DOCSLIB.ORG

Congregation Questions for the Recorded Interview

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Congregation Questions for the Recorded Interview Durham E-Theses To See or Not to See: Communication, Cooperation and Co-creation in the Use of Liturgical Media Art in Protestant Worship HOLMES, ANDREW,DAVID How to cite: HOLMES, ANDREW,DAVID (2013) To See or Not to See: Communication, Cooperation and Co-creation in the Use of Liturgical Media Art in Protestant Worship, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9418/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Andrew David Holmes To See or Not to See: Communication, Cooperation and Co-creation in the Use of Liturgical Media Art in Protestant Worship Abstract This research examines why churches are using Liturgical Media Art (LMA), specifically the use of projected or displayed images and texts, in their worship. Using a long term ethnographic study of four congregations, two in the UK and two in the USA, the research reveals a number of important issues for those who lead and those who prepare the materials used in the worship. The results show that LMA is providing added educational, missional and liturgical value through increased participation of the congregation in the worship of the churches researched. The research also identifies that those who lead worship, those who are the congregants in the worship and those who prepare the materials used in worship all have a very different perspective on the use of LMA. In seeking to understand the different approaches this research posits the role of self-esteem as a way of interpreting the three viewpoints. In looking at one possible measure of the effectiveness of LMA, this research examines the role of ‘surprise’ in relation to memory as well as how memory traits may be encoded so as to provide a long term retrieval of the images and associated service content. Using the work of McLuhan as a lens to examine the way churches employ LMA, this research focuses on the learning that can be found when there are problems with the use of LMA and its presence in the worship becomes obvious. The research posits a number of outcomes for ministerial formation and ministry that would aid the use of LMA in worship today. The research draws on the work of many writers from various theological, sociological, philosophical disciplines to reflect theologically on the use of LMA in our worship today. It also briefly considers the new ‘environmental projection’ being adopted in some churches. This research confirms much of the anecdotal evidence offered for the use of LMA and adds to the current literature about the use of LMA. To See or Not to See: Communication, Cooperation and Co-creation in the Use of Liturgical Media Art in Protestant Worship To See or Not to See: Communication, Cooperation and Co-creation in the Use of Liturgical Media Art in Protestant Worship by Andrew David Holmes A thesis submitted in fulfilment of the requirements for the degree of Doctor of Theology and Ministry Department of Theology and Religion Durham University 2013 50023 words ‘The copyright of this thesis rests with the author. No quotation from it should be published without prior written consent and information derived from it should always be acknowledged.’ To See or Not to See: Communication, Cooperation and Co-creation in the Use of Liturgical Media Art in Protestant Worship Contents Chapter 1: Introduction ..................................................................................................... 7 1.1 Why a Study of Liturgical Media Art in Protestant Worship? .................................. 7 1.2 Previous Research ................................................................................................... 8 1.3 Thesis ................................................................................................................... 12 1.4 McLuhan’s legacy ................................................................................................ 15 1.5 The Medium is the Message .................................................................................. 16 1.6 The Four ‘Laws’ ................................................................................................... 18 1.7 Critiquing McLuhan ............................................................................................. 20 1.8 Liturgical Media Art in Worship ........................................................................... 22 Chapter 2: Methodology ................................................................................................... 24 2.1 Methodological Approach ..................................................................................... 24 2.2 Genesis of the Research ........................................................................................ 27 2.3 ‘Power’ in the Researcher – Interviewee Relationship. .......................................... 28 2.4 Change in the Subject of Research ........................................................................ 32 2.5 Research Sites & Data Collection ......................................................................... 34 2.5.1 Church A ....................................................................................................... 38 2.5.2 Church B ....................................................................................................... 39 2.5.3 Church C ....................................................................................................... 40 2.5.4 Church D ....................................................................................................... 41 Chapter 3: Research Findings .......................................................................................... 45 3.1 All Technology is an Extension of a Human Attribute .......................................... 48 3.2 What Does the Use of LMA Make Redundant? ..................................................... 50 3.3 What Does LMA Recall From the Past? ................................................................ 54 3.4 What Happens When the Technology is Pressed Too Far? .................................... 57 To See or Not to See: Communication, Cooperation and Co-creation in the Use of Liturgical Media Art in Protestant Worship 3.4.1 Lead Us Not into Temptation - Preaching or Performance? ............................ 57 3.5 LMA and Memory ................................................................................................ 61 3.6 Three Perspectives ................................................................................................ 71 3.7 Self-esteem as a Way of Understanding the Viewpoints ........................................ 78 3.8 A Transatlantic Comparison .................................................................................. 87 Chapter 4: Towards A Theology of Technology and its Role of increasing Participation in Worship .................................................................................................. 93 4.1 Introduction .......................................................................................................... 93 4.2 Worship and Participation ..................................................................................... 94 4.3 Mediation ............................................................................................................100 4.4 Images in the Homiletical Context .......................................................................103 4.5 Adopt or Adapt? ..................................................................................................107 Chapter 5: Conclusions....................................................................................................113 5.1 Methodology .......................................................................................................113 5.2 Key Elements of What LMA brings to Worship and Challenges it Presents? ........115 5.3 Negative Consequences That LMA Brings. ..........................................................120 5.4 The Time Cost of LMA .......................................................................................123 5.5 Training Needs. ...................................................................................................124 5.6 The Congregation and LMA ................................................................................126 5.7 Co-Creators .........................................................................................................129 5.8 Further Implications for Church and Ministry ......................................................131 5.9 For Further Research............................................................................................133 Appendix 1: Congregation Questions for the Recorded Interview ................................136 Appendix 2: Contingencies of Self-Worth Scale .............................................................140
Load more

Recommended publications
  • Linked Research on the Decentralised Web
    Linked Research on the Decentralised Web Dissertation zur Erlangung des Doktorgrades (Dr. rer. nat.) der Mathematisch-Naturwissenschaftlichen Fakultät der Rheinischen Friedrich-Wilhelms-Universität Bonn vorgelegt von Sarven Capadisli aus Istanbul, Turkey Bonn, 2019-07-29 Angefertigt mit Genehmigung der Mathematisch-Naturwissenschaftlichen Fakultät der Rheinischen Friedrich-Wilhelms-Universität Bonn 1. Gutachter: Prof. Dr. Sören Auer 2. Gutachter: Dr. Herbert Van de Sompel Tag der Promotion 2020-03-03 Erscheinungsjahr 2020 Abstract This thesis is about research communication in the context of the Web. I analyse literature which reveals how researchers are making use of Web technologies for knowledge dissemination, as well as how individuals are disempowered by the centralisation of certain systems, such as academic publishing platforms and social media. I share my findings on the feasibility of a decentralised and interoperable information space where researchers can control their identifiers whilst fulfilling the core functions of scientific communication: registration, awareness, certification, and archiving. The contemporary research communication paradigm operates under a diverse set of sociotechnical constraints, which influence how units of research information and personal data are created and exchanged. Economic forces and non-interoperable system designs mean that researcher identifiers and research contributions are largely shaped and controlled by third-party entities; participation requires the use of proprietary systems. From a technical standpoint, this thesis takes a deep look at semantic structure of research artifacts, and how they can be stored, linked and shared in a way that is controlled by individual researchers, or delegated to trusted parties. Further, I find that the ecosystem was lacking a technical Web standard able to fulfill the awareness function of research communication.
    [Show full text]
  • Marshall Mcluhan: a Prophet Before His Global Mirror Pedro Gelabert
    McLuhan Galaxy Conference Understanding Media, Today Barcelona, May, 23rd-25th CONFERENCE PROCEEDINGS Edited by Matteo Ciastellardi, Cristina Miranda de Almeida, Carlos A. Scolari McLuhan Galaxy Conference Understanding Media, Today Conference Proceedings First Edition in English: May 2011 Collection Sehen, Editorial Universidad Oberta de Catalunya, Barcelona, España Printing: Book-Print S.L ISBN: 978-84-9388021-7 Legal Deposit B: Edited by Matteo Ciastellardi, Cristina Miranda de Almeida, Carlos A. Scolari Cover Image: Daniela Seminara Cover Layout: Mikel Azpiri Landa The full paper can be published in the proceedings and in any other scientific/ academic publications derived from McLuhan Galaxy Conference, according the Creative Commons Attribution Non-Commercial License. McLuhan Galaxy Conference Understanding Media, Today Barcelona, May, 23rd-25th CONFERENCE PROCEEDINGS Edited by Matteo Ciastellardi, Cristina Miranda de Almeida, Carlos A. Scolari McLuhan Galaxy Conference 4 Index Forewords Derrick de Kerckhove and Carlos A. Scolari . 10 I. General Framework of the Conference by Matteo Ciastellardi, Carlos A. Scolari and Cristina Miranda de Almeida. .12 II. Conference’s credits . 15 Organizers 15 Co-funding 15 Scientific Committee 15 UPF and IN3/ UOC Board Committee 15 CCCB-Lab Board Committee 16 Institutional Conference Partners 16 Opening Ceremony Participants 16 Keynote Speakers 16 Round Table Chairs and Speakers 17 Special Proposals on Video Wall Project 17 Parallel Session Chairs 17 Peer Reviewers 18 Press Support 19 Graphic Design 19 Management Support 19 Other Collaborations 19 III. Short Curricula keynote speakers and round table participants 3 1 Keynote Speakers’ curricula 20 3 2 Round Table participants’ curricula 24 5 Index IV. Papers (Content-based not in alphabetical order).
    [Show full text]
  • Conceiving Innovative Approaches to In-Product Communication (IPC
    The Business and Management Review, Volume 10 Number 3 July 2019 Conceiving innovative approaches to in-product communication (IPC) relating to product development, Integrated Marketing Communication (IMC) and marketing mix towards achieving better customer engagement and ROI (return on investment) Sarat C. Das KiLax Ltd., UK Keywords Social network analysis (SNA), social network theory (SNT). Graph theory, Social Comparison theory, dyadic relationship Abstract: The marketing communication currently leverages on the in-product communications (IPC) as a cutting-edge digital technology to gather customer feedback as an increasingly preferential mode over other forms such as email marketing, etc. However, the success of IPC to achieve an organisation’s goal would largely contingent on ways it would be related to a host diverse domain such as product development, integrated marketing communication, marketing mix, etc. The research aims at a discourse primarily relying on McLuhan’s range of media theories combined with emerging perspectives of his subsequent revisionists and critics such as Umberto Eco. Introduction New age marketing is certainly progressing into in-product communications (IPC) which are embedded messages, content, and related media consumables delivered directly to a targeted audience (TA)'s internet-connected contraption or application, with the aim of informing, gleaning feedback from, engaging with, or reaching out to that particular TA or segment of clientele at a relative higher engagement rates than via other digital marketing and online marketing channels. The feedback-loop created through IPC to gather market intelligence is acknowledged to have much greater success over email or any other digital marketing product. The study focusses to learn how organisations are recently using IPC to engage with their TA by delivering critical messages direct to TA’s products without the barriers and clutter of emails or anything similar form of messaging.
    [Show full text]
  • Las Nuevas Leyes De Los Nuevos Medios Y La Reconfiguración Del Entorno
    Las nuevas leyes de los nuevos medios y la reconfiguración del entorno Fernando Gutiérrez-Cortés1 Octavio Islas-Carmona2 Amaia Arribas-Urrutia3 Recibido: 16/01/2018 Enviado a pares: 07/02/2018 Aprobado por pares: 21/03/2018 Aceptado: 09/04/2018 DOI: 10.5294/pacla.2019.22.2.9 Para citar este artículo / to reference this article / para citar este artigo Gutiérrez-Cortés, F., Islas-Carmona, O. y Arribas-Urrutia, A. (2019). Las nuevas leyes de los nuevos medios y la reconfiguración del entorno.Palabra Clave, 22(2), e2229. DOI: 10.5294/pacla.2019.22.2.9 Resumen Este artículo tiene el objetivo de analizar de manera reflexiva y analítica la relación existente entre las tecnologías de la información y de la comunica- ción (TIC) y la reconfiguración del entorno en el imaginario de la ecología de medios. Para ello, la metodología utilizada es la revisión teórica de con- ceptos como la exaptación de la biología evolutiva pasando por el desarro- llo y evolución de los medios y las tecnologías, que destaca la importancia del trinomio ciencia-tecnología-sociedad. Las TIC facilitan el proceso de exaptación en las sociedades contemporáneas, favoreciendo que las perso- nas descubran nuevas posibilidades de desarrollo y nuevas formas de co- nocimiento. Desde la década de los sesenta, se subrayó la importancia del estudio de los medios como instrumentos con características singulares, ya que afectan a la sociedad por su diseño, forma y estructura. Cuando una tecnología, medio o instrumento irrumpe exitosamente en una sociedad, la redefine profundamente. Pero el proceso de adaptación no es suficiente para explicar la complejidad de los cambios tecnológicos.
    [Show full text]
  • Mobile Media & Urban Spaces
    Mobile Media & Urban Spaces Bauhaus-Universität Weimar 03. Medium & Mobile SS2013 Joatan Preis Dutra Faculty of Media Chair of Interface Design [email protected] http://www.uni-weimar.de/medien/wiki/IFD:Mobile_Media_and_Urban_Spaces_WS13Mobile Media & Urban Spaces | Medium & Mobile Summary 1. What is Medium - 3 2. What is Digital Medium - 14 3. Categories of Digital Media - 23 4. Mediatization - 66 5. Mobile Media - 83 6. 1st Assignment - 101 7. References - 111 Mobile Media & Urban Spaces | Medium & Mobile What is Medium Mobile Media & Urban Spaces | Medium & Mobile What is medium Mobile Media & Urban Spaces | Medium & Mobile 4 What is medium One of the simplest definition of medium (or media – in its plural form) is § “a means by which something is communicated or expressed” (“definition of medium from Oxford Dictionaries Online,” n.d.). Mobile Media & Urban Spaces | Medium & Mobile 5 What is medium In other words, it can be interpreted as any item that carries some form of communication, such as paper, screen or radio. Media are strong tools in our society and play a strong role in enhancing the communication and expression between people. Mobile Media & Urban Spaces | Medium & Mobile 6 What is medium An alternative definition by Hoenisch (2005), is that § “‘media’ includes any medium or object used to communicate a message or a meaning”. Mobile Media & Urban Spaces | Medium & Mobile 7 What is medium McLuhan goes further and defines that § “The medium is the message” Marshall McLuhan 1964 - Understanding Media: The Extensions
    [Show full text]
  • Marshall Mcluhan's General Theory of Media (Gtom)
    Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 20 April 2021 doi:10.20944/preprints202104.0526.v1 Marshall McLuhan’s General Theory of Media (GToM), His Laws of Media; Comparing Three Kinds of Law Robert K. Logan Department of Physics (60 St George St, Toronto, ON M5S 1A7 Canada), St. Michael’s College and the School of the Environment, University of Toronto [email protected] Abstract: We suggest that despite McLuhan’s claim not to have a theory of communication that in fact the body of his work does indeed constitute a theory of media and their effects which I have called his General Theory of Media (GToM) that also includes his Laws of Media (LoM). Both McLuhan’s GToM and his LoM are described. A comparison is made of three notions of law: i. McLuhan’s notion of law as used in his Laws of Media; ii. the notions of the Law in the legal sense and iii. the notion of law as formulated in scientific laws. McLuhan’s understanding of media is used to analyze some of the negative effects of social media suggesting that laws need to be formulated to prevent the misuse of social media that are antithetical to democracy and the invasion of the privacy of the individual users of these apps. McLuhan’s Laws of Media are then used to provide insights into the nature of scientific laws, the Law in the legal sense and his own Laws of Media. Keywords: Marshall McLuhan; General Theory of Media; Laws of Media; scientific laws, the Law, enhance, obsolesce, retrieve; reverse; media; technology Introduction What is law? In this article I will explore the nature three kinds of law and how they differ: 1.
    [Show full text]
  • Using Walter Ong's Orality/Literacy Studies to Recognize Technologies Effects on Memory Rishi Raj Bahl
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 1-1-2017 Outsourcing Our Memory 2.0: Using Walter Ong's Orality/Literacy Studies to Recognize Technologies Effects on Memory Rishi Raj Bahl Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Bahl, R. R. (2017). Outsourcing Our Memory 2.0: Using Walter Ong's Orality/Literacy Studies to Recognize Technologies Effects on Memory (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/122 This Worldwide Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. OUTSOURCING OUR MEMORY 2.0: USING WALTER ONG’S ORALITY/LITERACY STUDIES TO RECOGNIZE TECHNOLOGIES EFFECTS ON MEMORY A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Rishi Raj Bahl May 2017 Copyright by Rishi Raj Bahl 2016 OUTSOURCING OUR MEMORY 2. 0: USING WALTER ONG’S ORALITY/LITERACY STUDIES TO RECOGNIZE TECHNOLOGIES EFFECTS ON MEMORY By Rishi Raj Bahl Approved on January 7th, 2017 ________________________________ ________________________________ Richard Thames, Ph. D. Janie Harden Fritz, Ph. D. Professor of Communication & Professor of Communication & Rhetorical Studies Rhetorical Studies (Committee Chair) (Committee Member) ________________________________ ________________________________ Craig T. Maier, Ph. D. James Swindal, Ph. D. Professor of Communication & Dean, McAnulty College and Graduate Rhetorical Studies School of Liberal Arts (Committee Member) Professor of Philosophy ________________________________ Ronald C.
    [Show full text]
  • The Costs of Bonding: Negotiating Personal Information Disclosure Among Millennials and Boomers on Facebook
    The costs of bonding: negotiating personal information disclosure among Millennials and Boomers on Facebook by Jonathan Callegher A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in Sociology Waterloo, Ontario, Canada, 2013 © Jonathan Callegher 2013 AUTHOR’S DECLARATION I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii ABSTRACT Since early 2010, Facebook.com, the world’s most popular social network site (SNS), has come under a storm of media criticism over the commercial use of its users’ personal information. Yet even as more became known about the fact that Facebook sells publicly shared information to companies for advertising purposes, two years later the SNS amassed one billion members in October 2012. Based on in-depth interviews 30 Millennials (18 to 32-year olds) and 10 Boomers (48 to 58-year olds) that are daily users of Facebook, this dissertation provides a qualitative analysis of attitudes toward privacy and personal information disclosure on Facebook. What steps—if any—are being taken by users to regulate their personal information disclosure? How do users feel about the website selling their personal information to advertisers? What are the benefits of using Facebook and do they outweigh the risks of having one’s information used for commercial purposes? Or is it even seen as a risk at all? What are the sociological implications of users’ answers to these questions? I challenge prevailing conclusions that the intensity of Facebook use is associated with higher levels of social capital and that Facebook is especially useful for maintaining and building bridging ties to one’s acquaintances.
    [Show full text]
  • The Effects of Technology on Literacy(S)
    Scholars' Mine Masters Theses Student Theses and Dissertations Spring 2009 The effects of technology on literacy(s) Thomas Glen Petersen Follow this and additional works at: https://scholarsmine.mst.edu/masters_theses Part of the Computer Sciences Commons Department: Recommended Citation Petersen, Thomas Glen, "The effects of technology on literacy(s)" (2009). Masters Theses. 4653. https://scholarsmine.mst.edu/masters_theses/4653 This thesis is brought to you by Scholars' Mine, a service of the Missouri S&T Library and Learning Resources. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. THE EFFECTS OF TECHNOLOGY ON LITERACY(S) by THOMAS GLEN PETERSEN A THESIS Presented to the Faculty of the Graduate School of the MISSOURI UNIVERSITY OF SCIENCE AND TECHNOLOGY In Partial Fulfillment of the Requirements for the Degree MASTER OF SCIENCE IN INFORMATION SCIENCE & TECHNOLOGY 2009 Approved by Bryan Salmons, Advisor Barry Flachsbart, co-Advisor William Kehr, co-Advisor Copyright 2009 Thomas Glen Petersen All Rights Reserved iii ABSTRACT Technologies have enhanced lifestyles in ways only dreamt of a few decades ago - or have they? The Amish, by choice, live successfully without dependence on modern advances such as electricity or gasoline-powered tools in a self-supporting community. They maintain their own schools taught by an Amish community member who holds only an eighth-grade education. In 1969, John Andrew Hostetler published a report observing and describing the Amish socialization and educational patterns which compared Amish children in all Amish schools, Amish in public schools and non-Amish children from public schools in rural areas of the same approximate size.
    [Show full text]
  • Mediji Kot Epistemološki Vmesniki
    Ana Beguš Mediji kot epistemološki vmesniki Predstavitev McLuhanove teorije medija Prispevek predstavlja metodološki pristop Marshalla McLuhana k raziskovanju medijev, poznan pod imenom teorija medija. Avtorica uvodoma predstavi pojmovni aparat teorije medija, vključno s tetrado medijevega učinka kot orodjem za anticipiranje kulturnih implikacij tehnologij, pri tem pa poudari tezo, da McLuhan medije razume kot primarno epistemološke vmesnike. V nadaljevanju McLuhanov metodološki pristop teoretsko umesti, pri čemer izpostavi primerjave z drugimi vsebinsko sorodnimi pristopi (Benjamin, Flusser, Haraway). V zadnjem delu prispevka so predstavljeni avtorji, ki gradijo na McLuhanovi teoriji (Torontska šola komunikacije, Manovich), in aktualnost njegove raziskovalne misli danes. Ključne besede: teorija medija, Torontska šola komunikacije, tetrada medijevega učinka, kulturni vmesniki, digitalni mediji Doc. dr. Ana Beguš je diplomirala iz prevajalstva in doktorirala iz filozofije in teorije vizualne kulture; raziskovalno se ukvarja z novimi mediji in jezikovnimi tehnologijami. Dela na Fakulteti za humanistične vede na Univerzi na Primorskem. ([email protected]) Media as Epistemological Interfaces: McLuhan’s Medium Theory The paper presents the methodological approach of Marshall McLuhan to media research, known as the medium theory. The author initially presents the key concepts of the medium theory, including the tetrad of media effects as a tool for anticipating the cultural implications of technology, and proposes the hypothesis that McLuhan understood media as primarily epistemological interfaces. McLuhan’s methodological approach is then placed into a theoretical context, especially in comparison to other similar approaches (Benjamin, Flusser, Haraway). The last part of the paper presents the authors, building on McLuhan’s theory (Toronto School of Communication, Manovich), and the relevance of his research today.
    [Show full text]
  • Mechanical Bride: Folklore of Industrial Man Free
    FREE MECHANICAL BRIDE: FOLKLORE OF INDUSTRIAL MAN PDF Marshall McLuhan | 160 pages | 18 Oct 2008 | Gingko Press, Inc | 9781584232438 | English | Corte Madera, United States The Mechanical Bride - Wikipedia Published by Beacon Press, Boston Seller Rating:. About this Item: Beacon Press, Boston, Condition: Very Good. On the inside cover there is a large black ink stamp advertising the bookseller "Oxford Too". Seller Inventory More information about this seller Mechanical Bride: Folklore of Industrial Man this seller 1. From: Reader's Corner, Inc. Raleigh, NC, U. Trade Paperback. Fifth Printing, Aug This Mechanical Bride: Folklore of Industrial Man a VG, or better, 5th printing paperback copy, 2. BP More information about this seller Contact this seller 2. Published by Beacon Press About this Item: Beacon Press, Condition: Good. Original quarto paperback. Fourth printing, Good, with light rubbing and creasing to wraps. No former owner marks, bright square, uncreased spine. Ships from Dinkytown in Minneapolis, Minnesota. More information about this seller Contact this seller 3. No jacket. First paperback edition, first printing. Covers worn and dog eared. More information about this seller Contact this seller 4. Amsterdam First edition hard back binding in publisher's original peppermint green covers, black title and author lettering to the spine. Contains printed pages of German text with monochrome illustrations and photographs throughout. Fine condition book in near Fine condition dust wrapper with one small tear to the bottom edge of the front cover. Dust wrapper supplied in archive acetate film protection, this preserves and prolongs the life of the paper, it is not adhered to the book Mechanical Bride: Folklore of Industrial Man to the dust wrapper.
    [Show full text]
  • POETRY and REASON: MEANS and MEANINGS of the MOVING IMAGE by Iona Pelovska MFA in Film Production, Concordia University, Montrea
    POETRY AND REASON: MEANS AND MEANINGS OF THE MOVING IMAGE by Iona Pelovska MFA in Film Production, Concordia University, Montreal, 2001 BFA in Film Production, Concordia University, Montreal, 1994 A dissertation presented to Ryerson University and York University in partial fulfilment for the degree of Doctor of Philosophy in the Program of Communication and Culture Toronto, Ontario, Canada 2015 © Iona Pelovska 2015 i I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii (NOTE: the poem below is derived from the text of the Abstract by cutting out openings on the blank page preceding the Abstract.) Poetry and Pornography departs from the question of cinema as industrial technology and as artistic language. The prosthetic relationship of industrial technologies to the body, unlike the contingency of traditional art technologies on the body, problematizes the question of cinema as art. φinema‟s capacity to render thought-like environments allows its trans-mediumatic abstraction. This extends its questioning beyond the technologically cinematic, into the pre-technological moving image that animates perception, thought and dream. In scanning the field that makes cinema possible, this work questions the possibilities cinema opens as a way of knowing and assembling realities.
    [Show full text]