1 PASANGAN DAN SANDHANGAN DALAM AKSARA JAWA Oleh
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Ka И @И Ka M Л @Л Ga Н @Н Ga M М @М Nga О @О Ca П
ISO/IEC JTC1/SC2/WG2 N3319R L2/07-295R 2007-09-11 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale de Normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Proposal for encoding the Javanese script in the UCS Source: Michael Everson, SEI (Universal Scripts Project) Status: Individual Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Replaces: N3292 Date: 2007-09-11 1. Introduction. The Javanese script, or aksara Jawa, is used for writing the Javanese language, the native language of one of the peoples of Java, known locally as basa Jawa. It is a descendent of the ancient Brahmi script of India, and so has many similarities with modern scripts of South Asia and Southeast Asia which are also members of that family. The Javanese script is also used for writing Sanskrit, Jawa Kuna (a kind of Sanskritized Javanese), and Kawi, as well as the Sundanese language, also spoken on the island of Java, and the Sasak language, spoken on the island of Lombok. Javanese script was in current use in Java until about 1945; in 1928 Bahasa Indonesia was made the national language of Indonesia and its influence eclipsed that of other languages and their scripts. Traditional Javanese texts are written on palm leaves; books of these bound together are called lontar, a word which derives from ron ‘leaf’ and tal ‘palm’. 2.1. Consonant letters. Consonants have an inherent -a vowel sound. Consonants combine with following consonants in the usual Brahmic fashion: the inherent vowel is “killed” by the PANGKON, and the follow- ing consonant is subjoined or postfixed, often with a change in shape: §£ ndha = § NA + @¿ PANGKON + £ DA-MAHAPRANA; üù n. -
Ahom Range: 11700–1174F
Ahom Range: 11700–1174F This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
Source Readings in Javanese Gamelan and Vocal Music, Volume 2
THE UNIVERSITY OF MICHIGAN CENTER FOR SOUTH AND SOUTHEAST ASIAN STUDIES MICHIGAN PAPERS ON SOUTH AND SOUTHEAST ASIA Editorial Board Alton L. Becker Karl L. Hutterer John K. Musgrave Peter E. Hook, Chairman Ann Arbor, Michigan USA KARAWITAN SOURCE READINGS IN JAVANESE GAMELAN AND VOCAL MUSIC Judith Becker editor Alan H. Feinstein assistant editor Hardja Susilo Sumarsam A. L. Becker consultants Volume 2 MICHIGAN PAPERS ON SOUTH AND SOUTHEAST ASIA; Center for South and Southeast Asian Studies The University of Michigan Number 30 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Library of Congress Catalog Card Number: 82-72445 ISBN 0-89148-034-X Copyright ©' 1987 by Center for South and Southeast Asian Studies The University of Michigan Publication of this book was assisted in part by a grant from the Publications Program of the National Endowment for the Humanities. Additional funding or assistance was provided by the National Endowment for the Humanities (Transla- tions); the Southeast Asia Regional Council, Association for Asian Studies; The Rackham School of Graduate Studies, The University of Michigan; and the School of Music, The University of Michigan. Printed in the United States of America ISBN 978-0-89-148034-1 (hardcover) ISBN 978-0-47-203819-0 (paper) ISBN 978-0-47-212769-6 (ebook) ISBN 978-0-47-290165-4 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ CONTENTS PREFACE: TRANSLATING THE ART OF MUSIC A. -
ISO/IEC JTC1/SC2/WG2 N 2005 Date: 1999-05-29
ISO INTERNATIONAL ORGANIZATION FOR STANDARDIZATION ORGANISATION INTERNATIONALE DE NORMALISATION --------------------------------------------------------------------------------------- ISO/IEC JTC1/SC2/WG2 Universal Multiple-Octet Coded Character Set (UCS) -------------------------------------------------------------------------------- ISO/IEC JTC1/SC2/WG2 N 2005 Date: 1999-05-29 TITLE: ISO/IEC 10646-1 Second Edition text, Draft 2 SOURCE: Bruce Paterson, project editor STATUS: Working paper of JTC1/SC2/WG2 ACTION: For review and comment by WG2 DISTRIBUTION: Members of JTC1/SC2/WG2 1. Scope This paper provides a second draft of the text sections of the Second Edition of ISO/IEC 10646-1. It replaces the previous paper WG2 N 1796 (1998-06-01). This draft text includes: - Clauses 1 to 27 (replacing the previous clauses 1 to 26), - Annexes A to R (replacing the previous Annexes A to T), and is attached here as “Draft 2 for ISO/IEC 10646-1 : 1999” (pages ii & 1 to 77). Published and Draft Amendments up to Amd.31 (Tibetan extended), Technical Corrigenda nos. 1, 2, and 3, and editorial corrigenda approved by WG2 up to 1999-03-15, have been applied to the text. The draft does not include: - character glyph tables and name tables (these will be provided in a separate WG2 document from AFII), - the alphabetically sorted list of character names in Annex E (now Annex G), - markings to show the differences from the previous draft. A separate WG2 paper will give the editorial corrigenda applied to this text since N 1796. The editorial corrigenda are as agreed at WG2 meetings #34 to #36. Editorial corrigenda applicable to the character glyph tables and name tables, as listed in N1796 pages 2 to 5, have already been applied to the draft character tables prepared by AFII. -
An Introduction to Indic Scripts
An Introduction to Indic Scripts Richard Ishida W3C [email protected] HTML version: http://www.w3.org/2002/Talks/09-ri-indic/indic-paper.html PDF version: http://www.w3.org/2002/Talks/09-ri-indic/indic-paper.pdf Introduction This paper provides an introduction to the major Indic scripts used on the Indian mainland. Those addressed in this paper include specifically Bengali, Devanagari, Gujarati, Gurmukhi, Kannada, Malayalam, Oriya, Tamil, and Telugu. I have used XHTML encoded in UTF-8 for the base version of this paper. Most of the XHTML file can be viewed if you are running Windows XP with all associated Indic font and rendering support, and the Arial Unicode MS font. For examples that require complex rendering in scripts not yet supported by this configuration, such as Bengali, Oriya, and Malayalam, I have used non- Unicode fonts supplied with Gamma's Unitype. To view all fonts as intended without the above you can view the PDF file whose URL is given above. Although the Indic scripts are often described as similar, there is a large amount of variation at the detailed implementation level. To provide a detailed account of how each Indic script implements particular features on a letter by letter basis would require too much time and space for the task at hand. Nevertheless, despite the detail variations, the basic mechanisms are to a large extent the same, and at the general level there is a great deal of similarity between these scripts. It is certainly possible to structure a discussion of the relevant features along the same lines for each of the scripts in the set. -
Specifying Optional Malayalam Conjuncts
Specifying Optional Malayalam Conjuncts Cibu Johny <[email protected]> Roozbeh Poornader <[email protected]> 2013Jan28 Current status Indic conjunct formation scheme currently favors the full conjunct for a given set of characters. Example: क् + ष → is prefered as opposed to क् ष. (KAd + SSAl → K.SSAn ) क् ष can be obtained by क् + ZWJ + ष which is KAd + ZWJ + SSAl → KAh + SSAn The Need In Malayalam there are two prevailing orthographies traditional and reformed both written with same Malayalam character set. The difference between them is typically manifested only by the font. Traditional orthography fonts accomodate lot more full conjuncts, while reformed orthography fonts would use visibile virama (Chandrakkala) separated sequences for many of those full conjuncts. For the vowel signs of U, UU, and Vocalic vowels and also for the RAsign, reformed orthography font would use visually separate conjoining form. However, there is a definite need for the ability in a reformed orthography font to display the traditional full conjuncts on demand. As of now there is no mechanism specified in the standard to suggest a full conjunct of a cluster. The reverse case is also needed a traditional orthography font might want to display reformed othrography grapheme clusters optionally. Following proposal uses ZWJ and ZWNJ insertions to achieve this need. However, potentially Chillu forming sequence <Consonant + Virama + ZWJ> is not used for any of the cases listed below. Proposal Case 1 1 The sequence <Consonant + ZWJ + Conjoining Vowel Sign> has following fallback order for display: 1. Full Conjunct 2. Consonant + nonconjoining vowel sign Example with reformed orthography font (in a reformed orthography Malayalam font that can allow optional traditional orthography) SA + Vowel Sign U → SA + ZWJ + Vowel Sign U → Case 2 <Consonant1 + ZWJ + Virama + Consonant2> has following display fallback order: 1. -
Balinese Romanization Table
Balinese Principal consonants1 (h)a2 ᬳ ᭄ᬳ na ᬦ ᭄ᬦ ca ᬘ ᭄ᬘ᭄ᬘ ra ᬭ ᭄ᬭ ka ᬓ ᭄ᬓ da ᬤ ᭄ᬤ ta ᬢ ᭄ᬢ sa ᬲ ᭄ᬲ wa ᬯ la ᬮ ᭄ᬙ pa ᬧ ᭄ᬧ ḍa ᬟ ᭄ᬠ dha ᬥ ᭄ᬟ ja ᬚ ᭄ᬚ ya ᬬ ᭄ᬬ ña ᬜ ᭄ᬜ ma ᬫ ᭄ᬫ ga ᬕ ᭄ᬕ ba ᬩ ᭄ᬩ ṭa ᬝ ᭄ᬝ nga ᬗ ᭄ᬗ Other consonant forms3 na (ṇa) ᬡ ᭄ᬡ ca (cha) ᭄ᬙ᭄ᬙ ta (tha) ᬣ ᭄ᬣ sa (śa) ᬱ ᭄ᬱ sa (ṣa) ᬰ ᭄ᬰ pa (pha) ᬨ ᭄ᬛ ga (gha) ᬖ ᭄ᬖ ba (bha) ᬪ ᭄ᬪ ‘a ᬗ᬴ ha ᬳ᬴ kha ᬓ᬴ fa ᬧ᬴ za ᬚ᬴ gha ᬕ᬴ Vowels and other agglutinating signs4 5 a ᬅ 6 ā ᬵ ᬆ e ᬾ ᬏ ai ᬿ ᬐ ĕ ᭂ ö ᭃ i ᬶ ᬇ ī ᬷ ᬈ o ᭀ ᬑ au ᭁ ᬒ u7 ᬸ ᬉ ū ᬹ ᬊ ya, ia8 ᭄ᬬ r9 ᬃ ra ᭄ᬭ rĕ ᬋ rö ᬌ ᬻ lĕ ᬍ ᬼ lö ᬎ ᬽ h ᬄ ng ᬂ ng ᬁ Numerals 1 2 3 4 5 ᭑ ᭒ ᭓ ᭔ ᭕ 6 7 8 9 0 ᭖ ᭗ ᭘ ᭙ ᭐ 1 Each consonant has two forms, the regular and the appended, shown on the left and right respectively in the romanization table. The vowel a is implicit after all consonants and consonant clusters and should be supplied in transliteration, unless: (a) another vowel is indicated by the appropriate sign; or (b) the absence of any vowel is indicated by the use of an adeg-adeg sign ( ). (Also known as the tengenen sign; ᭄ paten in Javanese.) 2 This character often serves as a neutral seat for a vowel, in which case the h is not transcribed. -
Translation As Commentary in the Sanskrit-Old Javanese Didactic and Religious Literature from Java and Bali Andrea Acri and Thomas M
Translation as Commentary in the Sanskrit-Old Javanese Didactic and Religious Literature from Java and Bali Andrea Acri and Thomas M. Hunter* This article discusses the dynamics of translation and exegesis documented in the body of Sanskrit-Old Javanese Śaiva and Buddhist technical literature of the tutur/tattva genre, composed in Java and Bali in the period from c. the ninth to the sixteenth century. The texts belonging to this genre, mainly preserved on palm-leaf manuscripts from Bali, are concerned with the reconfiguration of Indic metaphysics, philosophy, and soteriology along localized lines. Here we focus on the texts that are built in the form of Sanskrit verses provided with Old Javanese prose exegesis – each unit forming a »translation dyad«. The Old Javanese prose parts document cases of linguistic and cultural »localization« that could be regarded as broadly corresponding to the Western categories of translation, paraphrase, and commen- tary, but which often do not fit neatly into any one category. Having introduced the »vyākhyā-style« form of commentary through examples drawn from the early inscriptional and didactic literature in Old Javanese, we present key instances of »cultural translations« as attested in texts composed at different times and in different geo- graphical and religio-cultural milieus, and describe their formal features. Our aim is to do- cument how local agents (re-)interpreted, fractured, and restated the messages conveyed by the Sanskrit verses in the light of their contingent contexts, agendas, and prevalent exegeti- cal practices. Our hypothesis is that local milieus of textual production underwent a pro- gressive »drift« from the Indic-derived scholastic traditions that inspired – and entered into a conversation with – the earliest sources, composed in Central Java in the early medieval period, and progressively shifted towards a more embedded mode of production in East Java and Bali from the eleventh to the sixteenth century and beyond. -
Gunjala Gondi Range: 11D60–11DAF
Gunjala Gondi Range: 11D60–11DAF This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
The Unicode Standard, Version 3.0, Issued by the Unicode Consor- Tium and Published by Addison-Wesley
The Unicode Standard Version 3.0 The Unicode Consortium ADDISON–WESLEY An Imprint of Addison Wesley Longman, Inc. Reading, Massachusetts · Harlow, England · Menlo Park, California Berkeley, California · Don Mills, Ontario · Sydney Bonn · Amsterdam · Tokyo · Mexico City Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Addison-Wesley was aware of a trademark claim, the designations have been printed in initial capital letters. However, not all words in initial capital letters are trademark designations. The authors and publisher have taken care in preparation of this book, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode®, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. If these files have been purchased on computer-readable media, the sole remedy for any claim will be exchange of defective media within ninety days of receipt. Dai Kan-Wa Jiten used as the source of reference Kanji codes was written by Tetsuji Morohashi and published by Taishukan Shoten. ISBN 0-201-61633-5 Copyright © 1991-2000 by Unicode, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or other- wise, without the prior written permission of the publisher or Unicode, Inc. -
Oriya Range: 0B00–0B7F
Oriya Range: 0B00–0B7F This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
Augmented Javanese Speech Levels Machine Translation 45
Augmented Javanese Speech Levels Machine Translation 45 Augmented Javanese Speech Levels Machine Translation Aji P. Wibawa1, Andrew Nafalski2, and Wayan F. Mahmudy3, Non-members ABSTRACT language [1, 7, 8]. Furthermore, the selection of incor- rect vocabularies [4] indicates that they lack mastery This paper presents the development of the hy- of speech levels and do not know how to use them brid corpus-based machine translation for Javanese appropriately in verbal communication. In fact, the language. The system is designed to deal with the acquisition of speech levels among teenagers can be complexity of politeness expression and speech levels classified as very poor: 36.45 out of 100. This finding of Javanese that is considered as a local language with was revealed in a research on the use of speech levels the biggest number of users in Indonesia. Statistical by youngsters in Solo [8] and the result was based on features are embedded to increase the performance written vocabulary translation tests. of the system. The edit shifting distance is applied Realizing that they cannot handle this polite form, due to increase the alignment efficiency. However, im- younger speakers usually switch into Indonesian lan- proper alignment contributed by recorded impossible guage(bahasa Indonesia), which they can handle more pair and insufficient data training is still detected. easily and they believe to be more reliable to use in This paper proposes a new improvement of the de- the global era [7-9]. If this continues, the krama form- veloped alignment algorithm based on the impossible a unique characteristic Javanese-is in the danger of pair restriction.