Learning and Access in Museums
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Tuarascáil Bhliantúil Annual Report 2014
TUARASCÁIL BHLIANTÚIL ANNUAL REPORT 2014 COMHAIRLE CONTAE LÚ LOUTH COUNTY COUNCIL COUNCIL COAT OF ARMS The Arms of the County, as granted by the Chief Herald to the Council in 1976, are derived as follows:- “Vert a besant charged with a Dexter Hand aversant coupled at the wrist proper” This is the description of the lower part of the shield which is coloured green (vert) and on which is imposed a heraldic expression of the Dextera Dei or Right Hand of God from Muireadach’s Cross at Monasterboice. As on the latter, the armorial design shows the hand against a circular background or nimbus. This section of the Arms represents in particular the rural (or County Health District) part of the County. Chief Sable, two ancient ships, sails set argent The top part of the Arms is black in colour commemorating Muirthemne, the old Irish name of the sea off the County Louth Coast, and which translated into English means the “darkness of the sea”. The ships are inspired by the Coat of Arms of the Borough of Drogheda, which includes a ship anchored at a quayside. Each ship can be taken to represent respectively the Borough of Drogheda and the Urban District of Dundalk, both areas comprised within the administrative County. The ships are also representational of the fact that the County has always been a great centre of trade and commerce. The Crest The Crest incorporates a sword, the symbol of administration, surrounded by ears of barley. This design at once illustrates the nature of the Coat of Arms as a symbol of a civic administration, and the importance of agriculture in the life of the County. -
Causeway Coast Way
Causeway Coast Way Sweeping bays, sandy beaches, dramatic cliffs and world class natural heritage await you on the Causeway Coast Way RATHLIN Welcome to the PORTSTEWART ISLAND BALLYCASTLE Causeway Coast Way This superb, two-day walking route takes you along Northern Ireland's most celebrated coastline. High cliffs, secluded beaches and numerous historic and natural Benbane Head landmarks are just some of the 6 Sheep Island treats on offer. With frequent access Giant’s Causeway Carrick-a-rede Island White points and terrain suitable for all fit Dunseverick Park Bay Castle BALLINTOY walkers, this is one route you'll remember for years to come. The Skerries A2 PORTBALLINTRAE 7 Ramore Head 4 Clare A2 1 Wood BUSHMILLS B BALLYCASTLE B17 B17 A2 A2 Broughgammon PORTRUSH Wood East Strand, Portrush 17 4 B 4 PORTSTEWART A Ballycastle Moycraig 67 Forest 9 B Contents 2 Wood B B 1 A 8 8 6 Capecastle 04 - Section 1 5 Cloonty A Wood 2 Wood Portstewart to Portrush Mazes B 7 4 Wood 7 6 7 06 - Section 2 B1 2 B6 1 B Portrush to Portballintrae B 14 7 6 7 08 - Section 3 6 8 B67 B B Route is described in an clockwise direction. Portballintrae to Giant’s COLERAINE However, it can be walked in either direction. Causeway 10 - Section 4 Giant’s Causeway to Key to Map Dunseverick Castle SECTION 1 - PORTSTEWART TO PORTRUSH (10km) 12 - Section 5 Dunseverick Castle to SECTION 2 - PORTRUSH TO PORTBALLINTRAE (9.3km) Ballintoy Harbour SECTION 3 - PORTBALLINTRAE TO THE GIANT’S CAUSEWAY (4.3km) 14 - Section 6 Ballintoy Harbour to Ballycastle SECTION 4 - GIANT’S CAUSEWAY -
Irish Botanical News
IRISH BOTANICAL NEWS Number 3 February, 1993 Edited by: Dr Brian S. Rushton, University of Ulster Coleraine, Northern Ireland, BT52 1SA Published by: The Committee for Ireland Botanical Society of the British Isles COMMITTEE FOR IRELAND, 1992-93 BOTANICAL SOCIETY OF THE BRITISH ISLES Elected at the Annual General Meeting, held in the National Botanic Gardens, Glasnevin, Dublin on 3rd October, 1992 (office bearers were subsequently elected at the first Committee meeting): Mr John C.L. Phillips, Chairman (retiring October, 1993) Dr Ralph S. Forbes, Secretary (retiring October, 1993) Dr David W. Nash, Field Meetings Secretary (retiring October, 1994) Miss Maura J.P. Scannell (retiring October, 1994) Dr Micheline J. Sheehy Skeffington (retiring October, 1994) Mr John J. Earley (retiring October, 1995) Mr Alan Hill (retiring October, 1995) The following are also members of the Committee: Mrs Sylvia Reynolds, B.S.B.I. Council Representative Mr Paul Corbett, Department of the Environment (Northern Ireland) Representative Dr Brian S. Rushton, co-opted October, 1992 Irish Botanical News is published by the Committee for Ireland, Botanical Society of the British Isles and edited by Dr B.S. Rushton. © Dr B.S. Rushton and the authors of individual articles, 1993. The cover illustration is of representative leaves of Plantago coronopus L. from two geographical areas, the north coast of Ireland and inland areas of England. The leaves are derived from plants grown from seed and kept under identical greenhouse conditions. 2 CONTENTS Editorial ..........................................................................................…………. 4 Biological recording in Northern Ireland – The Northern Ireland Biological Records Centre (N.I.B.R.C.). D. Mitchel .............................5 Getting to know RECORDER – a user’s experience. -
GREAT INTERIORS HECTOR Mcdonnell HECTOR Mcdonnell
GREAT INTERIORS HECTOR McDONNELL HECTOR McDONNELL GREAT INTERIORS Exhibition dates 3rd - 21st November 2015 21 Bruton St, London, W1J 6QD I have been working on the paintings in this exhibition over the last two years. They concentrate on what has been a constant theme for me - an endless fascination with interiors both for what they tell us about the people who inhabit these places even when they are not there and the curiosity aroused by half-seen glimpses spied through windows and doors. The mystery of the not-quite-known is forever enticing. Hector McDonnell, October 2015 CHATSWORTH - THE STATE ROOMS 2015 Oil on canvas 102 x 76 cm (40” x 30”) £15,000 + VAT CHATSWORTH - LOOKING TOWARDS THE CASCADE 2015 Oil on canvas 102 x 76 cm (40” x 30”) £15,000 + VAT CHATSWORTH - THE DRAWING ROOM 2015 Oil on canvas 122 x 91.5 cm (48” x 36”) £24,000 + VAT CHATSWORTH - SUNLIGHT IN THE PRIVATE DINING ROOM 2014 Oil on canvas 122 x 91.5 cm (48” x 36”) £24,000 + VAT BEN AT THE CASTLE 2015 Oil on canvas 76 x 51 cm (30” x 20”) £12,000 + VAT WINDOW IN THE TOWER HOUSE, KENSINGTON, LONDON 2015 Oil on canvas 76 x 51 cm (30” x 20”) £12,000 + VAT THE GALLERY 2015 Oil on canvas 76 x 102 cm (30” x 40”) £12,000 + VAT WINDOW AT CASTLE WARD 2015 Oil on canvas 76 x 51 cm (30” x 20”) £12,000 + VAT WGF IN THE REFORM CLUB 2014 Oil on canvas 76 x 51 cm (30” x 20”) £12,000 + VAT THE ATRIUM OF THE REFORM CLUB 2015 Oil on canvas 76 x 51 cm (30” x 20”) £12,000 + VAT REESY’S FRONT DOOR, GARRISON, NEW YORK 2015 Oil on canvas 102 x 76 cm (40” x 30”) £15,000 + VAT BATHROOM WINDOWS -
Frances Lambe Ireland B. 1961 Education Selected Collections
“Oval forms occur in the natural world and are found in cells, pollen grains, seeds, eggs and skulls. These have structures that have evolved to contain matter and provide protection. My hollow sculpted forms explore the theme of containment. Constructed walls form a ‘taut membrane’, which is pierced and made permeable. Intricacy of surface detail is counterbalanced by Duo, 2016 the simplicity of the ovoid form.” Ceramic stoneware, 17 H x 40 W x 27 D cm Frances Lambe Ireland b. 1961 Frances Lambe studied at the National College of Art and Design in Dublin. She works with a variety of different clays from terracotta through to white stoneware and porcelain. Frances usually leaves her work unglazed except for the occasional application of oxides. A hallmark of her work is the delicate finish, she pays particular attention to ensure that surface texture unites with form. Her source of inspiration is the natural world, in particular the sea. Her ceramic forms describe an underwater world, the sphere, the oval and undulating forms are recurring themes. Their purity of form recalls stones that have been polished by the movement of water and sand. Frances’ work is in public and private collections including the National Museum of Ireland, the Department of Foreign Affairs of Ireland, the Office of Public Works, and the National Museum of Northern Ireland. Frances Lambe works from her studio in Co. Louth, Ireland. Education 1979 ‐ 83 Diploma in Art Education, National College of Art and Design, Dublin 1983 ‐ 84 Principles of Teaching Art, National -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
National Museum of Ireland 2010 Annual Report
NATIONAL MUSEUM OF IRELAND 2010 ANNUAL REPORT 1 Contents Message from the Chairman of the Board of the National Museum of Ireland Introduction by the Director of the National Museum of Ireland Collections Art and Industry Irish Antiquities Irish Folklife Natural History Conservation Registration Services Education and Outreach Marketing Photographic Design Facilities (Accommodation and Security) Administration General Financial Management Human Resource Management Information Communications Technology (ICT) Financial Statements 1st January 2010- 31st December 2010 Publications by NMI Staff Board of the National Museum of Ireland Staff Directory 2 Message from the Chairman of the Board of the National Museum of Ireland This was the final year of tenure of the Board of the National NMI of Ireland which was appointed in May 2005 and which terminated in May 2010. The Board met three times in 2010 prior to the termination of its term of office in May 2005. It met on 4th February 2010, 4th March 2010, and 21st April 2010. The Audit Committee of the Board met on three occasions in 2010 - being 14th January, 31st March, and 21st April. The Committee reviewed and approved the Financial Statements, and the Board duly approved, and signed off on, the same on 21st April 2010. The Audit Committee conducted interviews for the appointment for a new three-year period for the internal audit function. Deloitte was the successful applicant, and the Board approved of the awarding of the contract at its meeting of 21st April 2010. The internal auditors produced a draft audit plan for the period 1st July 2010 to 30th June 2013, and presented it to the NMI for consideration in July. -
Fermanagh County Museum Collections Development Policy Name of Governing Body: Fermanagh District Council
Fermanagh County Museum Collections Development Policy Name of Governing Body: Fermanagh District Council Agreed by Council on 5 December 2013 (Min Ref: ES99/13a) Review December 2015 1. Introduction The Accreditation Scheme administered by Arts Council England in partnership with the Northern Ireland Museums Council states that ‘the museum must have an approved policy for developing collections (also known as an acquisition and disposal policy)’. The approved policy will be published on the Museum’s website www.enniskillencastle.co.uk. The policy must include: • Statement of purpose • Overview of current collections • Future themes and collecting • Themes and priorities for rationalisation and disposal • Information on the legal framework for acquisition and disposal 1 Museum’s Statement of Purpose A key aim of Fermanagh District Council’s Corporate Strategy 2011-15 is to maintain and enhance ‘a place which is unique, welcoming and renowned for its natural beauty, environment, leisure, heritage, culture and diversity. A place which is safe, sustainable and accessible.’ In tandem with the overall vision, Fermanagh County Museum’s mission is to 'safeguard the history of Fermanagh as a source of enjoyment, education and culture for all'. Inspiring audiences locally and internationally, the Museum promotes the unique heritage of Fermanagh from pre-historic times to the present-day. Preserving its important collections of Archaeology, Local History, Arts and Folklife for future generations, the Museum engages with people to interpret the region’s history and act as a gateway information hub. Connecting people, places and heritage, Fermanagh County Museum is committed to increasing physical and intellectual access to its collections and services for all communities, abilities and faiths. -
Scammonden, Baitings and Boothwood
Accompanying Persons Tours Leaving Queens University Belfast at 10.15am returning at approximately 5pm. Thursday 4th September 2014 9.30am Pick up from Halls 10.00am Coffee at Stormont Castle Coffee Shop 11.00am Stormont Castle Tour (approx 1 hour long) 12.00pm Coach pick up from Stormont 12.30pm Merchant Hotel at the Great Room for 2 course lunch 1.45pm Coach pick up from the Merchant 2.00pm Titanic Belfast Tour (approx 2 hours long) 4.00pm Coach pick up from Titanic and back to Halls 5.30pm Pick up from Halls 6.00pm Binnie Lecture at Andrews Gallery Titanic Belfast 7.30pm Reception and Gala Dinner Titanic Belfast Friday 5th September 2014 Free Time Before 10am Some information on local interest will be provided 10.15 am Whitla Hall coach departure for Dam inspection tours Saturday 6th September 2014 Before 9.00am Breakfast at the Halls 9.30am Ulster Museum visit 11.00am Coffee at the Ulster Museum 12.00noon Botanical Gardens 1.00pm Lunch at Whitla Hall 1 Thursday 4 September 2014 You will be picked up from the halls at 9.15am and driven to the coffee house below which is situated within the grounds of Stormont Storm in a Teacup. This cleverly named bistro is perfectly poised in the upper gate house of Stormont Estate, home of NI's iconic Stormont Parliament Building. It’s equally elegant, albeit smaller scale façade gives way to a glam interior boasting glistening chandeliers and quirky cafe twists on art classics - think George Washington gazing through a glazed doughnut or Constable's The Haywain hauling a French Fancy Food runs from stylish breakfasts to hot and cold lunches and a BYOB bistro on Fri and Sat. -
Biography Anthony Haughey Is an Artist and Lecturer in the Dublin Institute of Technology Where He Supervises Practice-Based Phd’S
Anthony Haughey | Biography Anthony Haughey is an artist and lecturer in the Dublin Institute of Technology where he supervises practice-based PhD’s. He was Senior Research Fellow (2005-8) at the Interface Centre for Research in Art, Technologies and Design in Belfast School of Art, where he completed a PhD in 2009. His artworks and research have been widely exhibited and published nationally and internationally, including, ‘An Act of Hospitality can only be Poetic’, Highlanes Gallery, Drogheda, ‘UNresolved’, video installation, Athens Biennial, ‘The Politics of Images’, Belo Horizonte, Brazil (2017) and ‘Proclamation’ (2016), which toured widely internationally throughout 2016 where he premiered his new video ‘Manifesto’, which was acquired for the permanent collection of The Arts Council / An Chomhairle Ealaíon. Other recent exhibitions include, ‘Uncovering History’, Kunsthaus Graz, ‘Excavation’, Limerick City Gallery, ‘Making History’ and Colombo Art Biennale (2014) as well as a major British Council exhibition ‘Homelands’, touring South Asia. His artworks and scholarly writing has been published in more than eighty publications and his artworks are represented in many important national and international public and private collections. Recent chapter contributions and journal articles include, ‘Imaging the Unimaginable: Returning to the scene of a crime’, Život Umjetnosti art journal, Zagreb, ‘A Landscape of Crisis: Photographing Post Celtic Tiger Ghost Estates’, Canadian Journal of Irish Studies (2017) and ‘Imagining Irish Suburbia’ (Palgrave 2017). He is an editorial advisor for the Routledge journal, ‘Photographies’, a board member of Fire Station Artist Studios, and a member of the Arts Council Acquisitions Committee. He was recipient of Create ‘Arts and Cultural Diversity Award’ (2014) and was lead curator for a major 1916 Commemorative exhibition, ‘Beyond the Pale: The art of revolution’, Highlanes Gallery Drogheda. -
Ards and North Down Borough Council a G E N
ARDS AND NORTH DOWN BOROUGH COUNCIL 21 May 2015 Dear Sir/Madam You are hereby invited to attend a meeting of the Ards and North Down Borough Council which will be held in the Council Chamber, Town Hall, The Castle, Bangor on Wednesday, 27 May 2015 commencing at 7.00pm. Please note that the ‘Shadow’ Council Photograph will be taken at 6.45 pm. Yours faithfully Stephen Reid Chief Executive Ards and North Down Borough Council A G E N D A 1. Prayer 1.1.Apologies 2. Declarations of Interest 3. Mayor’s Business 4. Mayor and Deputy Mayor Engagements for the Month (Report to follow) 5. Presentation 5.1. Colette Kane, Northern Ireland Audit Office – Conflicts of Interest – A Good Practice Guide (Copy attached) 6. Minutes of Meeting of Council dated 29 April 2015 (Copy attached) 7. Minutes of Committees (Copies attached) 7.1. Planning Committee dated 5 May 2015 (For noting) 7.2. Environment Committee dated 6 May 2015 7.3. Audit Committee dated 11 May 2015 7.4. Corporate Services Committee dated 12 May 2015 7.4.1. Arising from Item 10 – Diversity Champions (Report attached) 7.4.2. Arising from Item 10 – Barclays Bank, Corporate Overdraft Facility (Report attached) 7.5. Community and Wellbeing Committee dated 13 May 2015 7.6. Regeneration and Development Committee dated 14 May 2015 7.7. Special Community and Wellbeing Committee dated 20 May 2015 8. Request for Deputation 8.1. Translink (Copy correspondence dated 18 May 2015 attached) 9. Community Festivals Fund Grant Applications (Report attached) 10. Ward Park Bowls – Interim Pricing Arrangements (Report attached) 11. -
Biography Anthony Haughey Is an Artist, Researcher and a Lecturer in the Dublin Institute of Technology Where He Supervises
Biography Anthony Haughey is an artist, researcher and a lecturer in the Dublin Institute of Technology where he supervises doctoral practice-based projects. He was a Research Fellow (2005-8) at the Interface Centre for Research in Art, Technologies and Design at the University of Ulster Belfast, where he completed a PhD in 2009. His work has been widely exhibited nationally and internationally, most recently Uncovering History, curated by Camera Austria in Kuunsthaus Graz, Excavation, Limerick City Gallery, where he premiered his new film, Unresolved, twenty years after the Srebrenica genocide, Making History, Colombo Art Biennale (2014), Art of the Troubles, Ulster Museum, Belfast (2014), Settlement in Belfast Exposed, Northern Ireland: 30 years of photography in the MAC and Belfast Exposed, New Irish Landscapes, Three Shadows Gallery, Beijing, Homelands, a major British Council exhibition touring South Asia, Citizen in Highlanes Gallery, Drogheda and MCAC, Portadown, Strike!, Labour and Lockout, Upending – an exhibition of enquiries in Limerick City Gallery of Art. He recently completed a commission for the Aftermath project, which toured galleries in Ireland throughout 2014. A publication (out of print) from this commission was launched in January 2015, available at: http://issuu.com/anthonyhaughey/docs/ah_aftermath_issuu His photographs and writings have been published in more than seventy publications (including eight in 2014). Monographs include The Edge of Europe (1996), Disputed Territory (2006) and an artist’s book State (2011). His work is represented in many international public and private collections and he is an editorial advisor for the Routledge journal, Photographies. He has published several chapter contributions including, ‘Dislocations: Participatory Media with Refugees in Ireland and Malta’, in Goodnow, K.