M IL IT A R Y M U S IC A N D IT S S T R Y O . SE 81 DEVELOPMENT M L TARY M U S C HEN RY GE O RGE FARME R ” “ M ir o th R a r tiller h an d A n A ccoun t A u th or of em o s f e oy l A y/ . t h e e o i l i t ar M us ic i n E n land of R u f M y g . W IT H A N IN T R O D U C T IO N BY IA M M U S . D O C O XO N W IL L S . LIEUT . ALB ERT , ( ), Ba ndmaatar H. M . G renadier G u ards . B h whi d th i h e whol u t t at ch did please m e bey on any ng 1 7: t e ld w h wor , was th e w ind mu s ic hic is so s weet — P th at it ravis hed me. P E Y 5 . WIT H I L L U S T R A T OV S 52241 1 ! 1 4 . 8 £3 L O N EO N w. c WM R E E V E S 8 C HA /{ N e C R O S S R O A D . , 3 R , B Y T HE S A M E A U T HO R . M EM O IR S O F T HE R O YA L A RT IL L E R Y BA N D O ri in Histor and P ro ress Its g , y g (A n Account of the R is e of M ilitary M usic in England) 1 4 [Has tratl on s P S P N N S R E S O I IO . — “ T h e S tandard says In ME M O IR S or THE R O YAL AR TILLER Y BA N D w ill b e f oun d much interes ting an d ou t of t h e way informati on c on ce rning th e ori g in and devel opm ent o f m ilitary mus ic in E ng land. ” n de T h e b o ok i clu s a mass o f details . T h e D a l C h r icl e s s F m e h as n ot o e e e s i y on ay Mr. ar r nly writt n an int r t in h b d b h h e i t old o e g is tory of th e an , ut as gat ered t o eth r s ome qua n l r ” e e es m t r m s E n r lating t o th earli t ili a y u ic in g an d. T h imes s s A e o d o h h M r F e h s e o ed o s de e T ay r c r t w ic . arm r a d v t c n i r ” able res earch . h b e de s F me T h e R ef eree s ays Th ere s oul d many rea r . Mr. ar r r would s eem t o h ave s wept i nto h is b ook every item of info mati on. h in f m e T h e Broad A rr ow says A remarkable work . repl e te wit o b d er n k d an d s h oul d e ood s e and ti on of a valua l e an int es ti g in , s cure a g al d s s de of m l es . N o o e es n man rea er , even out i ilitary circ t nly int r ti g , y ” but i ns tructive from t h e fi rs t pag e t o t h e las t. i n Pr c n s s s e i e b e and n e es T h e R A . Institut o o eed i g ay A v ry nt lli g i l i t r t f h e A Ba d h e d d rk ess T h e b ook ing h is tory o t R . n , hi t rto veile in a n . , ” des erves a larg e circulati on. l s e h e o h n b se f h e b ok T h e M us ica Tim es say W av n t i g ut prai or t o . r h F wh ich s h ows a c ons iderabl e am ount of ori g inal res e a c . urni s h es ” rm n o b r h i m e k o much info ati o n a anch of mus ic t at s c o paratively littl n wn. “ O r h r l im — s ha m T h e c est a T es s ays A m o t ex us tive h istory . We us t complim ent t h e auth or on t h e manner in wh ich h e h as plac ed th e materi al h e has e h ed s o f or in h h h e bo k ha b un art , al th e exce llent s tyle w ic t o s een ” produced. T h e M us ical R ecor d s s h s o k b e h nk ec e ed ay T i w r will t a fully r iv . ” W1 1 1 e not o t o m s c n b n h e r b app al nly u i ia s , ut eve t o t e g ne al pu lic. T h e M il it ary M ail says A volum e wh ich sh oul d g o a l ong w e towards b d n u h h s o of B i s h M s h h is m u c needed uil i g p t at i t ry rit Military u ic w ic , and wh h w e sh o d s a h e M r. F l fi ed ic ul y ( armer ) is ful ly qua i t o write . LO N DON : WILLIAM REEVE S . 83 CHARING CR OS S ROAD . VA C. T o M y Friend R E Y N L D A . O S T he R ank and File Army Bands . FO R EW O R D . 0 write a general history of military music , one embracing a continuous and coherent account o f no o its progress, is easy task ; for the simple reas n o that its devel pment has not been general , but has pro c e f f e ded on di ferent lines in di ferent countries . The growing interest in the subject manifested in Britain during recent years is perhaps not the least encouraging feature n oticeable in connecti on with th e s read o f e - d p general culture, the b st wind ban com h imations now attracting vast audiences on concert platforms f ormerly considered the exclusive monopoly o f the grand orchestra . There is on all sides, an acquaintance with music , vocal or instrumental : and whilst much of this may be of only an elementary character, there is , and that o f m re widely di fused than is perhaps generally known , a very high standard of musical culture indeed abroad . F vi OREWORD . - During the past hal f century , literature in all other “ branches of musical art has grown enormously and is still be ing poured out at a bewil dering rate— yet works of treating of military music, o f its history , or its o theory, are conspicuously rare, and may be c unted almost on the fingers of one hand . de True, the existing traces of its beginnings and velo m ent p are meagre, and even what is to be gleaned on the subject is exceedingly difficult of access . The reader need only n ote the authorities cited in the — present volume all rare , or comparatively rare, works — in order to satisfy himsel f that the story of military music is only to be found strewn about among the pages o f history in what might appe ar to be a loose and hap z ha ard manner . O ne has to seek among the highways and by -ways o offi ‘ of literature for data ; memoirs and autobi graphy , cial o f documents and anecdote, annals and records all t kinds, doings in hemselves entirely unconnected with n the subj ect of music , but yet fur ishing some trace, m some tiny fragment of infor ation, helpful to the author . His materials are scattered over several cen t uries ; involving much painstaking research, much diving into dusty and almost forgotten corners, much , wading through ponderous tomes, which in the end yield perhaps one scant paragraph of any practical use i to the inqu rer, nay, sometimes even rewarding him with nothing for his pains .