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MINISTRY OF NATIONAL EDUCAT ION UNIVERSITY OF PITEŞTI FACULTY OF THEOLOGY, LETTERS, HISTORY AND ARTS AGENCE UNIVERSITAIRE DE LA FRANCOPHONIE ALLIANCE FRANÇAISE DE PITEŞTI CENTRE DE RECHERCHE SUR L’IMAGINAIRE IMAGINES CENTRUL DE REUŞITĂ UNIVERSITARĂ LANGUAGE AND LITERATURE EUROPEAN LANDMARKS OF IDENTITY __________________________________________________ LANGUE ET LITTÉRATURE REPÈRES IDENTITAIRES EN CONTEXTE EUROPÉEN __________________________________________________ LIMBA ŞI LITERATURA REPERE IDENTITARE ÎN CONTEXT EUROPEAN SELECTED PAPERS OF THE 15th INTERNATIONAL CONFERENCE OF THE FACULTY OF THEOLOGY, LETTERS, HISTORY AND ARTS Piteşti, 14-16 June 2019 No. 24/2019 University of Piteşti Press 1 DIRECTOR / DIRECTEUR DE PUBLICATION: Ștefan GĂITĂNARU EDITOR-IN-CHIEF / RÉDACTEUR EN CHEF: Liliana SOARE ASSOCIATE EDITORS-IN-CHIEF / RÉDACTEURS EN CHEF ADJOINTS: Valentina STÎNGĂ, Liliana VOICULESCU SCIENTIFIC COMMITTEE / COMITÉ SCIENTIFIQUE Liliana AGACHE, “I. Iordan – Al. Rosetti” Institute of Linguistics, Bucharest, Romania Stefan BARME, University of Vienna, Austria Petre Gheorghe BÂRLEA, “Ovidius” University of Constanța Grigore BRÂNCUŞ, The Romanian Academy, University of Bucharest, Romania Didi-Ionel CENUŞER, “Lucian Blaga” University, Sibiu, Romania Gheorghe CHIVU, The Romanian Academy, University of Bucharest, Romania Francis CLAUDON, Paris XII University, France Luc COLLÈS, The Catholic University of Leuven, Belgium Jean-Louis COURRIOL, “Jean Moulin” University, “Lyon 3”, Lyon 3, France Dan DOBRE, University of Bucharest, Romania Cécile FOLSCHWEILLER, INALCO, Paris, France Daniela FRUMUŞANI, University of Bucharest, Romania Alexandru GAFTON, “Alexandru Ioan Cuza” University of Iaşi, Romania Ravil GARIPOV, Bachkire State Pedagogical University, Russia Ştefan GĂITĂNARU, University of Piteşti, Romania Corina-Amelia GEORGESCU, University of Piteşti, Romania Yvonne GOGA, “Babeş-Bolyai” University, Romania Brian IMHOFF, Texas A&M University, USA Andrei IONESCU, University of Bucharest, Romania Andres Kristol, Neuchâtel University, Switzerland Diana LEFTER, University of Pitești Lucie LEQUIN, Concordia University, Canada Milena MILANOVIC, The Institute of Foreign Languages FLS, Belgrade, Serbia Alexandrina MUSTĂŢEA, University of Piteşti, Romania Nasser Rashidi, Shariz University, Iran Cristiana TEODORESCU, University of Craiova, Romania 2 PEER-REVIEW COMMITTEE / COMITÉ DE LECTURE Marinela BURADA, “Transilvania” University of Braşov, Romania Diana CÂMPAN, ”1 Decembrie 1918” University, Alba Iulia, Romania Rodica-Gabriela CHIRA, “1 Decembrie 1918” University, Alba Iulia, Romania George CONSTATINESCU, University of Craiova, Romania Simona Diana CONSTANTINOVICI, West University, Timişoara, Romania Oliviu FELECAN, North University of Baia Mare, România Mihaela Dana GHEORGHE, “Transilvania” University of Braşov, Romania Luminiţa HOARŢĂ CĂRĂUŞU, „Al. I. Cuza” University, Iaşi, Romania Adrian IANCU, “Lucian Blaga” University, Sibiu, Romania Gina MĂCIUCĂ, “Ştefan cel Mare” University, Suceava, Romania Ileana MIHĂILĂ, “University of Bucharest, Romania Ioan MILICĂ, “Al. I. Cuza” University, Iaşi, Romania Cristinel MUNTEANU, “C. Brâncoveanu” University, Piteşti, Romania Steluţa STAN, “Dunărea de Jos” University, Galaţi, Romania Dumitru TUCAN, West University, Timişoara, Romania George Bogdan ŢÂRA, West University, Timişoara, Romania EDITORIAL COMMITTEE / COMITÉ DE RÉDACTION Lavinia GEAMBEI Diana-Adriana LEFTER Marina TOMESCU The conference took place under the high patronage of the Agence Universitaire de la Francophonie, and the proceedings were published with its financial assistance. La conférence s’est déroulée sous le haut patronage de l'Agence Universitaire de la Francophonie, qui a financé la parution des actes. ISSN 2344-4894 ISSN-L 1843-1577 University of Piteşti Press Târgul din Vale Street, 1, 110040, Piteşti, Romania Tél.: +40 (0)248 218804, int. 149,150 3 4 CONTENTS KEY SPEAKERS / SESSION PLÉNIÈRE Ionel BUȘE Felicien Rops – de l’ironie artistique à la crise de la modernité………………. 9 ROMANIAN LANGUAGE AND LITERATURE / LANGUE ET LITTÉRATURE ROUMAINE Lavinia BĂNICĂ Irony As The Main Instrument Of Literary Expression In The Epic Burlesque (Țiganiada by Ion Budai-Deleanu)………………………………….…………... 21 Marilena Filofteia COSTESCU Gheorghe Asachi, a Pioneer of the National Theatre...................................... 25 Nicoleta CRÎNGANU The Ironic Projection of Alterity in Tthe Novel Europolis by Jean Bart....... 32 Andreea DAMIAN (ZAMFIR) Aspects of the Folk Influences in the Minulescian Poetry………………….. 39 Adina DUMITRU Forms of Irony in Contemporary Social Discourse ...............……………... 45 Ștefan GĂITĂNARU The Syntactic Code and the Structures of the Poetic Imaginary…………… 51 Lavinia-Ileana GEAMBEI Aspects de l’ironie dans le roman Întâlnirea de Gabriela Adameşteanu......................................................................................................... 62 Sorin IAGĂRU-DINA Revisiting the Past, Rethinking the Present: Ironical Aspects of Rereading ,,Minor” Forerunners in Marin Sorescu and Mircea Cătărescu’s Theoretical, Critical and Literary Texts………………………………………………………. 70 Olga IRIMCIUC Valenze semantico-simboliche dell’ironia nel romanzo Compito per domani (Temă pentru acasă) di Nicolae Dabija.................................................... 77 5 Andreea Gabriela IVAȘCU (ANDREI) Stylistic Dimensions of The Teachings Of Neagoe Basarab to his Son Theodosius………………………………………………………………………. 83 Valentin-Iulian MAZILU "Pavel Anicet. The Hypostasis of the Brutalized Young Man or the Irony of Fate"…………………………………………………………………………….. 94 Lili MOCANU (VÂRTOPEANU) George Coșbuc - Theses and Antitheses in the Folklor Research………….. 103 Marius Romulus SĂLĂGEAN Myth and Symbol in the Writing of Mihail Sadoveanu....................... 109 Alina-Mariana STÎNGĂ (ZARIA) The Absurd of Max Blecher’s Imaginary…………………………………... 115 COMPARATIVE LITERATURE. COMMUNICATION AND CULTURAL STUDIES / LITTÉRATURE COMPAREE. COMMUNICATION ET ETUDES CULTURELLES Pompiliu ALEXANDRU, Cristina Daniela ALEXANDRU Du sourire de Mona Lise au sourire de Bouddha………………………….. 121 Odette ARHIP, Cristian ARHIP Humor and the Narrative Structure of Advertising………………………… 128 Carmen DOMINTE Syllepsis – an Instrument for Comic and Irony…………………………….. 137 Horia DUMITRESCU About The Laughter of Joy and the Laughter of Mockery in the Holy Scripture of The Old Testament…………………………………………………. 145 Gheorghe GÎRBEA Irony and Humour in The Biblical Canon………………………………….. 154 Ana-Maria IONESCU Irony in Contemporary Romanian and British Media Discourses – a Socio-Cultural and Linguistic Approach……………………………………….. 165 Ion ISAROIU Musical Culture of Byzantine Origin in the 17th Century and the First Half of the 18th Century………………………………………………………………. 173 6 Valentina MARINESCU Humor in Medical Advertising……………………………………………... 189 Carmen-Andreea ONEAȚĂ The Bourgeois Drama. The Importance of George Lillo’s Drama for Denis Diderot’s Writings………………………………………………………………… 194 Dan-Niculae PODARU The Importance of Iconicity in the Luxury Watches Industry……………… 202 Simona RODAT Socio-Cultural Dimensions of Laughter and Smile as Ways of Nonverbal Communication…………………………………………………………………. 210 Anda-Anca RODIDEAL Use and Consequences of Humour and Irony in the Online Activities of Digital Native Children…………………………………………………………. 220 Mihai-Ionuț RUSEN The Sculptural Language in the Context of Contemporary Visual Arts - Imaginary and Irony in Artistic Research. Irony as a Means of Translating the Imaginary……………………………………………………………………….. 228 Roger Cristian SAFTA The Laughter of Abraham and of Sarah……………………………………. 241 Ioana SILISTRARU Surgical Patients' Narratives Research Hypothesis Testing In Narrative Medicine………………………………………………………………………… 253 Dragos Ciprian VIRSESCU The Representation of Women in Ideology……………………………………… 263 Caroline ZIOLKO Affiche, humour et francite : Savignac (1907-2002)………………… 272 SPANISH LANGUAGE AND LITERATURE AND PERFORMING ARTS / LANGUE ET LITTÉRATURE ESPAGNOLES ET ARTS DU SPECTACLE Bogdan CIOABĂ Quelques considérations sur la mise en scène du Don Juan de Molière………………………………………………………………………………… 280 Diana-Adriana LEFTER Ironie de l’histoire et auto-ironie de l’écriture dans Yo, el supremo de Augusto Roa Bastos…………………………………………………………….…….. 292 7 Lavinia SIMILARU Conservar la ironía en la lengua meta, ¿una misión imposible para el traductor?........................................................................................................... 298 Sorina Dora SIMION Documenta y literatura…………………………………………………………... 305 Andreea Daniela ȚACU Aspectos éticos y estéticos de la sátira………………………………………… 315 8 FELICIEN ROPS – DE L’IRONIE ARTISTIQUE A LA CRISE DE LA MODERNITE Ionel BUȘE Ce tant folâtre Monsieur Rops, Qui n’est pas un grand prix de Rome, Mais dont le talent est haut comme La pyramide de Chéops ! Baudelaire Abstract: The Belgian illustrator, engraver and painter Félicien Rops is an ironic, destructive and evil spirit. His irony is a double irony: an irony of the decadence of a century and at the sametime an author’s self-irony. Our study tries to highlight that his works are creations which hide in their ironic humour a tragic imperceptible which sends to the greatness but especially to the decadence of his century. Keywords: Félicien Rops; engraver; painter; irony; decadence; modernity. L’histoire de l’ironie (du grecque eirôneia) commence par les penseurs antiques et elle est liée à la rhétorique et à la philosophie. Il y a des multiples manières d’ironiser. Tout au long des siècles l’ironie a