Hubert Burda Media

Total Page：16

File Type：pdf, Size：1020Kb

HUBERT BURDA MEDIA Munich, March 28th, 2011 HUBERT BURDA MEDIA: A GLOBAL MEDIA PLAYER MAGAZINES DIGITAL DIRECT MARKETING BURDA CONSUMER TECH GROUP GERMANY INTERNATIONAL - Acquisition of subscriptions EASTERN EUROPE - Direct & Telephone Marketing - Customer Services….. - Magazine subscriptions - Lottery - Travel……. TURKEY 3 Mill. Magazine subscriptions 13 Mill. Adresses DIGITAL LIFE DESIGN PRINTING ASÍA • 3 sites: BURDA DIGITAL ENTERTAINMENT Offenburg, Vieux Thann, Joint venture HT Burda Media • Printing: Burda magazines, other magazines, catalogues WESTERN EUROPE BROADCAST 2 STORYLINE OF HUBERT BURDA MEDIA 1902 1929 1993 Franz Burda I Franz I dies Launch of FOCUS buys small 1931 magazine with Printing House Franz II marries Helmut Markwort Otto Pröttel in Aenne Burda Philippsburg 1996 1948 Focus Online Launch of 1903 Das Ufer, 1996 ff Philippsburger later renamed Burda goes Zeitung was the into BUNTE international – first title 1st steps in published by Eastern Europe Franz Burda I and Asia – a newspaper 1950 2000-2004 Aenne Burda Licenses Playboy launches and Instyle 1908 Burda Moden, The Company the famous moves to magazine with 2000-2010 the patterns Offenburg Continuous and substantial growth 1923 of Burda's Digital Franz Burda II 1962 business: Focus, enters Burda Hubert Burda Chip, Xing, joins the company Cyberport, moves to Munich Zooplus, Glam, in the 70ies Elitepartner, Holidaycheck and 1927 1988 others The first Joint-venture magazine with Hachette – published by 2011 launch of Burda was Jacob & Elisabeth German ELLE Sürag – a radio Burda become program guide shareholders of Hubert Burda Media 3 TOTAL REVENUES of HUBERT BURDA MEDIA: EUR 1,7 Bill. >300 PUBLICATIONS IN 2010 WORLDWIDE 303 International: 226 Korea + Thailand Kazakhstan France + UK 105 13 Russia Romania 205 17 57 22 226 Poland 43 24 Ukraine Turkey 35 Czech Rep. 147 Germany: 77 Berlin Hamburg 6 6 12 München 77 58 Offenburg 53 2000 2010 4.

Copy Link

Recommended publications

Investor Book (PDF)
INVESTOR BOOK EDITION OCTOBER 2016 Table of Contents Program 3 Venture Capital 10 Growth 94 Buyout 116 Debt 119 10 -11 November 2016 Old Billingsgate PROGRAM Strategic Partners Premium Partners MAIN STAGE - Day 1 10 November 2016 SESSION TITLE COMPANY TIME SPEAKER POSITION COMPANY Breakfast 08:00 - 10:00 CP 9:00 - 9:15 Dr. Klaus Hommels Founder & CEO Lakestar CP 9:15 - 9:30 Fabrice Grinda Co-Founder FJ Labs 9:35 - 9:50 Dr. Klaus Hommels Founder & CEO Lakestar Fabrice Grinda Co-Founder FJ Labs Panel Marco Rodzynek Founder & CEO NOAH Advisors 9:50 - 10:00 Chris Öhlund Group CEO Verivox 10:00 - 10:10 Hervé Hatt CEO Meilleurtaux CP Lead 10:10 - 10:20 Martin Coriat CEO Confused.com Generation 10:20 - 10:30 Andy Hancock Managing Director MoneySavingExpert K 10:30 - 10:45 Carsten Kengeter CEO Deutsche Börse Group 10:45 - 10:55 Carsten Kengeter CEO Deutsche Börse Group FC Marco Rodzynek Founder & CEO NOAH Advisors CP 10:55 - 11:10 Nick Williams Head of EMEA Global Market Solutions Credit Suisse 11:10 - 11:20 Talent 3.0: Science meets Arts CP Karim Jalbout Head of the European Digital Practice Egon Zehnder K 11:20 - 11:50 Surprise Guest of Honour 11:50 - 12:10 Yaron Valler General Partner Target Global Mike Lobanov General Partner Target Global Alexander Frolov General Partner Target Global Panel Shmuel Chafets General Partner Target Global Marco Rodzynek Founder & CEO NOAH Advisors 12:10 - 12:20 Mirko Caspar Managing Director Mister Spex 12:20 - 12:30 Philip Rooke CEO Spreadshirt CP 12:30 - 12:40 Dr.
[Show full text]
German Documentaries 2007” Is Information for the Respective Production Companies Or Designed As a Tool and Guide for Everyone Professionally Sales Agents
PRINT_GD07#.qxd 26.01.2007 11:14 Uhr Seite 1 Dearest readers and users of this catalogue, if we address you today not only as "readers,” but as you with the wide range of our country’s production land- "users,” this is quite intentional. As over the past ten years, scape. For this reason, each title also includes the contact the annual catalogue "german documentaries 2007” is information for the respective production companies or designed as a tool and guide for everyone professionally sales agents. In this way, we would like to not only assist involved with German documentary films. There’s plenty to you in obtaining viewing copies, but also recommend part- offer to television commissioning editors, film buyers, ners for future international co-productions. festival organizers, cultural managers, and journalists who Nearly all of the companies listed are members of the are interested in the thematic and formal variety of German "German Documentary Association” / AG DOK – the largest documentary filmmaking. professional association of independent film and television Of course, such a tool needs to be functional and easy to producers in Germany. With its initiative "german films,” use. That’s why we have tried to simplify your search for the AG DOK launched the independently produced docu- the films best suited to your needs. Our list of topics is divi- mentary in the international marketplace ten years ago. ded into fourteen catagories from "A” for "Arts” to "Y” for Today, the label is an integral part of the "german films” "Youth,” offering a wealth of topics extending far beyond sales platform, which is present not only at trade shows what is typically found at most international film markets.
[Show full text]
Copyright by Sebastian Heiduschke 2006
Copyright by Sebastian Heiduschke 2006 The Dissertation Committee for Sebastian Heiduschke Certifies that this is the approved version of the following dissertation: The Afterlife of DEFA in Post-Unification Germany: Characteristics, Traditions and Cultural Legacy Committee: Kirsten Belgum, Supervisor Hans-Bernhard Moeller, Co-Supervisor Pascale Bos David Crew Janet Swaffar The Afterlife of DEFA in Post-Unification Germany: Characteristics, Traditions and Cultural Legacy by Sebastian Heiduschke, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2006 Dedication Für meine Familie Acknowledgements First and foremost it is more than justified to thank my two dissertation advisers, Kit Belgum and Bernd Moeller, who did an outstanding job providing me with the right balance of feedback and room to breathe. Their encouragement, critical reading, and honest talks in the inevitable times of doubt helped me to complete this project. I would like to thank my committee, Pascale Bos, Janet Swaffar, and David Crew, for serving as readers of the dissertation. All three have been tremendous inspirations with their own outstanding scholarship and their kind words. My thanks also go to Zsuzsanna Abrams and Nina Warnke who always had an open ear and an open door. The time of my research in Berlin would not have been as efficient without Wolfgang Mackiewicz at the Freie Universität who freed up many hours by allowing me to work for the Sprachenzentrum at home. An invaluable help was the library staff at the Hochschule für Film und Fernsehen “Konrad Wolf” Babelsberg .
[Show full text]
Mapping Communication and Media Research: Germany
Department of Communication University of Helsinki Mapping Communication and Media Research: Germany Communication Research Center, University of Helsinki Department of Communication, Research Reports 6/2007 Juha Koivisto Peter Thomas Publisher: Type of publication: Communication Research Center, Department of Research report Communication; Helsingin Sanomat Foundation University of Helsinki Researchers: ISBN 978-952-10-4049-8 (nid.) Juha Koivisto ISBN 978-952-10-4050-4 (PDF) Peter Thomas Research project: Number of pages: 90 Mapping Media and Communication Research in Seven Countries Language: English Communication Research Center CRC Director: Dr. Juha Herkman Title of the report: Mapping Media and Communication Research: Germany Abstract: The report provides a survey of the German Media landscape, research institutions and organisations, the main approaches in Communication and Media Studies and future challenges. Part 1 provides an overview of the historical development of the German Media system and its distinctive features. These include processes of concentration and the profile of journalists. Part 2 analyses the institutes and organisations dedicated to Media research, as well as journals, scholarly associations and mechanisms of research funding. German Communication and Media Studies is set in the context of German academia and its particularities are noted. Part 3 surveys some of the main approaches in Communication and Media Studies and future challenges. Particular emphasis is placed in this section on the consequences of university reform in contemporary Germany, a lack of international perspective in the “mainstream” of Communication and Media Studies, and the continuing influence of the history of the discipline. The report concludes with a comparative perspective on the impact of Cultural Studies in German Communication and Media research, arguing that if the discipline is to confront successfully the challenges of a changing Media environment it will need to look for sources of theoretical and institutional renewal.
[Show full text]
Burda... Annual Report 2013 Burda Media Hubert Shaping the Media Content 36 Learns from His 6 CEO Dr
Burda... Annual Report 2013 Annual Report Hubert Burda Media Hubert Media Burda Annual Report 2013 shaping the media Content 36 Learns from his 6 CEO Dr. Kallen on the challenges of the media transformation mistakes: Fabrizio D’Angelo 10 melvin ang shapes the future Burda’s lifestyle brands from Singapore reflect Asian high society’s attitude toward life. Publisher Melvin Ang sees great growth opportunities for his media 18 sebastian matthes explores uncharted waters The Editor-in-Chief of the German Huffington Post and his team link blogs, social media and news in a revolutionary new type of news portal 26 Kerstin Schneider embodies passion for fashion German Elle celebrated its 25th anniversary in 2013 – and is still setting new standards. Fashion Director Kerstin Schneider shares responsibility for the magazine’s success 36 fabrizio d’angelo learns from his mistakes The CEO of BurdaInternational explains why you can’t be afraid of mistakes if you want to 78 shape the media landscape of the future Big responsibility: Katharina Zwanzig 44 The Burda School of Journalism is teaching for tomorrow In Offenburg, students learn to research, write, blog, film, program and tweet – and the 26 best way to market themselves and their stories in the future Loves fashion: Kerstin Schneider 50 kjeld peters loves technology The Technical Director of Elitepartner uses the algorithm of love to help 4 million singles find happiness for life 56 Alexandra Schiel connects people Alexandra Schiel and the DLD team are looking for smart people – and the latest Internet trends – from all over the world for the innovation conference 66 Diana Knodel develops new projects The Product Manager at Xing takes the initiative to get more women interested 56 in programming Meeting of the global 72 Holger Albrecht shows his dedication digital elite: DLD in New York The man from IT Support shows children and adolescents living in difficult circumstances how to use computers 10 78 katharina zwanzig in charge Shapes the future: Melvin Ang The Treasury Director is responsible for Burda’s liquidity.
[Show full text]
Integration: the Cultural Politics of Migration and Nation in the New German Public
University of Pennsylvania Masthead Logo ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Integration: The ulturC al Politics Of Migration And Nation In The ewN German Public Kate Zambon University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Communication Commons Recommended Citation Zambon, Kate, "Integration: The ulturC al Politics Of Migration And Nation In The eN w German Public" (2017). Publicly Accessible Penn Dissertations. 2661. https://repository.upenn.edu/edissertations/2661 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2661 For more information, please contact [email protected]. Integration: The ulturC al Politics Of Migration And Nation In The ewN German Public Abstract This dissertation examines public discourse on culture and integration and asks how do mediated public discussions about integration reproduce norms of national culture and identity that operate to represent and manage “Other” (immigrant, minority, etc.) populations in the German context? Through a case study approach, this dissertation uses critical discourse theory to analyze public campaigns, media events, and mediated controversies since the mid-2000s that sought to define the qualifications for cultural citizenship. Although in recent years an increasing number of publications have addressed Germany’s diverse and transnational population, examinations of processes and policies of integration have tended to focus either on the level of the government or on the level of everyday life. Although ideas about integration and multiculturalism are predominantly forged through events and the surrounding representations in the media, the mid-level processes of the media sphere have been neglected in scholarship.
[Show full text]
Digital Services Act and Digital Markets Act
Digital Services Act and Digital Markets Act A GUIDE TO THE KEY PROPOSALS & IDEAS FOR IMPROVEMENT Policy Paper 2 December 15, 2020 marked both the end of a long process and the beginning of a new phase of political debate regarding the Internet econ- omy, as European Commissioners Margrethe Vestager and Thierry Breton presented the Digital Services Act (DSA) and the Digital Markets Act (DMA). The proposed regulations will affect everyone on the Internet, from large online services to startups and the average consumer. Strengthening Europe’s digital sovereignty, protecting democracy, enabling competition, harmonizing national regulations, fighting crime, empowering users – with the DSA and DMA, the Commission has set out to address so many issues that one German commentator deemed the plan an “eierlegende Prof. Dr. Woll milch sau,” i an egg-laying pig that also gives wool and milk. It is a Friedbert Pflüger beloved German expression that hints at the impossibility of achieving Chairman all goals with just a single solution. Internet Economy Foundation Yet the scope of the regulations is understandable. We ourselves have detailed in our studies Fair Play in the Digital Arena. How Europe Can Set the Right Framework for Platforms (2016) and Democracy and Digital Disinformation (2020) the various problems that have arisen from large- ly unregulated online services. The 2000 E-commerce Directive, the last major legal framework established by the EU in this context, intro- duced many positive principles regarding liability as well as notice and takedown – which are carried forward in the new DSA proposal. But the E-commerce Directive did not anticipate the rise of large online platforms and its enormous consequences for competition and democracy.
[Show full text]
The World Economic Forum – a Partner in Shaping History
The World Economic Forum A Partner in Shaping History The First 40 Years 1971 - 2010 The World Economic Forum A Partner in Shaping History The First 40 Years 1971 - 2010 © 2009 World Economic Forum All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, including photocopying or recording, or by any information storage and retrieval system. World Economic Forum 91-93 route de la Capite CH-1223 Cologny/Geneva Switzerland Tel.: +41 (0)22 869 1212 Fax +41 (0)22 786 2744 e-mail: [email protected] www.weforum.org Photographs by swiss image.ch, Pascal Imsand and Richard Kalvar/Magnum ISBN-10: 92-95044-30-4 ISBN-13: 978-92-95044-30-2 “Until one is committed, there is hesitancy, the chance to draw back, always ineffective, concerning all acts of initiative (and creation). There is one elementary truth the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one’s favour all manner of unforeseen incidents and meetings and material assistance which no man could have dreamed would have come his way. Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it. Begin it now.” Goethe CONTENTS Foreword 1 Acknowledgements 3 1971 – The First Year 5 1972 – The Triumph of an Idea 13 1973 – The Davos Manifesto 15 1974 – In the Midst of Recession 19
[Show full text]
Germany in Perspective Geography Introduction the Federal Republic of Germany Sits in the Heart of Europe
COUNTRY IN PERSPECTIVE GERMANY Schloss Neuschwanstein.Palace in Bavaria Flickr / Kay Gaensler DLIFLC DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER COUNTRY IN PERSPECTIVE | GERMANY TABLE OF CONTENT Geography Introduction ................................................................................................................... 5 Geography and Topological Features ...................................................................... 6 Northern German Plain ......................................................................................6 Central Uplands ...................................................................................................6 The Alpen Foreland and the Alps .....................................................................7 Climate ..................................................................................................................7 Bodies of Water ............................................................................................................ 8 Rivers .....................................................................................................................8 Lakes and Seas ...................................................................................................9 Major Cities ..................................................................................................................10 Berlin ....................................................................................................................10 Hamburg ............................................................................................................
[Show full text]
Hubert Burda Media MAGAZINE PROFILE
Magazine Profile ADVERTISEMENT RATE CARD NO. 15A • Valid as of 01.01.2016 1 Publisher's Data 2 Standard Rates and Discounts 3 Formats and Prices 4 Schedule 2016 5 Ad Specials 6 CHIP Digital-Imaging Combination 7 CHIP Foto-Portfolio 8 Readership Profile 9 Contacts 10 For the latest information visit www.chip-media.de Hubert Burda Media MAGAZINE PROFILE CHIP FOTO-VIDEO Germany's renowned photo magazine The digital revolution has fundamentally changed photography. It has never been easier to capture good pictures and share them with others. Worldwide, no other hobby fascinates more people than photography. And owing to smartphones, everyone can take pictures - anywhere, anytime. Nevertheless, true high-quality pictures require a proper camera - and this is where CHIP FOTO-VIDEO comes in: practical hands-on tests & purchase advice on cameras, lenses and accessories. Valuable tips for better photos. Impressive pictorial worlds from all fields of photography. The magazine reports independently and up-to-date on everything that interests photographers. Every month an extensive editorial staff produ- ces each issue with their own test laboratory, photo studio – and loads of enthusiasm. CHIP FOTO-VIDEO is part of the CHIP brand family. 1 PUBLISHER'S DATA Publisher Terms of Payment www.duon-portal.de. CHIP Communications GmbH Net payment due within 30 days of invoice PDF format is available for download. St.-Martin-Str. 66 date. A cash discount of 2% will be granted, if Delivery of Printing Materials: 81541 Munich, Germany full payment is received in advance of the first All ad copy materials must be delivered day of sale and provided no previous invoices www.chip-media.de electronically via the DUON-Portal.
[Show full text]
Lebenslauf Der Aenne Burda
HUBERT BURDA MEDIA - MARKETING & COMMUNICATIONS GMB H Arabellastraße 23, 81925 München . Telefon 0 89/92 50-25 75 . Telefax 0 89/92 50-27 45 Lebenslauf 1909 Am 28. Juli wird Anna Magdalene (Aenne) Lemminger als Tochter des Loko- motivführers Franz Lemminger und seiner Frau Maria in Offenburg geboren. Bis zur Mittleren Reife besucht sie die Klosterschule, danach die Höhere Han- delsschule in Offenburg. Anschließend macht sie eine kaufmännische Lehre beim örtlichen Elektrizitätswerk. 1930 Verlobung mit dem Verleger und Buchdrucker Dr. Franz Burda. 1931 Heirat am 9. Juli. 1932 Sohn Franz wird am 24. Mai geboren. 1936 Am 29. April kommt der zweite Sohn, Frieder, zur Welt 1940 Der dritte Sohn, Hubert, wird am 9. Februar geboren. 1949 Gründung des Modenverlags Aenne Burda. 1950 Erste Ausgabe von BURDA MODEN erscheint mit 100.000 Exemplaren (Januar). 1952 Beginn der Einzelschnittmuster-Produktion. 1953 Bau des neuen Verlagsgebäudes in Offenburg. Architekt: Egon Eiermann BURDA INTERNATIONAL wird herausgegeben. 1965 Die Auflage von BURDA MODEN erreicht die Millionenhöhe. 1974 Verleihung des Großen Bundesverdienstkreuzes 1977 CARINA wird auf den Markt gebracht. 1979 Ehrenring der Stadt Offenburg 1984 Verleihung des Bayerischen Verdienstordens 1986 Senator Dr. Franz Burda stirbt am 30. September. Erste Ausgabe von VERENA. 1987 Aenne Burda bringt mit „Burda Moden" die erste westliche Zeitschrift in russi- scher Sprache in der Sowjetunion heraus. Große Modenschau in Moskau unter der Schirmherschaft von Raissa Gorbatschowa. Mit dem Schritt nach Russland begründete Aenne Burda zugleich die Internationalität des Verlagshauses Burda. HUBERT BURDA MEDIA - Marketing & Communications GmbH - Geschäftsführer: Dr. Marcel Reichart, Stephanie Czerny HUBERT BURDA MEDIA - MARKETING & COMMUNICATIONS GMB H Arabellastraße 23, 81925 München .
[Show full text]
Schnitt Der Goldene
2 WELT KOMPAKT THEMA * DIENSTAG, 28. JULI 2009 DIENSTAG, 28. JULI 2009 * THEMA WELT KOMPAKT 3 Heute wäre Aenne Burda 100 Jahre alt geworden – Durch ihre Schnittmuster kleidete sie erst Nachkriegsdeutschland und anschließend die ganze Welt ein – Die Zeitschrift „Burda Moden“ machte die Verlegerin zu einer reichen Frau Der goldene Schnitt Mit einer einfachen Idee baute Aenne Burda die weltgrößte Modezeitschrift auf .........................................................................VON INGA GRIESE 1930 verloben sie sich. Anna richtet sich auf ein Leben als Berlin – Anna, ein hübsches Mäd- „Akademiker-Gattin“ ein. Es chen mit dunklen Locken, ist ein geht ihnen gut. Anna fühlt sich eigenwilliges Kind. Stark, aber zum ersten Mal reich. Und be- von der Mutter ungeliebt. Innig zaubert ihren Mann mit ihren ist das Verhältnis nur zum Vater, Koch- und Nähkünsten. Keine der Anna gern verwöhnt. Manch- war so schick wie sie. Natürlich mal sind sie bummeln gegangen, soll sie nicht arbeiten, sondern und dann sagte er: „Komm, wir Kinder in die Welt setzen. Drei kaufen uns eine neue Mama.“ Jungs werden es. Im Februar So steht es in den Erinnerun- 1940 wird Hubert, der Jüngste gen von Aenne Burda, die die und heutige Clan-Chef, geboren. Journalistin Ute Dahmen unter Und neun Monate später brechen dem Titel „Wunder sind mach- Annas Welt und ihre Illusionen bar“ (Petrarca Verlag) aufge- vollständig in sich zusammen: zeichnet hat. Es gab aber keine Renate, Franz Burdas uneheliche neue Mama. Und so – ein klassi- Tochter, kommt zur Welt. sches psychologisches Muster – Eine Freundin, mit der sie alles wurde auch Anna selbst keine aufarbeiten könnte, hat sie nicht. Mutter, wie sie sie sich ge- Die Liebe ist zerstört, der Stolz wünscht hatte.
[Show full text]