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Tuarascáil Bhliantúil Annual Report 2014
TUARASCÁIL BHLIANTÚIL ANNUAL REPORT 2014 COMHAIRLE CONTAE LÚ LOUTH COUNTY COUNCIL COUNCIL COAT OF ARMS The Arms of the County, as granted by the Chief Herald to the Council in 1976, are derived as follows:- “Vert a besant charged with a Dexter Hand aversant coupled at the wrist proper” This is the description of the lower part of the shield which is coloured green (vert) and on which is imposed a heraldic expression of the Dextera Dei or Right Hand of God from Muireadach’s Cross at Monasterboice. As on the latter, the armorial design shows the hand against a circular background or nimbus. This section of the Arms represents in particular the rural (or County Health District) part of the County. Chief Sable, two ancient ships, sails set argent The top part of the Arms is black in colour commemorating Muirthemne, the old Irish name of the sea off the County Louth Coast, and which translated into English means the “darkness of the sea”. The ships are inspired by the Coat of Arms of the Borough of Drogheda, which includes a ship anchored at a quayside. Each ship can be taken to represent respectively the Borough of Drogheda and the Urban District of Dundalk, both areas comprised within the administrative County. The ships are also representational of the fact that the County has always been a great centre of trade and commerce. The Crest The Crest incorporates a sword, the symbol of administration, surrounded by ears of barley. This design at once illustrates the nature of the Coat of Arms as a symbol of a civic administration, and the importance of agriculture in the life of the County. -
Copyrighted Material
18_121726-bindex.qxp 4/17/09 2:59 PM Page 486 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Ardnagashel Estate, 171 Bank of Ireland The Ards Peninsula, 420 Dublin, 48–49 Abbey (Dublin), 74 Arigna Mining Experience, Galway, 271 Abbeyfield Equestrian and 305–306 Bantry, 227–229 Outdoor Activity Centre Armagh City, 391–394 Bantry House and Garden, 229 (Kildare), 106 Armagh Observatory, 394 Barna Golf Club, 272 Accommodations. See also Armagh Planetarium, 394 Barracka Books & CAZ Worker’s Accommodations Index Armagh’s Public Library, 391 Co-op (Cork City), 209–210 saving money on, 472–476 Ar mBréacha-The House of Beach Bar (Aughris), 333 Achill Archaeological Field Storytelling (Wexford), Beaghmore Stone Circles, 446 School, 323 128–129 The Beara Peninsula, 230–231 Achill Island, 320, 321–323 The arts, 8–9 Beara Way, 230 Adare, 255–256 Ashdoonan Falls, 351 Beech Hedge Maze, 94 Adrigole Arts, 231 Ashford Castle (Cong), 312–313 Belfast, 359–395 Aer Lingus, 15 Ashford House, 97 accommodations, 362–368 Agadhoe, 185 A Store is Born (Dublin), 72 active pursuits, 384 Aillwee Cave, 248 Athlone, 293–299 brief description of, 4 Aircoach, 16 Athlone Castle, 296 gay and lesbian scene, 390 Airfield Trust (Dublin), 62 Athy, 102–104 getting around, 362 Air travel, 461–468 Athy Heritage Centre, 104 history of, 360–361 Albert Memorial Clock Tower Atlantic Coast Holiday Homes layout of, 361 (Belfast), 377 (Westport), 314 nightlife, 386–390 Allihies, 230 Aughnanure Castle (near the other side of, 381–384 All That Glitters (Thomastown), -
The Garda Gazette
THE OFFICIAL MAGAZINE OF THE GARDA SÍOCHÁNA HISTORICAL SOCIETY THE GARDGAZETTAE Winter 2008 www.policehistory.com Membership Dear Friends and Colleagues, Full Membership is available for those who elcome to the re-launched Garda Gazette. I wish to welcome you back The investigation may be in a position to avail of our annual to the Historical Society and to invite you to attend our lectures and to list of events and attend the Annual visit our Garda Museum in Dublin Castle. Our website General Meeting with entitlement to vote. Wwww.policehistory.com is an excellent resource and one that is Associate Membership is available for constantly updated and improved. Please feel free to contribute to the Garda of an office above persons not in category (a) - many of Historical Society and to contribute your stories, letters and photographs to our Garda whom reside outside Ireland - is offered Gazette. with an entitlement to receive the twice yearly newsletter and events programme. As you already know the Garda Síochána Historical Society was re-launched last suspicion? All applications for membership must be October at the Bedford Tower in Dublin Castle. It was a welcome return for a much- proposed and seconded by an existing loved society which has so much to offer not only our members but the organisation THE THEFT OF THE IRISH CROWN JEWELS member. Written applications will be dealt as a whole. It is with some regret that I say that we are losing so much of our written with by the committee. All who are history with the advance of technology. -
Museum Quarter
NAVAN ROAD DRUMCONDRA NEPHIN ROAD DALYMOUNT PARK CLONLIFFE ROAD 14 PHOENIX PARK & JONES ROAD EAST WALL ROAD CROKE GAA DART NORTH CIRCULAR ROAD PARK MUSEUM MUSEUM QUARTER LEINSTER AVE DORSET STREET BELVEDERE RD U RUSSELL ST PP E R G A R D NORTH CIRCULAR ROAD IN E R S NORTH STRAND ROAD STONEY RD T NO VENUE PG MOUNTJOY PORTLAND ROW D MIDDLE GARDINERSQUARE ST A 2 20 O 1 3 Walls Gallery 16 R FREDERICK ST NORTH SUMMERHILL T 2 Áras an Uachtaráin 16 S GRANGE GORMAN LWR GORMAN GRANGE 8 E 3 Brown Bag Films 16 W NORTH GT GEORGES ST 4 Damn Fine Print 16 EAST WALL ROAD LUAS RUTLAND CALEDON CT 5 The Darkroom 17 JAMES JOYCE STREET PARNELL SQ. EAST DART CHURCHST MARY’S ROAD RD 6 Dr Steevens’ Hospital (HSE) 17 16 OXMANTOWN ROAD LOWER GARDINER ST MORNING STAR AVE SEAN MACDERMOTT ST DORSET STREET PARNELL STREET SEVILLE PLACE 7 The elbowroom 17 PARNELL SQ. WEST HALLIDAY RD 13 PARNELL HENRIETTA ST MARLBOROUGH ST MANOR STREET 19 GRANGE GORMAN LWR SQUARE 8 Grangegorman Development 17 T DOMINICK ST LWR S 1 Agency CONNOLLY H C PROVOST ROW STATION KILLAN RD 9 The Greek Orthodox Community of 18 R FOLEY ST EAST ROAD U K LUAS H IN Ireland 7 G C ’S MANOR PLACE I MORNING STAR AVE STAR MORNING N INFIRMARY ROAD BOLTON ST N 10 IMMA (Irish Museum of Modern Art) 18 S CATHEDRAL ST S 4 5 T 14 O’CONNELL ST UPPER SHERRIF ST 11 Irish Railway Record Society (IRRS) 18 CHESTERFIELD AVENUE CAVALRY ROW BRUNSWICK ST. -
SCC Annual Report 2002 7/18/03 9:29 AM Page 1
SCC Annual Report 2002 7/18/03 9:29 AM Page 1 SLIGO COUNTY COUNCIL Annual Report 2002 Contents Cathaoirleach’s Introduction . .2 County Manager’s Foreword . .3 Sligo County Council Members . .4 Service Indicators 2002 . .6 How We Performed in 2002 . .9 Housing & Building . .11 Roads Development Programme . .14 Planning & Development . .17 Environment . .20 Arts Office . .25 Motor Taxation Office . .28 Higher Education Grants . .28 Community & Enterprise . .29 County Sligo Civil Defence . .34 Communications Office . .36 County Library and Museum Services . .38 Partnership . .40 ‘What we achieved’ is denoted Register of Electors . .40 throughout the Report by this symbol Sligo Fire Authority . .4 1 Special Projects Office . .40 Sligo County Council Comhairle Chontae Shligigh Human Resources . .45 Telephone: +353 71 9143221, +353 71 9156666 Fax: +353 71 9141119 Rural Water Programme . .48 e-mail: [email protected] www.sligococo.ie County Sligo Heritage Office . .50 Photocopying prohibited by law. All rights reserved. No part of this publication may be copied, reproduced Sligo Courthouse . .53 or transmitted in any form or by any means without the permission of Sligo County Council. Conferences and Seminars . .55 Produced by Westprint Ltd., Enniscrone. Cathaoirleach’s Year Photo Gallery . .56 Photography: Charlie Brady, Gerry Grace, Steve Rogers, Vincent Vidal. Feature: Séamus Egan . .58 Financial Statement . .59 page 1 SCC Annual Report 2002 7/18/03 9:29 AM Page 2 SLIGO COUNTY COUNCIL Annual Report 2002 Cathaoirleach’s introduction I am pleased to introduce Sligo County Council’s Annual Report for 2002. It was a busy and challenging year for this Authority, and it was encouraging to see so many important initiatives advanced or brought to fruition. -
An Garda Síochána: Culture, Challenges, and Change
An Garda Síochána: Culture, challenges, and change This thesis was submitted to the School of Social Work and Social Policy, Trinity College Dublin for the degree of Doctor of Philosophy 2020 Courtney Marsh This thesis was supervised by Professor Eoin O’Sullivan Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the Library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. I consent to the examiner retaining a copy of the thesis beyond the examining period, should they so wish (EU GDPR May 2018). Signed: Courtney Marsh i Summary An Garda Síochána: Culture, challenges, and change is an exploration and understanding of the organisational culture of An Garda Síochána – Ireland’s National Policing Organisation. While the Gardaí – or officers – are often in the news media, there has been very little academic research on who and what this organisation is. On an abstract level, organisational culture provides the framework of the basic rules necessary to function, or survive, in an organisation. Police organisational culture provides an identity to officers that performs this same function. On a more specific scale, internationally, police culture has been understood to consist of masculinity, discrimination, exclusion, suspicion, isolation, solidarity/loyalty, moral and political conservatism, pragmatism, cynicism, aggression, negative views of supervision, selective enforcement of the law, and a prioritisation of the crime fighter role over service oriented role. -
National Museum of Ireland Annual Report 2014
Annual Report 2014 final NATIONAL MUSEUM OF IRELAND ANNUAL REPORT 2014 Annual Report 2014 Final CONTENTS Message from the Chairman of the Board of the National Museum of Ireland ………….. Introduction from the Director of the National Museum of Ireland……………………… Collections Art and Industry…………………………………………………………………………... Irish Antiquities…………………………………………………………………………… Irish Folklife…………………………………………………………………………......... Natural History……………………………………………………………………………. Conservation…………………………………………………………………………........ Registration……………………………………………………………………………….. Exhibitions National Museum of Ireland – County Life………………………………………………. National Museum of Ireland – Archaeology……………………………………………… National Museum of Ireland – Decorative Arts and History…………………………….. Services Education and Outreach…………………………………………………………….......... Marketing and PR……………………………………………………………………........ Photography………………………………………………………………………………. Design…………………………………………………………………………………...... Facilities (Accommodation and Security)………………………………………………… 2 Annual Report 2014 Final Administration Financial Management………………………………………………………………......... Human Resource Management…………………………………………………………… Information Communications Technology (ICT) …………………………………........... Publications by Museum Staff…………………………………………………................. Board of the National Museum of Ireland…………………………………………........... Staff Directory…………………………………………………………………………….. 3 Annual Report 2014 Final MESSAGE FROM THE CHAIRMAN, BOARD OF THE NATIONAL MUSEUM OF IRELAND The year 2014 proved challenging in terms of the National -
Frances Lambe Ireland B. 1961 Education Selected Collections
“Oval forms occur in the natural world and are found in cells, pollen grains, seeds, eggs and skulls. These have structures that have evolved to contain matter and provide protection. My hollow sculpted forms explore the theme of containment. Constructed walls form a ‘taut membrane’, which is pierced and made permeable. Intricacy of surface detail is counterbalanced by Duo, 2016 the simplicity of the ovoid form.” Ceramic stoneware, 17 H x 40 W x 27 D cm Frances Lambe Ireland b. 1961 Frances Lambe studied at the National College of Art and Design in Dublin. She works with a variety of different clays from terracotta through to white stoneware and porcelain. Frances usually leaves her work unglazed except for the occasional application of oxides. A hallmark of her work is the delicate finish, she pays particular attention to ensure that surface texture unites with form. Her source of inspiration is the natural world, in particular the sea. Her ceramic forms describe an underwater world, the sphere, the oval and undulating forms are recurring themes. Their purity of form recalls stones that have been polished by the movement of water and sand. Frances’ work is in public and private collections including the National Museum of Ireland, the Department of Foreign Affairs of Ireland, the Office of Public Works, and the National Museum of Northern Ireland. Frances Lambe works from her studio in Co. Louth, Ireland. Education 1979 ‐ 83 Diploma in Art Education, National College of Art and Design, Dublin 1983 ‐ 84 Principles of Teaching Art, National -
International Visitors Guide University College Dublin
International Visitors Guide University College Dublin 1 International Visitors Guide Table of Contents Orientation ..................................................................................... 3 Practical Information ..................................................................... 4 Visas ............................................................................................. 4 Language ..................................................................................... 5 Weather ....................................................................................... 5 Currrency ..................................................................................... 5 Tipping (Gratuity) .......................................................................... 5 Emergencies ................................................................................. 5 Transport in Dublin ........................................................................ 6 Transport Apps .............................................................................. 6 Additional Information about UCD .................................................... 6 Arriving in Dublin ........................................................................... 7 Arriving by Plane ............................................................................ 7 Arriving by Train ............................................................................ 7 Traveling to UCD ............................................................................. 8 By Aircoach................................................................................... -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
Doug Dubois [email protected]
Doug DuBois [email protected] EDUCATION: 1988 M.F.A., Photography, San Francisco Art Institute, San Francisco, CA. 1983 B.A., Film and Photography, Hampshire College, Amherst, MA. TEACHING Present Associate Professor, Syracuse University 1997-98 Visiting Associate Professor, Massachusetts College of Art 1989-1997 Associate Professor, New Mexico State University SELECTED SOLO EXHIBITIONS: 2016 Aperture Gallery, New York, NY 2015 Crawford Art Gallery, Cork, Ireland 2014 University Gallery, University of Ulster, Belfast, Northern Ireland 2012 Encontros Da Imagem, Braga, Portugal Sirius Arts Centre, Cobh, Ireland 2009 Higher Pictures, New York, NY 2007 Blue Sky Gallery, Portland, OR 2005 The Center for Photography at Woodstock, Woodstock, NY 2004 Silver Eye Gallery, Pittsburgh, PA Pittsburgh Filmmakers, Pittsburgh, PA 2001 Everson Museum of Art, Syracuse, NY 1998 Columbus Museum of Fine Arts, Columbus, OH 1997 Rhode Island School of Design, Providence, RI 1996 New Langton Arts, San Francisco, CA 1995 Bridge Center for Contemporary Art, El Paso, TX. 1992 Hampshire College, Amherst, MA. 1990 Dartmouth College, Hanover, NH. BCC Fine Arts Gallery, Ft. Lauderdale, FL. 1989 Midtown Y Photography Gallery, New York, NY. 1988 SF Camerawork, San Francisco, CA. 1986 Diego Rivera Gallery, San Francisco, CA. DuBois 2 SELECTED GROUP EXHIBITIONS: 2014 Portrait: Fotografia Inernazionale Roma, Museo D’arte Contemporanea Roma, Rome, Rome Italy Second Sight: The David Kronn Photography Collection, Irish Museum of Art, Dublin, Ireland 2013 On Photography: Culture, -
Biography Anthony Haughey Is an Artist and Lecturer in the Dublin Institute of Technology Where He Supervises Practice-Based Phd’S
Anthony Haughey | Biography Anthony Haughey is an artist and lecturer in the Dublin Institute of Technology where he supervises practice-based PhD’s. He was Senior Research Fellow (2005-8) at the Interface Centre for Research in Art, Technologies and Design in Belfast School of Art, where he completed a PhD in 2009. His artworks and research have been widely exhibited and published nationally and internationally, including, ‘An Act of Hospitality can only be Poetic’, Highlanes Gallery, Drogheda, ‘UNresolved’, video installation, Athens Biennial, ‘The Politics of Images’, Belo Horizonte, Brazil (2017) and ‘Proclamation’ (2016), which toured widely internationally throughout 2016 where he premiered his new video ‘Manifesto’, which was acquired for the permanent collection of The Arts Council / An Chomhairle Ealaíon. Other recent exhibitions include, ‘Uncovering History’, Kunsthaus Graz, ‘Excavation’, Limerick City Gallery, ‘Making History’ and Colombo Art Biennale (2014) as well as a major British Council exhibition ‘Homelands’, touring South Asia. His artworks and scholarly writing has been published in more than eighty publications and his artworks are represented in many important national and international public and private collections. Recent chapter contributions and journal articles include, ‘Imaging the Unimaginable: Returning to the scene of a crime’, Život Umjetnosti art journal, Zagreb, ‘A Landscape of Crisis: Photographing Post Celtic Tiger Ghost Estates’, Canadian Journal of Irish Studies (2017) and ‘Imagining Irish Suburbia’ (Palgrave 2017). He is an editorial advisor for the Routledge journal, ‘Photographies’, a board member of Fire Station Artist Studios, and a member of the Arts Council Acquisitions Committee. He was recipient of Create ‘Arts and Cultural Diversity Award’ (2014) and was lead curator for a major 1916 Commemorative exhibition, ‘Beyond the Pale: The art of revolution’, Highlanes Gallery Drogheda.