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1-Day Rome City Guide a Preplanned Step-By-Step Time Line and City Guide for Rome
1 day 1-day Rome City Guide A preplanned step-by-step time line and city guide for Rome. Follow it and get the best of the city. 1-day Rome City Guide 2 © PromptGuides.com 1-day Rome City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Rome > Take Metro Line A to Ottaviano San Pietro station 09:00-10:10 St. Peter's Basilica Largest Christian Page 5 church in the world 10:10-10:40 Piazza di San Pietro One of the best known Page 5 squares in the world Take Metro Line A from Ottaviano San Pietro station to Termini station (Direction: Anagnina) Change to Metro Line B from Termini station to Colosseo station (Direction: Laurentina) - 30’ in all 11:10-12:40 Colosseum Iconic symbol of Page 6 Imperial Rome Take a walk to Arch of Constantine - 5’ 12:45-12:55 Arch of Constantine Majestic monument Page 6 Lunch time Take a walk to Piazza Venezia 14:30-14:50 Piazza Venezia Focal point of modern Page 7 Rome Take a walk to the Pantheon - 15’ 15:05-15:35 Pantheon The world's largest Page 7 unreinforced concrete Take a walk to Piazza Navona - 10’ dome 15:45-16:15 Piazza Navona One of the most Page 7 beautiful squares in Take a walk to Trevi Fountain - 25’ Rome 16:40-17:10 Trevi Fountain One of the most familiar Page 8 sights of Rome Take a walk to Spanish Steps - 20’ 17:30-18:00 Spanish Steps Rome's most beloved Page 8 Rococo monument END OF DAY 1 © PromptGuides.com 3 1-day Rome City Guide Overview of Day 1 4 © PromptGuides.com 1-day Rome City Guide Attraction Details 09:00-10:10 St. -
Palazzo Barberini: Galleria Nazionale D’Arte Antica
Palazzo Barberini: Galleria Nazionale d’Arte Antica El Palazzo Barberini, situado en la confluencia de una de las vías más importantes de la ciudad de Roma, la Via del Tritone, es uno de los lugares de Roma que merece la pena visitar. Antigua residencia de la familia Barberini, depositaria de uno de los linejes papales más afamados, el Palazzo Barberini, una vez musealizado, se ha convertido en Galleria Nazionale d’Arte Antica, uno de los museos más prestigiosos y con mayor número de obras de arte de la Ciudad Eterna. El palacio, obra del arquitecto barroco Carlo Maderno y con intervención de Gian Lorenzo Bernini y Francesco Borromini, se convirtió en un referente a la hora de la construcción de palacios urbanos, ya que unía entre sus características las propias del palacio urbano y la villa campestre adornada con grandes jardines. Así pues, la propiedad de la familia Barberini y los bienes que poseía, fueron comprados por el recién creado estado italiano y, gracias al incremento de la colección Corsini, la Galleria Nazionale d’Arte Antica se trasladó desde su antigua ubicación hasta el presente palacio. Paseando por sus dos niveles repletos de obras maravillosas, recreándote en cada una de ellas, porque cada una de ellas es especial, admirando los Tiziano, los Greco, los Bernini, los Caravaggio, los Guido Reni, acostarte para dejarte deslumbrar por el gigantesco techo con el “Triunfo de la Divina Providencia” de Pietro da Cortona... Un sinfín de objetos para alimentar el disfrute tanto del alma como del espíritu. O simplemente pasear por los jardines de la villa, un oasis de tranquilidad en medio de una ciudad populosa. -
Lesson Four: Zoom in on Italy Factsheet on Naples
Lesson Four: Zoom in on Italy Factsheet on Naples Name in Italian: Roma Region located in: Lazio Population: 2,840,000 Historical background Rome is known as the Eternal City. This means it has always been a major city in world history. Rome began as an Etruscan City. However, Roman legend tells us that the founders of Rome were the twins Romulus and Remus. Rome City is built around seven hills. The Romans are one of the most famous civilisations in the world and the city grew to its peak under their command. Roman rule lasted nearly 500 years. Most famous tourist sights Rome is the capital city of Italy. It is known as an ancient city and millions of tourists visit the city to see the famous Roman artefacts. The most popular places to visit are the Colosseum, The Forum, Spanish Steps, The Pantheon, St. Peters Basilica, Piazza Navona and Sant’Angelo Castle. The Vatican City is extremely popular, not only because this is where the Pope lives, but because it is its own independent city state. City economics Rome is the capital city. Tourism forms an important part of the economy of the city. However, although it is the capital of the country, most of the businesses and banks in Italy are located in the northern cities. The Comunes in Rome are trying to attract international businesses to the city, such as banking, insurance, printing, publishing and fashion. Italy makes a lot of films, and the offices for these films can be found very close to Rome. Other information The Comunes of Rome want to develop the city. -
Ah Timeline Images ARCHITECTURE
8. STONEHENGE 12. WHITE TEMPLE & ZIGGURAT, URUK c. 2,500 - c. 3,500 - 1,600 BCE 3,000 BCE monolithic Sumerian sandstone Temple henge present day present day Wiltshire, UK Warka, Iraq SET 1: GLOBAL PREHISTORY 30,000 - 500 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 17. GREAT PYRAMIDS OF GIZA 20. TEMPLE OF AMUN-RE & HYPOSTYLE HALL c. 2,550 - c. 1,250 BCE 2,490 BCE cut sandstone cut limestone / and brick Khufu Egyptian Khafre / Sphinx Menkaure temple present day Karnak, near Cairo, Egypt Luxor, Egypt SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 21. MORTUARY TEMPLE OF HATSHEPSUT 26. ATHENIAN AGORA c. 1,490 - 600 BCE - 1,460 BCE 150 CE slate eye civic center, makeup ancient Athens palette present day Egyptian Athens, Museum, Cairo Greece SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 30. AUDIENCE HALL OF DARIUS & XERXES 31. TEMPLE OF MINERVA / SCULPTURE OF APOLLO c. 520 - 465 c. 510 - 500 BCE BCE Limestone Wood, mud Persian brick, tufa Apadana temple / terra SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE cotta sculpture Persepolis, Iran Veii, near Rome SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 35. ACROPOLIS ATHENS, GREECE 38. GREAT ALTAR OF ZEUS & ATHENA AT PERGAMON c. 447 - 424 c. 175 BCE BCE Hellenistic Iktinos & Greek Kallikrates, marble altar & Marble temple complex sculpture Present day Antiquities Athens, Greece Museum , Berlin SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 39. -
UNIVERSITY of CALIFORNIA RIVERSIDE Guarino
UNIVERSITY OF CALIFORNIA RIVERSIDE Guarino Guarini: His Architecture and the Sublime A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Carol Ann Goetting June 2012 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Jeanette Kohl Dr. Conrad Rudolph Copyright by Carol Ann Goetting 2012 The Thesis of Carol Ann Goetting is approved: ______________________________________ ______________________________________ ______________________________________ Committee Chairperson University of California, Riverside ACKNOWLEDGMENTS This thesis would not be possible without the financial support of the University of California, Riverside and the Gluck Fellows Program of the Arts which enabled me to conduct primary research in Italy. Words cannot express enough the gratitude I feel towards my advisor Dr. Kristoffer Neville whose enthusiasm, guidance, knowledge and support made this thesis a reality. He encouraged me to think in ways I would have never dared to before. His wisdom has never failed to amaze me. I was first introduced to the work of Guarino Guarini in his undergraduate Baroque Art class, an intriguing puzzle that continues to fascinate me. I am also grateful for the help and encouragement of Drs. Conrad Rudolph and Jeanette Kohl, whose dedication and passion to art history has served as an inspiration and model for me. I am fortune to have such knowledgeable and generous scholars share with me their immense knowledge. Additionally, I would like to thank several other faculty members in UCR’s History of Art department: Dr. Jason Weems for giving me an in-depth understanding of the sublime which started me down this path, Dr. -
The Science Behind Francesco Borromini's Divine Geometry
Western University Scholarship@Western Visual Arts Publications Visual Arts Department 2002 The cS ience behind Francesco Borromini's Divine Geometry John G. Hatch The University of Western Ontario, [email protected] Follow this and additional works at: https://ir.lib.uwo.ca/visartspub Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Visual Studies Commons Citation of this paper: Hatch, John G., "The cS ience behind Francesco Borromini's Divine Geometry" (2002). Visual Arts Publications. 4. https://ir.lib.uwo.ca/visartspub/4 The Scietrc. B"LirrJ Fro.."esco Borrornini's Divine Geornetrl, JoHx C. Harcu- Introduction The popular notion of religion and science being at opposite poles within the intellectual currents of the seventeenth cenrury is challenged by the designs and architectural iconography underlying the churches of Francesco Borromini (159t-1667). Described as something of a licentious eccentric by Gian Lorenzo Bernini and his contemporaries,' Borromini nonetheless relied upon a complex geometric system in his architectural designs, which ruled both the layout and elevation of his buildings. In turn, this us-e of geometry also seems to have had an important theological justification, namely that of stressing the underlying divine order of the universe whose exisrence or revelation can only be perceived by the faithful. In essence, this is simply a resrarement of the Medieval idea of "God as Divine Geometer" excepr rhar. for Boriomini, God is no longer depicted in the garb of scholastic rationalism, but rather, as I will show, of ..,r.r-r,..r-rih- centuty scientific rationalism: a rationalism that embraces the notion of divine revelation. -
ROME : ART and HISTORY OPENAIR 2020-2021, 2Nd Semester Meeting 1 – 13.03.2021 the Eternal City
University of Rome Tor Vergata School of Global Governance Prof. Anna Vyazemtseva ROME : ART AND HISTORY OPENAIR 2020-2021, 2nd semester Meeting 1 – 13.03.2021 The Eternal City 10 am – 5 pm :, The Palatine (Domus Augustana, Horti Farnesiani), Roman and Imperial Forums, The Colosseum, Vittoriano Complex, Musei Capitolini. 1 - 2pm:Lunch Meeting 2 – 20.03.2021 Introduction to the Renaissance 10 am – 5 pm: St. Peter’s Basilica, Vatican Museums (Sistine Chapel by Michelangelo, Stanze by Raphael). 1 - 2pm: Lunch Meeting 3 – 27.03.2021 Architecture and Power: Palaces of Rome 10 am – 5 pm: Villa Farnesina, Via Giulia, Palazzo Farnese, Palazzo Spada-Capodiferro, Palazzo della Cancelleria, Palazzo Mattei, Palazzo Venezia 1 - 2pm: Lunch Meeting 4 – 10.04.2021 Society, Politics and Art in Rome in XV-XVIII cc. 10 am – 5 pm: Santa Maria del Popolo, Piazza di Spagna, Barberini Palace and Gallery, Fon tana di Trevi, San Carlino alle Quattro Fontane, Sant’Andrea al Quirinale, Palazzo del Quirinale 1 - 2pm:Lunch Meeting 5 – 14.04.2021 The Re-use of the Past 10 am – 5 pm: Pantheon, Piazza di Pietra, Piazza Navona, Baths of Diocletian, National Archeological Museum Palazzo Massimo alle Terme. 1 - 2pm: Lunch Meeting 6 – 08.03.2021 Contemporary Architecture in Rome 10 am – 5pm: EUR district, MAXXI – Museum of Arts of XXI c. (Zaha Hadid Architects), Ara Pacis Museum. 1 – 2 pm: Lunch Proposals and Requirements The course consists of 6 open air lectures on artistic heritage of Rome. The direct contact with sites, buildings and works of art provides not only a better comprehension of their historical and artistic importance but also helps to understand the role of heritage in contemporary society. -
Borromini and the Cultural Context of Kepler's Harmonices Mundi
Borromini and the Dr Valerie Shrimplin cultural context of [email protected] Kepler’sHarmonices om Mundi • • • • Francesco Borromini, S Carlo alle Quattro Fontane Rome (dome) Harmonices Mundi, Bk II, p. 64 Facsimile, Carnegie-Mellon University Francesco Borromini, S Ivo alla Sapienza Rome (dome) Harmonices Mundi, Bk IV, p. 137 • Vitruvius • Scriptures – cosmology and The Genesis, Isaiah, Psalms) cosmological • Early Christian - dome of heaven view of the • Byzantine - domed architecture universe and • Renaissance revival – religious art/architecture symbolism of centrally planned churches • Baroque (17th century) non-circular domes as related to Kepler’s views* *INSAP II, Malta 1999 Cosmas Indicopleustes, Universe 6th cent Last Judgment 6th century (VatGr699) Celestial domes Monastery at Daphne (Δάφνη) 11th century S Sophia, Constantinople (built 532-37) ‘hanging architecture’ Galla Placidia, 425 St Mark’s Venice, late 11th century Evidence of Michelangelo interests in Art and Cosmology (Last Judgment); Music/proportion and Mathematics Giacomo Vignola (1507-73) St Andrea in Via Flaminia 1550-1553 Church of San Giacomo in Augusta, in Rome, Italy, completed by Carlo Maderno 1600 [painting is 19th century] Sant'Anna dei Palafrenieri, 1620’s (Borromini with Maderno) Leonardo da Vinci, Notebooks (318r Codex Atlanticus c 1510) Amboise Bachot, 1598 Following p. 52 Astronomia Nova Link between architecture and cosmology (as above) Ovals used as standard ellipse approximation Significant change/increase Revival of neoplatonic terms, geometrical bases in early 17th (ellipse, oval, equilateral triangle) century Fundamental in Harmonices Mundi where orbit of every planet is ellipse with sun at one of foci Borromini combined practical skills with scientific learning and culture • Formative years in Milan (stonemason) • ‘Artistic anarchist’ – innovation and disorder. -
48. Catacomb of Priscilla. Rome, Italy. Late Antique Europe. C. 200–400 C.E
48. Catacomb of Priscilla. Rome, Italy. Late Antique Europe. c. 200–400 C.E. Excavated tufa and fresco. (3 images) Orant fresco © Araldo de Luca/Corbis Greek Chapel © Scala/Art Resource, NY Good Shepherd fresco © Scala/Art Resource, NY 49. Santa Sabina. Rome, Italy. Late Antique Europe. c. 422–432 C.E. Brick and stone, wooden roof. (3 images) Santa Sabina Santa Sabina © Holly Hayes/Art History Images © Scala/Art Resource, NY Santa Sabina plan 50. Rebecca and Eliezer at the Well and Jacob Wrestling the Angel, from the Vienna Genesis. Early Byzantine Europe. Early sixth century C.E. Illuminated manuscript (tempera, gold, and silver on purple vellum). (2 images) Rebecca and Eliezer at the Well Jacob Wrestling the Angel © Österreichische Nationalbibliothek, Gr. 31, fol. 7r © Österreichische Nationalbibliothek, Gr. 31, fol. 12r 51. San Vitale. Ravenna, Italy. Early Byzantine Europe. c. 526–547 C.E. Brick, marble, and stone veneer; mosaic. (5 images) San Vitale San Vitale © Gérard Degeorge/The Bridgeman Art Library © Canali Photobank, Milan, Italy San Vitale, continued Justinian panel Theodora panel © Cameraphoto Arte, Venice/Art Resource, NY © Giraudon/The Bridgeman Art Library San Vitale plan 52. Hagia Sophia. Constantinople (Istanbul). Anthemius of Tralles and Isidorus of Miletus. 532–537 C.E. Brick and ceramic elements with stone and mosaic veneer. (3 images) Hagia Sophia © Yann Arthus-Bertrand/Corbis Hagia Sophia © De Agostini Picture Library/G. Dagli Orti/The Bridgeman Art Library Hagia Sophia plan 53. Merovingian looped fibulae. Early 54. Virgin (Theotokos) and Child medieval Europe. Mid-sixth century C.E. between Saints Theodore and George. Silver gilt worked in ftligree, with inlays Early Byzantine Europe. -
Discover Rome | Small Group Tour for Seniors | Odyssey Traveller
Australia 1300 888 225 New Zealand 0800 440 055 [email protected] From $7,750 AUD Single Room $8,850 AUD Twin Room $7,750 AUD Prices valid until 30th December 2021 15 days Duration Italy Destination Level 1 - Introductory to Moderate Activity Discover Rome | Cultural and History Small Group Tour for Seniors Dec 23 2021 to Jan 06 2022 Discover Rome: Small Group Cultural and History Hour Odyssey offers easy, convenient, and relaxed escorted small group tours across Italy, Western Europe and beyond. We explore Italy’s fairy- tale natural beauty, its ancient Roman, and Imperial heritage, its World Heritage Sites, and this world famous city all with some truly spectacular scenery along the way. This and more is all waiting to be explored on one of Odyssey’s small group tours of Italy, foccussed on Rome, designed for the senior traveller, and led by experienced, and enthusiastic like minded people Discover Rome | Cultural and History Small Group Tour for Seniors 30-Sep-2021 1/11 https://www.odysseytraveller.com.au Australia 1300 888 225 New Zealand 0800 440 055 [email protected] . On this 15-day small group winter tour, you experience the wonders of Rome, arguably the most fascinating city in Italy in December and January. As the capital city, the home of the Papacy, and the once- grand centre of a vast, ancient empire, Rome remains a cultural and historical mecca for the discerning traveller. This is great time to be in Rome both for Christmas and for New Year’s Day. Discover the cultural beginnings of faith, art, war, and technology with visits to the capital’s churches, monuments, and museums on this fully escorted small group tour. -
Best Sculpture in Rome"
"Best Sculpture in Rome" Créé par: Cityseeker 11 Emplacements marqués Wax Museum "History in Wax" Linked to the famed Madame Tussaud's in London, the Museo delle Cere recreates historical scenes such as Leonardo da Vinci painting the Mona Lisa surrounded by the Medici family and Machiavelli. Another scene shows Mussolini's last Cabinet meeting. There is of course a chamber of horrors with a garrotte, a gas chamber and an electric chair. The museum by _Pek_ was built to replicate similar buildings in London and Paris. It is a must visit if one is ever in the city in order to take home some unforgettable memories. +39 06 679 6482 Piazza dei Santi Apostoli 68/A, Rome Capitoline Museums "Le premier musée du monde" Les musées Capitoline sont dans deux palais qui se font face. Celui sur la gauche des marches de Michelange est le Nouveau Palais, qui abrite l'une des plus importantes collections de sculptures d'Europe. Il fut dessiné par Michelange et devint le premier musée public en 1734 sur l'ordre du pape Clément XII. L'autre palais, le Conservatori, abrite d'importantes peintures by Anthony Majanlahti comme St Jean Baptiste de Caravaggio et des oeuvres de titian, veronese, Rubens et Tintoretto. Une sculpture d'un énorme pied se trouve dans la cours, et faisait autrefois partie d'une statue de l'empereur Constantin. Une des ouvres fameuses est sans aucun doute la louve, une sculpture étrusque du 5ème siècle avant J-C à laquelle Romulus et Rémus furent ajoutés à la Renaissance. +39 06 0608 www.museicapitolini.org/s info.museicapitolini@comu Piazza Campidoglio, Rome ede/piazza_e_palazzi/pala ne.roma.it zzo_dei_conservatori#c Museo Barracco di Scultura Antica "Sculpturally Speaking" The Palazzo della Piccola Farnesina, built in 1523, houses the Museo Barracco di Scultura Antica, formed from a collection of pre-Roman art sculptures, Assyrian bas-reliefs, Attic vases, Egyptian hieroglyphics and exceptional Etruscan and Roman pieces. -
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FREE MAP 7 9 8 VISITOR CENTER 7 1 6 ARTE RELIGIOSA CAPRIOTTI SIGHTSEEING CENTER VIA G. AMENDOLA 32 2 5 PanamicOPEN TOUR Hop-on Hop-off TERMINI SANTA MARIA MAGGIORE COLOSSEO 3 BOCCA DELLA VERITÀ/CIRCO MASSIMO PIAZZA VENEZIA/CAMPIDOGLIO VATICANO/MUSEI VATICANI PIAZZA NAVONA/PANTHEON/CASTEL SANT'ANGELO FONTANA DI TREVI/PIAZZA DI SPAGNA VILLA BORGHESE/VIA VENETO PIAZZA BARBERINI 4 bus evy 10 minutes Since 1978 more than 28.000.000 satisfied customers Bk yr tr he! TOUR 9 TOUR 6 Ancient Castelli Ostia Romani AFTERNOON r FRASCATI, CASTELGANDOLFO, GROTTAFERRATA AND t BEAUTY MEDIEVAL VILLAGES OUTSIDE ROME THE PORT OF ANCIENT ROME. PORTA ROMANA, TERME DI NETTUNO, THERMOPOLIUM. ded € 52,00 p.p. Gui € 60,00 p.p. TOUR 1 Excsis Classical Excsis TOUR 7 TOUR 13 TOUR 17 Rome Tivoli Assisi Florence Orvieto MORNING TREVI FOUNTAIN, PANTHEON, PIAZZA NAVONA, CASTEL SANT'ANGELO (no visit), ST. PETER’S BASILICA (WITH PAPAL BLESSING ON SUNDAYS) ST FRANCIS’ BASILICA, SANTA MARIA DEGLI ANGELI, THE CRADLE OF THE RENAISSANCE PERIOD. DAVID BY MICHELANGELO, VILLA ADRIANA, VILLA D’ESTE AND ITS FOUNTAINS € 41,00 p.p. CHAPEL OF PORZIUNCOLA CATHEDRAL OF SANTA MARIA DEL FIORE, GIOTTO’S BELL TOWER AND € 106,00 p.p. PIAZZA DELLA SIGNORIA € 66,00 p.p. CityCity TrTr € 156,00 p.p. TOUR 3 TOUR 10 TOUR 2 Vatican TOUR 15 Illuminated TOUR 12 TOUR 14 Imperial Museums Naples Rome Rome Rome by Capri Pompeii SKIP THE LINE night Blue Grotto* SKIP THE LINE MORNING/ with dinner AFTERNOON AFTERNOON VATICAN MUSEUMS, SISTINE CHAPEL, ST. PETER’S BASILICA COLOSSEUM, ST.