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The Folk Dances of Shotokan by Rob Redmond
The Folk Dances of Shotokan by Rob Redmond Kevin Hawley 385 Ramsey Road Yardley, PA 19067 United States Copyright 2006 Rob Redmond. All Rights Reserved. No part of this may be reproduced for for any purpose, commercial or non-profit, without the express, written permission of the author. Listed with the US Library of Congress US Copyright Office Registration #TXu-1-167-868 Published by digital means by Rob Redmond PO BOX 41 Holly Springs, GA 30142 Second Edition, 2006 2 Kevin Hawley 385 Ramsey Road Yardley, PA 19067 United States In Gratitude The Karate Widow, my beautiful and apparently endlessly patient wife – Lorna. Thanks, Kevin Hawley, for saying, “You’re a writer, so write!” Thanks to the man who opened my eyes to Karate other than Shotokan – Rob Alvelais. Thanks to the wise man who named me 24 Fighting Chickens and listens to me complain – Gerald Bush. Thanks to my training buddy – Bob Greico. Thanks to John Cheetham, for publishing my articles in Shotokan Karate Magazine. Thanks to Mark Groenewold, for support, encouragement, and for taking the forums off my hands. And also thanks to the original Secret Order of the ^v^, without whom this content would never have been compiled: Roberto A. Alvelais, Gerald H. Bush IV, Malcolm Diamond, Lester Ingber, Shawn Jefferson, Peter C. Jensen, Jon Keeling, Michael Lamertz, Sorin Lemnariu, Scott Lippacher, Roshan Mamarvar, David Manise, Rolland Mueller, Chris Parsons, Elmar Schmeisser, Steven K. Shapiro, Bradley Webb, George Weller, and George Winter. And thanks to the fans of 24FC who’ve been reading my work all of these years and for some reason keep coming back. -
Judo Forum Feb 98
. judo forum tremendous knowledge of the history of February 1998 Welcome the Kodokan prior to 1938. A must read Volume 1, Issue 1 piece about Classical Judo. Vernon Borgen Then Nels Erickson tells tales of a dojo After a stirring conversation on Steve outdoors and in an unheated garage - in Cunningham’s Judo List and years of Minneapolis, Minnesota. Brrrrrrrrr! complaining about the lack of a judo magazine I decided to start one. The third article is by Keo Cavalcanti, Inside this Issue Executive Director of Zen Judo in This past summer “The Judo Athlete” America. Keo shares with us the was born. All too early it died. Taking What is Classical Judo? importance of getting together with our this as a bad omen, “that profitable judo an interview with Steve judo friends on a regular basis for 2 magazines are entirely too unique,” this Cunningham practice and fellowship. magazine will be published for free. The Everywhere Dojo. 11 And finally Jana Seaborn shares with us Feel free to make copies of the the struggle and the courage to fight a magazine “as-a-whole” for free Crossing the Pond, river. This is a great story about Sei distribution (you can charge for Making Connections Ryoku Zen Yo. 12 printing expenses) and for the purpose expressed, i.e. to educate We are looking for good stories, Fargo Judoka Join Flood about judo. Any other use is research, interesting pictures and Fight 14 prohibited and subject to written cartoons. Feel free to contribute. request. The entire contents of this Atemi-Waza magazine are copyrighted. -
Mantis, Tl~/ Ths Wolverine!
&Zer 2~ou'velearned fmm ths perfect his closing the gap technique.), and specific style, it is in your best interest to more effectively break your opponent's rhythm keep an open mind regarding new combative Mantis, tl~/ths Wolverine! by flowing with a confrontation like a leaf ideologies, to synergize your Martial Arb u've just received your Shodm Rank- floating on a lake, and at the most propitious expertise with other useful concepts (such as ing in your style of Karate. You feel fit, split-second applying an unexpected, devas- JuJutsu techniques added to Karate), even tatingly effective grappling technique. A case if they are a bit unfamiliar. Sure, ypu should Y"you feel confident, you feel self-reliant. in point in the animal kingdom which attests still punch and kick when faced wth a self- You feel that you could take on the whole to the effectiveness of such an approach is world, if you had to . and win. But now defense situation. But also be prepared to it's time for a sobering reality check: there's the wohrine, a thirty-to-sixty pound animal move in close, if need be, where the real a lot more to learn. And I don't mean in whose broken-rhythm fighting pattern, cou- action is bound to take place. The techniques Knrata only. I'm talking about your entire pled with its speed, distancing and inate feroc- you are about to see caii be learned quickly, Martial Arts Reportoire. A saddingly large ity, enables it to kill a six-hundred pound easily, and more important..~ompletely. -
JU-JITSU a BRIEF HISTORY and Its Connection To
JU-JITSU A BRIEF HISTORY And its connection to Kobukai Ju-Jitsu Grappling as a form of self defense has existed for thousands of years. There are pictures of grappling fighting styles in Egyptian tombs dating from 2300 B.C. Beni Hasan Tomb - Egypt It is thought that Ju-Jitsu, as a formalized fighting methodology began in Japan around 880 A.D. A man named Teijun Fujiwara learned grappling and striking techniques from the Chinese and developed them to fit the battlefield needs of Japan. He taught these techniques to the warriors of the Minamoto clan. Yoshitoki Minamoto From these techniques developed two distinct methods of Ju-Jitsu. The first eventually came to be known as Aiki-Jujutsu. This type of Ju-Jitsu was for use by the military elite and members of the royal court, mainly while inside the castle or compound. The other method, called Jujutsu, Yawara, Kogusoku and other names was used by regular foot soldiers and was a rougher style. Both methods utilized the weapons of the day, along with unarmed techniques. By the 1400’s there were several styles of Jujutsu taught in Japan. The ones formed before the mid 19th century that survive today are referred to as Koryu, roughly meaning “ancient style.” Some of the original Koryu were Takenouchi-Ryu, Yoshin-Ryu, Araki-Ryu, Tatsumi-Ryu, and Sekiguchi-Ryu. By the early 1800’s there were over 700 ryu documented in Japan. Ju-Jitsu continues to develop, as it always has and new Ryu continue to be formed. Kobukai Ju-Jitsu has its roots in Japanese Jujutsu and Aiki Jujutsu. -
On Jujutsu and Its Modernization
On Jujutsu and its Modernization By Kenji Tomiki Translation Copyright 1986 by Robert W. Dziubla & Fumiaki Shishida Table of Contents Preface Chapter One: The Distinctive Features of Budo and the System of Jujutsu Training Chapter Two: The Changes in Jujutsu And its Modernization Chapter Three: Techniques Learned Through Kata can be Revitalized by Randori Chapter Four: Jujutsu Requires Two Systems of Randori Training Chapter Five: A Training Course for Aiki-randori I. Fundamental movements (kihon dosa): stressing fundamental principles found in old style jujutsu II. Fundamental techniques (kihon waza): techniques derived from the old schools of jujutsu and categorized into atemi-waza and kansetsu-waza III. The method of breaking away (ridatsu ho): breaking away and practically applying the atemi-waza when grasped by an opponent IV. The method of control (seigyo ho): controlling an opponent and practically applying the kansetsu-waza when grasped V. The method of randori (randori ho): avoiding and controlling the cuts and thrusts of a distant opponent Preface There are many kinds of Budo (martial arts) in Japan. In recent history, kendo and judo have been the major ones and, as Gakko Budo--martial arts systems taught as part of the PE curricula--they have been required courses in schools, including primary schools, since the Meiji period (1868-1912). And, as is well known, both kendo and judo incorporate competition and sparring. However, the training in ancient Budo consisted only of kata practice, the practice of forms and pre-arranged movements that one masters through numerous repetitions. Kendo and judo training were not kata alone. -
Combat Styles
Combat Styles Martial arts are the defining point for a Street Fighter. It’s what makes him who he is, and what differentiates him from other Street Fighters that he faces. Every martial arts style teaches different techniques, moves, and philosophies. These differences are outlined in this chapter. Choosing Martial Arts Styles First Belt Rank characters choose one martial arts style that they will be studying. New styles can be selected every five levels thereafter (i.e., 5th, 10th, and 15th Belt Ranks); however, doing so means that the character forgoes on any additional training in their old style and misses out on any benefits that the style may grant at more advanced levels. Each martial arts style is presented with a brief history, a summary on its philosophies and teachings, and a short description of the basic combat techniques that the form emphasizes. Many martial arts share similar histories, but the write-ups that are included here only describe the part of history that is pertinent to the style. Each entry for a martial arts style includes the following information that affects game play: Prerequisites Martial arts are often physically, or even mentally, demanding and require a certain level of physical prowess, strength, willpower, and/or endurance to master. These prerequisites must be met in order for a fighter to take this style. Special Move Max The Special Moves (See Chapter 8 for more information on Special Moves) that a fighter can take are limited by their martial arts style. Each style emphasizes different areas in training, so some techniques may be more limited than others. -
Team Usa 2017!
Vol. 1, Issue 3 September 11, 2017 TOMIKIQUARTERLY UPDATES FROM THENEWS TAA TEAM USA 2017! Wade Current, Bob King, Bob Dziubla and Greg Linden served as o"cials at the WSAF games. Report From the Games! The 1st WSAF World Championship kicked off in London on Friday, August 18, and was comprised of youth, junior, cadet and adult competitions. On Saturday, the games continued with the senior competitions and in the evening the youth, junior and cadet award ceremonies. Finally, Sunday completed the adult competitions and concluded with the award ceremonies. Over one hundred children and nearly two hundred adult aikidoka participated in the games. Beside our own team from the United States, nations represented included: the United Kingdom, Brazil, Switzerland, Australia, Japan, Spain and Russia. A group photo of the first WSAF Bob Dziubla Shihan, Robert King Sensei, Greg Linden Sensei and World Championship. Wade Current Sensei represented the TAA as judges during the games, working alongside an international team of officials to ensure fair and Also in this issue: safe competition. 2 - WSAF Final Standings Overall, it was the United Kingdom that took home the most medals, 3 - Chairman’s Corner with Japan in second. Although Team USA did not medal in any of the 4 - Context in Evaluating Martial Arts events, they competed hard in all of the adult events: individual and 6 - Yudansha Exam Essays team tanto randori, embu and the kongo dantaisen mixed event. Team 11 - Losing is Better than Winning captains Will Ball and Tiffany Doan led a group of American competitors 10 - Professor Tomiki’s Radical Notion comprised of Gabe Adalem, Justin Chang, Ian King, Taira MacNeill, 12 - Upcoming Events Andy MacNeill, Shannon Meyers, Alec Niccum, Ruth Reinicke, Curtis 13 - On Jujutsu and Its Modernization Roberts, Michael Shaw, Caroline Spence, and Kalynn Voorhies. -
Martial Arts in New Zealand
Lincoln University Digital Thesis Copyright Statement The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). This thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: you will use the copy only for the purposes of research or private study you will recognise the author's right to be identified as the author of the thesis and due acknowledgement will be made to the author where appropriate you will obtain the author's permission before publishing any material from the thesis. THE DEVELOPMENT AND CHARACTERISTICS OF THE MARTIAL ARTS EXPERIENCE IN NEW ZEALAND A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Social Science at Lincoln University by Diana Looser Lincoln University 2003 2 Abstract THE DEVELOPMENT AND CHARACTERISTICS OF THE MARTIAL ARTS EXPERIENCE IN NEW ZEALAND This thesis examines the martial arts in New Zealand. It takes three approaches. The first is socio historical, with a particular focus on the history and development of martial arts practice in New Zealand. The second is socio-cultural and is concerned with the characteristics of the people . practising the various martial arts. The third is motivational and explores the reasons why people become involved in martial arts training and why they continue. The theories of risk and the risk society, and popular or mass consumer culture are used to help explain, and provide a social context for understanding, people's motivations. In addition, the black belt is examined in terms of its symbolic nature and its role in motivating people to begin, and continue with, their training. -
G E N D O and Personal Growth
The objectives of the Kokusai Budoin, IMAF, include the expansion of interest in Japanese Martial Arts; the establishment of communication, friendship, understanding and harmony among member chapters; the development of the minds and bodies of its members; and the promotion of global understanding G E N D O and personal growth. 2005 – Special Edition: North America Congress & Seminars 精力善用自他共栄 IMAF – North America Congress and Seminars Mission Viejo, CA Friday, May 20th participants registered, picked up their Commit oneself to maximum efficiency, welcome packets, greeted old friends and made the acquaintance of other and mutual benefit in all endeavors IMAF members at the Japan Karate-Do Federation Hombu Dojo. SPECIAL EDITION IMAF North America Congress and Seminar Highlights The 21st Annual North America Congress & Seminars were held May 20th – 22nd Location: Japan Karatedo Federation 23725 Via Fabricante, Unit E Mission Viejo, CA 92691 USA Contact Information: IMAF North America Branch Director Mr. Paul Godshaw Tel/Fax: +1-949-859-1038 Email: [email protected] Web: www.imaf.com UPCOMING EVENTS 2005 IMAF-NA Seminar S. Tsutsui, K. Sakai, P. Godshaw and S. Sato (left to right) IMAF European Congress and Seminars - 2005 The IMAF-NA Board of Directors meeting was held Friday evening from Date: October 28 – 30, 2005 4:30 to 6:00. Opening remarks were made by the 2005 event host IMAF- Location: Strasbourg, France NA Branch Director Paul Godshaw and IMAF Chief Director Shizuya Sato. Discussions during the meeting covered a wide range of topics, and a Contact Information: number of significant resolutions were carried by unanimous vote. -
A Brief History of Judo by Alex Mashadi
A Brief History of Judo by Alex Mashadi Judo is a relatively new Japanese martial art developed in Japan in 1882 by Dr Kano Jigoro. Its aim is to either throw the opponent to the ground, immobilize or otherwise subdue the opponent, or force an opponent to submit by a strangle hold or arm lock. Kano Jigoro was born in 1860 into an affluent Japanese family. His grandfather was a self-made man, a sake brewer from central Japan. However, Kano's father was not the eldest son and therefore did not inherit the business. Instead, he became a Shinto priest and government official, with enough influence for his son to enter Tokyo Imperial University. Kano was a small, frail boy, who was often picked on by bullies. At the age of 17, he first started jujutsu but with little success. This was in part due to his difficulties finding a teacher who would take him on as a student. When he went to university to study literature at the age of 18, he continued his martial arts studies, eventually gaining a referral to Fukuda Hachinosuke (c.1828– c.1880), a teacher who stressed the importance of technique over formal exercise, which led to Kano’s belief in the importance of free practice (randori). A little more than a year after Kano joined Fukuda's school, Fukuda became ill and died. Kano then became a student in a number of other schools, where varying degrees of emphasis was put on the practice of pre-arranged forms (kata) or free practice. -
Download Issue
ISSUE 10 EDITORS Fall 2020 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES EDITORIAL PAUL BOWMAN & BENJAMIN N. JUDKINS Five Years and Twelve Months that Changed the Study of Martial Arts Forever ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/mas.i10 Accepted for publication 30 October 2020 Martial Arts Studies Journal design by Hugh Griffiths MARTIAL issue 10 ARTS STUDIES FALL 2020 1 Editorial Five Years and Twelve Months that Changed the Study of Martial Arts Forever Paul Bowman and Benjamin N. Judkins ARTICLES 9 Tàolù – The Mastery of Space Daniel Mroz 23 Marx, Myth and Metaphysics China Debates the Essence of Taijiquan Douglas Wile 40 Rural Wandering Martial Arts Networks and Invulnerability Rituals in Modern China Yupeng Jiao 51 The Construction of Chinese Martial Arts in the Writings of John Dudgeon, Herbert Giles and Joseph Needham Tommaso Gianni 66 The Golden Square Dojo and its Place in British Jujutsu History David Brough 73 Wrestling, Warships and Nationalism in Japanese-American Relations Martin J. -
On Jujutsu and Its Modernization
On Jujutsu and its Modernization By Professor Kenji Tomiki Translation Copyright © 1986 by Robert W. Dziubla & Fumiaki Shishida Table of Contents Preface Chapter One: The Distinctive Features of Budo and the System of Jujutsu Training Chapter Two: The Changes in Jujutsu and its Modernization Chapter Three: Techniques Learned Through Kata Can Be Revitalized by Randori Chapter Four: Jujutsu Requires Two Systems of Randori Training Chapter Five: A Training Course for Aiki-randori I. Fundamental movements (kihon dosa): stressing fundamental principles found in old style jujutsu II. Fundamental techniques (kihon waza): techniques derived from the old schools of jujutsu and categorized into atemi-waza and kansetsu-waza III. The method of breaking away (ridatsu ho): breaking away and practically applying the atemi-waza when grasped by an opponent IV. The method of control (seigyo ho): controlling an opponent and practically applying the kansetsu-waza when grasped V. The method of randori (randori ho): avoiding and controlling the cuts and thrusts of a distant opponent 1 Preface There are many kinds of budo (martial arts) in Japan. In recent history, kendo and judo have been the major ones and, as gakko budo -- martial arts systems taught as part of the physical education curricula in schools -- they have been required courses in schools, including primary schools, since the Meiji period (1868 -1912). And, as is well known, both kendo and judo incorporate competition and sparring. However, the training in ancient Budo consisted only of kata practice, i.e. the practice of forms and pre-arranged movements that one masters through numerous repetitions. Kendo and judo training were not kata alone.