“Human Agency and Change: a Reading of Wang Bi's Yijing Commentary”
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The Old Master
INTRODUCTION Four main characteristics distinguish this book from other translations of Laozi. First, the base of my translation is the oldest existing edition of Laozi. It was excavated in 1973 from a tomb located in Mawangdui, the city of Changsha, Hunan Province of China, and is usually referred to as Text A of the Mawangdui Laozi because it is the older of the two texts of Laozi unearthed from it.1 Two facts prove that the text was written before 202 bce, when the first emperor of the Han dynasty began to rule over the entire China: it does not follow the naming taboo of the Han dynasty;2 its handwriting style is close to the seal script that was prevalent in the Qin dynasty (221–206 bce). Second, I have incorporated the recent archaeological discovery of Laozi-related documents, disentombed in 1993 in Jishan District’s tomb complex in the village of Guodian, near the city of Jingmen, Hubei Province of China. These documents include three bundles of bamboo slips written in the Chu script and contain passages related to the extant Laozi.3 Third, I have made extensive use of old commentaries on Laozi to provide the most comprehensive interpretations possible of each passage. Finally, I have examined myriad Chinese classic texts that are closely associated with the formation of Laozi, such as Zhuangzi, Lüshi Chunqiu (Spring and Autumn Annals of Mr. Lü), Han Feizi, and Huainanzi, to understand the intellectual and historical context of Laozi’s ideas. In addition to these characteristics, this book introduces several new interpretations of Laozi. -
Revisiting the Scene of the Party: a Study of the Lanting Collection
Revisiting the Scene of the Party: A Study of the Lanting Collection WENDY SWARTZ RUTGERS UNIVERSITY The Lanting (sometimes rendered as "Orchid Pavilion") gathering in 353 is one of the most famous literati parties in Chinese history. ' This gathering inspired the celebrated preface written by the great calligrapher Wang Xizhi ï^è. (303-361), another preface by the poet Sun Chuo i^s^ (314-371), and forty-one poems composed by some of the most intellectu- ally active men of the day.^ The poems are not often studied since they have long been over- shadowed by Wang's preface as a work of calligraphic art and have been treated as examples oí xuanyan ("discourse on the mysterious [Dao]") poetry,^ whose fate in literary history suffered after influential Six Dynasties writers decried its damage to the classical tradition. '^ Historian Tan Daoluan tliË;^ (fl. 459) traced the trend to its full-blown development in Sun Chuo and Xu Xun l^gt] (fl. ca. 358), who were said to have continued the work of inserting Daoist terms into poetry that was started by Guo Pu MM (276-324); they moreover "added the [Buddhist] language of the three worlds [past, present, and future], and the normative style of the Shi W and Sao M came to an end."^ Critic Zhong Rong M^ (ca. 469-518) then faulted their works for lacking appeal. His critique was nothing short of scathing: he argued Earlier versions of this article were presented at the annual meeting of the Association for Asian Studies in Phil- adelphia in March 2012 and at a lecture delivered at Tel Aviv University in May, 2011, and I am grateful to have had the chance to present my work at both venues. -
Chinese Thing-Metaphor: Translating Material Qualities to Spiritual Ideals
Chinese Thing-Metaphor: Translating Material Qualities to Spiritual Ideals Tsaiyi Wu Philosophy East and West, Volume 70, Number 2, April 2020, pp. 522-542 (Article) Published by University of Hawai'i Press For additional information about this article https://muse.jhu.edu/article/754823 [ Access provided at 18 May 2020 06:42 GMT from Indiana University Libraries ] CHINESE THING-METAPHOR: TRANSLATING MATERIAL QUALITIES TO SPIRITUAL IDEALS Tsaiyi Wu Center for Comparative Literature & World Literature Shanghai Normal University [email protected] The highest good is like that of water. The goodness of water is that it benefits the ten thousand creatures; yet itself does not scramble, but is content with the places that all men disdain. It is this that makes water so near the Way [the dao]. Laozi, chapter 81 In the field of comparative literature, one of the most important topics of study has been how Eastern and Western traditions organize differently the relationship between humans and things, as articulated in metaphysics and as manifest in literary devices. Cecile Chu-chin Sun, to cite here one of the finest studies, compares Romantic metaphor with the Chinese poetic device xing 興, as well as the metaphysical traditions each represents. Sun argues that while metaphor epitomizes the Romantic concept of creation as an anthropocentric transference of concrete things into an immaterial realm of imagination, xing envisions a Chinese metaphysical view where a resonance between humans and nature is usually not explicitly stated, but rather intuitively felt. Comparing the relationship between “tenor” and “vehicle” in metaphor on the one hand, where the thing is transfigured to bear the human meaning, and “feeling” (qing 情) and “scene” (jing 景)inxing on the other, where the two affectively correspond, Sun effectively shows how different metaphysical views yield different relations between humans and things in literary expressions (Sun 2006). -
THE LAST YEARS 218–220 Liu Bei in Hanzhong 218–219 Guan Yu and Lü Meng 219 Posthumous Emperor 220 the Later History Of
CHAPTER TEN THE LAST YEARS 218–220 Liu Bei in Hanzhong 218–219 Guan Yu and Lü Meng 219 Posthumous emperor 220 The later history of Cao Wei Chronology 218–2201 218 spring: short-lived rebellion at Xu city Liu Bei sends an army into Hanzhong; driven back by Cao Hong summer: Wuhuan rebellion put down by Cao Cao’s son Zhang; Kebineng of the Xianbi surrenders winter: rebellion in Nanyang 219 spring: Nanyang rebellion put down by Cao Ren Liu Bei defeats Xiahou Yuan at Dingjun Mountain summer: Cao Cao withdraws from Hanzhong; Liu Bei presses east down the Han autumn: Liu Bei proclaims himself King of Hanzhong; Guan Yu attacks north in Jing province, besieges Cao Ren in Fan city rebellion of Wei Feng at Ye city winter: Guan Yu defeated at Fan; Lü Meng seizes Jing province for Sun Quan and destroys Guan Yu 220 spring [15 March]: Cao Cao dies at Luoyang; Cao Pi succeeds him as King of Wei winter [11 December]: Cao Pi takes the imperial title; Cao Cao is given posthumous honour as Martial Emperor of Wei [Wei Wudi] * * * * * 1 The major source for Cao Cao’s activities from 218 to 220 is SGZ 1:50–53. They are presented in chronicle order by ZZTJ 68:2154–74 and 69:2175; deC, Establish Peace, 508–560. 424 chapter ten Chronology from 220 222 Lu Xun defeats the revenge attack of Liu Bei against Sun Quan 226 death of Cao Pi, succeeded by his son Cao Rui 238 death of Cao Rui, succeeded by Cao Fang under the regency of Cao Shuang 249 Sima Yi destroys Cao Shuang and seizes power in the state of Wei for his family 254 Sima Shi deposes Cao Fang, replacing him with Cao Mao 255 Sima Shi succeeded by Sima Zhao 260 Cao Mao killed in a coup d’état; replaced by Cao Huan 264 conquest of Shu-Han 266 Sima Yan takes title as Emperor of Jin 280 conquest of Wu by Jin Liu Bei in Hanzhong 218–219 Even while Cao Cao steadily developed his position with honours, titles and insignia, he continued to proclaim his loyalty to Han and to represent himself as a servant—albeit a most successful and distin- guished one—of the established dynasty. -
The Book of Changes: Its Implication and Reflection in the Creation and Design of Ancient China
The Book of Changes: Its Implication and Reflection in the Creation and Design of Ancient China Wong Kam Fung* * Academy of Art & Design, Tsinghua University, China, [email protected] Abstract: The act of divination was a persistent custom and tradition in Ancient China. The Book of Change started as a divination text for the prediction of events, but later was described as the great principles of changes in nature, human, and the world, which embodies the wisdom of the ancient saints. The Classic as a divination symbolic system reflects the pictographic thinking of Image (象, Xiang), as a philosophy it conceals with the cosmological thinking of the Way ( 道, Dao). It is a book of Images in simulation of all things of creation to represent all the Way. In the history of art, the pictographic thinking has been embodied in various forms of Chinese art. The concept of the Way has become the highest achievement that many craftsmen or artists strive to reach. This study intends to use a system view to introduce the philosophy of creation and design in ancient China from The Book of Changes, and how its technical theories of Image and the Way and artistic influence have affected the production of art. Key words: the Way, Form, Vessel, Images, Changes 1. Introduction The Book of Changes (周易, ZhouYi) is one of the oldest Chinese classical texts, written approximately 3000 years ago in the Zhou dynasty. It is one of the most well-designed and thoughtful divination systems in history. The book consists of two parts which are the YiJing (易經, the symbols with texts) and the YiZhuan (易傳, the Commentary). -
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Early Intertextual Uses of Parallels with the Laozi and Their Role as Sources of Authority By Larson Di Fiori A.B., Brown University, 2008 MSt., University of Oxford, 2011 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies at Brown University Providence, Rhode Island May 2018 © Copyright 2018 by Larson Di Fiori This dissertation by Larson Di Fiori is accepted in its present form by the Department of Religious Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date_________ ____________________________ Harold Roth, Advisor Recommended to the Graduate Council Date_________ ____________________________ Andrew Meyer, Reader Date_________ ____________________________ Janine Sawada, Reader Date_________ ____________________________ Sarah Queen, Reader Approved by the Graduate Council Date_________ ____________________________ Andrew G. Campbell, Dean of the Graduate School iii CURRICULUM VITAE Larson Di Fiori received an A.B. in East Asian Studies and Classics from Brown University in 2008. After a stint teaching English in Xi’an, China, he received a M.St. in Chinese Studies from the University of Oxford in 2011, following which he returned to Brown to join the then recently established Asian Religious Traditions program. At Brown and in the surrounding community, he has given several public talks on Daoism and Chinese culture in both English and Chinese. He has been awarded with the Brown/Wheaton Faculty Fellowship, the Chinese University of Hong Kong Global Scholarship Programme for Research Excellence, and the Confucius Institute New Chinese Studies Plan Doctoral Fellowship. In addition to experience as a teaching assistant, he has designed and taught his own courses at Brown, Connecticut College and Wheaton College. -
An Analysis of Chinese Four-Character Idioms Containing Numbers: Structural Patterns and Cultural Significance
AN ANALYSIS OF CHINESE FOUR-CHARACTER IDIOMS CONTAINING NUMBERS: STRUCTURAL PATTERNS AND CULTURAL SIGNIFICANCE A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY TIMOTHY M. NALL DISSERTATION ADVISOR: DR. ELIZABETH M. RIDDLE BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2009 Abstract This dissertation explores the robust confluence of syntactic and cultural factors involved in the structure and content of chéngyǔ. It unpacks a number of structural tendencies in the data sample, and illuminates selected underlying cultural themes. The presence of syntactic and semantic parallelism within chéngyǔ, as an expression of the correlative Chinese philosophy of the wǔxíng (五行 ‗Five Phases‘ or ‗Five Elements‘ of the universe), in the dataset is a recurring point. Syntactic parallelism is demonstrated via chéngyǔ with invertible elements and by the overwhelming preference for syntactic parallelism, in particular the # N # N structure. Semantic parallelism is demonstrated via content words with related semantic fields or separable content words. The Chinese philosophical concepts of yīn and yáng are shown to have a clear impact on the use of numbers within chéngyǔ. Yīn and yáng are preferably arranged in balance with each other. If only one is present, however, then yáng is considered to be preferable over yīn. The interaction between the numbers within chéngyǔ has several pragmatic effects. For example, the combination of the numbers qī (七 'seven') and bā (八 'eight') is used to suggest disorder, untidiness or physical or emotional disturbance (Pellatt 2007:96). Bàn (半 ‗half‘) may be used in chéngyǔ to denote the meaning of ‗a proportion.‘ It also may be used together with yī (一 ‗one‘) to indicate ‗any at all‘ as well as a cluster of closely related concepts generally indicating ‗the existence of a small amount.‘ Numbers also often have the effect of highlighting the contrast between two content words. -
Guo Xiang and the Problem of Self-Cultivation in Daoist Naturalism
religions Article Guo Xiang and the Problem of Self-Cultivation in Daoist Naturalism Benjamin Coles School of Philosophy, Renmin University of China, Beijing 100872, China; [email protected] Received: 27 March 2019; Accepted: 10 June 2019; Published: 18 June 2019 Abstract: Recent research on Daoism has distinguished various models of self-cultivation present in the tradition, in particular those which aim at returning humanity to a natural, spontaneous form of existence (often associated with early pre-Qin “philosophical” Daoism), and those which aim at transcending human nature through technical practices (often associated with later “religious” Daoism). During the Wei-Jin period, organized Daoist religion was still in its early stages, yet the difference between the two models was very much an issue in the Dark Learning (xuanxue) thought of the intellectual elite. In this paper, I trace this debate as expressed in Wei-Jin thinker Guo Xiang’s Commentary to the Zhuangzi, in particular in Guo’s criticisms of the desire or attempt to exceed the limits (ji) of one’s inherent nature and his reinterpretation of the Zhuangzi’s criticisms of technical practices. While Guo follows Xiang Xiu in rejecting many of the claims of radical transcendence through self-cultivation, I argue that this does not imply that he lacks any positive conception of self-cultivation, but rather that he sees such cultivation as only possible through an immanent historical process in which both natural spontaneity and artificial techniques have a role to play. Keywords: self-cultivation; Daoism; Guo Xiang; naturalism; Zhuangzi 1. Introduction In the main Chinese philosophical and religious traditions of Confucianism, Daoism, and Buddhism, self-cultivation (xiuji 修ñ or xiushen 修«) is an issue of central importance, with the former two traditions in particular emphasizing the attainment of individual psychological stability and personal discipline through “governing the self” (zhishen »«) as the foundation for effective participation in social life and the governance of the state (zhiguo »國). -
Authority, Hermeneutics, and the Zuo Tradition from Western Han to Western Jin (2Nd C
Merging Horizons: Authority, Hermeneutics, and the Zuo Tradition from Western Han to Western Jin (2nd c. BCE –3rd c. CE) By Pauli Wai A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Chinese in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Robert Ashmore, Chair Professor Michael Nylan Professor Mark Csikszentmihalyi Fall 2013 Abstract Merging Horizons: Authority, Hermeneutics, and the Zuo Tradition from Western Han to Western Jin (2nd c. BCE–3rd c. CE) by Pauli Wai Doctor of Philosophy in Chinese University of California, Berkeley Professor Robert Ashmore, Chair This dissertation examines the central forms of exegetical authority from early to early medieval China, focusing on the reception history of the Zuo Tradition 左傳 from Western Han to Western Jin (2nd c. BCE–3rd c. CE). Most modern scholarly works treat the Zuo Tradition as a historical narrative of great literary value about China’s Spring and Autumn period (722–468 BCE). My research, however, studies the value and status of this text as an exegetical tradition from the perspective of classicists spanning five centuries. These early scholars on the Zuo Tradition measured its worth according to how well it preserved and explicated the visions of Confucius as lodged in the wording of Annals 春秋 the Classic. Conceptions about the Zuo Tradition evolved through a series of debates and arguments in expository letters, memorials, and essays, as well as commentaries on the Annals and Zuo Tradition. During the Western Han (206 BCE–9 CE), the Shiji 史記 advanced the conception of the Zuo Tradition as a corrective to the divergent interpretations of the Annals. -
The Taizhou Movement
The Taizhou Movement Being Mindful in Sixteenth Century China Johanna Lidén Academic dissertation for the Degree of Doctor of Philosophy in History of Religion at Stockholm University to be publicly defended on Saturday 8 December 2018 at 10.00 in hörsal 7, Universitetsvägen 10 D. Abstract The aim of this thesis is to define and analyze the religious ideas, praxis and organizations of the Taizhou movement using the earliest sources from the Ming dynasty. The Taizhou movement originated with a salt merchant named Wang Gen (1493–1541), who became a disciple of the well-known Neo-Confucian philosopher Wang Yangming (1472–1529). Wang Gen’s thoughts were similar to his, but his ideas about protecting and respecting the self were new. These ideas and the pursuit of making one’s mind calm inspired his followers who, like Wang Gen, tried to put them into practice. The thesis contextualizes Wang Gen and some of his followers who where active in the sixteenth century such as Yan Jun, Luo Rufang and He Xinyin. It contains texts which have not been translated into English before. Contrary to previous research, the thesis proposes that the Taizhou practitioners did not form a “school” in the strict sense of the word but became a “movement”. The reason was that their ideas corresponded to the anxieties and concerns of people from all levels of society and that they engaged in social and religious activities on the local level. Their ideas and praxis are heterogeneous, a result of the free discussions that were held in private academies. The religious praxis of the Taizhou movement included singing, reciting, individual and communal meditation, discussions and ethical commitments. -
The Yijing Hexagrams on Decay and Discordance
Coping with Contingency and Uncertainty: The Yijing Hexagrams on Decay and Discordance Tze-ki Hon Sungkyun Journal of East Asian Studies, Volume 19, Number 1, April 2019, pp. 1-17 (Article) Published by Duke University Press For additional information about this article https://muse.jhu.edu/article/725766 [ Access provided at 28 Sep 2021 08:26 GMT with no institutional affiliation ] Sungkyun Journal of East Asian Studies Vol.19 No.1 © 2019 Academy of East Asian Studies. 1-17 DOI: 10.21866/esjeas.2019.19.1.001 Coping with Contingency and Uncertainty: The Yijing Hexagrams on Decay and Discordance* Tze-ki HON City University of Hong Kong ABSTRACT As a manual for divination, the Yijing is filled with stern warnings about calamity, regret, and remorse, as if the world is falling apart. These warnings not only underscore the contingency and unpredictability of the universe, but also direct attention to the dark side of human existence and things such as disease, deformation, degeneration, and death. Over the centuries, many commentators have attempted to make sense of these warnings. In this article, I will compare three commentators’ interpretations of four hexagrams: Gu 蠱 (Decay, #18), Daguo 大過 (Crossing of the Great, #28), Kui 睽 (Discordance, #38) and Jian 蹇 (Crippled, #39). Through the comparison, I demonstrate how the Yijing can be used to address the human fear of uncertainty and chance. Keywords: Contingency, fear, hexagrams, human finitude, uncertainty, Yijing Similar to other ancient Chinese texts, the Yijing 易經 (Book of changes) went through a long process of compilation. It began as a collection of divination records of the Western Zhou period (1100–771 BCE). -
Jian'an Literature Revisited: Poetic Dialogues in the Last Three
Jian’an Literature Revisited: Poetic Dialogues in the Last Three Decades of the Han Dynasty Hsiang-Lin Shih A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: David R. Knechtges, Chair Ching-Hsien Wang Zev Handel Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2013 Hsiang-Lin Shih University of Washington Abstract Jian’an Literature Revisited: Poetic Dialogues in the Last Three Decades of the Han Dynasty Hsiang-Lin Shih Chair of the Supervisory Committee: Professor David R. Knechtges Department of Asian Languages and Literature The Jian’an period (196-220), which is best known through the fictionalized account in the Romance of the Three States, is also an important literary period. It is celebrated for its major writers such as Cao Cao, Cao Pi, Cao Zhi and Wang Can. Previous scholars have mainly been concerned with the life and poetry of an individual writer. In this dissertation, I attempt to take an approach that crosses the boundary between individual writers. I read Jian’an poems— including shi, fu, and yuefu—as the authors’ poetic dialogues with their contemporaries. This approach is based on the fact that the writers gathered at the court of Cao Cao and shared the language of poetry. Whether drinking together or living apart, they often engaged in a dialogue on a common topic through the medium of writing. Their topics range from travel, careers, expeditions, to merriment. Like the Athenian speechmakers in Plato’s “Symposium,” Jian’an writers also tried to impress, persuade, entertain and challenge one another in their poems.