Kazalište Ulysses / Ulysses Theatre Sezona 17 / Season 17

KAZALIŠTE ULYSSES ULYSSES THEATRE BITEF TEATAR BITEF THEATRE

Premijera: 12. kolovoza 2017., Mali Brijun, tvrđava Minor

Opening night: 12th August 2017 Mali Brijun, Fortress Minor KAZALIŠTE ULYSSES ULYSSES THEATRE

Kazalište Ulysses prostor je prožimanja duhovno srodnih umjetnika. Otvoren je za suradnju svima koji Ulysses Theatre is a theatre space where spiritually similar artists are brought together. It welcomes the šire estetske i duhovne obzore. Kretanje u umjetnosti označava aktivni odnos prema stvarnosti i povijes- co-operation of all those broadening aesthetic and spiritual horizons. In art, movement – such as prog- ti. Putovanje je jedan od načina nemirenja s neminovnom sudbinom, što odlikuje mediteransku kulturu ress and journey – marks an active attitude towards reality and history. Journey is a way of not accepting od Homera naovamo. Tu je svaki čovjek osuđen na lutanje, vanjsko ili unutarnje, svatko je u traganju za the inevitable fate, which has been typical of the Mediterranean culture from Homer onwards. Each man vlastitom Itakom. Putuju pojedinci i likovi, a vodi ih Uliks. I podsjeća da se nikada ne prestanu nadati i is destined to wander, literally or inwardly. Everyone is in search of their own Ithaca. Individuals and char- raditi, tragati za novim izrazima kako bi izbjegli zatvaranje u egocentrični svijet koji okreće leđa stvarnos- acters travel, whereas Ulysses is to all a symbolic figure, a reminder never to give up hope or work, and to ti i drugima. Uliks je mitska i pjesnička figura luckastog uma koji s lakoćom kreće kroz jezike i kulture, search for new expressions to avoid withdrawing into the egocentric world that turns its back to reality spaja različito. Osnivači Kazališta Ulysses su glumac i redatelj Rade Šerbedžija te književnik i dramaturg and other people. Ulysses is a cunning mythical and poetic figure that easily travels through different Borislav Vujčić. Djelovanje kazališta usko je povezano s istarskim područjem oko Vodnjana, Fažane, Briju- languages and cultures, bridging the differences between them. na i Pule, a imenom je hommage književniku Jamesu Joyceu, čija biografija i djelo svjedoče o njegovu bo- The Theatre was founded by actor-director Rade Šerbedžija and writer-playwright Borislav Vujčić. Its ac- ravku na ovom prostoru. Naime, Joyce je u Puli boravio kao profesor engleskog u Berlitzovoj školi stranih tivity is closely related to the area around Vodnjan, Fažana, Brijuni and Pula in Istria. Its name is homage jezika između studenog 1904. i travnja 1905. godine. Kroz proteklih petnaest sezona na projektima to James Joyce, a writer whose biography and work testify to his sojourn in this region. Joyce lived in Pula Kazališta Ulysses sretali su se umjetnici iz svih krajeva svijeta: od Kanade i Sjedinjenih Američkih Država as an English language teacher in the Berlitz School of foreign languages from November 1904 to April do Novog Zelanda, od Čečenije i Irana do Velike Britanije, Francuske i Italije, od Bosne i Hercegovine i 1905. Throughout the past fifteen seasons, more than 500 artists from all over the world – Canada, the Slovenije do Srbije i Bolivije. Publici – koja na predstave u Tvrđavi Minor pristiže ne samo iz Hrvatske, već USA, New Zealand, Chechnya, the UK, France, Italy, Bosnia and Herzegovina, Slovenia, Serbia and Bolivia cijele Europe – predstavilo se dosad više od 500 umjetnika najrazličitijih profila. – have participated in Ulysses productions. The audiences visiting Fort Minor to see the plays are similarly diverse – they come from , Slovenia, Italy, Bosnia and Herzegovina, Germany, Serbia, France, the UK, the USA, Denmark, Austria…

2 3 Uvodna riječ dramaturginje Introduction by dramaturg

“Doručak šampiona” autorski je projekt tima koji “Breakfast of the Champion” is a creative project je okupio različite autore iz različitih umjetničkih of a team of authors from different art fields područja oko jedne osobe. Osobe koja nam je drawn together by a single persona, a person poznata posredno ili neposredno jer smo za nju that we know or know of because we heard, read, čuli, o njoj čitali, za nju navijali ili o njoj slušali. listened about or cheered for that person. Celeb- Poznati ljudi često nam se čine bližima nego rities often seem much more familiar then they što uistinu jesu, pa njihove osobnosti ponekad truly are, so we sometimes make assumptions podrazumijevamo čak više nego vlastite. Lako about their personalities, even more often than zaključujemo o njihovim manama i vrlinama, about our own. We are quick to make conclu- lako zaključujemo o njihovim životima, razlozi- sions about their virtues and flaws, we are quick ma i odlukama, lako umišljamo da znamo ono to make conclusions about their lives, reasons što samo pretpostavljamo. U tom se smislu and decisions, we are quick to believe that we svaka poznata osoba, bila ona sportaš ili glumica know things that we only assume. In this sense, u našim interpretacijama već pretvorila u fiktivni every celebrity, whether an athlete or an actress, lik koji smo opisali sami, a njegov ili njezin život has already become a fictional character in our postala je priča koju smo sami napisali i sami je mind that we have described ourselves and his or sebi pričamo. Pa tako o drugima pričamo priče her life has become a story that we have written u različitim žanrovima, radeći od njihovih života and tell ourselves. Thus, we tell tales of others in male drame ili komedije, ili velike tragedije, sve u different genres, turning their lives into mini dra- ovisnosti od naših iskustava. Pričati priču ionako mas or comedies or grand tragedies, depending možemo samo o drugima, o njihovim životima, on our own experiences. We can tell a tale only jer jedan drugome život svjedočimo. Svoje pak about other people, about their lives because životne priče tek živimo, još uvijek živimo. I we witness them. Our own life stories are still ostaje nam da se nadamo da će svjedoci naših unfolding, we are still living them. What remains života pokušati biti blagi i preslagivati činjenice is to hope that the witnesses of our lives will be i događaje naših života u tonovima boja koje kind enough to arrange the facts and events of volimo, kao i izgovarati one naše rečenice koje our lives in shades of colours that we love and bi i sami bez srama ponovili. Time smo se vodili speak those sentences that we ourselves would radeći predstavu inspiriranu stvarnom osobom, repeat without shame. This was our guiding jednim od najvećih šampiona naše sportske po- principle in producing the play inspired by a real vijesti, znajući da ćemo na kraju stvoriti fiktivni person, one of the greatest champions of our lik u koji će biti moguće povjerovati, a da svi sports history; we knew that we would ultimate- na kraju znamo da to nije on, nego naša priča o ly create a fictional character that will be real nekom drugom. enough to make us believe it is him, but all of us will know in the end that this was not him, but Nataša Rajković rather that it was our story about someone else.

Nataša Rajković

4 5 6 7 BITEF TEATAR BITEF THEATRE

Od svog osnivanja 1989. godine, misija Bitef teatra bila je širenje utjecaja Bitef fes- Since its foundation in 1989, it has been the mission of the Bitef Theatre tivala u regiji, otkrivanje novih kazališnih tendencija, kao i pružanje prostora um- to spread the influence of the Bitef Festival in our midst, to uncover new jetnicima čiji rad predstavlja iskorak iz tradicionalnih i utvrđenih granica scenskog theatrical trends and provide a platform for artists whose work breaks away izraza. U sezoni 2014/2015 jubilej, u kojoj slavi 25 godina svog postojanja Bitef from the traditional and established boundaries of theatrical expression. In teatar nastavlja svoju dvostruku repertoarnu misiju. S jedne strane, Bitef nastavlja the 2014/2015 season, the Bitef theatre is celebrating its 25th anniversary razvijati plesni teatar te unapređuje beogradsku plesnu scenu, kako kroz razvoj and its repertoire is staying true to its twofold mission. On one hand, Bitef i produkcije Bitef plesne scene, tako i kroz brojna gostovanja domaćih i stranih continues to develop dance theatre and improve ’s dance scene plesnih produkcija. S druge strane, Bitef teatar uspješno razvija i širi platformu through the development and productions of the Bitef dance company as novog, angažiranog dramskog stvaralaštva. well as through numerous guest performances of domestic and foreign dance productions. On the other hand, the Bitef theatre is successfully developing and expanding the platform for new, engaged dramatic works.

8 9 10 11 12 13 Autori teksta: Text Authors: OLGA DIMITRIJEVIĆ, OLGA DIMITRIJEVIĆ, TOMISLAV ZAJEC, TOMISLAV ZAJEC, DIMITRIJE KOKANOV, DIMITRIJE KOKANOV, ALEKSANDAR RADIVOJEVIĆ, ALEKSANDAR RADIVOJEVIĆ, NATAŠA RAJKOVIĆ NATAŠA RAJKOVIĆ

Redatelj: Inspicijentica: Director: Stage manager: ALEKSANDAR ŠVABIĆ ENA SUBOTIĆ ALEKSANDAR ŠVABIĆ ENA SUBOTIĆ

Dramaturginja: Direktor tehnike: Dramaturge: Tehnical manager: NATAŠA RAJKOVIĆ IVAN ANTONČIĆ NATAŠA RAJKOVIĆ IVAN ANTONČIĆ

Kompozitor: Majstor tona: Composer: Chief sound tehnician: DAMIR URBAN DAMIR KLJUČARIĆ DAMIR URBAN DAMIR KLJUČARIĆ

Koreograf: Pomoćnik majstora tona: Choreographer: Assistant sound tehnician: STAŠA ZUROVAC DARKO ZBUKVIĆ STAŠA ZUROVAC DARKO ZBUKVIĆ

Kostimografkinja: Majstor rasvjete: Costume designer: Chief light tehnican: MARIA MARKOVIĆ – MILOJEV NIKŠA MRKONJIĆ MARIA MARKOVIĆ – MILOJEV NIKŠA MRKONJIĆ

Scenograf: Pomoćnik majstora rasvjete: Set disigner: Assistant lighting tehnician: DAVOR SANVINCENTI ENDI KRAKIĆ DAVOR SANVINCENTI ENDI KRAKIĆ

Dizajner svjetla: Garderoba: Light designer: Wardrobe: ANDREJ HAJDINJAK LORETA BEGONJA, REA BEGONJA ANDREJ HAJDINJAK LORETA BEGONJA, REA BEGONJA

Dizajner zvuka: Rekvizita: Sound design: Props: DAVOR ROCCO BLAŽENKO KRAMAR DAVOR ROCCO BLAŽENKO KRAMAR

Šminka i frizura: Scenski radnici: Make up and hair: Stage hands: MARIJA BINGULA ŽELJKO BAJT, DAMIR KLARIĆ, DOMINIK MILANOVIĆ MARIJA BINGULA ŽELJKO BAJT, DAMIR KLARIĆ, DOMINIK MILANOVIĆ

Izrada scenografije: Scenography: IVAN ANTONČIĆ IVAN ANTONČIĆ

14 15 ALEKSANDAR ŠVABIĆ MARIA MARKOVIĆ – MILOJEV

NATAŠA RAJKOVIĆ DAVOR SANVINCENTI

DAMIR URBAN ANDREJ HAJDINJAK

STAŠA ZUROVAC DAVOR ROCCO

16 17 ALEKSANDAR ŠVABIĆ NATAŠA RAJKOVIĆ

Rođen je 1987. godine u Puli. Diplomirao je ka- Was born in 1987 in Pula. He graduated in Kazališna autorica i redateljica, od 2004. Theatrical author and director; since 2004, artis- zališnu režiju na Fakultetu dramskih umetnosti Theatre Direction from the Faculty of Dra- umjetnička ravnateljica Kulture promjene tic director of the Culture of Change programme u Beogradu u klasi profesora Nikole Jevtića s matic Arts in Belgrade, under Professor Nikola Studentskog centra Sveučilišta u Zagrebu. of the Student Centre of the University of Za- predstavom „Malograđanska svadba“ B. Brechta Jevtić, with the play “A Respectable Wedding” Također, dramaturginja i spisateljica, Nataša je greb. A playwright and writer, Nataša graduated u Srpskom narodnom pozorištu Sterija u Vršcu. (“Malograđanska svadba”) by B. Brecht at the završila diplomski studij filozofije i komparativne in philosophy and comparative literature at the Na festivalu Sedam dana stvaranja u Pazinu Vršac Sterija National Theatre. He directed the književnosti na Filozofskom fakultetu Sveučilišta Faculty of Philosophy of the University of Za- režirao je predstavu „pOdNos“, za Mikser festival play “pOdNos” at the 7ds Festival (Seven Days u Zagrebu. Zajedno s redateljem Bobom Jelčićem greb. She has been working in theatre, together i Pozorište Boško Buha u Beogradu predstavu of Creation Festival), “Baal” by B. Brecht for radi u kazalištu od 1993. Njihove su kazališne with director Bobo Jelčić, since 1993. Their plays „Baal“ the Mikser Festival and Boško Buha Theatre in predstave gostovale diljem Europe te osvojile made numerous guest performances all over B. Brechta, lutkarsko-glumačku predstavu „Šest Belgrade, “Six Characters in Search of an Author” brojne nagrade. Europe and won numerous awards. lica traži autora“. L. Pirandella pripremao je u (“Šest lica traži autora”) by L. Pirandello in Osijek Osijeku, a „Strujosek“ A. Radivojevića u Ateljeu – a mixture of puppetry and live-acting, and 212 u Beogradu. Kao asistent režije u filmu i “Strujosek” by A. Radivojević in Atelje 212 in Bel- kazalištu surađivao je s Jagošem Markovićem, grade. As assistant director in theatre and film, Filipom Gajićem i Nikolom Zavišićem. he has collaborated with Jagoš Marković, Filip Radi u produkciji televizijskih reklama i kao Gajić, and Nikola Zavišić. He works as a producer redatelj glazbenih spotova, a u više predstava of TV commercials and music video director. He bio je i dizajner svjetla. has worked as a light designer on several plays.

18 19 STAŠA ZUROVAC DAMIR URBAN

Plesač i koreograf, diplomirao je na Školi za A dancer and a choreographer, gradueted from Damir Urban, rođen 1968. godine u Rijeci samo- Was born in 1968 in . He is an independent klasični balet u Zagrebu, u klasi prof. Tatjane Classical Ballet School, after which he stalni je umjetnik, koji se osim glazbom, bavi artist who specialises in music, painting and, Lucič – Šarić, a usavršavao se u Petrogradu i pursued his studies in Saint Petersburg. He i slikarstvom, te povremeno glumom. Bogatu occasionally, acting. His fruitful career has re- diplomirao kod V. K. Onoška. Članom baleta joined the Ballet Ensemble at the Croatian karijeru uključuju više od desetak autorskih sulted in almost a dozen albums: The Best Off..., HNK u Zagrebu postaje 1989.godine. Od 1996. National Theatre in Zagreb in 1989. In 1996 albuma objavljenih tijekom godina rada u grupi Pustinje, Otrovna kiša, Žena dijete, Urban & godine počinje koreografirati. Njegove prve dvije he turned to choreography creating his first Laufer, kao i onih objavljenih tijekom samostalne Hauser, Kun- dera... He has received high acclaim koreografije, „New Begining“ 1996. i „Cantara“ choreographic piece “New Beginnings”, which karijere (The best off, Pustinje, EP, Otrovna kiša, and many awards for his work with bands Laufer 1997. predstavljene su publici u sklopu Prve i was followed by “Cantara” in 1997. Both pieces Žena dijete, Retro, Hello!, No mix no sex, Urban and Urban&4, as well as for his collaboration Druge koreografske radionice članova Baleta were presented at the choreography workshops & Hauser, Kundera, Mamut) Rad u Lauferu with the renowned cellist : HNK u Zagrebu. U svibnju 2001. na beogradskom organized by the Ballet Ensemble members. In i Urban&4, kao i rad na albumu sa svjetski Award, Crni mačak Award, MTV Gold Award, in 5. Festivalu koreografskih minijatura osvaja prvu May 2001 he won awards at the 5th Festival of poznatim violončelistom Stjepanom Hauserom addition to the City of Rijeka Award and Milivoj nagradu i nagradu publike za „San zaručnice“. Na Choreographic Miniatures in Belgrade for “The donosi mu čitav niz strukovnih priznanja u vidu Körbler Award, granted by the Croatian Compos- 17. međunarodnom natjecanju za koreografiju u Fiancee’s Dream”, for which he also recived an nagrada Porin, Crni mačak i MTV Gold Award, ers’ Society. During his career, Damir Urban has Hannoveru osvojio je drugo mjesto. Dodijeljena award at the 17th International Competition for te priznanja kao što su Nagrada grada Rijeke, worked with nu- merous musicians, including mu je Nagrada međunarodnog žirija za najbolje Choreographers in Hannover. His first long piece, te Nagrada Miroslav Korbler Hrvatskog društva Gibonni, Matija Dedić, En Face, Vatra, and the baletno djelo na Svetovni glazbeni dnevi za „Pur- “Circus Primitif Balet”, for which he won the skladatelja. Tijekom karijere surađuje s mnogim Opera orchestra of the Croatian National Theatre gatorio“ i „Kiklos“; nagrada Peristil za najbolje Croatian Theatre award in 2006, was created in poznatim i priznatim glazbenicima (Gibonni, Ivan Zajc. Many of his songs have gained new glazbeno-scensko ostvarenje na 49. Splitskom 2003 to mark the International Dance Day. He Stjepan Hauser, Matija Dedić, Orkestar Opere life through various successful covers. He has ljetu za „Bogovi nisu ljuti“ i „Daj, daj“; za pred- has also received numerous awards in Slovenia, HNK Ivana pl. Zajca, En Face, Vatra), a mnoge su acted in films „Mondo Bobo“ (Goran Rušinović), stavu Daissa – istočno od raja na 51. Splitskom Croatia and Serbia for his work on “Purgatory”, njegove pjesme svoj novi život dobile kroz više „Zbog tebe“ (Anđelko Jurkas) and „The Kids from ljetu također osvaja Peristil, dok za balet „Tko to “Kyklos”, “The Gods are not Angry”, “Come on”, nego uspješne obrade. the Marx and Engels Street“ (Nikola Vukčević), tamo peva“ 2004. godine dobiva Nagradu grada “Daissa – East of Eden” and “Who Sings Over Glumom se bavi igrajući uloge u filmu “Modno „Antigona – 2000 years later by Lenka Udovič- Beograda. U SNG Maribor 2009. praizveden je There”. His ballet “Vojček”, based on Georg Bobo” (film Gorana Rušinovića), koreodrami ki, a choreodrama „The Lady of the Camellias“ „Vojček“, njegov autorski projekt prema drami Buchner’s play Woyzeck was staged in the “Dama s kamelijama” (HNK Zajc, Damir Zlatar (the Croatian National Theatre Zajc, Damir „Woyzeck Georga Buchnera“. Od sezone 2003. Slovenian National Theatre in Maribor in 2009. Frey), studentskoj predstavi “Ptice” (studij Zlatar Frey) and a student play „Birds“ (Acting, do 2012. Ravnatelj je Baleta u HNK Ivana pl. From 2003 until 2012 he was manager of Ballet Gluma, mediji i kultura), “Dječaci iz Ulice Marksa Media and Culture Studies). He is involved in Zajca, gdje su postavljene njegove koreografije, Ensemble at the Croatian National Theatre Ivan i Engelsa” (Nikola Vukčević), „Antigona – 2000 theatre through his music as well; he composed autorski projekti: „Marquezomanija“, „Volite li pl. Zajc in Rijeka where his choreographic pieces godina kasnije“ Kazališta Ulysses u režiji Lenke music for plays by Emil Matešić – Torsia and Brahmsa“, „Ciklus primitif balet“, „Pjesma nad “Marquezomania”, “Do You Like Brahms”, “Cir- Udovički te u filmu “Zbog tebe” (Anđelko Jur- Rock’n’roll. He set up several solo exhibitions pjesmama“, „San zaručnice“ te baleti „Romeo cus Primitif Balet”, “The Song of Songs”, “The kas). Također, uz kazalište je vezan i glazbom of paintings and artworks and is a member of i Julija“ S. Prokofjeva, „Proces“ B. Šipuša i Fiancee’s Dream” and ballets “Romeo and Juliet”, - autorskim skladbama za predstave “Torsija” i several professional associations. „Diskretni šarm buržoazije“. U Zemunu postavlja “The Process” and “The Discreet Charme of the “Rock’n’roll” Emila Matešića. 2011. godine „Peera Gynta“, u SNP Novi Sad Boureoisie” have been performed with great Autor je nekoliko samostalnih izložbi slika i balet „Mileva Ejnštajn“, u kazalištu Ulysses režira success. In 2011 he staged “Peer Gynt” in Madle- likovnih radova, te član nekoliko strukovnih glazbeno-scensku dramu prema tekstu M. Krleže nianum Zemun, and in 2012 he directed ballet udruga. „Sprovod u Theresienburgu“, 2015. godine u “Mileva Ajnštajn” in Serbian National Theatre sklopu 66. Dubrovačkih ljetnih igara režirao je Novi Sad. He was awarded for his work and some dramu „Dubrovačka trilogija“ („Allons enfants“, of the most important awards were: Award City „Suton“, „Na taraci“) Ive Vojnovića, a iste of Rijeka 2009 for artistic achievements of ballet. godine postavio je svoj „Cirkus primitif balet“ In 2010 he got Nazor award, the most important za nizozemsku trupu Introdans u Arnhemu. cultural recognition in Croatia. U studenom 2015. postavio je svoj petnaesti cjelovečernji balet „Modrobradi“ za Balet HNK-a u Zagrebu. Dobitnik je brojnih nagrada i priznan- ja među kojima se posebno ističu Nagrada grada Rijeke 2009. za izuzetna umjetnička dostignuća i doprinos snažnom procvatu baleta HNK Ivana 20 pl. Zajca Rijeka. 21 2010. godine dodijeljena mu je Nazorova nagra- da, najviše kulturno priznanje u Hrvatskoj. DAVOR SANVINCENTI MARIJA MARKOVIĆ - MILOJEV

Rođen je 1979. godine. Multimedijalni je Davor Sanvincenti (1979.) is a multimedia artist Rođena je u 1989. godine u Beogradu. Diplomi- Was born in 1989 in Belgrade. Graduated in 2013 umjetnik, koji se intenzivno bavi područjem who is intensely immersed into phenomenol- rala je 2013. godine na Fakultetu primjenjenih on Faculty of Applied Arts in Belgrade on the fenomenologije audiovizualnog i antropologijom ogy of audiovisual and anthropology of visual umjetnosti u Beogradu na odsjeku Scenski Department of Costume Design. As costume de- vizualne kulture, fokusirajući se na propitivanje culture, focused on questioning various states kostim. Kao kostimografkinja surađivala je s signer she cooperated with lots of theatres from različitih stanja i oblika ljudskih osjeta i percep- and shapes of human perception and senses. His mnogim teatrima u regiji: u Narodnom pozorištu this region: in National Theatre she designed cija. Njegovo se umjetničko djelovanje grana artistic work is divided into various media: film za predstavu “Maria Stuart” u režiji Miloša costumes for the show „Maria Stuart“, directed u razne medije: film i video, fotografiju, fizičke and video, photography, physical light and sound Lolića, u Jugoslovenskom dramskom pozorištu by Miloš Lolić, in The svjetlosne i zvučne instalacije te audiovizualne installations and audio-visual performances. In na predstavama “Dnevnik o Čarnojeviću” Miloša „Journal about Čarnojević“ directed by Miloš performanse. U radovima se bavi konceptom his works he deals with the concept of illusion, Lolića i “Hamlet” Aleksandra Popovskog. Za Lolić and „Hamlet“ by Aleksandar Popovski. iluzije, istražujući moguće granice percepcije exploring possible boundaries of perception Atelje 212 radila je na predstavama “Strujo- For Atelje 212 she worked on a show „Primorje“ te konstrukcije iskustva. Dobitnik je mnogih and construction of experience. He is a winner sek” s Aleksandrom Švabićem, “Primorje” sa with Stefan Sabljić, „Autumn Sonata“ with Jagoš nagrada među kojima Radoslav Putar (2010.) za of numerous awards among which the Award Stefanom Sabljicem, “Jesenja sonata” s Jagošem Marković and show „My you“, directed by Sasha najboljeg umjetnika do 35 godina i T-HT nagrade Radoslav Putar (2010) for the best artist up to 35 Markovićem te predstavi “Moja ti” u režiji Sashe Milavis Davies, performed in honour to the win- pri Muzeju Suvremene Umjetnosti (2008. i years of age and T-HT Award from The Museum Milavic Davies, izvedenoj u čast pobjednika na ner of Festival Sterijino Pozorje in 2017. 2017.). of Contemporary Art (2008 and 2017). He has zatvaranju Sterijinog pozorja 2017. U Crnoj gori In Montenegro she points out „The Learned Izlagao je na brojnim međunarodnim izložbama exhibited on various international festivals and izdvaja “Učene žene” u Crnogorskom Narod- Ladies“ in Montenegro National Theatre directed i festivalima, poput Rencontres Internationales art shows such as Rencontres Internationales nom pozoristu u režiji Jagoša Markovića,a u by Jagoš Marković. In Podgorica she worked on Paris/Berlin/Madrid; Device Art Triennale, Mon- Paris/Berlin/Madrid; Device Art Triennale, Gradskom pozorištu Podgorica radila je na tri three children’s show. On Tivat Festival Purga- treal; LOOP, Barcelona; 25FPS, Zagreb; World Montreal; LOOP, Barcelona; 25FPS, Zagreb; predstave za djecu. Na Tivatskom festivalu Pur- torije she won the award for visual identity for Film Festival, Bangkok; VideoEX, Zürich, te na World Film Festival, Bangkok; VideoEX, Zürich, gatorije osvojila je nagradu za vizuelni identitet a show „Hasanaginica“. She worked on other 15 lokacijama poput Centre Georges Pompidou, locations like Centre Georges Pompidou, Pariz; predstave “Hasanaginica”. shows, musical videos, commercials and assisted Pariz; ZKM, Karlsruhe; Lincoln Center, New York; ZKM, Karlsruhe; Lincoln Center, New York; Uni- Radila je na još 15 kazališnih predstava, na as a costume designer on numerous movies UniversalMuseum Joanneum, Graz; Museo de versalMuseum Joanneum, Graz; Museo de Arte muzičkim videima, reklamama te asistirala na such as „Die Hard“, „Pappillonn“, „November Arte Contemporanea, Oaxaca; Camera Austria, Contemporanea, Oaxaca; Camera Austria, Graz; kostimima za kazalište i film, od kojih izdvaja Man“, „Sword of Vengeance“. She was a costume Graz; FRAC Pays de la Loire, Carquefou; MSU, FRAC Pays de la Loire, Carquefou; MSU, Zagreb; film “Umri muški”, “Pappillon”, “November designer on motion picture „Dobrica“ directed Zagreb; NIU, Barcelona; La Triennale, Milano; NIU, Barcelona; La Triennale, Milano; Filmoteca Man”, “Sword of Vengeance”. Bila je samostalni by Srđan Penezić. Filmoteca Española, Madrid; Glassbox, Paris; Española, Madrid; Glassbox, Paris; Haus der kostimograf na dugometražnom filmu “Dobrica” Haus der Kulturen der Welt, Berlin. Kulturen der Welt, Berlin u režiji Srđana Penezića.

22 23 ANDREJ HAJDINJAK DAVOR ROCCO

kao dizajner svjetla radio je na više od dvjesto As light designer he has participated in more Rođen je 1948. godine u Zagrebu. Diplomirani was born in 1948 in Zagreb. He graduated in plesnih, baletnih, opernih, koncertnih i komer- than 200 plays, dance, ballet, opera, concert sociolog i fonetičar, od rane mladosti posvećen Sociology and Phonetics. He has worked with cijalnih produkcija. Surađivao je s etabliranim and commercial productions and many rec- je glazbi i zvuku. Od 1971. godine do danas music and sound from an early age. Since 1971, domaćim i stranim umjetnicima na mnogim ognised projects with established local and skladao je glazbu za preko tristo predstava za he has composed music for over three hundred istaknutim projektima. Među njima su opere foreign artists, among others – operas “The brojne redatelje u kazalištima širom nekadašnje plays for various directors in theatres through- „Rajnske nimfe“ i „Julie“ u režiji Manfreda Sch- Nymphs of the Rhine” and “Julie” directed by Jugoslavije, a sudjelovao je na renomiranim out the former . He has participated in weigkoflera, „Tosca“ u režiji G. H. Seebacha, Manfred Schweigkofler; “Tosca”, directed by festivalima poput Dubrovačkih ljetnih igara i renowned festivals such as Dubrovnik Summer „Carmen“ u režiji Charlesa Roubauda, „Don G. H. Seebach; “Carmen” directed by Charles Splitskog ljeta. Autor je glazbe za razne radijske Festival and Split Summer Festival. He wrote Quijote“ u režiji Thomasa Schulte-Michelsa, Roubaud; “Don Quixote” directed by Thomas i televizijske drame te dokumentarne, animirane music for various radio and television dramas, as „Faust“ u režiji Alessia Pizzecha, „Tri naranče“ Schulte-Michels; “Faust” directed by Alessio i igrane filmove. Komorni ansambl Patchwork well as documentary, animated and feature films. u režiji Vite Taufera, zatim baleti „Arhitektura Pizzech; “Three izveo je njegov autorski program na Muzičkom Patchwork Ensemble performed his work at the tišine“, „Radio i Julija“ i „Prêt-à-porter“ u ko- Oranges” directed by Vito Taufer; ballets biennalu u Zagrebu 1993. Music Biennale Zagreb in 1993. He has worked reografiji Edwarda Cluga, „Vojček“ u koreografiji “Architecture of Silence”, “Radio and Juliet” godine. Dugo je bio zaposlen kao glazbeni as a music dramaturge-editor of the Drama Staše Zurovca, „Medeja“ u režiji Tomaža Pandura and “Prêt-à-porter” choreographed by Edward dramaturg- urednik Dramskog programa Programme at Zagrebački radio (Zagreb Radio) te proslave Dana državnosti u Sloveniji, dodjele Clug; “Vojček” choreographed by Staša Zurovac; Zagrebačkog radija. Zainteresiran za širi aspekt for a long time. Interested in wider aspects of Prešernove nagrade, itd. Surađivao je s brojnim “Medea” directed by Tomaž Pandur; as well as zvuka i ulogu novih tehnologija, od devedesetih sound and the role of new technologies, he has institucijama kao što su Nacionalna opera i balet many celebrations of National Days of Republic sve češće djeluje kao glazbeni producent i tonski been increasingly active as a music producer iz Sofije, Gradsko kazalište u Bolzanu (Teatro of Slovenia, National Prešeren Awards and nu- majstor. Realizirao je mnoge projekte s područja and sound engineer ever since the 1990s. He has Comunale), Slovensko narodno kazalište (SNG) merous other projects. He has cooperated with klasike, jazza i rocka, ugošćujući u svom studiju realised many classical, jazz and rock music proj- – Opera i balet u Ljubljani, SNG Opera i balet u many institutions such as the National Opera niz domaćih i stranih glazbenika, a često snima ects, and has hosted a number of Croatian and Mariboru, Gradsko kazalište u Ljubljani, Slovens- and Ballet Sofia, Teatro Comunale Bolzano, Na- i simfonijske orkestre po svjetskim studijima i international musicians in his studio. He often ko mladinsko gledališče, Jugoslovensko dramsko tional Opera and Ballet Ljubljana, SNG Opera and koncertnim dvoranama. Sistematizirajući svoje records symphony orchestras in world renowned pozorište (JDP), Plesni teatar Ljubljana, Hrvatsko Ballet Maribor, Ljubljana City Theatre, Slovenian bogato iskustvo, održava radionice i preda- studios and concert halls.He teaches classes and narodno kazalište (HNK) u Zagrebu i Rijeci, Youth Theatre, Yugoslav Drama Theatre (JDP), vanja, snima serije tematskih radijskih eseja, a workshops, records series of topical radio essays Slovensko ljudsko gledališče Celje, Koreodra- Dance Theatre of Ljubljana, Croatian National priprema i opsežnu knjigu. Od važnijih nagrada and is currently preparing a comprehensive book, ma, Betontanc i drugi. Sudjelovao je u velikim Theatre (HNK) Zagreb and Rijeka, Slovenian treba izdvojiti tri Zlatne arene za filmsku glazbu, systematising his considerable experience. He putujućim produkcijama: s „Lakmé“ na festivalu National Theatre Celje, Koreodrama, Betontanc Morishige Award za radiodramu, tri Porina za received many awards, including three Golden Pafos Aphrodite na Cipru, u koncertnoj dvorani and others. He has participated in major touring produkciju, Zlatu pticu za scensku glazbu, tri Arenas for film music, the Morishige Award for Festival Hall u Osaki, Prefekturnom umjetnič- productions – with “Lakmé” on Cyprus, the Marula itd. S Kazalištem Ulysses surađuje od radio drama, three Porin Awards for production, kom kazalištu u Nagoji i koncertnoj dvorani Pafos Aphrodite Festival, Osaka Festival Hall, početka kao dizajner zvuka,ali i kao autor prepje- the Golden Bird Award for stage music, three Bunka Kaikan u Tokiju; s „Arhitekturom tišine“ u Aichi Prefectural Art Theater Nagoya and Tokyo va, aranžer i skladatelj. Marul Awards, etc. From the very beginning, he kazalištu Esplanade na Međunarodnom festivalu Bunka Kaikan; with has collaborated with the Ulysses Theatre as a umjetnosti u Singapuru; s „Rajnskim nimfama“ “Architecture of Silence” in Esplanada Theatre on sound designer, but also as an author of song u Svetom Hipolitu u Austriji, Winterthuru u Singapore Arts Festival; with The Nymphs of the adaptations, arranger and composer. Švicarskoj, Bolzanu u Italiji i drugdje. Godine Rhine in St. Poelten Austria, Winterthur, Swit- 2004. dobio je jednu od najprestižnijih kazališnih zerland, Bolzano, Italy, and others. In 2004 he slovenskih nagrada – nagradu za dizajn svjetla na was awarded one of the most important awards 39. Festivalu Borštnikovo srečanje za predstavu in the field of theatre in Slovenia – 39th Borštnik U potrazi za izgubljenim vremenom redatelja Award Dušana Jovanoviča. Danas je posvećen autorskim for lighting design in the theatre performance projektima vezanima uz izvedbene umjetnosti, In “Search of Lost Time” directed by Dušan savjetništvo, obrazovanje i provedbu drugih Jovanovič. Today he focuses mainly on authorial scenskih događanja. projects in the performing arts, counselling, education and implementation of other stage events.

24 25 26 27 I G R A J U S T A R R I N G

SLAVKO ŠTIMAC KATARINA BISTROVIĆ DARVAŠ LUCIJA ŠERBEDŽIJA JERKO MARČIĆ DEJAN DEDIĆ

28 29 SLAVKO ŠTIMAC

Rođen je 15. 10. 1960. godine u Perušiću, Hrvats- Was born on 15th October 1960 in Perušić. His ka. Karijeru na filmu je otpočeo još kao dječak movie career started in his childhood in a movie u filmu “Vuk Samotnjak”, koji je režirao Obrad „A Lone Wolf“, directed by Obrad Gluščević. It Gluščević. Potom je usljedila televizijska serija was followed by television series „Farm in the “Salaš u Malom ritu” u režiji Branka Bauera. Small Rit“, directed by Branko Bauer. It was Ređali su se filmovi koji su, može se slobodno continued with movies which saw his growth reći, ispratili njegovo odrastanje. Najpoznatiji all along. The most famous one was „Train in među njima su “Vlak u snijegu” Mate Relje, pa the Snow“ by Mate Relja, then cooperation with zatim saradnja sa velikim američkim redatel- great American Director Sam Peckinpah in the jem Semom Pekinpoom u filmu “Željezni križ”, movie „Cross of Iron“, „Special Education“ by “Specijalno vaspitanje” Gorana Markovića, Goran Marković, „Tiger“ by Milan Jelić and many “Tigar” Milana Jelića i mnogi drugi, od kojih others among which his roles in movies „Do je posebno zapažena uloga u kultnom filmu You Remember Dolly Bell?“ by Emil Kusturica, “Sjećaš li se Dolly Bell” Emira Kusturice, “Ko to „Who’s Singin’ over There“ by Slobodan Šijan and tamo peva” Slobodana Šijana, i “Varljivo leto” „The Elusive Summer“ by Goran Paskaljević were Gorana Paskaljevića. Tada, kao već odrastao i the most noticable ones. As an experienced actor iskusan glumac, nastavlja karijeru u mnogobro- he continues his career in numerous movies such jnim filmovima među kojima su “Podzemlje” i as „The Underground“ and „Life is a Miracle“ “Život je čudo” Emira Kusturica, “Buick Riviera”, by Emil Kusturica, „Buick Riviera“ directed by redatelja Gorana Rušinovića, pa sve do današn- Goran Rušinović and leading role in a movie jih dana i glavne uloge u filmu “Ime: Dobrica, „Name: Dobrica, Last Name: Unknown“ directed prezime: nepoznato” u režiji Srđe Penezića. by Srđ Penezić. In his rich career he starred in U svojoj bogatoj karijeri igrao je u više od 60 more than 60 motion pictures, theatre shows, igranih filmova, kazališnim predstavama, tele- TV movies and plays. He has received numerous vizijskim filmovima i dramama. international awards as well as those from his Dobitnik je mnogih međunarodnih i domaćih home-land. nagrada.

30 31 KATARINA BISTROVIĆ DARVAŠ

Rođena je i školovana u Zagrebu. Surađivala Was born in Zagreb. In 1991 she enrolled into je u Teatru ITD, HNK-u Ivan pl. Zajc u Rijeci i Acting at the Zagreb Academy of Dramatic Art. Kazalištu Kerempuh, te s festivalom Eurokaz, a In 1997, after graduating, she joined the ZKM od 1997. u stalnom je angažmanu u Zagrebačkom Theatre (The Zagreb Youth Theatre) ensemble. kazalištu mladih. Tri je godine provela u Trou- She spent five years at the Troubleyn theatre in bleyn Theatre u Antwerpenu radeći s redateljem Antwerp, where she worked with director Jan Janom Fabreom. Dobitnica je Zlatne arene i Fabre. She has performed at various theatres and kazališnih nagrada na Danima satire, Festivalu as part of independent groups (&TD Theatre, glumca, Međunarodnom festivalu malih scena, Kerempuh Satirical Theatre, Mala scena theatre, te Nagrade hrvatskog glumišta za ulogu Char- Ulysses Theatre, Shadow Casters, Eurokaz), lotte Corday u predstavi „Marat-Sade“ Kazališta as well as in numerous films and television Ulysses. Za ulogu Majke u predstavi „Antigona projects. She has won two Golden Arenas and – 2000 godina kasnije“ dobila je dva priznanja: various theatre awards, including those at the Nagradu hrvatskog glumišta i Zlatni lovor vijenac Days of Satire, International Festival of Actors in sarajevskog kazališnog festivala MESS. Montenegro, International Small Scene Theatre festival, as well as the Croatian Actors’ Guild Award for the role of Charlotte Corday in the Ulysses Theatre play „Marat/Sade“. Since 2007, she thaught stage movement at the Academy of Dramatic Art. This is her sixth collaboration with the Ulysses Theatre.

32 33 LUCIJA ŠERBEDŽIJA

Rođena je u Zagrebu 1973. Nakon Klasične Born in Zagreb in 1973, she attended Classical gimnazije, Škole za ritmiku i ples i Niže muz- Gymnasium, School for Rhythmic and Dance ičke škole, diplomirala je glumu na Akademiji and Junior Music School, and graduated from dramske umjetnosti u Zagrebu. Članica je the Academy of Dramatic Art in Zagreb. She is a ansambla Zagrebačkog kazališta mladih. Pored member of the Zagreb Youth Theater ensemble. kazališnih uloga ostvarila je brojne uloge u Not only a theatrical actress, she has starred in hrvatskim i stranim filmovima i televizijskim numerous Croatian and foreign movies and TV serijama („Svetac Ph“, Noycea, „Bogorodica“ N. shows (“The Saint” by Ph. Noyce, “Madonna” by Hitreca, „Mondo Bobo“ G. Rušinovića, „72 dana“ N. Hitrec, “Mondo Bobo” by G. Rušinović, “72 D. Šerbedžije, „Neke druge priče“ H. Slak, „Os- days” by D. Šerbedžija, “Some Other Stories- lobođenje Skopja“ R. Šerbedžije). Od kazališnih by” H. Slak, “The Liberation of Skopje” by R. uloga izdvaja: Ofeliju u „Hamletu“ L. Udovički Šerbedžija. Her theatrical roles include: Ophelia (Teatar Ulysses), ulogu u „Ribici“ I. Buljana (INK in “Hamlet” by L. Udovički (Ulysses Theatre), GK Pula), Sophie Berger u „Baalu“ E. Millera role in “Un pesciolino” by I. Buljan (Istrian (INK GK Pula), ulogu u „Pticama“ P. Magelija National Theatre – Pula City Theatre), Sophie (Dubrovačke ljetne igre), ulogu u „Kazimiru i Berger in “Baalu” by E. Miller (Istrian National Karolini“ P. Magellija (HNK Ivana pl. Zajca), Lju- Theatre – Pula City Theatre), role in “Birds” by pku u „Orkestru Titanic“ D. Mustafića (INK GK P. Magelli (Dubrovnik Summer Festival), role in Pula), Lucie u „Poligrafu“ D. Mustafića (INK GK “Kazimir and Karolina” by P. Magelli (Croatian Pula), Faniku u „Pijanoj noći“ L. Udovički (Teatar National Theatre Ivan pl. Zajc), Ljupka in “Titanic Ulysses), Sonju Marmeladovu u „Pijanom proce- Orchestra” by D. Mustafić (Istrian National The- su“ I. Buljana (Scena Velika gorica), Donu Elviru atre – Pula City Theatre), Lucie in “Polygraph” u „Don Juanu“ P. Magellija (Teatar Ulysses), D. Mustafić (Istrian National Theatre – Pula City Stelu u „Tramvaju zvanom čežnja“ D. Mustafića Theatre), Fanika in “The Drunken Night” by L. (HNK Ivana pl. Zajca), Običnu patku i Seljanku u Udovički (Ulysses Theatre), Sonja Marmeladova „Ružnom pačetu“ R. Waltla (ZKM), Lolu u „Pla- in “The Drunken Process” by I. Buljan (Scena vom anđelu“ E. Kadića (Madllenianum). Velika Gorica Theatre), Doña Elvira in “Don Nagrade i priznanja: Zlatna arena za glavnu Juan” by P. Magelli (Ulysses Theatre), Stella in “A žensku ulogu na Pulskom filmskom festivalu Streetcar Named Desire” by D. Mustafić (Cro- za ulogu u filmu „Bogorodica“ (1999), Zlatna atian National Theatre Ivan pl. Zajc), The Duck arena za glavnu žensku ulogu u filmu „Polagana and Peasant Lady in “The Ugly Duckling” by R. predaja“ (2001), Nagrada za najbolje glumačko Waltl (Zagreb Youth Theater), Lola in “The Blue ostvarenje u predstavi „Ribica“ na Festivalu Angel” by E. Kadić (Madllenianum). mediteranskog teatra Purgatorije u Tivtu (2006), Awards and honours: Golden Arena for Best Ac- Nagrada za najbolje glumačko ostvarenje u tress at the Pula Film Festival for her role in the predstavi „Ribica“ na Mittelfestu u Cividaleu del movie “Madonna” (1999), Golden Arena for Best Friuli (2007). Actress for her role in the movie “Slow Surren- der” (2001), Award for Best Performance in the play “Un pesciolino” at the Mediterranean The- atre Festival Purgatorije in Tivat (2006), Award for Best Performance in the play “Un pesciolino” at Mittelfest in Cividale del Friuli (2007).

34 35 JERKO MARČIĆ

Rođen je u Zagrebu 15.10.1979. Na Akademi- Born in Zagreb on 15 October 1979, he grad- ji dramske umjetnosti diplomirao je 2007. uated from the Academy of Dramatic Art in Nakon Završene Akademije, nastavlja rad sa 2007. Following his graduation, he continued eminentnim Hrvatskim redateljima i autorima, to collaborate with renown Croatian directors Bobom Jelčićem i Natašom Rajković. Predstave and authors, Bobo Jelčić and Nataša Rajković. „Radionica za šetanje pričanje i izmišljanje” Plays: Walking, Talking and Inventing Workshop 2003.(DLJI), nagrađena nagradom Orlando na (2003) (Dubrovnik Summer Festival) – won the Dubrovačkim ljetnim igrama 2003 ”Izlog” (ZKM) Orlando Award at the 2003 Dubrovnik Summer 2013. i ”Allons Enfants” (DLJI) 2013. i ”Ko rukom Festival; The Store Window (2013) (Zagreb Youth odneseno”, Bobe Jelčića (&TD) 2015. (nagrada Theater); Allons Enfants (2013) (Dubrovnik na Danima satire Fadila Hadžića za sporednu Summer Festival); Came and Went by Bobo Jelčić ulogu 2015.); Ksenijom Zec i Sašom Božičem (2015) (&TD) – won the Best Supporting Actor ”Sale” (Studio za suvremeni ples) 2009., ”Očevi i Award at the Fadil Hadžić Days of Satire in 2015; Sinovi” (Teatar EXIT) 2013. ”VIS Životinje” i ”Še- Sale by Ksenija Zec and Saša Božić (Studio - herezada” (GK Trešnja). ”Veli Jože” 2010., u režiji contemporary dance company) (2009); Fathers Zorana Mužića, nagrađen je Nagradom hrvatsk- and Sons (EXIT Theatre) (2013); “VIS Animals” og glumišta za glavnu mušku ulogu u dječjoj and “Scheherazade” (Trešnja City Theatre); Big predstavi. Od 2014. član je Ansambla HNK Ivan Joseph (2010) directed by Zoran Mužić – won Pl. Zajc u Rijeci gdje u sezoni 2014./2015. glumi the Award for Best Actor in Children’s Play at u pet premijernih naslova: ”Bakhe”, ”Hrvatsko the Croatian Actors Awards. Since 2014, he has glumište” i ”Kompleks Ristić”, u režiji Olivera Frl- been a member of the ensemble of the Croatian jića, ”Životinjska farma” u režiji Andrasa Urbana i National Theatre Ivan pl. Zajc in Rijeka, where predstavi za djecu ”Pinocchhio” Elvire Nacci- he played in five premieres of the 2014/2015 novic. U sezoni 2016/2017, glumi u predstavama season: “Bakhe”, “Croatian Actors” and ”The ”Naše nasilje i vaše nasilje” Olivera Frljića. ”Ma- Ristić Complex” directed by Oliver Frljić, “Animal jstor i Margarita” M. A. Bulgakova u režiji Selme Farm” directed by Andras Urban and children’s Spahić i ”Mizantrop” J.P. Molierea u režiji Igora play “Pinocchhio” by Elvira Naccinovic. In the Vuka Torbice. Od 2005. do 2014. godine asistent 2016/2017 season, he plays in “Our Violence and je na Akademiji dramske umjetnosti u Zagrebu Your Violence” by Oliver Frljić, M.A. Bulgakov’s u klasi Bobe Jelčića. Nastaje ispitna predstava “The Master and Margarita” directed by Selma ”Tihi obrt” (ZKM, Vidra) 2013. koja igra u sklopu Spahić and J.P. Moliere’s “The Misanthrope” redovnog reportoara kazališta ZKM. Od 2015. directed by Igor Vuka Torbica. From 2005 to asistent je Radi Šerbedžiji na kolegiju Filmska 2014, he worked as an assistant at the Academy gluma na studiju Gluma i mediji pri Akademiji of Dramatic Art in Zagreb under Bobo Jelčić. The primjenjenih umjetnosti u Rijeci, gdje u suradnji exam production “Quiet Labour” (Zagreb Youth s redateljem Aleksandrom Švabićem 2016. nasta- Theatre, Vidra) (2013) was produced and is part je ispitna predstava ”Stranac”. Posebno se ističu of the regular performances at the Zagreb Youth predstave ”Glorija” (uloga don Jere, HKD Rijeka) Theater. Since 2015, he has been assistant to 2003., ”Shakespeare na Exit” (Teatar EXIT) 2006. (Nagrada hrvatskog glumišta za najboljeg glumca do 28 godina), , ”Tri Sestre” (uloga Andreja Prozorova, HNK Zagreb) 2006., ”Sve što je dobro i pametno” (Teatar EXIT) 2007., ”San Ivanjske Noći” (uloga Vratila, DLJI) 2007, ”Niko i Ništ” (KNAP) 2008.,”Nemirne noge” (Teatar EXIT) 2013., (Priznanje Mate Ergović na Festivalu glumca u Vinkovcima). ”Born to please” (Teatar 36 &TD/ Art radionca Lazareti) 2016. 37 DEJAN DEDIĆ

Studirao je glumu na Fakultetu dramskih umet- He studied acting at the Faculty of Dramatic nosti, u klasi Gordane Marić. Diplomirao 2012. Arts under Gordana Marić. He graduated in 2012. godine. Od 2014. godine stalni član Ateljea 212. He has been a permanent member of the Atelje Predstave: „Život je san“ (Narodno pozorište 212 theatre since 2014. Plays: “Life Is a Dream” Beograd), „Pokojnik“ (Jugoslovensko dramsko (National Theatre in Belgrade), “The Deceased” pozorište), „Čekajući Godoa“ (produkcija FIST, (Yugoslav Drama Theatre), “” Atelje 212), „Otelo“ (Jugoslovensko dramsko (FIST production, Atelje 212), “Othello” (Yugo- pozorište), „Gospođica“ (Jugoslovensko dramsko slav Drama Theatre), “Miss” (Yugoslav Drama pozorište), „50 udaraca“ (Atelje 212), „Don Žuan“ Theatre), “50 Blows” (Atelje 212), “Don Juan” (Narodno pozorište Toša Jovanović Zrenjanin), (National Theatre Toša Jovanović in Zrenjanin), „Avgust u okrugu Osage“ (Atelje 212), „San “August in Osage County” (Atelje 212), “Midsum- letnje noći“ (Pozorište Boško Buha), „Ožalošće- mer Night’s Dream” (Boško Buha Theatre), “Be- na porodica“ (Atelje 212), „Tango“ (Atelje 212), reaved Family” (Atelje 212), “Tango” (Atelje 212), „Makbet“ (Atelje 212), „Pijani“ (Atelje 212), “Macbeth” (Atelje 212), “Drunk” (Atelje 212), „Detroit“ (Atelje 212), „Love love love“ (Atelje “Detroit” (Atelje 212), “Love love love” (Atelje 212). Postigao je zapažene uloge u filmovima 212). His notable roles include roles in movies „Panama“, „Bićemo prvaci sveta“, „Off“ kao i u “Panama”, “We Will Be the World Champions”, serijama „Jagodići – Oproštajni valcer“, „Bićemo “Off” and TV shows “The Jagodić Family – The prvaci sveta“, „Ubice moga oca“. Dobitnik je Farewell Waltz”, “We Will Be the World Champi- nagrada: Nušićeva plaketa za ulogu Spasoja – ons”, “They Will Kill My Father”. Awards: Nušić predstava „Pokojnik“, Nagrada Mlada nada za plaque for his role of Spasoje –“The Deceased”; ulogu Puka – predstava „San letnje noći“. Award for Breakout Performance for his role of Puck – “Midsummer Night’s Dream”.

38 39 TVRĐAVA MINOR MINOR FORTRESS

Tvrđava Minor sagrađena je krajem 19. stoljeća. Proteže se na više od petnaest tisuća The citadel was built at the end of the 19th century. The edifice stretches over 15,000 četvornih metara, dugačka je 175 i široka 90 metara. U ono vrijeme bila je najveća obrambena square metres, being 175 metres long and 90 metres wide. At the time, it represented građevina u Puli, tadašnjoj središnjoj austrougarskoj mornarickoj bazi, i isticala the largest edifice in the defence system of the central Austro-Hungarian naval base of se veličinom, ljepotom i arhitektonskim rješenjima. U tvrđavi oboružanoj s dvadeset topova Pula. Its size, construction and architectural solutions, as well as its beauty, surpass all boravilo je tada dvanaest časnika i sedamsto i pedeset vojnika. Načinom gradnje the other forts in this defence system. Twelve officers and 750 soldiers occupied the fort i funkcionalnošću utjelovila je disciplinu i snagu Austro-Ugarske Monarhije. Nakon njezina which was armed with twenty cannons. Its structure and functionality illustrate the pada i utemeljenja suvremene Europe poslije Prvog svjetskog rata tvrđava ostaje discipline and fortitude of the Austro-Hungarian Empire. Following the fall of the Empire stajati na Malom Brijunu kao tihi svjedok prošlosti. and the establishment of contemporary Europe after World War One, the Fort Minor remained a silent witness of history.

40 41 42 43 44 45 Osnivači Kazališta Ulysses / Founders of Ulysses Theatre Kazalište Ulysses RADE ŠERBEDŽIJA V. Kovačića 16, 10000 Zagreb BORISLAV VUJČIĆ e-mail: [email protected] www.ulysses.hr Umjetnička voditeljica / Art director LENKA UDOVIČKI Nakladnik / Published by KAZALIŠTE ULYSSES Direktor produkcije / Production manager DUŠKO LJUŠTINA Za nakladnika / Publisher DANILO ŠERBEDŽIJA Izvršni producenti / Executive producers SONJA KOVAČIĆ, DARKO STAZIĆ Prijevod na engleski / Translation by DAHNA BOROJEVIĆ Marketing i odnosi s javnošću / Marketing and PR SONJA STANIČIĆ Dizajn i prijelom knjižice / Booklet design&layout SUPERMARK STUDIO Međunarodni odnosi i mrežna komunikacija / International outreach and digital communications Grafičko rješenje plakata i naslovnice knjižice / MARIO GIGOVIĆ Poster and cover design by MARIO GIGOVIĆ ZA SUPERMARK STUDIO Računovodstvo DUŠKO SUBOTIĆ Fotografije / Photos DOMAGOJ DRAGAŠ, KRISTIJAN VUČKOVIĆ Koordinatorica prodaje / Sales DAHNA BOROJEVIĆ Tisak / Printed by GRAFIČKI ZAVOD HRVATSKE Prodaja ulaznica / Box-office BRANKO RADOJEVIĆ Naklada / Copies 1000

Tajništvo / Production secretary MIRJANA ŠIMAC, ANA-MARIJA ŠEBALJ

Ured za goste / Hospitality office EDO KALEBIĆ

IT podrška / IT support SAŠA MARKOVIĆ, DEJAN VELIČKOVIĆ

Direktor tehnike Ivan Antončić

Garderoba LORETA BEGONJA, REA BEGONJA

Tehnička podrška / Runners DOMAGOJ DRAGAŠ, DAMIR KLJUČARIĆ, BORIS MIHAJLOVIĆ, NIKŠA MRKONJIĆ, ENDI KRAKIĆ, ŽELJKO BAJT, DAMIR KLARIĆ, BLAŽENKO KRAMAR, DARKO ZBUKVIĆ, DOMINIK MILANOVIĆ

46 47 www.ULYSSES.HR @ulyssestheatre #ulyssestheatre

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