Guide to the Ed Wood, Jr. Collection, 1966-2006. Collection Number: 7779
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Transsexuality in Film by Carolyn Kraus
Transsexuality in Film by Carolyn Kraus Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Representations of transsexuality in films fall along a spectrum from freak-show sexploitation, to dramatic and documentary depictions of the struggles of transsexuals, and, finally, to the metaphorical use of transsexuality in exploring borders, not only sexual borders but also racial, religious, and political ones as well. The Transsexual as Joke Whereas transvestites have been depicted in film since the silent era, transsexuals (people who have undergone sex-change surgery or who choose to live as the opposite gender) entered the movies only in the early 1950s. The earliest celluloid glimpses of transsexuality appeared shortly after news of George/ Christine Jorgensen's 1952 sex-change surgery shocked and mesmerized the world with headlines such as "Ex-GI Becomes Blonde Beauty," "Christine, by George!" and "Thousands in U.S. Don't Know Their True Sex." The first movie attempting to capitalize on the story came from Ed Wood, a quirky filmmaker who was once named the "World's Worst Director." Wood's Glen or Glenda (I Changed My Sex) (1953) tells two stories, one about a transvestite, one about a transsexual. Ex-Dracula Bela Lugosi lurks between scenes delivering screwball pleas for tolerance: "Vat are little boys made ov? Ees eet puppy dog tails? Beeg fat snails? Or maybe brassieres!" The result is pure camp, although Wood, a cross-dresser himself, flashed an intended moral across the screen in the film's opening frames: "Judge Ye Not!" The filming of Glen or Glenda is depicted in Tim Burton's 1994 film biography Ed Wood. -
Ed Wood : Le Film / Ed Wood, États-Unis, 1994, 124 Minutes]
Document généré le 2 oct. 2021 15:36 Séquences La revue de cinéma Ed Wood Le film Ed Wood, États-Unis, 1994, 124 minutes Alain Dubeau Robert Morin Numéro 175, novembre–décembre 1994 URI : https://id.erudit.org/iderudit/59410ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Dubeau, A. (1994). Compte rendu de [Ed Wood : le film / Ed Wood, États-Unis, 1994, 124 minutes]. Séquences, (175), 24–25. Tous droits réservés © La revue Séquences Inc., 1994 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ les surréalistes n'auraient pas renié. À croire que le film qui, selon le cinéaste et les «psys» de l'époque, ne peut Bien entendu, tout cela ne serait pas si mal s'il n'y préféré de Wood était Un Chien Andalou. Non pas bien qu'être bénéfique à tous. Ainsi, un homme heureux en avait aussi le jeu outré et ampoulé de Dolores Fuller, très sûr que Glen or Glenda ait une quelconque affinité déshabillé ne sera-t-il pas plus productif dans son travail? digne dans son rôle de fiancée comprehensive. -
Considering Blackness in George A. Romero's Night of the Living
CONSIDERING BLACKNESS IN GEORGE A. ROMERO’S NIGHT OF THE LIVING DEAD: AN HISTORICAL EXPLORATION A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in the partial fulfillment of the requirements for the degree of Master of Arts In The Department of English by Jennifer Whitney Dotson B.A., Middle Tennessee State University, 2004 August 2006 Table of Contents Abstract……………………………………………………………………...……iii Chapter 1 Introduction………………………………………………..…………..1 2 An Overview of the Twentieth Century Zombie in the West….….....12 3 Night of the Living Dead…………………………………………….39 4 Conclusion…………………………………………………...………66 Bibliography………….………………………………………………………….69 Filmography………………………….……………….……………….…………72 Vita.……………………………………………………………………..………..76 ii Abstract When George A. Romero’s Night of the Living Dead was released in 1968, the independent black and white zombie film stunned American moviegoers. Having assaulted the audience with a new level of violence-laden gore, Night of the Living Dead received much attention from both popular and critical audiences, with the former rushing to theaters to see the film over and over and the latter almost universally panning the film for its poor taste and gratuitous violence. Since its release, however, Night of the Living Dead has become one of the most written about horror films in American history, with critics praising the film for its ingenuity and reviving the zombie genre and also for its treatment of American sociopolitical issues, including the most critically noted issue— the Vietnam War. Although I agree with those critics who assert that controversy over Vietnam War is raised in Night of the Living Dead (as well as are many other sociopolitical issues which are well worth exploring), the Vietnam imagery of the film has been almost exclusively analyzed at the expense of exploring what I believe is another important aspect of Night of the Living Dead— its re-inscription of blackness in the zombie film. -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
Tracing the History of Trans and Gender Variant Filmmakers
Laura Horak Tracing the History of Trans and Gender Variant Filmmakers Abstract Most writing on transgender cinema focuses on representations of trans people, rather than works made by trans people. This article surveys the history of trans and gender variant people creating audiovisual media from the beginning of cinema through today. From the professional gender impersonators of the stage who crossed into film during the medium’s first decades to self- identified transvestite and transsexual filmmakers, like Ed Wood and Christine Jorgensen of the mid-twentieth century, to the enormous upsurge in trans filmmaking of the 1990s, this article explores the rich and complex history of trans and gender variant filmmaking. It also considers the untraceable gender variant filmmakers who worked in film and television without their gender history becoming known and those who made home movies that have been lost to history. “They cannot represent themselves, they must Keegan have importantly analyzed the work of be represented.”1 Viviane Namaste begins her particular trans and gender variant filmmakers, foundational essay on transsexual access to the focusing primarily on the 1990s and 2000s.7 More media with this quote from Karl Marx. Namaste recently, Keegan and others have investigated trans described the many obstacles to transsexual self- experiences of spectatorship and articulated a representation in the 1990s and early 2000s. Since concept of “trans aesthetics” that exceeds identity then, new technologies have enabled hundreds categories.8 Trans filmmakers have also begun to of thousands of trans people to create and theorize their own and others’ work.9 Scholars have circulate amateur videos on YouTube.2 However, also investigated trans multimedia production, in representations of trans people made by and the form of zines, Tumblr blogs, photography, and for cisgender people still dominate mainstream interactive digital media.10 However, there has not media. -
Elvis for Dummies‰
spine=.76” Music ™ The ultimate introduction to the Making Everything Easier! life and works of the King Want to understand Elvis Presley? This friendly guide covers Open the book and find: all phases of Elvis’s career, from his musical influences as a • The significance of the major teenager in Memphis and his first recordings to his days at events in Elvis’s career Graceland and the mystery surrounding his death. You’ll discover little-known details about his life, appreciate his • Meanings behind Elvis’s music contributions to music and film, and understand why his • The controversy over his musical Elvis work still resonates with so many people today. performing style Elvis • Explore Elvis’s musical roots — see how Elvis’s childhood and his • Career highlights that no other Southern background influenced the development of his sound performer has accomplished • Trace the beginnings of his storied career — be there as Elvis • A typical Elvis concert — what it makes his first recordings for Sun Records was like and what it meant • Relive the magic — experience the frenzy and excitement that • Details on Elvis’s television surrounded Elvis’s entrance to the national music scene appearances • Take a fresh look at Elvis’s films — understand the • The many ways fans keep Elvis’s misconceptions surrounding Elvis’s Hollywood career memory alive • Watch as Elvis reinvents himself — witness his comeback to live • An appendix of the important performances, culminating with an historic act in Las Vegas people in Elvis’s life Learn to: Go to dummies.com® • Look objectively at Elvis’s major life events, for more! both on and offstage • Identify Elvis’s influence on music, society, and popular culture • Explain to your friends why Elvis is the undisputed King of Rock ’n’ Roll $21.99 US / $25.99 CN / £15.99 UK • Appreciate Elvis’s enduring legacy and his place as an American cultural icon Susan Doll, PhD, is the author of numerous books on Elvis Presley. -
Bad for Good William D
Bad For Good William D. Routt Beyond good and evil [1] Even before Tim Burton made a movie based on his life, almost everyone knew two things about Edward D. Wood, Jr. The first was that he directed "the worst movie ever made", Plan 9 From Outer Space (1956). The second was that he was a transvestite. The two things seem to be linked in some way - or, at least, they often crop up together, as they did just now. And, when you think about it, that is strange.[2] But then, reactions to Ed Wood do tend towards the strange. I remember when I first saw Plan 9. It was on television. In fact, I cannot imagine seeing an Ed Wood movie anywhere else but on television; they were made-for-TV, direct-to-video, before such forms were invented. It was late at night (of course). I was tired and the experience was a hallucinatory one. The film did not seem to have a plot. It opened with "Criswell Predicts", for God's sake! Now and then there were shots of Bela Lugosi stalking with his cape over his eyes (not Lugosi at all, as I later learned) and Vampira staring through creepy branches and Tor Johnson menacing with his arms raised and his mouth open. Cadillac hubcaps (or paper plates or plastic models - anyhow, not flying saucers) spinning across the sky. A tremendous amount of stock footage. Meandering pointless dialogue. Nothing happened: it was a movie of pure effect. For years afterward I described this film of my imagining, whose title I had forgotten, to people who were not interested. -
Trace Beaulieu and Frank Conniff (“The Mads” From
July 1, 2020 FOR IMMEDIATE RELEASE Contact: Chris Gersbeck | [email protected] | 718-986-8267 Trace Beaulieu And Frank Conniff (“The Mads” From Mystery Science Theater 3000) Announce Livestream Screening Of Ed Wood’s Glen Or Glenda Portion of Proceeds to Benefit NAACP Empowerment Programs Trace Beaulieu and Frank Conniff, known to fans of the cult TV series Mystery Science Theater 3000 as “Dr. Clayton Forrester” and “TV’s Frank” respectively, have announced a special livestream screening of Ed Wood’s Glen or Glenda on Tuesday, July 21 @ 8pm ET, with the two comedians (collectively known as “The Mads”) riffing over the 1953 dud. The show will mark Beaulieu & Conniff’s first time performing together this year, after The Mads’ 2020 tour dates were cancelled due to COVID-19. Tickets are on sale now for $10. “If you’ve been social distancing yourself from Glen or Glenda, Trace and I are giving the all-clear to watch this classic film,” said Conniff. “Of all the movies we’ve riffed, from MST3K to Cinematic Titanic and our own live shows, this is our favorite. Join us!” The Mads Are Back: Glen or Glenda will broadcast live via a private YouTube link that will be sent to ticket purchasers an hour prior to showtime. A percentage of the proceeds from the event will benefit NAACP Empowerment Programs, who engage primarily in training, education, and advocacy at the national and local levels. Mystery Science Theater 3000 has its roots in Minneapolis, when it premiered on local affiliate KTMA-TV (now WUCW) on November 24, 1988. -
Ed Wood: Verdens Instruktør
PORTRÆT Kan en film være så dårlig; at den faktisk bliver g o d ? - Ja, det kan den sagtens. Hvor mange E d Wood: nederlag skal man have, før man giver op? - Ed Wood gav aldrig op, hans liv var en lind strøm af fiaskoer. Kosmorama har set Tim Bartons film om Verdens instruktøren i New York - her kommer historien om manden, der posthumt fik papir på sin ............. Værste^ . af Johannes Schonherr ^ om bekendt er Hollywoods hi- storie en blandet landhandel, der ikke blot handler om store sel skabers glamourøse produktioner, Academy Awards og sladder om Instruktør stjernernes skandaler. Den handler også om de fattigrøvs-skæbner, der i storindustriens skyggeland fandt de havde mere end forspist sig på TV- Det var netop indenfor disse res helt egne nicher, i hvilke de uaf underholdningen, udgjorde en bety rammer instruktør/producer/manu- hængigt af mogulerne stædigt pro delig indtægtskilde, når blot produk skriptforfatter Edward D.Wood for ducerede og distribuerede film til al terne lovede lidt til gården, gaden og søgte at gøre sig gældende, det lyk ternative markeder. ikke mindst nerverne. Folk som Ro kedes bare aldrig! Hans plakater lo I 50’erne og 60’erne havde disse ger Corman, David Friedman og sel vede 'Shocking’ - ’Revealing’ - 'Hor- småproducenter deres absolutte skabet American International Pic- rifying’, og det var filmene også, når guldalder - de store drenge var sta tures tjente styrtende på at afsætte det gjaldt kvaliteten: dekorationerne dig på familieunderholdning med billige produktioner med sensations stod og blafrede, lyset skiftede fra høj moral, så det stadig ekspande prægede plakater til drive-in biogra dag til nat midt i en sekvens, mon rende ungdomsmarked, der allerede fer og andre billige visningssteder for strene var ubevægelige klodser i sno da var befolket afen generation, som unge. -
I Look at This Slush and Try to Remember — at One Time I Made Good
54 SHOWGIRLS, TEEN WOLVES AND ASTRO ZOMBIES HOLY WOOD! Growing up, we were always a family of movie-watchers. When my mum passed away in 2006, I devoted my only Empire editorial to how her guiding me through early screenings of The Wizard Of Oz and Psycho greatly informed my appreciation of how cinema could be artistic, scary and funny all at once. Her simple advice — ‘If a movie doesn’t grab you within 10 minutes, it’s probably not going to’ — similarly has stuck with me, both as a reviewer and a would-be scriptwriter. Dad’s appreciation of movies was less theoretical but also resonant. Two decades of watching war movies with the retired army reservist — ‘Look at that, walking on a ridge in silhouette!’ was a favourite, followed by a machine-gun noise to indicate he’d just killed all of our heroes — bred an intolerance for flagrant inauthenticity. It was also Dad, who as a salesman for publishers Harper & Row, one night brought home J. Hoberman and Jonathan MARCH Rosenbaum’s fantastic 1983 book Midnight Movies, which expanded my film reading beyond Famous Monsters, Starlog and Fangoria and opened my eyes to — and created an appetite for — the alternative cinema of George Romero, John Waters, David Lynch and Ed Wood. A year later, through his connections, Dad put me forward for a ‘Kids rate the movies’ feature in the Sydney Morning Herald. My 300-word review, of an Aussie flick called Street Hero, wasn’t exactly Pauline Kael calibre (‘The only fault I could pick, in my opinion, is that some scenes are a little unrealistic …’) but it was a start and definitely helped chart my course. -
Glbt Resources by Topic
GLBT Resource List Sexual Minorities - Summary: Explore the crucial issues facing the GLBT population in their struggle for acceptance in contemporary America! 10 Smart Things Gay Men Can Do to Find Real Love – Summary: The author of the best-selling 10 Smart Things Gay Men Can Do to Improve Their Lives turns his attention to the burning question of love. 50 Ways to Support Lesbian and Gay Equality: The Complete Guide to Supporting Family, Friends, Neighbors or Y ourself - Summary: Homosexuality has been politicized. But when the issue hits home, whether it involves a family member, colleague, or neighbor who's gay, all that controversy fades in the face of a real, live person who wants and deserves basic human rights and freedoms. Accepting Ourselves and Others: A Journey into Recovery from Addictive and Compulsive Behaviors for Gays, Lesbians and Bisexuals - Summary: in a fully revised and expanded second edition. accepting ourselves & others examines recovery as it affects gay lesbian, and bisexual people, as well as their friends, families, and therapists. the authors address the relationship between substance abuse and being in a sexual minority, as well as the impact of anxiety, depression sexual abuse and learning disabilities. Addressing Homophobia and Heterosexism on College Campuses - Summary: This book presents an integrated approach toward changing attitudes about lesbian, gay, bisexual, and transgendered (LGBT) students, faculty, and staff on contemporary college campuses. The Advocate College Guide for LGBT Students - Summary: Shane L. Windmeyer, national LGBT campus authority and founder of Campus Pride, has created the first comprehensive guide that lists the best 100 colleges and universities for lesbian, gay, bisexual and transgender (LGBT) students. -
A Fuller Life: Hollywood, Ed Wood, and Me Online
Sgr5a [DOWNLOAD] A Fuller Life: Hollywood, Ed Wood, and Me Online [Sgr5a.ebook] A Fuller Life: Hollywood, Ed Wood, and Me Pdf Free Dolores Fuller, Stone Wallace, Philip Chamberlain *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #3569458 in Books Stone Wallace Dolores Fuller Philip Chamberlain 2016-09-17Original language:EnglishPDF # 1 9.00 x .60 x 6.00l, .86 #File Name: 1593933045264 pagesA Fuller Life | File size: 31.Mb Dolores Fuller, Stone Wallace, Philip Chamberlain : A Fuller Life: Hollywood, Ed Wood, and Me before purchasing it in order to gage whether or not it would be worth my time, and all praised A Fuller Life: Hollywood, Ed Wood, and Me: 0 of 0 people found the following review helpful. Rare find with some exceptions.By ZangBetter than expected. Fuller seems to have made the best of her life, but may have embelished some of her life's story. Great read though especially about her years with Wood.5 of 5 people found the following review helpful. A full, respectable, and ACCOMPLISHED lifeBy JohnneryWith total candor, honest emotion, and more than a few flashes of slightly naughty humor, the lovely cult actress and music executive has revealed, for the first time, the full story of her association with the unforgettable Ed Wood, as well as dozens of other fascinating stories from her years in the Hollywood, Las Vegas, New York, and Nashville trenches.Although the main draw for many to this wonderfully written and beautifully illustrated book will be The Ed Wood Years, I was equally riveted to Ms.