the proletarian struggle against oppression, the song pamphlet reflected and boosted the revolutionary mood among the Reds. Because the pamphlet marked out Leivo as a Red sympathizer, the question naturally arises of what happened to him when the Whites crushed the so- cialist revolutionaries only a month later. His verses also raise more general questions about the role of popular songs in revolutionary mobilization and political propaganda. In this article, I explore how printed songs published in 1917 and 1918 reflected and in turn affected the ongoing revolutionary situation and politi- cal imagination in Finland. -
Who Were the “Greens”? Rumor and Collective Identity in the Russian Civil War
Who Were the “Greens”? Rumor and Collective Identity in the Russian Civil War ERIK C. LANDIS In the volost center of Kostino-Otdelets, located near the southern border of Borisoglebsk uezd in Tambov province, there occurred what was identified as a “deserters’ revolt” in May 1919. While no one was killed, a group of known deserters from the local community raided the offices of the volost soviet, destroying many documents relating to the previous months’ attempts at military conscription, and stealing the small number of firearms and rubles held by the soviet administration and the volost Communist party cell. The provincial revolutionary tribunal investigated the affair soon after the events, for while there was an obvious threat of violence, no such escalation occurred, and the affair was left to civilian institutions to handle. The chairman of the volost soviet, A. M. Lysikov, began his account of the event on May 18, when he met with members of the community following a morning church service in order to explain the recent decrees and directives of the provincial and central governments.1 In the course of this discussion, he raised the fact that the Council of Workers’ and Peasants’ Defense in Moscow had declared a seven-day amnesty for all those young men who had failed to appear for mobilization to the Red Army, particularly those who had been born in 1892 and 1893, and had been subject to the most recent age-group mobilization.2 It was at this moment that one of the young men in the village approached him to ask if it was possible to ring the church bell and call for an open meeting of deserters in the volost, at which they could collectively agree whether to appear for mobilization. -
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Morphosyntactic analysis of Surzhyk, a Russian–Ukrainian mixed lect A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Kateryna Kent IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Nancy Stenson Adviser August 2012 © Kateryna Kent 2012 i Acknowledgements I am grateful for the assistance of the following professors: o Dr. J.P. Marcotte for his invaluable guidance on the earlier drafts of this dissertation. o Dr. Nancy Stenson for many hours of time and guidance. Her knowledge and expertise in the area of language contact and field research made this dissertation possible. I would like to thank my research participants in Ukraine for providing me with hours of corpus data and for sharing their life stories with me. Their stories enriched me professionally, culturally, and spiritually. I would like to thank my colleagues from the Classical Private University in Ukraine for their help with collecting data and recruiting research participants for my study. I would like to thank my parents, Viktor and Svitlana Dyatlov, for help and support throughout these years of graduate studies. They spent countless hours helping me recruit the research participants, driving me to my research sites all over Ukraine, and watching my son so that I can spend time writing. Finally, I would like to thank my husband, Daniel, and my son, Motya, who watched me sit in front of the computer and write, who supported me through all of the difficult times and stress that dissertation writing can cause. I love you both. -
The Ukrainian Weekly 1984, No.36
www.ukrweekly.com Published by the Ukrainian National Association Inc.. a fraternal non-profit association| rainian Weekly Vol. Lll No. 36 THE UKRAINIAN WEEKLY SUNDAY, SEPTEMBER 2,1984 "^ ^ffints Canadian government approves grants totalling 5100,000 for famine projects by Mykhailo Bodurldw will be based on interviews with wit nesses and survivors of the Ukrainian TORONTO - The Canadian Go- famine. It will also include excerpts ^rnment announced on Friday, Au- from a one-hour interview with Mal g^t 17, that it has approved two grants colm Muggeridge, the British journalist fdiatling 5100,000, for research projects and author who was the Moscow cor into the Great Famine in Ukraine (1932- respondent for the Manchester Guar 33). dian during the time of the famine. The announcement was made at a The film, "Harvest of Despair," is press conference and awards ceremony scheduled to premiere this coming fall by Jesse Flis, the member of Parliament in Toronto. for the Toronto ...riding of Parkdale- Editing and production aspects of the High Park. The grants, each worth film are being coordinated by Ukrai 550,000, were awarded to the Toronto- nian film producers, Slavko Nowytski based Ukrainian Famine Research and Jurij Luhovij. Committee and the Foundation to The Lachine-based Foundation to Commemorate the 1933 Ukraine Fa Commemorate the 1933 Ukraine Fa mine, which is headquartered in La- mine has earmarked its grant for the chine, Que. production costs of a project to record As part of its "Educational Materials on videotape the personal experiences Project on the Ukrainian Holocaust," of Canadian citizens who survived the the Ukrainian Famine Research Com Ukrainian famine. -
Finnish Socialism, Nationalism and Russian Ideological Intervention in the Finnish Civil War
The Finnish Battle for Identity: Finnish Socialism, Nationalism And Russian Ideological Intervention in the Finnish Civil War Alexander Maavara Shortly before he returned to Russia in 1917, Vladimir Lenin expressed his support for Finland, or, as he referred to it: “one of the most advanced republican countries,” to receive independence from the Russian Empire.1 Lenin hoped that an independent Finland, which had "developed democracy relatively peacefully and won over a majority of the people to socialism,"2 would come to support the Russian proletariat in the global revolution. Lenin’s prediction proved incorrect as Finland erupted into a civil war shortly after gaining its independence in December 1917. The civil war was fought between the Finnish Whites and Reds, ending with over 30,000 dead and the defeat of the Reds, despite the pre-war popularity and support of socialism. Lenin had falsely assumed that Finland’s developed socialism corresponded with an equally developed militant revolutionary culture that would allow the Finnish socialists to easily seize power. This assumption led to the Finnish Reds becoming heavily dependent on Russian revolutionary ideology and material support. This dependence would allow the Finnish Whites to mobilize Finnish nationalism and frame the conflict as a War of Liberation against Russification, leaving a hostile nation on the Soviet Union’s border. Lenin’s misstep was grounded in a misinterpretation of how Finland’s position in the Russian Empire led to the evolution of a different socialist culture than existed in Russia itself. The Grand Duchy of Finland held privileged autonomy, maintaining its own legislature (the Diet) and executive (the Senate), while foreign relations were controlled by Russia. -
Becoming Soviet: Lost Cultural Alternatives In
BECOMING SOVIET: LOST CULTURAL ALTERNATIVES IN UKRAINE, 1917-1933 Olena Palko, MA, BA (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of East Anglia School of History December 2016© ‘This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition any quotation or extract must include full attribution.’ Abstract This doctoral thesis investigates the complex and multi-faceted process of the cultural sovietisation of Ukraine. The study argues that different political and cultural projects of a Soviet Ukraine were put to the test during the 1920s. These projects were developed and executed by representatives of two ideological factions within the Communist Party of Bolsheviks of Ukraine: one originating in the pre-war Ukrainian socialist and communist movements, and another with a clear centripetal orientation towards Moscow. The representatives of these two ideological horizons endorsed different approaches to defining Soviet culture. The unified Soviet canon in Ukraine was an amalgamation of at least two different Soviet cultural projects: Soviet Ukrainian culture and Soviet culture in the Ukrainian language. These two visions of Soviet culture are examined through a biographical study of two literary protagonists: the Ukrainian poet Pavlo Tychyna (1891-1967) and the writer Mykola Khvyl'ovyi (1893-1933). Overall, three equally important components, contributing to Ukraine’s sovietisation, are discussed: the power struggle among the Ukrainian communist elites; the manipulation of the tastes and expectations of the audience; and the ideological and aesthetic evolution of Ukraine’s writers in view of the first two components. -
Culture and Customs of Ukraine Ukraine
Culture and Customs of Ukraine Ukraine. Courtesy of Bookcomp, Inc. Culture and Customs of Ukraine ADRIANA HELBIG, OKSANA BURANBAEVA, AND VANJA MLADINEO Culture and Customs of Europe GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Helbig, Adriana. Culture and customs of Ukraine / Adriana Helbig, Oksana Buranbaeva and Vanja Mladineo. p. cm. — (Culture and customs of Europe) Includes bibliographical references and index. ISBN 978–0–313–34363–6 (alk. paper) 1. Ukraine—Civilization. 2. Ukraine—Social life and customs. I. Buranbaeva, Oksana. II. Mladineo, Vanja. III. Title. IV. Series. DK508.4.H45 2009 947.7—dc22 2008027463 British Library Cataloguing in Publication Data is available. Copyright © 2009 by Adriana Helbig, Oksana Buranbaeva, and Vanja Mladineo All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2008027463 ISBN: 978–0–313–34363–6 First published in 2009 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 The authors dedicate this book to Marijka Stadnycka Helbig and to the memory of Omelan Helbig; to Rimma Buranbaeva, Christoph Merdes, and Ural Buranbaev; to Marko Pećarević. This page intentionally left blank Contents Series Foreword ix Preface xi Acknowledgments xiii Chronology xv 1 Context 1 2 Religion 30 3 Language 48 4 Gender 59 5 Education 71 6 Customs, Holidays, and Cuisine 90 7 Media 114 8 Literature 127 viii CONTENTS 9 Music 147 10 Theater and Cinema in the Twentieth Century 162 Glossary 173 Selected Bibliography 177 Index 187 Series Foreword The old world and the New World have maintained a fluid exchange of people, ideas, innovations, and styles.