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Alexander B. Hill Script Supervisor IATSE Local 161 421 S Pierce St., New Orleans, LA 70119 • 504-491-8766 • [email protected]
Alexander B. Hill Script Supervisor IATSE Local 161 421 S Pierce St., New Orleans, LA 70119 • 504-491-8766 • [email protected] *Certified with ScriptE digital script supervising software. * Temple (2016) WWE Studios (Main Unit) Dir: John Stockwell, Prod: Ralph Portillo UPM: John Brister Cast: Wesley Snipes, Anne Heche, Dave Annable Scream Season 2 (2016) MTV Network, Next Productions (Additional Script Supervisor) Dir: Patrick Lussier, UPM: Heidi Erl Cast: Willa Fitzgerald, Bex Klaus, Amadeus Serafini The Passion (2016) FOX Television, Dick Clark Productions (Main Unit) Dir: Robert Deaton, Prod: Mark Kalbfeld Cast: Jencarlos Canela, Prince Royce, Chris Daughtry Brother’s Blood (2016) WWE Studios (Main Unit) Dir: John Pogue, Prod: Ralph Portillo UPM: John Brister Cast: Trey Songz, China Anne McClain Roots (2015-16) A&E Television Series (2nd Unit) Dir: Philip Noyce POC: Sam Horton Cast: Lawrence Fishburne, Forest Whitaker NCIS: NOLA – Season 2 (2015) NBC Television (2nd Unit) Dir: Ed Ornelas, Prod: Joseph Zolfo Co-Prod: Rob Ortiz Cast: Scott Bakula, Zoe McClellan My Invisible Sister (2015) Disney Channel Movie (Main Unit) Dir: Paul Hoen, Prod: Michael Cuddy Prod Sup: Paige Pemberton Cast: Rowan Blanchard, Paris Berelc, Karan Brar Zoo - Season 1 (2015) CBS Television Studios (Main Unit - 5 episodes) Dir: Michael Katleman, Zetna Fuentes, Prod: Todd Coe UPM: Rob Ortiz Cast: Billy Burke, Kristin Connolly, James Wolk The Long Night / Deepwater Horizon (2015) Long Night Productions (2nd Unit) Dir: Peter Berg, Prod: Lorenzo di Bonaventura, 2nd Unit UPM: Elona Tsou Cast: Mark Wahlberg, Kurt Russell, Kate Hudson Into the Badlands (2015) AMC Series (2nd Unit) Dir: Miles Millar, Prod: Henry Bronchtein, UPM: Christian Agypt Cast: Marton Csokas, Daniel Wu, Aramis Knight 1 GOMD (2015) Lord Danger Pictures (Music Video) Dir: Lawrence Lamont, Prod: Josh Shadid UPM: Meghan Kaltenbach Cast: J. -
DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
Production of One Flew Over the Cuckoo's Nest, and Later Played The
‘ONCE UPON A CHRISTMAS MIRACLE’ Cast Bios AIMEE TEEGARDEN (Heather Krueger) – A California native, Aimee Teegarden began her acting career at just 10 years old. When she was 16, she was cast in her first television series on the Emmy-nominated “Friday Night Lights” playing Julie Taylor, the elder daughter of a high school head football coach (Kyle Chandler) and a high school guidance counselor (Connie Britton). Most recently, Teegarden starred on the ABC series, “Notorious,” opposite Daniel Sunjata and Piper Perabo. In 2014, she starred in the science fiction romantic drama series for The CW, “Star-Crossed.” She can also be seen in the Paramount film Rings as well as the independent film Bakery in Brooklyn. Her previous film credits include Scream 4, Love and Honor and Disney’s Prom. Teegarden is an avid fitness enthusiast, competing in the 2016 Chicago Spartan Race and running a half marathon with Team Nike. She is also on the host committee of the ocean conservation organization Oceana, and an advocate for No-Kill Los Angeles (NKLA), an initiative of the Best Friends Animal Society to end the overpopulation of dogs and cats in LA city shelters. # # # BRETT DALTON (Chris Dempsey) – Brett Dalton began acting after auditioning for a production of One Flew Over the Cuckoo’s Nest, and later played the lead in My Favorite Year. After studying at University of California, Berkeley for his undergraduate degree, Dalton received a Master of Fine Arts from Yale University in 2011. After grad school, Dalton appeared in the indie dramedy, Beside Still Waters, co-written, produced and directed by Chris Lowell. -
Anton Yelchin May Be ‘Very Cynical’ About Fame, but with His Role in Romantic Indie Drama Like Crazy
anton yelchin may be ‘very cynical’ about fame, but with his role in romantic indie drama like crazy. it’s about to become unavoidable. by steve cummins. photographed crazy by hilary walsh ANTON YELCHIN LOOKS LIKE he’s in ready tolove kill me. Lips pursed, his green Such open self-analysis is at odds with eyes narrowing, he scowls when I other Hollywood stars of his ilk, but then suggest that signing up to star in Like there’s something different about the Crazy—a low-budget, largely improvised Russian-born actor. Dressed in a green indie movie with an unknown director— Harris Tweed sports jacket over a was, on paper, a risky move. Fixing his checked shirt and navy jeans, he’s eyes on mine, there’s an intense stare as animated, candid, and talkative when he tries to suss me out. And then, as faced with questions on his personal life, quickly as it arrived, it’s gone. where others are guarded. Talk to him It’s a telling moment. Later, as we sit about his work methods—his obsessive back in the sunshine during an abnormally note-taking and his ability to bring warm August day in Dublin, the 22-year- extraordinary depth to characters such as old actor (who’s in Ireland to promote the Jacob in Like Crazy and Porter in The horror movie Fright Night, in which he Beaver—and he becomes even more stars opposite Colin Farrell), will tell me engaged, words whizzing from his mouth that he doesn’t trust people, that his core and hands moving around impatiently. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
Master Class Faculty
VIRTUAL MASTER CLASS FACULTY Sunday, January 24th VOICE | THEATER | BUSINESS SKILLS NANCY ANDERSON “Advice From a Pro” *please come with a song prepared and a recorded track. Students may have the opportunity to coach their song. Nancy Anderson is a 20-year veteran singer, actor and dancer of Broadway, Off-Broadway and regional stages. Last year Anderson understudied Glenn Close in the Broadway revival of “Sunset Boulevard” followed by a Helen Hayes nominated performance as Gladys in “The Pajama Game” at Arena Stage in Washington, D.C. She made her Broadway debut as Mona in “A Class Act,” played the roles of Helen and Eileen in the Broadway revival of “Wonderful Town” and starred as Lois/Bianca in the national tour and West End premiere of Michael Blakemore’s and Kathleen Marshall’s Broadway revival of “Kiss Me Kate,” for which she received Helen Hayes and Olivier Award nominations. Great Performances audiences are familiar with her London debut as Lois/Bianca, which was filmed for PBS in 2002 as well as her featured performance in the Carnegie Hall concert of “South Pacific” starring Reba McIntyre and Brian Stokes Mitchell. Other television appearances include Madame Secretary (The Middle Way, “Alice”) and PBS’s Broadway: The American Musical as the voice of Billie Burke. Anderson is a three-time Drama Desk Award Nominee; in 2000 for best supporting actress as eight female roles in Jolson & Co., in 2006 for best leading actress in Fanny Hill and in 2017 for Best Solo Performance in the one-woman musical “The Pen.” She has thrice been nominated for the Helen Hayes Award: in addition to last year’s “The Pajama Game,” she was also nominated for her role in “Side by Side by” Sondheim at Signature Theatre in 2011. -
Application of Performance Motion Capture Technology in Film and Television Performance Animation
Proceedings of the 2nd International Symposium on Computer, Communication, Control and Automation (ISCCCA-13) Application of Performance Motion Capture Technology in Film and Television Performance Animation ZHANG Manyu Dept. Animation of Art, Tianjin Academy of Fine Arts Tianjin , CHINA E-mail: [email protected] Abstract—In today’s animation films, virtual character tissue simulation technique” for the first time, so that acting animation is a research field developing rapidly in computer skills of actors can be delivered to viewers maximally. graphics, and motion capture is the most significant What’s more, people realize that “motion capture component, which has brought about revolutionary change for technology” shall be called as “performance capture 3D animation production technology. It makes that animation technology” increasingly. Orangutan Caesar presented in producers are able to drive animation image models directly with the use of actors’ performance actions and expressions, Rise of the Apes through “motion capture” technology is which has simplified animation manufacturing operation very classical. Various complicated and subtle expressions greatly and enhanced quality for animation production. and body languages of Caesar’s not vanished bestiality and initially emerged human nature have been presented Keywords- film and television films, motion capture, naturally and freshly in the film, which has achieved the technology excellent realm of mixing the false with the genuine. When Caesar stands in front of Doctor Will in equal gesture, its I. INTRODUCTION independence and arbitrariness in its expression with dignity With the development of modern computer technology, of orangutan has undoubtedly let viewers understand computer animation technology has developed rapidly. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
The Social and (Counter)Cultural 1960S in the USA, Transatlantically Mckay, GA
The social and (counter)cultural 1960s in the USA, transatlantically McKay, GA Title The social and (counter)cultural 1960s in the USA, transatlantically Authors McKay, GA Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/2288/ Published Date 2005 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. The social and (counter)cultural 1960s in the USA, transatlantically George McKay The movement was a loose coalition, and alliances often defined it. Students, clergy, intellectuals often marched first, and later they were joined by many others, from ecologists to hippies to women’s liberationists.… [W]hen cultural activists in Ann Arbor, Michigan, met [in 1969] to discuss drugs in the city representatives appeared from the White Panthers, Black Berets, God’s Children Motorcycle Club, the Sunnygoode Street Commune, and Congolian Maulers, a ‘commune of art, music, and general freaks’. Terry H. Anderson, The Movement and the Sixties (1995, xi) Hippies … constituted themselves as walking critiques of bureaucratic rationality.… By the late 1960s ‘freakified’ youth were exploring new aspects of self-hood which they had never previously thought existed. Indulgence in drug experiences, sex, communal activities, be-ins, sit-ins, demonstrations, riots, busts, trips with no destination in particular, not only gave subculture members a set of common experiences, but also opened up vast new capacities of self-hood for exploration. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Papal Visit Philippines 2014 and 2015 2014
This event is dedicated to the Filipino People on the occasion of the five- day pastoral and state visit of Pope Francis here in the Philippines on October 23 to 27, 2014 part of 22- day Asian and Oceanian tour from October 22 to November 13, 2014. Papal Visit Philippines 2014 and 2015 ―Mercy and Compassion‖ a Papal Visit Philippines 2014 and 2015 2014 Contents About the project ............................................................................................... 2 About the Theme of the Apostolic Visit: ‗Mercy and Compassion‘.................................. 4 History of Jesus is Lord Church Worldwide.............................................................................. 6 Executive Branch of the Philippines ....................................................................... 15 Presidents of the Republic of the Philippines ....................................................................... 15 Vice Presidents of the Republic of the Philippines .............................................................. 16 Speaker of the House of Representatives of the Philippines ............................................ 16 Presidents of the Senate of the Philippines .......................................................................... 17 Chief Justice of the Supreme Court of the Philippines ...................................................... 17 Leaders of the Roman Catholic Church ................................................................ 18 Pope (Roman Catholic Bishop of Rome and Worldwide Leader of Roman -
'Bro' Takes Center Stage in 'Kapamilya' Christmas
Dec ‘09-Jan ‘10 Available online at www.Lopezlink.ph Season’s greetings from OML, MML and EL3…page 5 ‘Bro’ takes center stage in ‘Kapamilya’ Christmas Q3 financial results PASKO na, Kapamilya! ing Marketing’s company-wide Christmas ABS-CBN EBITDA You know it’s Christmas when décor in the tree lighting activity, Licensing’s Parol season’s colors start popping up on major thor- ni Bro, CCM’s tagline and station ID, reaches P5B...p.2 oughfares and the mall muzak is interspersed a Christmas bazaar and the Win sa with carols. And, for kapamilyas all over the world, Bituin viewers’ promo—into one Christmas is definitely around the corner when big campaign. the station ID featuring their favorite The core idea, in the beginning, singers, actors and other media personali- was simply to boost employee ties starts getting airplay on Channel 2. morale in the midst of the global For Christmas 2009, ABS-CBN came economic crisis and unite every- up with “Bro, Ikaw ang Star ng Pasko,” one in a ceremonial Christmas a “back-to-basics” campaign centered tree lighting ceremony. How- on “Bro,” as the child Santino calls Jesus ever, the idea was scrapped when Christ in the network’s sleeper hit “May they realized that there are “so many Bukas Pa.” Christmas tree lighting The campaign kicked off on Nov. events.” 4 with the launch of the Christmas station ID, and the lighting of an 18-foot parol led by ABS-CBN chairman Eugenio “Gabby” Lopez III, presi- dent Charo Santos-Concio and “ S o FPHC grants call other executives, and Kapamilya we said, why not talents, including Santino him- go back to the on half its Meralco self, Zaijian Jaranilla.