2018-19 Annual Report and Accounts
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Looking Ahead Museum Sector Research May 2021 Summary Report
Aberdeen Art Gallery, joint winner Art Fund Museum of the Year 2020, © Marc Atkins/Art Fund 2020 Looking ahead Museum Sector Research May 2021 Summary Report [Art _ CONTENTS Introduction 5 Now 9 Next 19 The role of Art Fund 31 Conclusions 37 Gairloch Museum, joint winner Art Fund Museum of the Year 2020 © Marc Atkins/Art Fund 2020 INTRODUCTION What has emerged is a new We would like to thank our model for the museum, one in colleagues in museums and which the physical space of the galleries across the UK who, at a Almost exactly a year ago, I wrote We hope our findings will not museum is no longer dominant. point at which it felt like there was the introduction to Art Fund’s first only inform Art Fund’s charitable Instead, the museum is divided a new survey to fill out every other survey on the impact of Covid-19. programme, but also help other into three: on-site, on-line, and day, took the time to answer our At that time, our sector faced an organisations, funders and out in the community; each space questions and have yet another unprecedented crisis. One year agencies, across and beyond equally important and informed Zoom meeting. It is a privilege to later and little has changed: across the sector, understand where our by the other two. Alongside this is be part of a sector full of generous, the UK museums and galleries are continued support is most needed. new thinking about recovery: for creative, and dedicated people. only just starting to reopen, finances many, a continual growth model is The themes in this survey will not remain extremely precarious, untenable, and the sector must ask Sarah Philp be a surprise to anyone working in and the future uncertain. -
Causeway Coast Way
Causeway Coast Way Sweeping bays, sandy beaches, dramatic cliffs and world class natural heritage await you on the Causeway Coast Way RATHLIN Welcome to the PORTSTEWART ISLAND BALLYCASTLE Causeway Coast Way This superb, two-day walking route takes you along Northern Ireland's most celebrated coastline. High cliffs, secluded beaches and numerous historic and natural Benbane Head landmarks are just some of the 6 Sheep Island treats on offer. With frequent access Giant’s Causeway Carrick-a-rede Island White points and terrain suitable for all fit Dunseverick Park Bay Castle BALLINTOY walkers, this is one route you'll remember for years to come. The Skerries A2 PORTBALLINTRAE 7 Ramore Head 4 Clare A2 1 Wood BUSHMILLS B BALLYCASTLE B17 B17 A2 A2 Broughgammon PORTRUSH Wood East Strand, Portrush 17 4 B 4 PORTSTEWART A Ballycastle Moycraig 67 Forest 9 B Contents 2 Wood B B 1 A 8 8 6 Capecastle 04 - Section 1 5 Cloonty A Wood 2 Wood Portstewart to Portrush Mazes B 7 4 Wood 7 6 7 06 - Section 2 B1 2 B6 1 B Portrush to Portballintrae B 14 7 6 7 08 - Section 3 6 8 B67 B B Route is described in an clockwise direction. Portballintrae to Giant’s COLERAINE However, it can be walked in either direction. Causeway 10 - Section 4 Giant’s Causeway to Key to Map Dunseverick Castle SECTION 1 - PORTSTEWART TO PORTRUSH (10km) 12 - Section 5 Dunseverick Castle to SECTION 2 - PORTRUSH TO PORTBALLINTRAE (9.3km) Ballintoy Harbour SECTION 3 - PORTBALLINTRAE TO THE GIANT’S CAUSEWAY (4.3km) 14 - Section 6 Ballintoy Harbour to Ballycastle SECTION 4 - GIANT’S CAUSEWAY -
Irish Botanical News
IRISH BOTANICAL NEWS Number 3 February, 1993 Edited by: Dr Brian S. Rushton, University of Ulster Coleraine, Northern Ireland, BT52 1SA Published by: The Committee for Ireland Botanical Society of the British Isles COMMITTEE FOR IRELAND, 1992-93 BOTANICAL SOCIETY OF THE BRITISH ISLES Elected at the Annual General Meeting, held in the National Botanic Gardens, Glasnevin, Dublin on 3rd October, 1992 (office bearers were subsequently elected at the first Committee meeting): Mr John C.L. Phillips, Chairman (retiring October, 1993) Dr Ralph S. Forbes, Secretary (retiring October, 1993) Dr David W. Nash, Field Meetings Secretary (retiring October, 1994) Miss Maura J.P. Scannell (retiring October, 1994) Dr Micheline J. Sheehy Skeffington (retiring October, 1994) Mr John J. Earley (retiring October, 1995) Mr Alan Hill (retiring October, 1995) The following are also members of the Committee: Mrs Sylvia Reynolds, B.S.B.I. Council Representative Mr Paul Corbett, Department of the Environment (Northern Ireland) Representative Dr Brian S. Rushton, co-opted October, 1992 Irish Botanical News is published by the Committee for Ireland, Botanical Society of the British Isles and edited by Dr B.S. Rushton. © Dr B.S. Rushton and the authors of individual articles, 1993. The cover illustration is of representative leaves of Plantago coronopus L. from two geographical areas, the north coast of Ireland and inland areas of England. The leaves are derived from plants grown from seed and kept under identical greenhouse conditions. 2 CONTENTS Editorial ..........................................................................................…………. 4 Biological recording in Northern Ireland – The Northern Ireland Biological Records Centre (N.I.B.R.C.). D. Mitchel .............................5 Getting to know RECORDER – a user’s experience. -
Please See the Application Pack
APPLICATION PACK Application deadline: 6 February 2019 Shortlist announcement: May 2019 Winner announcement: July 2019 artfund.org/museum-of-the-year #museumoftheyear Art Fund Museum of the Year 3 Art Fund Museum of the Year Recent winners and finalists 4 The biggest museum prize in the world, Art Fund Museum of the Year The judges 6 seeks out and celebrates innovation and exceptional achievement in museums and galleries across the UK. What the judges are looking for 8 We award one outstanding winner £100,000 and each of the other Our work with finalists 10 finalists £10,000 to support future activity. Eligibility 12 It’s a moment to spotlight the originality and creativity of the museum sector. During the process each year’s finalists – selected from How to apply 14 applications from museums of all kinds and sizes – typically see a major boost in attendance and profile, strengthened support from stakeholders What happens after you’ve applied 16 and wider public recognition. Winner announcement 17 The prize also helps to reinforce finalists’ relationships with their audiences both locally and nationally and to make new, Timeline 18 lasting connections. Terms and conditions 19 2 3 Recent winners and finalists Art Fund Museum of the Year has helped to draw national and international attention to the many and varied accomplishments of UK museums. 2018 Winner: Tate St Ives Celebrating the important contribution of 20th-century artists who lived and worked in Cornwall, Tate St Ives reopened in 2017 following a major redevelopment undertaken in close consultation with the community. Finalists: Brooklands Museum, Weybridge; Ferens Art Gallery, Hull; Glasgow Women’s Library; The Postal Museum, London 2017 Winner: The Hepworth Wakefield The gallery hosted a sequence of special exhibitions, saw the success of its inaugural Hepworth Prize for Sculpture, and showed a dedication to Atkins 2018 © Marc Ives, St Tate serving the local community. -
GREAT INTERIORS HECTOR Mcdonnell HECTOR Mcdonnell
GREAT INTERIORS HECTOR McDONNELL HECTOR McDONNELL GREAT INTERIORS Exhibition dates 3rd - 21st November 2015 21 Bruton St, London, W1J 6QD I have been working on the paintings in this exhibition over the last two years. They concentrate on what has been a constant theme for me - an endless fascination with interiors both for what they tell us about the people who inhabit these places even when they are not there and the curiosity aroused by half-seen glimpses spied through windows and doors. The mystery of the not-quite-known is forever enticing. Hector McDonnell, October 2015 CHATSWORTH - THE STATE ROOMS 2015 Oil on canvas 102 x 76 cm (40” x 30”) £15,000 + VAT CHATSWORTH - LOOKING TOWARDS THE CASCADE 2015 Oil on canvas 102 x 76 cm (40” x 30”) £15,000 + VAT CHATSWORTH - THE DRAWING ROOM 2015 Oil on canvas 122 x 91.5 cm (48” x 36”) £24,000 + VAT CHATSWORTH - SUNLIGHT IN THE PRIVATE DINING ROOM 2014 Oil on canvas 122 x 91.5 cm (48” x 36”) £24,000 + VAT BEN AT THE CASTLE 2015 Oil on canvas 76 x 51 cm (30” x 20”) £12,000 + VAT WINDOW IN THE TOWER HOUSE, KENSINGTON, LONDON 2015 Oil on canvas 76 x 51 cm (30” x 20”) £12,000 + VAT THE GALLERY 2015 Oil on canvas 76 x 102 cm (30” x 40”) £12,000 + VAT WINDOW AT CASTLE WARD 2015 Oil on canvas 76 x 51 cm (30” x 20”) £12,000 + VAT WGF IN THE REFORM CLUB 2014 Oil on canvas 76 x 51 cm (30” x 20”) £12,000 + VAT THE ATRIUM OF THE REFORM CLUB 2015 Oil on canvas 76 x 51 cm (30” x 20”) £12,000 + VAT REESY’S FRONT DOOR, GARRISON, NEW YORK 2015 Oil on canvas 102 x 76 cm (40” x 30”) £15,000 + VAT BATHROOM WINDOWS -
The British Museum Annual Reports and Accounts 2019
The British Museum REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 HC 432 The British Museum REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 Presented to Parliament pursuant to Section 9(8) of the Museums and Galleries Act 1992 Ordered by The House of Commons to be printed on 19 November 2020 HC 432 The British Museum Report and Accounts 2019-20 © The British Museum copyright 2020 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as British Museum copyright and the document title specifed. Where third party material has been identifed, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to us at [email protected]. This publication is available at www.gov.uk/ofcial-documents. ISBN 978-1-5286-2095-6 CCS0320321972 11/20 Printed on paper containing 75% recycled fbre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Ofce The British Museum Report and Accounts 2019-20 Contents Trustees’ and Accounting Ofcer’s Annual Report 3 Chairman’s Foreword 3 Structure, governance and management 4 Constitution and operating environment 4 Subsidiaries 4 Friends’ organisations 4 Strategic direction and performance against objectives 4 Collections and research 4 Audiences and Engagement 5 Investing -
PRESS RELEASE 03 July 2019
PRESS RELEASE 03 July 2019 St Fagans winner of £100,000 Art Fund Museum of the Year 2019 St Fagans National Museum of History, near Cardiff, was announced as Art Fund Museum of the Year 2019 this evening (3 July 2019), the most important museum prize in the world. David Anderson, Director General of National Museum Wales, was presented with the £100,000 prize by artist Jeremy Deller at a ceremony in the spectacular setting of the Science Museum, London. St Fagans is the first Welsh winner of Art Fund Museum of the Year and Wales’ most visited heritage attraction. The winner was chosen from five finalists: HMS Caroline (Belfast), Nottingham Contemporary, Pitt Rivers Museum (Oxford), St. Fagans National Museum of History (Cardiff) and V&A Dundee. Each of the other finalist museums receives a £10,000 prize in recognition of their achievements. Among the 400 guests at the dinner hosted by Stephen Deuchar, director, Art Fund, were: Artists: Ron Arad, Ruth Beale, Zarina Bhimji, Sonia Boyce, Michael Craig-Martin, Edmund De Waal, Antony Gormley, Eva Grubinger, Roger Hiorns, Chantal Joffe, Michael Landy, Langlands and Bell, Ian McKeever, Melanie Manchot, Mariele Neudecker, Katrina Palmer, Gerald Scarfe, Yinka Shonibare, Matt Smith, Annika Strom, Mitra Tabrizian, Gavin Turk, Clare Twomey, Barbara Walker, Gillian Wearing, Alison Wilding, Richard Wentworth and Stephen Willats. Arts leaders: Bruce Boucher, Ian Blatchford, Tony Butler, Iwona Blazwick, Peter Bazalgette, Nicholas Cullinan, David Dimbleby, Caro Howell, Kevin Fewster, Liz Gilmore, Simon Groom, Melanie Keen, Phillip Long, Tim Marlow, Sarah McRory, Tamalie Newbery, Adele Patrick, Victoria Pomery, Tim Reeve, Axel Rüger, Jennifer Scott, Nicholas Serota, Sam Thorne, Esme Ward and Iain Watson. -
Scammonden, Baitings and Boothwood
Accompanying Persons Tours Leaving Queens University Belfast at 10.15am returning at approximately 5pm. Thursday 4th September 2014 9.30am Pick up from Halls 10.00am Coffee at Stormont Castle Coffee Shop 11.00am Stormont Castle Tour (approx 1 hour long) 12.00pm Coach pick up from Stormont 12.30pm Merchant Hotel at the Great Room for 2 course lunch 1.45pm Coach pick up from the Merchant 2.00pm Titanic Belfast Tour (approx 2 hours long) 4.00pm Coach pick up from Titanic and back to Halls 5.30pm Pick up from Halls 6.00pm Binnie Lecture at Andrews Gallery Titanic Belfast 7.30pm Reception and Gala Dinner Titanic Belfast Friday 5th September 2014 Free Time Before 10am Some information on local interest will be provided 10.15 am Whitla Hall coach departure for Dam inspection tours Saturday 6th September 2014 Before 9.00am Breakfast at the Halls 9.30am Ulster Museum visit 11.00am Coffee at the Ulster Museum 12.00noon Botanical Gardens 1.00pm Lunch at Whitla Hall 1 Thursday 4 September 2014 You will be picked up from the halls at 9.15am and driven to the coffee house below which is situated within the grounds of Stormont Storm in a Teacup. This cleverly named bistro is perfectly poised in the upper gate house of Stormont Estate, home of NI's iconic Stormont Parliament Building. It’s equally elegant, albeit smaller scale façade gives way to a glam interior boasting glistening chandeliers and quirky cafe twists on art classics - think George Washington gazing through a glazed doughnut or Constable's The Haywain hauling a French Fancy Food runs from stylish breakfasts to hot and cold lunches and a BYOB bistro on Fri and Sat. -
PRESS RELEASE 5 December 2019
PRESS RELEASE 5 December 2019 SEARCH FOR ART FUND MUSEUM OF THE YEAR 2020 BEGINS TODAY Today, Thursday 5 December, Art Fund director Stephen Deuchar launches the search for Art Fund Museum of the Year 2020. The biggest museum prize in the world – with a total prize fund of £140,000 – Art Fund Museum of the Year champions UK museums on a national stage, rewards innovative and transformative work and inspires more people to go and visit them. The application deadline is 13 February 2020 and the shortlist of five museums will be announced in late April 2020. The winner of Art Fund Museum of the Year 2020 will be announced at an award ceremony in London in early July 2020. The winning museum will receive £100,000. Each other finalist will receive £10,000. The competition has become an important vehicle for promoting the achievements of UK museums and raising their public profile nationally and internationally. Previously known as the Prize for Museums and Galleries, it was re-launched as Art Fund Museum of the Year in 2013 by Stephen Deuchar, who has chaired and selected the judging panel since then. He steps down from his role as Director of Art Fund on 31 March 2020. The 2020 Museum of the Year chair will be Art Fund trustee Dame Liz Forgan. Forgan, a Trustee of Art Fund since 2012, has held positions including: Chair, Scott Trust 1993- 2017; Deputy Chair British Museum 2008-2016; Chair Arts Council England 2008-2012; Chair Heritage Lottery Fund 1999-2008; Chair Churches Conservation Trust 1994-1998; Managing Director BBC Network Radio 1990-1993; Director of Programmes Channel 4 TV 1981-1990. -
PRESS RELEASE 05 July 2018
UNDER STRICT EMBARGO UNTIL THURSDAY 5 JULY AT 10.00PM PRESS RELEASE 05 July 2018 TATE ST IVES WINS £100,000 ART FUND MUSEUM OF THE YEAR 2018 This evening (5 July 2018), Tate St Ives was announced as Art Fund Museum of the Year 2018, the largest and most prestigious museum prize in the world. Anne Barlow, Director of Tate St Ives, was presented with the £100,000 prize by artist Isaac Julien and the ‘world’s best teacher’ Andria Zafirakou at an award ceremony at the V&A, London. The winner was chosen from five finalists: Brooklands Museum (Weybridge), Ferens Art Gallery (Hull), Glasgow Women’s Library, The Postal Museum (London) and Tate St Ives (Cornwall). Each of the other finalist museums received a £10,000 prize in recognition of their achievements. Among the 400 guests at the dinner hosted by Stephen Deuchar, director, Art Fund were: Artists: Ron Arad, David Batchelor, Mat Collishaw, Michael Craig-Martin, Roger Hiorns, Gary Hume, Chantal Joffe, Isaac Julien, Ben Langlands and Nikki Bell, Lawrence Lek, Peter Liversidge, Junko Mori, Humphrey Ocean, Cornelia Parker, Grayson Perry, Gerald Scarfe, Yinka Shonibare, Bob & Roberta Smith, Linder Sterling, Mitra Tabrizian, Gavin Turk, Gillian Wearing, Stephen Willats and Bill Woodrow. Arts leaders: Maria Balshaw, Peter Bazalgette, Iwona Blazwick, Nicholas Cullinan, Michael Ellis MP, Alex Farquharson, Gabriele Finaldi, Tristram Hunt, Jay Jopling, Diane Lees, Jonathan Marsden, Nick Merriman, Munira Mirza, Frances Morris, Maureen Paley, Axel Rüger, Ralph Rugoff, and Nicholas Serota. The biggest museum prize in the world, Art Fund Museum of the Year seeks out and celebrate innovation, imagination and exceptional achievement in museums and galleries across the UK. -
Best of Ireland
BEST OF IRELAND 10-day / 9-night Itinerary Our best of Ireland package is packed with ideas and visitor suggestions and includes your choice of a self-drive or a chauffeur drive option. You’ll spend four nights along the “Wild Atlantic Way” north west of Belfast in Dunfanaghy. The itinerary is book ended with two-nights in Belfast and three-nights in Dublin which makes for a perfect town and country experience. A lovely “Best of Ireland” itinerary for first timers or anyone wanting to reconnect with Irish traditions, culture and the land of saints and scholars. Naturally, we can customize the details to meet any combination of needs. BEST OF IRELAND Itinerary Summary DAY 1 Belfast: Arrival DAY 2 Belfast: City tour, Titanic Center, Ulster Museum DAY 3 Belfast/Dunfanaghy: Bushmills Distillery, Giant’s Causeway & Carrick-a-Rede Rope Bridge, Dark Hedges, Dunluce Castle, Walled City of Derry DAY 4 Dunfanaghy: Explore Dunfanaghy, Hornhead, Fanad Lighthouse DAY 5 Dunfanaghy: Donegal Food Tour, Slieve League, Glencolmcille Folk Village DAY 6 Dunfanaghy: Glenveagh National Park, Bloody Foreland DAY 7 Dunfanaghy/Dublin: Newgrange en route DAY 8 Dublin: St Patrick’s Cathedral, Guinness Storehouse, National Gallery of Ireland, The National Museum DAY 9 Dublin: The Phoenix Park, Pearse Lyons Distillery, Kilmainham Goal, Grafton Street DAY 10 Dublin: Departure Many of the attractions are self-guided with entrances paid on the spot. However, for a more exclusive itinerary, we are happy to organize every detail along with private guides. And if the attractions above aren’t enough, we are happy to tailor more for your specific needs. -
The Art Fund in 2014/15
The Art Fund in 2014 /15 The Art Fund in 2014/15 Report of the Board of Trustees Chairman’s welcome p3 Mission and objectives p4 Art Acquisitions p10 Joint acquisitions and tours p18 Curators p23 Gifts, bequests and legacies p24 Public fundraising appeals p26 Sector Art Happens p33 Art Fund Prize for Museum of the Year p34 Digital initiatives and new audiences p37 Community National Art Pass p41 Art Quarterly p43 Supporters p44 Resources Operations p51 Finance review p52 2 The Art Fund in 2014/15 3 Chairman’s welcome Ever since its foundation in 1903, the Art Fund has played a vital role in enhancing the health and quality of the UK’s museums and galleries, meeting the challenges of the hour whenever and wherever they have arisen. Budget cuts, the changing expectations of Since 2010, the Art Fund has supported We are doing all we can to help museums audiences, and the relentless development the curatorial profession by funding various attract, entertain and inform those who visit of new technologies are amongst the training and research opportunities. them. We believe in the power of art in problems – and opportunities – faced by In 2014 we gave £402,000, more than ever contemporary society and we are proud of the museum and arts sector today. We before, to this end – vitally important, in all we have done in its service in 2014, with have tried to help on all fronts: in 2014, our view, for the health and vitality of our the help of all of our supporters. alongside the grants for acquisitions that public art collections.