Rathmichael Historical Record 2003
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Tuarascáil Bhliantúil Annual Report 2014
TUARASCÁIL BHLIANTÚIL ANNUAL REPORT 2014 COMHAIRLE CONTAE LÚ LOUTH COUNTY COUNCIL COUNCIL COAT OF ARMS The Arms of the County, as granted by the Chief Herald to the Council in 1976, are derived as follows:- “Vert a besant charged with a Dexter Hand aversant coupled at the wrist proper” This is the description of the lower part of the shield which is coloured green (vert) and on which is imposed a heraldic expression of the Dextera Dei or Right Hand of God from Muireadach’s Cross at Monasterboice. As on the latter, the armorial design shows the hand against a circular background or nimbus. This section of the Arms represents in particular the rural (or County Health District) part of the County. Chief Sable, two ancient ships, sails set argent The top part of the Arms is black in colour commemorating Muirthemne, the old Irish name of the sea off the County Louth Coast, and which translated into English means the “darkness of the sea”. The ships are inspired by the Coat of Arms of the Borough of Drogheda, which includes a ship anchored at a quayside. Each ship can be taken to represent respectively the Borough of Drogheda and the Urban District of Dundalk, both areas comprised within the administrative County. The ships are also representational of the fact that the County has always been a great centre of trade and commerce. The Crest The Crest incorporates a sword, the symbol of administration, surrounded by ears of barley. This design at once illustrates the nature of the Coat of Arms as a symbol of a civic administration, and the importance of agriculture in the life of the County. -
St. Enda Catholic.Net
St. Enda Catholic.net Early life and conversion According to the Martyrdom of Oengus, Enda was an Irish prince, son of Conall Derg of Oriel (Ergall) in Ulster. Legend has it that when his father died, he succeeded him as king and went off to fight his enemies. The soldier Enda was converted by his sister, Saint Fanchea, an abbess. He visited Fanchea, who tried to persuade him to lay down his arms. He agreed, if only she would give him a young girl in the convent for a wife. He renounced his dreams of conquest and decided to marry. The girl she promised turned out to have just died, and Fanchea forced him to view the girl's corpse, to teach him that he, too, would face death and judgment. Faced with the reality of death, and by his sister's persuasion, Enda decided to study for the priesthood, and studied first at St Ailbe’s monastery at Emly. Fanchea sent him to Candida Casa in southwestern Scotland, a great center of monasticism. There he took monastic vows and was ordained. The stories told of the early life of Saint Enda and his sister are unhistorical. More authentic vitae survive at Tighlaghearny at Inishmore, where he was buried. The Monastic School of Aran It is said that Enda learned the principles of monastic life at Rosnat in Britain. Returning to Ireland, Enda built a church at Drogheda. About 484 he was given land in the Aran Islands by his brother-in-law, Aengus, King of Munster. Three limestone islands make up the Aran Islands: Inishmore, Inishmaan and Inisheer (respectively, the Great, Central and Eastern Island). -
Religious Studies
RELIGIOUS STUDIES Religious Studies The Celtic Church in Ireland in the Fifth, Sixth and Seventh Centuries Unit AS 5 Content/Specification Section Page The Arrival of Christianity in Ireland 2 Evidence for the presence of Christianity in Ireland before the arrival of St. Patrick 6 Celtic Monasticism 11 Celtic Penitentials 17 Celtic Hagiography 21 Other Aspects of Human Experience Section 25 Glossary 42 RELIGIOUS STUDIES The Arrival of Christianity in Ireland © LindaMarieCaldwell/iStock/iStock/Thinkstock.com Learning Objective – demonstrate knowledge and understanding of, and critically evaluate the background to the arrival of Christianity in Ireland, including: • The political, social and religious background; • The arrival of and the evidence for Christianity in Ireland before Patrick; and • The significance of references to Palladius. This section requires students to explore: 1. The political, social and religious background in Ireland prior to the arrival of Christianity in Ireland. 2. Evidence of the arrival of Christianity in Ireland before Patrick (Pre-Patrician Christianity. 3. References to Palladius and the significance of these references to understanding the background to Christianity in Ireland before Patrick’s arrival. Early Irish society provided a great contrast to the society of the Roman Empire. For example, it had no towns or cities, no central government or no standard currency. Many Scholars have described it as tribal, rural, hierarchical and familiar. The Tuath was the basic political group or unit and was a piece of territory ruled by a King. It is estimated that there were about 150 such Tuath in pre – Christian Ireland. The basic social group was the fine and included all relations in the male line of descent. -
Frances Lambe Ireland B. 1961 Education Selected Collections
“Oval forms occur in the natural world and are found in cells, pollen grains, seeds, eggs and skulls. These have structures that have evolved to contain matter and provide protection. My hollow sculpted forms explore the theme of containment. Constructed walls form a ‘taut membrane’, which is pierced and made permeable. Intricacy of surface detail is counterbalanced by Duo, 2016 the simplicity of the ovoid form.” Ceramic stoneware, 17 H x 40 W x 27 D cm Frances Lambe Ireland b. 1961 Frances Lambe studied at the National College of Art and Design in Dublin. She works with a variety of different clays from terracotta through to white stoneware and porcelain. Frances usually leaves her work unglazed except for the occasional application of oxides. A hallmark of her work is the delicate finish, she pays particular attention to ensure that surface texture unites with form. Her source of inspiration is the natural world, in particular the sea. Her ceramic forms describe an underwater world, the sphere, the oval and undulating forms are recurring themes. Their purity of form recalls stones that have been polished by the movement of water and sand. Frances’ work is in public and private collections including the National Museum of Ireland, the Department of Foreign Affairs of Ireland, the Office of Public Works, and the National Museum of Northern Ireland. Frances Lambe works from her studio in Co. Louth, Ireland. Education 1979 ‐ 83 Diploma in Art Education, National College of Art and Design, Dublin 1983 ‐ 84 Principles of Teaching Art, National -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
The Annals of the Four Masters De Búrca Rare Books Download
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 142 Summer 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 142 Summer 2020 PLEASE NOTE 1. Please order by item number: Four Masters is the code word for this catalogue which means: “Please forward from Catalogue 142: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our cover illustration is taken from item 70, Owen Connellan’s translation of The Annals of the Four Masters. -
Biography Anthony Haughey Is an Artist and Lecturer in the Dublin Institute of Technology Where He Supervises Practice-Based Phd’S
Anthony Haughey | Biography Anthony Haughey is an artist and lecturer in the Dublin Institute of Technology where he supervises practice-based PhD’s. He was Senior Research Fellow (2005-8) at the Interface Centre for Research in Art, Technologies and Design in Belfast School of Art, where he completed a PhD in 2009. His artworks and research have been widely exhibited and published nationally and internationally, including, ‘An Act of Hospitality can only be Poetic’, Highlanes Gallery, Drogheda, ‘UNresolved’, video installation, Athens Biennial, ‘The Politics of Images’, Belo Horizonte, Brazil (2017) and ‘Proclamation’ (2016), which toured widely internationally throughout 2016 where he premiered his new video ‘Manifesto’, which was acquired for the permanent collection of The Arts Council / An Chomhairle Ealaíon. Other recent exhibitions include, ‘Uncovering History’, Kunsthaus Graz, ‘Excavation’, Limerick City Gallery, ‘Making History’ and Colombo Art Biennale (2014) as well as a major British Council exhibition ‘Homelands’, touring South Asia. His artworks and scholarly writing has been published in more than eighty publications and his artworks are represented in many important national and international public and private collections. Recent chapter contributions and journal articles include, ‘Imaging the Unimaginable: Returning to the scene of a crime’, Život Umjetnosti art journal, Zagreb, ‘A Landscape of Crisis: Photographing Post Celtic Tiger Ghost Estates’, Canadian Journal of Irish Studies (2017) and ‘Imagining Irish Suburbia’ (Palgrave 2017). He is an editorial advisor for the Routledge journal, ‘Photographies’, a board member of Fire Station Artist Studios, and a member of the Arts Council Acquisitions Committee. He was recipient of Create ‘Arts and Cultural Diversity Award’ (2014) and was lead curator for a major 1916 Commemorative exhibition, ‘Beyond the Pale: The art of revolution’, Highlanes Gallery Drogheda. -
Biography Anthony Haughey Is an Artist, Researcher and a Lecturer in the Dublin Institute of Technology Where He Supervises
Biography Anthony Haughey is an artist, researcher and a lecturer in the Dublin Institute of Technology where he supervises doctoral practice-based projects. He was a Research Fellow (2005-8) at the Interface Centre for Research in Art, Technologies and Design at the University of Ulster Belfast, where he completed a PhD in 2009. His work has been widely exhibited nationally and internationally, most recently Uncovering History, curated by Camera Austria in Kuunsthaus Graz, Excavation, Limerick City Gallery, where he premiered his new film, Unresolved, twenty years after the Srebrenica genocide, Making History, Colombo Art Biennale (2014), Art of the Troubles, Ulster Museum, Belfast (2014), Settlement in Belfast Exposed, Northern Ireland: 30 years of photography in the MAC and Belfast Exposed, New Irish Landscapes, Three Shadows Gallery, Beijing, Homelands, a major British Council exhibition touring South Asia, Citizen in Highlanes Gallery, Drogheda and MCAC, Portadown, Strike!, Labour and Lockout, Upending – an exhibition of enquiries in Limerick City Gallery of Art. He recently completed a commission for the Aftermath project, which toured galleries in Ireland throughout 2014. A publication (out of print) from this commission was launched in January 2015, available at: http://issuu.com/anthonyhaughey/docs/ah_aftermath_issuu His photographs and writings have been published in more than seventy publications (including eight in 2014). Monographs include The Edge of Europe (1996), Disputed Territory (2006) and an artist’s book State (2011). His work is represented in many international public and private collections and he is an editorial advisor for the Routledge journal, Photographies. He has published several chapter contributions including, ‘Dislocations: Participatory Media with Refugees in Ireland and Malta’, in Goodnow, K. -
Bulletin 22Nd March 2020
BULLETIN 22ND MARCH 2020 Bulletin 22nd March 2020 Saint Enda of Aran (Éanna, Éinne or Endeus, died c. 530 AD) is an Irish saint. His feast day is 21 March. Source: Wikipedia Enda was a warrior-king of Oriel in Ulster, converted by his sister, Saint Fanchea, an abbess. About 484 he established the first Irish monastery at Killeaney on Aran Mor. St Enda is described as the “patriarch of Irish monasticism”. Most of the great Irish saints had some connection with Aran Early life and conversion According to the Martyrdom of Oengus, Enda was an Irish prince, son of Conall Derg of Oriel (Ergall) in Ulster. Legend has it that when his father died, he succeeded him as king and went off to fight his enemies.[2] The soldier Enda was converted by his sister, Saint Fanchea, an abbess.[3] He visited Fanchea, who tried to persuade him to lay down his arms. He agreed, if only she would give him a young girl in the convent for a wife. He renounced his dreams of conquest and decided to marry. The girl she promised turned out to have just died, and Fanchea forced him to view the girl’s corpse, to teach him that he, too, would face death and judgment.[4] Faced with the reality of death, and by his sister’s persuasion, Enda decided to study for the priesthood, and studied first at St Ailbe’s monastery at Emly.[5] Fanchea sent him to Rosnat, a great center of monasticism. There he took monastic vows and was ordained. -
Monaghan County Museum Handling Collection
Applying for Loans It is essential to make a booking for all loans from the Handling Collection. At least two to three days notice is required by the Education and Outreach Officer but you are advised to book as early as possible to avoid disappointment. To borrow material, a list of items required should be telephoned or preferably emailed to the Education and Outreach Officer stating the date you wish to collect loans and when they will be returned. Items can be borrowed as themed groups or as individual pieces. Duration of Loans Objects may be borrowed for a period of time up to a maximum of one month. This time may be reduced subject to demand and waiting lists. Collection & Return of Loans Booked loans can be collected from and returned to the Museum between 9.15am and 4.00pm from Monday to Friday or on Saturday by prior agreement. Loans must be returned no later than 4.30 on the last day of the agreed loan period and must be accepted by a member of staff. It is essential to return the items on or before the agreed date to facilitate other bookings. Any borrower who retains material beyond the loan period may not be eligible for future loans. Archaeology 2 Transport 8 Communication 14 handling Household and Agriculture 18 collection Schools and Education 22 Politics and Conflict 24 28 Monaghan County Museum’s Natural History Handling Service was established in 1982, with a small number of items. Folklife 30 A successful application to the Department of Arts, Heritage and the Gaeltacht was made to Towns, Villages and Estates 34 expand this service. -
Learning and Access in Museums
Northern Ireland Museums Council Learning and Access in Museums Case Studies from Northern Ireland Bringing together, for the first time, examples of a range of learning projects provided right across the Northern Ireland museums sector. Learning and Access in Museums 01 Case Studies from Northern Ireland Contents 01 Causeway Museum Service 3 Community Outreach Project 02 Derry City Council Heritage and Museum Service 12 Flight of the Earls 2007 Education and Outreach Project 03 Derry City Council Heritage & Museum Service 16 Good Relations Programme at the Tower Museum 04 Down County Museum 20 Downpatrick Young Archaelogists’ 05 Fermanagh County Museum and Cavan County Museum 24 Connecting Peoples, Places & Heritage 06 Irish Linen Centre and Lisburn Museum 27 Education for Employability 07 Mid-Antrim Museums Service 30 Making History Community History Programme 08 National Museums Northern Ireland 38 Coming to Our Senses 09 National Museums Northern Ireland: Ulster Folk & Transport Museum 44 Travelling Times Exhibition 10 National Museums Northern Ireland: Ulster Museum 47 Outreach Art Project 11 National Museums Northern Ireland: Ulster Museum Belfast Parks 51 and Belfast Zoo Rainforest 12 National Museums Northern Ireland: Ulster Museum 54 Sure Start Project 13 National Trust Castle Ward 57 Sort It Out! Conflict Resolution Programme 14 National Trust Florence Court 61 The Wedding Breakfast, Community Relations Programme 15 Naughton Gallery at Queen’s University 64 Community Alphabets Project 16 Naughton Gallery at Queen’s University -
Annual-Report-2018.Pdf
Annual Report Tuarascáil Bhliantúil 2018 2018 Strategic Vision To serve the communities of Roscommon with enthusiasm, courtesy and absolute respect, to revitalise the social, economic, cultural and environmental fabric of our towns and villages and rural communities, to provide supports and mechanisms to empower all of our communities to grow, and to ensure that the Council’s budget is effectively spent and accounted for. Front Cover: Elphin Windmill Above: Aerial view of Roscommon County Council and surrounding area. Contents Introduction from An Cathaoirleach and Chief Executive 2 Elected Members of Roscommon County Council 4 Strategic Policy Committees, SPCs 2014-2019 5 Community and Enterprise, Local Enterprise Office, Arts, Heritage and Tourism 7 Corporate Services 17 Assets and Energy Management 23 Emergency Services 25 Development Incentives and Control 29 Environmental Protection 32 Finance 37 Housing and Building 41 Human Resources 45 Information and Communication Technologies 47 Library Services 48 Roads, Transportation and Safety 50 Water Services 55 Local Community Development Committee Report 60 Corporate Plan Report 62 Appendix 1: Service Indicators 2018 64 Appendix 2: Councillors’ Conferences 2018 70 Appendix 3: Councillors’ Committees 2018 72 Annual Report 2018 1 Introduction from An Cathaoirleach and Chief Executive We are delighted to present the 2018 Annual Report which outlines details of the quality services and comprehensive range of projects, programmes and initiatives undertaken by Roscommon County Council during the year. It is a privilege to report on the County Council’s g In July 2018, Somers Park, Castlerea was officially achievements and successes throughout 2018 in opened by Ms. Heather Humphreys T.D., Minister responding to the many challenges of providing a for Business, Enterprise and Innovation.