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Tuarascáil Bhliantúil Annual Report 2014
TUARASCÁIL BHLIANTÚIL ANNUAL REPORT 2014 COMHAIRLE CONTAE LÚ LOUTH COUNTY COUNCIL COUNCIL COAT OF ARMS The Arms of the County, as granted by the Chief Herald to the Council in 1976, are derived as follows:- “Vert a besant charged with a Dexter Hand aversant coupled at the wrist proper” This is the description of the lower part of the shield which is coloured green (vert) and on which is imposed a heraldic expression of the Dextera Dei or Right Hand of God from Muireadach’s Cross at Monasterboice. As on the latter, the armorial design shows the hand against a circular background or nimbus. This section of the Arms represents in particular the rural (or County Health District) part of the County. Chief Sable, two ancient ships, sails set argent The top part of the Arms is black in colour commemorating Muirthemne, the old Irish name of the sea off the County Louth Coast, and which translated into English means the “darkness of the sea”. The ships are inspired by the Coat of Arms of the Borough of Drogheda, which includes a ship anchored at a quayside. Each ship can be taken to represent respectively the Borough of Drogheda and the Urban District of Dundalk, both areas comprised within the administrative County. The ships are also representational of the fact that the County has always been a great centre of trade and commerce. The Crest The Crest incorporates a sword, the symbol of administration, surrounded by ears of barley. This design at once illustrates the nature of the Coat of Arms as a symbol of a civic administration, and the importance of agriculture in the life of the County. -
Frances Lambe Ireland B. 1961 Education Selected Collections
“Oval forms occur in the natural world and are found in cells, pollen grains, seeds, eggs and skulls. These have structures that have evolved to contain matter and provide protection. My hollow sculpted forms explore the theme of containment. Constructed walls form a ‘taut membrane’, which is pierced and made permeable. Intricacy of surface detail is counterbalanced by Duo, 2016 the simplicity of the ovoid form.” Ceramic stoneware, 17 H x 40 W x 27 D cm Frances Lambe Ireland b. 1961 Frances Lambe studied at the National College of Art and Design in Dublin. She works with a variety of different clays from terracotta through to white stoneware and porcelain. Frances usually leaves her work unglazed except for the occasional application of oxides. A hallmark of her work is the delicate finish, she pays particular attention to ensure that surface texture unites with form. Her source of inspiration is the natural world, in particular the sea. Her ceramic forms describe an underwater world, the sphere, the oval and undulating forms are recurring themes. Their purity of form recalls stones that have been polished by the movement of water and sand. Frances’ work is in public and private collections including the National Museum of Ireland, the Department of Foreign Affairs of Ireland, the Office of Public Works, and the National Museum of Northern Ireland. Frances Lambe works from her studio in Co. Louth, Ireland. Education 1979 ‐ 83 Diploma in Art Education, National College of Art and Design, Dublin 1983 ‐ 84 Principles of Teaching Art, National -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
Biography Anthony Haughey Is an Artist and Lecturer in the Dublin Institute of Technology Where He Supervises Practice-Based Phd’S
Anthony Haughey | Biography Anthony Haughey is an artist and lecturer in the Dublin Institute of Technology where he supervises practice-based PhD’s. He was Senior Research Fellow (2005-8) at the Interface Centre for Research in Art, Technologies and Design in Belfast School of Art, where he completed a PhD in 2009. His artworks and research have been widely exhibited and published nationally and internationally, including, ‘An Act of Hospitality can only be Poetic’, Highlanes Gallery, Drogheda, ‘UNresolved’, video installation, Athens Biennial, ‘The Politics of Images’, Belo Horizonte, Brazil (2017) and ‘Proclamation’ (2016), which toured widely internationally throughout 2016 where he premiered his new video ‘Manifesto’, which was acquired for the permanent collection of The Arts Council / An Chomhairle Ealaíon. Other recent exhibitions include, ‘Uncovering History’, Kunsthaus Graz, ‘Excavation’, Limerick City Gallery, ‘Making History’ and Colombo Art Biennale (2014) as well as a major British Council exhibition ‘Homelands’, touring South Asia. His artworks and scholarly writing has been published in more than eighty publications and his artworks are represented in many important national and international public and private collections. Recent chapter contributions and journal articles include, ‘Imaging the Unimaginable: Returning to the scene of a crime’, Život Umjetnosti art journal, Zagreb, ‘A Landscape of Crisis: Photographing Post Celtic Tiger Ghost Estates’, Canadian Journal of Irish Studies (2017) and ‘Imagining Irish Suburbia’ (Palgrave 2017). He is an editorial advisor for the Routledge journal, ‘Photographies’, a board member of Fire Station Artist Studios, and a member of the Arts Council Acquisitions Committee. He was recipient of Create ‘Arts and Cultural Diversity Award’ (2014) and was lead curator for a major 1916 Commemorative exhibition, ‘Beyond the Pale: The art of revolution’, Highlanes Gallery Drogheda. -
Biography Anthony Haughey Is an Artist, Researcher and a Lecturer in the Dublin Institute of Technology Where He Supervises
Biography Anthony Haughey is an artist, researcher and a lecturer in the Dublin Institute of Technology where he supervises doctoral practice-based projects. He was a Research Fellow (2005-8) at the Interface Centre for Research in Art, Technologies and Design at the University of Ulster Belfast, where he completed a PhD in 2009. His work has been widely exhibited nationally and internationally, most recently Uncovering History, curated by Camera Austria in Kuunsthaus Graz, Excavation, Limerick City Gallery, where he premiered his new film, Unresolved, twenty years after the Srebrenica genocide, Making History, Colombo Art Biennale (2014), Art of the Troubles, Ulster Museum, Belfast (2014), Settlement in Belfast Exposed, Northern Ireland: 30 years of photography in the MAC and Belfast Exposed, New Irish Landscapes, Three Shadows Gallery, Beijing, Homelands, a major British Council exhibition touring South Asia, Citizen in Highlanes Gallery, Drogheda and MCAC, Portadown, Strike!, Labour and Lockout, Upending – an exhibition of enquiries in Limerick City Gallery of Art. He recently completed a commission for the Aftermath project, which toured galleries in Ireland throughout 2014. A publication (out of print) from this commission was launched in January 2015, available at: http://issuu.com/anthonyhaughey/docs/ah_aftermath_issuu His photographs and writings have been published in more than seventy publications (including eight in 2014). Monographs include The Edge of Europe (1996), Disputed Territory (2006) and an artist’s book State (2011). His work is represented in many international public and private collections and he is an editorial advisor for the Routledge journal, Photographies. He has published several chapter contributions including, ‘Dislocations: Participatory Media with Refugees in Ireland and Malta’, in Goodnow, K. -
Monaghan County Museum Handling Collection
Applying for Loans It is essential to make a booking for all loans from the Handling Collection. At least two to three days notice is required by the Education and Outreach Officer but you are advised to book as early as possible to avoid disappointment. To borrow material, a list of items required should be telephoned or preferably emailed to the Education and Outreach Officer stating the date you wish to collect loans and when they will be returned. Items can be borrowed as themed groups or as individual pieces. Duration of Loans Objects may be borrowed for a period of time up to a maximum of one month. This time may be reduced subject to demand and waiting lists. Collection & Return of Loans Booked loans can be collected from and returned to the Museum between 9.15am and 4.00pm from Monday to Friday or on Saturday by prior agreement. Loans must be returned no later than 4.30 on the last day of the agreed loan period and must be accepted by a member of staff. It is essential to return the items on or before the agreed date to facilitate other bookings. Any borrower who retains material beyond the loan period may not be eligible for future loans. Archaeology 2 Transport 8 Communication 14 handling Household and Agriculture 18 collection Schools and Education 22 Politics and Conflict 24 28 Monaghan County Museum’s Natural History Handling Service was established in 1982, with a small number of items. Folklife 30 A successful application to the Department of Arts, Heritage and the Gaeltacht was made to Towns, Villages and Estates 34 expand this service. -
Learning and Access in Museums
Northern Ireland Museums Council Learning and Access in Museums Case Studies from Northern Ireland Bringing together, for the first time, examples of a range of learning projects provided right across the Northern Ireland museums sector. Learning and Access in Museums 01 Case Studies from Northern Ireland Contents 01 Causeway Museum Service 3 Community Outreach Project 02 Derry City Council Heritage and Museum Service 12 Flight of the Earls 2007 Education and Outreach Project 03 Derry City Council Heritage & Museum Service 16 Good Relations Programme at the Tower Museum 04 Down County Museum 20 Downpatrick Young Archaelogists’ 05 Fermanagh County Museum and Cavan County Museum 24 Connecting Peoples, Places & Heritage 06 Irish Linen Centre and Lisburn Museum 27 Education for Employability 07 Mid-Antrim Museums Service 30 Making History Community History Programme 08 National Museums Northern Ireland 38 Coming to Our Senses 09 National Museums Northern Ireland: Ulster Folk & Transport Museum 44 Travelling Times Exhibition 10 National Museums Northern Ireland: Ulster Museum 47 Outreach Art Project 11 National Museums Northern Ireland: Ulster Museum Belfast Parks 51 and Belfast Zoo Rainforest 12 National Museums Northern Ireland: Ulster Museum 54 Sure Start Project 13 National Trust Castle Ward 57 Sort It Out! Conflict Resolution Programme 14 National Trust Florence Court 61 The Wedding Breakfast, Community Relations Programme 15 Naughton Gallery at Queen’s University 64 Community Alphabets Project 16 Naughton Gallery at Queen’s University -
Annual-Report-2018.Pdf
Annual Report Tuarascáil Bhliantúil 2018 2018 Strategic Vision To serve the communities of Roscommon with enthusiasm, courtesy and absolute respect, to revitalise the social, economic, cultural and environmental fabric of our towns and villages and rural communities, to provide supports and mechanisms to empower all of our communities to grow, and to ensure that the Council’s budget is effectively spent and accounted for. Front Cover: Elphin Windmill Above: Aerial view of Roscommon County Council and surrounding area. Contents Introduction from An Cathaoirleach and Chief Executive 2 Elected Members of Roscommon County Council 4 Strategic Policy Committees, SPCs 2014-2019 5 Community and Enterprise, Local Enterprise Office, Arts, Heritage and Tourism 7 Corporate Services 17 Assets and Energy Management 23 Emergency Services 25 Development Incentives and Control 29 Environmental Protection 32 Finance 37 Housing and Building 41 Human Resources 45 Information and Communication Technologies 47 Library Services 48 Roads, Transportation and Safety 50 Water Services 55 Local Community Development Committee Report 60 Corporate Plan Report 62 Appendix 1: Service Indicators 2018 64 Appendix 2: Councillors’ Conferences 2018 70 Appendix 3: Councillors’ Committees 2018 72 Annual Report 2018 1 Introduction from An Cathaoirleach and Chief Executive We are delighted to present the 2018 Annual Report which outlines details of the quality services and comprehensive range of projects, programmes and initiatives undertaken by Roscommon County Council during the year. It is a privilege to report on the County Council’s g In July 2018, Somers Park, Castlerea was officially achievements and successes throughout 2018 in opened by Ms. Heather Humphreys T.D., Minister responding to the many challenges of providing a for Business, Enterprise and Innovation. -
Tempest Family and Dundalgan Press Papers PP00166
Tempest Family and Dundalgan Press Papers PP00166/ Descriptive List Catalogue 1 Level Headings with Reference Codes and Titles Fonds: PP00166/ - Tempest Family and Dundalgan Press Papers Sub-fonds 1: PP00166/001/ - William Tempest (1835-1918) Series 1: PP00166/001/001 – No. 1 Douglas Place (Tempest family home) Series 2: PP00166/001/002/ - Personal items and correspondence Series 3: PP00166/001/003/ - Financial matters Sub-fonds 2: PP00166/002/ - Dundalgan Press (1859-1963) Series 1: PP00166/002/001/ - Printing house (purchase and construction of) Series 2: PP00166/002/002/ - Early print jobs and ephemera (1859-1919) Series 3: PP00166/002/003/ - Financial papers Series 4: PP00166/002/004/ - Correspondence Series 5: PP00166/002/005/ - Art O’Murnaghan & ‘The Bird Parliament’ Series 6: PP00166/002/006/ - The Colum Cille typeface Sub-fonds 3: PP00166/003/ - Henry Tempest (1881-1964) Series 1: PP00166/003/001/ - Historical field notes indexes Series 2: PP00166/003/002/ - Correspondence and historical enquiries Series 3: PP00166/003/003/ - Financial matters Sub-fonds 4: PP00166/004/ - William Caxton “Trevor” Tempest There are no series in this sub-fonds. See descriptive list for item (1 item) Sub-fonds 5: PP00166/005/ - Charles Tempest McCrea There are no series in this sub-fonds. See descriptive list for item (1item) 2 Reference Code: PP00166/ Title: Tempest Family and Dundalgan Press Papers Dates: 1849 - 1990 Level of Description: Fonds Extent: 19 archival folders, 5 small index ring binders and 2 bound volumes contained in 9 archival boxes. Name of Creator(s): William Tempest (1835-1918), Henry G. Tempest (1881- 1964), William Caxton “Trevor” Tempest (1899-[?1970- 1980]) and Charles Tempest McCrea. -
Irish Museums Survey 2016 Has Been Funded by the Irish Research Council - New Foundations Award: of Roles 43 Engaging Civic Society
CO. ANTRIM | National Museums Northern Ireland - Ulster Museum | Andrew Jackson Cottage and US Rangers Centre | Carrickfergus Museum | Larne Museum and Arts Centre | Railway Preservation Society of Ireland || CO. ARMAGH | Milford House Collection | Lough Neagh Discovery Centre || CO. CARLOW | Carlow County Museum | Weavers Cottage | St. Mullins Heritage Centre | Bishop Daniel Delany Museum | Tullowphelim Historical Society || CO. CAVAN | Cavan County Museum || CO. CLARE | Clare Museum || CO. CORK | Allihies Copper Mine Museum | Fota House, Arboretum and Gardens | West Cork Model Railway Village | Cork Butter Museum | Cork Public Museum | Crawford Art Gallery | Lewis Glucksman Gallery | Cape Clear Island Museum and Archive || CO. DERRY|LONDONDERRY | Museum of Free Derry | Garvagh Museum | Green Lane Museum || CO. DONEGAL | Fort Dunree Military Museum | Colmcille Heritage Centre | Donegal County Museum | Glebe House and Gallery | The Old Courthouse Lifford || CO. DOWN | Castle Ward House | Down County Museum | National Museums Northern Ireland - Ulster Folk and Transport Museum | Newry and Mourne Museum | Somme Museum | F.E. McWilliam Gallery and Studio || CO. DUBLIN | National Print Museum | Dublin Castle | Dublin City Gallery The Hugh Lane | Dublin City Hall | Dublin Writers Museums | Dublinia ltd. | Freemasons’ Hall | Glasnevin Cemetery Museum | Heritage Centre, Royal College of Physicians of Ireland | Kilmainham Gaol Museum | National Museum of Ireland - Decorative Arts and History | National Museum of Ireland - Natural History | Number Twenty Nine (Georgian House Museum) | Pearse Museum | The Chester Beatty Library | The Irish Jewish Museum | The Little Museum of Dublin | The Old Library, Trinity College Dublin | UCD Classical Museum | UCD Newman House | Geological Museum, Trinity College Dublin | National Maritime Museum of Ireland | The Transport Museum Society of Ireland | IMMA - Irish Museum of Modern Art | National Gallery of Ireland | National Museum of Ireland - Archaeology | Rathfarnham Castle || CO. -
Brexit and the Museum Sector in Northern Ireland and the Republic of Ireland the Potential Impact and Recommendations for the Future
Brexit and the Museum Sector in Northern Ireland and the Republic of Ireland The potential impact and recommendations for the future Elizabeth Crooke and Gina O’Kelly Ulster University and the Irish Museums Association - January 2018 2 Brexit and the Museum Sector in Northern Ireland and the Republic of Ireland Contents Key Recommendation 3 Summary of Key Findings 4 1. Introduction 5 2. Enhanced engagement with the plurality of histories on this island 7 3. The museum sector in Ireland: continuing strong and effective partnerships 9 4. Active engagement to address the impact of Brexit on the museum sector on this island 12 5. Recommendations 16 Bibliography Appendices Thanks and Acknowledgements About the authors Brexit and the Museum Sector in Northern Ireland and the Republic of Ireland 3 Key Recommendation That individual museums and related cultural organisations undertake a Brexit Audit for the Museum Sector. • We recommend the Department for Communities, Northern Ireland, support the sector via Northern Ireland Museums Council to undertake a Brexit Audit. • The same should be undertaken for museums in the Republic of Ireland, with support from the Department of Culture, Heritage and the Gaeltacht by way of the Heritage Council or Irish Museums Association. The Brexit Audit should consider the following areas: funding; policy, planning and practice; workforce; training; and partnerships. Funding A record should be made of EU funding directly received by the museum, including capital projects and programming (suggested period 1998-2019). A way forward needs to be suggested to support programming and development post Brexit. Policy, The Museum should review key areas of policy and planning and Planning and practice to ascertain the potential extent of impact of the UK Practice withdrawal on museum practice e.g. -
Museums Awarded for High Standards in Collections Care and Management
Museums Awarded for High Standards in Collections Care and Management A museum dedicated to the memory of one of the 1916 Proclamation signatories, Padraig Pearse, and his brother, William, based in his former school at St. Enda’s Rathfarnham, Co. Dublin, has achieved the highest standard possible under a museum national standards programme run by the Heritage Council. The museum, run by the Office of Public Works, also achieved a longstanding ambition this year with the launch of a new permanent exhibition on the life of Padraig Pearse, and last year it held a total of 30 different events. And the programme, called the Museum Standards Programme for Ireland (MSPI), which started in 2006 with just 12 participants, now has 57 museums around the country, both North and South, participating in it. The Pearse Museum was one of seven of Ireland’s museums to be awarded the top standard of Full Accreditation, which requires complying with all 34 designated standards under the MSPI. It takes about five years to achieve all the standards and now, of the 57 participants in the programme, 29 museums have achieved full accreditation and 11 others have been awarded interim accreditation. Speaking at an awards ceremony today, in the Royal Irish Academy, Dublin, the Chairman of the Heritage Council, Mr. Conor Newman, said the MSPI “sets out to improve all aspects of Ireland’s museum practice and, in particular, to raise the standards of care for collections across Irish museums and galleries. A voluntary programme, it has attracted involvement across the cultural spectrum, from national institutions to small, volunteer-led organisations”.