The White Guard PDF Book
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The White Guard Pdf, Epub, Ebook
THE WHITE GUARD PDF, EPUB, EBOOK Mikhail Afanasevich Bulgakov | 304 pages | 06 Jul 2006 | Vintage Publishing | 9780099490661 | English | London, United Kingdom The White Guard PDF Book Thanks for telling us about the problem. Previous George Daniel. Just Mercy. Bulgakov's letter is a testament to the emerging double-think of the Stalin era; at once superficially defiant, yet exhibiting an insidious desire to conform. Changes to the decree were made later, refining the organisation's structure. Perhaps the most credible of all the characters — in novel as well as play — is Bulgakov's own alter ego, Alexei Turbin. Although the founding of these "fire brigades" was often done in a non-partisan manner, they often split into two opposing factions during the autumn of This never took place, but for the rest of his life — he was to die, prematurely, worn out and demoralised in — Bulgakov expected the phone to ring again. Bulgakov was a heavily marked man, and by the time Stalin made his telephone call it seems all too likely that the writer was facing the same fate as other dissident voices, such as his brother-in-law Andrey Zemsky: a prison sentence or internal exile. From until the organisation's demise, this post was occupied by Gen. Literature Poetry Lit Terms Shakescleare. Having qualified in , Bulgakov had seen six months' service on the frontline as an army doctor; after this he transferred to the civil medical service and worked in a rural hospital. The Guard did not distinguish between any non-socialist political views and received the support of all non-socialist parties. -
Mikhail Bulgakov's Stalin
STUDIA UBB DRAMATICA, LXII, 1, 2017, p. 181 - 183 (Recommended Citation) Mikhail Bulgakov’s Stalin Book review: Mihail Bulgakov, Batum, A play in 4 acts, Translation, notes and introductory study by Nicolae Bosbiciu, Cluj-Napoca, Eikon Publishing House, 2015 For all the readers fascinated by Mikhail Bulgakov’s novels, most notably his masterpiece The Master and Margarita, as well as for all those interested in Bulgakov’s theatre, the recent Romanian translation of Batum, published in 2015 by the Eikon Publishing House, will definitely represent a pleasant EUGEN WOHL surprise. A long overdue project, the play was written in 1939 (commissioned by the Moscow Art Theatre to celebrate Stalin’s 60th anniversary, yet later banned and never staged), the publishing in Romanian translation of Bulgakov’s last play, an elaborate project undertaken by the professor and researcher Nicolae Bosbiciu, represents an important piece in the puzzle that was the Russian author’s complicated relationship with the dictator Joseph Stalin. The author’s “obsession” was ignited by Stalin’s phone call on April 18th, 1930 and his promise of a future meeting between the two, an event that, as the translator states in his extensive introductory study, determined the Russian author to become “haunted by horrific neurasthenia and by his fixation on the promised meeting between him and Stalin” (p. 113). Indeed, Batum is nothing more, nothing less than Bulgakov’s “play about Stalin”, his last dramaturgical work, a last-ditch effort to get the Soviet leader’s attention and, as the playwright secretly hoped, to benefit from his protection, in a climate of harsher and harsher repressive measures against “undesirable” writers. -
The Figure of Pontius Pilate in the Novel the Master and Margarita by Bulgakov Compared with Pilate in the Bible
The Figure of Pontius Pilate in the Novel The Master and Margarita by Bulgakov Compared with Pilate in the Bible Belfjore Qose discusses the character of Pontius Pilate in the novel compared to Pontius Pilate in the Bible, and concludes he is more human than all the other biblical characters that Bulgakov depicts . KAIROS - Evangelical Journal of Theology/Vol. VII. No. 1 (2013), pp. 55-67. From the archives of the website The Master and Margarita http://www.masterandmargarita.eu Webmaster Jan Vanhellemont B-3000 Leuven +32475260793 The Figure of Pontius Pilate in the Novel The Master and Margarita by Bulgakov Compared with Pilate in the Bible Belfjore Qose Aleksandër Moisiu University of Durrës, Albania [email protected] UDK:82 Original scientific paper Received: February, 2013. Accepted: April, 2013. Summary The study of the novel The Master and Margarita is focused on the interpretation and the making of a character that Bulgakov created based on the biblical figure. The analytical method used is a comparative one, and the study integrates a deep comparison of the narration techniques and interpretations of the figure in the light of mystic and occult culture. The comparison between the biblical archetype of the character of Pontius Pilate and the re-creation and interpretation of the character in the novel is not just a dry comparison, but it aims to climb over the culture it represents, Christian culture and ethics, regarding the concept of good and evil. As the narrator of the novel changes focus on different subjects, and since the central figure of the storytelling differs, it was more important for us to study the figure of Pontius Pilate than Yeshua (Christ). -
Helsinki Workers' House and Katajanokan Kasino During the Civil
9 January 2018 Two Houses with Changing Masters – Helsinki Workers’ House and Katajanokan Kasino during the Civil War of 1918 - Photographic exhibition at Paasitorni and Katajanokan Kasino Helsinki Congress Paasitorni and Katajanokan Kasino are holding a joint photographic exhibition on the history of Helsinki in 1918, especially through the history of two buildings. The exhibition opens at Paasitorni on 18 January and runs until June 2018. From August until December 2018, the exhibition will be on display at Katajanokan Kasino. The exhibition is open to everyone during the opening hours of Paasitorni and Katajanokan Kasino. A hundred years after the Civil War, the Two Houses with Changing Masters exhibition offers the audience a poignant glimpse of the tragic events of 1918. Paasitorni (Helsinki Workers’ House) was designed by architect Karl Lindahl and it has been owned by the Helsinki Workers’ Association since its completion in 1908. Katajanokan Kasino was built as a club for Russian officers probably in 1913. It is owned through Katajanokka Officers’ Club by the Finnish Officers’ Union, the Helsinki Reservist District and the Finnish Reserve Officers’ Federation. Opening on 18 January 2018, the Two Houses with Changing Masters exhibition features 20 historical photographs depicting the events of 1918 and the Civil War in Helsinki, in which the Helsinki Workers’ House and Katajanokan Kasino played a key role. The name of the exhibition refers to the changing occupants of the two houses. Paasitorni, or the Helsinki Workers’ House became the base for the Red Guard despite the objection of the Workers’ Association, and on 26 January 1918, the Red Guard lit up a red lantern in the tower to mark the beginning of the revolution. -
INTERNATIONALISM from BELOW Volume 4 (Part 1) COMMUNISTS
INTERNATIONALISM FROM BELOW Volume 4 (Part 1) COMMUNISTS, NATIONS-STATES AND NATIONALISM DURING THE 1916-21 INTERNATIONAL REVOLUTIONARY WAVE Allan Armstrong 1 1. INTRODUCTION i) The four waves of twentieth century international revolution ii) The effects of the ebbing revolutionary tides iii) Political ‘memory loss’ after the end of the International Revolutionary Wave of 1916-21 2. THE FIRST ATTEMPT TO SET UP A POST-NATIONAL WORLD ORDER A. DIFFERENT TIMELINES OF REVOLUTION i) April 1916 to March 1921 or ‘October’ 1917 to August 1991? ii) Past and current attempts to create a ‘post-national’ world order iii) Old challenges re-emerge in new guises iv) Timelines in the 1916-21 International Revolutionary Wave B. OTHER CENTRES, OTHER TIMELINES – LATVIA i) Latvia ii) The LSDP and the ‘National Question’ in Latvia iii) The revolutionary timeline in Latvia C. OTHER CENTRES, OTHER TIMELINES - FINLAND i) The revolutionary timeline in Finland ii) From February to August 1917 - rapid progress along the Finnish revolutionary timeline iii) An ‘internationalism from below’ alternative? iv) From August 1917 to May 1918 - the Finnish revolutionary timeline is broken 2 D. OTHER CENTRES, OTHER TIMELINES – UKRAINE i) The two revolutionary timelines in Ukraine ii) Timeline 1 - the Russian revolution in Ukraine iii) The Ukrainian Left after the February Revolution iv) Timeline 2 - the Ukrainian revolution up to July 4th, 1917 and the missed ‘internationalism from below’ opportunity v) Two timelines collide - towards the October Revolution vi) From October 25th (OS) to February 7th (NS) - Ukrainian revolutionary timeline fractured as Russian social imperialism turns to ‘Bayonet Bolshevism’ 3. 1918 – THE LOST YEAR OF THE REVOLUTION? A. -
The Role of Stanislavsky and the Moscow Art Theatre's 1923 And
CULTURAL EXCHANGE: THE ROLE OF STANISLAVSKY AND THE MOSCOW ART THEATRE’S 1923 AND1924 AMERICAN TOURS Cassandra M. Brooks, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2014 APPROVED: Olga Velikanova, Major Professor Richard Golden, Committee Member Guy Chet, Committee Member Richard B. McCaslin, Chair of the Department of History Mark Wardell, Dean of the Toulouse Graduate School Brooks, Cassandra M. Cultural Exchange: The Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours. Master of Arts (History), August 2014, 105 pp., bibliography, 43 titles. The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and changes that occurred in Russian and American theatre cultures as a result of those visits. Konstantin Stanislavsky, the MAT’s co-founder and director, developed the System as a new tool used to help train actors—it provided techniques employed to develop their craft and get into character. This would drastically change modern acting in Russia, the United States and throughout the world. The MAT’s first (January 2, 1923 – June 7, 1923) and second (November 23, 1923 – May 24, 1924) tours provided a vehicle for the transmission of the System. In addition, the tour itself impacted the culture of the countries involved. Thus far, the implications of the 1923 and 1924 tours have been ignored by the historians, and have mostly been briefly discussed by the theatre professionals. This thesis fills the gap in historical knowledge. -
The White Guard
The White Guard Mikhail Bulgakov Translated by Roger Cockrell ALMA CLASSICS alma classics ltd London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almaclassics.com The White Guard first published in full in 1966 This edition first published by Alma Books Ltd in 2012 © by the Estate of Mikhail Bulgakov Translation © Roger Cockrell, 2012 Cover image © Nicola Bottinelli Extra Material © Alma Classics Ltd Printed in Great Britain by by CPI Group (UK) Ltd, Croydon, CR0 4YY Typeset by Tetragon isbn: 978-1-84749-245-6 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction ix The White Guard 1 Part One 7 Part Two 107 Part Three 163 Note on the Text 267 Notes 267 Extra Material 275 Mikhail Bulgakov’s Life 277 Mikhail Bulgakov’s Works 290 Select Bibliography 305 Introduction It is an evening in mid-December. -
Satiric Image of Soviet Reality in the Works of M.A. Bulgakov Pjaee, 17 (7) (2020)
SATIRIC IMAGE OF SOVIET REALITY IN THE WORKS OF M.A. BULGAKOV PJAEE, 17 (7) (2020) SATIRIC IMAGE OF SOVIET REALITY IN THE WORKS OF M.A. BULGAKOV Guo Cong1*, Chistyakov Alexander Valerianovich2 1*PhD Student of the Department of Russian and Foreign Literature, Faculty of Philology, Peoples' Friendship University of Russia. 2Candidate of Philological Sciences, Associate Professor of the Department of Russian and Foreign Literature, Faculty of Philology,Peoples' Friendship University of Russia. 1*Guo Cong Guo Cong, Chistyakov Alexander Valerianovich.Satiric Image of Soviet Reality in the Works of M.A. Bulgakov-- Palarch’s Journal of Archaeology of Egypt/Egyptology 17(7), 5670-5681. ISSN 1567-214x Keywords: M.A. Bulgakov, Satire, Grotesque, Parody, Infernal Elements. ABSTRACT The article is devoted to the originality of the satirical depiction of the Soviet system in the stories of M.A. Bulgakov's "Diaboliad", "Fatal Eggs", "Heart of a Dog" and the novel "The Master and Margarita". The main artistic techniques of Bulgakov's satire are considered - grotesque, fantastic assumption, irony and parody. A characteristic feature of Bulgakov's artistic method is highlighted - a combination of a realistic image of Soviet society with carnival and infernal motives.The present study examines specific features of satirical image of the Soviet system in M.A. Bulgakov's novels “Diaboliad”, “The Fatal Eggs”, “Heart of Dog” and “The Master and Margarita”. Basic art techniques of Bulgakov's satire, such as grotesque, fantastic assumption, irony, parody, are reviewed. In addition, the combination of realistic image with carnival and infernal motives is described as a typical feature of Bulgakov‟s art method. -
The Fatal Eggs by Mikhail Bulgakov
The Fatal Eggs by Mikhail Bulgakov Book available on iOS, Android, PC & Mac. Unlimited ebooks*. Accessible on all your screens. Book The Fatal Eggs available for review only, if you need complete book "The Fatal Eggs" please fill out registration form to access in our databases Download here >>> *Please Note: We cannot guarantee that every ebook is in the library. You can choose FREE Trial service and download "The Fatal Eggs" ebook for free. Book File Details: Review: First of all, this is a good translation - not too dry, with (IIRC) only about one obvioius idiom- literally-translated. Not scholarly, or not noticeably so.Its a stemwinder of a story, the Soviet Union during the NEP when things seemed to actually be working and the future was bright (though dangerous when those with Influence pushed too hard). Accompanying... Original title: The Fatal Eggs Paperback: 110 pages Publisher: Translit Publishing (April 1, 2010) Language: English ISBN-10: 0981269524 ISBN-13: 978-0981269528 Product Dimensions:5 x 0.3 x 8 inches File Format: pdf File Size: 13492 kB Ebook File Tags: heart of a dog pdf,master and margarita pdf,fatal eggs pdf,bulgakov pdf,ray pdf,russian pdf,soviet pdf,satire pdf,published pdf,russia pdf,sci-fi pdf,translation pdf,genius pdf,war pdf,discovers pdf,early pdf,satirical pdf,today Description: As the turbulent years following the Russian revolution of 1917 settle down into a new Soviet reality, the brilliant and eccentric zoologist Persikov discovers an amazing ray that drastically increases the size and reproductive rate of living organisms. -
Sami Suodenjoki, Popular Songs As Vehicles for Political Imagination
Sami Suodenjoki, Popular Songs as Vehicles for Political Imagination Sami SUODENJOKI POPULAR SONGS AS VEHICLES FOR POLITICAL IMAGINATION: The Russian Revolutions and the Finnish Civil War in Finnish Song Pamphlets, 1917–1918* The rule of rogues is now ended, as our country is ruled by the government of men, by the People’s Delegation, and therefore we rejoice! Yet a battle still lies before us until the hiding places, the nooks are empty, until the bourgeoisie, its rabble of villains, is disarmed and harmless. With these verses from “The Finnish Spring,” the songwriter David Lauri Leivo called workers to arms in March 1918, during the first deci- sive battles of the Finnish Civil War. The militant verses were included in a small collection of songs titled Lahtarikenraali Mannerheimin husaarit (The Hussars of Butcher-General Mannerheim). This eight-page pamphlet * The author acknowledges the anonymous reviewers for their valuable comments and suggestions. 228 Ab Imperio, 2/2019 circulated in southern Finland, which was controlled by the socialist Red Guards.1 By means of moral polarization, mockery of the bourgeois enemy, and glorification of the proletarian struggle against oppression, the song pamphlet reflected and boosted the revolutionary mood among the Reds. Because the pamphlet marked out Leivo as a Red sympathizer, the question naturally arises of what happened to him when the Whites crushed the so- cialist revolutionaries only a month later. His verses also raise more general questions about the role of popular songs in revolutionary mobilization and political propaganda. In this article, I explore how printed songs published in 1917 and 1918 reflected and in turn affected the ongoing revolutionary situation and politi- cal imagination in Finland. -
Who Were the “Greens”? Rumor and Collective Identity in the Russian Civil War
Who Were the “Greens”? Rumor and Collective Identity in the Russian Civil War ERIK C. LANDIS In the volost center of Kostino-Otdelets, located near the southern border of Borisoglebsk uezd in Tambov province, there occurred what was identified as a “deserters’ revolt” in May 1919. While no one was killed, a group of known deserters from the local community raided the offices of the volost soviet, destroying many documents relating to the previous months’ attempts at military conscription, and stealing the small number of firearms and rubles held by the soviet administration and the volost Communist party cell. The provincial revolutionary tribunal investigated the affair soon after the events, for while there was an obvious threat of violence, no such escalation occurred, and the affair was left to civilian institutions to handle. The chairman of the volost soviet, A. M. Lysikov, began his account of the event on May 18, when he met with members of the community following a morning church service in order to explain the recent decrees and directives of the provincial and central governments.1 In the course of this discussion, he raised the fact that the Council of Workers’ and Peasants’ Defense in Moscow had declared a seven-day amnesty for all those young men who had failed to appear for mobilization to the Red Army, particularly those who had been born in 1892 and 1893, and had been subject to the most recent age-group mobilization.2 It was at this moment that one of the young men in the village approached him to ask if it was possible to ring the church bell and call for an open meeting of deserters in the volost, at which they could collectively agree whether to appear for mobilization. -
Religious Doctrine in the Works of Mikhail Bulgakov (With Special Reference to Belaia Gvardiia, Beg and Master I Margarita) Isobel Victoria Martin
Religious doctrine in the works of Mikhail Bulgakov (with special reference to Belaia Gvardiia, Beg and Master i Margarita) Isobel Victoria Martin Isabel Martin wants to show that Russian Orthodox Doctrine can provide a cohesive whole for Bulgakov's works, uniting them on a spiritual level. Master thesis at the Department of Russian of the University of Durham, Unted Kingdom - January 1998. From the archives of the website The Master and Margarita http://www.masterandmargarita.eu Webmaster Jan Vanhellemont B-3000 Leuven +32475260793 Durham E-Theses Religious doctrine in the works of Mikhail Bulgakov (with special reference to Belaia Gvardiia, Beg and master I Margarita) Martin, Isobel Victoria How to cite: Martin, Isobel Victoria (1998) Religious doctrine in the works of Mikhail Bulgakov (with special reference to Belaia Gvardiia, Beg and master I Margarita) , Durham theses, Durham University. Available at Durham E- Theses Online: http://etheses.dur.ac.uk/4911/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 RELIGIOUS DOCTRINE IN THE WORKS OF MIKHAIL BULGAKOV (WITH SPECIAL REFERENCE TO BELAIA G VARDIIA, BEG AND MASTER I MARGARITA) ISOBEL VICTORIA MARTIN M.A.