Architecture As Performance
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La Nostra Storia
I.R. 1976 2006 ISTITUTO NAZIONALE DI ASSISTENZA E DI PATRONATO PER L’ARTIGIANATO SEDE TERRITORIALE DI UDINE Bollettino degli Organi direttivi di Associazione Sindacale Bollettino degli Organi direttivi Periodico quindicinale - Poste Italiane s.p.a. Spedizione in Abbonamento in L. 27/02/2004 n. 46) art. 1, comma Postale - D.L. 353/2003 (conv. D.C.B. Udine 1976 ISTITUTO NAZIONALE DI ASSISTENZA E DI PATRONATO PER L’ARTIGIANATO 2006 ISTITUTO NAZIONALE DI ASSISTENZA E DI PATRONATO PER L’ARTIGIANATO Confartigianato, a livello nazionale e Cos’è provinciale, collabora nella formulazione dei L’INAPA è l’ente di patronato della provvedimenti legislativi e nella proposizione di Confartigianato ed è presente anche in adeguati correttivi alle procedure operative provincia di Udine con una Sede centrale ed messe in atto dagli enti previdenziali e alcune Sedi zonali. Offre gratuitamente ogni tipo assistenziali. di assistenza e tutela sociale nel rapporto tra SERVIZIO MEDICO LEGALE utente e enti assistenziali e previdenziali. Il suo Per le consulenze mediche compito è infatti quello di risolvere i problemi l’INAPA si avvale dell’opera di medici specialisti che i cittadini quotidianamente incontrano nei ed offre visite ambulatoriali gratuite. rapporti con la Previdenza Sociale (INPS), L’INAPA offre anche assistenza legale in caso di l’INAIL, le Aziende Sanitarie e tutti gli altri enti proposizioni di azioni giudiziarie nei confronti pubblici che operano in questo campo. degli enti previdenziali e assistenziali. Tali servizi sono stati istituiti a salvaguardia dei Cosa fa diritti degli assistiti, quando questi non sono stati riconosciuti dagli Istituti Assicuratori. L’INAPA è in grado di svolgere ogni pratica amministrativa di pensione, infortuni, malattie Rientrano inoltre tra i servizi ottenibili: professionali in modo da mettere l’utente in • domande per pensioni di vecchiaia, condizione di affrontare questi adempimenti anzianità, invalidità; con serenità e la garanzia di un supporto • domande di pensioni di “reversibilità” e competente e tempestivo. -
Architecture As Performance in Seventeenth-Century Europe: Court Ritual in Modena, Rome, and Paris by Alice Jarrard John E
Masthead Logo Smith ScholarWorks Art: Faculty Publications Art Winter 2004 Reviewed Work(s): Architecture as Performance in Seventeenth-Century Europe: Court Ritual in Modena, Rome, and Paris by Alice Jarrard John E. Moore Smith College, [email protected] Follow this and additional works at: https://scholarworks.smith.edu/art_facpubs Part of the Architecture Commons, and the Arts and Humanities Commons Recommended Citation Moore, John E., "Reviewed Work(s): Architecture as Performance in Seventeenth-Century Europe: Court Ritual in Modena, Rome, and Paris by Alice Jarrard" (2004). Art: Faculty Publications, Smith College, Northampton, MA. https://scholarworks.smith.edu/art_facpubs/9 This Book Review has been accepted for inclusion in Art: Faculty Publications by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected] Review Reviewed Work(s): Architecture as Performance in Seventeenth-Century Europe: Court Ritual in Modena, Rome, and Paris by Alice Jarrard Review by: John E. Moore Source: Renaissance Quarterly, Vol. 57, No. 4 (Winter, 2004), pp. 1398-1399 Published by: The University of Chicago Press on behalf of the Renaissance Society of America Stable URL: http://www.jstor.org/stable/4143727 Accessed: 09-07-2018 15:52 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. -
Italy's Northern Highlights
Escorted Programs ITALY’S NORTHERN HIGHLIGHTS 9 Days FROM $2,115 Venice ESCORTED TOUR PROGRAM (2) Venice • (3) Florence • (3) Rome PROGRAM HIGHLIGHTS •Marvel at the magic of Venice from the Bridge of Sighs and Doge’s Palace to St. Mark’s Square 2 Venice Padua ITALY •Sample local favorites of Lambrusco wines and Modena balsamic vinegar with lunch in Modena 3 Florence San Gimignano •Explore the Renaissance city of Florence and the Siena Magione LAKE medieval towns of Siena and San Gimignano TRASIMENO Assisi •Enjoy a private wine tasting experience at Magione 3 Rome Castle •Tour amazing Assisi and visit the Basilica of Saint Francis •Delve into Rome from the Roman Forum and the iconic Colosseum to the Eternal City’s piazzas and trattorias # - No. of overnight stays SICILY - By motorcoach Arrangements by DAY 1 I MON I VENICE Morning arrival into Venice’s Marco Polo Airport. Here you’ll be met and transferred to your hotel in Venice. The balance of the day is at leisure. This evening enjoy a welcome dinner at a popular restaurant. (D) DAY 2 I TUE I VENICE Your morning tour of Venice is on foot and will highlight the Basilica of St. Mark and the Doge’s Palace, the Bridge of Sighs and Piombi Prison. Afternoon is at leisure with enough time for more sightseeing, shopping or relaxation. (B) DAY 3 I WED I VENICE I PADUA I MODENA I FLORENCE This morning depart Venice and stop in Padua to visit the Basilica of St. Anthony and its art, including the large bronze works of Donatello. -
UNIVERSITY of CALIFORNIA RIVERSIDE Guarino
UNIVERSITY OF CALIFORNIA RIVERSIDE Guarino Guarini: His Architecture and the Sublime A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Carol Ann Goetting June 2012 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Jeanette Kohl Dr. Conrad Rudolph Copyright by Carol Ann Goetting 2012 The Thesis of Carol Ann Goetting is approved: ______________________________________ ______________________________________ ______________________________________ Committee Chairperson University of California, Riverside ACKNOWLEDGMENTS This thesis would not be possible without the financial support of the University of California, Riverside and the Gluck Fellows Program of the Arts which enabled me to conduct primary research in Italy. Words cannot express enough the gratitude I feel towards my advisor Dr. Kristoffer Neville whose enthusiasm, guidance, knowledge and support made this thesis a reality. He encouraged me to think in ways I would have never dared to before. His wisdom has never failed to amaze me. I was first introduced to the work of Guarino Guarini in his undergraduate Baroque Art class, an intriguing puzzle that continues to fascinate me. I am also grateful for the help and encouragement of Drs. Conrad Rudolph and Jeanette Kohl, whose dedication and passion to art history has served as an inspiration and model for me. I am fortune to have such knowledgeable and generous scholars share with me their immense knowledge. Additionally, I would like to thank several other faculty members in UCR’s History of Art department: Dr. Jason Weems for giving me an in-depth understanding of the sublime which started me down this path, Dr. -
The Science Behind Francesco Borromini's Divine Geometry
Western University Scholarship@Western Visual Arts Publications Visual Arts Department 2002 The cS ience behind Francesco Borromini's Divine Geometry John G. Hatch The University of Western Ontario, [email protected] Follow this and additional works at: https://ir.lib.uwo.ca/visartspub Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Visual Studies Commons Citation of this paper: Hatch, John G., "The cS ience behind Francesco Borromini's Divine Geometry" (2002). Visual Arts Publications. 4. https://ir.lib.uwo.ca/visartspub/4 The Scietrc. B"LirrJ Fro.."esco Borrornini's Divine Geornetrl, JoHx C. Harcu- Introduction The popular notion of religion and science being at opposite poles within the intellectual currents of the seventeenth cenrury is challenged by the designs and architectural iconography underlying the churches of Francesco Borromini (159t-1667). Described as something of a licentious eccentric by Gian Lorenzo Bernini and his contemporaries,' Borromini nonetheless relied upon a complex geometric system in his architectural designs, which ruled both the layout and elevation of his buildings. In turn, this us-e of geometry also seems to have had an important theological justification, namely that of stressing the underlying divine order of the universe whose exisrence or revelation can only be perceived by the faithful. In essence, this is simply a resrarement of the Medieval idea of "God as Divine Geometer" excepr rhar. for Boriomini, God is no longer depicted in the garb of scholastic rationalism, but rather, as I will show, of ..,r.r-r,..r-rih- centuty scientific rationalism: a rationalism that embraces the notion of divine revelation. -
Florence (Session A) 6-Week Courses (May 15 - June 24, 2016)
A B C D E F G H 1 Florence (Session A) 6-Week Courses (May 15 - June 24, 2016) 2 Institute USF Course Equivalent Course Title Credits Day/Time Prerequisite Additional Course Notes Field Learning Experiences 3 Restricted to the USF in Tue 3:00 pm - 5:30 pm Florence Business ISM 4041 Global Cyber Ethics 3 Wed 3:00 pm - 5:30 pm Saturday/Sunday June 18 - 19 Mandatory Field Learning Experience in Venice Program Thu 3:00 pm - 5:30 pm 4 Tue 9:00 am - 11:30 am USF/UF CGN 4933 Global Water Resource Sustainability 3 Wed 9:00 am - 11:30 am Saturday/Sunday June 18 - 19 Mandatory Field Learning Experience in Venice Thu 9:00 am - 11:30 am 5 Tue 9:00 am - 11:30 am Insects in Italy: The Role of Entomology in Art, History, and Our USF/UF BSC 4933 3 Wed 9:00 am - 11:30 am Saturday/Sunday June 18 - 19 Mandatory Field Learning Experience in Venice Future Thu 9:00 am - 11:30 am 6 Tue 9:00 am - 11:30 am USF/UF INR 3033 Comparative Political Cultures 3 Wed 9:00 am - 11:30 am Saturday/Sunday May 28 - 29 Mandatory Field Learning Experience in Rome Thu 9:00 am - 11:30 am 7 Tue 12:00 pm - 2:30 pm USF/UF MHS 4931 Intimate Relationships 3 Wed 12:00 pm - 2:30 pm Saturday/Sunday May 28 - 29 Mandatory Field Learning Experience in Rome Thu 12:00 pm - 2:30 pm 8 Tue 12:00 pm - 2:30 pm NO CLASS WILL BE HELD ON: Wed, 25 May; Thu, 2 June (NATIONAL HOLIDAY); Wed, 15 June. -
Lawyers in the Florence Consular District
Lawyers in the Florence Consular District (The Florence district contains the regions of Emilia-Romagna and Tuscany) Emilia-Romagna Region Disclaimer: The U.S. Consulate General in Florence assumes no responsibility or liability for the professional ability, reputation or the quality of services provided by the persons or firms listed. Inclusion on this list is in no way an endorsement by the Department of State or the U.S. Consulate General. Names are listed alphabetically within each region and the order in which they appear has no other significance. The information on the list regarding professional credentials, areas of expertise and language ability is provided directly by the lawyers. The U.S. Consulate General is not in a position to vouch for such information. You may receive additional information about the individuals by contacting the local bar association or the local licensing authorities. City of Bologna Attorneys Alessandro ALBICINI - Via Marconi 3, 40122 Bologna. Tel: 051/228222-227552. Fax: 051/273323. E- mail: [email protected]. Born 1960. Degree in Jurisprudence. Practice: Commercial law, Industrial, Corportate. Languages: English and French. U.S. correspondents: Kelley Drye & Warren, 101 Park Avenue, New York, NY 10178, Gordon Altman Butowski, 114 West 47th Street, New York, NY 10036- 1510. Luigi BELVEDERI – Via degli Agresti 2, 40123 Bologna. Tel: 051/272600. Fax: 051/271506. E-mail: [email protected]. Born in 1950. Degree in Jurisprudence. Practice: Freelance international attorney since 1978. Languages: English and Italian. Also has office in Milan Via Bigli 2, 20121 Milan Cell: 02780031 Fax: 02780065 Antonio CAPPUCCIO – Piazza Tribunali 6, 40124 Bologna. -
Borromini and the Cultural Context of Kepler's Harmonices Mundi
Borromini and the Dr Valerie Shrimplin cultural context of [email protected] Kepler’sHarmonices om Mundi • • • • Francesco Borromini, S Carlo alle Quattro Fontane Rome (dome) Harmonices Mundi, Bk II, p. 64 Facsimile, Carnegie-Mellon University Francesco Borromini, S Ivo alla Sapienza Rome (dome) Harmonices Mundi, Bk IV, p. 137 • Vitruvius • Scriptures – cosmology and The Genesis, Isaiah, Psalms) cosmological • Early Christian - dome of heaven view of the • Byzantine - domed architecture universe and • Renaissance revival – religious art/architecture symbolism of centrally planned churches • Baroque (17th century) non-circular domes as related to Kepler’s views* *INSAP II, Malta 1999 Cosmas Indicopleustes, Universe 6th cent Last Judgment 6th century (VatGr699) Celestial domes Monastery at Daphne (Δάφνη) 11th century S Sophia, Constantinople (built 532-37) ‘hanging architecture’ Galla Placidia, 425 St Mark’s Venice, late 11th century Evidence of Michelangelo interests in Art and Cosmology (Last Judgment); Music/proportion and Mathematics Giacomo Vignola (1507-73) St Andrea in Via Flaminia 1550-1553 Church of San Giacomo in Augusta, in Rome, Italy, completed by Carlo Maderno 1600 [painting is 19th century] Sant'Anna dei Palafrenieri, 1620’s (Borromini with Maderno) Leonardo da Vinci, Notebooks (318r Codex Atlanticus c 1510) Amboise Bachot, 1598 Following p. 52 Astronomia Nova Link between architecture and cosmology (as above) Ovals used as standard ellipse approximation Significant change/increase Revival of neoplatonic terms, geometrical bases in early 17th (ellipse, oval, equilateral triangle) century Fundamental in Harmonices Mundi where orbit of every planet is ellipse with sun at one of foci Borromini combined practical skills with scientific learning and culture • Formative years in Milan (stonemason) • ‘Artistic anarchist’ – innovation and disorder. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
Ironworks and Iron Monuments Forges Et
IRONWORKS AND IRON MONUMENTS FORGES ET MONUMENTS EN FER I( ICCROM i ~ IRONWORKS AND IRON MONUMENTS study, conservation and adaptive use etude, conservation et reutilisation de FORGES ET MONUMENTS EN FER Symposium lronbridge, 23-25 • X •1984 ICCROM rome 1985 Editing: Cynthia Rockwell 'Monica Garcia Layout: Azar Soheil Jokilehto Organization and coordination: Giorgio Torraca Daniela Ferragni Jef Malliet © ICCROM 1985 Via di San Michele 13 00153 Rome RM, Italy Printed in Italy Sintesi Informazione S.r.l. CONTENTS page Introduction CROSSLEY David W. The conservation of monuments connected with the iron and steel industry in the Sheffield region. 1 PETRIE Angus J. The No.1 Smithery, Chatham Dockyard, 1805-1984 : 'Let your eye be your guide and your money the last thing you part with'. 15 BJORKENSTAM Nils The Swedish iron industry and its industrial heritage. 37 MAGNUSSON Gert The medieval blast furnace at Lapphyttan. 51 NISSER Marie Documentation and preservation of Swedish historic ironworks. 67 HAMON Francoise Les monuments historiques et la politique de protection des anciennes forges. 89 BELHOSTE Jean Francois L'inventaire des forges francaises et ses applications. 95 LECHERBONNIER Yannick Les forges de Basse Normandie : Conservation et reutilisation. A propos de deux exemples. 111 RIGNAULT Bernard Forges et hauts fourneaux en Bourgogne du Nord : un patrimoine au service de l'identite regionale. 123 LAMY Yvon Approche ethnologique et technologique d'un site siderurgique : La forge de Savignac-Ledrier (Dordogne). 149 BALL Norman R. A Canadian perspective on archives and industrial archaeology. 169 DE VRIES Dirk J. Iron making in the Netherlands. 177 iii page FERRAGNI Daniela, MALLIET Jef, TORRACA Giorgio The blast furnaces of Capalbio and Canino in the Italian Maremma. -
Cycling Week
CYCLING WEEK CASTELLO SANTA CRISTINA A FULL WEEK OF CYCLING, AN INCREDIBLE HOLIDAY TO REMEMBER, IN ONE OF THE REGIONS LESS INHABITED OF ITALY. S. CRISTINA CASTLE WILL BE YOUR HOME AND YOUR BASE THROUGHOUT THE WEEK, ALLOWING YOU TO EXPLORE ALTA TUSCIA A STRIP BETWEEN TUSCANY, UMBRIA AND LAZIO. EXPERT GUIDES WILL LEAD YOU ALONG UNBEATEN PATHS AND ANCIENT TRAILS. Day 1: arrival in the evening, check in and guided tour of the castle. Briefing about the next day excursion and bikes control if rented. Dinner in the cosy tavern and overnight, in the comfortable, stylish farmhouses below the castle, restored recently. Dinner in the cosy tavern and overnight, in the comfortable, stylish farmhouses below the castle, restored recently. Day 2 Day 3 Day 4 Day 6 Day 7: around 9.00 am after a good breakfast, we take the trail to do one of the excursions, chosen by the guide according to weather conditions and physical conditions of the riders. Day 5: Breakfast and a free day to relax the weak legs, an excellent opportunity to visit the area or a visit to the thermal baths in Viterbo, or in Sorano. Day 8: Breakfast, check out and departure time. COST: Euro 835,00 for a person, minimum number 2 people. 15% discount for groups of more than four people. The cost includes: • Seven nights in a double bedroom (MarchJune, SeptemberOctober) • Full board with six picnic bags for lunch during the rides out. • 6 guided tours on MTB of approx 4/5 hours with an expert guide on trails and side roads. -
Information Sheet
Prof. Mirka Beneš UTexas School of Architecture LAR388/ARC 388/368R Fall 2013 p. 1 LAR 388 / ARC 368 R / ARC 388 R Prof. Mirka Beneš Thursday, 2pm-5pm Office hours: TBA. Room: Sutton 3.112 Office: TBA. School of Architecture Office: TBA. University of Texas at Austin email: TBA. LAR 388: Seminar Professional Design Practice in Baroque Rome: Landscape, Urbanism, Architecture Francesco Borromini. Fall Semester 2013 * Course Unique Numbers LAR 388 [01805], ARC 388 R [01245], ARC 368 R [00960]. Course Description Design is a synthetic act, and studying or rehearsing how a design comes together in a specific historical setting gives the student deeper insight into how synthesis is achieved. This inter- disciplinary seminar on the City of Rome during the Baroque period (c. 1600-1700) focuses this year on the life and works of one architect as a means to explore the act of design synthesis, in the context of the urban, landscape, and architectural dimensions of a great city. The seminar takes Francesco Borromini, one of seventeenth-century Papal Rome's greatest architects and draughtsmen, as the departure point for exploring professional practices and disciplines at a paradigmatic moment in the history of design, when landscape architecture, urbanism, and architecture were the practices of a single designer, but the turn to specializations was already appearing. Set against the scenery of Rome, one of Europe's monumental Baroque cities, epitomized by the seventeenth-century Piazza Navona with its fountains and sculptures, the "spine" of the seminar follows the chronological study of Borromini's major works (1630s to 1660s)--among them, San Carlino alle Quattro Fontane and the Oratory of San Filippo Neri for religious communities, and Sant'Ivo alla Sapienza for the Roman University; chapels such as the Cappella dei Re' Magi; designs for the Barberini, Carpegna, and Pamphilj palaces.