Activity Report 2001 Télévision Française 1
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Teaching and Learning About the Holocaust
RECOMMENDATIONS FOR TEACHING AND LEARNING ABOUT THE HOLOCAUST INTERNATIONAL HOLOCAUST REMEMBRANCE ALLIANCE RECOMANDĂRI PRIVIND PREDAREA ŞI ÎNVĂȚAREA DESPRE HOLOCAUST Cover image: Participants at Salzburg Global Seminar’s Holocaust Education and Genocide Prevention Session discuss IHRA teaching guidelines in 2015. Credit: Salzburg Global Seminar. Copertă: Participanţi la sesiunea referitoare la educaţia privind Holocaustul şi prevenirea genocidului, a Seminarului Global de la Salzburg, discută liniile directoare ale IHRA în 2015. Sursa: Salzburg Global Seminar RECOMMENDATIONS FOR TEACHING AND LEARNING ABOUT THE HOLOCAUST INTERNATIONAL HOLOCAUST REMEMBRANCE ALLIANCE RECOMANDĂRI PRIVIND PREDAREA ŞI ÎNVĂȚAREA DESPRE HOLOCAUST First edition published in 2019 by the International Holocaust Remembrance Alliance (IHRA) © 2019 IHRA All rights reserved. The contents of this publication may be freely used and copied for educational and other non-commercial purposes, provided that any such reproduction is accompanied by an acknowledgement of the IHRA as the source. Prima ediție a fost publicată în 2019 de către Alianța Internațională pentru Memoria Holocaustului (IHRA) © 2019 IHRA Toate drepturile rezervate. Conținutul acestei publicații poate fi utilizat în mod liber și multiplicat/copiat în scopuri educaționale și alte scopuri ne-comerciale, cu condiția ca orice astfel de multiplicări să fie însoțite de indicarea IHRA ca sursă. ABOUT THE IHRA The International Holocaust Remembrance Alliance (IHRA) unites governments and experts to strengthen, advance and promote Holocaust education, research and remembrance and to uphold the commitments of the 2000 Stockholm Declaration. The IHRA (formerly the Task Force for International Cooperation on Holocaust Education, Remembrance and Research, or ITF) was initiated in 1998 by former Swedish Prime Minister Göran Persson. Today the IHRA network consists of over 40 countries as well as key international partner organizations with a mandate to deal with Holocaust-related issues. -
Langue Catégorie Chaine Qualité • Cinéma DE • Allemagne Cinéma
Langue Catégorie Chaine Qualité •●★ Cinéma DE ★●• Allemagne Cinéma Family TV FHD HD Allemagne Cinéma Kinowelt HD Allemagne Cinéma MGM FHD Allemagne Cinéma SKY ATLANTIC (FHD) FHD Allemagne Cinéma SKY CINEMA (FHD) FHD Allemagne Cinéma SKY CINEMA 1 (FHD) FHD Allemagne Cinéma Sky Cinema 24 FHD HD Allemagne Cinéma Sky Cinema 24 HD HD Allemagne Cinéma SKY CINEMA ACTION FHD Allemagne Cinéma SKY CINEMA ACTION (FHD) FHD Allemagne Cinéma SKY CINEMA FAMILY (FHD) HD Allemagne Cinéma Sky Cinema HD FHD Allemagne Cinéma SKY CINEMA HITS (FHD) HD Allemagne Cinéma SKY EMOTION HD Allemagne Cinéma Sky Hits HD Allemagne Cinéma Sky Hits HD HD Allemagne Cinéma Sky Krimi HD Allemagne Cinéma Sky Nostalgie HD Allemagne Cinéma SKY SELECT 1 HD Allemagne Cinéma SKY SELECT 2 HD Allemagne Cinéma SKY SELECT 3 HD Allemagne Cinéma SKY SELECT 4 HD Allemagne Cinéma SKY SELECT 5 HD Allemagne Cinéma SKY SELECT 6 •●★ Culture DE ★●• Allemagne Culture 3SAT HD Allemagne Culture A & E HD Allemagne Culture Animal Planet HD HD Allemagne Culture DISCOVERY HD HD Allemagne Culture Goldstar TV HD Allemagne Culture Nat Geo Wild HD Allemagne Culture Sky Dmax HD HD Allemagne Culture Spiegel Geschichte HD Allemagne Culture SWR Event 1 HD Allemagne Culture SWR Event 3 HD Allemagne Culture Tele 5 HD HD Allemagne Culture WDR Event 4 •●★ Divertissement DE ★●• Allemagne Divertissement13TH STREET FHD Allemagne Divertissement13TH STREET (FHD) HD Allemagne DivertissementA&E HD Allemagne DivertissementAustria 24 TV HD Allemagne DivertissementComedy Central / VIVA AT HD Allemagne DivertissementDMAX -
TV Channel Distribution in Europe: Table of Contents
TV Channel Distribution in Europe: Table of Contents This report covers 238 international channels/networks across 152 major operators in 34 EMEA countries. From the total, 67 channels (28%) transmit in high definition (HD). The report shows the reader which international channels are carried by which operator – and which tier or package the channel appears on. The report allows for easy comparison between operators, revealing the gaps and showing the different tiers on different operators that a channel appears on. Published in September 2012, this 168-page electronically-delivered report comes in two parts: A 128-page PDF giving an executive summary, comparison tables and country-by-country detail. A 40-page excel workbook allowing you to manipulate the data between countries and by channel. Countries and operators covered: Country Operator Albania Digitalb DTT; Digitalb Satellite; Tring TV DTT; Tring TV Satellite Austria A1/Telekom Austria; Austriasat; Liwest; Salzburg; UPC; Sky Belgium Belgacom; Numericable; Telenet; VOO; Telesat; TV Vlaanderen Bulgaria Blizoo; Bulsatcom; Satellite BG; Vivacom Croatia Bnet Cable; Bnet Satellite Total TV; Digi TV; Max TV/T-HT Czech Rep CS Link; Digi TV; freeSAT (formerly UPC Direct); O2; Skylink; UPC Cable Denmark Boxer; Canal Digital; Stofa; TDC; Viasat; You See Estonia Elion nutitv; Starman; ZUUMtv; Viasat Finland Canal Digital; DNA Welho; Elisa; Plus TV; Sonera; Viasat Satellite France Bouygues Telecom; CanalSat; Numericable; Orange DSL & fiber; SFR; TNT Sat Germany Deutsche Telekom; HD+; Kabel -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
AT a GLANCE As Reported May 5, 2015
AT A GLANCE As Reported May 5, 2015 BILLION MILLION AVERAGE CUMULATIVE INTERNATIONAL MILLION GLOBAL HD MARKETS NUMBER WORLDWIDE DISCOVERY CHANNEL OF CHANNELS IN MONTHLY SUBSCRIBERS SUBSCRIBERS 220 COUNTRIES STREAMS ONLINE 2.9 457 191 10 AND TERRITORIES 300 OWNERSHIP U.S. NETWORKS (MILLIONS) INTERNATIONAL NETWORKS (MILLIONS) Discovery Communications is publicly traded on Nasdaq under the symbols: DISCA, DISCB and DISCK. Subscribers Subscribers Discovery Channel ...........................................................96 Discovery Channel ........................................................361 TLC ......................................................................................94 NEW Animal Planet ..............................................................304 Animal Planet ...................................................................94 TLC ................................................................................. 302 Investigation Discovery ..................................................86 OWN: Oprah Winfrey Network .......................................82 Eurosport ...................................................................... 130 Science Channel ............................................................... 75 Investigation Discovery/ID Xtra ................................108 Discovery Family Channel ..............................................69 Switchover Media .......................................................... 101 In March, Discovery completed an acquisition of a Velocity ...............................................................................63 -
Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
Http Www Cissusa Com Ciss Instruction Html
Http Www Cissusa Com Ciss Instruction Html Solute and argus-eyed Mika fullers her horehounds bunt invidiously or sterilised cutely, is Herrick Irazodiacal? is chartless Fruiting and Felipe overflies sometimes wit as toreutic rehearsing Niccolo his formularisingelectrum convexedly piratically and and damaged relaying sowherever. homiletically! But also affect urban wildlife This issue is really hard to pin do military struggles with this on many levels. To access the Web, you need a connection to the Internet. It is the President exemptions to his rich buddies. However, it has not been analysed yet in a systematic way in the context of urban biotope mapping. Nd whole rock isochron yielded Paleoproterozoic ages. Avoid injury to lower trunk as this can create an entrance for borers. The NCTE site presents information of value to classroom language arts teachers. The effects of climate change on the vegetation of Central European cites. Indian subcontinent, the Himalayas, and portions of Southeast Asia including Thailand, Vietnam, and Myanmar. Already you can find the ifj. Urban agriculture utilizing the ecocircle approach in disadvantaged communities in Potchefstroom, South Africa. Battleship, which is based on coordinate geometry. The statement of Deutschewitz et al. The two airlines argue that their merger would increase competition by creating another big competitor to Uni and Delta Air Lines, which grew through recent mergers. Spieth, who won his maiden PGA Tour title at the John Deere Classic in July to membership status. What is most commonly used to control insect pests? These days my head is full of curious information. Tajuria isaeus is a butterfly in the family Lycaenidae. -
Investor Presentation
Investor Presentation September / October 2011 TF1 GROUP Pay TV Advertising Diversification Audiovisual Broadcasting Free Channels Production (()France) adggyency & Internet rights international 2011: A RECORD FOR TV CONSUMPTION Women<50: 3h52 12’ min more vs 2010 / +5% 3h52 3h44 4 +: 3h46 3h40 3h40 16’min more vs 2010 / +8% 3h34 3h32 3h46 3h28 3h31 3h24 3h24 3h13 3h19 3h27 3h24 3h26 3h29 3h23 3h30 3h11 3h22 3h23 3h02 3h18 3h16 3h03 3h08 3h09 3h14 3h00 3h00 2h59 2h57 2h53 3h07 3h03 2h59 2h52 2h47 2h51 2h46 2h46 2h39 2h42 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 Source: Médiamétrie/Médiamat (TV Consumption / January-July) TF1, A EUROPEAN LEADER Audience share (in%) of leading European channels Gap between each leader on their own national territories for H1 2011 (*) and its challenger Leader TF1 23,8 8.6 pts Challenger France 2 15,2 Leader BBC 1 20,9 5.4 pts Challenger ITV1 15,5 Leader RTL 14,2 1.4 pts Challenger Das Erste 12,8 Leader TVE1 14,9 0.8 pts Challenger Tele 5 14,1 Leader Rai 1 19,1 1.5 pts Challenger Canale 5 17,6 Source: Médiamétrie – 1st half 2011. 4 + (France) / Eurodata TV – BARB - Kanter Media (UK) / Eurodata TV – AGB – GFK (Germany) / Kantar Media (Spain) / Eurodata TV – Auditel – AGB Nielsen (Italy). FIRST-HALF 2011: UNRIVALLED TELEVISION OFFER 50 best audiences All channels combined 23. 8% 26. 8% audience share audience share Individuals Women<50 pdm Very solid leader 6.3 50 / 16 / 2 million viewers 50 prime time with over 8 million viewers in prime time 16 with over 9 million 87% 2 with over 10 million of top evenings with Individuals Source: Médiamétrie – Médiamat 5 TF1, 1ST FRENCH TV CHANNEL (ON INDIVIDUALS – 4 YEARS AND +) Audience share 4 years and + (in %) Jan.–Aug. -
1. Welcome I Welcome the Consultation by Ofcom on Its Role in Furthering the Interests of Citizens. I Am Glad That Ofcom Recogni
1. Welcome I welcome the consultation by Ofcom on its role in furthering the interests of citizens. I am glad that Ofcom recognises that it has a role to further the interests of citizens, as well as consumers, and that these interests are often different and that there may be tensions between them. I hope that in responding to future consultations; Ofcom will explicitly identify citizen interests as distinct from consumer interests (and from producer interests, especially commercial interests which it is not the role of Ofcom to further.). I welcome the statement, “Where intervention is needed, the rationale is that there are certain outcomes required by society which would not be delivered by markets alone. This might be described as the broader public interest or citizen interest.” This statement has particular importance for Ofcom intervention within the market for Digital Terrestrial Television and to a lesser extent, Cable Television, given the drastically limited availability of bandwidth on DTTV and the current unbundled nature of cable TV services in the UK. 2. Successful market intervention by the ITC to restrict Pay TV on DTTV The decision by the ITC to restrict Pay TV on the three Multiplexes surrended by ITV Digital/OnDigital (following the failure of an ambitious Pay TV offering which included more of Sky’s Sports Channels and Film Channels than are proposed for Picnic) and to encourage a predominantly Free to Air service, Freeview, was a clear example of market intervention in order to further the public interest / citizen interest. That decision ensured far more efficient use of the very restricted bandwidth available to DTTV than the previous, approximately ½ and ½ FTA/Pay TV balance. -
Ordered by ARTIST 1 SONG NO TITLE ARTIST 5587 - 16 Blackout (Hed) P
Ordered by ARTIST 1 SONG NO TITLE ARTIST 5587 - 16 Blackout (Hed) P. E. 5772 - 15 Caught Up In You .38 Special 5816 - 08 Hold On Loosely .38 Special 5772 - 08 If I'd Been The One .38 Special 5950 - 06 Second Chance .38 Special 4998 - 05 Count Your Rainbows 1 Girl Nation 4998 - 06 While We're Young 1 Girl Nation 5915 - 18 Beautiful 10 Years 5881 - 11 Through The Iris 10 Years 6085 - 15 Wasteland 10 Years 5459 - 07 Because The Night 10,000 Maniacs 5218 - 08 Candy Everybody Wants 10,000 Maniacs 1046A -08 These Are Days 10,000 Maniacs 5246 - 14 I'm Not In Love 10cc 6274 - 20 Things We Do For Love, The 10cc 5541 - 04 Cupid 112 5449 - 10 Dance With Me 112 5865 - 18 Peaches And Cream 112 5883 - 04 Right Here For You 112 6037 - 07 U Already Know 112 5790 - 02 Hot And Wet 112 & Ludacris 5689 - 04 Na Na Na 112 & Super Cat 5431 - 05 We Are One 12 Stones 5210 - 20 Chocolate 1975, The 6386 - 01 If You're Too Shy (Let Me Know) 1975, The 5771 - 18 Love Me 1975, The 6371 - 08 Me And You Together Song (Clean) 1975, The 6070 - 19 TOOTIMETOOTIMETOOTIME 1975, The 5678 - 02 I'm Different (Clean) 2 Chainz 5673 - 05 No Lie (Clean) 2 Chainz & Drake 5663 - 12 Birthday Song (Clean) 2 Chainz & Kanye West 5064 - 20 Feds Watching (Clean) 2 Chainz & Pharrell 5450 - 20 We Own It 2 Chainz & Wiz Khalifa 5293 - 09 I Do It (Clean) 2 Chainz Feat. -
Anthony Kavanagh
ANTHONY KAVANAGH UDA 425 680 ACTRA 06-03261 YEUX MARRON CHEVEUX AFRO LANGUES FRANÇAIS / ANGLAIS / CRÉOLE Anthony Kavanagh | 1 CINÉMA LES PETITS JOUEURS, père de famille, Guillaume Breton, 2013 AGATHE CLERY, Quentin Lambert PDG, Etienne Chatiliez, 1998 TÉLÉVISION DEATH OF A LADIES MAN, AA DANCER, Matt Bissonnette, MCP Productions/Corey Marr Productions, DCP Mystery Arts, 2019 LES BOGUES DE LA VIE, Derek Darveau, Louis Bolduc, Encore Télévision, 2018 The BOLD TYPE, Eliat, Tara Nicole Weyr, Universal Television, 2018 LIKE ME, le professeur, Romuald Boulanger, R Lines, 2016 NOS CHERS VOISINS, Lucien Rimanard, un ancien adjudant-chef de l'armée de terre, reconverti dans une société d'assainissement, Ango Prod & Aubes Prod, 2013 FAIS PAS CI, FAIS PAS ÇA, saison 4, Chris Lenoir, manager de football, France Televisios, 2013 LES AMANTS DE L'OMBRE GARY LAROCHELLE, soldat américain, Philippe Niang, Eloa Prod, 2009 LA FILLE AU FOND DU VERRE À SAKÉ, Maxime Leroy, co-président d’une compagnie automobile, Emmanuel Sapolsky, La Parisienne d’images, 2009 LE COEUR À SES RAISONS, Brock Steel, Zone 3, 2005 SCÈNE ANTHONY KAVANAGH (Québec), one-man-show, 2017 - ... ANTHONY KAVANAGH (France), one-man-show, 2014 - 2018 ANTHONY KAVANAGH SE CHAUFFE, one-man-show, rodage 2013 ANTHONY KAVANAGH JOUE À DOMICILE (Québec), one-man-show, 2012 ANTHONY KAVANAGH FAIT SON COMING OUT, one-man-show, Olympia de Paris 2012 ANTHONY KAVANAGH FAIT SON COMING OUT, one-man-show, Bobino 2010 OUATE ELSE, one man show, Théâtre du Gymnase Marie Bell 2009 ANTHONYKAVANAGH.COM, one man show, Bataclan, Palais des sports de Paris, Théâtre du Gymnase Marie Bell 2007 Anthony Kavanagh | 2 LES DÉMONS DE L'ARKANGE, one-man-show, Grand Rex, Théâtre des Variétés 2006 CHICAGO, comédie musicale, Casino de Paris 2003 KAVANAGH! , one-man-show. -
Rearticulating Socialist Subjectivities
Rearticulating Socialist Subjectivities Class and Gender in Romanian Fiction during Communism by Alexandru Demirel Emil Boican Submitted in accordance with the requirements for the degree of Doctor in Philosophy School of Slavonic and East European Studies University College London 2016 I, Alexandru Demirel Emil Boican confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract This thesis proposes a socio-cultural analysis of the articulation of socialist subjectivities in Romanian fiction during the communist period. The question underpinning my research, therefore, concerns the way in which the literary articulation of subjectivity changed across two historical divides: from the inter-war period to Socialist Realism and from Socialist Realism to the literature of the troubling decade. This thesis will be argued over four chapters, two of which will examine the works of Mihail Sadoveanu while a further two will dissect the works of Augustin Buzura. Through the close reading of the works of Sadoveanu and Buzura, whose careers span the two aforementioned historical divides, this thesis will trace the complex rearticulating of class and gender subjectivities as they evolved throughout the communist period, as well as the importance of the communist regime’s social legacies as regards the understanding of post 1989 social developments in Romania. Central to the communist regime’s project of social transformation was the creation of an egalitarian society by default of the abolition of capitalist classes and gender inequalities. While the regime claimed that the material basis of these inequalities had been eliminated and social emancipation was well advanced, critics considered that the official egalitarian discourse had erased social and individual differences and engendered the so-called “faceless masses”.