American Ju-Jitsu Association™ News Letter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
玄同 Kokusai Budoin, IMAF 2013 Gendo International Martial Arts Federation Newsletter No
国際武道院 国際武道連盟 玄同 Kokusai Budoin, IMAF 2013 Gendo International Martial Arts Federation Newsletter No. 2 The objectives of Kokusai Budoin, IMAF, include the expansion of interest in Japanese Martial Arts; the Upcoming Events establishment of communication, friendship, understanding and harmony among member chapters; the development of the minds and bodies of its members; and the promotion of global understanding 2013 Kokusai Budoin, IMAF and personal growth. European Congress Location: Budapest, Hungary 2013 Kokusai Budoin, IMAF All Japan Budo Exhibition Date: 18 - 20 October Tokyo Information & Reservation details pages 6 - 8 Hirokazu Kanazawa (right-side) receiving his Karatedo Meijin 10th Dan certicate from Kokusai Budoin, IMAF President Yasuhisa Tokugawa at the 35th All Japan Budo Exhibition reception. Contact: [email protected] 2013 Kokusai Budoin, IMAF HQ Autumn Seminar Location: Greater Tokyo Area Date: To Be Announced Contact: [email protected] Featured News 2013 Kokusai Budoin, IMAF All Japan Budo Exhibition Kokusai Budoin, IMAF Portal Site Largest Branch Country Sites International Representatives Multiple Languages, and more... http://kokusaibudoin.com 2013 Shizuya Sato Sensei Memorial Training Tokyo Cidra, Puerto Rico Held May 26th at the Ikegami Kaikan in Tokyo, the 35th All Japan Budo Exhibition featured 25 February 2013 leading Japanese and international practitioners from all Kokusai Budoin, IMAF divisions. Updates for Members Membership Renewals and more... Kokusai Budoin, IMAF sponsors numerous national, regional -
University of Connecticut Department of Allied Health
UNIVERSITY OF CONNECTICUT DEPARTMENT OF ALLIED HEALTH AH 1200-003: Introduction to Jujutsu Fall, 2009 Instructor: Gregory M. Kane Phone #: Work: 860-465-5175 E-mail: [email protected] Meeting Location: Hawley Armory Gym Meeting Time: Tuesday and Thursday 7:00 – 9:00 I. COURSE DESCRIPTION: Wa Shin Ryu Jujutsu is an integrated approach to the development of practical self defense/combative skills and inner power. It integrates diverse methods of fighting into a holistic, internally consistent system. The system focuses on the development of the total person by constantly emphasizing the integration of mind and body and the development of focused power (shuchu ryoku). The primary and immediate purpose of this beginner course is to provide students with practical self defense skills and develop a state of mind which permits their successful application in dangerous situations. Long term goals for those who choose to pursue the study of Wa Shin Ryu include mind-body harmony, empowerment, heightened levels of awareness and self actualization. Many health/wellness benefits are also associated with the study and practice of the art (as is the case with many martial arts). To reach the goals of Wa Shin Ryu we employ the principles of the Four-Fold Path: This path requires: i. Diligent and rigorous training in the art of Wa Shin Ryu ii. Regular meditation/introspection iii. Practice and application of the philosophy of Wa Shin Ryu (see System, Philosophy and Principles) file iv. Practice and application of the basic principles of Wa Shin Ryu (Principles of Movement, Power, Strategy and Execution). (See "System, Philosophy and Principles of Wa Shin Ryu Jujutsu" for an explanation of these terms) II. -
First Encounter with Iai in Japan, the Days of Sword-Wielding Battles Are A
PROMENADE In Japan, the days of sword-wielding battles are a thing of the past. However, one of the techniques of wielding swords is being passed on from generation to generation. It is iaido (iai for short), the art of drawing a sword in one stroke to cut down the opponent or ward off an attack. “Why use a sword in this peaceful era?” you may ask. However, iai does not train people to kill one another. Iai is being handed down because one of its purposes is to train the soul – a world of great depth. First Encounter with Iai States also participated. I was filled with anticipation because it was hard to imagine how these people, so different in statures and looks, Recently, I had a chance to see a demonstration of iai for the first would perform with a Japanese sword, dressed in traditional formal time. Even in Japan, not so many people watch iai demonstrations Japanese attire – a kimono with a family crest and a full-length, unless they are particularly interested. Even though I took some pleated and divided skirt worn over it. lessons in kendo (Japanese swordsmanship) when I was a child, I I learned that these people practice in five southwestern cities in had nothing to do with iai except that my grandfather, Osamu the United States – Phoenix (Arizona), Lancaster and Austin (both Toyoda, was a master of iai. Kendo and iai are on the same line of California), Las Vegas (Nevada), and El Paso (Texas). And there are Japanese martial arts featuring the use of swords, but a real sword is also many women practitioners. -
The Folk Dances of Shotokan by Rob Redmond
The Folk Dances of Shotokan by Rob Redmond Kevin Hawley 385 Ramsey Road Yardley, PA 19067 United States Copyright 2006 Rob Redmond. All Rights Reserved. No part of this may be reproduced for for any purpose, commercial or non-profit, without the express, written permission of the author. Listed with the US Library of Congress US Copyright Office Registration #TXu-1-167-868 Published by digital means by Rob Redmond PO BOX 41 Holly Springs, GA 30142 Second Edition, 2006 2 Kevin Hawley 385 Ramsey Road Yardley, PA 19067 United States In Gratitude The Karate Widow, my beautiful and apparently endlessly patient wife – Lorna. Thanks, Kevin Hawley, for saying, “You’re a writer, so write!” Thanks to the man who opened my eyes to Karate other than Shotokan – Rob Alvelais. Thanks to the wise man who named me 24 Fighting Chickens and listens to me complain – Gerald Bush. Thanks to my training buddy – Bob Greico. Thanks to John Cheetham, for publishing my articles in Shotokan Karate Magazine. Thanks to Mark Groenewold, for support, encouragement, and for taking the forums off my hands. And also thanks to the original Secret Order of the ^v^, without whom this content would never have been compiled: Roberto A. Alvelais, Gerald H. Bush IV, Malcolm Diamond, Lester Ingber, Shawn Jefferson, Peter C. Jensen, Jon Keeling, Michael Lamertz, Sorin Lemnariu, Scott Lippacher, Roshan Mamarvar, David Manise, Rolland Mueller, Chris Parsons, Elmar Schmeisser, Steven K. Shapiro, Bradley Webb, George Weller, and George Winter. And thanks to the fans of 24FC who’ve been reading my work all of these years and for some reason keep coming back. -
Smaa Journal
Vol. 22, Issue 2 2017 SMAA JOURNAL Shudokan Martial Arts Association ▪ PO Box 6022, Ann Arbor, MI 48106-6022 http://smaa-hq.com/ ▪ [email protected] ▪ 1-734-645-6441 ANNOUNCEMENTS OBJECTIVES OF THE SMAA 2017 SMAA DUES 1. To promote and aid in the growth of Japan’s traditional arts and ways. Membership fees were due on January 1, 2017. Please be sure to pay your SMAA dues on time. You 2. To assist the public in achieving spiritual can either send a check to our headquarters or pay growthand physical development through online at http://www.smaa-hq.com/payments. budo/bujutsu. php. We accept Visa, MasterCard, and PayPal. This 3. To further friendship and understanding is a quick and safe way to make your annual SMAA between Asian and Western martial artists. membership payment. 4. To establish goodwill and harmony among We appreciate our members paying dues promptly. martial artists of various systems. It makes life easier for the SMAA staff of 5. To offer Western martial artists access to volunteers, and it is representative of the type of legitimate budo/bujutsu organizations and self-discipline we are cultivating through the study teachers in Japan. of traditional Japanese martial arts. 6. To give practitioners of authentic budo/bujutsu recognition for their years of DONATIONS & TAX DEDUCTIONS devotion to these arts. The SMAA is a federally tax-exempt, nonprofit corporation. As such, your donations to our BOARD OF DIRECTORS association are tax deductible. Send your ▪ Karl Scott Sensei donations, in the form of a check or money order ▪ Nicklaus Suino Sensei (made out to SMAA), to our headquarters in ▪ H. -
Judo Forum Feb 98
. judo forum tremendous knowledge of the history of February 1998 Welcome the Kodokan prior to 1938. A must read Volume 1, Issue 1 piece about Classical Judo. Vernon Borgen Then Nels Erickson tells tales of a dojo After a stirring conversation on Steve outdoors and in an unheated garage - in Cunningham’s Judo List and years of Minneapolis, Minnesota. Brrrrrrrrr! complaining about the lack of a judo magazine I decided to start one. The third article is by Keo Cavalcanti, Inside this Issue Executive Director of Zen Judo in This past summer “The Judo Athlete” America. Keo shares with us the was born. All too early it died. Taking What is Classical Judo? importance of getting together with our this as a bad omen, “that profitable judo an interview with Steve judo friends on a regular basis for 2 magazines are entirely too unique,” this Cunningham practice and fellowship. magazine will be published for free. The Everywhere Dojo. 11 And finally Jana Seaborn shares with us Feel free to make copies of the the struggle and the courage to fight a magazine “as-a-whole” for free Crossing the Pond, river. This is a great story about Sei distribution (you can charge for Making Connections Ryoku Zen Yo. 12 printing expenses) and for the purpose expressed, i.e. to educate We are looking for good stories, Fargo Judoka Join Flood about judo. Any other use is research, interesting pictures and Fight 14 prohibited and subject to written cartoons. Feel free to contribute. request. The entire contents of this Atemi-Waza magazine are copyrighted. -
Train Driver and Master Iaido Swordsman
People Train Driver and Master Iaido Swordsman aido is a martial art based on use of Takeshi Kawaguchi, chief driver in the The founder of iaido is believed to be I the Japanese sword (nihonto), said by Narashino Train Crew Depot of the JR East Jinsukeshigenobu Hayashizaki, a retainer many to comprise the origin of all martial Chiba Branch Office is one of many avid of the Mogami feudal clan in Oshu (cur- arts in Japan. During the samurai era, followers of iaido in Japan today. rent-day Yamagata Prefecture in northern members of the warrior class trained in Kawaguchi was raised in a rural district Honshu) during the Eiroku Era (1558–69) this discipline as a means of developing of Ibaraki Prefecture. Growing up in a whose school of fencing came to be their fencing skills. But today, it is referred rich natural environment, he was active known as the Hayashizakimuso School, to as, ‘The path for spiritual strength in sports, and trained hard in baseball, his or the Shigenobu School. Nearly two cen- through training in sword lore’. In other first love. At graduation from senior high turies later during the Kyoho Era (1716– words, iaido has come to be pursued as a school, he joined the Chiba Railway Op- 36), Shuze Hasegawa, a swordsman of means of self-refinement and self-devel- erating Division of the former JNR. One unprecedented prowess, fused his unique opment. of the key reasons for choosing this job technique into the art, and changed the Kendo (Japanese fencing), one of the tra- was the chance to continue to pursue his name of the school to the Musojikiden ditional arts passed on from generation- love of baseball. -
OHS Kobudo Club What Is It? • “Kobudo” Is the Study of Traditional Japanese Martial Arts
OHS Kobudo Club What is it? • “Kobudo” is the study of traditional Japanese martial arts. This program is unique: more than just punching and kicking, lessons will include yoga exercises, whole body conditioning, and the most effective and proven self-defense system that you can learn. • OHS Kobudo Club will train in the traditional Japanese martial arts of Ninpo and Jujutsu and will also include other self-defense and personal safety programs. OHS Kobudo Club is non- competitive and does NOT participate in sparring, MMA, or any other type of competitive tournaments or contests. Who? • OHS Kobudo Club is associated with the Futen Dojo in Milwaukee, WI, which is an official dojo of the Genbukan World Ninpo Bugei Federation (GWNBF) and Kokusai Jujutsu Renmei Federation (KJJR). • OHS Kobudo Club is instructed by David Klemp, a teacher in the OHS English Department. He holds a 2nd degree black belt in KJJR Jujutsu and a 1st degree black belt in Genbukan Ninpo, and is a student of Michael Coleman, Kyoshi, head instructor of the Futen Dojo and direct student of Grandmaster Shoto Tanemura. • OHS Kobudo Club is open to OHS students, staff, and community members (with permission). When and Where? • Classes will be conducted right here at OHS and will run after school once or twice per week; classes typically run approximately an hour and a half. Specific times and locations TBA. Cost? Training is free! However, once you decide that OHS Kobudo Club is for you, there are membership, testing, and optional seminar fees: • Membership fees for GWNBF/KJJR* (fee covers one year of membership): o New members joining either GWNBF or KJJR (note: fee is higher for joining both): Adult (16 years old and above) application fee is ¥3,000 (approx $30) Child (below 16 years old) application fee is ¥2,000 (approx $20) • Testing fees (prices are approximate)* Grade Adult Child 9th Kyu – 4th Kyu $30 $15 3rd Kyu – 1st Kyu $40 $20 Shodan (Black Belt) $100 $50** *GWNBF/KJJR Rules & Systems, Version III, 2009. -
Mantis, Tl~/ Ths Wolverine!
&Zer 2~ou'velearned fmm ths perfect his closing the gap technique.), and specific style, it is in your best interest to more effectively break your opponent's rhythm keep an open mind regarding new combative Mantis, tl~/ths Wolverine! by flowing with a confrontation like a leaf ideologies, to synergize your Martial Arb u've just received your Shodm Rank- floating on a lake, and at the most propitious expertise with other useful concepts (such as ing in your style of Karate. You feel fit, split-second applying an unexpected, devas- JuJutsu techniques added to Karate), even tatingly effective grappling technique. A case if they are a bit unfamiliar. Sure, ypu should Y"you feel confident, you feel self-reliant. in point in the animal kingdom which attests still punch and kick when faced wth a self- You feel that you could take on the whole to the effectiveness of such an approach is world, if you had to . and win. But now defense situation. But also be prepared to it's time for a sobering reality check: there's the wohrine, a thirty-to-sixty pound animal move in close, if need be, where the real a lot more to learn. And I don't mean in whose broken-rhythm fighting pattern, cou- action is bound to take place. The techniques Knrata only. I'm talking about your entire pled with its speed, distancing and inate feroc- you are about to see caii be learned quickly, Martial Arts Reportoire. A saddingly large ity, enables it to kill a six-hundred pound easily, and more important..~ompletely. -
A Philosophical Look at the Asian Martial Arts by Barry Allen Michael Wert Marquette University, [email protected]
Marquette University e-Publications@Marquette History Faculty Research and Publications History, Department of 6-1-2016 Review of Striking Beauty: A Philosophical Look at the Asian Martial Arts by Barry Allen Michael Wert Marquette University, [email protected] Published version. Philosophy in Review, Vol. 36, No. 3 (June 2016): 91-93. Permalink. © 2016 University of Victoria. Used with permission. Philosophy in Review XXXVI (June 2016), no. 3 Barry Allen. Striking Beauty: A Philosophical Look at the Asian Martial Arts. Columbia University Press 2015. 272 pp. $30.00 USD (Hardcover ISBN 9780231172721). Recently, the martial arts have received greater attention from English speaking scholars, mostly in the humanities and some social sciences (Japanese and Chinese language scholarship, absent in this volume, have been around much longer.) There are sociological and anthropological studies of martial arts practice and practitioners, works that analyze martial arts in various media with martial arts literature, theater, and film studies leading this field, and the occasional historical monograph. There is even a newly established journal, Martial Arts Studies, with an affiliated annual conference. Like other academic martial arts monographs, Allen brings his academic expertise, in this case philosophy, into conversation with his hobby. He uses his knowledge of philosophy to ask whether there can be beauty in an activity that, he argues, was originally intended to train people for violence. He wrestles with the aesthetic qualities of martial arts on the one hand and, on the other, the ethical problem posed by participating in what seems to be an art created for violence. Along the way he uses martial arts as a lens for describing Chinese philosophy because all martial arts in East Asia were influenced by the philosophical and religious traditions that originated or changed in China. -
JU-JITSU a BRIEF HISTORY and Its Connection To
JU-JITSU A BRIEF HISTORY And its connection to Kobukai Ju-Jitsu Grappling as a form of self defense has existed for thousands of years. There are pictures of grappling fighting styles in Egyptian tombs dating from 2300 B.C. Beni Hasan Tomb - Egypt It is thought that Ju-Jitsu, as a formalized fighting methodology began in Japan around 880 A.D. A man named Teijun Fujiwara learned grappling and striking techniques from the Chinese and developed them to fit the battlefield needs of Japan. He taught these techniques to the warriors of the Minamoto clan. Yoshitoki Minamoto From these techniques developed two distinct methods of Ju-Jitsu. The first eventually came to be known as Aiki-Jujutsu. This type of Ju-Jitsu was for use by the military elite and members of the royal court, mainly while inside the castle or compound. The other method, called Jujutsu, Yawara, Kogusoku and other names was used by regular foot soldiers and was a rougher style. Both methods utilized the weapons of the day, along with unarmed techniques. By the 1400’s there were several styles of Jujutsu taught in Japan. The ones formed before the mid 19th century that survive today are referred to as Koryu, roughly meaning “ancient style.” Some of the original Koryu were Takenouchi-Ryu, Yoshin-Ryu, Araki-Ryu, Tatsumi-Ryu, and Sekiguchi-Ryu. By the early 1800’s there were over 700 ryu documented in Japan. Ju-Jitsu continues to develop, as it always has and new Ryu continue to be formed. Kobukai Ju-Jitsu has its roots in Japanese Jujutsu and Aiki Jujutsu. -
IAIDO, JODO and NITEN Manual
CLASSICAL MARTIAL ARTS CENTRE IAIDO, JODO AND NITEN Manual Welcome to CMAC.webloc 1 TorontoToronto CentralCentral RegionRegion Hasu Dojo 2 Table of Contents Table of Contents ..................................................................... 3 Belt Tying Procedures ......................... Error! Bookmark not defined. The Care and Use o f the Kobudo Uniform .................................... 6 THE PRACTICE UNIFORM .......................................................................................... 6 PUTTING ON THE UNIFORM ...................................................................................... 6 Folding the Hakama .................................................................. 7 Tying the Obi ........................................................................... 8 Tying t he Hakama ..................................................................... 9 Introduction to Sei Tei Gata Iaido ............................................ 11 Iaido, Kendo, and the Japanese Sword ...................................................................... 11 Brief History of Modern Sword Practice ...................................................................... 11 Father of Modern Swordsmanship .............................................................................. 12 History of the Sei Tei Gata .......................................................................................... 13 Bibliography ...............................................................................................................