Chapter 1: Introduction
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Rapport Détaillé Sur Tous Les Dégâts Que Les Musées Syriens Ont Subis Depuis 2011 Jusqu'à 2020
Rapport détaillé sur tous les dégâts que les musées syriens ont subis depuis 2011 jusqu’à 2020. Cheikhmous ALI* Fellow at the The Gerda Henkel Foundation (2018-2019) www.gerda-henkel-stiftung.de L’Association pour la protection de l’archéologie syrienne : www.apsa2011.org Summary • In Syria, there are 55 institutions dedicated to the safeguarding and exhibition of Syrian cultural property. The 55 competent institutions: forty-nine museums, a repository of archaeological artefacts and five places of worship containing ancient and historical objects. These fifty-five establishments are devoted to the safeguarding and display of archaeological, historical and commemorative artefacts, as well as objects related to popular arts and traditions or to worship, distributed among various governorates and cities. • Since 2011, 29/55 museums, repositories and places of worship have been damaged. The 29 establishments were damaged to varying degrees by aerial and ground bombardments. Some of them, such as the Ma'arat al-No'man Museum and the Museum of Palmyra, are badly damaged. Others, such as the Archaeological Museum in Der'a and the Museum of Deir Ez-Zor, suffered minor damages. • Since 2011, at least 40635 items have been looted from museums, repositories and places of worship in Syria. This assessment of 40635 looted archaeological, historical and ethnographic items is based on reliable reports and information at our disposal. On the other hand, of the 29 establishments that were looted, we did not consider the artefacts looted from 10 museums and places of worship where the number of missing artefacts remains unknown. This figure does not include the thousands of items looted from the 19 museums and other institutions that were not recorded in the archival notebooks. -
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ILLUSTRATIONS, FIGURES AND MAPS illustrations 1. Kneeling crusader with his horse behind him, from the Westminster Psalter, c. 1250. xxii © British Library Board. All Rights Reserved / Bridgeman Images. 2. Eichstätt model of the Edicule, twelfth century. Bildarchiv Monheim GmbH / xxiv Alamy Stock Photo. 3. Aerial view of the Church of the Holy Sepulchre, Jerusalem. Photo © Zev Radovan / xxv Bridgeman Images. 4. Croix de chevalier from the First Crusade. Photo Josse / Scala, Florence. 4 5. Giving the cross, from J. Riley-Smith (ed.), The Oxford Illustraded History of 7 the Crusades (Oxford 1995). 6. Women at a siege, from Histoire ancienne jusqu’à César, late thirteenth century. 11 © The British Library Board (MS 15268, fol. 101v). 7. Stone carving of Roland (right) on the exterior of the royal palace at Navarre, 13 twelfth century. Granger / Bridgeman Images. 8. ‘The Rider on the white horse and his followers’, from Apocalypse (‘The Queen 16 Mary Apocalypse’), early fourteenth century. © The British Library Board (Royal 19 B. XV, fol. 37r). All rights reserved / Bridgeman Images. 9. Godfrey of Bouillon and his train setting out on horseback, from William of Tyre, 22 Histoire d’Outremer, 1232–61. © British Library Board. All Rights Reserved / Bridgeman Images. 10. Richard I jousts with Saladin during the crusade of 1191. Encaustic tiles from 29 Chertsey Abbey, c. 1250. Universal History Archive/UIG / Bridgeman Images. 11. The Dome of the Rock, Jerusalem. Lori Epstein / National Geographic 32 Image Collection / Bridgeman Images. 12. Ivory casket with figural and ornamental decoration including hunting scenes, southern 33 Italy or Sicily, eleventh–twelfth centuries. -
Arab Filmmakers of the Middle East
Armes roy Armes is Professor Emeritus of Film “Constitutes a ‘counter-reading’ of Film and MEdia • MIddle EasT at Middlesex University. He has published received views and assumptions widely on world cinema. He is author of Arab Filmmakers Arab Filmmakers Dictionary of African Filmmakers (IUP, 2008). The fragmented history of Arab about the absence of Arab cinema Arab Filmmakers in the Middle East.” —michael T. martin, Middle Eastern cinema—with its Black Film Center/Archive, of the Indiana University powerful documentary component— reflects all too clearly the fragmented Middle East history of the Arab peoples and is in- “Esential for libraries and useful for individual readers who will deed comprehensible only when this find essays on subjects rarely treat- history is taken into account. While ed in English.” —Kevin Dwyer, neighboring countries, such as Tur- A D i c t i o n A r y American University in Cairo key, Israel, and Iran, have coherent the of national film histories which have In this landmark dictionary, Roy Armes details the scope and diversity of filmmak- been comprehensively documented, ing across the Arab Middle East. Listing Middle East Middle more than 550 feature films by more than the Arab Middle East has been given 250 filmmakers, and short and documentary comparatively little attention. films by another 900 filmmakers, this vol- ume covers the film production in Iraq, Jor- —from the introduction dan, Lebanon, Palestine, Syria, and the Gulf States. An introduction by Armes locates film and filmmaking traditions in the region from early efforts in the silent era to state- funded productions by isolated filmmakers and politically engaged documentarians. -
Information and Liaison Bulletin
INSTITUT KUDE RPARD IS E Information and liaison bulletin N°312 MARCH 2011 The publication of this Bulletin enjoys a subsidy from the French Ministry of Foreign Affairs (DGCID) aqnd the Fonds d’action et de soutien pour l’intégration et la lutte contre les discriminations (The Fund for action and support of integration and the struggle against discrimination) This bulletin is issued in French and English Price per issue : France: 6 € — Abroad : 7,5 € Annual subscribtion (12 issues) France : 60 € — Elsewhere : 75 € Monthly review Directeur de la publication : Mohamad HASSAN Numéro de la Commission Paritaire : 659 15 A.S. ISBN 0761 1285 INSTITUT KURDE, 106, rue La Fayette - 75010 PARIS Tel. : 01-48 24 64 64 - Fax : 01-48 24 64 66 www.fikp.org E-mail: bulletin@fikp.org Contents • KIRKUK: TENSIONS OVER THE WITHDRAWAL OF THE PESHMERGAS. • IRAQI KURDISTAN: THE HISTORIC VISIT OF THE TURKISH PRIME MINISTER. • SYRIA: IN THE MIDDLE OF THE “ARAB SPRING” CONTAGION, THE KURDS ARE REMAINING CAUTIOUS. • TURKEY: IBRAHIM TATLISES HAS SURVIVED THE THIRD ATTEMPT TO MURDER HIM. • CULTURE: HINER SALEEM’S FILM: “IF YOU DIE I’LL KILL YOU” HAS BEEN RELEASED. KIRKUK: TENSIONS OVER THE WITHDRAWAL OF THE PESHMERGAS he “day of anger” that his reasons were only their quarters and on Kurdish organised throughout because of just one of the political party offices. T Iraq on 25 February demonstrators’ demands, name - with a mixed backing ly the withdrawal of the This fear was confirmed, accord - depending on the Peshmergas from the Province. ing to Jafar Mustafa, by a hostile regions, had the unexpected result anti-Kurdish statement by some of inflaming the debate about However the Kurdish Minister Arab movements: “ The Baathists Kirkuk and its status, a source of for the Peshmergas, Jafar Sheikh intended to attack the institutions conflict between Kurds and Iraqis. -
National Museum of Aleppo As a Model)
Strategies for reconstructing and restructuring of museums in post-war places (National Museum of Aleppo as a Model) A dissertation submitted at the Faculty of Philosophy and History at the University of Bern for the doctoral degree by: Mohamad Fakhro (Idlib – Syria) 20/02/2020 Prof. Dr. Mirko Novák, Institut für Archäologische Wissenschaften der Universität Bern and Dr. Lutz Martin, Stellvertretender Direktor, Vorderasiatisches Museum, Staatliche Museen zu Berlin Fakhro. Mohamad Hutmatten Str.12 D-79639 Grenzach-Wyhlen Bern, 25.11.2019 Original document saved on the web server of the University Library of Bern This work is licensed under a Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland licence. To see the licence go to http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ or write to Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA Copyright Notice This document is licensed under the Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland. http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ You are free: to copy, distribute, display, and perform the work Under the following conditions: Attribution. You must give the original author credit. Non-Commercial. You may not use this work for commercial purposes. No derivative works. You may not alter, transform, or build upon this work.. For any reuse or distribution, you must take clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holder. Nothing in this license impairs or restricts the author’s moral rights according to Swiss law. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
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State-Civil Society Relations in Syria : EU Good Governance Assistance in an Authoritarian State Issue Date: 2014-09-25
Cover Page The handle http://hdl.handle.net/1887/28916 holds various files of this Leiden University dissertation. Author: Spitz, René Title: State-civil society relations in Syria : EU good governance assistance in an authoritarian state Issue Date: 2014-09-25 State-Civil Society Relations in Syria EU Good Governance Assistance in an Authoritarian State Proefschrift ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van Rector Magnificus prof. mr. C.J.J.M. Stolker, volgens besluit van het College voor Promoties ter verdediging op donderdag 25 september 2014 klokke 11.15 uur door René Spitz geboren te Maastricht in 1955 Promotiecommissie Promoter Prof. dr. M. A. M. R. Salih Overige leden Prof. dr. M. O. Hosli Prof. dr. R. J. van der Veen (Universiteit Amsterdam) Prof. dr. A. F. Fowler (Erasmus Universiteit Rotterdam) Dr. R.E.C. Leenders (University of London, UK) I. Abstract The European Union’s (EU) good governance policies consider civil society an actor promoting development as well as political accountability of governments, thus contributing to the democratisation of political systems. By means of its European Neighbourhood Policy (ENP), the EU promotes good governance in its relations and cooperation with neighbouring countries to the East and the South, including Syria. The cooperation in the domain of good governance has not been successful in the southern neighbouring countries, although some governments have allowed civil society to become more active. Indeed, authoritarianism prevailed in the whole Arab region until recently. This study argues that the EU’s good governance policy is based on questionable assumptions with respect to the nature of civil society, as well as the willingness of state and civil society to cooperate. -
On the Damascene Traditional House (Post-Nineteenth Century - the Beginning of the Twentieth Century)
International Journal of Civil Engineering and Technology (IJCIET) Volume 10, Issue 03, March 2019, pp. 2143–2158, Article ID: IJCIET_10_03_214 Available online at http://iaeme.com/Home/issue/IJCIET?Volume=10&Issue=3 ISSN Print: 0976-6308 and ISSN Online: 0976-6316 © IAEME Publication Scopus Indexed THE DAMASCENE ARCHITECTURE OF THE POST-OTTOMAN PERIOD AND THE INFLUENCE OF EUROPEAN CULTURE (BAROQUE STYLE) ON THE DAMASCENE TRADITIONAL HOUSE (POST-NINETEENTH CENTURY - THE BEGINNING OF THE TWENTIETH CENTURY) Vlada Melnik, Ph.D Department of Architecture, Applied Science Private University, Amman, Jordan ABSTRACT In the subsequent period of the Ottoman Empire between both the nineteenth and twentieth century's, Syria undertook substantial changes, which led to the emergence and development of European forms in art and architecture. At present, the urgent problem of preserving and restoring the monuments of residential architecture of Damascus has arisen. This is especially important because Damascus is included on the world cultural values list of UNESCO. One of the most interesting periods in the development of Damascus urban planning is the period of “Damascus Baroque”, noting that it is not fully covered in studying the history and theory of architecture in Damascus. This research highlights the studying the creative heritage of residential Damascus architecture which is necessary in historical and cultural terms for their use in modern practice of design and construction, through emphasizing on the identification of architectural traditions and construction in the house of Damascus, analyzing the impact of Western European culture on the architecture of urban residential buildings through research and reviewing various historical and cultural data on these buildings, and their classification. -
From Daraa to Damascus: Regional and Temporal Protest Variation in Syria
From Daraa to Damascus: Regional and Temporal Protest Variation in Syria by Shena L. Cavallo B.A. International Relations and Spanish, Duquesne University, 2007 Submitted to the Graduate Faculty of The Graduate School of Public and International Affairs in partial fulfillment of the requirements for the degree of M.A International Development University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH Graduate School of Public and International Affairs This thesis was presented by Shena L. Cavallo It was defended on May 23, 2012 and approved by M. Müge Kokten-Finkel, PhD, Assistant Professor Ilia Murtazashvili, PhD, Assistant Professor Paul J. Nelson, PhD, Associate Professor Thesis Director: Luke N. Condra, PhD, Assistant Professor ii Copyright © by Shena L. Cavallo 2012 iii From Daraa to Damascus: Regional and Temporal Protest Variation in Syria Shena Cavallo, MID University of Pittsburgh, 2012 When protest erupted in Syria on March 2011, there was considerable analysis seeking to explain the initial display of collective action. While this initial showing of dissent caught some off-guard, what was more remarkable is how the protest movement managed to endure, well over a year, despite policies of severe repression, a lack of established opposition organizations, and a lack of regime defections. This paper seeks to explore which factors have sustained the protest movement, as well as the role of these factors at different stages in the ‘protest wave’ and the relationship these variables share with region- specific waves of protest. I hypothesize that more traditional approaches to understanding protest longevity must be expanded in order to help explain contemporary events of protest, particularly in authoritarian contexts. -
Istanbul II.Indb
Istanbul – Damascus: transcultural memory and architecture of Modernity prototyping Anas Soufan Geneva University Stylistic affiliation During the studied period, the Syrian architectural realizations were stimulated by the charting reformists’ discourse, reflecting the- ir contrasts and promoting three main tendencies: first, conserving the local and Ottoman architectural traditions and supporting the artistic autonomy; second, improving imported Western styles such as Neoclassic, Konak Style, Art-déco and International Style; third tendency, depending on the fruitful interaction between or a blend of European with local principles. It was embodied by the 1910- 19Ŷ0s Syrian Style. One way or another, Istanbul influences were present throughout these tendencies. Paradoxically, both Damascus and Istanbul represented each other. Whilst Istanbul reflected the image of the under-developed situation of the provinces, according to Muhammad Kurd Ali1, Damascus reproduced the stylistic variety 1 Kurd Ali, Muhammad, ɵarŔ’ib al-ʁarb, 1923, p. 141. 5 OSMANLI ó STANBULU II of Istanbul which shaped the main character of its architecture of Modernity. The latter was involved in Islamic, Western and other modernist inspirations in the context of a multifaceted process, com- bining political change2, European expansion as well as a heritage ma- king-process. The primordial place of Istanbul relatively to Damascus and most Middle-Eastern cities may be argued by two facts. Istanbul was the capital and symbolic or operative center of administration of the -
ASOR Cultural Heritage Initiatives (CHI): Planning for Safeguarding Heritage Sites in Syria and Iraq1
ASOR Cultural Heritage Initiatives (CHI): Planning for Safeguarding Heritage Sites in Syria and Iraq1 S-IZ-100-17-CA021 March 2018 Monthly Report Appendices — March 1–31, 2018 Michael D. Danti, Marina Gabriel, Susan Penacho, William Raynolds, Allison Cuneo, Darren Ashby, Gwendolyn Kristy, Nour Halabi, Kyra Kaercher Table of Contents: Other Key Points 2 Military and Political Context 3 Incident Reports: Syria 12 Incident Reports: Iraq 88 Incident Reports: Libya 115 Satellite Imagery and Geospatial Analysis 137 Heritage Timeline 141 1 This report is based on research conducted by the “Cultural Preservation Initiative: Planning for Safeguarding Heritage Sites in Syria and Iraq.” Weekly reports reflect reporting from a variety of sources and may contain unverified material. As such, they should be treated as preliminary and subject to change. 1 Other Key Points Syria ● Aleppo Governorate ○ Batuta, one of the "Dead Cities" of Northern Syria, a UNESCO World Heritage Site in Aleppo Governorate was completely dismantled. ASOR CHI Incident Report SHI 16-0160 UPDATE ○ Artifacts in the Ain Dara Museum in Ain Dara, Aleppo Governorate have been left unguarded and exposed to the elements. ASOR CHI Incident Report SHI 18-0067 ○ Alleged Turkish shelling damaged the Shrine of Yagmur Dada in Mabatli, Aleppo Governorate. ASOR CHI Incident Report SHI 18-0068 ○ Suspected Syrian Liberation Front shelling reportedly damaged al-Adnan Mosque in Urm al-Kubra, Aleppo Governorate. ASOR CHI Incident Report SHI 18-0069 ○ Suspected Free Syrian Army fighters reportedly vandalized a Yezidi shrine, Shrine of Kara Jorna in Aleppo Governorate. ASOR CHI Incident Report SHI 18-0071 ○ Reported FSA and Turkish fighters defaced the Statue of Rafiq al-Watani in Afrin, Aleppo Governorate.