Libertad Por El Saber Perez T

Total Page:16

File Type:pdf, Size:1020Kb

Libertad Por El Saber Perez T Coordinadores LE7.M82 L75 2017 Libertad por el saber : un cuarto de siglo de El Colegio Nacional y la Universidad Michoacana de San Nicolás de Hidalgo / coordinadores, Ruy Pérez Tamayo, Alexandra Sapovalova y José Napoleón Guzmán Ávila. -- Primera edición. -- México : El Colegio Nacional : Universidad Michoacana de San Nicolás de Hidalgo, 2017. 255 páginas : ilustraciones ; 27 centímetros. ISBN : 978-607-8116-90-4 1. Universidad Michoacana de San Nicolás de Hidalgo – Historia. I. Pérez Tamayo, Ruy, 1924-, coordinador. II. Sapovalova, Alexandra, coordinador. III. Guzmán Ávila, José Napoleón, coordinador. IV. Título. V. El Colegio Nacional. Primera edición: 2017 D. R. © 2017. El Colegio Nacional Luis González Obregón 23 Centro Histórico 06020, Ciudad de México Teléfono 57 89 43 30 D. R. © 2017. Universidad Michoacana de San Nicolás de Hidalgo Av. Francisco J. Múgica s/n Ciudad Universitaria 58030, Morelia, Michoacán, México ISBN: 978-607-724-247-5 (El Colegio Nacional) ISBN: 978-607-8116-90-4 (UMSNH) Impreso y hecho en México Printed and made in Mexico Correos electrónicos: [email protected] [email protected] [email protected] www.colnal.mx Programa “Presencia de El Colegio Nacional en la Universidad Michoacana de San Nicolás de Hidalgo” Patio central del Colegio de San Nicolás de Hidalgo. Libertad por el saber Un cuarto de siglo de El Colegio Nacional en la Universidad Michoacana de San Nicolás de Hidalgo Fuente cuadrangular en el patio central de El Colegio Nacional. Programa “Presencia de El Colegio Nacional en la Universidad Michoacana de San Nicolás de Hidalgo” El Conservatorio de las Rosas. Libertad por el saber Un cuarto de siglo de El Colegio Nacional en la Universidad Michoacana de San Nicolás de Hidalgo Detalle de las escaleras de la Facultad de Derecho y Ciencias Sociales. Programa “Presencia de El Colegio Nacional en la Universidad Michoacana de San Nicolás de Hidalgo” Detalle de las escaleras dobles de El Colegio Nacional. Aula Mayor de El Colegio Nacional. Auditorio del Centro de Investigación, Arte y Cultura. Óleo del ingeniero Pascual Ortiz Rubio en el Centro Cultural Universitario. Índice general Prólogo 17 Introducción 19 I. Programa “Presencia de El Colegio Nacional en la Universidad Michoacana de San Nicolás de Hidalgo” Ruy Pérez Tamayo 23 II. Recuerdos e imágenes de una fecunda relación entre la Universidad Michoacana de San Nicolás de Hidalgo y El Colegio Nacional José Napoleón Guzmán Ávila, con la colaboración de Alexandra Sapovalova y Elizabeth González Gómez 41 III. Voces del conocimiento y el humanismo en la Casa de Hidalgo José Napoleón Guzmán Ávila 78 IV. Reconocimiento al saber: la Universidad Michoacana de San Nicolás de Hidalgo y los doctores honoris causa miembros de El Colegio Nacional Gerardo Sánchez Díaz 107 Anexos 136 Agradecimientos 249 Bibliografía 251 Créditos iconográficos 253 Prólogo n cuarto de siglo de fructíferas relaciones entre dos instituciones señeras que se han hermanado en pos de un anhelo: el saber. El Colegio Nacional (ECN), inte- grado por hombres y mujeres que, como dijera Alejandro Gómez Arias en el momento Ude su creación, “han dado ya mucho al país y por los que el país siente honda gratitud”, y la Universidad Michoacana de San Nicolás de Hidalgo (UMSNH), que hunde sus raíces en la historia de México y da aliento a héroes y pensadores, han conjuntado es- fuerzos para desarrollar, de manera ininterrumpida, un programa que con el paso del tiempo se convirtió en cátedra. El año 2017 tiene un significado especial para la nación mexicana, pues se cumplen cien años de la promulgación de la Constitución, los mismos de existencia de la UMSNH, la primera universidad emanada de la Revolución mexicana, con carácter autónomo. Este libro resume los trabajos realizados como resultado del convenio suscrito, el pri- mero que se estableció con una universidad pública. Las funciones de ECN se resumen en su lema “Libertad por el saber”, y se desempeñan por medio de distintas actividades, conferencias, cursos, talleres, conciertos, exposiciones, simposios sobre las respectivas especialidades de sus miembros, realizadas tanto en su sede como en recintos universita- rios. Ambas instituciones se han beneficiado con este vínculo, que ha crecido en forma progresiva y que esperamos se conserve de manera permanente. MEDARDO SERNA GONZÁLEZ RUY PÉREZ TAMAYO Rector de la UMSNH Presidente en turno de ECN 17 Segundo piso de El Colegio Nacional. Introducción a publicación de este libro forma parte de las actividades conmemorativas del cente- nario de la Universidad Michoacana de San Nicolás de Hidalgo (UMSNH), fundada en el año de 1917, por iniciativa del ingeniero Pascual Ortiz Rubio, entonces gobernador Lde Michoacán, y considerada como la primera universidad autónoma del país. Esta efeméride coincide con la celebración de los veinticinco años de una relación estrecha y provechosa entre El Colegio Nacional (ECN) y la máxima casa de estudios de Michoacán, gracias al convenio signado entre ambas instituciones. La iniciativa de elaborar una obra que diera a conocer la rica y vasta actividad desarro- llada por estas dos instancias surgió de Ruy Pérez Tamayo y fue secundada por Alexan- dra Sapovalova y José Napoleón Guzmán Ávila, quienes fungen como coordinadores de este proyecto editorial. Más adelante se sumó Elizabeth González Gómez, y gracias al apoyo de la Rectoría de la UMSNH, en la persona del doctor Medardo Serna González, y la Presidencia de ECN, se integró un grupo de jóvenes historiadores que desarrolló una labor importante y permitió la localización de registros bibliográficos y documentales, la digitalización de imágenes, la obtención de materiales audiovisuales y testimonios orales, y la transcripción de entrevistas. En este sentido, deseamos hacer un público reconocimiento a María Guadalupe Ra- mírez Rodríguez, Rocío Castellanos Rueda, Jorge Alejandro Pedraza Arriaga y Gustavo Valdés Resendis, lo mismo que a José Manuel Tovar Herrera, María Elena Alvarez Herrera y Alejandra Vázquez Carmona, que generosamente colaboraron en otras tantas actividades. Realizar una obra de esta naturaleza requiere del concurso de diversas instituciones y personas que, de manera desinteresada pero comprometida con el saber, decidieron hacer suyo este proyecto. Las bases documentales que permitieron recrear los orígenes y el desarrollo del programa fueron el archivo de Alexandra Sapovalova, consistente en carteles, invitaciones, programas, periódicos, revistas e imágenes, así como el acervo de ECN. Con estas bases se elaboró un cuadro pormenorizado de las distintas actividades realizadas. También se contó con la valiosa colección fotográfica de Marco Antonio Arévalo y los archivos privados de Silvia Figueroa Zamudio, Gerardo Sánchez Díaz, José Napoleón Guzmán Ávila, Elizabeth González Gómez, que fueron facilitados de manera generosa. A lo largo de estos años, justo es reconocerlo, se ha tenido el apoyo de los sucesivos rectores de la UMSNH: Daniel Trujillo Mesina, Salvador Galván Infante, José Napoleón Guzmán Ávila, Marco Antonio Aguilar Cortés, Jaime Hernández Díaz, Silvia Figueroa 19 Libertad por el saber Un cuarto de siglo de El Colegio Nacional en la Universidad Michoacana de San Nicolás de Hidalgo Zamudio, Salvador Jara Guerrero, José Gerardo Tinoco Ruiz y recientemente Medardo Serna González. Agréguense a este grupo directores de escuelas, facultades e institutos, personal administrativo y, desde luego, comunidad estudiantil; a los jóvenes universita- rios les damos las gracias por el entusiasmo e interés demostrado durante este periodo. En cuanto a la estructura del libro, incluye un prólogo, que suscriben los responsables de la UMSNH y ECN, la presente introducción y cuatro capítulos; el primero de ellos es de la autoría de Ruy Pérez Tamayo, en el que hace un recuento de la labor realizada durante veintisiete años, de las dos etapas que este programa ha tenido y de la necesidad de dar continuidad a esta fructífera tarea. Enseguida, José Napoleón Guzmán Ávila, con la valiosa colaboración de Alexandra Sapovalova y Elizabeth González Gómez, describe con detalle y de forma amena las muy variadas actividades que llevaron a cabo los miembros de ECN en el campus universitario. Posteriormente, el mismo académico, miembro del Instituto de Investigaciones Históricas (IIH) de la UMSNH, hilvana los re- cuerdos y remembranzas de Miguel León-Portilla, Guillermo Soberón, Mario Lavista, Luis Felipe Rodríguez Jorge y Ruy Pérez Tamayo, en torno a su presencia en esta casa de estudios. En el último capítulo, Gerardo Sánchez Díaz recupera un aspecto de gran relevancia: los doctorados honoris causa otorgados por la UMSNH a veintidós miembros de ECN. Asimismo, se contemplan tres anexos: un cuadro general de actividades, una serie de testimonios de todos aquellos que tuvieron que ver, de una u otra manera, con este quehacer, y un cuadro de los doctorados honoris causa. La selección final del material incluido, así como el diseño y el cuidado editorial de esta obra estuvo a cargo del Departamento de Publicaciones de ECN, encabezado por Alejandro Cruz Atienza, y también se contó con la importante colaboración del fotó- grafo Gerardo Antonio Márquez Lemus. Finalmente, deseamos que estas páginas sean algo más que la simple recreación de hechos pasados y actividades que merecen recordarse; exhortamos a ambas instituciones a dar continuidad y profundizar los vínculos ya establecidos. Honremos de este modo los cien años de vida de la UMSNH. 20 “Cuando se anunciaban las conferencias de los miembros de ECN algo bullía entre los universitarios. Se trataba, sin duda, de un evento importante al que deberíamos asistir. Los nombres de los ponentes están asociados a lo mejor de este país. Cada uno en su especialidad forma parte de un grupo muy selecto de intelectuales a los que vale la pena escuchar.” Horacio Cano Camacho Escultura Las bailarinas, de Alfredo Zalce, en el Conservatorio de las Rosas. Programa “Presencia de El Colegio Nacional en la Universidad Michoacana de San Nicolás de Hidalgo” Ruy Pérez TamayoI Profesor emérito de la Facultad de Medicina de la UNAM, miembro de El Colegio Nacional l siguiente texto consta de dos partes escritas en diferentes épo- Ecas.
Recommended publications
  • In Mexico Range from Ham- Range Accommodations in Mexico Every Imaginable of Mocks and Huts to Hotels
    © Lonely Planet Publications 959 THUMB TAB DIRECTORY DIRECTORY Directory a private bathroom containing hot shower, CONTENTS WC and washbasin. (In this book, rooms are assumed to have private bathroom unless Accommodations 959 otherwise stated.) Activities 962 Midrange accommodations are chiefly hotels, Business Hours 965 ranging in comfort and atmosphere according Children 965 to price, though in some areas of Mexico even Climate Charts 966 M$400 can get you a cozy, attractively decorated Courses 966 room in a friendly small hotel. Some midrange Customs 966 hotels have swimming pools, restaurants, in- Dangers & Annoyances 968 house travel agencies and other facilities. Many Discount Cards 969 of the country’s most appealing and memorable Embassies & Consulates 969 lodgings are in this price bracket – small or Festivals & Events 970 medium-sized hotels, well-designed and cared Food 971 for, with a friendly atmosphere and personal Gay & Lesbian Travelers 971 attention from staff. In some places you’ll also Holidays 971 find apartments, bungalows and more comfort- Insurance 972 able cabañas in this same price range. Internet Access 972 Top-end hotels run from the classier hotels Legal Matters 972 in the cities to deluxe coastal resort hotels and Maps 973 luxurious smaller establishments catering to Money 973 travelers with a taste for comfort and beautiful Post 975 design, and the funds to pay for it. Shopping 975 Room prices given in this book, except Solo Travelers 976 where stated otherwise, are high-season Telephone 976 prices. The exact dates of the high season vary Time 978 from city to city, and sometimes between dif- Toilets 978 ferent hotels in the same city, but in most of Tourist Information 978 Mexico high season typically means Semana Travelers With Disabilities 979 Santa (the week before Easter and a couple of Visas 979 days after it), most of July and August, and the Volunteering 980 Christmas–New Year holiday period of about Women Travelers 981 two weeks.
    [Show full text]
  • National Endowment for the Arts Annual Report 1993
    L T 1 TO THE CONGRESS OF THE UNITED STATES: It is my special pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1993. The National Endowment for the Arts has awarded over 100,000 grants since 1965 for arts projects that touch every community in the Nation. Through its grants to individual artists, the agency has helped to launch and sustain the voice and grace of a generation--such as the brilliance of Rita Dove, now the U.S. Poet Laureate, or the daring of dancer Arthur Mitchell. Through its grants to art organizations, it has helped invigorate community arts centers and museums, preserve our folk heritage, and advance the perform­ ing, literary, and visual arts. Since its inception, the Arts Endowment has believed that all children should have an education in the arts. Over the past few years, the agency has worked hard to include the arts in our national education reform movement. Today, the arts are helping to lead the way in renewing American schools. I have seen first-hand the success story of this small agency. In my home State of Arkansas, the National Endowment for the Arts worked in partnership with the State arts agency and the private sector to bring artists into our schools, to help cities revive downtown centers, and to support opera and jazz, literature and music. All across the United States, the Endowment invests in our cultural institutions and artists. People in communities small and large in every State have greater opportunities to participate and enjoy the arts.
    [Show full text]
  • Mexican Folk Art and Culture
    Mexican Folk Art Mexican Folk Art Written and Designed by Nicole Mullen Based in part by the exhibition Tesoros Escondidos: Hidden Treasures from the Mexican Collections curated by Ira Jacknis, Research Anthropologist, Phoebe A. Hearst Museum of Anthropology. Object Photography: Therese Babineau Intern assistance: Elizabeth Lesch Copyright © 2004. Phoebe A. Hearst Museum of Anthropology and the Regents of the University of California. All rights reserved. This publication was made possible in part by a generous grant from the William Randolph Hearst Foundation. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY TABLE OF CONTENTS Mexico 4 Map 5 Ancient Mexico 6 The Spanish Conquest 8 The Mexican Revolution and Renaissance 10 Folk Art 11 Masks 13 Pottery 17 Laquerware 21 Clothing and Textiles 24 Baskets, Gourds and Glass 28 Female figurine. Made by Teodora Blanco; Toys and Miniatures 30 Santa María Atzompa, Oaxaca. Teodora Paper Arts 33 Blanco (1928-80) was a major Mexican folk artist. While in her late twenties she began Tin and Copper 35 to make her female figurines, for which she is best known. This pot-carrying figure wears Art of the Huichol 36 a Oaxacan shawl around her head. Oaxacan Woodcarving 38 Fireworks 39 Food 40 Day of the Dead 43 Vocabulary 47 Review Questions 48 Bibliography 50 3 MEXICAN FOLK ART PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Mexico Mexico is very diverse geographically. It is made up of fertile valleys, tropical forests, high mountain peaks, deep canyons, and desert landscapes. Clockwise: Pacific coast, south of Puerto Vallarta, Jalisco, 1996. Lake Pátzcuaro, as seen from Tzintzuntzan, Michoacán, 1996.
    [Show full text]
  • Cancún Cozumel
    dventure GuideTM to the Yucatán Cancún& Cozumel Bruce & June Conord 2nd Edition Bruce & June Conord HUNTER HUNTER PUBLISHING, INC, 130 Campus Drive, Edison, NJ 08818 732-225-1900; 800-255-0343; fax 732-417-1744 [email protected] Ulysses Travel Publications 4176 Saint-Denis, Montréal, Québec Canada H2W 2M5 514-843-9882, ext. 2232; fax 514-843-9448 Windsor Books The Boundary, Wheatley Road, Garsington Oxford, OX44 9EJ England 01865-361122; fax 01865-361133 ISBN 1-55650-908-1 © 2001 Hunter Publishing, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written per- mission of the publisher. This guide focuses on recreational activities. As all such activities contain el- ements of risk, the publisher, author, affiliated individuals and companies disclaim any responsibility for any injury, harm, or illness that may occur to anyone through, or by use of, the information in this book. Every effort was made to insure the accuracy of information in this book, but the publisher and author do not assume, and hereby disclaim, any liability for any loss or damage caused by errors, omissions, misleading information or potential travel problems caused by this guide, even if such errors or omissions are the result of negligence, accident or any other cause. Cover photo: Girl in pool, Casa de los Sueños, Isla Mujeres © 2001 June Conord Back cover photo: Orange vendor © 2001 June Conord Maps by Kim André, © 2001 Hunter Publishing, Inc. Cach Mool logo © 2001 Bruce & June Conord; design by Judy Mazziotti ([email protected]) All other images © 2001 Bruce & June Conord 1234 Acknowledgements n iii Acknowledgements The authors wish to thank the Mexico Ministry of Tourism and the individual State Offices of Tourism for their invaluable help in preparing this guide.
    [Show full text]
  • Textile Traditions Oaxaca: Coast & Isthmus & Chiapas Highlands!
    Textile Traditions Oaxaca: Coast & Isthmus & Chiapas Highlands! Oaxaca & Chiapas Guerrero and Oaxaca: March 11-19,2022 Duration: 8 Nights Chiapas Segment: March 19-25, 2022 Duration: 6 Nights Cultural Journeys Mexico | Colombia | Guatemala www.tiastephanietours.com | (734) 769 7839 Textile Traditions Oaxaca: Coast & Isthmus & Chiapas Highlands! Oaxaca & Chiapas On this journey, we explore the multiple ethnic communities of Oaxaca (and Guerrero) to learn of their cultural and ethnic expressions in dress and textiles. From the Amuzgo in Guerrero to the Mixtec, Huave, Zapotec in Oaxaca we will readily see how textile traditions and dress are a cultural passport and unique expres- sion of the women (and some men) who live in this region. We will learn of the fibers, such as coyuche cotton and natural dye sources, such as Purpura Pansa, indigo and cochineal. Visiting the Isthmus of Tehuantepec, we’ll learn about the fascinating culture there of the strong women, ripe mangoes, fashion and markets. Leaving Oaxaca behind we climb into the Chi- apas Highlands to learn about dress and textile techniques of the Tzotzil and Tzeltal Maya. This is an extraordinary close up journey into the communities where we meet the people and artisans who create visual masterpieces and maintain their cultural heritage. Join us! Program Highlights • Learn of Indigenous Textile Traditions of Oaxaca including: Amuzgo, Mixteco, Zapoteco & Huave. • Travel to Xochistlahuaca, Guerrero to meet the finest Amuzgo weavers. • Meet weavers & coops in remote communities of Pinotepa de Don Luis & San Juan Colorado to learn of their unique traditions in weaving and dress. LOCATION • Meet Mixteco weavers in Huazolotitlan and Jamiltepec where we see how dress is a cultural passport.
    [Show full text]
  • México City Travel Guide
    T r a v e l G u i d e MINISTRY OF TOURISM INSTITUTE OF TOURIST PROMOTION Mexico City, March 29, 2019 On behalf of Dr. Claudia Sheinbaum, Head of Government of Mexico City, we give you the most cordial welcome to the capital of the country, the capital where everybody is more than welcome, a unique tourist destination in the world, with quality tourism services, a strong bearing on competitiveness and growth, historical places, innovative and inclusive. Mexico City, in addition to World Heritage Sites and ranking second as the city with the greatest number of museums, also offers its visitors a wide range of gastronomic, sporting, nature and recreational options. We hope that this guide becomes your ally to discover and know all the wonders that this great metropolis has for you, a guide for you to enjoy the cultural capital of America and that the warm hospitality of our people encorage you to return soon. Sincerely yours Carlos Mackinlay Secretary of Tourism for Mexico City How to use this Brochure Tap any button in the contents to go to Tap the button to get back to the the selected page. contents page or to the selected map. Contents Map Tap the logo or the image to go to the Tap the button to book your hotel or webpage. tour. Book Here Tap the logos to access the weather forecast, take a virtual tour of archaeological sites via Street View, enjoy videos and photos of México. Follow us in social media and keep up to date with our latest news, promotions and information about the tourist destinations in Mexico.
    [Show full text]
  • Enconchados: Japanese Appropriations, Ornamentation and Light Symbolism in New Spain
    ♯10 primer semestre 2017 : 1-17 ISSN 2313-9242 Sonia Ocaña Universidad Juárez Autónoma de Tabasco Enconchados: Japanese Appropriations, Ornamentation and Light Symbolism in New Spain Enconchados: Japanese Appropriations, Ornamentation and Light Symbolism in New Spain / Sonia Ocaña ♯10 primer semestre 2017 Enconchados: Japanese Appropriations, Ornamentation and Light Symbolism in New Spain Sonia Ocaña Universidad Juárez Autónoma de Tabasco Introduction In the 1776 volume of his work Journey Around Spain, the eminent scholar Antonio Ponz recorded two anonymous series of enconchados (mother-of-pearl inlaid paintings)1 depicting the Conquest of Mexico and the Battles of Alexandre Farnese (Figs.1 and 2). These Fig. 1. Anonymous, “Battle of Cempoala”, Conquest of works were in the House of the Dukes of Mexico, late 17th century, Oil and tempera on wood inlaid Infantado and Ponz referred to them as two with mother-of-pearl, 6-panel series, 163 x 110 cm, Franz series of medium colored paintings, inlaid with Mayer Museum. mother-of-pearl, worth seeing.2 By the time Ponz saw these enconchados, over 70 years had Interestingly, albeit mother-of-pearl inlays were passed since they had been shipped from New essential to enconchados’ particular effects, in- Spain, so the fact that they were still in depth research on the use of this material is yet exhibition and caught Ponz’ attention is itself to be done. The main quality of mother-of-pearl significant. The paintings mentioned by Ponz is shine, which suffuses the most outstanding have been preserved to this day,3 and it can be enconchados with a sumptuous surface.
    [Show full text]
  • Visions of the Hispanic World: Treasures from the Hispanic Society Museum & Library
    PLEASE DO NOT REMOVE FROM GALLERY Visions of the Hispanic World: Treasures from the Hispanic Society Museum & Library ALBUQUERQUE MUSEUM November 10, 2018 — March 31, 2019 Velázquez, Diego (1599 Seville, Spain – 1660 Madrid, Spain) Portrait of a Little Girl, ca. 1638-42 oil on canvas, 51.5 x 41 cm EXTENDED COPY — ENGLISH PLEASE DO NOT REMOVE FROM GALLERY BELL BEAKER CULTURE The Hispanic Society’s important collection of Bell Beaker culture ceramics contains one of the most exceptional and exhaustive series in existence. According to radiocarbon dating, the maritime Bell Beaker culture originated in Portugal in the Tagus River estuary around 2800–2700 BCE, and later extended throughout Western Europe from northern Great Britain to western Germany. This culture is responsible for the spread of copper metallurgy through its entire area of influence. Its name is derived from the characteristic form of its ceramics, produced in the shape of an inverted bell. These Bell Beaker ceramics were prestige items, demonstrating social status. Weaponry and other objects made of copper, as well as gold jewelry, have been found alongside Bell Beaker ceramics in the tombs of warriors. Researchers have determined their dates using carbon-14 dating and have concluded that all of these ceramics can be placed at the end of the Copper Age, during the transition from the 3rd to the 2nd millennium BCE. 1 Bowl Bell Beaker culture El Acebuchal, Carmona, Seville ca. 2400-1900 BCE earthenware E21 2 Bowl with Stand Bell Beaker culture El Acebuchal, Carmona, Seville ca. 2400-1900 BCE earthenware E22a (dish), E 22b (stand) Archaeologist George Bonsor found these two Bell Beaker ceramics—a dish and a stand—together during his 1896–97 excavations undertaken at El Acebuchal.
    [Show full text]
  • Nanban Art and Its Globality: a Case Study of the New Spanish Mural the Great Martyrdom of Japan in 1597*
    21-56 Nanban Art and its Globality Rie Arimura Nanban Art and its Globality: A Case Study of the New Spanish Mural The Great Martyrdom of Japan in 1597* Rie Arimura** DOI: http://dx.doi.org/10.15446/hys.n36.73460 Abstract | Traditionally, nanban art has been seen as a simple product of exchanges between Japan, Portugal and Spain. The historiography tends to solely focus on artistic contributions of the Society of Jesus due to the foundation of a painting school in Japan. Thereby, the relevance of the Indo-Portuguese route in the cross-cultural history has been emphasized. However, the research advances of the last decades identify that nanban works consist of artistic inheritances from diverse regions of the world which were connected through the Portuguese and Spanish transoceanic routes. Similarly, Japanese nanban art influenced the artistic productions on the other side of the world. In summary, nanban art cannot be understood without taking into account its global implications. This paper clarifies the changes in epistemological understanding of nanban art, and its redefinitions through a historiographical review. This work also shows the important role of Spanish America in the artistic exchange mechanisms; these interactions occurred reciprocally. Therefore, the New World was one of the regions where Japanese art significantly influenced local productions. To exemplify this phenomenon, we address the influence of nanban art on the mural painting The great martyrdom of Japan in 1597 in Cuernavaca, Morelos, Mexico. Keywords | (Thesaurus) arts; art history; Asian art; Latin American art. (Author) nanban art; kirishitan art; Spanish American colonial art. Arte namban y su globalidad: un caso del mural novohispano El gran martirio de Japón en 1597 Resumen | Tradicionalmente, el arte namban ha sido visto como un simple producto de intercambios entre Japón, Portugal y España.
    [Show full text]
  • The Best of Mexico by David Baird, Lynne Bairstow, Juan Cristiano & Joy Hepp
    05 285619-ch01.qxp 7/22/08 10:51 AM Page 7 1 The Best of Mexico by David Baird, Lynne Bairstow, Juan Cristiano & Joy Hepp Across Mexico, in villages and cities, in mountains, tropical coasts, and jungle set- tings, enchanting surprises await travelers. These might take the form of a fantastic small-town festival, delightful dining in a memorable restaurant, or even a stretch of road through heavenly countryside. Below is a starter list of our favorites, to which you’ll have the pleasure of adding your own discoveries. 1 The Best Beach Vacations • Puerto Vallarta: Spectacularly wide nightlife. See “Puerto Escondido,” in Banderas Bay is graced by 42km (26 chapter 11. miles) of sandy beach. Some, such as • Ixtapa/Zihuatanejo: These side-by- Playa Los Muertos—the popular side resorts afford beach-goers the public beach in town—abound with best of both worlds: serene simplicity palapa restaurants, volleyball players, and resort comforts. For travelers and parasailers. The beaches of Punta seeking to get back to basics, the best Mita, the exclusive development and most beautiful beach is Playa La north of Vallarta, have white-sand, Ropa, close to Zihuatanejo. The wide crystalline waters, and coral reefs just beach at Playa Las Gatas, with its offshore. Others around the bay nes- restaurants and snorkeling sites, is tle in coves, accessible only by boat. also a great place to play. The high- Puerto Vallarta is the only beach rise hotels in Ixtapa, on the next bay town in Mexico with an authentic over from Zihuatanejo, front Playa colonial feel as well as first-rate resort Palmar, a fine, wide swath of beach.
    [Show full text]
  • UNIVERSITY of CALIFORNIA, SAN DIEGO Transindigenous Modernism
    UNIVERSITY OF CALIFORNIA, SAN DIEGO Transindigenous Modernism: Literature of the Americas, 1929-1945 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Literature by Paulina Margarita Gonzales Committee in charge: Professor Gloria Chacón, Co-Chair Professor Michael Davidson, Co-Chair Professor Ross Frank Professor Max Parra Professor Pasquale Verdicchio Professor Meg Wesling 2016 Copyright Paulina Margarita Gonzales, 2016 All rights reserved. The dissertation of Paulina Margarita Gonzales is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2016 iii DEDICATION For my late grandfather, James Blake Moore, who taught me to read in English and Spanish. Continuing our conversations about language, literature, and history. iv EPIGRAPH “…the feeling was that we need to not only learn each other’s colonial languages, but also each other’s Native languages…” (Inés Hernández-Ávila and Stefan Varese) v TABLE OF CONTENTS Signature page …………………………………………………………………………...iii Dedication ..………………………………………………………………………............iv Epigraph …...……………………………………………………………………………...v Table of Contents …………………………………………………………….…………..vi Acknowledgements ……………………………………………………….……………..vii Vita ……………………………………………………………………………………..viii Abstract of the Dissertation …..………………………………………………………….ix Introduction: “To The Library”……………...…………………………...……………….1 Chapter One: The Epic of American Civilizations: José Clemente
    [Show full text]
  • Redalyc.Changes in the Sectoral Orientations of the State of Guerrero
    Investigaciones Geográficas (Mx) ISSN: 0188-4611 [email protected] Instituto de Geografía México García Castro, Neftalí; Sánchez Crispín, Álvaro Changes in the sectoral orientations of the State of Guerrero between 1970 and 2000 Investigaciones Geográficas (Mx), núm. 77, 2012, pp. 107-123 Instituto de Geografía Distrito Federal, México Available in: http://www.redalyc.org/articulo.oa?id=56923353009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Investigaciones Geográficas, Boletín del Instituto de Geografía,UNAM ISSN 0188-4611, Núm. 77, 2012, pp. 107-123 Changes in the sectoral orientations of the State of Guerrero between 1970 and 2000 Received: 22 February 2011. Final version accepted: 18 August 2011. Neftalí García Castro* Álvaro Sánchez Crispín** Abstract. This paper presents an economic classification has changed from one that was specialized in the primary for the municipalities of Guerrero, Mexico, in terms of sector to structures in which the tertiary and secondary successive quotients. An outline of the concepts underlying sectors have more weight. this branch of Economic Geography is followed by a des- cription of the method used to determine the economic Key words: Sectoral orientation, Guerrero, Mexico. orientations for 1970 and 2000. The economy of Guerrero Cambios territoriales en las orientaciones sectoriales de Guerrero, 1970-2000 Resumen. Este trabajo expone una tipología económico- pondientes a 1970 y 2000. Finalmente, se analiza y constata productiva de los municipios guerrerenses, desde el enfoque el tránsito de una economía guerrerense especializada en el de los cocientes sucesivos.
    [Show full text]