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PETER GRAHAM Metropolis 1927

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PETER GRAHAM Metropolis 1927 M U S I C F O R B R A S S B A N D Full Score PETER GRAHAM Metropolis 1927 Instrumentation: Brass Band, Offstage Dance Band (Cornets 1,2, Trombone, Bass Eb, Xylophone and choke cymbal) Percussion (4-5 players): Timpani (hand-cranked siren) Percussion (Hi-hat, Snare drum, Bongos (high and low), Bass drum, Cymbal, Tam-tam (mallet and bowed), Bell tree, TrIangle, Sandpaper blocks Xylophone Vibraphone Gramercy Music (UK) PO Box 41 • Cheadle Hulme • Cheshire SK8 5HF Tel:/Fax: + 44 (0) 161 486 1959 www.gramercymusIc.com emaIl: [email protected] Composer’s Note Fritz Lang's 1927 science fction epic Metropolis is considered to be a masterpiece of cinematic vision and a high point of German Expressionist flmmaking. Set in a future dystopian world the flm introduces the viewer to two contrasting communities living in the vast city of Metropolis. Those above ground live a life of privilege and pleasure serviced by the underground-dwelling drone workers whose role is to maintain and operate the banks of machines which provide the city's power. Lang's flm, which can be considered a type of 20th century morality play, draws upon a range of themes and infuences from Marxist ideals and social satire to overt religious symbolism. The music does not attempt to precis the plot, such as it is, but simply refects my musical responses to Lang's noirish visual style and set designs – the brooding machine rooms, the decadent nightclubs, the gothic cathedral and so on – paradoxically a world of terrifying beauty. Metropolis 1927 was commissioned by Bramwell Tovey and The National Youth Brass Band of Great Britain with funds provided by The Arts Council of England. The frst performances took place in the Winter Gardens, Weston-super-Mare on Saturday 19th April and in the Cheltenham Town Hall on Sunday 20th April 2014. This revised version was premiered by The Black Dyke Band, conductor Nicholas Childs, at the 38 th European Brass Band Championships in the Konzerthaus Freiburg, Germany, on Saturday 2 May 2015. Peter Graham About the Composer Born in Scotland, Peter Graham read music at Edinburgh and London Universities (Goldsmiths’ College). His music for brass and wind is performed across the globe, from China, Taiwan, Japan, Korea and Singapore in the Far East, across North and South America and in every major European country. Awards include the American Bandmasters Association/Ostwald Award for Original Composition for Symphonic Winds and the Iles Medal of the Worshipful Company of Musicians Metropolis 1927 (duration c. 15 minutes) Copyright © 2015 by Gramercy Music (UK) PO Box 41 Cheadle Hulme Cheshire SK8 5HF England UK Tel:/Fax: + 44 (0)161 486 1959 Web: www.gramercymusic.com Email: [email protected] All rights reserved Metropolis 1927 PETER GRAHAM Meccanico q = 136 Soprano Cornet ° &43 ∑ ∑ ∑ ∑ ∑ ∑ 1. 2. &43 ∑ ∑ ∑ ∑ ∑ ∑ Solo Cornet 3. 4. &43 ∑ ∑ ∑ ∑ ∑ œ œ œ œ œ ≈œœ mp> . Repiano Cornet 3 bœœ œ bœœ œ &4 ∑ ∑ ∑ ∑ ‰ œ œ ≈ ‰ œœ ≈Œ ‰ œ œ mp 2nd Cornet &43 ∑ ∑ ∑ ∑ ∑ œ œ œ œ œ ≈œœ mp> . 3rd Cornet &43 ∑ ∑ ∑ ∑ ∑ œ œ œ œ œ ≈œœ ¢ mp> . Flugel ° 3 bœœ œ bœœ œ &4 ∑ ∑ ∑ ∑ ‰ œ œ ≈ ‰ œœ ≈Œ ‰ œ œ mp Solo Horn œœ#œ œœ#œ &43 ∑ ∑ ∑ ∑ ‰ bœ#œ ≈ ‰ œœ ≈Œ ‰ bœ#œ mp 1st Horn œ œ œ œœ#œ œœ#œ &43 ∑ ∑ Œ ‰ œbœ œ ≈ ‰ œbœ œ ≈ œœ œ R ≈bœ#œ ≈ ‰ œœ ≈Œ ‰ bœ#œ mpœ œ œ 2nd Horn œ œ &43 ∑ ∑ Œ ‰ œ#œœ≈ ‰ œ#œœ≈ œ œ œ ≈ œbœœ ≈ ‰ œ bœœ ≈Œ Œ ¢ œmpœ œ œ œœ R œ œ œ œ œ 1st Baritone ° œbœ œ œbœ œ œœ œ œ œ #œ nœ œ œ#œ nœ &43 ∑ ∑ Œ ‰ bœ ≈ ‰ bœ ≈œ R ≈ ‰ ‰ #œ ≈ Œ #œ R ≈‰ mp 2nd Baritone œ œ œ bœ bœ &43 ∑ ∑ Œ ‰ œbœ œ#œ ≈ ‰ œbœ œ#œ ≈œœœ œ R ≈ ‰ ‰ œ œ œ bœ≈ Œ œ œ œ bœ≈‰ ¢ mp R ˙ 1st Trombone ° 3 ∑ ∑ ∑ ™ &4 mp˙™ ˙™ 2nd Trombone 3 ∑ ∑ ∑ &4 ˙mp™ ˙™ ˙™ Bass Trombone ? 43 ∑ ∑ ∑ ¢ ˙mp™ ˙™ ˙™ 1. r Œ ‰ Œ œ œ Euphonium ° 3 bœ bœ nœ#œœ≈ bœ œ nœ#œ bœ ≈ #œnœbœn#œbnœ #œnœbœ#œbnœ &4 ∑ ‰ œbœœ ≈Œ œbœœ R œ œ œ bœœ ‰ œœœ œ œ R ‰ ‰ œ ≈ Œ œ R ≈‰ bmpœ 2. bœ ≈‰ ‰ œ bœ Eb Bass &43 ∑ ˙™ ˙™ ˙™ ˙™ ˙™ mp˙™ ˙™ Bb Bass 3 ∑ ¢&4 ˙mp™ ˙™ ˙™ ˙™ ˙™ Timpani °? 3 4 æ æ æ æ æ æ ¢ p˙™ ˙™ ˙™ ˙™ ˙™ ˙™ Hi - hat (closed) Percussion œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. / 43 J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ mp Xylophone ° 3 &4 œ œ œ œœ≈œœ œ œ œ œœ≈œœ œ œ œ œ œ ≈ œœ œ œ œ œœ≈œœ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈œœ ¢ >mp. > . > . > . > . > . Vibraphone 3 &4 œ œ œ œœ≈œœ œ œ œ œœ≈œœ œ œ œ œ œ ≈ œœ œ œ œ œœ≈œœ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈œœ { >mp. > . > . > . > . > . © Copyright Gramercy Music (UK) 2015 www.gramercymusic.com Metropolis 1927 All rights reserved 2 7 >œ œ. œ. œ œ œ œ. Sop. Cnt. ° >œ œ. œ. œ œ œ œ. >œ œ. œ. œ œ œ œ. >œ œ. œ. œ œ œ >œ œ œ œ œ #œ & ≈ ≈ ≈ 8 Ó ‰ œ 43 ≈ mp cresc. f mf ff . œ #œ >œ . >œ œ œ œ œ œ œ >œ œ œ œ œ œ œ >œ œ œ œ œ œ >œ œ œbœ œ œ œ œ œ œ œ & ≈ ≈ ≈ 8 Ó ‰ 43 ≈ mp cresc. f mf ff Solo Cnt. >œ . œbœ#œnœ##œ œ bœ œ œ œ œ œ & œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ 8 Ó ‰ #œnœ 43 ≈ . cresc. f > > > > mf ff œ œ œ œ œ œ œ >œ > . Rep. Cnt. bœ œ œ ≈ ‰ œ œ œ œ ‰ œbœ œ œ œ œ ‰ œ œ ‰ œ œ 8 ∑ 3 œ œ œ œ œ ≈ œ œ & œ œcresc. 8 4 f ff 2nd Cnt. > . & œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ 8 ∑ 43 œ œ œ œ œ ≈ œ œ > . cresc.> . > . f > ff 3rd Cnt. > . & œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ 8 ∑ 43 œ œ œ œ œ ≈ œ œ ¢ > . cresc.> . > . f > ff > Flug. ° bœ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 8 bœ œ œ 3 & ≈ ‰ œ œ ‰ œ œ ‰ ‰ 8 Œ ‰ œ œ ≈ Œ 4 ∑ cresc. f mf bœ bœ œ œ bœ œ œ >œ bœ œ Solo Hn. œ œ#œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ & ≈ ‰ bœ#œ ‰ bœ#œ ‰ ‰ 8 Œ ‰ œ ≈ Œ 43 ∑ cresc. f mf bœ > 1st Hn. œ œ#œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ#œ & ≈ ‰ bœ#œ ‰ bœ#œ ‰ ‰ 8 Œ ‰ bœ#œ ≈ Œ 43 ∑ f cresc. mf > 2nd Hn. œ œ œ œ œ œ œ œ 8 bœ œ 3 & ‰ #œ œ #œnœ ≈ Œ Œ #œ œ #œ œ œ ‰ #œ œ ‰ œ œ 8 Œ ‰ œ œ œ ≈ Œ 4 ∑ mf ¢ cresc. f > œ 1st Bar. ° œ œ#œnœ œ œ#œ œ œ œ œ œ#œ œ œ œ œ œ œ nœbœ œ b>œ & ‰ #œ ≈ Œ Œ #œ ‰ ‰ 8 Œ ‰ bœ ≈ Œ 43 J ‰ Œ Œ f ff cresc. mf > 2nd. Bar. bœ œbœ bœ œ œ œ œ œ bœ œ œ œ œ œ œ œ bœ j & ‰ œ œ ≈ Œ Œ œ œ ‰ ‰ 8 ‰ œbœ œ ≈ Ó 43 œ ‰ Œ Œ f bœ ¢ cresc. mf ff> > . > . > > 1st Tbn. ° ˙™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & ≈ ≈ 8 ∑ 43 J ‰ Œ Œ cresc. f ff > 2nd Tbn. 8 3 bœ & ˙™ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ 8 ∑ 4 J ‰ Œ Œ cresc.> . > . f > ff >œ B. Tbn. ? 8 ∑ 43 J ‰ Œ Œ ˙ ˙ ˙ ff ¢ ™ cresc.™ ™ f > Euph. ° œ bœ œbœn#œ bnœ bœnœ œ œ œ œ bœ œ œ œ œ œ œ œ œ bœ >œ & œbœ œ#œ ≈ ‰ œnœ ≈ ‰ œ œ ‰ ‰ 8 ‰ œ bœ œ#œ ≈ Ó 43 œ ‰ Œ Œ bœ R R bmfœ J cresc. f ff œ > Eb Bass & 8 ‰ œ bœ œbœ ≈ Ó 43 œ ‰ Œ Œ ˙ ˙ ˙ mf ™ cresc.™ ™ f ffJ Bb Bass 8 ‰ bœ ≈ Ó 3 ‰ Œ Œ & 8 bœ œbœ 4 j ¢ œmf œ ˙™ cresc.˙™ ˙™ f ff> Timp. j °? 8 j ‰ Œ Ó 3bœfiœ ‰ Œ Œ æ æ æ œ 8 4 œ ¢ ˙™ ˙cresc.™ ˙ œ > œ > >ff rim. > . > > . Perc. œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ ‰ œ 8 œ ‰ Œ Ó 3 œ ‰ œ ‰ œ ‰ / J J J J J J J J J 8 J 4 J J J ff ff > . > . > . > bœ œbœ nœ œ œ œ œ œ œ œ Glock. ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ 8 œ œ 3 & œ œ œ œ œ ≈ œ œ ≈ ≈ 8 Ó ‰ 4 ≈ ¢ > . cresc. f mf ff > œbœ œbœ nœ œ . Vib. & ≈ ≈ ≈ 8 ‰ œbœbœ œ 43 bbœ œ œ œ ≈ œ œ œ œ.
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