Academician Eugen Simion
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George Toader
BIBLIOTECA IULIA HASDEU A. LITERATURA ROMANA CLASICA SI CONTEMPORANA 1. Opere alese – Vol. I de Mihail Eminescu – Editura pentru literatura 1964 2. Romanii supt Mihai-Voievod Viteazul - Vol. I, II de Nicolae Balcescu Editura Tineretului 1967 3. Avatarii faraonului Tla – Teza de doctorat – de George Calinescu Editura Junimea, Iasi 1979 4. Domnisoara din strada Neptun de Felix Aderca - Editura Minerva 1982 5. Eficienta in 7 trepte sau Un abecedat al intelepciunii de Stephen R Covey Editura ALLFA, 2000 6. Explicatie si intelegere – Vol.1 de Teodor Dima Editura Stiintifica si Enciclopedica 1980 7. Gutenberg sau Marconi? de Neagu Udroiu – Editura Albatros 1981 8. Arta prozatorilor romani de Tudor Vianu – Editura Albatros 1977 9. Amintiri literare de Mihail Sadoveanu – Editura Minerva 1970 10. Fire de tort de George Cosbuc – Editura pentru literatura 1969 11. Piatra teiului de Alecu Russo – Editura pentru literatura 1967 12. Paradoxala aventura de I. Manzatu – Editura Tineretului 1962 13. Amintiri, povesti, povestiri de Ion Creanga Editura de stat pentru literatura si arta 1960 14. Mastile lui Goethe de Eugen Barbu - Editura pentru literatura 1967 15. Legendele Olimpului de Alexandru Mitru – Editura Tineretului 1962 16. Studii de estetica de C. Dimitrescu – Iasi – Editura Stiintifica 1974 2 17. Un fluture pe lampa de Paul Everac – Editura Eminescu 1974 18. Prietenie creatoare de Petre Panzaru – Editura Albatros 1976 19. Fabule de Aurel Baranga – Editura Eminescu 1977 20. Poezii de Nicolae Labis – Editura Minerva 1976 21. Poezii de Octavian Goga – Editura Minerva 1972 22. Teatru de Ion Luca Caragiale – Editura Minerva 1976 23. Satra de Zaharia Stancu – Editura pentru literatura 1969 24. -
Exile As Severance Alexandru Boldor Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Exile as severance Alexandru Boldor Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Comparative Literature Commons Recommended Citation Boldor, Alexandru, "Exile as severance" (2005). LSU Doctoral Dissertations. 2225. https://digitalcommons.lsu.edu/gradschool_dissertations/2225 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. EXILE AS SEVERANCE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Interdepartmental Program in Comparative Literature by Alexandru Boldor B.A., Babes-Bolyai University, Cluj, 1995 M.A., Louisiana State University, 2003 August, 2005 Table of Contents Abstract . iii An Overview of the Concepts of “Exile” and “Severance” . 1 Preamble . 1 Exile: A Historical Overview . 12 Romanian Exile Literature . 18 Exile in the Modern World . 21 Variants of Exile . 27 Etymological Aspects of the Term “Exile” . 33 Exile and Severance: The Mechanics of a Phenomenon . 40 Definition of the “Severance” as an Element of Exile . 42 Etymology of “Severance” . 45 Literary Corollaries of the Concept. 49 Tristan Tzara: The Evasion of “The Approximate Man”. 58 A Puzzling Personality . 58 The Early Years. 63 Zürich . 76 The “Dégoût” and the Beginnings of an Ars Poetica . -
The Identity of the Romanian Pre-Avant-Garde
Études et articles THE IDENTITY OF THE ROMANIAN PRE-AVANT-GARDE Dr. Paul DUGNEANU “Ovidius” University of Constanţa [email protected] Rezumat: În evoluţia şi dialectica fenomenului literar de la sfârşitul secolului al XIX-lea şi începutul secolului al XX-lea, se observă o perioadă de declin artistic, de confirmare a curentelor şi a mişcărilor literare, perioadă care neagă tradiţia şi care, prin intermediul unor elemente importante, vine să anunţe avangarda istorică. Ne referim aici la o serie de curente literare şi artistice ce conţin un set de trăsături similare, cu un fetiş pentru noutatea care şochează şi un suport oferit valorilor generale şi în mod normal acceptate, fără să conţină forţa de penetrare, agresivitate, coerenţă sau împrăştiere a avangardei actuale: fauvism, cubism, futurism, imagism, vorticism şi altele. Cuvinte cheie: Pre-avangardă, anti-tradiţionalism, manifest poetic, post-simbolism, program- articol, arhitext Abstract: In the evolution and dialectics of the literary phenomenon at the end of the XIX century and the beginning of the XX century we can note a period of artistic fizzle, of confirming literary currents and movements, that vehemently deny the tradition and which, through some important elements, shall announce the historical avant-garde. We are referring to a series of artistic and literary currents, with a set of similar features, having a fetish for the shocking novelty and bracketing of the established and generally accepted values, without having the force of penetration, aggressiveness, coherence and spreading of the actual avant-garde: the fauvism, cubism, futurism, imagism, vorticism and others. Keywords: Pre-avantgarde, anti-traditionalism, poetic manifest, post-symbolist, programme- article, archi-text. -
Mare Ponticum Volume 3/2013
Catina -Alina Preda (Adjunct lecturer at the Dept. of Languages, Literature & Culture of the Black Sea Countries, Democritus University of Thrace) Literatura română la începutul secolului al XX-lea The Romanian Literature at the beginning of the 20th century Any scientific research upon any writer's work must start by establishing the spatial and temporal 'coordinates' in which the analysed phenomenon appears and de- velops. In this way, we think that a part of the marvelous work of Istratti can be better interpreted within the Romanian literature of the 20th century. This is why we intend to summarise the most significant aspects of the Romanian world of literature, as these are elements indispensable to our study. At the beginning of the 20th century, the debate between Maiorescu and Gherea is well known. It apparently stopped but it was re-ignited by some writers, out of habit, thus making the literary world of that period be dynamic. The need of a new direction for the Romanian literature was best perceived by Mihail Kogalniceanu, who actually succeeded in re-uniting some of the most signifi- cant authors of the time within the “Dacia literara” magazine. This explains the creation of a representative part of the literature, made up of writers who, even though not completely mature, proved themselves capable of un- derstanding their position and role under the new socio-cultural conditions that they had to reflect in one way or another. Not only did they manage to create a synthesis of the period of 1848, but they also achieved the gradual conquest of the socio-political fields and, eventually of the literary one. -
Fondatia Pentru Literatură Si Artă ,,REGELE CA.ROL Al D-Lea''
UN A.SEZĂMÂNT REGAL: Fondatia pentru' Literatură si Artă ,,REGELE' CA.ROL al D-lea''' Petruţa BURLACU Potrivit unei vechi şi bune tradiţii, regii României s-au preocupat de problemele culturale ale ţării, urmărind să ofere un sprijin eficient culturii româneşti. În Bucureşti, Iaşi şi Cluj au luat fiinţă fundaţii şi aşezăminte regale consacrate menţinerii şi încurajării creaţiei culturale. În Bucureşti, fondul de carte al Bibliotecii Universitare „Carol I", devenită Biblioteca Centrală Universitară a făcut obiect de studiu pentru mulţi studenţi şi profesori, iar Editura Fundaţiei pentru Literatură şi Artă a dat la iveală cărţi valoroase pentru toate domeniile. Tot de numele acestei fundaţii se leagă şi apariţia unei publicaţii periodice care vreme de 13 ani s-a impus ca una dintre cele mai bune în contextul vieţii culturale bucureştene. La conducerea acestor aşezăminte regale au fost numite personalităţi recunoscute ale culturii româneşti care cunoşteau îndeaproape necesităţile acesteia şi au orientat cu competenţă activitatea fundaţiilor regale spre domenii care aveau nevoie de sprijin şi spre manifestări de reală valoare pentru cultura românească. Deschizătorul acestui drum a fost primul rege al României, Carol I. Cu ocazia împlinirii a 25 de ani de la venirea sa pe tron, regele Carol I şi-a exprimat dorinţa înfăptuirii unui aşezământ care să servească tinerimii universitare 1.Pentru construirea acestui aşezământ regele donează din patrimoniul Casei Regale o suprafaţă de teren de 1 200 mp', situată în faţa Palatului Regal, precum şi suma de 200 OOO lei 2. Fundaţia Universitatea „Carol I" a fost construită între anii 1891-1895. Biblioteca universitară „Carol I" a oferit studenţilor de la toate facultăţile un sprijin important în întocmirea lucrărilor de specialitate, tezelor de licenţă şi doctorat. -
Annals of UPET
Annals of the University of Petroşani, Mining Engineering, 19 (2018) 1 ISSN 1454-9174 ANNALS OF THE UNIVERSITY OF PETROSANI MINING ENGINEERING vol. 19 (XLVI) UNIVERSITAS PUBLISHING HOUSE Petroşani – ROMÂNIA, 2018 2 Annals of the University of Petroşani, Mining Engineering, 19 (2018) ISSN 1454-9174 EDITOR OF PUBLICATION Prof. PhD.eng. Ioan-Lucian BOLUNDUȚ a ADVISORY AND EDITORIAL BOARD OF MINING ENGINEERING ISSUES ADVISORY BOARD Prof. PhD. Eng. Zacharis AGIOTANTIS Technical University of Crete - Greece PhD. Habil Eng. Marwan AL HEIB Ecole des Mines de Nancy, INERIS, France PhD. Eng. Horea BENDEA Politechnico di Torino, Italy Prof. PhD. Eng. Raimondo CICCU University of Cagliari, Italy Prof. PhD. Eng. Carsten DREBENSTEDT Technische Universitat Bergakademie Freiberg – Germany PhD. Eng. Edmond GOSKOLLI National Agency of Natural Resources, Albania Prof. PhD. Eng. Victor HARCENKO Moscow State Mining University Russia Assoc. Prof.PhD. Eng. Ventzislav IVANOV University of Mining and Geology – Sofia - Bulgaria Assoc. Prof. PhD. Eng. Charles KOCSIS University of Nevada, Reno, U.S.A Prof. PhD. Eng. Andrei KORCEAK Moscow State Mining University Russia Prof. PhD. Eng. Gheorghe MORARU Technical University of Moldova – Chişinău, Moldova Prof. PhD. Eng. Roland MORARU University of Petroşani Prof. Ph.D. Eng.Jan PALARSKI Silezian University of Technology, Gliwice, Poland PhD.Eng. Raj SINGHAL Int. Journal of Mining, Reclamation and Environment - Canada Prof. PhD. Eng. Ingo VALMA Tallin University of Technology – Estonia Prof. PhD. Eng. Işik YILMAZ Cumhuriyet University – Istambul, Turcia EDITORIAL BOARD Editor-in-chief: Prof. PhD. Eng. Ilie ONICA University of Petroşani Deputy Lecturer PhD. Eng. Dacian-Paul MARIAN University of Petroşani editors: Assoc. Prof. PhD. -
Ion Luca Caragiale 160 De Ani De La Nastere ’ Si ’ 100 Ani De La Moarte
An V, nr. 14, martie 2012 AXIS LIBRI 2012 - Anul Caragiale Ion Luca Caragiale 160 de ani de la nastere ’ si ’ 100 ani de la moarte „Caragiale a fost un dramaturg înzestrat cu o reală putere de observaţie a contrastelor dintre formă şi fond, şi cu un mare talent de a da sub haina scenică o serie de tipuri, care prin unitatea lor sufletească, energică şi expresivă, au ajuns adevărate simboluri ale mentalităţii unei întregi clase sociale din epoca noastră de prefacere.” (Eugen Lovinescu) „Prin valoarea comediilor de moravuri şi de caractere, scrise, din păcate, într-o limbă fără circulaţie mondială, I.L. Caragiale este, probabil, cel mai mare dintre autorii dramatici necunoscuţi.” (Eugen Ionescu) „Comediile lui Caragiale reprezintă partea cea mai originală, mai rezistentă şi mai profund morală a întregului repertoriu dramaturgic românesc.” (Florin Manolescu) „Literatura lui Caragiale reprezintă cea mai expresivă şi mai îndrăzneaţă tentativă de acreditare artistică din 30 ianuarie 1852 - 09 iunie 1912 întreaga noastră literatură.” (Florin Manolescu) „Geniul lui era unul din punctele nediscutate ale crezului național. Și tot disprețul pe care-l arunca el admiratorilor şi invitaților săi n-ajungea ca să-i ştirbească - lucru rar pe lume - dreptul de a zice şi de a face oricui orice, de a jigni sentimentul public în orice formă, de a sta împotriva vremii sale, şi când greşea ea, şi când era el greşitul.” (Nicolae Iorga) Colegiul editorial: Acad. prof. dr. Dinu C. Giurescu Acad. prof. dr. Gheorghe Buzatu Acad. prof. univ. dr. Constantin Gh. Marinescu Prof. univ. dr. Adrian Dinu Rachieru Conf. univ. dr. Elena Tîrziman Dr. -
Rearticulating Socialist Subjectivities
Rearticulating Socialist Subjectivities Class and Gender in Romanian Fiction during Communism by Alexandru Demirel Emil Boican Submitted in accordance with the requirements for the degree of Doctor in Philosophy School of Slavonic and East European Studies University College London 2016 I, Alexandru Demirel Emil Boican confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract This thesis proposes a socio-cultural analysis of the articulation of socialist subjectivities in Romanian fiction during the communist period. The question underpinning my research, therefore, concerns the way in which the literary articulation of subjectivity changed across two historical divides: from the inter-war period to Socialist Realism and from Socialist Realism to the literature of the troubling decade. This thesis will be argued over four chapters, two of which will examine the works of Mihail Sadoveanu while a further two will dissect the works of Augustin Buzura. Through the close reading of the works of Sadoveanu and Buzura, whose careers span the two aforementioned historical divides, this thesis will trace the complex rearticulating of class and gender subjectivities as they evolved throughout the communist period, as well as the importance of the communist regime’s social legacies as regards the understanding of post 1989 social developments in Romania. Central to the communist regime’s project of social transformation was the creation of an egalitarian society by default of the abolition of capitalist classes and gender inequalities. While the regime claimed that the material basis of these inequalities had been eliminated and social emancipation was well advanced, critics considered that the official egalitarian discourse had erased social and individual differences and engendered the so-called “faceless masses”. -
Images of Town Life in the Writings of Ion Călugăru, Isac Peltz and Ury Benador
Romanica Cracoviensia 12 / 2012 10.4467/20843917RC.12.020.0737 Gabriela Gavril-Antonesei Alexandru Ioan Cuza University Iaşi IMAGES OF TOWN LIFE IN THE WRITINGS OF ION CĂLUGĂRU, ISAC PELTZ AND URY BENADOR. ASPECTS OF THEIR RECEPTION1 CONTEXT Isac Peltz, Ion Călugăru, Ury Benador – and other important writers, particularly M. Sebastian, who will not be discussed in this paper, though – published their most representative work in the fourth decade of the last century. At the time, Romania faced a strong surge of nationalistic political movements, which led to multiplied and intensified anti-Semitic acts. More and more voices of the time2 – among them some public figures of a rather liberal line, and representatives of the church – were requesting the “cleansing” of Romania of its Jews and even the review and annulment of the citizenship granted to them in 1923. Under the party name of “Totul pentru Ţară” (“Everything for the Country”), the Garda de Fier (Iron Guard) obtained in the 1937 elections 16.5% of the votes of the electorate, thus becoming the third political power in the country. When the PNC (Goga-Cuza) government came to power in 1937, they imposed an anti-Semitic legislation that deprived more than 200 000 Jews of their civil rights.3 The media campaigns for a “Romanisation” of society – as pursued by Pamfil Şeicaru in Curentul, Nicolae Iorga in Cuget clar and Neamul Românesc – are proof that the anti-Semitic ideas and language were common in many circles.4 In December 1 A version of this paper was presented at the Conference “I Am a Romanian: the Bucharest – Tel Aviv Route”, organized by The Romanian Cultural Institute in Tel Aviv, in partnership with the “Ben Gurion” University in Beer Sheva, 29.03–1.04.2011. -
IOANA VALENTINA MURĂRUȘ Nume Sub Care Public: OANA CHELARU-MURĂRUȘ
CURRICULUM VITAE IOANA VALENTINA MURĂRUȘ Nume sub care public: OANA CHELARU-MURĂRUȘ e-mail: [email protected] [email protected] ■ DATE PERSONALE Data şi locul naşterii: 31 ianuarie 1956, Bucureşti ■ STUDII 1974-1978: Facultatea de Limba şi Literatura Română a Universităţii din Bucureşti (specializarea română-engleză), absolvită cu diplomă de merit (media 9,99). ■ LIMBI STRĂINE . Engleză: lectură, redactare, conversaţie (Nivel C1) . Italiană: lectură, conversaţie (Nivel B2), redactare (Nivel B1) . Germană: lectură, conversaţie, redactare (Nivel A2) . Franceză: lectură (Nivel B1) ■ COMPETENŢE PC . Operare Word, Powerpoint, Excel (elementar) ACTIVITATEA DIDACTICĂ ■ EXPERIENŢĂ DIDACTICĂ ÎN ÎNVĂŢĂMÂNTUL PREUNIVERSITAR 1978 – 1985: profesoară de limba şi literatura română la Liceul de Filologie - Istorie „Ion Creangă”, Bucureşti (definitivare în învăţământul preuniversitar în 1980 - cu media 10). 1985 – 1990: profesoară de limba şi literatura română la Liceul de Ştiinţele Naturii „C.A.Rosetti”, Bucureşti (gradul didactic II în 1985 - cu media 10; gradul didactic I în 1989 - cu media 10). ■ ACTIVITATE DIDACTICĂ ÎN ÎNVĂŢĂMÂNTUL UNIVERSITAR________________ 1991 – 1993: asistent universitar (post ocupat prin concurs), Universitatea din Bucureşti, Facultatea de Litere, Catedra de limba română. Seminare de lingvistică generală / teoria limbii, fonetică şi fonologie, lexicologie, sintaxă 1993 – 2007: lector (post ocupat prin concurs), Universitatea din Bucureşti, Facultatea de Litere, Catedra de limba română. Licenţă: cursuri şi seminare -
Arhive Personale Şi Familiale
Arhive personale şi familiale Vol. 1 Repertoriu arhivistic 2 ISBN 973-8308-04-6 3 ARHIVELE NAŢIONALE ALE ROMÂNIEI Arhive personale şi familiale Vol. I Repertoriu arhivistic Autor: Filofteia Rînziş Bucureşti 2001 4 • Redactor: Ioana Alexandra Negreanu • Au colaborat: Florica Bucur, Nataşa Popovici, Anuţa Bichir • Indici de arhive, antroponimic, toponimic: Florica Bucur, Nataşa Popovici • Traducere: Margareta Mihaela Chiva • Culegere computerizată: Filofteia Rînziş • Tehnoredactare şi corectură: Nicoleta Borcea, Otilia Biton • Coperta: Filofteia Rînziş • Coperta 1: Alexandru Marghiloman, Alexandra Ghica Ion C. Brătianu, Alexandrina Gr. Cantacuzino • Coperta 4: Constantin Argetoianu, Nicolae Iorga Sinaia, iulie 1931 Cartea a apărut cu sprijinul Ministerului Culturii şi Cultelor 5 CUPRINS Introducere……………………………….7 Résumé …………………………………..24 Lista abrevierilor ……………………….29 Arhive personale şi familiale……………30 Bibliografie…………………………….298 Indice de arhive………………………...304 Indice antroponimic……………………313 Indice toponimic……………………….356 6 INTRODUCERE „…avem marea datorie să dăm şi noi arhivelor noastre întreaga atenţie ce o merită, să adunăm şi să organizăm pentru posteritate toate categoriile de material arhivistic, care pot să lămurească generaţiilor viitoare viaţa actuală a poporului român în toată deplinătatea lui.” Constantin Moisil Prospectarea trecutului istoric al poporului român este o condiţie esenţială pentru siguranţa viitorului politic, economic şi cultural al acestuia. Evoluţia unei societăţi, familii sau persoane va putea fi conturată -
Radio Free Europe in Paris
Radio Free Europe in Paris: the Paradoxes of an Ethereal Opposition by Ioana Macrea-Toma Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Constantin Iordachi Second Reader: Professor Istvan Rev CEU eTD Collection Budapest, Hungary 2008 Statement of copyright: “Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any copies such made. Further copies made in accordance with such instructions may not be made without the written permission of the Author”. CEU eTD Collection i Abstract This paper explores, interprets and contributes to the studies regarding Radio Free Europe in a cold War context. By focusing on the Romanian Department of RFE and further on to Monica Lovinescu’s cultural broadcasts we intend to provide new insights about a type of cultural liberal advocacy framed by an international context and a local intellectual tradition. By resorting to communication theory, intellectual history and socio-history of intellectuals we will place Monica Lovinescu’s message within an intellectual historical interaction which is responsible for the establishment of a literary canon and for the present discourse about the past. A concentric contextualization will gradually introduce our case study, repositioning it into history after a classicized solemn locating it on a transcendental pedestal. The elements of novelty of our undertaking are multifold: it provides factual information about a phenomenon only personally evoked, it applies a complex set of theoretical methodologies and last, but not least, it uses a comparative comprehensive historical approach in order to discard ethical, Manichean or self-centered visions about the Communist period.