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PETER GRAHAM Metropolis 1927

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M U S I C F O R B R A S S B A N D Full Score PETER GRAHAM Metropolis 1927 Instrumentation: Brass Band, Offstage Dance Band (Cornets 1,2, Trombone, Bass Eb, Xylophone and choke cymbal) Percussion (4-5 players): Timpani (hand-cranked siren) Percussion (Hi-hat, Snare drum, Bongos (high and low), Bass drum, Cymbal, Tam-tam (mallet and bowed), Bell tree, TrIangle, Sandpaper blocks Xylophone Vibraphone Gramercy Music (UK) PO Box 41 • Cheadle Hulme • Cheshire SK8 5HF Tel:/Fax: + 44 (0) 161 486 1959 www.gramercymusIc.com emaIl: [email protected] Composer’s Note Fritz Lang's 1927 science fction epic Metropolis is considered to be a masterpiece of cinematic vision and a high point of German Expressionist flmmaking. Set in a future dystopian world the flm introduces the viewer to two contrasting communities living in the vast city of Metropolis. Those above ground live a life of privilege and pleasure serviced by the underground-dwelling drone workers whose role is to maintain and operate the banks of machines which provide the city's power. Lang's flm, which can be considered a type of 20th century morality play, draws upon a range of themes and infuences from Marxist ideals and social satire to overt religious symbolism. The music does not attempt to precis the plot, such as it is, but simply refects my musical responses to Lang's noirish visual style and set designs – the brooding machine rooms, the decadent nightclubs, the gothic cathedral and so on – paradoxically a world of terrifying beauty. Metropolis 1927 was commissioned by Bramwell Tovey and The National Youth Brass Band of Great Britain with funds provided by The Arts Council of England. The frst performances took place in the Winter Gardens, Weston-super-Mare on Saturday 19th April and in the Cheltenham Town Hall on Sunday 20th April 2014. This revised version was premiered by The Black Dyke Band, conductor Nicholas Childs, at the 38 th European Brass Band Championships in the Konzerthaus Freiburg, Germany, on Saturday 2 May 2015. Peter Graham About the Composer Born in Scotland, Peter Graham read music at Edinburgh and London Universities (Goldsmiths’ College). His music for brass and wind is performed across the globe, from China, Taiwan, Japan, Korea and Singapore in the Far East, across North and South America and in every major European country. Awards include the American Bandmasters Association/Ostwald Award for Original Composition for Symphonic Winds and the Iles Medal of the Worshipful Company of Musicians Metropolis 1927 (duration c. 15 minutes) Copyright © 2015 by Gramercy Music (UK) PO Box 41 Cheadle Hulme Cheshire SK8 5HF England UK Tel:/Fax: + 44 (0)161 486 1959 Web: www.gramercymusic.com Email: [email protected] All rights reserved Metropolis 1927 PETER GRAHAM Meccanico q = 136 Soprano Cornet ° &43 ∑ ∑ ∑ ∑ ∑ ∑ 1. 2. &43 ∑ ∑ ∑ ∑ ∑ ∑ Solo Cornet 3. 4. &43 ∑ ∑ ∑ ∑ ∑ œ œ œ œ œ ≈œœ mp> . Repiano Cornet 3 bœœ œ bœœ œ &4 ∑ ∑ ∑ ∑ ‰ œ œ ≈ ‰ œœ ≈Œ ‰ œ œ mp 2nd Cornet &43 ∑ ∑ ∑ ∑ ∑ œ œ œ œ œ ≈œœ mp> . 3rd Cornet &43 ∑ ∑ ∑ ∑ ∑ œ œ œ œ œ ≈œœ ¢ mp> . Flugel ° 3 bœœ œ bœœ œ &4 ∑ ∑ ∑ ∑ ‰ œ œ ≈ ‰ œœ ≈Œ ‰ œ œ mp Solo Horn œœ#œ œœ#œ &43 ∑ ∑ ∑ ∑ ‰ bœ#œ ≈ ‰ œœ ≈Œ ‰ bœ#œ mp 1st Horn œ œ œ œœ#œ œœ#œ &43 ∑ ∑ Œ ‰ œbœ œ ≈ ‰ œbœ œ ≈ œœ œ R ≈bœ#œ ≈ ‰ œœ ≈Œ ‰ bœ#œ mpœ œ œ 2nd Horn œ œ &43 ∑ ∑ Œ ‰ œ#œœ≈ ‰ œ#œœ≈ œ œ œ ≈ œbœœ ≈ ‰ œ bœœ ≈Œ Œ ¢ œmpœ œ œ œœ R œ œ œ œ œ 1st Baritone ° œbœ œ œbœ œ œœ œ œ œ #œ nœ œ œ#œ nœ &43 ∑ ∑ Œ ‰ bœ ≈ ‰ bœ ≈œ R ≈ ‰ ‰ #œ ≈ Œ #œ R ≈‰ mp 2nd Baritone œ œ œ bœ bœ &43 ∑ ∑ Œ ‰ œbœ œ#œ ≈ ‰ œbœ œ#œ ≈œœœ œ R ≈ ‰ ‰ œ œ œ bœ≈ Œ œ œ œ bœ≈‰ ¢ mp R ˙ 1st Trombone ° 3 ∑ ∑ ∑ ™ &4 mp˙™ ˙™ 2nd Trombone 3 ∑ ∑ ∑ &4 ˙mp™ ˙™ ˙™ Bass Trombone ? 43 ∑ ∑ ∑ ¢ ˙mp™ ˙™ ˙™ 1. r Œ ‰ Œ œ œ Euphonium ° 3 bœ bœ nœ#œœ≈ bœ œ nœ#œ bœ ≈ #œnœbœn#œbnœ #œnœbœ#œbnœ &4 ∑ ‰ œbœœ ≈Œ œbœœ R œ œ œ bœœ ‰ œœœ œ œ R ‰ ‰ œ ≈ Œ œ R ≈‰ bmpœ 2. bœ ≈‰ ‰ œ bœ Eb Bass &43 ∑ ˙™ ˙™ ˙™ ˙™ ˙™ mp˙™ ˙™ Bb Bass 3 ∑ ¢&4 ˙mp™ ˙™ ˙™ ˙™ ˙™ Timpani °? 3 4 æ æ æ æ æ æ ¢ p˙™ ˙™ ˙™ ˙™ ˙™ ˙™ Hi - hat (closed) Percussion œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. / 43 J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ mp Xylophone ° 3 &4 œ œ œ œœ≈œœ œ œ œ œœ≈œœ œ œ œ œ œ ≈ œœ œ œ œ œœ≈œœ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈œœ ¢ >mp. > . > . > . > . > . Vibraphone 3 &4 œ œ œ œœ≈œœ œ œ œ œœ≈œœ œ œ œ œ œ ≈ œœ œ œ œ œœ≈œœ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈œœ { >mp. > . > . > . > . > . © Copyright Gramercy Music (UK) 2015 www.gramercymusic.com Metropolis 1927 All rights reserved 2 7 >œ œ. œ. œ œ œ œ. Sop. Cnt. ° >œ œ. œ. œ œ œ œ. >œ œ. œ. œ œ œ œ. >œ œ. œ. œ œ œ >œ œ œ œ œ #œ & ≈ ≈ ≈ 8 Ó ‰ œ 43 ≈ mp cresc. f mf ff . œ #œ >œ . >œ œ œ œ œ œ œ >œ œ œ œ œ œ œ >œ œ œ œ œ œ >œ œ œbœ œ œ œ œ œ œ œ & ≈ ≈ ≈ 8 Ó ‰ 43 ≈ mp cresc. f mf ff Solo Cnt. >œ . œbœ#œnœ##œ œ bœ œ œ œ œ œ & œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ 8 Ó ‰ #œnœ 43 ≈ . cresc. f > > > > mf ff œ œ œ œ œ œ œ >œ > . Rep. Cnt. bœ œ œ ≈ ‰ œ œ œ œ ‰ œbœ œ œ œ œ ‰ œ œ ‰ œ œ 8 ∑ 3 œ œ œ œ œ ≈ œ œ & œ œcresc. 8 4 f ff 2nd Cnt. > . & œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ 8 ∑ 43 œ œ œ œ œ ≈ œ œ > . cresc.> . > . f > ff 3rd Cnt. > . & œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ 8 ∑ 43 œ œ œ œ œ ≈ œ œ ¢ > . cresc.> . > . f > ff > Flug. ° bœ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 8 bœ œ œ 3 & ≈ ‰ œ œ ‰ œ œ ‰ ‰ 8 Œ ‰ œ œ ≈ Œ 4 ∑ cresc. f mf bœ bœ œ œ bœ œ œ >œ bœ œ Solo Hn. œ œ#œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ & ≈ ‰ bœ#œ ‰ bœ#œ ‰ ‰ 8 Œ ‰ œ ≈ Œ 43 ∑ cresc. f mf bœ > 1st Hn. œ œ#œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ#œ & ≈ ‰ bœ#œ ‰ bœ#œ ‰ ‰ 8 Œ ‰ bœ#œ ≈ Œ 43 ∑ f cresc. mf > 2nd Hn. œ œ œ œ œ œ œ œ 8 bœ œ 3 & ‰ #œ œ #œnœ ≈ Œ Œ #œ œ #œ œ œ ‰ #œ œ ‰ œ œ 8 Œ ‰ œ œ œ ≈ Œ 4 ∑ mf ¢ cresc. f > œ 1st Bar. ° œ œ#œnœ œ œ#œ œ œ œ œ œ#œ œ œ œ œ œ œ nœbœ œ b>œ & ‰ #œ ≈ Œ Œ #œ ‰ ‰ 8 Œ ‰ bœ ≈ Œ 43 J ‰ Œ Œ f ff cresc. mf > 2nd. Bar. bœ œbœ bœ œ œ œ œ œ bœ œ œ œ œ œ œ œ bœ j & ‰ œ œ ≈ Œ Œ œ œ ‰ ‰ 8 ‰ œbœ œ ≈ Ó 43 œ ‰ Œ Œ f bœ ¢ cresc. mf ff> > . > . > > 1st Tbn. ° ˙™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & ≈ ≈ 8 ∑ 43 J ‰ Œ Œ cresc. f ff > 2nd Tbn. 8 3 bœ & ˙™ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ≈ œ œ 8 ∑ 4 J ‰ Œ Œ cresc.> . > . f > ff >œ B. Tbn. ? 8 ∑ 43 J ‰ Œ Œ ˙ ˙ ˙ ff ¢ ™ cresc.™ ™ f > Euph. ° œ bœ œbœn#œ bnœ bœnœ œ œ œ œ bœ œ œ œ œ œ œ œ œ bœ >œ & œbœ œ#œ ≈ ‰ œnœ ≈ ‰ œ œ ‰ ‰ 8 ‰ œ bœ œ#œ ≈ Ó 43 œ ‰ Œ Œ bœ R R bmfœ J cresc. f ff œ > Eb Bass & 8 ‰ œ bœ œbœ ≈ Ó 43 œ ‰ Œ Œ ˙ ˙ ˙ mf ™ cresc.™ ™ f ffJ Bb Bass 8 ‰ bœ ≈ Ó 3 ‰ Œ Œ & 8 bœ œbœ 4 j ¢ œmf œ ˙™ cresc.˙™ ˙™ f ff> Timp. j °? 8 j ‰ Œ Ó 3bœfiœ ‰ Œ Œ æ æ æ œ 8 4 œ ¢ ˙™ ˙cresc.™ ˙ œ > œ > >ff rim. > . > > . Perc. œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ ‰ œ 8 œ ‰ Œ Ó 3 œ ‰ œ ‰ œ ‰ / J J J J J J J J J 8 J 4 J J J ff ff > . > . > . > bœ œbœ nœ œ œ œ œ œ œ œ Glock. ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ 8 œ œ 3 & œ œ œ œ œ ≈ œ œ ≈ ≈ 8 Ó ‰ 4 ≈ ¢ > . cresc. f mf ff > œbœ œbœ nœ œ . Vib. & ≈ ≈ ≈ 8 ‰ œbœbœ œ 43 bbœ œ œ œ ≈ œ œ œ œ.
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    TRUMPET, CORNET in B♭, CORNET in E♭ DIPLOMA REPERTOIRE LIST January 2021 edition (updated May 2021) • One or more instruments (eg trumpet, cornet, flugelhorn as appropriate) may be played in the exam, although flugelhorn may not be used for the whole programme. If more than one instrument is played, candidates should state on their entry form the name of the instrument they wish to be printed on their certificate. Candidates should attempt to observe as closely as possible the composer’s intentions regarding instrumentation. • Candidates can choose trumpets pitched in any key, but should attempt to observe as closely as possible the composer’s intentions. • Candidates should compile and perform a programme displaying a range of moods, styles and tempi. • Programmes must consist of a minimum of two works. • All works should be performed complete, except where single movements are specified. • The music performed can: – be drawn entirely from the appropriate repertoire list below – combine pieces from the appropriate repertoire list with own-choice pieces* – contain only own-choice pieces* * Any programme which includes own-choice repertoire must be pre-approved. • Own-choice pieces must demonstrate a level of technical and musical demand comparable to the pieces listed in the relevant repertoire list. • Timings are as follows: Diploma Performance Exam level duration duration ATCL 32-38 minutes 40 minutes LTCL 37-43 minutes 45 minutes FTCL 42-48 minutes 50 minutes • Candidates must provide a written programme and copies of all pieces to be performed. • Face-to-face exams: the appointment form, written programme, copies of the pieces and approval letter (if applicable) should be given to the examiner at the start of the exam.
  • 2005 State Solos

    2005 State Solos

    NSW STATE SOLO & ENSEMBLE CONTEST May 28th & 29th 2005 Event 1. Juvenile Soprano Cornet T.L 5 Mins Music: Own Choice No. NAME BAND PTS 1 Jared RISK St Marys Band Club 73 2 Laura CHRISTIAN Warringah Concert Brass 68 Event 2. Juvenile Bb Cornet T.L 5 Mins Music: Own Choice No. NAME BAND PTS 1 Angus LLOYD Warringah Concert Brass 75 2 Jake PRICE Warringah Concert Brass 3 Tegan RISK St Marys Band Club 78 4 Dane LABOYRIE Sutherland Shire Brass 85 5 Jacqueline LUCK Yagoona District 74.5 6 Chiara PAWELA Willoughby City 83 7 Dominic LONGHURST Blue Mountains City 74 8 Tara ROBERTSON-HALL Sutherland Shire Brass 9 Caitlin MORGAN Gunnedah Shire 79 10 Isobel MORGAN Gunnedah Shire 73 11 Caitlyn BERNAYS Gunnedah Shire 74 Event 3. Juvenile Bb Trumpet T.L 5 Mins Music: Own Choice No. NAME BAND PTS 1 Chris MORAN Sutherland PCYC 84 2 Dane LABOYRIE SSB Concert 83 3 Antoine ROSSE Castle Hill RSL Youth 74 4 Ryan HENDERSON West Pennant Hills P.S. 71 5 Ashleigh CRANFIELD West Pennant Hills P.S. 71 6 Andrew LATHOURIS SSB Concert 81 7 Stephen NAPPER Sutherland PCYC 79 8 Sunwoo HWANG West Pennant Hills P.S. 75 Event 5. Juvenile Tenor Horn T.L 5 Mins Music: Own Choice No. NAME BAND PTS 1 Aaron WILLIAMS St Marys Band Club 84 2 Hayley GRITCHING Warringah Concert Brass 80 3 Adam POWERS Warringah Concert Brass 77 Event 7. Juvenile Baritone T.L 5 Mins Music: Own Choice No. NAME BAND PTS 1 Fiona ROBERTSON Willoughby City 2 Jeremy LLOYD Warringah Concert Brass 68 3 Matthew HURDITCH Warringah Concert Brass 71 4 Monique BERNAYS Gunnedah Shire 70 5 Kate McCORMACK Gunnedah Shire 78 Event 8.
  • Front Cover 4553.Qxd 24/7/08 1:05 Pm Page 1

    Front Cover 4553.Qxd 24/7/08 1:05 Pm Page 1

    Front cover 4553.qxd 24/7/08 1:05 pm Page 1 Chan 4553 BB RASSRASS CHANDOS from the M ASTERS Volume 2 Vaughan Williams Bantock G Lloyd Arnold Goffin Holst Ball Major PETER PARKES & GARRY CUTT CHAN 4553 BOOK.qxd 24/7/08 1:08 pm Page 2 Brass from the Masters, Volume 2 Ralph Vaughan Williams (1872–1958) 1 Overture for Brass Band: Henry the Fifth* 9:24 Malcolm Arnold (b. 1921) 2 Fantasy for Brass Band, Op. 114† 9:18 Hulton Getty Dean Goffin (1916–1984) Rhapsody in Brass† 11:06 3 I Allegro giocoso 3:03 4 II Andante con moto 3:50 5 III Allegro assai e giocoso 4:09 Eric Ball (1903–1989) 6 A Kensington Concerto* 11:06 Gustav Holst (1874–1934) A Moorside Suite† 15:12 Malcolm Arnold 7 I Scherzo: Allegro 3:02 8 II Nocturne: Adagio 8:03 9 III March: Allegro 4:01 3 CHAN 4553 BOOK.qxd 24/7/08 1:08 pm Page 4 Granville Bantock (1868–1946) arr. Frank Wright 10 Comedy Overture: The Frogs Brass from the Masters, Volume 2 (of Aristophanes)* 8:24 The music in this series of recordings was The solution was to borrow from elsewhere. George Lloyd (1913–1998) written, for the most part, by the top British Nothing was sacred – operatic selections, 11 Diversions on a Bass Theme* 11:43 composers of the day. How did this come orchestral overtures, movements from TT 76:56 about? How did these composers become symphonies – if they thought that it could be convinced that the brass band was a played then it was quickly arranged for the worthwhile medium for their music? new brass bands.