Institute of Historical Sciences Faculty of Arts and Philosophy University of Pardubice
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Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Invasions, Insurgency and Interventions: Sweden’s Wars in Poland, Prussia and Denmark 1654 - 1658. A Dissertation Presented by Christopher Adam Gennari to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University May 2010 Copyright by Christopher Adam Gennari 2010 Stony Brook University The Graduate School Christopher Adam Gennari We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Ian Roxborough – Dissertation Advisor, Professor, Department of Sociology. Michael Barnhart - Chairperson of Defense, Distinguished Teaching Professor, Department of History. Gary Marker, Professor, Department of History. Alix Cooper, Associate Professor, Department of History. Daniel Levy, Department of Sociology, SUNY Stony Brook. This dissertation is accepted by the Graduate School """"""""" """"""""""Lawrence Martin "" """""""Dean of the Graduate School ii Abstract of the Dissertation Invasions, Insurgency and Intervention: Sweden’s Wars in Poland, Prussia and Denmark. by Christopher Adam Gennari Doctor of Philosophy in History Stony Brook University 2010 "In 1655 Sweden was the premier military power in northern Europe. When Sweden invaded Poland, in June 1655, it went to war with an army which reflected not only the state’s military and cultural strengths but also its fiscal weaknesses. During 1655 the Swedes won great successes in Poland and captured most of the country. But a series of military decisions transformed the Swedish army from a concentrated, combined-arms force into a mobile but widely dispersed force. -
Funding of the Papal Army's Campaign to Germany During The
9 Petr VOREL Funding of the Papal Army’s Campaign to Germany during the Schmalkaldic War (Edition of the original accounting documentation “Conto de la Guerra de Allemagna” kept by the Pope’s accountant Pietro Giovanni Aleotti from 22 June 1546 to 2 September 1547) Abstract: This article is based on the recently discovered text of accounting documentation led by the Papal secret accountant Pietro Giovanni Aleotti. He kept records of income and expenses of Papal chamber connected with the campaign of Papal army that was sent from Italy to Germany by Pope Paul III (Alessandro Farnese) in the frame of the first period of so called Smalkaldic War (1546–1547). The author publishes this unique source in extenso and completes the edition by the detailed analysis of the incomes and expenses of this documentation. The analysis is extended by three partial texts dealing with 1) so called Jewish tax that was announced by Paul III in the financial support of military campaign, 2) credit granting of this campaign by the bank house of Benvenuto Olivieri in connection with the collection of Papal tithe in the Romagna region and 3) staffing of the commanding officers of Papal army during this campaign (in the attachment one can find a reconstruction of the officers’ staff with identification of the most important commanders). In the conclusion the author tries to determine the real motives why Paul III decided to take part in this campaign. In comparison to the previous works the author accents mainly the efforts of the Farnese family to raise their prestige at the end of the pontificate of Paul III and their immediate financial interests that are reflected in the account documentation. -
Identität Und Abgrenzung. Die Polnische „Szlachta“ Auf
MARIUS ZMUDA IDENTITÄT UND ABGRENZUNG. DIE POLNISCHE „SZLACHTA“ AUF DER SUCHE NACH IHREM PLATZ IN EUROPA 1648 – 1668 Magisterarbeit vorgelegt 2003 an der Universität zu Münster – Westfalen Philosophische Fakultät Betreuer: Prof. Dr. Lothar Maier Digitale Osteuropa-Bibliothek: Geschichte 10 Letzte Änderung am: 20.10.2004 2 INHALT 1. Einleitung ___________________________________________________ 5 2. Theoretische Grundlagen ______________________________________ 8 2.1 „Identität“ und „Abgrenzung“ __________________________________ 8 2.1.1 Identität ________________________________________________ 8 2.1.2 Abgrenzung _____________________________________________ 9 2.2 Nation ____________________________________________________ 10 2.2.1 „Nationale Identität“ und „Nationalbewußtsein“ _______________ 10 2.2.2 Der Begriff „Nation“_____________________________________ 11 2.2.3 Versuch einer Definition des Begriffes „Nation“ _______________ 11 2.2.3.1 Objektive und subjektive Faktoren ______________________ 11 2.2.3.2 Historischer Ansatz __________________________________ 13 2.2.3.3 Nation – eine Erscheinung der Moderne? _________________ 13 2.3 Zwischenfazit ______________________________________________ 15 3.1 Der Verteidiger Polens – Łukasz Opaliński _______________________ 16 3.2 Politische Publizistik während der Herrschaft des letzten Wasas auf dem polnischen Thron - Flugblatt_______________________________ 18 4. Historischer Kontext – Rzeczpospolita unter der Herrschaft des Jan II. Kazimierz Waza_________________________________________________ -
JAMS7302 01 Brosius 207..266
University of Birmingham Courtesan singers as courtiers Brosius, Amy DOI: 10.1525/jams.2020.73.2.207 License: None: All rights reserved Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Brosius, A 2020, 'Courtesan singers as courtiers: power, political pawns, and the arrest of virtuosa Nina Barcarola', Journal of the American Musicological Society, vol. 73, no. 2, pp. 207-267. https://doi.org/10.1525/jams.2020.73.2.207 Link to publication on Research at Birmingham portal Publisher Rights Statement: Amy Brosius; Courtesan Singers as Courtiers: Power, Political Pawns, and the Arrest of virtuosa Nina Barcarola. Journal of the American Musicological Society 1 June 2020; 73 (2): 207–267. doi: https://doi.org/10.1525/jams.2020.73.2.207 © 2020 by the American Musicological Society. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints. General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. -
Netherlandish Culture of the Sixteenth Century SEUH 41 Studies in European Urban History (1100–1800)
Netherlandish Culture of the Sixteenth Century SEUH 41 Studies in European Urban History (1100–1800) Series Editors Marc Boone Anne-Laure Van Bruaene Ghent University © BREPOLS PUBLISHERS THIS DOCUMENT MAY BE PRINTED FOR PRIVATE USE ONLY. IT MAY NOT BE DISTRIBUTED WITHOUT PERMISSION OF THE PUBLISHER. Netherlandish Culture of the Sixteenth Century Urban Perspectives Edited by Ethan Matt Kavaler Anne-Laure Van Bruaene FH Cover illustration: Pieter Bruegel the Elder - Three soldiers (1568), Oil on oak panel, purchased by The Frick Collection, 1965. Wikimedia Commons. © 2017, Brepols Publishers n.v., Turnhout, Belgium. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior permission of the publisher. D/2017/0095/187 ISBN 978-2-503-57582-7 DOI 10.1484/M.SEUH-EB.5.113997 e-ISBN 978-2-503-57741-8 Printed on acid-free paper. © BREPOLS PUBLISHERS THIS DOCUMENT MAY BE PRINTED FOR PRIVATE USE ONLY. IT MAY NOT BE DISTRIBUTED WITHOUT PERMISSION OF THE PUBLISHER. Table of Contents Ethan Matt Kavaler and Anne-Laure Van Bruaene Introduction ix Space & Time Jelle De Rock From Generic Image to Individualized Portrait. The Pictorial City View in the Sixteenth-Century Low Countries 3 Ethan Matt Kavaler Mapping Time. The Netherlandish Carved Altarpiece in the Early Sixteenth Century 31 Samuel Mareel Making a Room of One’s Own. Place, Space, and Literary Performance in Sixteenth-Century Bruges 65 Guilds & Artistic Identities Renaud Adam Living and Printing in Antwerp in the Late Fifteenth and Early Sixteenth Centuries. -
Postprint : Author's Final Peer-Reviewed Version
This item is the archived peer-reviewed author-version of: Chivalric solidarity or royal supremacy? The symbolic revival of the Order of the Golden Fleece (15661598) Reference: Thiry Steven.- Chivalric solidarity or royal supremacy? The symbolic revival of the Order of the Golden Fleece (15661598) Dutch crossing : a journal of low countries studies - ISSN 0309-6564 - 43:1(2019), p. 27-46 Full text (Publisher's DOI): https://doi.org/10.1080/03096564.2018.1559505 To cite this reference: https://hdl.handle.net/10067/1566180151162165141 Institutional repository IRUA Chivalric Solidarity or Royal Supremacy? The Symbolic Revival of the Order of the Golden Fleece (1566-1598) STEVEN THIRY University of Antwerp / Research Foundation Flanders Founded in 1430, the Order of the Golden Fleece was perhaps the most iconic dynastic institution in the Low Countries. It bound together a selective group of high nobles, promoting shared values and loyalty, and was an inexhaustible storehouse of political imagery. The Dutch Revolt seriously disrupted this venerable company. Its officers became estranged, the numbers of knights rapidly declined, and original objectives were questioned. Nevertheless, the Order’s Burgundian heritage and its enduring material memory retained a strong political potential. This article explores how both royalists and dissidents exploited the signs and codes of old to criticize − and even redress − royal policy. As such the (sometimes contradictory) use of the Order’s symbolism ensured the Netherlands’ status as ritualistic nerve centre. KEYWORDS Order of the Golden Fleece, Memory, Viglius Ab Aytta, symbolic persistence, Dutch Revolt Introduction In late November 1565 fourteen knights of the Order of the Golden Fleece gathered in the Brussels palace to celebrate the annual feast of their patron saint, St Andrew. -
Architecture As Performance
CY221/Jarrard-FM CY221/Jarrard 0521815096 June 5, 2003 19:11 Char Count= 0 Architecture as Performance in Seventeenth-Century Europe Court Ritual in Modena, Rome, and Paris Alice Jarrard Harvard University iii CY221/Jarrard-FM CY221/Jarrard 0521815096 June 5, 2003 19:11 Char Count= 0 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Alice Jarrard 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Bembo 11/13.5 pt. System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Jarrard, Alice, 1960– Architecture as performance / Alice Jarrard. p. cm. Includes bibliographical references and index. isbn 0–521–81509–6 1. Architecture – Italy – Modena – 17th century. 2. Francesco I dEste, Duke of Modena and Reggio, 1610–1658 – Art patronage. 3. Architecture and state – Italy. 4. Architecture and state – Europe. -
The Triumphs of Alexander Farnese: a Contextual Analysis of the Series of Paintings in Santiago, Chile
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2014 The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile Michael J. Panbehchi Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Other History of Art, Architecture, and Archaeology Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3628 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Michael John Panbehchi 2014 All Rights Reserved The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. by Michael John Panbehchi B.A., Virginia Commonwealth University, 1988 B.A., Virginia Commonwealth University, 1994 M.A., New Mexico State University, 1996 Director: Michael Schreffler, Associate Professor, Department of Art History Virginia Commonwealth University Richmond, Virginia November, 2014 ii Acknowledgment The author wishes to thank several people. I would like to thank my parents for their continual support. I would also like to thank my son José and my wife Lulú for their love and encouragement. More importantly, I would like to thank my wife for her comments on the drafts of this dissertation as well as her help with a number of the translations. -
Published on the 300Th Anniversary of the Passage to Eternal Life of the Venerable Servant of God, Fr
Published on the 300th anniversary of the passage to eternal life of the Venerable Servant of God, Fr. Stanislaus of Jesus Mary Papczynski, the beloved Founder of the Order. Dedicated to His Holiness, John Paul II, a great Pole who was born on May 18, the same day as Fr. Stanislaus. — The Marians of the Immaculate Conception of the St. Stanislaus Kostka Province Lumen Marianorum Stanislaus Papczynski (1631-1701) Founder of the Order of Marians and Inspirer of the Marian School of Spirituality Tadeusz Rogalewski, MIC Marian Press Marians of the Immaculate Conception Stockbridge, Massachusetts 2001 Copyright © 2001 Congregation of Marians of the Immaculate Conception All rights reserved. Imprimi Potest for original Polish text: Very Rev. Andrew Pakula, MIC Provincial Warsaw, April 19, 2001 With Ecclesiastical Permission for English translation Library of Congress Control Number: 2001119629 ISBN 0-944203-62-0 Project Coordinator and art selection for cover: Andrew R. Maczynski, MIC Translation and editing from Polish into English: Paul and Ewa St. Jean Editing and proofreading for English edition: David Came and Marina Batiuk Index of Personal and Geographical Names: Mary Ellen McDonald Typesetting: Patricia Menatti Cover Design: William Sosa Front Cover: The image of Fr. Papczynski is from an 18th century painting which is in the Marian monastery at Puszcza Marianska, Poland. The artist is unknown. The inset is the miraculous image of Our Lady of Gozlin. Printed in the United States of America by the Marian Press, Stockbridge, Massachusetts -
Sweden in the Seventeenth Century
Sweden in the Seventeenth Century Paul Douglas Lockhart Sweden in the Seventeenth Century European History in Perspective General Editor: Jeremy Black Benjamin Arnold Medieval Germany, 500–1300 Ronald Asch The Thirty Years’ War Christopher Bartlett Peace, War and the European Powers, 1814–1914 Robert Bireley The Refashioning of Catholicism, 1450–1700 Donna Bohanan Crown and Nobility in Early Modern France Arden Bucholz Moltke and the German Wars, 1864–1871 Patricia Clavin The Great Depression, 1929–1939 Paula Sutter Fichtner The Habsburg Monarchy, 1490–1848 Mark Galeotti Gorbachev and his Revolution David Gates Warfare in the Nineteenth Century Alexander Grab Napoleon and the Transformation of Europe Martin P. Johnson The Dreyfus Affair Paul Douglas Lockhart Sweden is the Seventeenth Century Peter Musgrave The Early Modern European Economy J.L. Price The Dutch Republic in the Seventeenth Century A.W. Purdue The Second World War Christopher Read The Making and Breaking of the Soviet System Francisco J. Romero-Salvado Twentieth-Century Spain Matthew S. Seligmann and Roderick R. McLean Germany from Reich to Republic, 1871–1918 Brendan Simms The Struggle for Mastery in Germany, 1779–1850 David Sturdy Louis XIV David J. Sturdy Richelieu and Mazarin Hunt Tooley The Western Front Peter Waldron The End of Imperial Russia, 1855–1917 Peter G. Wallace The Long European Reformation James D. White Lenin Patrick Williams Philip II European History in Perspective Series Standing Order ISBN 0–333–71694–9 hardcover ISBN 0–333–69336–1 paperback (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
Nina Barcarola', Journal of the American Musicological Society, Vol
University of Birmingham Courtesan singers as courtiers Brosius, Amy DOI: 10.1525/jams.2020.73.2.207 License: None: All rights reserved Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Brosius, A 2020, 'Courtesan singers as courtiers: power, political pawns, and the arrest of virtuosa Nina Barcarola', Journal of the American Musicological Society, vol. 73, no. 2, pp. 207-267. https://doi.org/10.1525/jams.2020.73.2.207 Link to publication on Research at Birmingham portal Publisher Rights Statement: Amy Brosius; Courtesan Singers as Courtiers: Power, Political Pawns, and the Arrest of virtuosa Nina Barcarola. Journal of the American Musicological Society 1 June 2020; 73 (2): 207–267. doi: https://doi.org/10.1525/jams.2020.73.2.207 © 2020 by the American Musicological Society. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints. General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. -
Ironworks and Iron Monuments Forges Et
IRONWORKS AND IRON MONUMENTS FORGES ET MONUMENTS EN FER I( ICCROM i ~ IRONWORKS AND IRON MONUMENTS study, conservation and adaptive use etude, conservation et reutilisation de FORGES ET MONUMENTS EN FER Symposium lronbridge, 23-25 • X •1984 ICCROM rome 1985 Editing: Cynthia Rockwell 'Monica Garcia Layout: Azar Soheil Jokilehto Organization and coordination: Giorgio Torraca Daniela Ferragni Jef Malliet © ICCROM 1985 Via di San Michele 13 00153 Rome RM, Italy Printed in Italy Sintesi Informazione S.r.l. CONTENTS page Introduction CROSSLEY David W. The conservation of monuments connected with the iron and steel industry in the Sheffield region. 1 PETRIE Angus J. The No.1 Smithery, Chatham Dockyard, 1805-1984 : 'Let your eye be your guide and your money the last thing you part with'. 15 BJORKENSTAM Nils The Swedish iron industry and its industrial heritage. 37 MAGNUSSON Gert The medieval blast furnace at Lapphyttan. 51 NISSER Marie Documentation and preservation of Swedish historic ironworks. 67 HAMON Francoise Les monuments historiques et la politique de protection des anciennes forges. 89 BELHOSTE Jean Francois L'inventaire des forges francaises et ses applications. 95 LECHERBONNIER Yannick Les forges de Basse Normandie : Conservation et reutilisation. A propos de deux exemples. 111 RIGNAULT Bernard Forges et hauts fourneaux en Bourgogne du Nord : un patrimoine au service de l'identite regionale. 123 LAMY Yvon Approche ethnologique et technologique d'un site siderurgique : La forge de Savignac-Ledrier (Dordogne). 149 BALL Norman R. A Canadian perspective on archives and industrial archaeology. 169 DE VRIES Dirk J. Iron making in the Netherlands. 177 iii page FERRAGNI Daniela, MALLIET Jef, TORRACA Giorgio The blast furnaces of Capalbio and Canino in the Italian Maremma.