Romano Scarpa
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
2News Summer 05 Catalog
SAV THE BEST IN COMICS & E LEGO ® PUBLICATIONS! W 15 HEN % 1994 --2013 Y ORD OU ON ER LINE FALL 2013 ! AMERICAN COMIC BOOK CHRONICLES: The 1950 s BILL SCHELLY tackles comics of the Atomic Era of Marilyn Monroe and Elvis Presley: EC’s TALES OF THE CRYPT, MAD, CARL BARKS ’ Donald Duck and Uncle Scrooge, re-tooling the FLASH in Showcase #4, return of Timely’s CAPTAIN AMERICA, HUMAN TORCH and SUB-MARINER , FREDRIC WERTHAM ’s anti-comics campaign, and more! Ships August 2013 Ambitious new series of FULL- (240-page FULL-COLOR HARDCOVER ) $40.95 COLOR HARDCOVERS (Digital Edition) $12.95 • ISBN: 9781605490540 documenting each 1965-69 decade of comic JOHN WELLS covers the transformation of MARVEL book history! COMICS into a pop phenomenon, Wally Wood’s TOWER COMICS , CHARLTON ’s Action Heroes, the BATMAN TV SHOW , Roy Thomas, Neal Adams, and Denny O’Neil lead - ing a youth wave in comics, GOLD KEY digests, the Archies and Josie & the Pussycats, and more! Ships March 2014 (224-page FULL-COLOR HARDCOVER ) $39.95 (Digital Edition) $11.95 • ISBN: 9781605490557 The 1970s ALSO AVAILABLE NOW: JASON SACKS & KEITH DALLAS detail the emerging Bronze Age of comics: Relevance with Denny O’Neil and Neal Adams’s GREEN 1960-64: (224-pages) $39.95 • (Digital Edition) $11.95 • ISBN: 978-1-60549-045-8 LANTERN , Jack Kirby’s FOURTH WORLD saga, Comics Code revisions that opens the floodgates for monsters and the supernatural, 1980s: (288-pages) $41.95 • (Digital Edition) $13.95 • ISBN: 978-1-60549-046-5 Jenette Kahn’s arrival at DC and the subsequent DC IMPLOSION , the coming of Jim Shooter and the DIRECT MARKET , and more! COMING SOON: 1940-44, 1945-49 and 1990s (240-page FULL-COLOR HARDCOVER ) $40.95 • (Digital Edition) $12.95 • ISBN: 9781605490564 • Ships July 2014 Our newest mag: Comic Book Creator! ™ A TwoMorrows Publication No. -
Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Disney Nella Nostra Sim- Po’
Anteprima » Panini Comics L'ANGOLO DI VALENTINA DA NAPOLI A TORINO SULLE ALI… DEL TOPO! • di Valentina De Poli Nelle presentazioni istituzionali dedicate al Topo - lettori… E siamo anche accolti benissimo! Così, per proprio in questi giorni in coincidenza con il re- ricambiare, non vediamo l’ora che arrivino quelle styling e la nuova campagna dedicata al giornale, occasioni in cui possiamo essere noi a invitare gli partita l’11 aprile, ne stiamo organizzando un bel appassionati dei fumetti Disney nella nostra sim- po’... - arriva sempre il momento in cui racconto bolica casa. Di solito succede in occasione delle con fierezza di come il nostro magazine sia da de- fiere. I prossimi appuntamenti saranno a Napoli cenni un compagno di svago privilegiato scelto per il Comicon, dal 28 aprile, e poi subito dopo dalle famiglie italiane. Posso garantire che è tut- al Salone del Libro di Torino dal 10 maggio. Ma to vero, a giudicare anche dai racconti raccolti e tra una tappa e l’altra sul territorio avremo tempo registrati durante i focus group in giro per l’Italia, anche di dedicarci al centro Italia visitando i ne- realizzati nei mesi scorsi per testare il gradimento gozi vincitori dell’iniziativa “Disney Point 2017” del giornale, dove è stato bello ascoltare bambini (ricordate Anteprima #310?): perché le fumetterie e adulti sostenere che “Topolino non manca mai a sono la nostra seconda casa e sarà bello accoglier- casa nostra, ce lo passiamo di mano in mano!”. È vi anche lì! Ne parleremo sui prossimi numeri… come se ogni settimana un pezzettino di noi, tra Straquack! Valentina UN GIORNO TUTTO QUESTO… redazione e autori, entrasse nelle case dei nostri SARÀ A FUMETTI! PIPPO IN: 3X2 3259 Tito Faraci/Silvia Ziche UN GIORNO TUTTO QUESTO… DALLA PARTE SBAGLIATA SARÀ A FUMETTI! Tito Faraci/Paolo Mottura PIPPO IN: 3X2 Tito Faraci/Silvia Ziche TOPOLINO E L’ESPERIMENTO DEL DOTTOR PI UN GIORNO, Francesco Artibani/Alessandro Perina DALLA PARTE SBAGLIATA Tito Faraci/Paolo Mottura TUTTO QUESTO.. -
Uncle Scrooge #9 Preview
STORY 1 Another Christmas on Bear Mountain from Italian Topolino 2717, 2007 (New to the USA) WRITER Tito Faraci ARTIST Giorgio Cavazzano INKER Sandro Zemolin COLORIST Disney Italia with Travis and Nicole Seitler LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Gary Leach STORY 2 EDITOR Sarah Gaydos Blizzard Blues from Dutch Donald Duck 50/1995 (New to the USA) ARCHIVAL EDITOR David Gerstein IFC DESIGNER Paul Hornschemeier WRITER Evert Geradts COVER DESIGNER Tom B. Long ARTIST Jaap Stavenuiter COLORIST Sanoma with Travis and Nicole Seitler REGULAR COVER Giorgio Cavazzano LETTERER Travis and Nicole Seitler REGULAR COVER colored by Ronda Pattison TRANSLATION AND DIALOGUE Maura McManus SUB COVER Daniel Branca SUB COVER colored by Derek Charm RI COVER Marco Gervasio RI COVER colored by Ronda Pattison Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Beatrice Osman, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo. Ted Adams, CEO & Publisher Facebook: facebook.com/idwpublishing Greg Goldstein, President & COO Robbie Robbins, EVP/Sr. Graphic Artist Twitter: @idwpublishing Chris Ryall, Chief Creative Officer/Editor-in-Chief YouTube: youtube.com/idwpublishing Matthew Ruzicka, CPA, Chief Financial Officer Alan Payne, VP of Sales Instagram: instagram.com/idwpublishing Dirk Wood, VP of Marketing deviantART: idwpublishing.deviantart.com www.IDWPUBLISHING.com Lorelei Bunjes, VP of Digital Services IDW founded by Ted Adams, Alex Garner, Kris Oprisko, and Robbie Robbins Jeff Webber, VP of Digital Publishing & Business Development Pinterest: pinterest.com/idwpublishing/idw-staff-faves UNCLE SCROOGE #9 (Legacy #413), DECEMBER 2015. FIRST PRINTING. All contents, unless otherwise specified, copyright © 2015 Disney Enterprises, Inc. All rights reserved. -
STORY 1 Blight Before Christmas STORY 4 High-Tech Herbert
STORY 2 Meter Your Maker from Italian Topolino 2299, 1999 (New to the USA) WRITER Alberto Savini ARTIST Corrado Mastantuono COLORIST Disney Italia with David Gerstein LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein STORY 3 Christmas Clubbing from Dutch Donald Duck 52/2002 (New to the USA) WRITER Kirsten de Graaf and Mau Heymans STORY 1 ARTIST Mau Heymans Blight Before Christmas COLORIST Sanoma with Travis and Nicole Seitler from Italian Almanacco Topolino 108, 1965 (New to the USA) LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Thad Komorowski WRITER Abramo and Giampaolo Barosso ARTIST Giovan Battista Carpi COLORIST Digikore Studios with Dave Alvarez LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Jonathan H. Gray STORY 4 High-Tech Herbert from Dutch Donald Duck 1/2013 (New to the USA) WRITER AND ARTIST Carlo Gentina COLORIST Sanoma LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein EDITORS STORY 5 Sarah Gaydos & The Sinister Space Santa Michael Benedetto from Italian Topolino 2730, 2008 (New to the USA) IFC DESIGNER Paul Hornschemeier WRITER Stefano Ambrosio ARCHIVAL EDITOR ARTIST Marco Mazzarello COLORIST Disney Italia with Travis and Nicole Seitler David Gerstein LETTERER Travis and Nicole Seitler COVER Giorgio Cavazzano TRANSLATION AND DIALOGUE Joe Torcivia COVER COLORS Disney Italia For international rights, Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo please contact -
Quelli Che… a Lucca: ?
Anteprima » Panini Comics L'ANGOLO DI VALENTINA QUELLI CHE… A LUCCA: FORSE CHE SÌ, FORSE CHE NO! • di Valentina De Poli Rileggendo il titolo mi sono accorta di aver rubato a finire prevale. Anche tra i fan del fumetto Disney inconsciamente le parole a un dialogo di “Asterix e il esistono due fazioni: quelli che a Lucca… si va anche giro di Gallia” (oltre che a D’Annunzio… ma non stavo con 40 di febbre e quelli che a Lucca… proprio non ce pensando a lui, giuro!) ma si sa, quando si avvicina la la fanno. Troppa gente, troppo caldo, troppi appunta- data di una nuova edizione di Lucca Comics da que- menti, troppo tutto! Potrei usare mille argomenti per ste parti cominciamo a parlare “a fumetti”. E mi sento convincervi che vale la pena esserci: alcuni motivi li tro- il balloon proprio sopra la testa, una specie di nuvolet- vate in questo numero di Anteprima, altri sui numeri ta alla Fantozzi! Perché un pochino di ansia viene, non di Topolino del 18, 25 ottobre e 1° novembre, altri è che lo stato d’animo sia quello di chi si appresta ad ancora sulla nostra pagina Facebook e altri sul sito di andare a un pic-nic. Innanzitutto speriamo davvero che Lucca Comics. Avete ancora una ventina di giorni per non piova. E poi se appena appena uno soffre un po’ decidere da che parte stare. Ma una cosa accumuna chi i luoghi affollati, be’… di notte un pensierino finisce ci sarà oppure no: la check list delle novità! Eccola qui sempre lì! E da pensiero nasce pensiero: andrà tutto sotto in formato mignon, da ritagliare e da mettere nel bene? Le cover saranno tutte okay? Gli autori perde- portafoglio. -
39635191.Pdf
table of contents RKYV # 28 {September 2009} RKYV ONLINE LOGO - David Marshall { current } RKYV ONLINE LOGO – r. j. paré {modified} RKYV COMICS LOGO – Roy G. James {original} Virtual Cover # 28 Writer’s Column - Art by Allen Freeman - By Larissa Gula - Layout by David Marshall Poetry Interior Art - By Dexter Betantos, Anna Gehmacher, - By Jonathan Biermann, De Tourist, Roger Frances Vargas, r. j. paré Formidable, Engin Korkmaz, Lisa Marie Mueller, Dave Michaels, r. j. paré, Allen Music Freeman. - “Redhouse” - by r. j. pare Editorial Column - “At the Outset: A Few Thoughts from the Short Fiction Editor” - “Bad Beat – Part 2” - By r. j. paré - By r. j. paré In the News Pop Culture - By Tom Rossini - “An interview with Jimmy Palmiotti” - By Brad Bellmore Featured Artist Review - “Comic Book Review” – Allen Freeman - By Brad Bellmore - By r .j. paré - “Raised on Saturday Morning Cartoons” - By Pauline Paré 12 Inches – by Roger Formidable at the outset a few thoughts from the editor By r. j. paré “I suppose I should collect my books And go back to school.” --- Rod Stewart The summer ends and with it the time for idle days at the beach. For our children, moaning and groaning it is time to head on back fer some more of that fancy book learning. For ourselves it can be an opportunity to devote extra time to our never ending back-log of projects. Whether it is a leaky roof that needs fixing before winter or some creative time to express yourself… we all have stuff that piles up. Here at RKYV ONLINE we’ve, lately, devoted more energy to showcasing bigger names and talents as a means of sharing with you – our readers, contributors and developing artists – what is possible when you truly invest in your own creativity. -
Tutto Roma No Scarpa
PRESENTAZIONE TUTTO ROMA NO SCARPA Sera e Gazzetta dello Sport: la prima integrale lare in meno in una vignetta, se infastidisce mai realizzata su un autore italiano. Il segui- lo svolgimento della storia. Scarpa è la figu- to ideale di quelle intitolate ai due predeces- ra di riferimento di un movimento al quale ap- sori americani. partengono sceneggiatori e disegnatori: i con- temporanei Guido Martina e Giovan Battista I volumi che vi accompagneranno durante Carpi, Carlo Chendi e Luciano Bottaro, quin- questo 2014, ciascuno di 360 pagine, com- di Giorgio Pezzin e Bruno Concina, Sergio prendono, in ordine cronologico, tutta la pro- Asteriti e Pier Lorenzo e Massimo De Vita, duzione di Scarpa. Nella migliore edizione poi Giorgio Cavazzano con la sua rivoluzio- possibile e, dov’era il caso, restaurata. E non ne moderna, e i più giovani Francesco Artiba- solo le opere tratte da Topolino, Albi d’Oro, ni, Silvia Ziche, Corrado Mastantuono, Fabio Almanacco Topolino, Classici di Walt Disney, Celoni, Casty, e mi perdonino tutti quelli – albi e volumi speciali, Zio Paperone, Maestri anch’essi grandi – rimasti sulla tastiera del pc. Disney e riviste estere: sono state inserite an- arl Barks. Floyd Gottfredson. E Ro- Una parata dei personaggi creati da Scarpa, che le storie ancora inedite in Italia e alcune I quali forse sorrideranno ripensando a un’al- mano Scarpa. Non sembri sacrilego disegnati nel 1986 per i primi venti anni del addirittura mai pubblicate. In più, numerosi tra frase del grande Maestro: “Mi sento con- l’accostamento ai due storici autori Salone Internazionale dei Comics di Lucca. -
Paperinik, Ou Comment Les Italiens Sont Parvenus À Mettre Des Pantalons À Donald Duck
Paperinik, ou comment les Italiens sont parvenus à mettre des pantalons à Donald Duck Gianni Haver et Michaël Meyer Parmi la production des bandes dessinées Disney, un personnage peu connu dans le contexte francophone est pourtant un véritable mythe en Italie. Il est à la fois un héros apprécié pour les histoires dans lesquelles il apparaît et un ambassadeur de l’école Disney italienne. Il s’agit de Paperinik, le double super-héroïque de Donald Duck. Du point de vue de l’étude de la bande des- sinée, il constitue une figure très pertinente pour interroger la circulation des modèles visuels et narratifs de la culture de masse américaine, et leurs réap- propriations par le Vieux Continent. Pour faire apparaître les échanges et les hybridations qui sont à l’ori- gine du personnage de Paperinik, il est nécessaire d’effectuer un itinéraire qui tient compte à la fois de l’arrivée des productions Disney en Italie et de la diffusion des récits de super-héros américains. L’intégration de ces produc- tions dans le paysage culturel italien est démontrée par une appropriation rapide qui donne lieu à une production locale, aussi bien de récits Disney que d’aventures super-héroïques. Dans le cadre du personnage de Paperinik, ces influences vont se combiner avec des motifs issus de productions autochtones, en particulier les bandes dessinées mettant en scène des héros criminels. BD-US : les comics vus par Europe Disney en l’Italie Les personnages de Disney naissent aux États-Unis dans le cinéma d’anima- tion des années 1920, avant de connaître un rapide succès sous la forme de comic strips dès janvier 1930, puis de comic books. -
Free Catalog
Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come. -
R Evenge of the Duck Avenger
Revenge of the Duck Avenger Revenge of the Duck Avenger From Italian Topolino #743–744, 1970 Writer: Guido Martina Artist: Romano Scarpa Inker: Giorgio Cavazzano Colorists: Nea Aktina A.E. with Nicole and Travis Seitler Letterers: Nicole and Travis Seitler Translation and Dialogue: Gary Leach The Manly Art of…? From Brazilian Zé Carioca #941, 1969 Writer: Dick Kinney Artist: Al Hubbard Colorist: Digikore Studios Letterers: Nicole and Travis Seitler For international rights, contact [email protected] Special thanks to Daniel Saeva, Julie Dorris, Manny Mederos, Roberto Santillo, Chris Troise, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo. ISBN: 978-1-63140-730-7 19 18 17 16 1 2 3 4 Ted Adams, CEO & Publisher Greg Goldstein, President & COO Facebook: facebook.com/idwpublishing Robbie Robbins, EVP/Sr. Graphic Artist Chris Ryall, Chief Creative Officer/Editor-in-Chief Twitter: @idwpublishing Laurie Windrow, Senior VP of Sales & Marketing Matthew Ruzicka, CPA, Chief Financial Officer YouTube: youtube.com/idwpublishing Dirk Wood, VP of Marketing Lorelei Bunjes, VP of Digital Services Tumblr: tumblr.idwpublishing.com www.IDWPUBLISHING.com Jeff Webber, VP of Licensing, Digital and Subsidiary Rights Jerry Bennington, VP of New Product Development Instagram: instagram.com/idwpublishing DONALD DUCK: REVENGE OF THE DUCK AVENGER. OCTOBER 2016. FIRST PRINTING. All contents, unless otherwise specified, copyright © 2016 Disney Enterprises, Inc. All rights reserved. The IDW logo is registered in the U.S. Patent and Trademark Office. IDW Publishing, a division of Idea and Design Works, LLC. Editorial offices: 2765 Truxtun Road, San Diego, CA 92106. Any similarities to persons living or dead are purely coincidental. With the exception of artwork used for review purposes, none of the contents of this publication may be reprinted without the permission of Idea and Design Works, LLC.