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Chan 4553 BB RASSRASS CHANDOS from the M ASTERS Volume 2

Vaughan Williams Bantock G Lloyd Arnold Goffin Holst Ball Major PETER PARKES & GARRY CUTT CHAN 4553 BOOK.qxd 24/7/08 1:08 pm Page 2

Brass from the Masters, Volume 2

Ralph Vaughan Williams (1872–1958) 1 Overture for : Henry the Fifth* 9:24

Malcolm Arnold (b. 1921) 2 Fantasy for Brass Band, Op. 114† 9:18

Hulton Getty Dean Goffin (1916–1984) Rhapsody in Brass† 11:06 3 I Allegro giocoso 3:03 4 II Andante con moto 3:50 5 III Allegro assai e giocoso 4:09

Eric Ball (1903–1989) 6 A Kensington Concerto* 11:06

Gustav Holst (1874–1934) A Moorside Suite† 15:12 Malcolm Arnold 7 I Scherzo: Allegro 3:02 8 II Nocturne: Adagio 8:03 9 III March: Allegro 4:01

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Granville Bantock (1868–1946) arr. Frank Wright 10 Comedy Overture: The Frogs Brass from the Masters, Volume 2 (of Aristophanes)* 8:24 The music in this series of recordings was The solution was to borrow from elsewhere. George Lloyd (1913–1998) written, for the most part, by the top British Nothing was sacred – operatic selections, 11 Diversions on a Bass Theme* 11:43 composers of the day. How did this come orchestral overtures, movements from TT 76:56 about? How did these composers become symphonies – if they thought that it could be convinced that the brass band was a played then it was quickly arranged for the worthwhile medium for their music? new brass bands. In 1853 the British Open Grimethorpe Colliery RJB Band Bands made up of all brass instruments Championship was established at Manchester’s Major Peter Parkes* with a full chromatic compass only became a Belle Vue. For the next seventy years the practical possibility towards the end of the † annual test piece was an arrangement of Garry Cutt 1840s with the perfection of the . operatic or orchestral music! The catalyst which led to the formation of The first opportunity for change came with thousands of brass bands throughout the the arrival of John Henry Iles, one of the most country occurred in 1851 at Prince Albert’s important figures in the short history of brass Great Exhibition. This took place in a vast bands. During a business visit to Manchester Crystal Palace, erected especially for the in 1898 he attended, quite by chance, the occasion, in London’s Hyde Park. One of the British Open at Belle Vue. The quality of the displays was that of Adolphe Sax, a Belgian bands and the enthusiasm of the vast crowds inventor and manufacturer of musical of supporters so impressed him that, in his instruments. Among some eighty instruments own words ‘…I came away from the contest a of his own design were the , a completely converted enthusiast for their complete family of fully chromatic brass cause’. Such was his energy and enthusiasm instruments based on piston valves. These that by 1900 he had become the owner of instruments caught the imagination of the main brass band journal, the British musicians from the North of England and Bandsman, and had established a new within a decade brass bands were being National Contest at the Crystal Palace. The established throughout Lancashire and 1900 test piece Beauties of Sullivan was in Yorkshire. The new bands were capable of the old tradition, but Iles soon realised that playing nearly anything, but had no repertoire. the time had come for a change and in 1913

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he commissioned Percy Fletcher to write an hymn, ‘The Agincourt Song’. It features a Royal Albert Hall when Major Arthur Kenney gay company of friends, now scattered, who in original brass band work as the test piece for number of rousing fanfares marked quasi led The Cory Band to victory. times past met annually in the Royal Albert the National. Fletcher’s Labour and Love is trombe (like ). This leads into the Hall, on the occasion of the National Brass itself in the style of an operatic selection, with tunes representing France, first a lovely Rhapsody in Brass Band Championships’. Eric Ball was born in recitatives and arias, but the important version of ‘Magali’, which is a folk song from In August 1877 General William Booth, the Bristol in 1903. Trained in the Salvation Army breakthrough had been made. Provence, followed by an old French marching founder of the Salvation Army, visited the he eventually became the conductor of the From 1913 Iles commissioned a new song ‘Reveillez vous Piccars’. Some ten years North of England. On his return to London he famous International Staff Band. In the 1940s original work for every National Contest. In after writing this Overture Vaughan Williams reported that a player had been placed he left the Salvation Army, and was persuaded 1928 he managed for the first time to suggested to William Walton that ‘Reveillez in the front rank of a procession which by John Henry Iles to try his hand at persuade Gustav Holst to write the test piece. vous Piccars’ would make a good tune to ‘certainly improved the singing and brought conducting secular bands. He had great Holst’s A Moorside Suite led to a succession of represent the French Army in Walton’s film crowds all along the line of march’. From this success as a conductor but his test pieces will outstanding pieces from the country’s finest score for Henry V – a suggestion which was humble beginning came the worldwide be played and remembered long after all else composers – 1930: Severn Suite; Elgar – gratefully accepted! In this Overture the organisation of Salvation Army Bands. By the has been forgotten. Resurgam, Journey into 1932: Honour and Glory; Bath – 1932: A victorious English Army close the proceedings middle of the 1980s there were some 400 Freedom and A Kensington Concerto are Downland Suite; Ireland. Bantock, Bliss, with ‘The Earl of Oxford’s March’, suitably bands in Great Britain. These bands spread typical of his many works which are accepted Howells, Vaughan Williams all followed in this decorated with the occasional triumphant quickly throughout the British Empire. New as an indispensable part of brass band lore! great tradition down to the present day with fanfare. Zealand in particular has a strong brass band George Lloyd, John McCabe, Michael Tippett, tradition, with a number of fine bands, both A Moorside Suite Philip Wilby, Edward Gregson and many others Fantasy for Brass Band Salvation Army and secular. Dean Goffin is the Gustav Holst studied composition with writing original works for brass bands. Bands Malcolm Arnold was born in Northampton in best known of the conductors and composers Sir Charles Stanford at the Royal College of and conductors come and go but the music 1921. He entered the Royal College of Music from these bands. He wrote a great deal of Music. It was here that he first met Ralph lives on, surely the most important and long- in 1938, where he studied composition with music for both types of band and Rhapsody in Vaughan Williams who many years later lasting result of all the endeavours of that Gordon Jacob, and the with Ernest Brass is the piece by which he is best referred to Holst as ‘a great composer, a great great Victorian entrepreneur John Henry Iles. Hall. He was a professional trumpet player remembered. teacher, and a great friend’. As a young man with the London Philharmonic Orchestra for he augmented his income by playing the Overture for Brass Band: Henry the Fifth eight years. Since 1948 he has devoted his A Kensington Concerto , and in 1898 he became a member The date of this work is uncertain but it is time to composition. His works include eight This work was commissioned for the National of the orchestra of the Carl Rosa Opera probable that it was composed in 1933/34. In symphonies, sixteen concertos, two operas, Brass Band Championships of Great Britain Company. In 1905 he was appointed director the Overture Vaughan Williams introduces four over a hundred film scores and several fine held at London’s Royal Albert Hall on of music at St Paul’s School in Hammersmith, traditional tunes, two English and two French. pieces for brass band. Fantasy for Brass Band 14 October 1972. The score is marked with a a post which he retained to the end of his life. The very grand tutti opening, marked Andante was written in 1974 as the test piece for the dedication which sums up the nostalgic, lyrical Holst is best known for his orchestral suite maestoso is based on an old English battle National Brass Band Championships at the style of the music – ‘To Olive Rose and that The Planets but his output includes operas,

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choral works, chamber and instrumental music Tuneful, and a great musical challenge, it was Centre in the heart of the village. In 1996 the English band they represented England at the and many fine works for wind and brass bands. given a warm welcome by bands and band provided music for the feature film 1997 European Championships at London’s Gustav Holst was commissioned to write A audiences alike. Included in the printed score Brassed Off which tells the story of a colliery Barbican Centre. Peter Parkes has a Moorside Suite for the National Championships is the following comment from the composer: band’s fight for survival when the pit to which remarkable record at this great contest, his of 1928 which were then held at the Crystal This piece is a set of variations. Traditionally it belongs is closed. The film’s fictional band twenty appearances have yielded seven first, Palace. The Suite has three movements, a light variations were what they said they were, i.e. a Grimley was in a situation not so very far seven second and two third prizes. He has playful Scherzo, a slow and dreamy Nocturne given tune was treated in a variety of ways. The removed from that which faced Grimethorpe in conducted the winning band at a total of and a grand and noble March. pattern of Diversions on a Bass Theme is made recent years. The real difference is that in the twenty-one European, British Open and the other way round: a number of tunes grow out film a number of players accepted that the National Championships. Comedy Overture: The Frogs of the first bar, played by the Basses, which band would have to go, with Grimethorpe it (of Aristophanes) provides the motif for the whole work. was ‘we don’t know how we’ll survive as a Garry Cutt was born in Glossop, Derbyshire in Bantock was one of the most prolific of all In 1985, George Lloyd wrote his first major band, but survive we will!’ The real 1959. In 1980 he took up the position of British composers. His works for brass band brass band work, Royal Parks, for the breakthrough came in February with Resident Conductor of the Wingates Band. He include Prometheus Unbound, Orion, and the European Championships in Copenhagen. This sponsorship from RJB Mining PLC. Major Peter held this appointment for five years whilst also Hebridean Tone Poem The Land of the Ever- was followed by Diversions on a Bass Theme Parkes took over as professional conductor in gaining valuable experience working with Young. In 1935 Bantock composed his which was chosen for the 1998 British Open July 1995 and led the band to victory in the James Shepherd Versatile Brass and Yorkshire Comedy Overture for orchestra and it received Brass Band Championships, held in Symphony Yorkshire Championships and second place at Imperial Metals Band. its first performance in 1936 at a Promenade Hall, Birmingham last September. George Lloyd the National Championships in the Royal In 1989 he became the youngest conductor Concert. After his death in 1946 it was died on 3 July 1998; he was delighted that Albert Hall. Grimethorpe gives concerts almost ever to win the British Open Championships arranged for brass band by Frank Wright, his music had been chosen and he would weekly all over the country and toured when he took Kennedy Swinton to first place often described as the finest and most undoubtedly have enjoyed listening to the through France, Germany and Switzerland in in Manchester’s Free Trade Hall, a feat which imaginative brass band arranger of his time. varying interpretations made by so many of 1997. he repeated in 1996 with the Marple Band at In 1952 it was chosen as the test piece for the finest bands. Lloyd’s orchestral works the first brass band contest to be held in the the National Brass Band Championships of include twelve symphonies, three operas, four Peter Parkes was appointed as the band’s new Bridgewater Hall. Great Britain. piano concertos and two other fine brass band Professional Musical Director in July 1995. On Garry Cutt was appointed as Resident test pieces – English Heritage and Kings 17 October 1996 he conducted Grimethorpe Musical Director of Grimethorpe Colliery RJB Diversions on a Bass Theme Messenger. at the National Championships which were Band in 1991. This combination has proved to In 1986 George Lloyd was commissioned, by held in the Royal Albert Hall. The music was be very successful with many concerts all over the Coal Industry Social Welfare Organisation, © 1999 Peter Parkes Robert Redhead’s Isaiah 40 and Grimethorpe the country and tours which have included to write the test piece for the annual took second place. As the highest placed Switzerland and Germany. Mineworkers National Brass Band Contest. Grimethorpe Colliery RJB Band was formed Diversions on a Bass Theme was the result. in 1917. Its headquarters are at the Acorn

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Soprano cornet Nigel Fielding First baritone Robert Archer You can now purchase Chandos CDs directly from us. For further details telephone Principal cornet Richard Marshall Second baritone Cliff Hopes +44 (0) 1206 225225 for Chandos Direct. Fax: +44 (0) 1206 225201. Solo Duncan Byers Solo Michael Dodd Chandos Records Ltd, Chandos House, Commerce Way, Colchester, Essex CO2 8HQ, Darryl Hobbins Second euphonium Matthew Grimes United Kingdom. E-Mail: [email protected] David Barraclough Solo trombone Jonathan Beatty Website: www.chandos-records.com Repiano cornet Alan Exley Second trombone Richard Windle Second cornets Michael Kennedy Bass trombone Andrew Snell Any requests to license tracks from this or any other Chandos disc should be made directly to the Stewart Kennedy E flat basses Paul Davies Copyright Administrator, Chandos Records Ltd, at the above address. Third cornets Stephen Peacock Roy Bowater Colin Brook B flat basses Roy Batty Chandos 20-bit Recording The Chandos policy of being at the forefront of technology is now further advanced by the use of 20-bit recording. Flugel Ian Shires Andrew Warriner 20-bit has a dynamic range that is up to 24dB greater and up to 16 times the resolution of standard 16-bit Solo horn Melvyn Bathgate Percussion Mark Arnold recordings. These improvements now let you the listener enjoy more of the natural clarity and ambience of the First horn Ray Curry David Hartland ‘Chandos sound’. Alan Ball Peter Matthews Second horn Owen Farr Secretary Terry Webster Producer Ralph Couzens Sound engineer Jonathan Cooper Assistant engineer Richard Smoker Editor Peter Newble Recording venue Morley Town Hall; 31 October–1 November 1998 Back cover The Grimethorpe Colliery RJB Band photographed by Tony Carter Design D.M. Cassidy Booklet typeset by Michael White-Robinson Booklet editor Richard Denison Publisher Boosey & Hawkes Ltd (tracks 1 & 6), Henrees Music Ltd, London (track 2), R. Smith & Co. Ltd (tracks 3–5, 7–9 & 11), W. Paxton & Co. Ltd (track 10) Copyright Boosey & Hawkes Ltd (tracks 1 & 6), Henrees Music Ltd, London (track 2), R. Smith & Co. Ltd (tracks 3–5), R. Smith (tracks 7–9 (50%) & track 11 (50%)), G. Holst (tracks 7–9 (50%)), Paxton (track 10 (66.66%)), Bantock (track 10 (33.34%)), G. Lloyd (track 11 (50%)) PP 1999 Chandos Records Ltd PC 1999 Chandos Records Ltd Chandos Records Ltd, Colchester, Essex, England Printed in the EU

10 11 CHANDOS BRASS FROM THE MASTERS, VOL. 2 - Grimethorpe Colliery RJB Band/Parkes/Cutt CHAN 4553 DDD 8:24 11:43 TT 76:56 Printed in the EU CHAN 4553 1999 Chandos Records Ltd. c (1868–1946) (1913–1998) † arr. Frank Wright Granville Bantock Frogs Comedy Overture: The (of Aristophanes)* George Lloyd Theme* Diversions on a Bass Grimethorpe Colliery RJB Band Major Peter Parkes* Garry Cutt DIGITAL 1999 Chandos Records Ltd. 10 11 p 4:01 3:03 3:50 4:09 3:02 8:03 9:24 9:18 11:06 11:06 15:12 CHANDOS (1872–1958) † † (b. 1921) (1874–1934) (1916–1984) England . † (1903–1989) Essex . Brass from the Masters, Volume 2 Brass from the Masters,

Ralph Vaughan Williams Ralph Vaughan Williams Band: Overture for Brass Henry the Fifth* Malcolm Arnold Fantasy for Brass Band, Op. 114 Dean Goffin Rhapsody in Brass Eric Ball A Kensington Concerto* Gustav Holst A Moorside Suite

I Allegro giocoso I Scherzo: Allegro II Andante con moto II Nocturne: Adagio 20 III March: Allegro III Allegro assai e giocoso bit 9 1 2 3 4 5 6 7 8 CHANDOS RECORDS LTD. Colchester

CHANDOS BRASS FROM THE MASTERS, VOL. 2 - Grimethorpe Colliery RJB Band/Parkes/Cutt

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