Rearticulating Socialist Subjectivities
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Nature Writing in Romania During the Post-War and Post-Communist Period
Emanuel Modoc Faculty of Letters, Babeș-Bolyai University Cluj-Napoca, Romania [email protected] NATURE WRITING IN ROMANIA DURING THE POST-WAR AND POST-COMMUNIST PERIOD Recommended Citation: Modoc, Emanuel. “Nature Writing in Romania During the Post-War and Post- Communist Period”. Metacritic Journal for Comparative Studies and Theory 3.2 (2017): https://doi.org/10.24193/mjcst.2017.4.04 Abstract: My proposal aims to investigate the changes in the Romanian literary discourse on nature and the effects of industrialization following the 1989 revolution in comparison to the ideological discourse of the post-war era. If Romanian post-war literary discourse is firmly tied to the underlying ideology of Communism, then any attempt to investigate the discourse on nature in this period must be made alongside a reading of the Communist discourse on nature. In this respect, the situation of Romanian post-1989 prose that contains aspects of the influence of Communist industrialization on nature provides an interesting case study on the effects of the post-industrial era on literature itself. Thus, my proposal will focus on a number of novels written after 1989 in an ecocritical mode of reading. Keywords: ecocriticism, nature, ideology, Romanian post-war literature, 1989 Revolution Seeing as Romanian post-war literary discourse is invariably subordinated to the Communist ideology, analysing nature writing, or any discourse on nature of this period for that matter, from an ecocritical perspective could be seen as both a productive and a fruitless endeavour. As paradoxical as it may seem, to talk about nature in Romanian Communism, and then to talk about the Communist discourse on nature implies a careful, exhaustive, and therefore productive analysis of its ideology. -
Journal of Romanian Literary Studies Issue No
2013 Journal of Romanian Literary Studies Issue no. 3 http://www.upm.ro/jrls/ E-ISSN: 2248-3304 Published by Petru Maior University Press, Nicolae Iorga Street No. 1, 540088, Târgu-Mureș, Romania Email: [email protected]; (c) 2011-2013 Petru Maior University of Târgu-Mureș SCIENTIFIC BOARD: Prof. Virgil NEMOIANU, PhD Prof. Nicolae BALOTĂ, PhD Prof. Nicolae MANOLESCU, PhD Prof. Eugen SIMION, PhD Prof. George BANU, PhD Prof. Alexandru NICULESCU, PhD EDITORIAL BOARD: Editorial Manager: Prof. Iulian BOLDEA, PhD Executive Editor: Prof. Al. CISTELECAN, PhD Editors: Prof. Cornel MORARU, PhD Prof. Andrei Bodiu, PhD Prof. Mircea A. DIACONU, PhD Assoc. Prof. DORIN STEFANESCU, PhD Assoc. Prof. Luminița CHIOREAN, PhD Lecturer Dumitru-Mircea BUDA, PhD CONTACT: [email protected], [email protected] Table of Contents AL. CISTELECAN Faith Testimonials ...................................................................................................................... 3 ȘTEFAN BORBELY The Literary Pursuit of a Historian of Religions: The Case of Ioan Petru Culianu ................ 13 CAIUS DOBRESCU Sphinx Riddles for Zamolxes. Ethno-Politics, Archaic Mythologies and Progressive Rock in Nicolae Ceausescu’s Romania ................................................................................................. 21 MIRCEA A. DIACONU The Critical Spirit in ”România Literară” in 1989 ................................................................. 31 LIVIU MALIȚA 1918: One Nation and Two Memories .................................................................................... -
Strategies of 'Aesopian Language' in Romanian Literary Criticism Under
SLOVO , VOL. 24, NO . 2 (A UTUMN 2012), 75-95. The Rhetoric of Subversion: Strategies of ‘Aesopian Language’ in Romanian Literary Criticism under Late Communism ANDREI TERIAN Lucian Blaga University of Sibiu, Romania This paper analyses the subversive strategies of ‘Aesopian language’ with reference to the discourse of the Romanian literary criticism written under late communism (1971-1989). The first two sections of the paper signal certain gaps and inconstancies in defining Aesopian language and in delineating its forms of manifestation; at the same time, they explain the spread of this subversive practice in the political and cultural context of Romanian communism. The following three sections analyse the manner in which Aesopian language materialized in the writings of some of the most important contemporary Romanian critics: Mircea Iorgulescu, Nicolae Manolescu and Mircea Martin. The final section of the study considers a revision of the current definitions of Aesopian language (through the concept of “triggers” theorized in this paper), a new classification of the rhetorical strategies acting globally in a subversive text, as well as a re-evaluation of the relevance of Aesopian language in the context of ‘resistance through culture’, which was the main form of opposition against the communist regime in Romania. INTRODUCTION In the Foreword to his famous pamphlet Imperialism: the Highest Stage of Capitalism (1917), V.I. Lenin cautioned his readers that the paper had been written ‘with an eye to the tsarist censorship’; therefore, he had found it essential to render his subversive doctrine ‘with extreme caution, by hints, in an allegorical language – in that accursed Aesopian language – to which tsarism compelled all revolutionaries to have recourse whenever they took up the pen to write a “legal” work’. -
INA15, Bohol, the Philippines
15th INA Conference, Bohol, Philippines, 2015, abstracts © 2015 International Nannoplankton Association ISSN 1210-8049 Printed in the Philippines DIAMOND LEVEL PLATINUM LEVEL International Nannoplankton Association University of the Philippines Foundation Diliman GOLD LEVEL SILVER LEVEL MNC Platinum Group Geoconsultant Metals Corporation GEOSCIENCE FOUNDATION, INC. BRONZE LEVEL UP GEOLOGY ALUMNI ASSOCIATION INC. OTHER SPONSORS Beta Analytic Inc. Lodestar Press, Inc. Department of Tourism Khumbu Enterprises, Inc. / Tramper Retailers, Inc. San Miguel Corporation DZUP 1602 2 INA15 INA15 3 INA15 Bohol, Philippines 2015 Organizing Committee & Staff Alyssa M. Peleo-Alampay: Chair Allan Gil S. Fernando: Program Committee Head Laurel M. Bybell: Lead Editor David K. Watkins & Jean M. Self-Trail: Assistant Editors Dorothy Joyce (Doyce) D. Marquez: Logistics and Registration Dianne Jules G. Rosario: Accommodations, Travel and Venue Jaan Ruy Conrad (Jaan) P. Nogot: Website and Designs Jose Dominick (Doms) S. Guballa: Field Trip Guide (Pre-Conference Fieldtrip A) Abigael (Abi) L. Castro: Field Trip Guide (Pre-Conference Fieldtrip B) John Warner (Warner) M. Carag: Field Trip Guide (Post-Conference Fieldtrip) Kevin L. Garas: Field Trip Resource Person (Bohol) Mario A. Aurelio: Field Trip Resource Person (Palawan) Dyan Mabille E. Plata: Head of Manila Support Team Support Team Gretchen (Chen) P. Callejo Raymund (Adong) C. Fernandez Maria Paola (Pao) A. Grajo Clarence Y. Magtoto 4 INA15 INA15 Bohol, Philippines 2015 Scientific Committee Alyssa M. Peleo-Alampay University of the Philippines INA15 Organizer Allan Gil S. Fernando University of the Philippines INA15 Program Committee Head Jeremy Young University College London INA President David K. Watkins University of Nebraska INA Past President and INA11 organizer Michael Styzen Noble Energy INA Foundation Manager Jean M. -
Exile As Severance Alexandru Boldor Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Exile as severance Alexandru Boldor Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Comparative Literature Commons Recommended Citation Boldor, Alexandru, "Exile as severance" (2005). LSU Doctoral Dissertations. 2225. https://digitalcommons.lsu.edu/gradschool_dissertations/2225 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. EXILE AS SEVERANCE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Interdepartmental Program in Comparative Literature by Alexandru Boldor B.A., Babes-Bolyai University, Cluj, 1995 M.A., Louisiana State University, 2003 August, 2005 Table of Contents Abstract . iii An Overview of the Concepts of “Exile” and “Severance” . 1 Preamble . 1 Exile: A Historical Overview . 12 Romanian Exile Literature . 18 Exile in the Modern World . 21 Variants of Exile . 27 Etymological Aspects of the Term “Exile” . 33 Exile and Severance: The Mechanics of a Phenomenon . 40 Definition of the “Severance” as an Element of Exile . 42 Etymology of “Severance” . 45 Literary Corollaries of the Concept. 49 Tristan Tzara: The Evasion of “The Approximate Man”. 58 A Puzzling Personality . 58 The Early Years. 63 Zürich . 76 The “Dégoût” and the Beginnings of an Ars Poetica . -
9.2 Housing Market
Public Disclosure Authorized BULGARIA Public Disclosure Authorized Public Disclosure Authorized Housing Sector Assessment F i n a l R e p o r t Prepared for Ministry of Regional Development and Public Works Public Disclosure Authorized By The World Bank June2017 HOUSING IN BULGARIA Organization of the Document To facilitate ease of reading – given the length and complexity of the full report – this document includes the following: - A 5-page Executive Summary, which highlights the key messages; - A 20-page Short Report, which presents in some level of detail the analysis, together with the main conclusions and recommendations; - A 150-page Main Report, which includes the full Situation Analysis, followed by Findings and Recommendations in detail. i HOUSING IN BULGARIA Contents Acronyms and Abbreviations IV Currency Equivalents VI Acknowledgements VII Executive Summary 1 Short Report 6 Main Report 27 SITUATION ANALYSIS 29 INTRODUCTION 31 1.1 Context 31 1.2 Relevance to the CPF and other World Bank projects 33 HOUSING AND URBANIZATION 35 2.1 Population Trends 35 2.2 Emigration 35 2.3 City typologies and trends 38 HOUSING STOCK AND QUALITY 41 3.1 Housing Stock 41 3.2 Ownership and Tenure 46 3.3 Housing Quality 50 PROGRAMS, INSTITUTIONS, LAWS, AND PROCEDURES 56 4.1 Current Approach to Housing 56 4.2 EU- and State-Funded Programs in the Housing Sector 56 4.3 Other State support for housing 61 4.4 Public Sector Stakeholders 69 4.5 Legal Framework 71 i HOUSING IN BULGARIA 4.6 Relevant Legislation and Processes for Housing 80 LOWER INCOME AND -
Catalog Engleza
Contemporary Romanian Writers MINISTRY OF CULTURE A Mature Literature A few years ago, in Romanian literature there was a clear split – in terms of themes, imagery, and devices – between writing that was firmly grounded in the critical canons, on the one hand, and texts by young writers more in tune with new trends and more receptive to outside influences, on the other. Those who had only recently entered the literary arena had the air of being a group, and this came not only from their shared imagery, disinhibition and rebelliousness, but also from their redefinition of literature and the literary. In time this split has become blurred. Whether young or old, whether esteemed by traditional-minded literary critics or beloved by the online media and literary blogs that nowadays set the publishing trends, active writers, i.e. those who publish a book at least every two to three years, have become more professional. Today's osmosis, the crystallisation of a unitary literature, is undoubtedly a sign of maturity, of the fact that the post-1989 literary transition has been left behind, and (why not?) of intellectual generosity on the part of those literary generations that have already become established. The memoir-dialogue between Paul Cornea and Daniel Cristea-Enache excerpted in this catalogue is a clear illustration of this idea. Therefore, it is pointless to discuss the literature being written in Romania today in terms of different generations. However, the genres currently being tackled might paint a livelier, more dynamic portrait of Romanian letters. The novel, still regarded as the dominant genre and the one with the greatest public impact, wagers on authenticity, parody and irony, and the results could not be more diverse. -
The Identity of the Romanian Pre-Avant-Garde
Études et articles THE IDENTITY OF THE ROMANIAN PRE-AVANT-GARDE Dr. Paul DUGNEANU “Ovidius” University of Constanţa [email protected] Rezumat: În evoluţia şi dialectica fenomenului literar de la sfârşitul secolului al XIX-lea şi începutul secolului al XX-lea, se observă o perioadă de declin artistic, de confirmare a curentelor şi a mişcărilor literare, perioadă care neagă tradiţia şi care, prin intermediul unor elemente importante, vine să anunţe avangarda istorică. Ne referim aici la o serie de curente literare şi artistice ce conţin un set de trăsături similare, cu un fetiş pentru noutatea care şochează şi un suport oferit valorilor generale şi în mod normal acceptate, fără să conţină forţa de penetrare, agresivitate, coerenţă sau împrăştiere a avangardei actuale: fauvism, cubism, futurism, imagism, vorticism şi altele. Cuvinte cheie: Pre-avangardă, anti-tradiţionalism, manifest poetic, post-simbolism, program- articol, arhitext Abstract: In the evolution and dialectics of the literary phenomenon at the end of the XIX century and the beginning of the XX century we can note a period of artistic fizzle, of confirming literary currents and movements, that vehemently deny the tradition and which, through some important elements, shall announce the historical avant-garde. We are referring to a series of artistic and literary currents, with a set of similar features, having a fetish for the shocking novelty and bracketing of the established and generally accepted values, without having the force of penetration, aggressiveness, coherence and spreading of the actual avant-garde: the fauvism, cubism, futurism, imagism, vorticism and others. Keywords: Pre-avantgarde, anti-traditionalism, poetic manifest, post-symbolist, programme- article, archi-text. -
Mare Ponticum Volume 3/2013
Catina -Alina Preda (Adjunct lecturer at the Dept. of Languages, Literature & Culture of the Black Sea Countries, Democritus University of Thrace) Literatura română la începutul secolului al XX-lea The Romanian Literature at the beginning of the 20th century Any scientific research upon any writer's work must start by establishing the spatial and temporal 'coordinates' in which the analysed phenomenon appears and de- velops. In this way, we think that a part of the marvelous work of Istratti can be better interpreted within the Romanian literature of the 20th century. This is why we intend to summarise the most significant aspects of the Romanian world of literature, as these are elements indispensable to our study. At the beginning of the 20th century, the debate between Maiorescu and Gherea is well known. It apparently stopped but it was re-ignited by some writers, out of habit, thus making the literary world of that period be dynamic. The need of a new direction for the Romanian literature was best perceived by Mihail Kogalniceanu, who actually succeeded in re-uniting some of the most signifi- cant authors of the time within the “Dacia literara” magazine. This explains the creation of a representative part of the literature, made up of writers who, even though not completely mature, proved themselves capable of un- derstanding their position and role under the new socio-cultural conditions that they had to reflect in one way or another. Not only did they manage to create a synthesis of the period of 1848, but they also achieved the gradual conquest of the socio-political fields and, eventually of the literary one. -
New Images of the Nation in Postcommunist Romanian Literature
ANDREEA MIRONESCU THE INTERRUPTED COMMUNITY: NEW IMAGES OF THE NATION IN POSTCOMMUNIST ROMANIAN LITERATURE What Can One See through a Hole in a Flag The 1989 Romanian Revolution brought to the forefront one of the most powerful and suggestive images of the interrupted community: the hole in the flag. Cutting out the national emblem of the former Socialist Republic of Romania could have been a purely contextual and defiant action during the insurrection against Ceausescu’s oppressive regime, but it had immediate and large echoes. Andrei Codrescu, a reputed Romanian-American writer who travelled back to Romania in December 1989 to relate the revolution as a radio commentator for ABC’s Nightline, was one of the first to speculate upon this image in his homonymous book published in 1991: “suddenly there, under the cold moon, there it was, the Romanian flag with the socialist emblem cut right out of the middle. […] It’s through that hole, I thought, that I am returning to my birthplace”1. Codrescu connects the hole in the flag not only with a maternal tunnel through which he returns in his homeland, but also to the motif of the empty space which featured recurrently in Romanian theories of national culture ever since the interwar period, as Bogdan Ştefănescu suggests2. However, a more transparent connection to the interrupted community, as Jean-Luc Nancy defines it in his celebrated book The Inoperative Community, is to be found in Slavoj Žižek’s interpretation of the hole in the flag. For the Slovenian philosopher, the Romanian hollowed flag is a “sublime image” of a suspended and open historical situation: “the rebels waving the national flag with the red star, the Communist symbol, cut out, so that instead of the symbol standing for the organizing principle of the national life, there was nothing but a hole in its centre”3. -
2021 Jury Report
PRIX CIRCOM REGIONAL 2021 Winners' Citations and Judges' Comments President, Prix CIRCOM Regional and Chair of Jury David Lowen 2 report report TABLE OF CONTENTS PRESIDENT'S REPORT 5 JUDGES 7 AWARD CRITERIA 10 AWARD CATEGORIES 16 GRAND PRIX CIRCOM REGIONAL 2021 10 EUROPE / SPECIAL AWARD OF THE GRAND PRIX 11 Category Europe was proposed in the competition. With only four (4) entries in the category, it was decided there were too few entries to create a strong and broad enough competition. Instead, BNT has generously agreed to support a Special Award of the Grand Prix. DOCUMENTARY 18 WINNER 19 COMMENDED 19 OTHER ENTRIES 20 ENTERTAINMENT AND DRAMA 26 WINNER 27 COMMENDED 27 OTHER ENTRIES 28 INVESTIGATIVE JOURNALISM 32 WINNER 33 COMMENDED 33 OTHER ENTRIES 34 MINORITIES IN SOCIETY 37 WINNER 38 COMMENDED 38 OTHER ENTRIES 39 3 report MOST ORIGINAL AND INNOVATIVE 45 WINNER 46 COMMENDED 46 OTHER ENTRIES 47 MUSIC AND ARTS 52 WINNER 53 COMMENDED 53 OTHER ENTRIES 54 NEWS PROGRAMME 59 WINNER 60 COMMENDED 60 OTHER ENTRIES 61 NEWS REPORT 63 WINNER 64 COMMENDED 64 OTHER ENTRIES 65 VIDEO JOURNALISM 68 WINNER 69 COMMENDED 69 OTHER ENTRIES 70 YOUNG ONSCREEN TALENT 73 WINNER 74 OTHER ENTRIES 74 THANK YOU 77 4 report report PRESIDENT'S REPORT I hardly need to say it was The Year of the Pandemic. This was evident in the range of content and, in many cases, the production process of our entries. But it did not stop – indeed, it encouraged – the public regional stations of Europe and CIRCOM to re-double their efforts to serve their communities with more and better on-air and online content. -
Proquest Dissertations
LITERATURE, MODERNITY, NATION THE CASE OF ROMANIA, 1829-1890 Alexander Drace-Francis School of Slavonic and East European Studies, University College London Thesis submitted for the degree of PhD June, 2001 ProQuest Number: U642911 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642911 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT The subject of this thesis is the development of a literary culture among the Romanians in the period 1829-1890; the effect of this development on the Romanians’ drive towards social modernization and political independence; and the way in which the idea of literature (as both concept and concrete manifestation) and the idea of the Romanian nation shaped each other. I concentrate on developments in the Principalities of Moldavia and Wallachia (which united in 1859, later to form the old Kingdom of Romania). I begin with an outline of general social and political change in the Principalities in the period to 1829, followed by an analysis of the image of the Romanians in European public opinion, with particular reference to the state of cultural institutions (literacy, literary activity, education, publishing, individual groups) and their evaluation for political purposes.