DOCSLIB.ORG

74 the Seventeenth Century Article by Alain on Saint-Simon,142 and E

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
74 the Seventeenth Century Article by Alain on Saint-Simon,142 and E 74 The Seventeenth Century article by Alain on Saint-Simon,142 and E. Delval draws from Limbo an early pamphlet, Telemacomanie, in which a con­ temporary busybody dares to measure himself against Fenelon. 143 THE EIGHTEENTH CENTURY By H. TEMPLE PATTERSON [The place of publication is Paris unless otherwise stated. An asterisk denotes that a book does not deal exclusively with the eighteenth century] I. GENERAL LANGUAGE. F. Brunot, Histoire de la Langue Fra1Zfaise: La Rivolution et l'Empire, ii: Les ivenements, les institutions et la langue, Colin, 660 pp. HISTORY OF LITERATURE. E. Abry, P. Crouzet, J. Beroes et J. Leger, Les Grands Ecrivains de France illustres, iv: Le dix-huitibne siecle, Didier, 424 pp.-P. Russel, The Glittering Century, N.Y., Scribner (18th-century studies).-Chapman, Cons, Levengood and Vree­ land, Anthology of Eighteenth Century French Literature, Princeton Univ. Press, 1937, 529 pp. RELIGION AND THOUGHT. G. Dumas, Histoire du Journal de Trevoux depuis 170ljusqu'en 1762, Boivin, 1936, 210 pp.-·M. Nicholson, A World in the Moon: A Study of the Changing Attitude toward the Moon in the 17th and 18th Centuries, Smith Coll. Studies in Mod. Lang., 1936,72 pp.-H. Hastings,ManandBeastinFrench Thought of the Eighteenth Century, Baltimore, Johns Hopkins Press, and D.U.P. II. FOREIGN RELATIONS AND COMPARATIVE LITERATURE FOREIGN INFLUENCES IN FRANCE. T. J. Beck, Northern Antiquities in French Learning and Literature (1755-1855), vol. ii: The Odin Legend and the Oriental Fascination, N.Y., Columbia Univ. (re­ viewed P. van Tieghem, RLC, juillet-sept. I936).-D. S. von Mohrenschildt, Russia in the Intellectual Life of Eighteenth-century France, D.U.P.-·N. D. Samsami, L'lran dans la littbature fran­ faise, Presses Universitaires.-H. W. Streeter, The Eighteenth­ century English Novel in French Translation, a Bibliographical Study, 142 NRF, I Apr. 1937, pp. 51M3. 143 Autour du Telhnaque de Fenelon. i. Le pamphlet d'un pedant: La Tetemacomanie de Pierre Valentin Faydel (1640-1709), Cambrai, chez I'auteur, 25 rue Pierre d'Ailly, 1936. H. TEMPLE PATTERSON 75 N.Y. Inst. of Fr. Studies, 1936 (see also H. W. S. in RR, Dec. 1935, 'Smollett's novels in France ').-E. Joliat, Smollett et la France, Champion, 279 pp. (Pt. i, Smollett's relationship to French authors, especially Lesage: Pt. ii, Smollett's references to France and the French: Pt. iii, the reception of Smollett's works in France, with an estimate of the translations. Reviewed MLN, Feb. 1937).-A. D. McKillop, Samuel Richardson: Printer and Novelist, London, Milford (Pt. iii, works inspired by the publica­ tion of Richardson's novels).-E. D. Seeber, 'Oroonoko in France of the eighteenth century', PMLA, Dec. 1936 (finds in Aphra Behn's work the substance and technique of much of the' littera­ ture negrophile ').-H. Gelobter, 'Le Spectateur' von Pierre Marivaux und die englischen moralischen Wochenschriften, Limburg, Limburger Vereindr.. (Diss.).-K. Maclean, John Locke and English Literature of the Eighteenth Century, O.D.P. (reaction of the world of letters and thought to Locke in the three generations following the publication of the Essay in 1690).-*J. Souilhe and others, La pensee et l'influence de Thomas Hobbes, Arch. de Philos. IlNGLAND. H. D. Davray, 'L'activite intellectuelle de I'Angleterre d'apres I'ancien Mercure de France (1672-1778)', MF, Feb. 1937. -M. M. Miller, 'The English People as portrayed in certain French journals, 1700-1760', MP, May 1937.-E. Casati, 'Dn Camet de Shaftesbury pendant son Voyage en France et en Italie (1711-1713)', RLC, 1936.-H. Macmillan, 'The satire of Walker's Vagabond on Rousseau and Godwin', PMLA, March 1937.­ P. J. Ward, 'Madame de Genlis in England', RLC, 1936.­ J. Duhem, 'La fiction aeronautique du pseudo-Bowman', BBB, aout-sept. 1936.~C. E. Engel, 'English sources of Manon Lescaut', RH, Oct. 1936. SPAIN. P. Merimee, L'Influence fra1lfaise en Espagne au dix-huitieme siecle, Belles Lettres (important; a bibliographical guide; reviewed in RR, Feb. 1937).-H. Peterson, 'Notes on the influence of Addison's Spectator and Marivaux's Spectateur Fra1lfais upon El Pensador', HR, July 1936.-A. Del Rio, 'Algunas notas sobre Rousseau en Espana', HCal, 1936. GERMANY. B. Barnes, Goethe's Knowledge of French Literature, O.D.P. 1937, 172 pp. (reviewed-critically-by F. Baldensperger in RR, April 1937. Goethe's obiter dicta on French authors; useful appendices and good bibliography).-V. Clayton, 'The relation of Joseph by Bitaube to Goethe's Hermann und Dorothea', RR, 1936.-A. Aronson, Lessing et les Classiques franfais: contribu­ tion a l'etude des rapports litteraires entre La France et l'Allemagne au XVIII" siecle, Toulouse, These d'Dniv. 1935.-G. O. Schmid, Marmontel, seine moralischen Erziihlungen und die deutsche Literatur, .
Load more

Recommended publications
  • Exoticism and the Jew: Racine's Biblical Tragedies by Stanley F
    Exoticism and the Jew: Racine's Biblical Tragedies by Stanley F. Levine pour B. Ponthieu [The Comedie franchise production of Esther (1987) delighted and surprised this spectator by the unexpected power of the play itself as pure theater, by the exotic splendor of the staging, with its magnificent gold and blue decor and the flowing white robes of the Israelite maidens, and most particularly by the insistent Jewish references, some of which seemed strikingly contemporary. That production underlies much of this descussion of the interwoven themes of exoticism and the Jewish character as they are played out in Racine's two final plays.] Although the setting for every Racinian tragedy was spatially or temporally and culturally removed from its audience, the term "exotic" would hardly be applied to most of them. With the exception of Esther and Athalie, they lack the necessary 'local color' which might give them the aura of specificity.1 The abstract Greece of Andromaque or Phedre, for example, pales in comparison with the more circumstantial Roman world of Shakespeare's Julius Caesar and Titus Andronicus, to say nothing of the lavish sensual Oriental Egypt in which Gautier's Roman de la Momie luxuriates. To be sure, there are exotic elements, even in Racine's classical tragedies: heroes of Greco-Roman history and legend, melifluous place and personal names ("la fille de Minos et de Pasiphae"), strange and barbaric customs (human sacrifice in Iphigenie). Despite such features, however, the essence of these plays is ahistorical. Racine's Biblical tragedies present a far different picture. Although they may have more in common 52 STANLEY F.
    [Show full text]
  • The Launch of an Undergraduate Research Journal
    The Reception of Literature in France during the Revolution: An Analysis of Reviews of Women Writers in the Mercure de France, 1791-1795 by Jonathan Durham, Department of French Studies, University of Warwick [1] ABSTRACT This paper is based on part of a pan-European research project carried out between 2004 and 2007, the aim of which was to create an index of female authors. The full results may be found in the database WomenWriters, available at www.databasewomenwriters.nl. One section of this project involved listing and analysing all works, both fiction and theatre, which were reviewed during the period 1791 to 1795 in the Mercure de France, the government-funded state journal which was produced during the Ancien Régime. Given the generally accepted view that the French Revolution marked a watershed in literary production, establishing what was being published and reviewed at that time is crucial for our understanding of the changing socio-political literary climate. The eighteenth century was the period of Enlightenment, and many women were active in writing at this time. It was expected, therefore, that a significant number of works written by women would be reviewed in the Mercure. However, this was not the case and so the project was expanded to include an analysis of the development of the Mercure during the Revolutionary years, the theatre of the Revolution, and the status of female authors in French Revolutionary society. This analysis forms the basis of the first part of this article; the second part examines the reviews of the only two female- authored publications to appear in the Mercure during the period 1791-1795, Elizabeth Inchbald’s Simple Histoire [Simple Story] and Charlotte Smith’s Célestine, ou la victime des Préjugés [Celestina].
    [Show full text]
  • 19Th and 20Th Century French Exoticism
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2004 19th and 20th century French exoticism: Pierre Loti, Louis-Ferdinand Céliné , Michel Leiris, and Simone Schwarz-Bart Robin Anita White Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the French and Francophone Language and Literature Commons Recommended Citation White, Robin Anita, "19th and 20th century French exoticism: Pierre Loti, Louis-Ferdinand Céĺ ine, Michel Leiris, and Simone Schwarz-Bart" (2004). LSU Doctoral Dissertations. 2593. https://digitalcommons.lsu.edu/gradschool_dissertations/2593 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. 19TH CENTURY AND 20TH CENTURY FRENCH EXOTICISM: PIERRE LOTI, LOUIS-FERDINAND CÉLINE, MICHEL LEIRIS, AND SIMONE SCHWARZ-BART A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirement for the degree of Doctor of Philosophy in The Department of French Studies by Robin Anita White B.A. The Evergreen State College, 1991 Master of Arts Louisiana State University, 1999 August 2004 ACKNOWLEDGEMENTS This work is dedicated to my family and friends who lent me encouragement during my studies. They include my parents, Joe and Delsa, my brother and sister-in-law, and many others. I would like to express gratitude for the help I received from the Department of French Studies at LSU, in particular, Dr.
    [Show full text]
  • Racine and Barthes: the Power of Love
    Racine and Barthes: The Power of Love Delphine Calle hat does a seventeenth-century playwright share with a modern W literary critic? Not much, one would think. Yet Jean Racine and Roland Barthes owe a debt to each other. When in 1963 Barthes writes Sur Racine, the essay contributes to the notoriety of its author, who, in return, dusts off the work and image of Racine. Central for both writers’ success is their account of the love theme in tragedy. The passions assure Racine’s triumph during his life and his poetic legacy in the centuries to come, until Barthes daringly shakes their foundations. In this essay, I want to show the importance of the love theme both for the plays of Racine and for Barthes’ essay on them, for it divides critics and public, from the seventeenth century to the twentieth century. To Love or Not to Love The seventeenth century bore witness to a growing interest in passion and love.1 Philosophers (Malebranche, Descartes)2, theologians (François de Sales, Fénelon)3, and moralists (Pascal, La Rochefoucauld, La Bruyère)4 engaged in fierce debates on the theme of love and passions. The numerous publications of love stories, in chronicles and novels, reflect the new taste and demands of the educated part of society: the idyllic novel of the pastoral, the gallant discussions on questions d’amour, the libertine genre and Madame de Lafayette’s masterpiece, La Princesse de Clèves, all represent heroes exploring the delights and the torments of (erotic) passion.5 The genre of tragedy is a bit more reluctant to embrace this love theme.6 Until the mid-century Pierre Corneille decides on the tragic genre.
    [Show full text]
  • The Parallel Canons at the Opéra and the Comédie-Française at the End Databases, Revenues, & Repertory: the French Stage Online, 1680-1793 of the Ancien Régime
    Databases, Revenues, & Repertory: The French Stage Online, 1680– 1793 • Databases, Revenues, & Repertory: The French Stage Online, 1680-1793 The Parallel Canons at the Opéra and the Comédie- Française at the End of the Ancien Régime William Weber Published on: Oct 08, 2020 DOI: 10.21428/671d579e.244e34b0 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) Databases, Revenues, & Repertory: The French Stage Online, 1680–1793 • The Parallel Canons at the Opéra and the Comédie-Française at the End Databases, Revenues, & Repertory: The French Stage Online, 1680-1793 of the Ancien Régime The Opéra, or the Académie royale de musique, had a lot to do with the Comédie-Française in the long term. Formed eleven years apart—the Opéra in 1669 and the Comédie-Française in 1680—the two institutions were given similar monopolies by the monarchy and as such took central roles within the entertainment world and public life. What is particularly striking is that both theaters developed remarkably powerful canons of great works by, on the one hand, Jean-Baptiste Poquelin or Molière, Pierre Corneille, and Jean Racine, and on the other by Jean-Baptiste Lully and Jean-Philippe Rameau. Works by the two composers and the three playwrights can be considered to have played the role of high canon in the repertories of the two theaters. This essay will show how parallel canons evolved at the Opéra and the Comédie-Française and entered into periods of major change in the 1770s and 1780s. On the one hand, the arrival of Christoph- Willibald Gluck as the principal composer at the Opéra in 1774 led to the abandonment of its old repertory, save for Jean-Jacques Rousseau’s Le Devin du village, premiered in 1752, and stimulated an intense controversy as to the relative merits of music by Gluck and by Niccolò Piccinni, and indeed the whole future of French opera.
    [Show full text]
  • The Eighteenth-Century French Novel and Marriage on Women's Terms
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Outlandish Fictions: The Eighteenth-Century French Novel and Marriage on Women's Terms Ekaterina R. Alexandrova University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the English Language and Literature Commons, European Languages and Societies Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Alexandrova, Ekaterina R., "Outlandish Fictions: The Eighteenth-Century French Novel and Marriage on Women's Terms" (2012). Publicly Accessible Penn Dissertations. 487. https://repository.upenn.edu/edissertations/487 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/487 For more information, please contact [email protected]. Outlandish Fictions: The Eighteenth-Century French Novel and Marriage on Women's Terms Abstract ABSTRACT OUTLANDISH FICTIONS: THE EIGHTEENTH-CENTRY FRENCH NOVEL AND MARRIAGE ON WOMEN'S TERMS Ekaterina R. Alexandrova Joan DeJean Focusing on plots that depict life after marriage, this dissertation studies the novel as a medium for imagining a spousal relationship transformed to promote new positive social, political, and familial roles and possibilities for women. I re-establish these fictions' thrust as primarily concerned with individual freedom and fulfillment, atherr than with affection in marriage. I begin by exploring the relationship between the rising appeal of conjugal sentiment and the novel, situating the genre within the general context of social and political shift in eighteenth-century France. Viewing emergent subversive marriage plots in light of the founding seventeenth-century tradition tying the novel genre to women's interests, I suggest that attempts to contain fictions deemed outlandish" " may have warped our present vision of the "heroine's plot," or the range of roles and experiences imagined for women by Enlightenment novelists.
    [Show full text]
  • ROGER-Academic Publications
    Update Philippe Roger in dialogue with Régis Debray on the «americanization» of France, in Alain Finckelkraut’s France-Culture radio program Répliques (1st of July, 2017, 53 mn). Podcast : https://www.franceculture.fr/emissions/repliques «L’Amérique et nous» ACADEMIC PUBLICATIONS 1- BOOKS (author or co-author) 1- Sade . La Philosophie dans le pressoir, Paris, Grasset, 1976, 225 p. 2- Roland Barthes, roman, Paris, Grasset, 1986, 355 p. Paperback edition : Paris, Livre de Poche, Biblio-Essais, 1990, 440 p. Chinese translation : China Renmin University Press, 2013. 3- L’Ennemi américain. Généalogie de l’antiaméricanisme français, Paris, Seuil, 2002, 602 p. (Prix Aujourd’hui 2003. Also nominated for the Prix du Livre politique 2003.) French paperback edition : Paris, «Points Seuil», 2004, 602 p. English edition : The American Enemy. The History of French Anti-Americanism, translated by Sharon Bowman, The University of Chicago Press, Chicago & London, 2005 ; paperback edition, 2007. (Prize for best non-fiction book translated from the French, awarded by the Gould Foundation and the French- American Foundation, 2006.) Chinese translation : Pékin, Xin Hua, 2004. Arabic translation : Cairo, Presses de l’Institut pour la culture, 2005. Italian translation : Palermo, Sellerio Ed., 2008. Japanese translation : Hosei University Press, 2012. 4- (co-author with Y. Hersant, T. Pavel & L. Proguidis), Romanzo a romanzesco, Pesaro (Italie), Metauro Edizioni, 2004, 120 p. (publication in Italian) 5- (co-author with A. Compagnon & E. Marty), Barthes’ Inheritance, Tokyo, Misuzu Shobo, 2008 (publication in Japanese) 6- Pour une nouvelle pensée de midi, illustrated with photographs by Nicola Amato, Bari, per conto della Federazione delle Alliances Françaises d’Italia, 2008, 34 p.
    [Show full text]
  • "Encourager Le Commerce Et Répandre Les Lumiʹere" : the Press, the Provinces and the Origins of the Revolution in Fr
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2001 "Encourager le commerce et répandre les Lumiʹere" : the press, the provinces and the origins of the Revolution in France: 1750-1789 Stephen Auerbach Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Auerbach, Stephen, ""Encourager le commerce et répandre les Lumiʹere" : the press, the provinces and the origins of the Revolution in France: 1750-1789" (2001). LSU Doctoral Dissertations. 1042. https://digitalcommons.lsu.edu/gradschool_dissertations/1042 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. "ENCOURAGER LE COMMERCE ET RÉPANDRE LES LUMIÈRES:" THE PRESS, THE PROVINCES AND THE ORIGINS OF THE REVOLUTION IN FRANCE: 1750-1789 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Stephen Auerbach B.A., University of Michigan, 1991 M.A., University of Chicago, 1993 December 2000 ACKNOWLEDGEMENTS I have piled up many debts in the course of planning, researching, and writing this dissertation. These are the sorts of debts that can never be repaid, only acknowledged. As the editors of the Journal de Guienne figured out over two hundred years ago, sometimes the only way to repay people for their help and kindness is to put their names in print.
    [Show full text]
  • Outfitting Paris: Fashion, Space, and the Body in Nineteenth-Century French Literature
    Outfitting Paris: Fashion, Space, and the Body in Nineteenth-Century French Literature and Culture by Kasia Stempniak Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Deborah Jenson, Supervisor ___________________________ David Bell ___________________________ Anne-Gaëlle Saliot ___________________________ Jessica Tanner Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2019 ABSTRACT Outfitting Paris: Fashion, Space, and the Body in Nineteenth-Century French Literature and Culture by Kasia Stempniak Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Deborah Jenson, Supervisor ___________________________ David Bell ___________________________ Anne-Gaëlle Saliot ___________________________ Jessica Tanner An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2019 Copyright by Kasia Stempniak 2019 Abstract This dissertation argues that the literary and cultural history of nineteenth- century Paris must be re-envisaged in the context of fashion as a spatial and embodied practice. While existing scholarship has focused on the role of fashion in emerging consumer culture, I focus instead on how clothing mediated bodily and urban knowledge. With the rise of department stores, the fashion press, and textile innovations in mid-nineteenth-century France, fashion became synonymous with the modern urban experience. Concomitantly with the emergence of the modern fashion system, the city of Paris was itself refashioned through vast urbanization projects. This metropolitan redesign created new points of intersection between the dressed body and the city.
    [Show full text]
  • The Library of Jean Rodolphe Perronet
    The library of Jean Rodolphe Perronet Autor(en): Middleton, Robin Objekttyp: Article Zeitschrift: Scholion : Bulletin Band (Jahr): 7 (2012) PDF erstellt am: 02.10.2021 Persistenter Link: http://doi.org/10.5169/seals-720006 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch r33 The library of Jean Rodolphe Perronet Robin Middleton Jean Rodolphe Perronet, the son of a Swiss soldier in the French army, was born on 25 October 1708, at Suresnes, near Paris. His father died young. Perhaps intended for a military career, Perronet instead became an apprentice, in 1725, to Jean-Baptiste-Augustin Beausire, engineer, maître des bâtiments to the ville de Paris.
    [Show full text]
  • Twentieth-Century French Poetry Edited by Hugues Azérad , Peter Collier Frontmatter More Information
    Cambridge University Press 978-0-521-88642-0 — Twentieth-Century French Poetry Edited by Hugues Azérad , Peter Collier Frontmatter More Information Twentieth-Century French Poetry: A Critical Anthology Modern French poetry is unique in the boldness and creativity of its experiments in form and genre, from classical verse to vers libre, from calligrammes to prose poems and poésie sonore. This anthology includes thirty-two poems by French and francophone poets, each followed by an accessibly written, detailed com- mentary. The different approaches adopted in the close readings by specialists in their i eld rel ect the major trends in current literary criticism and theory. A foreword by one of France’s foremost poets, Yves Bonnefoy, a general introduc- tion, and an afterword provide a helpful theoretical framework for the study of modern poetry. An extensive bibliography, concise biographies of the poets, and a glossary of literary terms are included. Students of French and of comparative literature will gain a deeper understanding of the development of French verse and of the artistic movements (especially in the visual arts) that have shaped twentieth-century French poetry. hugues azérad is Fellow in French at Magdalene College, Cambridge. peter collier is Emeritus Fellow in French at Sidney Sussex College, Cambridge. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88642-0 — Twentieth-Century French Poetry Edited by Hugues Azérad , Peter Collier Frontmatter More Information Twentieth-Century
    [Show full text]
  • H-France Review Vol. 20 (January 2020), No. 22 Monique Delhoume
    H-France Review Volume 20 (2020) Page 1 H-France Review Vol. 20 (January 2020), No. 22 Monique Delhoume-Sanciaud, Les Incas ou la destruction de l’Empire du Pérou de Jean-François Marmontel : Le Regard d’un homme du dix-huitième siècle sur le Nouveau-Monde, sa conquête et son évangélisation. Paris, Honoré Champion, 2017. 2 vols., vi + 1,322 pp., numbered consecutively. Maps, figures, notes, bibliography, appendices, and index. €199.05. (pb). ISBN 978-2-745-3070- 3; ISSN 1259-4482; e-ISBN 978-2-7543-4818-0. Review by Harvey Chisick, University of Haifa. This study of Marmontel’s Les Incas is a remarkably comprehensive examination of a lesser- known work by a philosophe who, while of considerable importance, does not rank among the most prominent thinkers of the time. Nevertheless, the scope of the author’s competence and interests, and the way she has handled her subject make this study of general interest for students of the Enlightenment. Jean-François Marmontel was born in 1723 and died just before the end of the century. He was exceptional in the world of the Enlightenment in that he came from a modest peasant family and owed his early education to the curé of his village, and to the kindness of a secondary school instructor who took him on despite his deficient Latin, and helped him with free tutoring. The good cleric’s efforts were amply rewarded as Marmontel showed himself to be an exceptionally capable and hard-working student. The young man began his career in the way typical for talented young men without resources, studying in a seminary, in his case in Toulouse, and initially enjoyed the patronage of the Jesuits.
    [Show full text]