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WF Planning Board OK's Wolfgang Puck for Elm
Ad Populos, Non Aditus, Pervenimus (908) 232-4407 USPS 680020 Thursday, November 27, 2003 Published Every Thursday Since 1890 OUR 114th YEAR – ISSUE NO. 12-114 Periodical – Postage Paid at Westfield, N.J. www.goleader.com [email protected] FIFTY CENTS WF Planning Board OK’s Wolfgang Puck for Elm St. By KIMBERLY A. BROADWELL too thought the vacant bank was an during their time in the downtown Specially Written for The Westfield Leader eyesore and that she felt it would area of Westfield. In a seven to two vote, the Westfield help increase the walking traffic on Those opposed to the application Planning Board approved with con- Elm Street for the local business were Planning Board members, An- ditions the proposal to turn the va- owners. thony LaPorta and William Ziff, who cant bank at One Elm Street into a Sherry Cronin, Executive Director both voted against the project. Both Wolfgang Puck Express Restaurant. of the Downtown Westfield Corpo- members thought that the restaurant The applicants, Limited Liability ration (DWC) also spoke regarding would only make a bad traffic prob- Company (LLC), plan to convert the the new restaurant stating that she lem in the area even worse. building to a Wolfgang Puck Express thought the business would help pe- Richard Schkolnick, Esq. of Hersh, Restaurant on the first floor with destrian traffic flow. Ramsey and Berman, who were rep- commercial offices on the second. She also noted that she serves on resenting a group of downtown Conditions of the approval include the Parking Advisory Committee and Westfield restaurant owners opposed restriction that if the Wolfgang Puck that parking has been a long-stand- to the proposal citing parking issues, Restaurant does not work out, a “fast- ing problem in Westfield, stating that also had a traffic expert to testify. -
Completeandleft
MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
WF Planning Board OK's Wolfgang Puck for Elm
S13 I’l ******** ( ( fir nr l LIT * * r n 1 550 tWI BROADLSTMEMORIAL LIBRflRY WES rf fEl D NJ 07090-7116 aii Populos. Jlon auitus. IJciUrnimus ISPS 680020 Published K\er> I’hursda' Since 1 <S*M) (90S) 232-4407 (H R 114th YEAR - ISSU E NO. 12-114 Thursday. November 27. 2003 Periodical - Postage Paid at W estfield. N.J. w w w.goleader.com press(<»' goleader.com FIFTY ( I M S WF Planning Board OK’s Wolfgang Puck for Elm St. B> KIMBKRIA BROADWI I I too thought the vacant bank was an during then time in the downtown S/Vi U ■ r I < I hr M , ••• , .. / , eyesore and that she felt it w ould area of Westfield. In a seven to tw o vote, the W estfield help increase the walking traffic on Those opposed to the application Planning Board approved with con Elm Street for the local business were Planning Board members. An ditions the proposal to turn the va ow ners. thony I .aPorta and W illia m /iff. w ho cant bank at One E lm Street into a Shorn Cronin. Executive Director both voted against the project. Both Wolfgang Puck Express Restaurant. o f the Dow ntow n W estfield C orp o members thought that the restaurant The applicants. Limited 1 lability ration (DWC) also spoke regarding would onlv make a bad traffic prob Company (I I C). plan to convert the the new restaurant stating that she lem in the area even worse. building to a Wolfgang Puck Express thought the business would help pe RichardSehkolniek. -
'Oliver's Ghost'
‘OLIVER’S GHOST’ CAST BIOS MARTIN MULL (Clive) – Well known for his roles in “Rosanne,” “Ellen,” “Two and a Half Men” and “Clue,” actor and comedian Martin Mull has made himself a household name with his extensive career among Hollywood’s leading actors. Born in Chicago and raised in Ohio and Connecticut, funnyman Mull planned to become a painter when he enrolled in the Rhode Island School of Design. Although he graduated with a Bachelor of Fine Arts and a Masters in painting, Mull’s uncanny talent for stand-up comedy and satire led him to a career as a nightclub comedian, and eventually led to roles on television and film. Mull’s first role was on the nighttime absurdist soap opera “Mary Hartman, Mary Hartman,” in which his character was impaled by a Christmas tree, only to be brought back as that character’s twin brother. That led to spin-off talk shows “Fernwood Tonight” and “America 2-Night,” where Mull shared the screen with Fred Willard. Other television credits include a guest role on “The Golden Girls,” a long-running role as the gay boss of the lead character on “Roseanne,” starring Roseanne Barr, the CBS sitcom “Domestic Life” and “Gary Unmarried.” He has had series regular roles on “The Ellen Show,” opposite Ellen DeGeneres, “Sabrina, The Teenage Witch,” “Family Dog,” “The Jackie Thomas Show,” “Two and a Half Men,” “’Til Death” and, most recently, “American Dad!” His recent guest star credits include roles on “Eastwick,” “Reno 911,” “Just Shoot Me,” “Life With Bonnie,” “Less Than Perfect,” “Reba,” “My Boys,” “Mad Love” and “Law & Order: Special Victims Unit.” He also appeared as a guest star on the popular game show “Hollywood Squares,” appearing as the center square during the show’s final season in 2004. -
Open Cho YS Thesis.Pdf
The Pennsylvania State University The Graduate School College of Communications COMPETITION AND PROGRAM TYPE DIVERSITY IN THE OVER-THE-AIR TELEVISION INDUSTRY, 1943-2005 A Thesis in Mass Communications by Young Shin Cho © 2007 Young Shin Cho Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2007 The thesis of Young-Shin Cho was reviewed and approved* by the following: Richard Taylor Palmer Chair of Telecommunications Studies and Law Thesis Advisor Chair of Committee Matt Jackson Associate Professor of Communications Krishna Jayakar Associate Professor of Communications Lynette Kvasny Assistant Professor of Information Sciences and Technology John S. Nichols Professor of Communications Associate Dean for Graduates Studies and Research *Signatures are on file in the Graduate School ABSTRACT Competition and diversity are touchstones in media policy, but the relationship between them is not clear despite a great number of studies because even studies dealing with their relationship, did not measure the intensity of competition. This paper investigates the relationship between market competition and program type diversity in the over-the-air television industry. Specifically, market competition is divided into intra-network competition and intra-media competition, i.e. terrestrial television vs. cable TV. Also this paper uses a comprehensive model of program types, with 281 program type categories, which have never been used in previous studies. The results show that program type diversity keeps decreasing over time and intra-network competition has a negative effect on program type diversity. Also, intra- network competition is a more important factor on program type diversity than inter- media competition. -
1 “I Grew up Loving Cars and the Southern California Car Culture. My Dad Was a Parts Manager at a Chevrolet Dealership, So V
“I grew up loving cars and the Southern California car culture. My dad was a parts manager at a Chevrolet dealership, so ‘Cars’ was very personal to me — the characters, the small town, their love and support for each other and their way of life. I couldn’t stop thinking about them. I wanted to take another road trip to new places around the world, and I thought a way into that world could be another passion of mine, the spy movie genre. I just couldn’t shake that idea of marrying the two distinctly different worlds of Radiator Springs and international intrigue. And here we are.” — John Lasseter, Director ABOUT THE PRODUCTION Pixar Animation Studios and Walt Disney Studios are off to the races in “Cars 2” as star racecar Lightning McQueen (voice of Owen Wilson) and his best friend, the incomparable tow truck Mater (voice of Larry the Cable Guy), jump-start a new adventure to exotic new lands stretching across the globe. The duo are joined by a hometown pit crew from Radiator Springs when they head overseas to support Lightning as he competes in the first-ever World Grand Prix, a race created to determine the world’s fastest car. But the road to the finish line is filled with plenty of potholes, detours and bombshells when Mater is mistakenly ensnared in an intriguing escapade of his own: international espionage. Mater finds himself torn between assisting Lightning McQueen in the high-profile race and “towing” the line in a top-secret mission orchestrated by master British spy Finn McMissile (voice of Michael Caine) and the stunning rookie field spy Holley Shiftwell (voice of Emily Mortimer). -
“The List” -- Prime-Time Television Shows Niceole Has Watched. (Rules
“The List” -- Prime-time television shows Niceole has watched. (Rules: watched at least one full episode of a drama, comedy, or reality show, including reruns that aired in syndication.) 1. 1st & 10 2. The 100 3. 12 Monkeys 4. 2 Broke Girls 5. 20/20 6. 21 Jump Street 7. 227 8. 24 9. 240-Robert 10. 30 Rock 11. 3rd Rock from the Sun 12. The 4400 13. 48 Hours/48 Hours Mystery 14. 666 Park Avenue 15. 60 Minutes 16. 7th Heaven 17. 8 Simple Rules 18. 9 to 5 19. 90210 (new) 20. A to Z 21. A Gifted Man 22. A Year in the Life 23. A-Team 24. About a Boy 25. Absolutely Fabulous 26. According to Jim 27. Adam-12 28. The Addams Family 29. Adventures of Brisco County Jr. 30. Adventures of Ozzie and Harriet 31. The Affair 32. The After 33. Agent Carter 34. Agent X 35. Agents of S.H.I.E.L.D. 36. Airwolf 37. Alcatraz 38. Alf 39. Alfred Hitchcock Presents 40. Alice 41. All American Girl 42. All in the Family 43. Allegiance 44. Ally McBeal 45. Almost Human 46. Almost Perfect 47. The Amazing Race 48. Amazing Stories 49. Amen 50. American Crime 51. American Crime Story: People vs. OJ Simpson 52. American Dad 53. American Horror Story 54. American Inventor 55. American Odyssey 56. The Americans 57. America's Funniest Home Videos 58. America’s Got Talent 59. America's Most Wanted 60. America's Next Top Model 61. The Andy Griffith Show 62. Angie 63. -
Image Formats for HDTV
HDTV ImageHDTV formats for John Ive Sony Europe – PSE For several years, European broadcasters have been making programmes in high definition – often based upon co-production deals with the USA and Japan – using the 1920 x 1080 Common Image Format. However, European consumers are currently restricted to down-converted standard-definition versions of the original full-resolution HD content. This situation will soon change as more broadcasters offer HD services – in addition to the pioneering and ground-breaking start made by Euro1080. This article offers an overview of HD scanning formats and advises European broadcasters not to go against the tide by introducing new production formats for HDTV. Broadcasting and television are now entering the era of High Definition (HD) – a transition as profound as the first introduction of television and the subsequent transition from black-and-white to colour television. Unfortunately Europe lags behind other parts of the world, denying consumers the chance to view HD programmes in anything other than standard definition. HD has been with us since the early 1990s but those early European attempts unfortunately proved to be unsuccessful. So what has changed? The renewed interest can be attributed to several factors, the main ones being: the availability of high-resolution, large, flat-panel displays for consumer use; a track record of success in other parts of the world; desk-top high-definition production and editing; significantly reduced costs. Before delving in to the details of scanning formats for high definition, it may be of interest to briefly review the origins of television and their respective picture formats. -
2003-Annual-Report.Pdf
The Company 2003 ANNUAL REPORT CELEBRATING 75 YEARS OF MICKEY FINANCIAL HIGHLIGHTS 1 LETTER TO SHAREHOLDERS 2 FINANCIAL REVIEW 10 COMPANY OVERVIEW 14 STUDIO ENTERTAINMENT 16 PARKS AND RESORTS 24 CONSUMER PRODUCTS 32 MEDIA NETWORKS 36 WALT DISNEY INTERNATIONAL 50 DISNEYHAND 51 ENVIRONMENTALITY 52 FINANCIAL SECTION 53 REPORT OF INDEPENDENT AUDITORS 95 FINANCIAL HIGHLIGHTS (In millions, except per share data) 2003 2002 Revenues $27,061 $25,329 Segment operating income 3,174 2,822 Diluted earnings per share before the cumulative effect of accounting changes 0.65 0.60 Cash flow provided by operations 2,901 2,286 Borrowings Total 13,100 14,130 Net(1) 11,517 12,891 Shareholders’ equity 23,791 23,445 (1) Net borrowings represent total borrowings of $13,100 million less cash and cash equivalents of $1,583 million. 1#1 LETTER TO SHAREHOLDERS To Fellow Owners and Cast Members: I’ve always believed that good news shouldn’t wait, so this year I thought I’d start right off with a review of the numbers. In 2003, we experienced solid earnings growth despite the difficult economic and geopolitical environment that prevailed during most of the year. Most significantly, our fourth quarter was very strong, with more than double the earnings of Q4 in 2002, underscoring our confidence in generating growth in the new year. Equally important, we delivered free cash flow for the year that was up more than 50 percent over last year and continued to bolster our balance sheet. During fiscal 2003, our stock price appreciated 36 percent, compared to the S&P 500’s growth of 25 percent. -
Fox Entertainment Group (A)
The Anderson School at UCLA POL 2003-7 Fox Entertainment Group (A): Vertical Integration in the Television Industry Copyright © 2003 by the Regents of the University of California. Daniel Granof (MBA candidate ’03) pre- pared this case under the supervision of Professor Olav Sorenson for the purpose of facilitating class dis- cussion, rather than illustrating either effective or ineffective handling of a business situation. Fox Television Network In 1985 Rupert Murdoch, after acquiring the Twentieth Century Fox studio for a total of $575 million through his holding company, News Corporation (NewsCorp), decided to start a fourth broadcast network on the advice of Barry Diller, the highly sought-after ex- ecutive recently recruited to Fox from industry leader Paramount Studios. NewsCorp purchased Metromedia from media mogul John Kluge, gaining control of seven key in- dependent TV stations in several large East Coast cities and Los Angeles. Fox quickly lined up 88 additional independent stations to become its network affiliates and launched the Fox Television Network in 1986. Initially the network reached only 60% of the coun- try and aired original network programming only one night a week, on Sunday. Everyone in the industry thought Diller and Murdoch crazy. At the time the big three networks had a combined television viewing share of 93%. To attract viewers away from them, Fox chose to go after two key demographics: youth, a group coveted by advertis- ers, and African-Americans. As Diller said, “We had to air shows that demanded your attention, that yanked you by the throat to get you to change the channel.”1 Peter Chernin, a loyal executive who would eventually become Murdoch’s second in command, concurred: “We’re in the attention-getting business. -
Arts & Entertainment Entertainment
Page 16 Thursday, November 27, 2003 The Westfield Leader and The Scotch Plains – Fanwood TIMES A WATCHUNG COMMUNICATIONS, INC. PUBLICATION ArtsArts && EntertainmentEntertainment TTidesides TTurnurn FFavavorablyorably WhenWhen GGrandma,randma, GGrandsonrandson TTeameam UUpp inin AAdvdventurenturee BookBook By MARYLOU MORANO write it the way I wanted to,” said For Joan, who lived Specially Written for The Westfield Leader and The Times Marco. in Westfield from 1940 WESTFIELD — A former “So I wrote a story “grandma style” to 1949, attended both Westfield woman’s love and concern and asked Marco to comment on it Grant School and Michelle H. Le Poidevin for The Westfield Leader and The Times for her grandson has turned the two for me,” Joan said. Westfield High School, of them into co-authors. Joan then tried to relate Marco’s and was married in The Picture in Poetry: “Autumn Glory” Joan Santomenna, and her grand- comments of her writing to the Presbyterian Church of Picture in Poetry: by Gladys Harp son, Marco criticism he was receiving from Westfield, the Carib- I am rich today with autumn’s gold, Santomenna, recently his teachers.” bean was the perfect All that my covetous hands can hold; released their joint ef- It was from this labor of love place for her story to fort, “Caribbean Ca- that “Caribbean Capers” devel- evolve. Frost-painted leaves and goldenrod, pers,” a middle-school oped. At one time she and A goldfinch on a milkweed pod, grade mixture of mys- “It didn’t start out as a book,” her husband, Roland, Huge golden pumpkins in the field tery and adventure that explained Marco.