Glbt Resources by Topic
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Practical Tips for Working with Transgender Survivors of Sexual Violence
Practical Tips: working with trans survivors michael munson Practical Tips for Working With Transgender Survivors of Sexual Violence Who Are Transgender People? Transgender is an umbrella term which encompasses the whole “gender community,” including transsexuals, cross‐dressers, intersexed individuals, androgynes, bigendered persons, genderqueers, SOFFAs (Significant Others, Friends, Family and Allies) and others. Transgender may also refer to people who do not fit neatly into either the “male” or “female” categories, instead crossing or blurring gender lines. The term can also refer to butch lesbians and effeminate gay men. In some communities, “transgender” refers only to cross‐dressers. By definition, transgender individuals piece together a self‐identity that is different from or in opposition to what everyone tells them they are. Although the rise of the Internet and growing public visibility of transgender people and issues are making it easier for individuals to tap into preexisting identity models, the transgender experience is still largely an isolated, individual one. This might be the primary reason why the nomenclature for the trans experience is both unsettled and, among trans people themselves, very hotly contested. There are literally hundreds of words used to describe a trans identity or experience (See last page). Therefore, definitions and examples should be used gingerly and in a way that makes it possible for each trans individual hirself to use the term(s) s/hei considers most reflective of hir self‐conception and experience. Key Concepts Our culture strongly promotes the idea of an immutable gender binary in which people are supposed to fit into only one of just two gender boxes, and stay there from birth to death. -
Transsexuality in Film by Carolyn Kraus
Transsexuality in Film by Carolyn Kraus Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Representations of transsexuality in films fall along a spectrum from freak-show sexploitation, to dramatic and documentary depictions of the struggles of transsexuals, and, finally, to the metaphorical use of transsexuality in exploring borders, not only sexual borders but also racial, religious, and political ones as well. The Transsexual as Joke Whereas transvestites have been depicted in film since the silent era, transsexuals (people who have undergone sex-change surgery or who choose to live as the opposite gender) entered the movies only in the early 1950s. The earliest celluloid glimpses of transsexuality appeared shortly after news of George/ Christine Jorgensen's 1952 sex-change surgery shocked and mesmerized the world with headlines such as "Ex-GI Becomes Blonde Beauty," "Christine, by George!" and "Thousands in U.S. Don't Know Their True Sex." The first movie attempting to capitalize on the story came from Ed Wood, a quirky filmmaker who was once named the "World's Worst Director." Wood's Glen or Glenda (I Changed My Sex) (1953) tells two stories, one about a transvestite, one about a transsexual. Ex-Dracula Bela Lugosi lurks between scenes delivering screwball pleas for tolerance: "Vat are little boys made ov? Ees eet puppy dog tails? Beeg fat snails? Or maybe brassieres!" The result is pure camp, although Wood, a cross-dresser himself, flashed an intended moral across the screen in the film's opening frames: "Judge Ye Not!" The filming of Glen or Glenda is depicted in Tim Burton's 1994 film biography Ed Wood. -
No Longer Alone a Resource Manual for Rural Sexual Minority Youth and the Adults Who Serve Them
No Longer Alone A Resource Manual for Rural Sexual Minority Youth and the Adults Who Serve Them. Christopher J. Stapel This resource manual was made possible by the Acknowledgements generous financial support of the Harvard Gay and Lesbian Caucus’s Open Gate Foundation. Additionally, the following organizations provided expertise, resources, access to professional networks, and moral support: Bradley University Common Ground, Coalition for Education on Sexual Orientation, COLAGE, District 202, Family and Children’s Services, Fenway Community Health, Fringe Benefits, Gay and Lesbian Service Organization, GLBT Youth in Iowa Schools Task Force, GLSEN, Harvard College BGLTSA, Harvard Graduate School of Education PRIDE, Harvard School of Public Health, Health Care and Rehabili- tation Services, Health Care of Southeastern Massachusetts Inc., Illinois Federation of Teachers, In Your Face Gorilla Theater, LaCrosse Area Hmong Mutual Assistance Asso- ciation Inc., McLean County AIDS Task Force, National Association of GSA Networks, National Coalition for LBGT Health, NEA GLBT Caucus, Outfront Minnesota, Outright Maine, Outright Vermont, Planned Parenthood of Greater Iowa, Prairie Flame, Safe Schools Coalition, Safe Schools NC, SDA Kinship International, Teaching Tolerance, Youth Alliance for Diversity, Youth and Shelter Services Inc., and Youth Guardian Services. I extend my sincere gratitude to the countless rural students, teachers, health profession- als, religious leaders, program directors, social workers, researchers, and advocates across twenty-five states who shared the personal stories that made this project a success. Finally, I am indebted to Sarah for her creative contribu- tions and Michelle for her wisdom and enthusiasm. Christopher J. Stapel is an openly gay high school math About the Author teacher and advisor at the Boston Community Leadership Academy, a pilot high school of the Boston Public Schools. -
LEADING LADIES GALA Commemorative Book
Cover 1 WELCOME TO THE LEADING LADIES GALA Bryn Mawr Film Institute Greetings all – Board of Directors Past & Present Tonight, we celebrate Juliet Goodfriend, a Renaissance person in the truest sense of the word: a lover of the arts, an astute Rev. Eugene Bay Charlie Bloom businessperson, a community leader, and a leader amongst Sabina Bokhari her peers. I mention peers because Juliet’s leadership is David Brind recognized within the ranks of the Art House Convergence Anmiryam Budner* (AHC), a national organization devoted to community-based, Alice Bullitt* mission-driven theaters like BMFI. Through the years, the AHC Elizabeth H. Gemmill has recognized Juliet for establishing and running one of the Juliet J. Goodfriend* Doris Greenblatt most successful member-supported motion picture theater Harry Groome* and film education centers in the country. Not only has Juliet Joanne Harmelin* moved BMFI forward, she has moved the entire art house John H. Hersker* movement forward. Tigre Hill* Francie Ingersoll* Working closely with Juliet over the last 12 years has Sandra Kenton allowed me to participate in a truly phenomenal process. Sir Ben Kingsley † She saw a need in our community for thoughtful films to be Paul Kistler presented, enjoyed, and studied, in a beautiful, state-of-the- Sidney Lazard art environment, with friends and family. Though a very small Daylin Leach ‡ Francis J. Leto* component of the film industry as a whole, so-called ‘art films’ Lonnie Levin are the lifeblood of Bryn Mawr Film Institute and continue to Stephanie Naidoff be a vital part of world cinema. Juliet has ensured that the Amy Nislow best of these films—the ones people end up talking about—are Robert Osborne† exhibited for BMFI audiences. -
Butch-Femme by Teresa Theophano
Butch-Femme by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com A butch-femme couple The concept of butch and femme identities have long been hotly debated within the participating in a group lesbian community, yet even achieving a consensus as to exactly what the terms wedding ceremony in "butch" and "femme" mean can be extraordinarily difficult. In recent years, these Taiwan. words have come to describe a wide spectrum of individuals and their relationships. It is easiest, then, to begin with an examination of butch-femme culture and meaning from a historical perspective. Butch and femme emerged in the early twentieth century as a set of sexual and emotional identities among lesbians. To give a general but oversimplified idea of what butch-femme entails, one might say that butches exhibit traditionally "masculine" traits while femmes embody "feminine" ones. Although oral histories have demonstrated that butch-femme couples were seen in America as far back as the turn of the twentieth century, and that they were particularly conspicuous in the 1930s, it is the mid-century working-class and bar culture that most clearly illustrate the archetypal butch-femme dynamic. Arguably, during the period of the 1940s through the early 1960s, butches and femmes were easiest to recognize and characterize: butches with their men's clothing, DA haircuts, and suave manners often found their more traditionally styled femme counterparts, wearing dresses, high heels, and makeup, in the gay bars. A highly visible and accepted way of living within the lesbian community, butch-femme was in fact considered the norm among lesbians during the 1950s. -
True Colors Resource Guide
bois M gender-neutral M t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian polyamorousBirls queer Femme queer bisexual GAY GrrlsAsexual bisexual GAY bi-curious bi-curious QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bois bois gender-neutral M gender-neutralLOVEM gender-neutral t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch Birls polyamorousBirls polyamorousBirls queer Femme queer Femme Asexual bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious transsexual QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bi-confident pansexualtranssexual bois M gender-neutral gender-neutral M t t F F ALLY Lesbian INTERSEX butch INTERSEXALLY Birls polyamorousBirls queer Femme queer bisexual Asexual GAY GrrlsAsexual bisexual bi-curious bi-curious transsexual QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bois bois LOVE gender-neutral M gender-neutral t F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch polyamorousBirls polyamorousBirls queer Femme queer Femme bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bi-confident pansexualtranssexual bois bois M gender-neutral M gender-neutral t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch polyamorousBirls polyamorousBirls queer Femme queer Femme bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious QUEstioningtransgender bi-confident -
Safe Zone Manual – Edited 9.15.2015 1
Fall 2015 UCM SAFE ZONE GUIDE FOR ALLIES UCM – Safe Zone Manual – Edited 9.15.2015 1 Contents Safe Zone Program Introduction .............................................................................................................. 4 Terms, Definitions, and Labels ................................................................................................................. 6 Symbols and Flags................................................................................................................................... 19 Gender Identity ......................................................................................................................................... 24 What is Homophobia? ............................................................................................................................. 25 Biphobia – Myths and Realities of Bisexuality ..................................................................................... 26 Transphobia- Myths & Realities of Transgender ................................................................................. 28 Homophobia/biphobia/transphobia in Clinical Terms: The Riddle Scale ......................................... 30 How Homophobia/biphobia/transphobia Hurts Us All......................................................................... 32 National Statistics and Research Findings ........................................................................................... 33 Missouri State “Snapshot” ...................................................................................................................... -
Vito Russo B
VITO RUSSO b. July 11, 1946 d. November 7, 1990 FILM HISTORIAN In the early 1970s, he “I never once, not for a second, started research for believed it was wrong to be gay.” “The Celluloid Closet” Vito Russo was a gay rights activist, a film historian and an author best known for his (1981), which entailed book, “The Celluloid Closet,” a groundbreaking chronicle of gays and lesbians in film. watching hundreds A New York City native, Russo grew up in East Harlem. As a young boy, he would sneak of films that included into Manhattan to go to the movies. From an early age, Russo knew he was “different.” gay content and A cousin remembers him always talking about Rock Hudson rather than Ava Gardner. stereotypes. After graduating from New York University, Russo joined the Gay Activists Alliance. In the early 1970s, he started research for “The Celluloid Closet” (1981), which entailed watching hundreds of films that included gay content and stereotypes. What originated as a lecture with film clips became one of the most informative books about gay people and pop culture. Diagnosed with HIV in 1985, Russo was a frequent protestor with ACT UP. In 1986, Russo lost his longtime partner, Jeffrey Sevcik, to AIDS. Outraged by the media’s inadequate and inaccurate coverage of the pandemic, Russo cofounded GLAAD, an organization that monitors LGBT representation in the media. In his memory, GLAAD created the © GETTY IMAGES Vito Russo Media Award to recognize out LGBT media professionals who have made a significant difference promoting equality. Russo appeared in the 1989 Academy Award- winning documentary, “Common Threads: Stories from the Quilt,” about the life and death of Sevcik and the quilt Russo made for him. -
Complete Press
Emerging Pictures in association with Media Asia, Inc., USA China Film Group, Inc., PRC Shanghai Film Group, PRC present Beauty Remains A Film by Ann Hu Running Time: 87 Minutes in Mandarin with English Subtitles Not Yet Rated Press Contacts: Sales Contact: Melody Korenbrot & Ziggy Kozlowski Ira Deutchman Block-Korenbrot Associates Emerging Pictures 8271 Melrose Ave. Suite 115 [email protected] Los Angeles, CA 90046 646-831-2909 (323) 655-0593 [email protected] [email protected] Beauty Remains The Cast Fei .....................................................................................................................ZHOU XUN Ying..................................................................................................................VIVIAN WU Huang...................................................................................................... WANG ZHI WEN The Woman Gambler............................................................................................. LISA LU Bai........................................................................................................... ZHU MAN FANG Xiao Tian .....................................................................................................SHEN CHANG Li Zhu...................................................................................................... WANG JIAN JUN Niu Niu................................................................................................................... XU JING Lawyer ..................................................................................................... -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Coming out of Shame: Transforming Gay and Lesbian Lives PDF Book
COMING OUT OF SHAME: TRANSFORMING GAY AND LESBIAN LIVES PDF, EPUB, EBOOK Gershen Kaufman,Lev Raphael | 304 pages | 05 May 1997 | Main Street Books | 9780385477963 | English | New York, NY, United States Coming out of Shame: Transforming Gay and Lesbian Lives PDF Book Reckless Paper Birds. Oct 22, Oneil Williams rated it it was amazing Recommends it for: any gay, lesbian or transgendered person. No other emotion is more central to our emergent sense of identity. Filled with the experiences of those struggling to overcome shame, Coming Out of Shame includes strategies for: - Storing self-esteem - Creating a positive gay identity - Healing scenes of shame - Developing partnerships in intimacy Self-affirming and inspirational, Coming Out of Shame guides the transformation of gay shame into gay pride and empowers gay men and lesbians as no other book has done. More Details The hallmark of shame is silence, and by breaking the silence around the dynamics of gay shame, Kaufman and Raphael offer a way to "come out" of shame and begin the journey toward wholeness and self-acceptance. Sally Hines. Self- affirming and inspirational, Coming Out of Shame guides the transformation of gay shame into gay pride and empowers gay men and lesbians as no other book has done. These are the central questions we'll be examining as we consider gay life for both women and men. By adolescence, such negative attitudes have produced and reinforced a single, powerful emotion: shame, the feeling that you're inferior and judged as "bad," for what you are--gay. Lev Raphael Goodreads Author. By adolescence, such negative attitudes have produced and reinforced a single, powerful emotion: shame, the feeling that you're inferior and judged as "bad," for what you are--gay.