Hubert Burda Media MAGAZINE PROFILE

Total Page:16

File Type:pdf, Size:1020Kb

Hubert Burda Media MAGAZINE PROFILE Magazine Profile ADVERTISEMENT RATE CARD NO. 15A • Valid as of 01.01.2016 1 Publisher's Data 2 Standard Rates and Discounts 3 Formats and Prices 4 Schedule 2016 5 Ad Specials 6 CHIP Digital-Imaging Combination 7 CHIP Foto-Portfolio 8 Readership Profile 9 Contacts 10 For the latest information visit www.chip-media.de Hubert Burda Media MAGAZINE PROFILE CHIP FOTO-VIDEO Germany's renowned photo magazine The digital revolution has fundamentally changed photography. It has never been easier to capture good pictures and share them with others. Worldwide, no other hobby fascinates more people than photography. And owing to smartphones, everyone can take pictures - anywhere, anytime. Nevertheless, true high-quality pictures require a proper camera - and this is where CHIP FOTO-VIDEO comes in: practical hands-on tests & purchase advice on cameras, lenses and accessories. Valuable tips for better photos. Impressive pictorial worlds from all fields of photography. The magazine reports independently and up-to-date on everything that interests photographers. Every month an extensive editorial staff produ- ces each issue with their own test laboratory, photo studio – and loads of enthusiasm. CHIP FOTO-VIDEO is part of the CHIP brand family. 1 PUBLISHER'S DATA Publisher Terms of Payment www.duon-portal.de. CHIP Communications GmbH Net payment due within 30 days of invoice PDF format is available for download. St.-Martin-Str. 66 date. A cash discount of 2% will be granted, if Delivery of Printing Materials: 81541 Munich, Germany full payment is received in advance of the first All ad copy materials must be delivered day of sale and provided no previous invoices www.chip-media.de electronically via the DUON-Portal. are outstanding. Late payment interest penal- Director Sales For support please contact: ty as per paragraph 11 of the General Terms Erik Wicha Phone: +49 40. 37 41. 17 50 and Conditions will be charged according to T +49. 89. 7 46 42. 326 Email: [email protected] F +49. 89. 7 46 42. 325 the German Overdraft Credit Law. All prices E [email protected] are net and listed in Euros (€). The legal rate General legal notice: of VAT will be added where applicable. Direct The warranty claims specified in the Placement bank debiting is possible. publisher's general terms and conditions Burda Community Network GmbH General Terms and Conditions apply only when the certified technical requi- Arabellastraße 23 rements and standards published on the 81925 München For a copy of the general terms and condi- tions applying to order processing DUON portal have been fulfilled. This also Kai Sahlfeld holds when data if provided without a proof. T +49. 89. 92 50. 29 50 please contact the publisher or visit F +49. 89. 92 50. 25 81 bcn.burda.de E [email protected] Frequency of Publication Order & Data Management Monthly Burda Community Network GmbH First Day of Sale Advertisements can also be booked via OBS Hubert-Burda-Platz 1 First Wednesday in month (subject to change) (Online Booking System): 77652 Offenburg Place of Publication www.obs-portal.de Mareike Kopp Munich, Germany T +49. 89. 781. 84. 23 37 F +49. 89. 781. 84. 22 51 PZN E [email protected] 526867 The first market & media analysis that ena- Latest Updates Bank Accounts bles the planning of media convergence. www.pz-online.de Commerzbank AG, Offenburg ONE FOR ALL. SWIFT: DRES DE FF 680 Advertisement Copy Material www.b4p.de IBAN: DE 54 6808 0030 0723 412000 UniCredit Bank AG, München SWIFT: HYVE DE MM XXX IBAN: DE 19 7002 0270 0015 0249 05 Technical Specifications and Delivery: All dates, deadlines and technical specifica- Guaranteed Sold Circulation For current technical specifications and tions for Ad Specials are available at 35.000 copies delivery information, please visit: www.adspecial-portal.de ›› More information under www.chip-media.de ‹‹ 2 STANDARD RATES AND DISCOUNTS Standard Ad Rate colour or b/w 1/1 page € 11,000.- Discounts Frequency Scale Volume Scale from 3 ads 3 % from 3 pages 5 % from 6 ads 5 % from 6 pages 10 % from 9 ads 10 % from 9 pages 15 % from 12 ads 15 % from 12 pages 20 % from 15 ads 20 % from 15 pages 25 % from 18 ads 25 % from 18 pages 30 % from 24 ads 35 % from 24 pages 40 % ADVERTORIAL PRINT AND ONLINE For formats and prices of editorially structured advertorials (print and online) from the Publisher or from CREATIVE WORKS, please see the Promotion Costs brochure. This brochure can be found online at bcn.burda.com/promotionkosten (also available as a PDF download). 3 FORMATS AND PRICES Prices in Euros Editorial Section Market Section2 Advertising Formats1 Size width x height (in mm) in fractions of page Type Area Trim Size1 color or b/w color or b/w 1/1 175 x 240 215 x 280 11,000.– 4,400.– 2/3 upright 115 x 240 143 x 280 7,700.– 3,080.– across 175 x 165 215 x 186 1/2 upright 85 x 240 107,5 x 280 5,780.– 2,310.– across 175 x 120 215 x 140 1/3 upright 55 x 240 71 x 280 4,030.– 1,610.– across 175 x 80 215 x 93 1/4 upright 53 x 280 2 columns 107,5 x 140 3,030.– 1,210.– across 215 x 70 Advertisements with or without print across gutter 2/1 390* x 240 430 x 280 22,000.– 8,800.– Special Placements Cover Pages Inside Front Cover 12,650.- Inside Back Cover 12,100.- Back Cover 13,200.- 1/1 page, 1st right/left hand page in magazine 12,100.- Opening Spread Inside Front Cover + Page 3 24,750.- Placement Surcharge - Environment + 10% Placement Surcharge - Special Format + 15% Additional formats and sizes available upon request. 1 Repro sizes +3 mm bleed allowance on all sides. For full technical specifications, please visit www.duon-portal.de 2 The Market Section is the economical advertising-only section featuring editorial-free space at the best rates. * The widths stated apply to advertisements printed across the gutter. 4 SCHEDULE 2016 Issue Calender First Day Booking & Ad Copy Insert Booking Deadline for Special Topics** Number Week of Sale Cancellation Material Delivery Special Formats and Deadline Deadline Deadline Placement Reserva- tions* 02/2016 1 07.01.2016 09.12.2015 14.12.2015 21.12.2015 13.11.2015 03/2016 5 03.02.2016 12.01.2016 15.01.2016 22.01.2016 18.12.2015 CES Highlights-Special 04/2016 9 02.03.2016 09.02.2016 12.02.2016 19.02.2016 15.01.2016 05/2016 14 06.04.2016 11.03.2016 16.03.2016 23.03.2016 12.02.2016 Accessory-Special 06/2016 18 04.05.2016 12.04.2016 15.04.2016 22.04.2016 18.03.2016 07/2016 22 01.06.2016 06.05.2016 11.05.2016 19.05.2016 08.04.2016 Travel-Special 08/2016 27 06.07.2016 14.06.2016 17.06.2016 24.06.2016 20.05.2016 09/2016 31 03.08.2016 12.07.2016 15.07.2016 22.07.2016 17.06.2016 10/2016 36 07.09.2016 16.08.2016 19.08.2016 26.08.2016 22.07.2016 photokina Preview 11/2016 40 05.10.2016 12.09.2016 15.09.2016 22.09.2016 19.08.2016 photokina Review 12/2016 44 02.11.2016 10.10.2016 13.10.2016 20.10.2016 16.09.2016 01/2017 49 07.12.2016 15.11.2016 18.11.2016 25.11.2016 21.10.2016 CHIP Xmas-Promotion All dates are listed in dd.mm.yyy format. * Reservations made in advance must be booked by this deadline after which the reservations held shall expire without exception. ** Subject to change. 5 AD SPECIALS Circulation excl. Subscription Prices apply for the booking of at Subscription* Circulation least the entire domestic circula- Bound inserts tion. up to 4 pages € 105 ‰ € 130 ‰ Trim size: 215 x 280 mm (width x height). up to 6 pages € 125 ‰ € 160 ‰ Other formats upon inquiry. – Smaller split runs (e.g. up to 8 pages € 145 ‰ € 190 ‰ Delivery folded and untrimmed (bleed allowance of Nielsen area or federal states) up to 12 pages € 175 ‰ € 240 ‰ 3 mm per side). are possible for a 20 % per ‰ up to 16 pages € 200 ‰ € 275 ‰ Prices per thousand copies or part thereof on paper surcharge. more than 16 pages Prices upon request up to 170 g/m2. Prices for bound inserts with heavier paper upon request. – Minimum split run for all ad specials is 20,000 copies Tip-Ins Postcard up to 10 g € 60 ‰ € 90 ‰ Tip-in only possible in combination with a 1/1 carrier ad. – The publisher reserves the right Other tip-ins up to 20 g € 75 ‰ € 105 ‰ Additional postage charged for product samples and to shift split run bookings Other tip-ins over 20 g Prices upon request objects 2.5 mm or thicker (prices upon request). Loose inserts up to 20 g € 105 ‰ € 140 ‰ Minimum size: 105 x 148 mm (DIN A6) up to 30 g € 115 ‰ € 160 ‰ Maximum size: 205 x 270 mm up to 40 g € 125 ‰ € 180 ‰ up to 50 g € 135 ‰ € 200 ‰ over 50 g Prices upon request * ”Circulation excl. Subscription“ consists of the combined print runs for newsstand retail sale, in-flight copies and others. Technical surcharges and production costs do not qualify for discounts or commissions. Calculation: Calculation based on the print run listed in the IVW Quarterly Report current at order confirmation. Delivery Terms: Delivery is based on the print run listed in the IVW Quarterly Report current at order confirmation plus 2% surplus.
Recommended publications
  • Investor Book (PDF)
    INVESTOR BOOK EDITION OCTOBER 2016 Table of Contents Program 3 Venture Capital 10 Growth 94 Buyout 116 Debt 119 10 -11 November 2016 Old Billingsgate PROGRAM Strategic Partners Premium Partners MAIN STAGE - Day 1 10 November 2016 SESSION TITLE COMPANY TIME SPEAKER POSITION COMPANY Breakfast 08:00 - 10:00 CP 9:00 - 9:15 Dr. Klaus Hommels Founder & CEO Lakestar CP 9:15 - 9:30 Fabrice Grinda Co-Founder FJ Labs 9:35 - 9:50 Dr. Klaus Hommels Founder & CEO Lakestar Fabrice Grinda Co-Founder FJ Labs Panel Marco Rodzynek Founder & CEO NOAH Advisors 9:50 - 10:00 Chris Öhlund Group CEO Verivox 10:00 - 10:10 Hervé Hatt CEO Meilleurtaux CP Lead 10:10 - 10:20 Martin Coriat CEO Confused.com Generation 10:20 - 10:30 Andy Hancock Managing Director MoneySavingExpert K 10:30 - 10:45 Carsten Kengeter CEO Deutsche Börse Group 10:45 - 10:55 Carsten Kengeter CEO Deutsche Börse Group FC Marco Rodzynek Founder & CEO NOAH Advisors CP 10:55 - 11:10 Nick Williams Head of EMEA Global Market Solutions Credit Suisse 11:10 - 11:20 Talent 3.0: Science meets Arts CP Karim Jalbout Head of the European Digital Practice Egon Zehnder K 11:20 - 11:50 Surprise Guest of Honour 11:50 - 12:10 Yaron Valler General Partner Target Global Mike Lobanov General Partner Target Global Alexander Frolov General Partner Target Global Panel Shmuel Chafets General Partner Target Global Marco Rodzynek Founder & CEO NOAH Advisors 12:10 - 12:20 Mirko Caspar Managing Director Mister Spex 12:20 - 12:30 Philip Rooke CEO Spreadshirt CP 12:30 - 12:40 Dr.
    [Show full text]
  • Copyright by Sebastian Heiduschke 2006
    Copyright by Sebastian Heiduschke 2006 The Dissertation Committee for Sebastian Heiduschke Certifies that this is the approved version of the following dissertation: The Afterlife of DEFA in Post-Unification Germany: Characteristics, Traditions and Cultural Legacy Committee: Kirsten Belgum, Supervisor Hans-Bernhard Moeller, Co-Supervisor Pascale Bos David Crew Janet Swaffar The Afterlife of DEFA in Post-Unification Germany: Characteristics, Traditions and Cultural Legacy by Sebastian Heiduschke, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2006 Dedication Für meine Familie Acknowledgements First and foremost it is more than justified to thank my two dissertation advisers, Kit Belgum and Bernd Moeller, who did an outstanding job providing me with the right balance of feedback and room to breathe. Their encouragement, critical reading, and honest talks in the inevitable times of doubt helped me to complete this project. I would like to thank my committee, Pascale Bos, Janet Swaffar, and David Crew, for serving as readers of the dissertation. All three have been tremendous inspirations with their own outstanding scholarship and their kind words. My thanks also go to Zsuzsanna Abrams and Nina Warnke who always had an open ear and an open door. The time of my research in Berlin would not have been as efficient without Wolfgang Mackiewicz at the Freie Universität who freed up many hours by allowing me to work for the Sprachenzentrum at home. An invaluable help was the library staff at the Hochschule für Film und Fernsehen “Konrad Wolf” Babelsberg .
    [Show full text]
  • Mapping Communication and Media Research: Germany
    Department of Communication University of Helsinki Mapping Communication and Media Research: Germany Communication Research Center, University of Helsinki Department of Communication, Research Reports 6/2007 Juha Koivisto Peter Thomas Publisher: Type of publication: Communication Research Center, Department of Research report Communication; Helsingin Sanomat Foundation University of Helsinki Researchers: ISBN 978-952-10-4049-8 (nid.) Juha Koivisto ISBN 978-952-10-4050-4 (PDF) Peter Thomas Research project: Number of pages: 90 Mapping Media and Communication Research in Seven Countries Language: English Communication Research Center CRC Director: Dr. Juha Herkman Title of the report: Mapping Media and Communication Research: Germany Abstract: The report provides a survey of the German Media landscape, research institutions and organisations, the main approaches in Communication and Media Studies and future challenges. Part 1 provides an overview of the historical development of the German Media system and its distinctive features. These include processes of concentration and the profile of journalists. Part 2 analyses the institutes and organisations dedicated to Media research, as well as journals, scholarly associations and mechanisms of research funding. German Communication and Media Studies is set in the context of German academia and its particularities are noted. Part 3 surveys some of the main approaches in Communication and Media Studies and future challenges. Particular emphasis is placed in this section on the consequences of university reform in contemporary Germany, a lack of international perspective in the “mainstream” of Communication and Media Studies, and the continuing influence of the history of the discipline. The report concludes with a comparative perspective on the impact of Cultural Studies in German Communication and Media research, arguing that if the discipline is to confront successfully the challenges of a changing Media environment it will need to look for sources of theoretical and institutional renewal.
    [Show full text]
  • Burda... Annual Report 2013 Burda Media Hubert Shaping the Media Content 36 Learns from His 6 CEO Dr
    Burda... Annual Report 2013 Annual Report Hubert Burda Media Hubert Media Burda Annual Report 2013 shaping the media Content 36 Learns from his 6 CEO Dr. Kallen on the challenges of the media transformation mistakes: Fabrizio D’Angelo 10 melvin ang shapes the future Burda’s lifestyle brands from Singapore reflect Asian high society’s attitude toward life. Publisher Melvin Ang sees great growth opportunities for his media 18 sebastian matthes explores uncharted waters The Editor-in-Chief of the German Huffington Post and his team link blogs, social media and news in a revolutionary new type of news portal 26 Kerstin Schneider embodies passion for fashion German Elle celebrated its 25th anniversary in 2013 – and is still setting new standards. Fashion Director Kerstin Schneider shares responsibility for the magazine’s success 36 fabrizio d’angelo learns from his mistakes The CEO of BurdaInternational explains why you can’t be afraid of mistakes if you want to 78 shape the media landscape of the future Big responsibility: Katharina Zwanzig 44 The Burda School of Journalism is teaching for tomorrow In Offenburg, students learn to research, write, blog, film, program and tweet – and the 26 best way to market themselves and their stories in the future Loves fashion: Kerstin Schneider 50 kjeld peters loves technology The Technical Director of Elitepartner uses the algorithm of love to help 4 million singles find happiness for life 56 Alexandra Schiel connects people Alexandra Schiel and the DLD team are looking for smart people – and the latest Internet trends – from all over the world for the innovation conference 66 Diana Knodel develops new projects The Product Manager at Xing takes the initiative to get more women interested 56 in programming Meeting of the global 72 Holger Albrecht shows his dedication digital elite: DLD in New York The man from IT Support shows children and adolescents living in difficult circumstances how to use computers 10 78 katharina zwanzig in charge Shapes the future: Melvin Ang The Treasury Director is responsible for Burda’s liquidity.
    [Show full text]
  • Integration: the Cultural Politics of Migration and Nation in the New German Public
    University of Pennsylvania Masthead Logo ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Integration: The ulturC al Politics Of Migration And Nation In The ewN German Public Kate Zambon University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Communication Commons Recommended Citation Zambon, Kate, "Integration: The ulturC al Politics Of Migration And Nation In The eN w German Public" (2017). Publicly Accessible Penn Dissertations. 2661. https://repository.upenn.edu/edissertations/2661 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2661 For more information, please contact [email protected]. Integration: The ulturC al Politics Of Migration And Nation In The ewN German Public Abstract This dissertation examines public discourse on culture and integration and asks how do mediated public discussions about integration reproduce norms of national culture and identity that operate to represent and manage “Other” (immigrant, minority, etc.) populations in the German context? Through a case study approach, this dissertation uses critical discourse theory to analyze public campaigns, media events, and mediated controversies since the mid-2000s that sought to define the qualifications for cultural citizenship. Although in recent years an increasing number of publications have addressed Germany’s diverse and transnational population, examinations of processes and policies of integration have tended to focus either on the level of the government or on the level of everyday life. Although ideas about integration and multiculturalism are predominantly forged through events and the surrounding representations in the media, the mid-level processes of the media sphere have been neglected in scholarship.
    [Show full text]
  • Digital Services Act and Digital Markets Act
    Digital Services Act and Digital Markets Act A GUIDE TO THE KEY PROPOSALS & IDEAS FOR IMPROVEMENT Policy Paper 2 December 15, 2020 marked both the end of a long process and the beginning of a new phase of political debate regarding the Internet econ- omy, as European Commissioners Margrethe Vestager and Thierry Breton presented the Digital Services Act (DSA) and the Digital Markets Act (DMA). The proposed regulations will affect everyone on the Internet, from large online services to startups and the average consumer. Strengthening Europe’s digital sovereignty, protecting democracy, enabling competition, harmonizing national regulations, fighting crime, empowering users – with the DSA and DMA, the Commission has set out to address so many issues that one German commentator deemed the plan an “eierlegende Prof. Dr. Woll milch sau,” i an egg-laying pig that also gives wool and milk. It is a Friedbert Pflüger beloved German expression that hints at the impossibility of achieving Chairman all goals with just a single solution. Internet Economy Foundation Yet the scope of the regulations is understandable. We ourselves have detailed in our studies Fair Play in the Digital Arena. How Europe Can Set the Right Framework for Platforms (2016) and Democracy and Digital Disinformation (2020) the various problems that have arisen from large- ly unregulated online services. The 2000 E-commerce Directive, the last major legal framework established by the EU in this context, intro- duced many positive principles regarding liability as well as notice and takedown – which are carried forward in the new DSA proposal. But the E-commerce Directive did not anticipate the rise of large online platforms and its enormous consequences for competition and democracy.
    [Show full text]
  • The World Economic Forum – a Partner in Shaping History
    The World Economic Forum A Partner in Shaping History The First 40 Years 1971 - 2010 The World Economic Forum A Partner in Shaping History The First 40 Years 1971 - 2010 © 2009 World Economic Forum All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, including photocopying or recording, or by any information storage and retrieval system. World Economic Forum 91-93 route de la Capite CH-1223 Cologny/Geneva Switzerland Tel.: +41 (0)22 869 1212 Fax +41 (0)22 786 2744 e-mail: [email protected] www.weforum.org Photographs by swiss image.ch, Pascal Imsand and Richard Kalvar/Magnum ISBN-10: 92-95044-30-4 ISBN-13: 978-92-95044-30-2 “Until one is committed, there is hesitancy, the chance to draw back, always ineffective, concerning all acts of initiative (and creation). There is one elementary truth the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one’s favour all manner of unforeseen incidents and meetings and material assistance which no man could have dreamed would have come his way. Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it. Begin it now.” Goethe CONTENTS Foreword 1 Acknowledgements 3 1971 – The First Year 5 1972 – The Triumph of an Idea 13 1973 – The Davos Manifesto 15 1974 – In the Midst of Recession 19
    [Show full text]
  • Germany in Perspective Geography Introduction the Federal Republic of Germany Sits in the Heart of Europe
    COUNTRY IN PERSPECTIVE GERMANY Schloss Neuschwanstein.Palace in Bavaria Flickr / Kay Gaensler DLIFLC DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER COUNTRY IN PERSPECTIVE | GERMANY TABLE OF CONTENT Geography Introduction ................................................................................................................... 5 Geography and Topological Features ...................................................................... 6 Northern German Plain ......................................................................................6 Central Uplands ...................................................................................................6 The Alpen Foreland and the Alps .....................................................................7 Climate ..................................................................................................................7 Bodies of Water ............................................................................................................ 8 Rivers .....................................................................................................................8 Lakes and Seas ...................................................................................................9 Major Cities ..................................................................................................................10 Berlin ....................................................................................................................10 Hamburg ............................................................................................................
    [Show full text]
  • Newsletter Final 5 9 01*
    Pas t Forward The Newsletter of the Shoah Foundation™ SPRING / SUMMER 2001 Regarded as one of the most prolific and significant tion from Children from the Abyss may help explain why this images from left to right: Broken Silence: directors in postwar Europe, Wajda has made films (such as documentary explores such horrifying events. Vojtech Jasny Man of Iron and, most recently, Pan Tadeusz) that have been Children from the Abyss tells the stories of people The Shoah Foundation’s International Documentary acclaimed as both artistically brilliant and politically out- who survived mass executions during the Holocaust, when Janos Szasz spoken.Wajda received the Lifetime Achievement Award from they were children and teenagers in the former Soviet Union. One of first tasks for each filmmaker was to choose Stanislaw Jonas, Series Speaks to New Audiences around the Globe the Academy of Motion Picture Arts and Sciences in 1999. Producer James Moll believes that Russia’s bloody a survivor featured in I Remember which testimonies to include in history, especially its tragic losses during World War II, meant his documentary. Because the László Kiss, 12 13 that this documentary’s audience might be more challenging Shoah Foundation has cata- a survivor featured in Eyes of the There is a moment in Luis Puenzo’s Some Who Lived when the age of . The film shows a young girl, about years old, Holocaust Liza Zajak-Novera, one of the many Holocaust survivors who finding an old book about the Holocaust. She opens the book Algunos que Vivieron to reach. “The graphic details of what these survivors endured logued only English-language testimonies and developed only sought safe haven in Argentina after the war, describes her and begins to learn about the past.
    [Show full text]
  • Economic Development in Munich 4
    2021 Munich as a business location. Facts and Figures 2021 Munich as a business location. Facts and Figures Herzog-Wilhelm-Str. 15 D-80331 München Germany Economic data Phone +49-89-233 2 53 25 Economic development Phone +49-89-233 2 16 27 business-munich.de welcome.munich.de Published by the Department of Labor and Economic Development, March 2021, Vol. No. 343 muenchen.de/corona-und-wirtschaft The Corona pandemic turned many things upside down very suddenly last year. In March 2020, Germany went into the first lockdown and not only social but also economic life came to a standstill in many industries or was severe- ly curtailed. Far-reaching political decisions had to and still have to be taken at all levels to stop the spread of the pandemic. The immediate effects on the economy were and are in some cases dramatic. Munich as a business location and its companies have been affected in many ways by the economic impact of the Corona crisis: Unemployment rose to 4.5 per cent in Munich last year, which means an increase of about 13 500 additional unemployed. At the same time, the number of short-time workers in Munich rose to around 30 per cent of all employees subject to social insurance contri- butions. The tourism industry, the hospitality industry, inner-city retail as well as important infrastructure such as the Munich Trade Fair Center or the airport had to and still have to cope with immense slumps – this is also reflected in the figures at hand. All these developments also affect Munich’s financial and budgetary situation.
    [Show full text]
  • Munich As a Business Location
    2020 Munich as a business location. Facts and Figures 2020 Munich as a business location. Facts and Figures Herzog-Wilhelm-Str. 15 D-80331 München Germany Economic data Phone +49-89-233 2 53 25 Economic development Phone +49-89-233 2 16 27 Published by the Department of Labor and Economic Development, business-munich.de February 2020, Vol. No. 330 welcome.munich.de How high is Munich’s purchasing power? Has employment risen again? What areas of invest- ment does the city budget focus on? What are Munich’s key industries? This publication provides facts and figures to answer these questions and to provide a wide-ranging and up-to-date overview of the many and varied aspects of Munich’s economy. The figures, tables and diagrams paint a clear picture of Munich as an economic force and centre for innovation with immense potential. Statistics on economic performance, employment and unemployment, and important industries rein- force this message. The impressive list of selected companies in Munich reads like a who’s who of German businesses, and also includes major international players based in the city. Key data underlines not only Munich’s economic power, but also the city’s additional strengths as a start-up hub boasting impressive innovation networks, as a centre of higher education and science, and as a tourist destination. Data on the Messe Munich trade fair and Munich Airport illustrate the impressive performance of Munich’s public infrastructure and facilities, which are supported by a healthy financial structure. Facts on the development of Munich’s office property market, major projects and construction plans in the pipeline complete the overview.
    [Show full text]
  • Chapter 5. Germany: Solid Journalistic Professionalism
    Chapter 5 Germany Solid journalistic professionalism and strong public service media Christine Horz-Ishak & Barbara Thomass Introduction Germany is the biggest country in Europe, with 83 million people, and is also the largest part of a bigger German-speaking media market of about 100 mil- lion people. It has four small linguistic minorities (Sorbs in the east, Danes in the north, Frisians in the northwest, and German Sinti and Roma) and large migrant communities, of which the Turkish is the biggest one. The country has a long tradition of mass media and is one of the most dynamic media markets in the world. This is reflected in the consumption patterns of media users, who have an average media use of 10.16 hours per day. Politically, Germany is considered a mature liberal democracy. Freedom in the World 2021: status “free” (Score: 94/100, down from 95 in 2016). The 2017 federal elections saw a decrease in the representation of women in the Bundestag, down to 30.9 per cent, the lowest since 1998, which resulted in a one- point deduction in the category of Political Pluralism and Participation (Freedom House, 2021). Liberal Democracy Index 2020: Germany is placed first in the Top 10% bracket – rank 8 of measured countries, well up from 20 in 2020 (Varieties of Democracy Institute, 2019, 2021). Freedom of Expression Index 2018: rank 23 of measured countries, down from 10 in 2016 (Varieties of Democracy Institute, 2017, 2019). 2020 World Press Freedom Index: rank 11 of 180 countries, up from 16 in 2017 (Reporters Without Borders, 2020).
    [Show full text]