DOCSLIB.ORG

Représentations Du Soi Espagnol Et De L'autre Inca Dans Le Discours De

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Représentations Du Soi Espagnol Et De L'autre Inca Dans Le Discours De Université de Montréal Représentations du Soi espagnol et de l’Autre inca dans le discours de Pedro Sarmiento de Gamboa par Marie-Eve Drouin-Gagné Faculté de théologie et de sciences des religions Mémoire présenté à la Faculté de théologie et de sciences des religions en vue de l’obtention du grade de maîtrise (M.A.) en sciences des religions Janvier 2011 © Marie-Eve Drouin-Gagné, 2011 Université de Montréal Faculté des études supérieures et postdoctorales Ce mémoire intitulé : Représentations du Soi espagnol et de l’Autre inca dans le discours de Pedro Sarmiento de Gamboa Présenté par : Marie-Eve Drouin-Gagné a été évalué par un jury composé des personnes suivantes : Denise Couture, présidente-rapporteure Solange Lefebvre, directrice de recherche Paul Sabourin, codirecteur Juan Carlos Godenzzi, membre du jury i Résumé Comprendre les présupposés qui fondent les rapports au monde des individus selon leur appartenance civilisationnelle nécessite des outils et une méthode permettant de répondre à trois questions principales. D’abord, comment aborder le rapport que des individus et leurs collectivités entretiennent avec le monde et avec l’Autre selon leur propre système d’interprétations et d’explications de ces réalités? Ensuite, comment penser la diversité des collectivités humaines qui établissent de tels rapports? Finalement, comment aborder les dimensions collectives à travers les discours limités d’individus? Deux outils m’ont permis de prendre du recul face à ma subjectivité et d’accéder à un certain niveau de réalité et de validité quant aux faits rapportés et aux résultats atteints. Dans un premier temps, le réseau notionnel articulant les conceptions du monde (Ikenga- Metuh, 1987) comme phénomènes de civilisations (Mauss, 1929) accessibles par l’analyse des représentations sociales (Jodelet, 1997) permet de définir et d’étudier l’interface entre l’individuel et le collectif. Dans un deuxième temps, l’opérationnalisation de la recherche permet de cerner le XVIe siècle comme moment de rencontre propice à l’étude des civilisations andines et occidentales à travers les représentations du Soi espagnol et de l’Autre inca du chroniqueur Pedro Sarmiento de Gamboa. Finalement, la méthode d’analyse de discours (Sabourin, 2009) lève le voile sur une grammaire sociale polarisante entre le Soi et l’Autre, laquelle traverse les trois univers de sens (religieux, intellectuel et politique) observés dans le discours de Sarmiento. La mise à jour des positions théologiques, intellectuelles et politiques de l’auteur ouvre à son tour sur les récits et discours collectifs propres aux civilisations occidentales et andines de son époque, et permet un questionnement nouveau : cette polarisation est-elle unique à la localisation sociale de Sarmiento ou constitue-t-elle un phénomène civilisationnel proprement occidental ? Mots-clés : Conceptions du monde, civilisations andines et occidentales, représentations des empires inca et espagnol, analyse de discours, Pedro Sarmiento de Gamboa. ii Abstract Understanding the assumptions underlying the relationships between individuals and the world according to their civilizational affiliation requires tools and a method to address three main questions. First, how to approach the relationship individuals and their collectivities maintain with the world and with the Other according to their own set of interpretations and meanings of these realities? Second, how to envision the diversity of human collectivities which establish such relations? Finally, how to approach the collective dimensions through limited individual discourse? Two tools enabled me to distance myself from my own subjectiveness and to attain a certain degree of reality and validity as to the stated facts and the achieved results. First, the notional network linking worldviews (Ikenga-Metuh, 1987) as a civilizational phenomenon (Mauss, 1929) accessible through the analysis of social representations (Jodelet, 1997), enables the identification of an interface which can be studied between the individual and the collective. Secondly, research operationalization makes it possible to identify the sixteenth century as a significant crossroad for the study of Western and Andean civilizations through Pedro Sarmiento de Gamboa’s representations of the Spanish Self and the Inca Other. Finally, discourse analysis (Sabourin, 2009) unveils a polarizing social grammar between the Self and the Other which involves the three realms of meaning (religious, intellectual and political) observed in Sarmiento’s discourse. The author’s theological, intellectual and political positions thus revealed lead, in turn, to the collective stories and discourses which prevailed in Western and Andean civilizations at the time, and invites a further question: Is this polarization unique to Sarmiento’s social location or does it constitute a truly Western civilizational phenomenon? Keywords : Worldview, Western and Andean civilizations, representations of the Inca and Spanish empires, discourse analysis, Pedro Sarmiento de Gamboa. iii Table des matières Introduction ........................................................................................................................ 1 0.1. Appréhension première du phénomène à partir de ma localisation sociale.....................1 0.2. Objectifs de la recherche : identifier les a priori civilisationnels définissant des rapports au monde différenciés ...................................................................................................6 0.3. Utilité de la recherche............................................................................................................7 0.4. Structure du mémoire ...........................................................................................................8 Chapitre 1 Représentations des conceptions incas et espagnoles du monde lors de leur rencontre au XVIe siècle ..................................................................................................... 11 1.1. Définition du phénomène et son approche méthodologique ............................................13 1.1.1. Définition retenue de conception du monde...................................................................................14 1.1.2. Définition retenue de civilisation....................................................................................................18 1.1.3. Conceptions du monde comme phénomènes de civilisation : changements et continuités............19 1.1.4. Représentations sociales comme objet de recherche : interface entre l’individu et le collectif .....21 1.1.5. Analyse de discours comme méthode : fondements et limites de l’expression individuelle du phénomène civilisationnel retenu .............................................................................................................25 1.2. Réduction du phénomène dans le contexte empirique .....................................................26 1.2.1. Choix d’un observatoire signifiant de la rencontre des civilisations andines et occidentales........27 1.2.1.1. Survol des recherches occidentales : une ou plusieurs civilisations andines?........................28 1.2.1.2. La rencontre des empires inca et espagnol au XVIe siècle dans les Andes : les Incas comme couche civilisationnelle andine............................................................................................................32 1.2.2. Choix d’un discours social significatif comme objet de recherche empirique...............................41 1.2.2.1. Une chronique espagnole pour retracer les représentations des conceptions incas et espagnoles du monde ...........................................................................................................................42 1.2.2.2. Le discours de Sarmiento comme observatoire des représentations du Soi espagnol et de l’Autre inca ..........................................................................................................................................46 Chapitre 2 Construction des données sociologiques relatives à la chronique retenue, son auteur et son contenu.......................................................................................................... 49 2.1. Identification du document analysé ...................................................................................50 2.1.1. Titre de la chronique, format et certification du document ............................................................50 2.1.2. Oubli de la chronique pendant 4 siècles, publications et traductions au XXe siècle ......................52 2.1.3. Traducteur et éditeur retenu............................................................................................................54 2.2. Relation de communication : les individus impliqués ......................................................56 2.2.1. Qui est Sarmiento et comment se définit-il dans son récit ?...........................................................56 2.2.2. Au nom de qui? Groupes d’appartenance de Sarmiento ................................................................57 2.2.2.1. Positions intellectuelles...........................................................................................................57 2.2.2.2. Positions politiques et institutionnelles...................................................................................60 2.2.3. De qui parle-t-il? Les informateurs.................................................................................................67 2.2.3.1. Chefs d’ayllus
Load more

Recommended publications
  • Architecture As Performance
    CY221/Jarrard-FM CY221/Jarrard 0521815096 June 5, 2003 19:11 Char Count= 0 Architecture as Performance in Seventeenth-Century Europe Court Ritual in Modena, Rome, and Paris Alice Jarrard Harvard University iii CY221/Jarrard-FM CY221/Jarrard 0521815096 June 5, 2003 19:11 Char Count= 0 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Alice Jarrard 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Bembo 11/13.5 pt. System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Jarrard, Alice, 1960– Architecture as performance / Alice Jarrard. p. cm. Includes bibliographical references and index. isbn 0–521–81509–6 1. Architecture – Italy – Modena – 17th century. 2. Francesco I dEste, Duke of Modena and Reggio, 1610–1658 – Art patronage. 3. Architecture and state – Italy. 4. Architecture and state – Europe.
    [Show full text]
  • Ironworks and Iron Monuments Forges Et
    IRONWORKS AND IRON MONUMENTS FORGES ET MONUMENTS EN FER I( ICCROM i ~ IRONWORKS AND IRON MONUMENTS study, conservation and adaptive use etude, conservation et reutilisation de FORGES ET MONUMENTS EN FER Symposium lronbridge, 23-25 • X •1984 ICCROM rome 1985 Editing: Cynthia Rockwell 'Monica Garcia Layout: Azar Soheil Jokilehto Organization and coordination: Giorgio Torraca Daniela Ferragni Jef Malliet © ICCROM 1985 Via di San Michele 13 00153 Rome RM, Italy Printed in Italy Sintesi Informazione S.r.l. CONTENTS page Introduction CROSSLEY David W. The conservation of monuments connected with the iron and steel industry in the Sheffield region. 1 PETRIE Angus J. The No.1 Smithery, Chatham Dockyard, 1805-1984 : 'Let your eye be your guide and your money the last thing you part with'. 15 BJORKENSTAM Nils The Swedish iron industry and its industrial heritage. 37 MAGNUSSON Gert The medieval blast furnace at Lapphyttan. 51 NISSER Marie Documentation and preservation of Swedish historic ironworks. 67 HAMON Francoise Les monuments historiques et la politique de protection des anciennes forges. 89 BELHOSTE Jean Francois L'inventaire des forges francaises et ses applications. 95 LECHERBONNIER Yannick Les forges de Basse Normandie : Conservation et reutilisation. A propos de deux exemples. 111 RIGNAULT Bernard Forges et hauts fourneaux en Bourgogne du Nord : un patrimoine au service de l'identite regionale. 123 LAMY Yvon Approche ethnologique et technologique d'un site siderurgique : La forge de Savignac-Ledrier (Dordogne). 149 BALL Norman R. A Canadian perspective on archives and industrial archaeology. 169 DE VRIES Dirk J. Iron making in the Netherlands. 177 iii page FERRAGNI Daniela, MALLIET Jef, TORRACA Giorgio The blast furnaces of Capalbio and Canino in the Italian Maremma.
    [Show full text]
  • Cycling Week
    CYCLING WEEK CASTELLO SANTA CRISTINA A FULL WEEK OF CYCLING, AN INCREDIBLE HOLIDAY TO REMEMBER, IN ONE OF THE REGIONS LESS INHABITED OF ITALY. S. CRISTINA CASTLE WILL BE YOUR HOME AND YOUR BASE THROUGHOUT THE WEEK, ALLOWING YOU TO EXPLORE ALTA TUSCIA A STRIP BETWEEN TUSCANY, UMBRIA AND LAZIO. EXPERT GUIDES WILL LEAD YOU ALONG UNBEATEN PATHS AND ANCIENT TRAILS. Day 1: arrival in the evening, check in and guided tour of the castle. Briefing about the next day excursion and bikes control if rented. Dinner in the cosy tavern and overnight, in the comfortable, stylish farmhouses below the castle, restored recently. Dinner in the cosy tavern and overnight, in the comfortable, stylish farmhouses below the castle, restored recently. Day 2 ­ Day 3 ­ Day 4 ­ Day 6 ­ Day 7: around 9.00 am after a good breakfast, we take the trail to do one of the excursions, chosen by the guide according to weather conditions and physical conditions of the riders. Day 5: Breakfast and a free day to relax the weak legs, an excellent opportunity to visit the area or a visit to the thermal baths in Viterbo, or in Sorano. Day 8: Breakfast, check out and departure time. COST: Euro 835,00 for a person, minimum number 2 people. 15% discount for groups of more than four people. The cost includes: • Seven nights in a double bedroom (March­June, September­October) • Full board with six picnic bags for lunch during the rides out. • 6 guided tours on MTB of approx 4/5 hours with an expert guide on trails and side roads.
    [Show full text]
  • TUSCIA 2008-Ingok
    (Viterbo) Palazzo dei Papi / Papal Palace Nella Tuscia Viterbese si riscontrano non solo i segni della civiltà etrusca. A rappresentare l’evoluzione dell’arte e dell’architettura nel corso dei secoli, dall’Alto Medioevo al Settecento, esistono, sparse nei vari centri della regione, numerosissime testimonianze di elevato interesse storico-culturale. Partiamo come sempre da VITERBO e in modo particolare da BAGNAIA dove è possibile visitare la straordinaria VILLA LANTE; realizzata nel 1578 su disegni del Vignola, che inaugurò così il concetto di “giardini all’italiana”, rappresenta una delle ville rinascimentali più interessanti dell’Italia centrale. Il centro storico, racchiuso da un’imponente cerchia muraria, è invece ricco 8 di palazzi, fontane e monumenti che non fanno che confermare (Viterbo) Fontana di Piazza Fontana Grande le glorie passate dell’antica “Città dei Papi”. Sì perché proprio Fountain of Piazza Fontana Grande a Viterbo, dal 1268 al 1271 venne celebrato all’interno dello splendido PALAZZO DEI PAPI il primo conclave della storia. Particolarmente suggestiva l’odierna PIAZZA DEL PLEBISCITO la cui creazione risale alla seconda metà del Duecento. Sulla piazza si affacciano il PALAZZO DEI PRIORI (risalente al 1264, ampliato nel 1448), con l’elegante portico e giardino interno, il PALAZZO DEL GOVERNATORE, il PALAZZO DEL PODESTÀ (con la slanciata Torre dell’Orologio), l’antica CHIESA DI S. ANGELO (1145) e le vecchie CARCERI. Numerosi i palazzi medioevali, rinascimentali e seicenteschi sparsi nel centro storico e in modo particolare nei quartieri SAN PELLEGRINO e PIANOSCARANO: PALAZZO DEGLI ALESSANDRI, PALAZZO GATTI (XII sec.), PALAZZETTO POSCIA (XIV sec.), PALAZZETTO MAZZATOSTA, PALAZZO FARNESE, PALAZZO DEL DRAGO (XV sec.), PALAZZO CHIGI (XVI sec.), PALAZZO BRUGIOTTI (XVII sec.), sede del Museo della Ceramica.
    [Show full text]
  • Institute of Historical Sciences Faculty of Arts and Philosophy University of Pardubice
    Institute of Historical Sciences Faculty of Arts and Philosophy University of Pardubice Theatrum historiae 21 2017 Pardubice 2017 The cover image depicts Stockholm after 1660. This engraving was made by Erik Dahlbergh and was taken from the work Suecia antiqua et hodierna (see https://commons. wikimedia.org/wiki/File:Suecia_1-013_;_Stockholm_fr%C3%A5n_%C3%B6ster-right_ side_detail.jpg). © University of Pardubice, 2017 Registration number MK ČR E 19534 ISSN 1802–2502 Contents Petr VOREL Funding of the Papal Army’s Campaign to Germany during the Schmalkaldic War (Edition of the original accounting documentation “Conto de la Guerra de Allemagna” kept by the Pope’s accountant Pietro Giovanni Aleotti from 22 June 1546 to 2 September 1547) 9 Christof MUIGG Montecuccoli’s Fame, or: A Diplomat’s Military Reputation at the Swedish Court in 1654 97 Miroslav DYRČÍK Early Eighteenth Century’ Jewish Religiousness: A Case of Leibele Prossnitz as Depicted in Bashraybung fun Shabbetai Zevị 117 Mariusz MISZTAL The Intimate Picture of Queen Victoria and her Household, 1840–1843. Extracts from the Diary of Dr Robert Ferguson, the Queen’s Accoucheur 141 Jiří HUTEČKA “There Is Nothing New Out Here!” Communication Strategies and Gender Dynamics in the World War I Family Correspondence 167 Zbyněk VYDRA British Jewry and the Attempted Boycott of Nazi Germany, 1933–1939 195 Reports and reviews 221 List of reviewers (in alphabetical order) 231 List of contributors (in alphabetical order) 232 9 Petr VOREL Funding of the Papal Army’s Campaign to Germany during the Schmalkaldic War (Edition of the original accounting documentation “Conto de la Guerra de Allemagna” kept by the Pope’s accountant Pietro Giovanni Aleotti from 22 June 1546 to 2 September 1547) Abstract: This article is based on the recently discovered text of accounting documentation led by the Papal secret accountant Pietro Giovanni Aleotti.
    [Show full text]
  • 1. Humanism and Honour in the Making of Alessandro Farnese 35
    6 RENAISSANCE HISTORY, ART AND CULTURE Cussen Pope Paul III and the Cultural Politics of Reform of Politics Cultural the and III Paul Pope Bryan Cussen Pope Paul III and the Cultural Politics of Reform 1534-1549 Pope Paul III and the Cultural Politics of Reform Renaissance History, Art and Culture This series investigates the Renaissance as a complex intersection of political and cultural processes that radiated across Italian territories into wider worlds of influence, not only through Western Europe, but into the Middle East, parts of Asia and the Indian subcontinent. It will be alive to the best writing of a transnational and comparative nature and will cross canonical chronological divides of the Central Middle Ages, the Late Middle Ages and the Early Modern Period. Renaissance History, Art and Culture intends to spark new ideas and encourage debate on the meanings, extent and influence of the Renaissance within the broader European world. It encourages engagement by scholars across disciplines – history, literature, art history, musicology, and possibly the social sciences – and focuses on ideas and collective mentalities as social, political, and cultural movements that shaped a changing world from ca 1250 to 1650. Series editors Christopher Celenza, Georgetown University, USA Samuel Cohn, Jr., University of Glasgow, UK Andrea Gamberini, University of Milan, Italy Geraldine Johnson, Christ Church, Oxford, UK Isabella Lazzarini, University of Molise, Italy Pope Paul III and the Cultural Politics of Reform 1534-1549 Bryan Cussen Amsterdam University Press Cover image: Titian, Pope Paul III. Museo di Capodimonte, Naples, Italy / Bridgeman Images. Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 252 0 e-isbn 978 90 4855 025 8 doi 10.5117/9789463722520 nur 685 © B.
    [Show full text]
  • IMT Institute for Advanced Studies, Lucca, Italy Gift
    ! IMT Institute for Advanced Studies, ! Lucca, Italy! ! ! ! Gift Exchange at the Court of Cosimo I de’ Medici (1537-1574)! ! ! PhD Program in the Management & Development of Cultural Heritage! XXVI Cycle! ! ! Samuel Morrison Gallacher! 2015 REVIEWERS PAGE! The dissertation of Samuel Morrison Gallacher is approved.! !Tutor: Emanuele Pellegrini The dissertation of Samuel Morrison Gallacher has been reviewed by the following committee:! Alessio Assonitis, The Medici Archive Project! Henk van Veen, University of Groningen! Paula Volpini, Università degli Studi di Roma "La Sapienza" ! Diana Carrió-Invernizzi, Universidad Nacional de Educación a Distancia! ! ! ! ! ! IMT Institute for Advanced Studies, Lucca 2015 "i ACKNOWLEDGEMENTS! ! ! The author would like to acknowledge the following people for their help !and support over the last four years.! In alphabetical order: Bailey Adie, Roberta Anderson, Maurizio Arfaioli, Lorenzo Allori, Alessio Assonitis, Sheila Barker, Sarah Bercusson, Mark Berry, Davide Boerio, Elena Brizio, Ashley Buchanan, Lorenzo Casini, Maria Luisa Catoni, Juan Cobo, Stefano Baia-Curioni, Steven Daniels, Marcin Fabia#ski, Bassma Reda Abouel Fadl, Catherine Fletcher, Damodar Frlan, Stefania Gerevini, Silvia Ginzburg, Alexander Greenwood, Magda Jarosik, Anna Kalinowska, Konstantinos Karatzias, Alexander Köller, Paula Matiz, Laura Mesotten, Srdjan Milosevic, Ivanna Nakic, Olimpia Nicosia, Lorena Pellumbi, Oliver Perry, Emanuele Pellegrini, Tihana Puc, Alexander Röstel, Riccardo Senesi, Salvatore Settis, Ahmed Shams, Natalia
    [Show full text]
  • Artificiality in Mannerism: the Influence of Self-Fashioning
    Artificiality in Mannerism: the Influence of Self-fashioning Author: Kira Maye Persistent link: http://hdl.handle.net/2345/495 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2007 Copyright is held by the author, with all rights reserved, unless otherwise noted. Artificiality in Mannerism: The Influence of Self-fashioning Kira Maye Professor Stephanie Leone Fine Arts Department, Art History Senior Honors Thesis April 2007 Table of Contents List of Illustrations 2 Introduction 3 Chapter I: Defining Mannerism 7 Chapter II: Vasari and Self-fashioning 27 Chapter III: Farnese Patronage and Self-fashioning 44 Conclusion 69 Illustrations 71 Bibliography 80 Illustrations Figures 1. Pontormo, Descent from the Cross, 1525-27 2. Rosso Fiorentino, Descent from the Cross, 1521 3. Rosso Fiorentino, The Dead Christ with Angels, 1524-27 4. Giovanni Bologna, Rape of the Sabine, 1583 5. Bronzino, Venus, Cupid, Folly, and Time, c. 1546 6. Giorgio Vasari, Allegory of the Immaculate Conception, 1541 7. Giulio Clovio, Queen of Sheba before Solomon, 1546 8. Michelangelo, Victory, c. 1532-34 9. Francesco Salviati, History of Paul III, c. 1558 10. Francesco Salviati, Bathsheba Going to David, 1552-54 11. Giorgio Vasari, Justice, 1543 12. Giorgio Vasari, Sala dei Cento Giorni, 1546 13. Giorgio Vasari, Peace of Nice, 1546 14. Giorgio Vasari, Paul III Distributing Benefices, 1546 15. Giorgio Vasari, Rebuilding of St. Peter’s, 1546 16. Giorgio Vasari, Universal Homage to Paul III, 1546 17. Raphael, Vision of the Cross, 1517-24 Introduction In the sixteenth century, Giorgio Vasari created a three-part history of Italian art in Lives of the most eminent painters, sculptors and architects.
    [Show full text]
  • Download (11Mb)
    A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/90103 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications 1 Scenography at the Barberini court in Rome: 1628-1656 by Leila Zammar A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Warwick Renaissance Studies Centre for the Study of the Renaissance 2 Table of contents List of Abbreviations…………………………………………................ p. 4 List of Illustrations………………………………………………..……. p. 5 Acknowledgements……………………………………………………... p. 10 Abstract…………………………………………………………………. p. 12 Introduction…………………………………………………………….. p. 13 Chapter 1 New light on early performances (August 1628 and Carnival of 1632)……………………………………….. p. 36 Il contrasto di Apollo con Marsia: August 1628……....... p. 41 Il Sant’Alessio: Carnival 1632…………………………... p. 51 Chapter 2 Operas staged with the collaboration of Francesco Guitti (1633-1634)……………………………………… p. 62 Erminia sul Giordano (Carnival 1633)…………………. p. 64 Il Sant’Alessio (Carnival 1634)…………………………. p. 88 Chapter 3 Further developments (1635-1638)………………..…… p. 120 I Santi Didimo e Teodora (Carnivals 1635 and 1636)…... p. 123 La pazzia d’Orlando and San Bonifacio (Carnival 1638)... p. 145 Chapter 4 Inaugurating the newly-built theatre (1639 and 1642). p. 163 The Teatro Barberini from its construction to its demolition (1637-1932)………………………………….
    [Show full text]
  • Against All Odds the Battle of Nonantola, 1643, July 21St
    Against all odds The battle of Nonantola, 1643, July 21st “La battaglia di Nonantola” - Oil painting exposed in the Nonantola Major office. 13.0 SCENARIO RULES 13.3 Movement Against all odds is a simulation of the battle that Until the end of the fourth Game Turn, neither took place on 21 July 1643 near the fortified Mattei nor his CUs can be moved unless one or town of Nonantola, few kilometers from Bolo - more of them are attacked by a coalition CU. gna, in Italy, during the First War of Castro. In this battle a large Papal army was defeated by 13.4 Demoralization a Modenese Army led by Field Marshal Rai - The Coalition Army is demoralized when it mondo Montecuccoli, recalled to Italy by direct loses 20 CPs, while the Papal Army is demora - demand to the Austrian Emperor by the Duke of lized when it loses 30 CPs. Commanders are Modena. Using light artillery pieces in a comple - not calculated towards demoralization. tely new tactical use, in few hours he was able to achieve an amazing victory with minimum los - 13.5 Victory conditions ses, forcing the Pope to sign a truce. Each eliminated Combat or Command Point gives 1 VP to the enemy. If the Coalition Army 13.1 Game scale breaks the siege of Nonantola (even for a single Each hex on the game map is approximately Turn), it gains 10 VP. If the Papal army occupies 200 meters across. Each combat unit repre - both Navicello and the bridge, it gains 10 VP. A sents 100 horsemen or 200 soldiers for the Coa - 2/1 VP ratio is a decisive victory.
    [Show full text]
  • FB Catalogue Final.Pdf
    Seattle, Seattle Art Museum Fort Worth, Kimbell Art Museum October 17 2019 - January 26 2020 March 01 2020 - June 14 2020 Curated by Sylvain Bellenger with the collaboration of Chiyo Ishikawa, George Shackleford and Guillaume Kientz Embassy of Italy Washington The Embassy of Italy in Washington D.C. Museo e Real Bosco di Capodimonte Seattle Art Museum Director Illsley Ball Nordstrom Director and CEO Front cover Sylvain Bellenger Amada Cruz Parmigianino Lucretia Chief Curator Susan Brotman Deputy Director for Art and 1540, Oil on panel Linda Martino Curator of European Painting and Sculpture Naples, Museo e Real Bosco Chiyo Ishikawa di Capodimonte Exhibition Department Patrizia Piscitello Curatorial Intern Exhibition Catalogue Giovanna Bile Gloria de Liberali Authors Documentation Department Deputy Director for Art Administration Sylvain Bellenger Alessandra Rullo Zora Foy James P. Anno Christopher Bakke Head of Digitalization Exhibitions and Publications Manager Proofreading and copyediting Carmine Romano Tina Lee Mark Castro Graphic Design Restoration Department Director of Museum Services Studio Polpo Alessandra Golia and Chief Registrar Lauren Mellon Photos credits Legal Consulting Museo e Real Bosco di Capodimonte Studio Luigi Rispoli Associate Registrar for Exhibitions © Alberto Burri by SIAE 2019, Fig. 5 Megan Peterson © 2019 Andy Warhol Foundation American Friends of Capodimonte President for the Visual Arts by SIAE, Fig. 6 Nancy Vespoli Director of Design and Installation Photographers Nathan Peek and his team Luciano Romano Speranza Digital Studio, Napoli Exhibition Designer Paul Martinez Published by MondoMostre Printed in Italy by Tecnostampa Acting Director of Communications Finished printing on September 2019 Cindy McKinley and her team Copyright © 2019 MondoMostre Chief Development Ofcer Chris Landman and his team All Rights Reserved.
    [Show full text]
  • Violence and Disorder in the Sede Vacante of Early Modern Rome, 1559-1655
    VIOLENCE AND DISORDER IN THE SEDE VACANTE OF EARLY MODERN ROME, 1559-1655 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By John M. Hunt, M. A. ***** The Ohio State University 2009 Dissertation Committee Professor Robert C. Davis Professor Noel G. Parker ______________________________ Professor Barbara A. Hanawalt Advisor History Graduate Program Professor Terri Hessler ABSTRACT From the death of every pope until the election of his successor in the early modern era, the entire bureaucratic and judicial apparatus of the state in Rome and the Papal States effectively ceased to function. During this interregnum, known as the sede vacante (literally, “the vacant see”), violence and disorder dramatically increased as the papal government temporarily lost its control over the populace and its monopoly of violence. The College of Cardinals and local civic governments throughout the Papal States, authorities deputized to regulate affairs during sede vacante, failed to quell the upsurge of violence that commenced immediately upon the pope’s death. Contemporary observers and modern scholars have labeled the violence of sede vacante as meaningless and irrational. I argue, rather, that this period of unrest gave Romans and subjects of the Papal States an opportunity to perform actions increasingly forbidden by the centralizing papal government—and thus ultimately to limit the power of the government and prevent the development of the papacy into an absolute monarchy. Acting as individuals or as collectivities, Romans and papal subjects sought revenge against old enemies, attacked hated outsiders, criticized papal policies, and commented on the papal election.
    [Show full text]