WF Planning Board OK's Wolfgang Puck for Elm
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PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
WF Planning Board OK's Wolfgang Puck for Elm
S13 I’l ******** ( ( fir nr l LIT * * r n 1 550 tWI BROADLSTMEMORIAL LIBRflRY WES rf fEl D NJ 07090-7116 aii Populos. Jlon auitus. IJciUrnimus ISPS 680020 Published K\er> I’hursda' Since 1 <S*M) (90S) 232-4407 (H R 114th YEAR - ISSU E NO. 12-114 Thursday. November 27. 2003 Periodical - Postage Paid at W estfield. N.J. w w w.goleader.com press(<»' goleader.com FIFTY ( I M S WF Planning Board OK’s Wolfgang Puck for Elm St. B> KIMBKRIA BROADWI I I too thought the vacant bank was an during then time in the downtown S/Vi U ■ r I < I hr M , ••• , .. / , eyesore and that she felt it w ould area of Westfield. In a seven to tw o vote, the W estfield help increase the walking traffic on Those opposed to the application Planning Board approved with con Elm Street for the local business were Planning Board members. An ditions the proposal to turn the va ow ners. thony I .aPorta and W illia m /iff. w ho cant bank at One E lm Street into a Shorn Cronin. Executive Director both voted against the project. Both Wolfgang Puck Express Restaurant. o f the Dow ntow n W estfield C orp o members thought that the restaurant The applicants. Limited 1 lability ration (DWC) also spoke regarding would onlv make a bad traffic prob Company (I I C). plan to convert the the new restaurant stating that she lem in the area even worse. building to a Wolfgang Puck Express thought the business would help pe RichardSehkolniek. -
2003-Annual-Report.Pdf
The Company 2003 ANNUAL REPORT CELEBRATING 75 YEARS OF MICKEY FINANCIAL HIGHLIGHTS 1 LETTER TO SHAREHOLDERS 2 FINANCIAL REVIEW 10 COMPANY OVERVIEW 14 STUDIO ENTERTAINMENT 16 PARKS AND RESORTS 24 CONSUMER PRODUCTS 32 MEDIA NETWORKS 36 WALT DISNEY INTERNATIONAL 50 DISNEYHAND 51 ENVIRONMENTALITY 52 FINANCIAL SECTION 53 REPORT OF INDEPENDENT AUDITORS 95 FINANCIAL HIGHLIGHTS (In millions, except per share data) 2003 2002 Revenues $27,061 $25,329 Segment operating income 3,174 2,822 Diluted earnings per share before the cumulative effect of accounting changes 0.65 0.60 Cash flow provided by operations 2,901 2,286 Borrowings Total 13,100 14,130 Net(1) 11,517 12,891 Shareholders’ equity 23,791 23,445 (1) Net borrowings represent total borrowings of $13,100 million less cash and cash equivalents of $1,583 million. 1#1 LETTER TO SHAREHOLDERS To Fellow Owners and Cast Members: I’ve always believed that good news shouldn’t wait, so this year I thought I’d start right off with a review of the numbers. In 2003, we experienced solid earnings growth despite the difficult economic and geopolitical environment that prevailed during most of the year. Most significantly, our fourth quarter was very strong, with more than double the earnings of Q4 in 2002, underscoring our confidence in generating growth in the new year. Equally important, we delivered free cash flow for the year that was up more than 50 percent over last year and continued to bolster our balance sheet. During fiscal 2003, our stock price appreciated 36 percent, compared to the S&P 500’s growth of 25 percent. -
Arts & Entertainment Entertainment
Page 16 Thursday, November 27, 2003 The Westfield Leader and The Scotch Plains – Fanwood TIMES A WATCHUNG COMMUNICATIONS, INC. PUBLICATION ArtsArts && EntertainmentEntertainment TTidesides TTurnurn FFavavorablyorably WhenWhen GGrandma,randma, GGrandsonrandson TTeameam UUpp inin AAdvdventurenturee BookBook By MARYLOU MORANO write it the way I wanted to,” said For Joan, who lived Specially Written for The Westfield Leader and The Times Marco. in Westfield from 1940 WESTFIELD — A former “So I wrote a story “grandma style” to 1949, attended both Westfield woman’s love and concern and asked Marco to comment on it Grant School and Michelle H. Le Poidevin for The Westfield Leader and The Times for her grandson has turned the two for me,” Joan said. Westfield High School, of them into co-authors. Joan then tried to relate Marco’s and was married in The Picture in Poetry: “Autumn Glory” Joan Santomenna, and her grand- comments of her writing to the Presbyterian Church of Picture in Poetry: by Gladys Harp son, Marco criticism he was receiving from Westfield, the Carib- I am rich today with autumn’s gold, Santomenna, recently his teachers.” bean was the perfect All that my covetous hands can hold; released their joint ef- It was from this labor of love place for her story to fort, “Caribbean Ca- that “Caribbean Capers” devel- evolve. Frost-painted leaves and goldenrod, pers,” a middle-school oped. At one time she and A goldfinch on a milkweed pod, grade mixture of mys- “It didn’t start out as a book,” her husband, Roland, Huge golden pumpkins in the field tery and adventure that explained Marco. -
Looking for Latino Regulars on Prime-Time Television: the Fall 2003 Season
CSRC RESEARCH REPORT N O. 3 • APRIL 2004 AN OCCASIONAL SERIES AVAILABLE IN ELECTRONIC FORMAT LOOKING FOR LATINO REGULARS ON PRIME-TIME TELEVISION: THE FALL 2003 SEASON ALISON R. HOFFMAN AND CHON A. NORIEGA UCLA CHICANO STUDIES RESEARCH CENTER Latinos now comprise the largest minority group in the country, yet register as the most underrepresented group in prime-time. 75% of prime-time’s regular characters are white and 85% of shows do not include Latino regular characters. Though more minorities appear on prime-time this year, the number of Latino characters has remained constant. FOR MORE INFORMATION, CONTACT: UCLA Chicano Studies Research Center • 193 Haines Hall • Los Angeles, CA 90095-1544 Phone: 310-825-2642 • Fax: 310-206-1784 • E-Mail: [email protected] The center’s books and journals are sold at www.chicano.ucla.edu Editor: Chon A. Noriega • Publications Coordinator: Wendy Belcher This series is a project of the CSRC Latino Research Program, which receives funding from the University of California Committee on Latino Research. MISSION STATEMENT The UCLA Chicano Studies Research Center supports interdisciplinary, collaborative, and policy-oriented research on issues critical to the Chicano community. The center’s press disseminates books, working papers, and the peer-reviewed Aztlán: A Journal of Chicano Studies. RESEARCH REPORT APRIL 2004 ast year the UCLA Chicano Studies Research Center issued its first Overall, network prime-time programs include more minority annual study of race and genre on prime-time television’s Fall 2002 characters than last year (172 or 24.8% of all characters in 2003, versus 151 or 23.3% in 2002). -
Islands to Become Part of 911 Address System
16 THE PARRY SOUND BEACON★STAR Saturday, July 3, 2004 Thursday, July 8 ARCHIPELAGO TOWNSHIP 7:00 PM q\ This Old House Gun (1988) A wacky police offi- 2\ eTalk Daily d\ The Secrets of Forensic cer attempts to stop the assassi- 3\ Train 48 Science nation of the British Queen in the 4\ Who Wants to Be A Mil- g\ Dragon Ball U.S. Leslie Nielsen, George lionaire? h\ Movie ++++ On the Kennedy 6\ Ontario Stories Waterfront (1954) An ex-fighter $\ Movie ++ Nobody’s Perfect 7\ Extra is torn between standing up (1989) A shy young man wants 8\ Film 101 against a union boss or support- to befriend an attractive girl at Islands to become part 9\ Action News ing his brother. Marlon Brando, the new college he is attending. 0\ Wheel of Fortune Karl Malden Chad Lowe, Gail O’Grady q\ Nightly Business Report c\ BeastMaster %\ Tru Calling d\ In a Fix ,\ CFL Pre-Game ^\ Vital Scan g\ Martin Mystery $\ Boy Meets World *\ Cold Case Files h\ Touched By An Angel %\ North Shore E\ Zoo Diaries k\ That ‘70s Show ^\ Frontiers of Construction *\ Cold Case Files 9:20 PM c\ Blind Date 0\ of 911 address system ,\ Classic Boxing E\ Extra Will & Grace $\ Even Stevens U\ Movie +++ The Mask 9:30 PM %\ The Simpsons (1994) A nerdy bank clerk finds 3\ Will & Grace ^\ Daily Planet an ancient mask that turns him q\ MUCC’s Michigan-Out-of- up. *\ American Justice into a smooth-talking superhero. Doors E\ Pet Project Jim Carrey, Cameron Diaz g\ Ready or Not Making it easier for “The OPP have vessels to get to the islands,” said T\ Baseball 8:30 PM E\ Dogs with Jobs U\ Seinfeld 2\ Corner Gas 10:00 PM Mr. -
TITLE GENRE # of Scripts # 1-800-Missing
TITLE GENRE # of scripts # 1-800-Missing - "Delusional" Drama 1 1-800-Missing - "The Fisher Queen" Drama 1 187 Detroit 7th Heaven Drama 1 30 Rock "Tracey Does Conan" Comedy 1 30 Rock "The Ones" Comedy 1 666 Park Avenue: Pilot Supernatural Drama The 4400 - "Mommy's Bosses" Drama 1 A Adam 12 Drama 1 Addams Family, The Comedy 1 Alias - "So It Begins 1 Alias- "Color Blind" Thriller 1 Alias- "Pilot" Alice- "Sex Education" Comedy 1 American Family - "Circle of Fire" Comedy 1 American Horror Story "Pilot" Horror Andy Richter Controls The Universe Comedy 1 Angel - "Apocalypse Nowish" Comedy 1 ANGEL "Inside Out" Drama 1 ANGEL "Peace Out" Drama 1 ANGEL "Sacrifice" Drama 1 ANGEL "Shells" Drama 1 ANGEL "Shiny Happy People" Drama 1 ANGEL "The Magic Bullet" Drama 1 ANGEL "Untitled" Drama 1 Angels on Horseback 1 Arliss The Art of the Sports Agent - "All The Glitter" Comedy 1 Arrested Development - Good Grief Comedy 1 Arrow "Pilot" Action 1 B Batman: Pretty Poison Animated 1 Batman: The Cape-And-Cowl Conspiracy Animated 2 Becker Comedy 1 Bernie Mac Show, The Comedy 1 BERNIE MAC SHOW, THE "Saving Sergeant Tompkins" Comedy 1 Beverly Hills, 90210 - "Buffalo Gals" Drama 1 Beverly Hills, 90210 - "Everything's Coming Up Roses" Drama 1 Beverly Hills, 90210 - "Lover's Leap" Drama 1 Beverly Hills, 90210 - Must Be a Guy Thing" Drama 1 Bewitched - "Sam in the Moon" Comedy 1 Beyond the Break 1 Big Bang Theory - "Cornhusker Vortex" Comedy 1 Big Bang Theory - "Pilot" Comedy 2 Big Bang Theory - "Vertabedian Conundrum" Comedy 1 BIG HOUSE, THE "Hart Transplant" 1 Big -
Robert G. Lee a Stand-Up Kind of Guy
Robert G. Lee A Stand-Up Kind of Guy Not Many Comics... * Make the cover of The Wall Street Journal * Have warmed up 1000s of audiences for Hollywood’s top sitcoms * Are played over 12,000 times a month on SIRIUS radio * Have released eight 100% clean comedy projects Robert G. Lee is a seasoned comic who comes armed with a refreshingly clean, relatable act. He’s a sitcom warm-up trained to ad lib off the cuff with any type of crowd. Robert has been entertaining audiences behind the scenes on Hollywood sitcoms such as “Golden Girls,” “Wings” and “Old Christine” for over 3 decades! Whether delivering laughs nationwide on Sirius radio’s Laughs USA, or writing punchlines for produce on “Veggie Tales,” Robert’s clever, slice-of-life observational material along with his impish and punchy storytelling style is always a guaranteed audience pleaser! High praise indeed! Hollywood Sitcom Warm Up… “You’re freakin’ hilarious!” Julia Louise Dreyfus, Actress, “Old Christine” “If you do not fall in love with Robert Lee by the end of the night, come see me personally afterwards and I'll ask, “What the heck's wrong with you?” Norman Lear, TV Statesman and Producer of “One Day At A Time” “I don’t know how you do it, but you’re just fantastic.” Ted Danson, Actor, “Becker” “The audience loves him, the writers and crew love him. Being a warm up requires a certain lack of self-preoccupation because you’re serving the show, and Robert is willing to do that.” Deborah Oppenheimer, Ex. -
Written Direct Statement of the Mpaa-Represented Program Suppliers
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. ) In the Matter of ) ) Distribution of the ) Docket No. 2012-6 CRB CD 2004-2009 ) (Phase II) 2004, 2005, 2006, 2007, 2008, and ) 2009 Cable Royalty Funds ) ) WRITTEN DIRECT STATEMENT OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS VOLUME I OF II WRITTEN TESTIMONY AND EXHIBITS Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Kimberly P. Nguyen D.C. Bar No. 996237 Naomi Straus D.C. Bar No. 1011753 MITCHELL SILBERBERG & KNUPP LLP 1818 N Street, NW, 8th Floor Washington, D.C. 20036 Telephone: (202) 355-7917 Facsimile: (202) 355-7887 [email protected] [email protected] Attorneys for MPAA-Represented May9,2014 Program Suppliers Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. ) In the Matter of ) ) Distribution of the ) Docket No. 2012-6 CRB CD 2004-2009 ) (Phase II) 2004, 2005, 2006, 2007, 2008, and ) 2009 Cable Royalty Funds ) ) WRITTEN DIRECT STATEMENT OF MPAA-REPRESENTED PROGRAM SUPPLIERS The Motion Picture Association of America, Inc. ("MPAA"), on behalf of its member companies and other producers and/or distributors of syndicated movies, series, specials, and non-team sports broadcast by television stations who have agreed to representation by MPAA ("MPAA-represented Program Suppliers"),1 in accordance with the September 23, 2013 Order of the Copyright Royalty Judges ("Judges"), hereby submit their Written Direct Statement in the captioned matter. MPAA submits this introductory memorandum in order to summarize the evidence it intends to present in this proceeding and to state the Phase II Claims of MPAA-represented Program Suppliers for the 2004, 2005, 2006, 2007, 2008, and 2009 cable royalty funds ("2004-2009 Cable Royalties").