The Library of Jean Rodolphe Perronet
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
74 the Seventeenth Century Article by Alain on Saint-Simon,142 and E
74 The Seventeenth Century article by Alain on Saint-Simon,142 and E. Delval draws from Limbo an early pamphlet, Telemacomanie, in which a con temporary busybody dares to measure himself against Fenelon. 143 THE EIGHTEENTH CENTURY By H. TEMPLE PATTERSON [The place of publication is Paris unless otherwise stated. An asterisk denotes that a book does not deal exclusively with the eighteenth century] I. GENERAL LANGUAGE. F. Brunot, Histoire de la Langue Fra1Zfaise: La Rivolution et l'Empire, ii: Les ivenements, les institutions et la langue, Colin, 660 pp. HISTORY OF LITERATURE. E. Abry, P. Crouzet, J. Beroes et J. Leger, Les Grands Ecrivains de France illustres, iv: Le dix-huitibne siecle, Didier, 424 pp.-P. Russel, The Glittering Century, N.Y., Scribner (18th-century studies).-Chapman, Cons, Levengood and Vree land, Anthology of Eighteenth Century French Literature, Princeton Univ. Press, 1937, 529 pp. RELIGION AND THOUGHT. G. Dumas, Histoire du Journal de Trevoux depuis 170ljusqu'en 1762, Boivin, 1936, 210 pp.-·M. Nicholson, A World in the Moon: A Study of the Changing Attitude toward the Moon in the 17th and 18th Centuries, Smith Coll. Studies in Mod. Lang., 1936,72 pp.-H. Hastings,ManandBeastinFrench Thought of the Eighteenth Century, Baltimore, Johns Hopkins Press, and D.U.P. II. FOREIGN RELATIONS AND COMPARATIVE LITERATURE FOREIGN INFLUENCES IN FRANCE. T. J. Beck, Northern Antiquities in French Learning and Literature (1755-1855), vol. ii: The Odin Legend and the Oriental Fascination, N.Y., Columbia Univ. (re viewed P. van Tieghem, RLC, juillet-sept. I936).-D. S. von Mohrenschildt, Russia in the Intellectual Life of Eighteenth-century France, D.U.P.-·N. -
Exoticism and the Jew: Racine's Biblical Tragedies by Stanley F
Exoticism and the Jew: Racine's Biblical Tragedies by Stanley F. Levine pour B. Ponthieu [The Comedie franchise production of Esther (1987) delighted and surprised this spectator by the unexpected power of the play itself as pure theater, by the exotic splendor of the staging, with its magnificent gold and blue decor and the flowing white robes of the Israelite maidens, and most particularly by the insistent Jewish references, some of which seemed strikingly contemporary. That production underlies much of this descussion of the interwoven themes of exoticism and the Jewish character as they are played out in Racine's two final plays.] Although the setting for every Racinian tragedy was spatially or temporally and culturally removed from its audience, the term "exotic" would hardly be applied to most of them. With the exception of Esther and Athalie, they lack the necessary 'local color' which might give them the aura of specificity.1 The abstract Greece of Andromaque or Phedre, for example, pales in comparison with the more circumstantial Roman world of Shakespeare's Julius Caesar and Titus Andronicus, to say nothing of the lavish sensual Oriental Egypt in which Gautier's Roman de la Momie luxuriates. To be sure, there are exotic elements, even in Racine's classical tragedies: heroes of Greco-Roman history and legend, melifluous place and personal names ("la fille de Minos et de Pasiphae"), strange and barbaric customs (human sacrifice in Iphigenie). Despite such features, however, the essence of these plays is ahistorical. Racine's Biblical tragedies present a far different picture. Although they may have more in common 52 STANLEY F. -
The Launch of an Undergraduate Research Journal
The Reception of Literature in France during the Revolution: An Analysis of Reviews of Women Writers in the Mercure de France, 1791-1795 by Jonathan Durham, Department of French Studies, University of Warwick [1] ABSTRACT This paper is based on part of a pan-European research project carried out between 2004 and 2007, the aim of which was to create an index of female authors. The full results may be found in the database WomenWriters, available at www.databasewomenwriters.nl. One section of this project involved listing and analysing all works, both fiction and theatre, which were reviewed during the period 1791 to 1795 in the Mercure de France, the government-funded state journal which was produced during the Ancien Régime. Given the generally accepted view that the French Revolution marked a watershed in literary production, establishing what was being published and reviewed at that time is crucial for our understanding of the changing socio-political literary climate. The eighteenth century was the period of Enlightenment, and many women were active in writing at this time. It was expected, therefore, that a significant number of works written by women would be reviewed in the Mercure. However, this was not the case and so the project was expanded to include an analysis of the development of the Mercure during the Revolutionary years, the theatre of the Revolution, and the status of female authors in French Revolutionary society. This analysis forms the basis of the first part of this article; the second part examines the reviews of the only two female- authored publications to appear in the Mercure during the period 1791-1795, Elizabeth Inchbald’s Simple Histoire [Simple Story] and Charlotte Smith’s Célestine, ou la victime des Préjugés [Celestina]. -
19Th and 20Th Century French Exoticism
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2004 19th and 20th century French exoticism: Pierre Loti, Louis-Ferdinand Céliné , Michel Leiris, and Simone Schwarz-Bart Robin Anita White Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the French and Francophone Language and Literature Commons Recommended Citation White, Robin Anita, "19th and 20th century French exoticism: Pierre Loti, Louis-Ferdinand Céĺ ine, Michel Leiris, and Simone Schwarz-Bart" (2004). LSU Doctoral Dissertations. 2593. https://digitalcommons.lsu.edu/gradschool_dissertations/2593 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. 19TH CENTURY AND 20TH CENTURY FRENCH EXOTICISM: PIERRE LOTI, LOUIS-FERDINAND CÉLINE, MICHEL LEIRIS, AND SIMONE SCHWARZ-BART A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirement for the degree of Doctor of Philosophy in The Department of French Studies by Robin Anita White B.A. The Evergreen State College, 1991 Master of Arts Louisiana State University, 1999 August 2004 ACKNOWLEDGEMENTS This work is dedicated to my family and friends who lent me encouragement during my studies. They include my parents, Joe and Delsa, my brother and sister-in-law, and many others. I would like to express gratitude for the help I received from the Department of French Studies at LSU, in particular, Dr. -
Sur L'esprit De M. Arnauld De Pierre Jurieu
SUR L’ESPRIT DE M. ARNAULD DE PIERRE JURIEU par Antony Mc KENNA Ce n’est pas sans naïveté que nous avons entrepris de présen ter un ouvrage de controverse de Pierre Jurieu. Dès qu’il s’est agi de préciser le contexte de la publication de l’ouvrage, nous avons pris conscience de l’immensité de la bibliographie. Nous donnons donc en annexe une bibliographie qui permet de saisir d’un coup d’œil le rôle capital de Port-Royal (ou du moins des principaux théo logiens de Port-Royal) dans la controverse anti-protestante entre 1664 et 1709, ainsi que la place de Jurieu dans cette même bataille. Encore nous sommes-nous limité à la controverse qui ressurgit lors de la Paix de l’Eglise. Pour une bibliographie complète de la controverse entre catholiques et protestants depuis la promulgation de l’Edit de Nantes en 1598, nous nous permettons de renvoyer aux ouvrages capitaux de Jacques Solé, de Louis Desgraves, d’Emile Kappler et de Bernard Dompnier : on trouvera toutes les références utiles à leurs travaux et à quelques autres ouvrages critiques dans notre Annexe bibliographique. La controverse se définit comme une guerre d’informations et d’arguments, d’accusations d’erreur, de mauvaise foi et de calom nie, comme une bataille de propagande. Le principe premier d’une telle guerre est de répondre toujours présent, de répondre coûte que coûte, de ne jamais admettre la véracité de l’adversaire ni même sa bonne foi. La multiplication des écrits et l’âpreté du ton dans la controverse entre catholiques et protestants de la fin du XVIIe siècle répondent bien à ce principe. -
Racine and Barthes: the Power of Love
Racine and Barthes: The Power of Love Delphine Calle hat does a seventeenth-century playwright share with a modern W literary critic? Not much, one would think. Yet Jean Racine and Roland Barthes owe a debt to each other. When in 1963 Barthes writes Sur Racine, the essay contributes to the notoriety of its author, who, in return, dusts off the work and image of Racine. Central for both writers’ success is their account of the love theme in tragedy. The passions assure Racine’s triumph during his life and his poetic legacy in the centuries to come, until Barthes daringly shakes their foundations. In this essay, I want to show the importance of the love theme both for the plays of Racine and for Barthes’ essay on them, for it divides critics and public, from the seventeenth century to the twentieth century. To Love or Not to Love The seventeenth century bore witness to a growing interest in passion and love.1 Philosophers (Malebranche, Descartes)2, theologians (François de Sales, Fénelon)3, and moralists (Pascal, La Rochefoucauld, La Bruyère)4 engaged in fierce debates on the theme of love and passions. The numerous publications of love stories, in chronicles and novels, reflect the new taste and demands of the educated part of society: the idyllic novel of the pastoral, the gallant discussions on questions d’amour, the libertine genre and Madame de Lafayette’s masterpiece, La Princesse de Clèves, all represent heroes exploring the delights and the torments of (erotic) passion.5 The genre of tragedy is a bit more reluctant to embrace this love theme.6 Until the mid-century Pierre Corneille decides on the tragic genre. -
Frankreich Und Niederlande
© 2008 AGI-Information Management Consultants May be used for personal purporses only or by libraries associated to dandelon.com network. DIE PHILOSOPHIE DES 17. JAHRHUNDERTS BAND 2 FRANKREICH UND NIEDERLANDE HERAUSGEGEBEN VON JEAN-PIERRE SCHOBINGER \ ' / SCHWABE & CO AG • VERLAG BASEL • 1993 INHALT DES ERSTEN HALBBANDES Vorwort XXXI Erstes Kapitel: Die Schulphilosophie § 1. Der Philosophieunterricht in Frankreich (Laurence W. B. Brockliss).. 1. Einleitung: «College de plein exercice» 3. - Weltliche Kollegien und Einfluss der Orden 4. - Professorenlaufbahnen 5. - Gehälter 6. - Studentenschaft 6. - Privater Philosophieunterricht 7. - Öffentliche Philosophiekurse 7. - Lehrplan 8. - Lehrmethode 8. - Disputationen 9. - Prü- fungsbedingungen 9. - 2. Logik: «Organon Aristotelicum» 10. - Scholastische Kommentare 10. - Einfluss der <Logik> von Port-Royal 11. - Cartesianismus 12.-3. Metaphysik: Thomismus 13. - Cartesianismus 14. - Transsubstantiationslehre 15. - Angeborene Ideen und ontologischer Gottesbeweis 15. - Occasionalismus 16. - 4. Ethik: Aristoteles und christliche Moralphilosophie 17. - Armut und Reichtum 18. - Offenbarung und natürliches Gesetz 18. - Problem der Freiheit 19. - Ökonomie und Politik 20. - Bernard Lamys Kritik an der Monarchie 20. - 5. Physik: Aristotelische Naturphilosophie 21. - Thomismus 21. - Paracelsianismus 22. - Gassendi und Descartes 23. - Experimentalphilosophie, neue Entdeckungen, System Tycho Brahes 24. - Mechanistische Philosophie 25. - Pierre Cally 26. - Aristotelisch-cartesianischer Eklektizis- mus 27. - -
Liste Des Annexes 1. Lettre Fictive Datée Du 4 Mai 1691 Composée Par
Liste des annexes 1. Lettre fictive datée du 4 mai 1691 composée par Fénelon pour l’éducation du duc de Bourgogne (Bayle vol. 8, annexe 1). 2. Mémoire de l'entrée et de l'audience publique de Mr de Bonrepaux à La Haye (Bayle vol. 12, annexe 4). 3. Traité de Ryswick du 20 septembre 1697 (Bayle vol. 12, annexe 3). 4. Jugement du public, et particulièrement de M. l'abbé Renaudot sur le «Dictionnaire critique» du s[ieu]r Bayle (Rotterdam, Abraham Acher, 1697, 4°) (Bayle vol. 10, annexe 1). 5. Saint-Evremond, Réponse au «Jugement» de Mr l’abbé Renaudot, sur le «Diction[n]aire historique et critique» de Monsieur Bayle (Bayle vol. 12, annexe 2). 6. Le Testament de Bayle (Bayle vol. 13, annexe 1). 7. Consultation de Mr Fagon, premier médecin du Roy, sur la maladie de Mr Bayle, qui est une peripneumonie avec crachements de sang et qui est mort avant [de] l'avoir receüe (Bayle_vol. 13, annexe 2). 8. Lettre inédite: James Vernon père à William Blathwayt (Bayle vol. 13, annexe 3). 9. Lettre inédite : Pierre Bayle à Michel Le Vassor, le 12 juillet 1695 (Bayle vol. 13, annexe 4). 10. Leibniz, Jugement sur le Projet et fragmens d'un dictionnaire critique (Bayle vol. 14, annexe 1). 11. La lettre de Bayle dans le livre de Deckherr, Epistola de scriptis adespotis (Bayle, vol. 14, annexe 2). 12. Lettre inédite de N. Niset à Pierre Bayle, le 22 juillet 1686 (Bayle vol. 14, annexe 3). 13. L'apport de la correspondance au Dictionnaire historique et critique (Bayle, vol. -
Bibliothèque De L'evêque De Genève, Monseigneur Michel Rossillon De
Jffli39 UPERIEUR DE BiBLIOTHECAIRE MEMOIRE DE FIN D'ETUDES FABIENNE VANTYGHEM LA BIBLIOTHEQUE DE L^EVEQUE DE GENEVE : MONSEIGNE UR MICHEL GABRIEL ROSSILLON DE BERNEX : ETUDE DE L'INVENTAIRE DE 1720. ANNEE : 1985 21 eme PROMOTION & ECOLE NATIONALE SUPERIEURE DES BIBLIOTHEQUES 17-21, Boulevard du 11 Novembre 1918 - 69100 VILLEURBANNE Portrait de Monseigneur Rossillon de Bernex Photo extraite de : BOUDET (claude).- La Vie de Monseigneur Rossillon Bernex, eveque et prince de Geneve. Paris . M. Lambert, 1751-1752. DIPLOME SUPERIEUR DE BIBLIOTHECAIRE EMOIRE DE FIN D'ETUDES FABIENNE VANTYGHEM LA BIBLIOTHEQUE DE L#£V6QUE DE GEN&VE : MONSEIGNEUR MICHEL GABRIEL ROSSILLON DE BERNEX : IITUDE DE L'LNVENTAIRE DE 1720 DIRECTRICE DE MEMOIRE : MADEMOISELLE THER^SE MOYNE 33 Annee 1985 21e promotion ECOLE NATIONALE SUP^RIEURE DES BIBLIOTHEQUES 17-21, boulevard du 11 Novembre 1918 - 69100 VILLEURBANNE VANTYGHEM (Fabienne). - La Bibliotheque de 1'eveque de Geneve Monseigneur Michel Gabriel Rossillon de Bernex : etude de 1'inventaire de 1720 / Fabienne Vantyghem ; sous la dir. de Mlle Moyne. - Villeurbanne : Ecole nationale superieure des bibliotheques, 1985. - 125 p. ; 30 cm. Memoire E.N.S.B. : Villeurbanne : 1985 Bibliotheque clericale, inventaire, 1720. Rossillon de Bernex (Mgr Michel Gabriel). La bibliotheque de travail d'un prelat savoyard au debut du XVI Ile siecle : presentation, etude de contenu, identification d1 ouvrages. s SOMMAIRE A - ETUDE DE L1INVENTAIRE p 4 I - INTRODUCTION ET METHODOLOGIE p 5 II - VIE DE MGR ROSSILLON DE BERNEX p 7 III - PHYSIONOMIE -
The Parallel Canons at the Opéra and the Comédie-Française at the End Databases, Revenues, & Repertory: the French Stage Online, 1680-1793 of the Ancien Régime
Databases, Revenues, & Repertory: The French Stage Online, 1680– 1793 • Databases, Revenues, & Repertory: The French Stage Online, 1680-1793 The Parallel Canons at the Opéra and the Comédie- Française at the End of the Ancien Régime William Weber Published on: Oct 08, 2020 DOI: 10.21428/671d579e.244e34b0 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) Databases, Revenues, & Repertory: The French Stage Online, 1680–1793 • The Parallel Canons at the Opéra and the Comédie-Française at the End Databases, Revenues, & Repertory: The French Stage Online, 1680-1793 of the Ancien Régime The Opéra, or the Académie royale de musique, had a lot to do with the Comédie-Française in the long term. Formed eleven years apart—the Opéra in 1669 and the Comédie-Française in 1680—the two institutions were given similar monopolies by the monarchy and as such took central roles within the entertainment world and public life. What is particularly striking is that both theaters developed remarkably powerful canons of great works by, on the one hand, Jean-Baptiste Poquelin or Molière, Pierre Corneille, and Jean Racine, and on the other by Jean-Baptiste Lully and Jean-Philippe Rameau. Works by the two composers and the three playwrights can be considered to have played the role of high canon in the repertories of the two theaters. This essay will show how parallel canons evolved at the Opéra and the Comédie-Française and entered into periods of major change in the 1770s and 1780s. On the one hand, the arrival of Christoph- Willibald Gluck as the principal composer at the Opéra in 1774 led to the abandonment of its old repertory, save for Jean-Jacques Rousseau’s Le Devin du village, premiered in 1752, and stimulated an intense controversy as to the relative merits of music by Gluck and by Niccolò Piccinni, and indeed the whole future of French opera. -
Antony Mckenna
Bibliographie Antony McKenna Ouvrages 1. Les Pensées de Pascal : 1670 - 1734, Doctorat d'Etat, Université de Sorbonne - Paris-IV, soutenu le 9 mars 1985 : thèse publiée sous le titre : De Pascal à Voltaire : le rôle des Pensées de Pascal dans l'histoire des idées entre 1670 et 1734, in Studies on Voltaire and the 18th century, 276-277, Oxford, The Voltaire Foundation, 1990. Prix Delmas, Institut de France, 1991. 2. Entre Descartes et Gassendi : la première édition des Pensées de Pascal, Oxford, The Voltaire Foundation, 1993. 3. La Correspondance de Pierre Bayle, édition critique établie sous la direction d’ †Elisabeth Labrousse et d’Antony McKenna, en collaboration avec Laurence Bergon-Vial, Hubert Bost, Wiep van Bunge, Edward James, Maria Cristina Pitassi, Bruno Roche, Fabienne Vial-Bonacci, Ruth Whelan, Eric-Olivier Lochard et Dominique Taurisson, Oxford, The Voltaire Foundation, vol. I: 1999, vol. II: 2002, vol. III: 2004 ; vol. IV: 2005 ; vol. V : 2007 ; vol. VI : 2008 ; vol. VII: 2009; vol. VIII: 2010; vol. IX: 2012; vol. X: 2013; vol. XI: 2014; vol. XII: 2015; vol. XIII, XIV et XV (2016).Volumes I et II: prix Joseph Saillet, Institut de France, 2002. 4. Pierre Bayle: témoin et conscience de son temps, Paris, Honoré Champion, 2001. 5. Dictionnaire de Port-Royal, dir. Jean Lesaulnier et Antony McKenna, Paris, Honoré Champion, 2004. Ouvrage couronné par la Société d’Etude du XVIIe siècle : Prix XVIIe siècle, 2005, et par l’Institut de France, prix de la Fondation du chanoine Delpeuch, 2005. 6. Molière, dramaturge libertin, Paris, Honoré Champion, 2005. 7. L’Affaire Bayle. La bataille entre Pierre Bayle et Pierre Jurieu devant le consistoire de l’Eglise wallonne de Rotterdam, Saint-Etienne, Institut Claude Longeon, 2006, texte établi et annoté par H. -
The Eighteenth-Century French Novel and Marriage on Women's Terms
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Outlandish Fictions: The Eighteenth-Century French Novel and Marriage on Women's Terms Ekaterina R. Alexandrova University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the English Language and Literature Commons, European Languages and Societies Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Alexandrova, Ekaterina R., "Outlandish Fictions: The Eighteenth-Century French Novel and Marriage on Women's Terms" (2012). Publicly Accessible Penn Dissertations. 487. https://repository.upenn.edu/edissertations/487 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/487 For more information, please contact [email protected]. Outlandish Fictions: The Eighteenth-Century French Novel and Marriage on Women's Terms Abstract ABSTRACT OUTLANDISH FICTIONS: THE EIGHTEENTH-CENTRY FRENCH NOVEL AND MARRIAGE ON WOMEN'S TERMS Ekaterina R. Alexandrova Joan DeJean Focusing on plots that depict life after marriage, this dissertation studies the novel as a medium for imagining a spousal relationship transformed to promote new positive social, political, and familial roles and possibilities for women. I re-establish these fictions' thrust as primarily concerned with individual freedom and fulfillment, atherr than with affection in marriage. I begin by exploring the relationship between the rising appeal of conjugal sentiment and the novel, situating the genre within the general context of social and political shift in eighteenth-century France. Viewing emergent subversive marriage plots in light of the founding seventeenth-century tradition tying the novel genre to women's interests, I suggest that attempts to contain fictions deemed outlandish" " may have warped our present vision of the "heroine's plot," or the range of roles and experiences imagined for women by Enlightenment novelists.